Podcasts about Emerick

Olá, ouvintes! Neste novo episódio do Abrale Cast, falamos sobre os cuidados paliativos na área da onco-hematologia. Tivemos os convidados: ◾ Dra. Cecília Emerick: médica paliativista e Coordenadora do Comitê de Hematologia da Academia Nacional de Cuidados Paliativos (ANCP). ◾ Dr. Paulo Novita: médico hematologista especializado em cuidados paliativos. Vem conferir! ⬜ Hosts: Tatiane Mota e Heitor Assumpção

Send us a textThe divide between pain and pleasure, escape and presence, runs through the core of human experience. In this riveting conversation with Amrit Singh Reinsch, we venture beyond conventional thinking about consciousness and healing to discover what happens when we stop running from discomfort.Amrit's extraordinary journey took him from Germany's regimented structure to two decades in India, where meditation and yoga became his pathway to experiencing the profound internal highs our bodies naturally create. "It's a fascinating subject," he explains, comparing these states to the runner's high many already know. "Your human body can do this."The most compelling aspects of our discussion center around intention versus escapism. While many use substances or activities to numb pain, Emerick describes his recent therapeutic psychedelic experience as transformative precisely because it wasn't about avoiding reality but seeing it more clearly. "It's not about going high... it's about having the experience and then taking that with you into our human experience."What emerges is a radical reframing of life's challenges. Rather than obstacles to happiness, difficult emotions become doorways to freedom when we face them directly. This applies not only to our inner work but also to parenting, where witnessing our children's pain without immediately trying to fix it becomes one of the most challenging and necessary forms of love."Have fun," Amrit reminds us in closing. "It's all just one big game." This isn't dismissive but profoundly liberating – an invitation to approach life with curiosity instead of control. By embracing both the light and shadow aspects of being human, we discover a wholeness that transforms how we experience everything.Ready to explore your own relationship with presence and pain? Listen now and discover how accepting the full spectrum of human experience might be the most healing choice you'll ever make.Find out more about Amrit here: https://coachingnow.info/Support the show

Alicyn Emerick shares her inspiring journey through the marketing world and how she rose to a leadership position in commercial real estate marketing. From overcoming challenges in B2B marketing to leading a team with creativity and mentorship, Alicyn offers valuable insights for marketers at any stage in their careers.

What does it mean to build a legacy—not just for yourself, but for an entire community? In this special episode, we turn the spotlight on our very own Emerick Peace, a leader, mentor, and the "patriarch of Black real estate." Affectionately known as "Unc," Emerick has shaped the landscape of real estate with a deep commitment to excellence, collaboration, and community.He shares his journey from West Baltimore to the Air Force to founding the largest Black-owned real estate office in the country. We discuss leadership, mentorship, and the challenges of building something bigger than yourself—plus, a glimpse into his next mission: coaching others to overcome the personal and professional barriers holding them back.Resources:Learn more at The Color of MoneyBecome a real estate agent HEREConnect with Our HostsEmerick Peace:Instagram: @theemerickpeaceFacebook: facebook.com/emerickpeaceDaniel Dixon:Instagram: @dixonsolditFacebook: facebook.com/realdanieldixonLinkedIn: linkedin.com/in/dixonsolditYouTube: @dixongroupcompaniesJulia Lashay:Instagram: @iamjulialashayFacebook: facebook.com/growwithjuliaLinkedIn: linkedin.com/in/julialashay/YouTube: @JuliaLashayBo MenkitiInstagram: @bomenkitiFacebook: facebook.com/obiora.menkitiLinkedIn: linkedin.com/in/bomenkiti/Produced by NOVAThis podcast is for general informational purposes only. The guest's views, thoughts, and opinions represent those of the guest and not KWRI and its affiliates and should not be construed as financial, economic, legal, tax, or other advice. This podcast is provided without any warranty, or guarantee of its accuracy, completeness, timeliness, or results from using the information.Advertising Inquiries: https://redcircle.com/brands

Send us a textSher and Shelley from Life Lessons from Pickleball serve up inspiring stories and laughs. They share why this sport is more than just a game and how pickleball is bringing people together in the best ways. Plus, join the conversation about homelessness at an upcoming focus group. Plan ahead for the Kirkland Shamrock Run. Mark your calendars for Spring and Summer Parks Recreation. Learn about joining the Lake Washington School District Board. Get up to date on the last City Council meeting. Experience history in downtown Kirkland. And more. Show note links: kirklandwa.gov/podcast#20250306

My guests on this episode are Evan Emerick and Ryan Abuan from the University of San Diego Men's Golf.  Coach Emerick has led his team to three victories this year and have not finished worst than fourth this season.  Ryan Abuan picked up his first collegiate win at the The Prestige in Palm Springs. Evan Emerick - University of San Diego Men's Golf CoachRyan Abuan - University of San Diego Men's Golf  The Back of the Range - All Access Subscribe to The Back of the Range Subscribe in Apple Podcasts and SPOTIFY!Also Subscribe in YouTube,   Google Play , Overcast, Stitcher  Follow on Social Media! Email us:   ben@thebackoftherange.comWebsite: www.thebackoftherange.com  Voice Work by Mitch Phillips 

Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning   https://www.newlifenaz.church/people/ryan-emerick/    

Is the Twin Flame journey the ultimate path to self-love and transformation, or is it just another misunderstood spiritual concept? In this episode of Mindset Mastery Moments, Dr. Alisa Whyte dives deep into the truth about Twin Flames with Dr. Chrissy Emerick, Ph.D., CEO of Mind Alignment Process Inc. and Master Certified Ascension Coach of Twin Flames Universe.The Twin Flame journey is often romanticized or misrepresented—seen as either a fairytale connection or a toxic cycle. But the reality is far more powerful. Dr. Chrissy shares her personal transformation, debunks common myths (like the runner-chaser dynamic), and explains why over 95% of students in Twin Flames Universe report improved mental health and self-confidence after embracing the journey.What You'll Learn in This Episode:✅ Twin Flames vs. Soulmates: The key differences and why Twin Flames are mirrors for growth✅ Breaking the Myths: Why Twin Flames are not about chasing or toxic patterns✅ The Power of Self-Love: How your Twin Flame journey begins within✅ Healing and Boundaries: Why honoring yourself leads to deeper, authentic relationships✅ Mind Alignment Process: Dr. Chrissy's breakthrough experience in shifting trauma and unlocking peaceIf you're on a journey of self-discovery, healing, and attracting aligned love, this conversation is for you.Resources & Freebies:

Extreme Entrepreneurs: Steve Jobs and Jesus Christ by Tracy Emerick, Ph.D.The book explores the soul and how it projects to others. Two examples, Steve Jobs and Jesus Christ, are examined for what each did as an "extreme entrepreneur," to provide a position that has changed and will continue to change humankind. In his words, Steve Jobs provided technology that provide a "bicycle for the mind," putting complex technology in the hands of the non-technical masses. Jesus Christ converted living in fear to living in love as a way to tap the God within each of us.The author is a very busy retired individual. He has authored two marketing books, operated a direct marketing agency for twenty years, and spent ten years in marketing and business development consulting. While writing this work, he served as a state representative, moderator of his church, and chair of his town's planning board. He has taught at several universities at the graduate level. He has been married to his wife for fifty-three years and has two children and five grandchildren. His education includes a BA in philosophy, a master's in business administration (MBA), and a PhD in business administration.https://authortracyemerick.com/https://www.auctoremhouse.com/http://www.bluefunkbroadcasting.com/root/twia/21325telp.mp3   Nifty Neighbors: Mister Rogers & Jesus Christ by Tracy Emerick, Ph.D.This book explores the opportunities and the benefits of being a good neighbor and having good neighbors in personal and professional life. Two model examples are used, Mr. Rogers and Jesus Christ with explanations of characteristics, traits, and attitudes you can follow to improve your "neighborhood." The text provides excellent food for thought and action in our daily lives.https://authortracyemerick.com/Consummate Coaches: Bill Belichick and Jesus Christ by Tracy Emerick, Ph.D.Emerick has written an engaging and inspiring work that should appeal to both football fans and readers of Christian nonfiction.https://authortracyemerick.com/Constant Courage: Martin Luther King, Jr. and Jesus Christ by Tracy Emerick, Ph.D.The book compares and contrasts the courage of two people, Martin Luther King, and Jesus Christ. Courage to stand up for individual freedom. Courage to not use violence as a means to an end. Courage to love all people, even enemies. Courage to spread the word to anyone who would listen.https://authortracyemerick.com/

Learn how to turn regrets into motivation to build a better retirement with guest Lori Emerick of Aspen Group Consulting.

In this conversation, Yannick Jacob and Dylan Emerick-Brown discuss the power of narratives in coaching. They explore how narratives shape our lives and how coaches can work with narratives to help their clients. They also discuss the role of curiosity and discomfort in coaching, as well as the importance of a good editor or coach to help navigate the unknown. The conversation highlights the value of storytelling and the impact it can have on personal growth and transformation. In this conversation, Dylan Emerick-Brown discusses the importance of storytelling in coaching and marketing. He emphasizes the need for authenticity and genuine connections, rather than following a prescribed formula. Dylan also highlights the value of brevity and the power of impactful emotional moments in storytelling. He shares his own coaching experiences and offers insights into the coaching process. Dylan concludes by encouraging people to find joy in making others smile.Dylan Emerick-Brown is an Executive and Organizational Performance Coach specializing in the healthcare sector. An ICF-Certified Neuroscience Coach, Fellow of the Institute of Coaching at McLean Hospital (a Harvard Medical School affiliate), and member of the American College of Healthcare Executives, Dylan is passionate about fostering cultures of self-awareness, enlightened perspectives, and constructive conflict within healthcare organizations.With a coaching philosophy centered on empowering clients to achieve sustainable behavior change, Dylan emphasizes clarity as the foundation for transformational growth. By helping healthcare executives and professionals align individual and organizational values, he supports clients in making meaningful, lasting impact. His expertise extends to working with medical residency programs, providing both individual and team coaching to build resilience and cohesion in high-pressure environments.Dylan's credentials include training with the Co-Active Institute, Positive Intelligence, and certifications in Strategic Leadership in Healthcare, Leading Organizational Change, Talent Optimization, and Culture of Health initiatives from institutions such as Doane and Harvard University. Guided by the principle, "Provoking people to think about their thinking is the single most powerful antidote to erroneous beliefs and autopilot" (John Dewey), Dylan is dedicated to catalyzing clarity, innovation, and progress in healthcare leadership._____________________________Never miss an episode by signing up to our mailing list:https://rocketsupervision.com/talking-about-coaching/Continue the conversation - Join the community!Facebook: https://www.facebook.com/groups/talkingaboutcoaching     Whatsapp: https://chat.whatsapp.com/HLEWkFImuk60UQO2JA8HpA Find more deep dives here.Short episodes of Talking about Coaching addressing specific questions are here.You can also find us on all major podcast platforms.If you'd like to support what we do, please consider a positive review, leave a comment or tell a friend or colleague about this episode.__You can see COACHING DEMOS from many of our podcast guests as part of Yannick's Coaching Lab. In the Lab you're a “fly on the wall” for a 45min live coaching demo followed by Q&A and conversations with the coach and client and (optional) experimental breakouts in triads. Members of the Lab can re-watch recordings of sessions they've missed and Support the show

In an engaging and insightful podcast episode, a seasoned coach lays bare the evolving dynamics of youth sports coaching, offering a refreshing approach that prioritizes mental and emotional well-being. The conversation unfolds as a masterclass in understanding athletes' struggles and traumas, underscoring the importance of meeting players where they are—both mentally and physically. The coach highlights the necessity for coaches to set aside personal issues, fostering an environment where individual progress fuels team success. Through anecdotes and strategies, the discussion explores the power of creativity in coaching, from designing individualized defensive drills in tight spaces to emphasizing fundamentals before chasing metrics like bat speed or power. At its heart, the episode celebrates the profound role of patience, observation, and collaboration in shaping young athletes. Coaches are encouraged to implement routines that build good habits, develop pitch recognition, and give players a sense of ownership over their training. Ultimately, this thoughtful conversation reframes coaching as an art form, where the goal is not conformity but the cultivation of unique talent and love for the game. Whether you're a coach, a parent, or a sports enthusiast, this episode offers a compelling reminder: the true essence of coaching lies in guiding players through personal growth, one step—and one pitch—at a time.

Nicole Emerick went from commercial banker to blogger to Fortune 100 social media director. With experience as a creator/entrepreneur, agency lead and client side social media leader, Nicole has a unique perspective on using social media to drive and sustain business growth. Outside of work, Nicole enjoys coaching leaders on building standout personal brands.

In this especially informative and timely episode with Mindful Meditation Coach Shawna Emerick, we deeply investigate self-compassion, an important practice, especially during the holiday season. You will learn: How to define self-compassion Why to practice self-compassion Misconceptions about self-compassion Methods for eliminating blocks to self-compassion How to start your self-compassion practice even if it feels impossible How to use mindfulness as a pathway to self-compassion What healers can do to support their clients in building self-compassion How to get your new practices to stick What special accommodations should be made for trauma survivors when working with self-compassion Shawna Emerick is a Yogini‚ Dancer‚ Thai Yoga Bodywork Therapist‚ Life Coach‚ and Dreamer who loves to look out the window of a plane; a Spiritual Activist; an Explorer; a Lover; a Woman; Ohioan; New Yorker; Daughter; Sister; Mother; Wall Fly; Leader; World Traveler; Planner who likes to Improv; Contemplative; Human Being. She guides yoga classes, facilitates workshops, and hosts retreats of various flavors. I continue to have the humbling honor to connect with others through yoga, Thai massage, coaching, and more so that we don't feel like “other” but feel our Oneness. Follow Shawna on Instagram. Learn more about Three and a Half Acres Yoga. -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

Coaching, teamwork, recruitment, stats, and a passion for winning — the way Emerick, Daniel, and today's guest, Keith James, talk in this episode, you might think it's an NBA podcast. But they're talking real estate.Keith is the co-owner of Coalition Properties, a powerhouse business that's done over $700 million in sales since 2019. With stats like that, you'd think the wins come easy. But this year has been anything but straightforward for Keith and his team. From navigating a slow start to restructuring budgets and scaling up recruitment, Keith had to focus on consistency and doubling down on what works — and on top of it all, he faced an Achilles injury that forced him to lean into his team and systems even more.In this episode, Keith shares the lessons that carried him through these challenges, reminding us that "It doesn't matter how you start; it matters how you end." This episode will leave you ready to tackle whatever's in front of you — and maybe even inspire you to hit the court!Resources:Learn more at The Color of MoneyLearn more about Jennifer Davis, KW MAPS coachWatch the “Success Through Collaboration With Coalition Properties Group” episode of the KW Role Models seriesRead “7L: The Seven Levels of Communication”Read “Rich Dad, Poor Dad”Become a real estate agent HEREConnect with Our HostsEmerick Peace:Instagram: @theemerickpeaceFacebook: facebook.com/emerickpeaceDaniel Dixon:Instagram: @dixonsolditFacebook: facebook.com/realdanieldixonLinkedIn: linkedin.com/in/dixonsolditYouTube: @dixongroupcompaniesJulia Lashay:Instagram: @iamjulialashayFacebook: facebook.com/growwithjuliaLinkedIn: linkedin.com/in/julialashay/YouTube: @JuliaLashayBo MenkitiInstagram: @themenkitigroupFacebook: facebook.com/obiora.menkitiLinkedIn: linkedin.com/in/bomenkiti/Produced by NOVA MediaThis podcast is for general informational purposes only. The guest's views, thoughts, and opinions represent those of the guest and not KWRI and its affiliates and should not be construed as financial, economic, legal, tax, or other advice. This podcast is provided without any warranty, or guarantee of its accuracy, completeness, timeliness, or results from using the information.WARNING! You must comply with the TCPA and any other federal, state or local laws, including for B2B calls and texts. Never call or text a number on any Do Not Call list, and do not use an autodialer or artificial voice or prerecorded messages without proper consent. Contact your attorney to ensure your compliance.Advertising Inquiries: https://redcircle.com/brands

In this episode of the BizNews Briefing host Alec Hogg has three live studio guests - and a host of inserts from other knowledgeable observers. Subjects covered in this hour of power range from Tesla, Elon Musk's politics and finan cial African oil and gas projects through to A GNU challenge over BEE in agriculture and good news for the SA economy from Ray Dalio and the Freedom Index.

In an insightful interview, Neil Emerick from the Free Market Foundation discusses South Africa's rise in the Freedom Index, moving from 85th to 81st place. He emphasizes the importance of economic freedom for growth and quality of life, comparing South Africa's ranking with its BRICS counterparts. Emerick also addresses the complexities of international trade, climate change, and the challenges Africa faces in achieving economic development amid global pressures.

Da mesma forma que Deus chama alguém para pastorear, Ele também chama para trabalhar em alguma área ou ainda empreender em um novo negócio? Não deixe de ouvir e aprender com este Debate 93!!!

One of the more fascinating ongoing stories in the theme park world in the past several years has been the construction of Mattel Adventure Park in Glendale, Arizona. Featuring two roller coasters from Chance Rides, including the first-ever launched Hyper GT-X coaster, the Mattel Adventure park is scheduled to open in the next few months. This week on the podcast, Andrew is joined by Cindy Emerick, Vice President of Attraction Design for Mattel Adventure Park to talk all things about the new Arizona park, as well as its sister park, scheduled to open in the Kansas City metro in 2026. We learn more about the coaster design, family rides, go-karts, and more for this unique family friendly indoor-outdoor theme park!You can connect with the show by hitting us up on social media @Coaster101: Facebook  |  Twitter  |  Instagram. We also have a website, if you're into that sort of thing: www.coaster101.comAlso, be sure to subscribe to the podcast so you don't miss an episode! And please give us a rating and review wherever you listen, it helps new listeners find us!Find the latest and greatest Coaster101 and theme park-inspired merch at c101.co/teepublic!Thanks to JMMD Entertainment for providing our theme song. For more on them, check out jmmusicdesign.com.

What does it mean to take the seat of the teacher? Shawna Emerick is an experienced yoga teacher who finds herself feeling like a beginner again as she takes on a new mindfulness meditation certification program. In this relatable discussion, we talk about the very real discomfort that comes with teaching yoga - and how the fact that it never fully goes away is a good thing. Other topics explored include; intuitive and deliberate modes of thinking, the relationship between renunciation and boundaries, and the differences between being a teacher and being a mentor. EPISODE HIGHLIGHTS: 02:10 The Role of a Teacher 03:57 Intuition vs. Deliberation 07:06 Why we need to slow down to speed up 14:22 Does teaching involve renunciation 22:03 How people pleasing harms both teachers and students 25:43 The difference between teaching and mentorship 31:02 The relationship between mentorship and therapy 34:47 Why discomfort as a teacher is not the problem EPISODE LINKS & RESOURCES: Shawna Emerick Follow Shawna on Instagram @shawnashakti Listen to Shawna's previous episode: How to Overcome Fear & Doubt LINKS AND RESOURCES: Follow YTR on Instagram @yoga.teacher.resource  Join the Yoga Teacher Resource email list Join the Yoga Teacher Resource Facebook Group Learn more about the Impact Club Leave a review on iTunes Ask a question for the podcast on the Yoga Teacher Resource website or on SpeakPipe

Dr. Dawn Emerick discusses trauma-informed leadership and the importance of creating trauma-informed workplaces. She explains that trauma-informed principles originated from a study between Kaiser Permanente and the CDC, which showed the long-term impact of adverse childhood experiences on mental and physical health. Dr. Dawn emphasizes the need for leaders to recognize and address their own childhood traumas and how it influences their behavior in the workplace. She also highlights the impact of the COVID-19 pandemic on mental health and the rise of the great resignation. Dr. Dawn aims to create a movement of one million trauma-informed leaders by 2031 to support the well-being of employees and create compassionate work cultures. Dawn discusses her work in trauma-informed leadership and the importance of creating a safe and supportive workplace. She highlights six principles of trauma-informed leadership: creating safety, building trust and peer support, fostering collaboration, giving employees a voice and choice, respecting culture and diversity, and examining leadership styles. Takeaways - Trauma-informed principles are based on the long-term impact of adverse childhood experiences on mental and physical health. - Leaders need to recognize and address their own childhood traumas to create a trauma-informed workplace. - The COVID-19 pandemic highlighted the need for workplaces to support employees' mental health and well-being. - The rise of the great resignation showed that toxic work cultures are no longer tolerable for many employees. - Trauma-informed leadership focuses on creating safety, building trust, fostering collaboration, giving employees a voice and choice, respecting culture and diversity, and examining leadership styles. - Leaders need to reflect on their own behavior and make changes if necessary to create a safe and supportive workplace. - Addressing the systems and culture within organizations is crucial for creating a truly trauma-informed environment. - Dawn aims to reach one million informed leaders by 2031 and plans to build a national coalition to achieve this goal. ** Music Tracks by Alex Grohl on Pixabay (Where applicable) ** Feel free to LIKE, SHARE AND COMMENT and SUBSCRIBE.  Follow The Contrast Project online: ** https://www.thecontrastproject.tv/ ** ⁠⁠https://www.facebook.com/TheContrastProjectJax ** ⁠⁠https://www.instagram.com/the_contrast_project/ ** https://www.instagram.com/contrast_podcast_backup/ ** https://www.threads.net/@contrast_podcast_backup ** ⁠⁠https://twitter.com/ContrastProjTV⁠⁠  ** https://www.youtube.com/@thecontrastproject7242 ** Streaming on all major platforms, including: ** https://podcasters.spotify.com/pod/show/the-contrast-project ** https://spoti.fi/3D4BHdg ** https://apple.co/3PGNSEE ** https://ihr.fm/3riy010 ** https://bit.ly/Contrast_Radio_Public Amazon : https://amzn.to/45UmqsC  ** You can help support The Contrast Project Lounge Podcast by visiting:  https://ko-fi.com/contrastprojectloungepodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-contrast-project/message Support this podcast: https://podcasters.spotify.com/pod/show/the-contrast-project/support

A review of the Geoff Emerick Lagos tape as auctioned off last September.     Two high-profile "Dutch Imports" have hit the market recently (confusingly, each coming from a different dub of the Emerick masters).    The variants were classified, artifacts removed and a single "good" copy of the tape exists, and we review it!     How does it compare to the "underdubbed" release?     We also review Linda Perry and the new Ringo EP "Crooked Boy".

It is a SPECIAL time to have our first podcast guest on the show! Ashley Emerick has been in my courses and shares her incredible work into transformation over the past 15 months. I know her story will instill hope that this is all possible for you, too. We then dive deeper into the meaning and perspective of having all that we need and how we, as mothers, can see that through with a better vision and devotion to what is meant for us. I'm looking forward to sharing more of the incredible people and influences in my life with you. Thank you for growing with me in all areas. I appreciate you! Read the book "Don't Give The Enemy A Seat At Your Table" by Louie Giglio that Ashley and I referred to in this episode. Grab the Alignment Journaling Course to begin your work!

In this episode of RAPM Focus, Dr. Brian Sites discusses the perioperative use of hallucinogens with Trent Emerick, MD, MBA, following the February 2023 publication of Dr. Emerick's paper, “Perioperative considerations for patients exposed to hallucinogens.” Dr. Trent Emerick is currently an associate professor in the departments of anesthesiology and perioperative medicine and bioengineering at the University of Pittsburgh Medical Center and School of Medicine. He was a fellowship director for the chronic pain fellowship, and associate chief in the medical director of the UPMC chronic pain division. He is also the designated pain specialist for the NLF Pittsburgh Steelers. Medicine is always changing, providing a career steeped in creativity. Hallucinogen use in the general population is growing, becoming more and more common. There is a renewed interest in the therapeutic benefits of drugs commonly classified as hallucinogens. These drugs are complicated and alter the sensorium. Psychedelics, a type of hallucinogen, are mediated by serotonin to a receptor and can help to soothe pain. *The purpose of this podcast is to educate and to inform. The content of this podcast does not constitute medical advice, and it is not intended to function as a substitute for a healthcare practitioner's judgement, patient care, or treatment. The views expressed by contributors are those of the speakers. BMJ does not endorse any views or recommendations discussed or expressed on this podcast. Listeners should also be aware that professionals in the field may have different opinions. By listening to this podcast, listeners agree not to use its content as the basis for their own medical treatment or for the medical treatment of others. Podcast and music produced by Dan Langa. Find us on Twitter @RAPMOnline.

Discover the unexpected journey of Dr. Rafael Emerick Salas, a board-certified plastic surgeon with a unique perspective on life and work. From his fascinating family history to his unwavering commitment to positive thinking, Dr. Salas shares insights that will leave you inspired and motivated. Join us as we uncover the surprising moments and meaningful connections that have shaped his personal and professional growth. Stay tuned to learn more about Dr. Salas' journey and how it could impact your own path. Check out Miami Medspa, Salas Plastic Surgery Miami, and visit their Website.   Remarkable Quote:   “Your talent is God's gift to you, and what you do with it is your gift back to him.”   Find Us Online! Website: iamJulietHahn.com Instagram: @iamjuliethahn Twitter: @iamjuliethahn LinkedIn: Juliet Hahn FB: @iamjuliethahn Fireside: Juliet Hahn Clubhouse: @iamjuliethahn YouTube: Juliet Hahn

Jonathon Emerick is an energy trader and quant who also has a YouTube channel (QuantPy). We discuss his journey coming from chemical engineering to quantitative finance which included a Masters of Financial Mathematics. Topics covered in our discussion range from energy markets to risk management to YouTube and day trading.Jonathon Emerick:https://www.linkedin.com/in/jonathon-emerick-407224119/https://www.youtube.com/@QuantPySupport the show

Our esteemed guest today is Kiley Demery, a veteran financial advisor based in the Minneapolis area and licensed across multiple states. Kiley started in the industry over sixteen years ago, working for Northwestern Mutual and Wells Fargo Advisors. In 2016, he launched his own business, Demery Wealth Advisors. There, he specializes in investment, insurance, and plan design services for small businesses and individuals.What makes this conversation special is that Kiley is Julia's financial advisor. You get a peek into what a healthy, real financial advisor relationship looks like. Julia is not embarrassed to ask Kiley basic questions about finance. Kiley enjoys educating her. Along with Emerick and Daniel, they talk about retirement plans, real estate investments, tax deductions, good insurance plans, big life purchases, estate planning, and much more.If you have ever been hesitant to approach a financial advisor, or if you aren't sure how you should expect to be treated by your financial advisor, be sure to tune into this episode. Resources:Learn more at The Color of MoneyConnect with Kiley Demery at demerywealthadvisors.comBecome a real estate agent HEREConnect with Our HostsEmerick Peace:Instagram: @theemerickpeaceFacebook: facebook.com/emerickpeaceDaniel Dixon:Instagram: @dixonsolditFacebook: facebook.com/realdanieldixonLinkedIn: linkedin.com/in/dixonsolditYouTube: @dixongroupcompaniesJulia Lashay:Instagram: @iamjulialashayFacebook: facebook.com/growwithjuliaLinkedIn: linkedin.com/in/julialashay/YouTube: @JuliaLashayProduced by NOVA MediaThis podcast is for general informational purposes only. The guest's views, thoughts, and opinions represent those of the guest and not KWRI and its affiliates and should not be construed as financial, economic, legal, tax, or other advice. This podcast is provided without any warranty, or guarantee of its accuracy, completeness, timeliness, or results from using the information.

The always lovely Sheila joins us to share her recommendation of an awesome old French movie!

Please visit answersincme.com/ADB860 to participate, download slides and supporting materials, complete the post test, and obtain credit. In this activity, experts in oncology discuss the rationale and clinical data for incorporating neoadjuvant immunotherapy into the treatment of resectable cutaneous squamous cell carcinoma. Upon completion of this activity, participants should be better able to: Recognize the clinical rationale for incorporating neoadjuvant immunotherapy in the treatment of resectable CSCC; Describe the clinical impact of neoadjuvant immunotherapy in treating resectable CSCC; and Review multidisciplinary team strategies to enhance outcomes for patients with resectable CSCC who may be candidates for neoadjuvant immunotherapy.

Please visit answersincme.com/ADB860 to participate, download slides and supporting materials, complete the post test, and obtain credit. In this activity, experts in oncology discuss the rationale and clinical data for incorporating neoadjuvant immunotherapy into the treatment of resectable cutaneous squamous cell carcinoma. Upon completion of this activity, participants should be better able to: Recognize the clinical rationale for incorporating neoadjuvant immunotherapy in the treatment of resectable CSCC; Describe the clinical impact of neoadjuvant immunotherapy in treating resectable CSCC; and Review multidisciplinary team strategies to enhance outcomes for patients with resectable CSCC who may be candidates for neoadjuvant immunotherapy.

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

In this episode of "Grow Your Video Business," we dive deep into the world of video production with special guest Josh Emerick, an Ohio-based filmmaker and DP. Together, we explore the crucial role of confidence in pricing video services effectively and ensuring you're valued appropriately in the industry. Discover actionable strategies for attracting and collaborating with high-value clients who share your vision, as Josh shares his wealth of experiences in client relationship building. Furthermore, we delve into the mindset shift needed to cultivate unwavering confidence in your video business, offering tips on thinking differently and embracing your unique journey.  Plus, we address listener questions about overcoming challenges and maintaining confidence in the competitive realm of video production. Tune in to gain valuable insights and actionable takeaways to elevate your video business to new heights. Key Takeaways Discover the key to pricing your video services effectively and charging what you're worth. Learn actionable strategies for working with better clients and making a greater impact in the production industry. Gain insights into building confidence in your video business and thinking differently to achieve success. About Josh Emerick Josh is an Ohio-based video producer and DP who intensely loves organizing. He loves to demystify the video production process so art and teams can thrive and make it a fun, low-stress setting. He runs a handful of video production companies and coach creatives. Their music video company is JECP, Corporate is Myelin, weddings are PRSRVE, and coaching is housed under Theal. Their core values and process unify all three, serving a consistent experience across the board. In This Episode [00:00] Welcome to the show! [03:31] Meet Josh Emerick [06:33] You have value to share [13:02] Navigating the year [15:10] Mastering proposals [21:40] Why music videos? [26:29] Marketing yourself [38:41] Growth through curiosity [42:41] Connect with Josh [43:28] Outro Quotes "Confidence is the key to pricing yourself effectively and getting what you're worth in the video production industry." "Working with top-tier clients can change the game for your video business, and we'll show you how." "Success in the video business is all about thinking differently and building unwavering confidence." Guest Links Follow Josh Emerick on Instagram | Facebook Get your FREE 3 Layers to Storytelling Starter Kit Get the Discovery Call Starter Kit Links  FREE Workshop Available "How to Consistently Earn Over $100k Per Year in Video Production While Working Less Than 40 Hours Per Week" Join the Grow Your Video Business Facebook Group  Follow Ryan Koral on Instagram Follow Grow Your Video Business on Instagram Check out the full show notes Books Mentioned Company of One, by Paul Jarvis 

Lucas and Ashley welcome Adam Collins & Chris Emerick.

Co-host: Blair Andrews (@AmItheRealBlair), managing editor for RotoViz Co-host: Hasan Rahim (@hrr5010), lead writer for RotoViz Guest: Thomas Emerick (@ThomasEmerick), host of Remember That Game Listen as the Fantasy Football Report team shares their fantasy football advice for navigating fantasy football leagues in 2023! The guys share how to blend multiple data points for your optimal waiver wire strategy, key players to target, and how to navigate sit-and-start decisions in your fantasy football league! Check out the full podcast ⤵️ ► iTunes ➝ https://podcasts.apple.com/us/podcast/fantasy-football-report/id1289057997 ► Spotify ➝ https://open.spotify.com/show/5meYY7ssMmDIu5fzXp44R8 ► RSS ➝ https://feeds.megaphone.fm/BLU7477518290 ► Stream ➝ https://cms.megaphone.fm/channel/BLU7477518290 SPONSOR RotoViz - RotoViz Radio listeners can save 10% off a 1-year RotoViz subscription at RotoViz.com/podcast or by applying the discount code 'rvradio2023' at checkout. Underdog Fantasy - Sign up via this link or use Promo Code ROTOVIZ at Underdogfantasy.com and get a 100% deposit match on their first deposit up to $100. Gametime - Download the Gametime app, create an account, and use code ROTOVIZ for $20 off your first purchase. SHOW NOTES Email: RotoVizRadio@gmail.com Twitter: @RotoVizRadio Learn more about your ad choices. Visit podcastchoices.com/adchoices

Co-host: Blair Andrews (@AmItheRealBlair), managing editor for RotoViz Co-host: Hasan Rahim (@hrr5010), lead writer for RotoViz Guest: Thomas Emerick (@ThomasEmerick), host of Remember That Game Listen as the Fantasy Football Report team shares their fantasy football advice for navigating fantasy football leagues in 2023! The guys share how to blend multiple data points for your optimal waiver wire strategy, key players to target, and how to navigate sit-and-start decisions in your fantasy football league! Check out the full podcast ⤵️ ► iTunes ➝ https://podcasts.apple.com/us/podcast/fantasy-football-report/id1289057997 ► Spotify ➝ https://open.spotify.com/show/5meYY7ssMmDIu5fzXp44R8 ► RSS ➝ https://feeds.megaphone.fm/BLU7477518290 ► Stream ➝ https://cms.megaphone.fm/channel/BLU7477518290 SPONSOR RotoViz - RotoViz Radio listeners can save 10% off a 1-year RotoViz subscription at RotoViz.com/podcast or by applying the discount code 'rvradio2023' at checkout. Underdog Fantasy - Sign up via this link or use Promo Code ROTOVIZ at Underdogfantasy.com and get a 100% deposit match on their first deposit up to $100. Gametime - Download the Gametime app, create an account, and use code ROTOVIZ for $20 off your first purchase. SHOW NOTES Email: RotoVizRadio@gmail.com Twitter: @RotoVizRadio Learn more about your ad choices. Visit podcastchoices.com/adchoices

A Delta Junction woman finds herself in a precarious legal situation after Alaska State Troopers accused her of attempting to disguise a fatal hit-and-run incident as a collision with a moose. Chelsie Erickson, 32, was arrested on October 17, facing charges of negligent homicide, failure to render aid, and two counts of tampering with evidence. Her mother, Janell Erickson, 60, was also arrested and charged with tampering with evidence.    The incident dates back to the night of August 28 when Chelsie Erickson allegedly struck and killed 47-year-old John Emerick, who was walking along the side of the highway in Delta Junction near milepost 1421. Instead of reporting the accident, Erickson is accused of fleeing the scene.    The arrest followed an investigation triggered by a tip received by troopers about the hit-and-run. Authorities obtained a search warrant for Erickson's home, leading to the discovery of potential evidence related to the incident.    According to reports, one of Erickson's friends informed the police that Chelsie had mentioned hitting a moose on the same night that John Emerick was fatally injured. Investigators attempted to locate the moose in question, as Erickson claimed it had run into the woods following the collision. However, they were unable to locate any such animal.    Intriguingly, Erickson never reported the alleged moose collision to the authorities. Police, however, did locate a vehicle matching the description provided by witnesses on the night of Emerick's tragic death. Inside a locked detached garage on Erickson's property, they found a 2014 Chevy Silverado pickup truck. The vehicle had several pieces of its front-end grill removed, and moose hairs were discovered scattered on top of the engine. Notably, there was no fur present on the front of the truck.   The investigation also revealed that a moose head hanging in the Erickson's garage appeared to have bald spots, raising suspicions that moose hair had been deliberately collected from the mount and then spread over the truck's engine compartment. This discovery led authorities to conclude that an attempt had been made to create a false narrative of a moose collision.   Chelsie Erickson and her mother, Janell Erickson, have both been arrested and incarcerated at the Fairbanks Correctional Center.   The case highlights the serious nature of the charges facing Chelsie Erickson, including negligent homicide, failure to render aid, and tampering with evidence, all related to the tragic hit-and-run incident. Tampering with evidence charges were also filed against Janell Erickson, possibly for her alleged involvement in attempting to disguise the true circumstances of the incident.   The legal proceedings are expected to unfold in the coming months, shedding further light on the events of that fateful night and the actions taken by the Erickson family in its aftermath.   This case underscores the importance of reporting accidents promptly and accurately to authorities, as well as the potential consequences of attempting to conceal the truth. The accused individuals will have their day in court, where the legal system will determine their culpability in this unfortunate incident. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

A Delta Junction woman finds herself in a precarious legal situation after Alaska State Troopers accused her of attempting to disguise a fatal hit-and-run incident as a collision with a moose. Chelsie Erickson, 32, was arrested on October 17, facing charges of negligent homicide, failure to render aid, and two counts of tampering with evidence. Her mother, Janell Erickson, 60, was also arrested and charged with tampering with evidence.    The incident dates back to the night of August 28 when Chelsie Erickson allegedly struck and killed 47-year-old John Emerick, who was walking along the side of the highway in Delta Junction near milepost 1421. Instead of reporting the accident, Erickson is accused of fleeing the scene.    The arrest followed an investigation triggered by a tip received by troopers about the hit-and-run. Authorities obtained a search warrant for Erickson's home, leading to the discovery of potential evidence related to the incident.    According to reports, one of Erickson's friends informed the police that Chelsie had mentioned hitting a moose on the same night that John Emerick was fatally injured. Investigators attempted to locate the moose in question, as Erickson claimed it had run into the woods following the collision. However, they were unable to locate any such animal.    Intriguingly, Erickson never reported the alleged moose collision to the authorities. Police, however, did locate a vehicle matching the description provided by witnesses on the night of Emerick's tragic death. Inside a locked detached garage on Erickson's property, they found a 2014 Chevy Silverado pickup truck. The vehicle had several pieces of its front-end grill removed, and moose hairs were discovered scattered on top of the engine. Notably, there was no fur present on the front of the truck.   The investigation also revealed that a moose head hanging in the Erickson's garage appeared to have bald spots, raising suspicions that moose hair had been deliberately collected from the mount and then spread over the truck's engine compartment. This discovery led authorities to conclude that an attempt had been made to create a false narrative of a moose collision.   Chelsie Erickson and her mother, Janell Erickson, have both been arrested and incarcerated at the Fairbanks Correctional Center.   The case highlights the serious nature of the charges facing Chelsie Erickson, including negligent homicide, failure to render aid, and tampering with evidence, all related to the tragic hit-and-run incident. Tampering with evidence charges were also filed against Janell Erickson, possibly for her alleged involvement in attempting to disguise the true circumstances of the incident.   The legal proceedings are expected to unfold in the coming months, shedding further light on the events of that fateful night and the actions taken by the Erickson family in its aftermath.   This case underscores the importance of reporting accidents promptly and accurately to authorities, as well as the potential consequences of attempting to conceal the truth. The accused individuals will have their day in court, where the legal system will determine their culpability in this unfortunate incident. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

A Delta Junction woman finds herself in a precarious legal situation after Alaska State Troopers accused her of attempting to disguise a fatal hit-and-run incident as a collision with a moose. Chelsie Erickson, 32, was arrested on October 17, facing charges of negligent homicide, failure to render aid, and two counts of tampering with evidence. Her mother, Janell Erickson, 60, was also arrested and charged with tampering with evidence.    The incident dates back to the night of August 28 when Chelsie Erickson allegedly struck and killed 47-year-old John Emerick, who was walking along the side of the highway in Delta Junction near milepost 1421. Instead of reporting the accident, Erickson is accused of fleeing the scene.    The arrest followed an investigation triggered by a tip received by troopers about the hit-and-run. Authorities obtained a search warrant for Erickson's home, leading to the discovery of potential evidence related to the incident.    According to reports, one of Erickson's friends informed the police that Chelsie had mentioned hitting a moose on the same night that John Emerick was fatally injured. Investigators attempted to locate the moose in question, as Erickson claimed it had run into the woods following the collision. However, they were unable to locate any such animal.    Intriguingly, Erickson never reported the alleged moose collision to the authorities. Police, however, did locate a vehicle matching the description provided by witnesses on the night of Emerick's tragic death. Inside a locked detached garage on Erickson's property, they found a 2014 Chevy Silverado pickup truck. The vehicle had several pieces of its front-end grill removed, and moose hairs were discovered scattered on top of the engine. Notably, there was no fur present on the front of the truck.   The investigation also revealed that a moose head hanging in the Erickson's garage appeared to have bald spots, raising suspicions that moose hair had been deliberately collected from the mount and then spread over the truck's engine compartment. This discovery led authorities to conclude that an attempt had been made to create a false narrative of a moose collision.   Chelsie Erickson and her mother, Janell Erickson, have both been arrested and incarcerated at the Fairbanks Correctional Center.   The case highlights the serious nature of the charges facing Chelsie Erickson, including negligent homicide, failure to render aid, and tampering with evidence, all related to the tragic hit-and-run incident. Tampering with evidence charges were also filed against Janell Erickson, possibly for her alleged involvement in attempting to disguise the true circumstances of the incident.   The legal proceedings are expected to unfold in the coming months, shedding further light on the events of that fateful night and the actions taken by the Erickson family in its aftermath.   This case underscores the importance of reporting accidents promptly and accurately to authorities, as well as the potential consequences of attempting to conceal the truth. The accused individuals will have their day in court, where the legal system will determine their culpability in this unfortunate incident. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

Did you know San Antonio, TX is one of the most haunted cities in America? A hotel would not be complete without a ghost story attached to its history. The story goes that in February of 1965, a young man named Walter Emerick checked into the Gunter Hotel with a lovely young lady. Two days later Emerick committed one of the most horrific crimes in San Antonio's history. In room 636 at the Sheraton Gunter Hotel, Emerick murdered and butchered the woman,  whose identity has yet to be discovered.  Police received tips that Emerick had killed the woman, and they swarmed to capture him. But before they could reach him, Emerick took his own life with a revolver. Since then, it seems that the energy from that fateful night continues to replay repeatedly. However, that's not the only paranormal activity reported at the location. Visitors claim sightings of two Flapper girls, who seem to be in a heated argument and the haunting sounds of jazz music reportedly played by legendary blues artist Robert Johnson.Get your Merch here: https://belleame-creations.square.site/shop/judgy-crime-girls/2Sources: https://ghostcitytours.com/san-antonio/haunted-places/haunted-hotels/sheraton-gunter-hotel/ https://www.legendsofamerica.com/tx-gunterhotel/  Support the showThanks for listening! Subscribe here: For Bonus Friday Episodes! (You'll also get a shout out on the show, a handwritten thank you from your ladies, and 20% off our merch! Follow us on Instagram, TikTok and Facebook.

Matthew Emerick with Home Warranty Inc joins Bobbi and Alex to talk about the ongoing changes to the home warranty industry as the housing market continues to shift. Bobbi's Book Bit: Jab, Jab, Jab, Right Hook by Gary Vaynerchuk (Jump to interview at 14:35)

This week on License to Chill, Patrick and Ryan chat with prolific country singer/songwriter, Scotty Emerick.

Tony and Al welcome Joey to the podcast to discuss how they are going to finally find Hansen's secret cabin. When these 3 get together you need to get ready to laugh.A summary of  the season and where they are at today.The guys go over man of the clues and information that they will use to find the cabin.Tony sums up why they believe now is the time to find the cabin:We have Manfried's notes, We the map of the coastline where the cabin is, pictures of the cabin, We have satellite technology of the areas, We have the route Hansen took, We have what we can expect to find in the cabinWe now have the connections to get Manfried what he needs  (and I quote)  “if I had the proper tools I will get them so close to the cabin that they can't help but find it.”We need your help so we started a Go Fund Me Page which will have a link posted on our web page, our socials and email too. From this link you will be directed to our page where you can Donate and Share the link. Do whatever you can and we promise we'll do the rest.Please believe us that when we find this cabin and send Megan Emerick home to her family, the people that are involved will feel a sense of Euphoria like they have never experienced in their lifetime.

You got it right, this ISN'T a repost, Josh Emerick is back on the show for an all NEW sit down, catching up from our last full story interview over 3 years ago! After I first sat down with Josh for his full length episode back in 2019, we decided that enough life has happened that it's time for a refresh and catch up! And in this one, Josh shares things like he's never shared before with a lot of vulnerability and I can't thank him enough. Now, of course, many of you may know that Josh and I work together in the creative world constantly, and we talk almost daily, and he's been back on the show for a lot of #15MinuteFridays, so, what did we have to catch up on? Tons of stuff honestly! In this one I get to have a different style of conversation, outside of our normal flow of this show, and really get to dig a bit deeper into not just Josh's life in the last few years and how it's changed a lot, but more so into his outlook and new understandings of so many things. I'll let him tell you all that in this episode though!  FOLLOW Josh @jmemerick  FOLLOW the show @wydhpod  FOLLOW me @rosstheisen  ------------------ THIS EPISODE IS SPONSORED BY: Midwest Photo - @mpex_photo_video Midwest Photo is a photo, video & audio store located in Columbus, OH offering tons of services from gear purchases & rentals, used gear buy & sell, printing services, film development and simply a knowledgable staff ready to help you with your photo needs at any time! Go check them out or visit mpex.com for more information. PromoWest Productions - @promowestlive For all upcoming show & event info visit their site above & to purchase tickets directly visit AXS.com Ingram Audio Co. - @ingramaudioco Spend less time mixing and more time creating! Ingram Audio's goal is to create unique, user-friendly plugins for musicians and creatives of any skill level. Visit ingramaudio.co for more info and purchase options!

Tony and Al have a fascinating discussion with Bill Satterberg. Bill was Manfred's attorney back when Joe Vogler was killed. Bill talked with Manfried before our call and received permission from him to talk about the case.We learn exactly how the killing of Joe Vogler took place and that Bill felt Manfried had an excellent self defense case.You will hear the real story of how Joe Voglers body was found. No one has ever heard this story including Bill Satterberg. During there  last call West revealed for the first time what really transpired and gave Bill permission to share it with Tony and Murder Phone. Of course we discuss the Hansen case, the cabin, and how Bill can help in the search for Megan Emerick. Bill has lived in Alaska for most of his life and has practiced law there for over 40 years. He knows the state and will be an incredible help in finding the cabin and bringing Megan Emerick home. 

Sometimes we gotta step back and think how we really impact those around us. No, this isn't a 15 Minute Friday about how to be a super cool influencer to people around you. It's instead a topic based around a question that my guest Josh Emerick and I often check in with ourselves on. How do we impact those around us? Are we actually being a positive energy source? Are we helpeful or in the way? In this one Josh sits down with me again to break down this question and share some opinion on how we could all be a more positive influence, and why. Join the convo @wydhpod  FOLLOW Josh @jmemerick FOLLOW Ross @rosstheisen 

Tony and Manfried are now in present day so everything they do from now on is about finding the cabin and of course bringing Megan Emerick home. Tony had to make sure that Manfried was still on board so he asks him if he still wants to try to find the cabin.He shares their most recent conversation, and here is just a little of what we learn:Manfried wants to do it, but you can tell he's fed up.The only one he trusts to be involved is Tony.Hansen built the cabin with his wife and 2 small children in 1970.He only had his boat in Seward back then .  No plane. He took 2 girls there by boat. One named Megan in 1973 and he thinks maybe Mary 1975. Hansen said one went in The Bay and one was buried.Tony shares another conversation with Megan Emerick's nephew Shayne that will blow your mind.  Shayne talks about things that no one has ever heard including his father. 

In 2013 for some unknown reason the plug was pulled on the investigation to find the cabin where Megan Emerick was buried.Tony and Manfried never gave up and decided they would use all the information that they had compiled and move ahead on their own.Tony was constantly trying other ways to find Hansen's cabin. This included many attempts through Hollywood connections that always led to dead ends. In 2017 Tony was receiving puzzling emails from Manfried regarding a Production company and Missing and Exploited Children looking to talk with Manfried again about finding the cabin. Manfried didn't trust anyone after what happened so he made the decision he would only talk with Tony about this. He wanted the cabin found but wanted to do it right. There are several present day conversations that are very interesting and further confirm the fact that Manfried is a changed manShayne Emerick who is Megan Emerick's nephew talks with Tony about what he heard about Megan when he was growing up, and how her disappearance affected the whole family.

Tony discusses questions he has received about living life with a TBI. Manfried is so happy to be back in Alaska. Listen to a conversation he has just after he gets back. Manfried really wants to find Megan Emerick, but he's beginning to think something is up. Everything went silent and none of us know why. Manfried once again reiterates that he can pinpoint the location of the cabin if he can just get a little help.Manfried sends some more exciting information about the cabin hoping it will peak Agent Gary's interest. In August 2013 after reaching out several times Tony receives a call from Agent Gary. He informs Tony that although the information was great and it all checked out they were ordered to stop the investigation. Unfortunately no details were supplied. Tony, Al and Manfried realize they are now On Their Own and they agree to continue to work on finding the cabin themselves.