Podcasts about georges melies

Assist the production of Georges Melies' silent film Journey to the Moon by orchestrating scenes and sequences from script to screen.

Assist the production of Georges Melies' silent film Journey to the Moon by orchestrating scenes and sequences from script to screen.

The Gauntlet begins! Join the Brothers as they discuss cinema throughout the decades. Their first stop? Georges Melies 1902 classic, “A Trip to the Moon”!!

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OMFYS goes back to the beginning of cinema itself for The Infernal Cauldron (1903) and The Old Hag AKA The Witch (1906), a pair of trippy AF shorts directed by Georges Méliès, the French magician who invented special effects and directed the first sci-fi film. We follow this up with a deep discussion of the equally hallucinatory technicolor madness of The Red Shoes from the esteemed filmmaking duo of Michael Powell and Emeric Pressburger in 1948. We've also got our very first guest host joining us with actor and actual young stoner Philena Franklin. Bob blathers on about history and junk while Greg, Cory and Philena recommend the green bud. All three films this ep are streaming on HBOMax while Red Shoes can also be found on Prime and Criterion Channel. The cannabis is at your local dispensary in participating states. I hear that some of those dispensaries deliver around here too, so you can just watch classic films and get baked.

He was a magician and theatrical illusionist who embraced the new technology of film and, in doing so, revolutionized an industry and paved the way for every science-fiction film made since. Hear the story of George Melies who was born on this day in 1861. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by John Champion Hosted by Ryan Myers Music by Devin Curry

He was a magician and theatrical illusionist who embraced the new technology of film and, in doing so, revolutionized an industry and paved the way for every science-fiction film made since. Hear the story of George Melies who was born on this day in 1861. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by John Champion Hosted by Ryan Myers Music by Devin Curry

Here is the latest from The Year Was, which is that thing I do every week. We are up to episode 132. This time we examine the year 1902 as Georges Melies creates and releases one of the first science fiction Films Le Voyage Dans la Lune (the Voyage to the Moon) in France. - Theme music by The Tim Kreitz Band https://www.youtube.com/c/TimKreitzAdventures/ https://www.reverbnation.com/timkreitz  -  iTunes: https://podcasts.apple.com/us/podcast/the-year-was/id1458174084  Podbean: https://theyearwas.podbean.com/ Spotify: https://open.spotify.com/show/0Qdd00m2NWvrViVIfAh6kA YouTube: https://www.youtube.com/channel/UCCzWavt8mqXHsC_uRNpU3lQ - Sources: https://www.britannica.com/biography/Lumiere-brothers https://en.wikipedia.org/wiki/Th%C3%A9%C3%A2tre_Robert-Houdin https://www.melies.eu/English.html https://whatasker.com/georges-melies/ https://greatestmovies.miraheze.org/wiki/Le_Voyage_dans_la_Lune https://www.britannica.com/biography/Georges-Melies https://filippazzofrank.medium.com/george-melies-the-grandfather-of-special-effects-e09716f3ead3 https://www.imdb.com/title/tt0000417/ https://www.youtube.com/watch?v=ZNAHcMMOHE8&t=11s - Photo:  https://www.britannica.com/biography/Georges-Melies

“Persona” is Latin for “mask”, which makes this Age Of The Mask we've been experiencing for the past year & a half an ideal time to talk about Ingmar Bergman's masterpiece. Well, it's one of his MANY masterpieces. Dude could direct. This is a trippy art film that gives us plenty to debate and tear apart. It's also been imitated half to death in the 55 years since it was made, which is perhaps why it feels just a touch dated. Bibi Andersson and Liv Ullmann are terrific playing characters who deal with issues of identity, grief, guilt and deep emotional pain. But are the 2 women really just 1 woman who's experiencing a serious mental crisis? Imaginary friend?! See, very influential. So head to your summer beach house (for the last few days of this summer) and let the 406th Ellises' Analysis pry its way into your earholes during the trip. Well, Actually: John Ford was 8th on the Sight & Sound's 2002 Critics poll of Top 10 Greatest Directors Of All Time, but surprisingly he wasn't ranked on the Top 10 as chosen by directors. Also, the Bergman movie where he used a spider to represent God is Through A Glass Darkly. Also also, Georges Melies definitely was a film pioneer, but the brothers we were thinking of are the Lumiere Brothers. Whether you talk too much or whether you don't talk at all, your day will be much improved by drinking Sparkplug Coffee. You can even keep some money in your pocket because they will give you a 20% discount on your next order. You just have to enter our promo code (“top100project”) when you're ready to shell out the cash. To get in touch with us easily, hit the Twits. We're @moviefiend51 and @bevellisellis Our website is top100project.com Ryan also has a sports movie podcast, which is Scoring At The Movies

Régine Dubois vous raconte la magie de Melies en 4 épisodes Intervenants : Frédéric Tabet , maître de conférence à L'université de Toulouse, spécialiste de l'histoire des trucages Jacques Malthete Méliès, arrière petit- fils de Georges Archives: interviews d'André Melies et de Madeleine Malthete Melies, fils et petite fille de Georges

In this episode, Jeff and Steph check out the mockumentary Fury of the Demon. Film pioneer Georges Melies is known for his groundbreaking work in special effects and pressing the bounds of what was shown on screen. But...did he make a cursed movie? Well, no, that's why it's a mockumentary...come on, people, keep up.

We watched the first ever Cinderella! This was directed by Georges Melies in 1899 and wow, it was an experience. We're calling this the "Old-Timey TikTok Cinderella" and it was 6 whole minutes long. Please subscribe, give us some stars, tell your friends, or share this episode. Follow us @cinderpod on Twitter Like our Facebook page Email us at TheCinderellaPodcast@gmail.com Support us at Patreon.com/cinderpod Our music is Bad Ideas (distressed) by Kevin MacLeod Link: https://filmmusic.io/song/3412-bad-ideas-distressed-?fbclid=IwAR2ZTHqHcxy9A8ax9M2jVeHeY8ePoXSStNDelcym7d_Dy8zHAsfz8VEaFnQ (https://filmmusic.io/song/3412-bad-ideas-distressed-) License: https://filmmusic.io/standard-license?fbclid=IwAR1Gv0HwK5dIExTPBat9vptAhSVMD6LLQtUYHkjEFz5b6eWVEFCShvXOdXs (https://filmmusic.io/standard-license)

Full notes will be published on the Acting Funny website at actingfunnypodcast.comYouTube link for this episode's featured film: Une nuit terribleYouTube link for Erik Tait's appearance on Fool Us.YouTube link for the Audiovisual Lexicon of Media Analysis, co-edited by Matthew Solomon.Matthew Solomon University of Michigan faculty website.Books available from Matthew Solomon.Erik Tait website: ErikTait.comErik Tait social media: Instagram - TwitterPenguin Magic Podcast (hosted by Erik Tait)This episode's sponsor is Offbeat Agent.

On this episode of Showcase; The Cinema of Georges Melies 00:39 Ian Christie, Film Historian 05:09 The Emoji Story 12:57 Heritage Under Gun 15:49 The House of 100 Figures 18:17 The Oud Thrives in Egypt 21:09 Lake Cildir of Turkey 24:03 #GeorgesMelies #Mena #TheEmojiStory

Before mega-blockbuster cinema and million-dollar special effects, there was Georges Melies, an illusionist turned filmmaker. When cinema was in its infancy, he pioneered a wide variety of film techniques. Showcase's Alican Pamir takes you into the world of cinema's first great fantasy filmmaker. Ian Christie, Film Historian 04:09 #GeorgesMelies #Cinema #Artist

On this week's addition of It's Not That Scary, your silly little hosts are biting off a huge chunk of cinematic history and tackling the terrifying tales from 1905-1909. That's right, four years of black and white silent horror films, and Georges Melies had his grubby little paws all over them. Tune in to hear all about dazzling productions including The Black Imp, Le Maison Hantee, Les Quatre Cents Farces du diable, and The Sealed Room. As an added bonus, this week features a special guest, Chalupa (Dog), who shows off her urination abilities. You won't want to miss this very special episode, and it's not that scary!

The career of Georges Melies comes to an end, as new terrors begin to arise in the world of film. In this first part of a two part episode, Doc Manson delves into the life and history of Mary Wollstonecroft Godwin, or Mary Shelley as she would come to be known. Also discussed is the German ghost story The Family Portraits, by Johann August Apel. Is this the story which prompted the writing of Frankenstein? Email Horrid Horrid Podcast Website Intro Music: Dark Intro by Sascha Ende Link: https://filmmusic.io/song/265-dark-intro License: http://creativecommons.org/licenses/by/4.0/

Come see what treasures satan hides in yet another film made by Georges Melies. Quite frankly, your beloved and adored hosts are getting tired of talking about him. Can someone else make a movie please? Until then, the year is 1902 and the only filmmaker is some french dude obsessed with the moon.

This episode explores the history of horror movies with an overview of the first collection of films about haunted houses. Or, more specifically, haunted hotels. Doc Manson covers some of the real world inspiration for films of this type, namely the spiritualism movement of the late 19th century. A deep dive is performed of James Stuart Blackton’s special effects masterpiece, The Haunted Hotel. Other filmmakers mentioned include Georges Melies, Edwin S. Porter, and Segundo de Chomon. Email Horrid Horrid Podcast Website Intro Music: Dark Intro by Sascha Ende Link: https://filmmusic.io/song/265-dark-intro License: http://creativecommons.org/licenses/by/4.0/

We’re going WAY back in time to discuss three short films listed in the book: Georges Melies’ 1902 Sci-Fi adventure “A Trip to the Moon”, Edwin S. Porter’s 1903 western “The Great Train Robbery”, & Luis Bunuel’s 1929 experimental mind trip “Un Chien Andalou”. This week, Adam talks about being a working actor and Ian doesn’t know where a crucifix goes. Also, this week Ian recommends “Hugo” and Adam recommends “Good Time” (currently on Prime).

Kyle Simpson leads his orchestra to accompany two silent films from Georges Melies' "A Trip to the Moon" and "The Kingdom of Fairies" at the Carnegie in Carnegie, PA on Saturday January 26th at 7:30pm. Music Hall Director Melanie Paglia, Executive Director Maggie Forbes and composer and conductor Kyle Simpson join Jim Cunningham with a preview.

Dimitri Kozma e Dimitri Kozma pai conversam em um programa com indicações de filmes e séries disponíveis na Netflix, além do papo solto na leitura de comentários. Neste episódio, os filmes principais abordados são: a série brasileira com Seu Jorge, "Irmandade", um pouco sobre a série "Breaking Bad", o longa metragem "El Camino" e a série/documentário "O Monstro ao Lado", todos disponíveis na Netflix. Além, é claro, de muita conversa de botequim. Confira! - ASSISTA AO FILME DESAMANTES no Vivo Play ► http://bit.ly/2WSnNFm - ASSISTA AO FILME DESAMANTES no Looke ► http://bit.ly/2KcsK6P - Participante Convidado: Dimitri Pai CONTEÚDO DESTE EPISÓDIO: - Série: Irmandade (2019) - Sindrome de estocolmo - "vermes opressores" - Série: Breaking Bad (2008-2013) - Breaking Bad é uma série de super herói? - Série: Better Call Saul (2015-) - Filme: El Camino: A Breaking Bad Film (2019) - Filme: Projeto Flórida (The Florida Project, 2017) - Estados Unidos só mostra o lado bonito na TV e Cinema? - Pai químico faria a melhor metanfetamina do mundo? - Sobre o carro El Camino - Série/Documentário: O Monstro ao Lado (The Devil Next Door, 2019) - Filme: Mártires (Martyrs, 2009) - Filme: Uma Mente Brilhante (A Beautiful Mind, 2001) - Filme: O Jogo da Imitação (The Imitation Game, 2014) - Filme: A Garota Dinamarquesa (The Danish Girl, 2015) - Série: Zé do caixão, 2015 - Religiões - Filosofia - Quadrinhos antigos - Flash Gordon - Mecanismos do Brasil - A culpa é do povo? - Mecanismos nos ônibus - Experiência do Dimitri pai nos transportes públicos de São Paulo - Política virou time de futebol - Prisão em segunda instância - Relativização em tudo na vida - Corrupção - Decisão no Youtube - Rádio vs Podcast - Podcast - Terra Estrangeira LINKS COMENTADOS - ASSISTA AO FILME DESAMANTES no Vivo Play ► http://bit.ly/2WSnNFm - ASSISTA AO FILME DESAMANTES no Looke ► http://bit.ly/2KcsK6P - Site com Livros ► http://lelivros.love/ - Lista de filmes sobre buda/budismo ► http://bit.ly/32NXIZh - Vida Durante a Ditadura Militar ► http://bit.ly/375S2gz - Viagem à Lua / A trip to Moon (1902) - Georges Melies ► http://bit.ly/2qefzvb - Podcast Terra Estrangeira ► http://bit.ly/357gZ9J - Canal Canadá Diário ► http://bit.ly/2CMPaHE PODCAST SEM FREIO - NA NETFLIX: SÉRIE IRMANDADE, BREAKING BAD, EL CAMINO, O MONSTRO AO LADO e COMENTÁRIOS - Com Dimitri Pai O Podcast Sem Freio fala sobre qualquer assunto, incluindo cinema, séries, música, histórias bizarras, ciência, quadrinhos, literatura, tecnologia, games, filosofia, artes, curiosidades, crítica de filmes, cultura pop, coisas nerd, polêmica e muito mais! São conversas informais e divertidas. Junte-se a Dimitri Kozma e eventuais convidados, fazendo parte de nossa roda de discussões. E-MAIL DE CONTATO ► semfreiopodcast@gmail.com ---------------------------------------------------------------------------- CAMISETAS DO DIMITRI ► http://bit.ly/2XS3eeQ APOIE A GENTE pelo PAYPAL com qualquer quantia e contribua para criação de novos materiais ► http://goo.gl/f4XRLS ---------------------------------------------------------------------------- ACOMPANHE O ESTRANHO MUNDO DE DIMITRI KOZMA: YOUTUBE ► http://goo.gl/BZ9mA9 INSTAGRAM ► https://www.instagram.com/dimitrikozmaart SPOTIFY ► https://spoti.fi/2UYEhcj APPLE PODCASTS ► https://apple.co/2Va7f95 GOOGLE PODCASTS ► http://bit.ly/2Jugltq

Jean- Eugene-Robert-Houdin-(December 7, 1805 – June 13, 1871) “A magician is merely an actor playing the part of a magician.” Jean was born in Blois France to a watchmaker. His father was set on Robert becoming a lawyer. Robert was set on becoming a watchmaker. He had a job as a clerk in a law office for a short time where he spent most of his time tinkering with mechanical objects in the office than writing and copying. He was sent back to his father where he became an apprentice watchmaker. He never stopped making clocks and is credited with the invention of The Mystery Clock.In the 1820’s he saved his money to purchase a 2 column set of books, Treatise on Clockmaking, written by Ferdinand Berthoud. In a twist of fate upon returning home he discovered Not the books he had saved for but a 2 volume set on magic called Scientific Amusements.The books had a fault. They explained the principle behind the trick but not how to perform the trick. Without the benefit of our modern magic, the internet. Robert went to take lessons from a local fair and party magician named, Maous from Blois (side note Maous from Blois was a foot doctor when not performing at parties). Jean learned sleight of hand and dexterity but the most important lesson he learned was repetition and discipline. I have researched many magicians and a constant theme is they are never without their trade. If they are a card magician you will never see them without a deck that they are working with. Jean also learned that it is crucial to still make money even while pursuing one’s passions. He opened a watchmakers shop and performed in his spare time.Jean met and married Josephe Cicle Houdin. He took her last name and hyphenated his Robert- Houdin in 1830. They moved to Paris where Jean worked in his father in laws watchmaking shop and he found a group of magicians at the shop Rue Richelieu.He married his love of mechanisms with an interest in automatons creating a singing bird, a dancer on a tightrope, and an automaton that wrote and drew. This was later sold to P.T. Barnum.Using his knowledge of engineering he created amazing props and made stories out of magic creating character plot tension and resolution in his acts.His props were nothing short of engineering marvels creating illusions that were not only beautiful but told stories from the growing an orange tree in a pot to the levitation of his son.His acts and his ability to create a narrative play from magic changed the way magic was performed to this day. Magic had become high entertainment and not a way for a magician to claim special powers. Magic was to awe and delight. It was an age of Darwin and reason and Houdin’s magic played into science and engineering of the age, not the superstition. To further prove this point he did not dress as magicians had before. No long robes embroidered with strange symbols. He dressed as the members of his audience would have done. Coattails, top hat, and gloves His first show was in his estimation a disaster. On July 3, 1845 he performed the “Soirees Fantastiques.”On the verge of a nervous breakdown he told a friend of his failure. His friend agreed with him. It was silly and ridiculous. This harshness gave Jean the kick up the backside he needed to try again.Jean had tremendous success both as an inventor of new and amazing illusions and by selling his magic tricks to other magicians. His style of having tricks build upon tricks to create a story is still used to this day. His influence on other magicians of his time and directly after can not be overstated. The most famous being Houdini who in 1891 took on the last name.In an interesting side not after he retired at 48 he was called upon by Napoleon the third to use his magic to pacify a tribe in Algeria.If you have ever seen a movie called Hugo you might have heard a few things that make you think of the movie. Here is why. In 1888 after his death, his widow sold his theatre to Georges Melies. A magician himself, though history mostly remembers him for his contributions to movie making and pioneering stop motion effects.Resourceshttps://esoterx.com/2014/09/16/the-algerian-war-of-the-wizards-jean-eugene-robert-houdin-vs-the-marabouts/https://psycnet.apa.org/record/1926-03132-001http://www.ptbarnum.org/humbugs.htmlMagic Is Dead Ian FrischHiding the Elephant See acast.com/privacy for privacy and opt-out information.

From Kim Newman, 1001 Movies You Must See Before You Die: "The Cabinet of Dr. Caligari is the keystone of a strain of bizarre, fantastical cinema that flourished in Germany in the 1920s and was linked, somewhat spuriously, with the Expressionist art movement.  If much of the development of the movies in the medium's first two decades was directed toward the Lumiere-style 'window to the world', with fictional or documentary stories presented in an emotionally stirring manner designed to make audiences forget they were watching a film, Caligari returns to the mode of Georges Melies by presting magical, theatrical effects that exaggerate or caricature reality.  Officials perch on ridiculously high stools, shadows are painted on walls and faces, and unrealistic backdrops and performances are stylized to the point of hysteria. "Writers Carl Mayer and Hans Janowitz conceived the film as taking place in its own out-of-joint world, and director Robert Wiene and set designers Hermann Warm, Walter Roehrig, and Walter Reimann put a twist on every scene and even intertitle to insist on this.  Controversially, Fritz Lang - at an early stage attached as director -  suggested that Caligari's radical style would be too much for audiences to take without 'explanation'.  Lang devised a frame story in which the hero Francis (Friedrich Feher) recounts the story - of sinister mesmerist charlatan Dr. Caligari (Werner Krauss), his zombielike somnambulist slave Cesare (Conrad Veidt), and a series of murders in the rickety small town of Holstenwall - and is finally revealed to be an asylum inmate who, in The Wizard of Oz (1939) style, has imagined a narrative that incorporates various people in his daily life.  This undercuts the antiauthoritarian tone of the film as Dr. Caligari, in the main story an asylum director who has become demented, is revealed as a decent man out to help the hero.  However, the asylum set in the frame story is the same 'unreal' one seen in the flashback, making the whole film and not just Francis's bracketed story somehow unreliable.  Indeed, by revealing its expressionist vision to be that of a madman, the film could even appeal to conservatives who deemed all modernist art as demented. "Wiene, less innovative than most of his collaborators, makes little use of cinematic technique, with the exception of the flashback-within-a-flashback as Krauss is driven mad by superimposed instructions that he 'must become Caligari.'  The film relies on theatrical devices, the camera fixed center stage as the sets are displayed and the actors (especially Veidt) providing any movement or impact.  Lang's input served to make the movie a strange species of amphibian: It plays as an art movie to the high-class crowds who appreciate its innovations, but it's also a horror movie with a gimmick.  With its sideshow ambience, hypnotic mad scientist villain, and leotard-clad, heroine-abducting monster, The Cabinet of Dr. Caligari is a major early entry in the horror genre, introducing images, themes, and characters that became fundamental to the likes of Tod Browning's Dracula and James Whale's Frankenstein (both 1931)." Have a comment or a question for the host?  Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter at @1001MoviesPC.

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Film Radio.

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Film Radio.

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Film Radio.

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Film Radio.

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Film Radio.

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Education Channel » FRED Education Podcast. Serge Bromberg – Lobster Films #GCM36 was first posted on October 5, 2017 at 5:35 pm.©2015 "Fred Education Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

New recently found and restored works of the great Georges Melies. The post Serge Bromberg – Lobster Films #GCM36 appeared first on Fred Film Radio.

This week MJ is joined for the first time by his new co-host, Ryan Buell! Ryan and MJ talk about what they've been watching, all the news from Comic-Con, and discuss their expectations for Jason Bourne. Also, Corey and MJ take you back to film school to talk about Georges Melies, A Trip to the Moon, and Hugo! As always, music by Corey Tindall: www.nimbitmusic.com/thecoreytindallband And logo by Josh Granat!

This week, Corey and MJ are joined by Ambra Williams to talk top to bottom about everything Ghostbusters (2016)! They address the controversy head on as well as discuss the nature of reboots. Also, Corey and MJ take you to The Before and After Show Film School to talk about Georges Melies! As always, music by Corey Tindall: www.nimbitmusic.com/thecoreytindallband And logo by Josh Granat!

GEORGES MELIES raccontato da Francesco Ballo

Martin Scorsese's Hugo is a love letter to the silent film genius of Georges Melies. Tonight, we work our way through the clockwork of this film. Continuing our celebration of gears and silent films, we also take a look at Charlie Chaplin's classic, Modern Times. This episode is brought to you by Cool Oil Cans.

Visual effects supervisor Legat on working with Martin Scorsese and James Cameron, and how movies like 'The Godfather' could work in 3-D. Plus, a forgotten film pioneer.

UNL FIlm Studies professor Wheeler Winston Dixon takes a revealing look at the first "Cinemagician," French filmmaker, Georges Méliès.

New York City inspires cinema, but it has also consistently manufactured it. And long before anybody had heard of Hollywood, New York and the surrounding region was a movie capital too, the home to the earliest American film studios and inventors who revolutionized the medium. It began with Thomas Edison's invention of the Kinetoscope out in his New Jersey laboratory. Soon his former employees would spread out through New York, evolving the inventor's work into entertainments that could be projected in front of audiences. By the mid 1900s, New Yorkers fell in love with Nickelodeons and gasped as their first look at moving pictures.  We also take a look at the medium's first superstar director D.W. Griffith and how he helped hasten the move out west. But even as studios fled for sunny California weather, movie making never left New York. Find out where you can still find some relics of New York's pre-Hollywood movie career. NOTE: As this is of course a New York podcast, we are very NYC-centric here. Our apologies to Georges Melies and to Fort Lee, NJ! www.boweryboyspodcast.com Support the show.

In this episode, Joe and Dan argue the merits of black and white over color. Films and filmmakers discussed...FILMS: Attack of the 50 Foot Woman * No Country for Old Men * Shaft * Dr. Zhivago * Sweeney Todd * Raging Bull * In Cold Blood * The Day of the Locust * Butch Cassidy and the Sundance Kid * American Beauty * The Cabinet of Dr. Caligari * Nosferatu * The Golem * Young Frankenstein * Cat People * The Body Snatcher * Invasion of the Body Snatchers * The Curse of the Cat People * I Walked with a Zombie * The Leopard Man * The Grapes of Wrath * The Ox-Bow Incident * High Noon * The Day of the Jackal * Dirty Harry * Chinatown * Taxi Driver * The Twilight Zone * Manhattan * Stranger Than Paradise * Down by Law * The Outer Limits * Ed Wood * The Adventures of Robin Hood * The Mummy * My Darling Clementine * The Tingler * Sunrise * Double Indemnity * Carnival of Souls * A Personal Journey with Martin Scorsese Through American Movies * Night of the Living Dead * Invisible Invaders * The Last Man on Earth * I Am Legend * The Maltese Falcon * From Here to Eternity * It's a Wonderful Life *FILMMAKERS: Georges Melies * Nathan Juran * Gordon Parks * Nicolas Roeg * David Lean * Tim Burton * The Coen Brothers * Martin Scorsese * Joel Schumacher * Richard Brooks * Conrad Hall * Val Lewton * Mel Brooks * Boris Karloff * Marlon Brando * Dashiell Hammett * Gary Cooper * John Wayne * Anthony Mann * Fred Zinnemann * Clint Eastwood * John Huston * Mickey Spillane * Don Siegel * Philip Kaufman * Woody Allen * Jim Jarmusch * Henry Fonda * Vincent Price * F. W. Murnau * George Romero * John Agar * Humphrey Bogart *Theme from The Conversation by David Shire... Blog image from Orson Welles' masterpiece Citizen Kane shot by Gregg Toland...36:44 / 33.7 MB / Rated: PG-13... "Thanks for the download"...Next Episode: The Films of Samuel Fuller