English film director and cinematographer
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2 episodes with nicholas roeg
4 episodes with nicholas roeg
2 episodes with nicholas roeg
2 episodes with nicholas roeg
2 episodes with nicholas roeg
3 episodes with nicholas roeg
2 episodes with nicholas roeg
Who'd have thought that answering a magazine advert to be a man's "wife" on an island, fending for yourself for an entire year, would be a terrible idea? They have to live off the land, free from outside influence, a true escape from the monotony of city life in London. We believe this feeling of "escape" is a very "Western" idealist concept. In that respect, it's a very throwaway idea. But these guys actually did it. And here's the end result.Based on the true story of Lucy Irvine, who answered a magazine advert to spend one year on a secluded island with a man she had just met seems too wild to have happened. Starring Oliver Reed and Amanda Donohoe, directed by Nicholas Roeg, this film is a mixed experience, especially as rare as the film is to obtain in its original, legitimate release.
This week Bryan and Dave take a look at a nasty little indie from New Jersey that can't help but get a little on ya. Alfred Sole's Alice, Sweet Alice is a vicious movie with a real bone to pick with the Catholic church. Following his actual excommunication from the church having, Alfred Sole pulled together every resource he could, with a script co-written by Rosemary Ritvo and heavily, heavily inspired by Nicholas Roeg's Don't Look Now, it pits a community of deeply repressed middle-class Catholics against a killer who brutally murders a child in a church. Is it the deeply disturbed problem-child Alice? All signs point to yes but it's complicated, of course. Perverse and dark in the extreme, Alice, Sweet Alice stands alone in the 1970's as a truly original, truly mean piece of horror with a hell of a cast and some seriously nasty special effects. Support Bring Me The Axe on Patreon! https://www.patreon.com/c/bringmetheaxepod Buy Bring Me The Axe merch here: https://www.bonfire.com/store/bring-me-the-axe-podcast/
John Williams, London Symphony Orchstra [00:23] "The Desert and The Robot Auction" Star Wars 20th Century Records 2T-541 1977 Pretty much every aspect of this soundtrack is seared into my Gen X nerd mind. Silver Jews [03:15] "Advice to the Graduate" Starlite Walker Drag City DC55 1994 The debut outing from David Berman and friends, here including partners in crime Steve Malkmus, Bob Nastanovich, and even Steve West. There is also a lovely cover of this song by The Pastels (https://youtu.be/tQ1vuKAGmUo?si=y7G-DZUy094zyJUf) (recorded for a Peel session). Lena Lovich [06:30] "I Think We're Alone Now" Stateless Stiff Records SEEZ 7 1978 (1979 reissue) From the original UK Stiff Records release of Stateless, a very first-wave New Wave version of "I Think We're Alone Now", originally recorded by Tommy James and the Shondells. Also available in Japanese! (https://youtu.be/URPtOAs_eMc?si=zX0h-wST3jcLzadK) Lena Lovich [09:18] "Lucky Number" Stateless Stiff-Epic JE 36102 1979 The US version changes up the track order, and has a number of songs remixed by Roger Bichirian. David Bowie [13:47] "Golden Years" Station to Station RCA Victor AQL1-1327 1976 (1986 reissue) Carlos Alomar and Earl Slick laying down the funky guitars. The cover features a photograph of Bowie by Steve Shapiro from Nicholas Roeg's The Man Who Fell to Earth (1976) (https://youtu.be/KarWCgIw3Wk?si=52k2oqnxkEJ2HNah). Sinéad O'Connor [17:46] "Some Day My Prince Will Come" Stay Awake (Various Interpretations of Music from Vintage Disney Films) A&M Records B0029005-01 1988 (2018 reissue) The late great Sinéad O'Connor interpreting Snow White's ballad accompanied by the late great Andy Rourke from the late great Hal Willner. Willner was one of the most imaginative music producers, responsible for so many excellent tribute albums, and one of the most innovative music shows on network television: Night Music (https://youtu.be/ChPPW6NbsFk?si=AusrNnmpxTl4mWUI). Graham Parker and the Shot [18:55] "Wake Up (Next to You)" Steady Nerves Elektra 9 60388-1 1985 Graham gets all romantic in a Motown sorta way. This single made it as high as 39 on the Hot 100. Graham Parker and the Rumour [24:00] "I'm Gonna Tear Your Playhouse Down" Stick to Me Mercury SRM-1-3706 1977 Graham and company do a fine rendition of this song that was initally a hit for Ann Peebles (https://youtu.be/cyMsvE8UcbI?si=VqkTZdDF9ubuspVT). The Rolling Stones [29:35] "Dead Flowers" Sticky Fingers Rolling Stones Records COC 59100 1972 The first album the Stones recorded after being freed from their Decca Records obligation. This copy has one of the actual working zippers, as designed by Andy Warhol. Many listeners will also be familiar with Townes van Zandt's acoustic version that appears on his live album Roadsongs, and was subsequently used in The Big Lebowski (Coen, 1998). The Aquadolls [33:40] "Tweaker Kidz" Stoked on You Burger Records BRGR390 2014 Fun track from the debut Aquadolls album. Talking Heads [36:06] "Once in a Lifetime" Stop Making Sense Sire 1-25186 1984 There was a very cute promo (https://youtu.be/R2gVgpHIDz0?si=UfreL9mJCNr_K3iC) for the A24 re-release of the film recently. Nadja [42:03] "The Stone" The Stone Is Not Hit by the Sun, Nor Carved with a Knife Gizeh Records GZH70 2016 As usual, more heavy dreamy goodness from one of my favorite duos. Music behind the DJ: "Gomez" by Vic Mizzy
Like Schwarzenegger after him, he just needed to find the role he was born to play. Following the career track of Nicholas Roeg, we come to one of his seminal films, THE MAN WHO FELL TO EARTH. It's a head-scratcher and we say that with an understanding of Roeg's work being a little disjointed and a heavy use of visual metaphors and match cutting BUT... It would have been nice to get a better through-line in the story. But no one hates this movie at OTB HQ, certainly not when Rip Torn is tearing through this sexy sci-fi circus like a Professor Lothario!
Daphne du Maurier was a prolific English writer of novels, plays, and short stories resonant with what she termed "a sense of unreality." In this episode, JF and Phil discuss her great short story "Don't Look Now," which Nicholas Roeg famously adapted to the screen in 1973 in a film starring Donald Sutherland and Julie Christie. Recorded live at Shannon Taggart's Lily Dale Symposium on July 25th, 2024, the discussion takes a number of turns, exploring the ghost as an "image of itself," the phenomenon of "deathishness," the experience of derealization, the human capacity to break time, and grief as a rift in time. Visit the Weirdosphere (http://www.weirdosphere.org) and sign up for JF's upcoming course of lectures and discussions, "Whirl Without End: Fairy Tales and the Weird," starting on September 5th, 2024. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Daphne du Maurier, "Don't Look Now" (https://bookshop.org/a/18799/9780765333629) Nicholas Roeg (dir.), Don't Look Now (https://www.imdb.com/title/tt0069995/) Weird Studies, Episode 66 on “Diviner's Time” (https://www.weirdstudies.com/66) Chuck Klosterman, "Tomorrow Rarely Knows” (https://bookshop.org/a/18799/9781416544210) Thomas Mann, Death in Venice (https://bookshop.org/a/18799/9780141181738) Peter Medak (dir.), The Changeling (https://www.imdb.com/title/tt0080516/) Philip K. Dick, “Schizophrenia and the Book of Changes” (https://bookshop.org/a/18799/9780679747871)
Can a film be slow, unsettling, and still be considered a horror classic? This week on Screams & Streams, we dissect the 1973 film "Don't Look Now," directed by Nicholas Roeg. Despite its 93% Rotten Tomatoes rating, our initial impressions are split. Sam finds it sluggish and not fitting the horror genre, while Mike, on his second watch, sees the beauty in its looping narrative but still agrees it's not traditional horror. Chad appreciates the stellar cinematography and acting, though he too notes the pacing issues. We kick things off with a plot summary and our "sinister sip" of the episode: scotch, inspired by a key scene in the film.We then move on to scrutinize specific scenes, especially those featuring Donald Sutherland. Expect a thorough critique of the unrealistic knife attack and the awkward drowning rescue scene. We also discuss the prolonged sex scene that's oddly edited and the peculiarities of Sutherland's performance quirks. From the "useless cop" trope to the "old psychic warning," our "Tropes Hall of Shame" segment is packed with insights and laughs. We even touch upon the controversial sex scene that stirred discomfort for both Donald Sutherland and Julie Christie, questioning its necessity and its divergence from the source material.Finally, we examine the film's audio and music elements, noting the impactful use of cellos and chimes, and highlight standout "what the fuck" moments like a bizarre hospital window setup and a shocking meat cleaver incident. Our in-depth analysis covers atmospheric nuances, narrative elements, and the portrayal of parental grief. We conclude with our mixed reviews; while Mike and Chad find merit in its narrative and visual storytelling, rating it a six out of ten, Sam gives it a much lower score as a horror film. Join us for this deep dive and remember to follow us on Instagram at ScreamStreamPod and visit our website, screamsandstreams.com, for more movie recommendations and discussions. Head to www.screamsandstreams.com for more information related to our episode.
This week on Fabulous Film and Friends we are pointing our compasses southward to the land of doom and gloom:Australia! Don't be fooled by the likes of Paul Hogan, Yahoo Serious and Thor, underneath that loopy, whimsical Australian charm, lies an unparalleled grim and sober yet prophetic outlook about life on Earth as evidenced by 1971's Walkabout directed by Nicholas Roeg, though full disclosure: he's an Englishman who shepherded Jenny Agutter, Luc Roeg, David Gulpilil and John Meillion to cinematic prominence, then 1982's The Road Warrior aka Mad Max 2 directed by George Miller and starring Mel Gibson, Bruce Spence, Kjell Nillson, Max Phipps, Vernon Wells, Mike Preston, Arkie Whitely, Viginia Hey and Emil Minty then topped off with The Road directed by Australian native John Hillcoat and starring Viggo Mortenson, Kodi Smit-McPhee, Charlize Theron, Garrett Dillahunt, the late Michael Kenneth Williams, Guy Pearce and Robert Duvall. My guests today are once again the series regulars who have both the stomach and gloomy disposition to take solace in rewatching these films back-to-back-to-back, Roseanne Caputi and Alex Robertson.Okay before we go on a walkabout of our own, the synopses: In Walkabout, a perfectly ordinary pair of upper-class English siblings get lost in the Australian outback after their father takes them for a picnic then tries to murder them. They look to be perfect candidates for either heat stroke and/or vulture food until they are rescued by a young Aboriginal teen out on his Walkabout. The Road Warrior/Mad Max 2 raises the stakes of the original Mad Max and picks up the story with ex cop Max Rockatansky travelling the barren, hellish, post-apocalyptic highways and stumbling upon an evil road gang led by a brute named Lord Humungus. Humungus is hellbent on invading a compound belonging to a group of civilized and intelligent settlers who have built an oasis around the last of the oil wells and have running lights and supplies. Losing numbers and their morale under the constant attacks of Humungus, the settlers hatch a plan to escape the vermin on wheels and flee to the coast with their oil in tow. With the help of Max and a pilot called the Gyro Captain, the settlers are given a slim chance to survive. In The Road a Man risks all to protect his Boy and teach him survival skills in another bleak and nightmarish future where all plant and animal life is gone and the dominant humans subsist through murder and cannibalism. Which film is king of the outback/queen of the end times?Find out!
Roald Dahl, Jim Henson, and Nicholas Roeg burn through witches and dig in the ditches.
Insignificance, Nicholas Roeg's 1985 adaptation of Terry Johnson's play of the same name, is a study of fame and guilt, womanhood and the bomb. If the concept of "Barbieheimer" were a single film, it may look something like this.
Horror Well-Cut: Nicholas Roeg's Don't Look Now This week Ibrahim & I continue our descent into Horror Cinema with a look at a British Classic, Nicholas Roeg's Don't Look Now (1973). Beautifully edited, masterfully directed, and sensitively acted (from stars Julie Christie and Donald Sutherland), Nicholas Roeg's film examines the struggle of a married couple as they attempt to continue living after the accidental drowning of their young daugter. Featuring a sex scene that has stirred controversy and speculation for over forty years, Roeg's film utilizes tension built through incredible tension and editing. Don't Look Now is a film that has continued to captivate critics while unsettling audiences since the film's premiere in 1973. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks. https://www.buymeacoffee.com/watchrickramos
1985's Crimewave was the sophmore effort for Evil Dead director Sam Raimi, actor and producer Bruce Campbell and producer Bob Tapert. The film started as the script The XYZ Murders by Joel and Ethan Coen. Raimi and genre friendly production company Avco-Embassy agreed the script was a winner and started shooting on a 2.5 million dollar budget. And that's when the problems started. With really young and relatively inexperienced fillmmakers at the helm, the budget balllooned, actors started getting hurt and animosity grew. Dan and Vicky, coming to you from NY and Nantucket, discuss the mostly reviled comedy thriller along with alot of recently seen, including the new Indiana Jones, Netflix's We Have a Ghost, Past Lives, King Richard, Black Mirror season 6, 1970 Nicholas Roeg film Performance, and the genius of Sean Hayes in the Broadway show Good Night Oscar. Have a listen and follow us on social media below. Also buy tickets to Dan's show Tales from the Guttenberg Bible at Bay Street Theater in Sag Harbor, Long Island. https://www.baystreet.org/ Follow us here: hotdatepod.com FB: Hot Date Podcast Twitter: @HotDate726 Insta: hotdatepod
In this 2nd part of our ongoing series exploring the beauty and pathos of 1970's films, with your host Mitch Hampton! More on this series, here: In this, the second part of a 70s movie series, I will explore the most unusual editing style of 70s cinema. Many people think that 70s movies are unique for their slowness or long takes and the enormous attention paid to the actors on screen and, while all this is true, the uniqueness of 70s movies is that they use long takes in combination with very short, abrupt and jagged editing - often purposefully in violation of classical editing practice and without the usual preparations to prepare audiences for scene transitions. It is all these working together that give the films their visual and narrative style. One of the effects of this stylistic strategy is to create overall mystery in the films and an uncertainty in the viewer - qualities of mind that are actually closer to our daily lives, including our interior thoughts and feelings, than we often are often ready to admit. In psychological jargon, 70s movies are opposed to "closure". And unlike in films after the 1980s. the goal is not to show associational connection between one image and the next as in montage, nor to establish rhythm, but conversely, to create a cubistic and pluralistic vision of reality. Editors and films discussed will include Dede Allen, Suzanne Pettit and films like Night Moves, Girlfriends, Klute, some to be announced, and those of Nicholas Roeg. #films #Cinema #aesthetics #funkyfridayatfive --- Send in a voice message: https://podcasters.spotify.com/pod/show/mitch-hampton/message Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support
Nicholas Roeg's hallucinatory vision of the Australian Outback. This episode is also available as a blog entry at https://tashpix.wordpress.com/2019/05/29/walkabout/
Hay tantos elementos en este programa que enumerarlos llevaría muchos párrafos, así que vamos a los principales y descubrirás el resto al escucharlo: - No solo I Tre Volti Della Paura fue la primera película en color de Mario Bava, sino que su primer segmento, El Teléfono, está considerado como el antecedente directo del Giallo. - Don’t Look Now es la única película de terror de Nicholas Roeg y su reflejo de Venecia enfadó mucho a la ciudad. - Burnt Offerings, tanto la novela de Robert Marasco como la película de Dan Curtis, influyeron en Stephen King para escribir The Shining, y ¿Casualidad? Hay planos muy parecidos en la película de Stanley Kubrick. Dale al play y disfruta de una hora y media con buena compañía y mejor cine. ¡Ah, y encontraras las reviews de estas películas en nuestra web madre: www.terrorweekend.com/ Si te ha gustado nuestra selección, no te olvides de regalarnos un like y coméntanos en el mail jdonate@terrorweekend.com, qué programas te gustaría escuchar.
This time on Medieval Death Trip, we celebrate Black Friday weekend with some black magic in our belated Halloween anniversary episode. We look at a couple of quite different medieval witches, a Cornish wildwoman from the Life of St. Samson and the famous Witch of Berkeley, as well as a report of a night-hag from the 18th century. Today's Texts - William of Malmesbury. Chronicle of the Kings of England. Edited by J.A. Giles, translated by John Sharpe and J.A. Giles, George Bell & Sons, 1895. Google Books. - The Liber Landavensis, Llyfr Teilo, or the Ancient Register of the Cathedral Church of Llandaff. Edited by W.J. Rees, William Rees, 1840. Google Books. - Burnett, George. Specimens of English Prose-Writers from the Earliest Times to the Close of the Seventeenth Century, with Sketches Biographical and Literary, Including an Account of Books as Well as of Their Authors; with Occasional Criticisms, etc. Vol. I, Longman, Hurst, Rees, and Orme, 1807. Google Books. - Sprenger, James, and Henry Kramer. Malleus Maleficarum. Originally published 1486. Translated by Montague Summers, 1928. Sacred-Texts.com. Audio Clips: - The Tragedy of Macbeth. Directed by Joel Coen. Apple Studios, 2021. - The Witch. Directed by Robert Eggers. A24, 2015. - The Witches. Directed by Nicholas Roeg. Warner Bros., 1990. - The Blair Witch Project. Directed by Daniel Myrick and Eduardo Sánchez. Artisan Entertainment, 1993. - Suspiria. Directed by Dario Argento. Produzioni Atlas Consorziate, 1977. - Monty Python and the Holy Grail. Directed by Terry Gilliam and Terry Jones. EMI Films, 1975. - The Wizard of Oz. Directed by Victor Fleming. MGM, 1939. - Clash of the Titans. Directed by Desmond Davis. United Artists, 1981. - Young Frankenstein. Directed by Mel Brooks. 20th Century Fox, 1974. Additional Music Credit: Ludwig van Beethoven, Coriolan Overture, composed in 1807 (the same year Burnett published his Specimens of English Prose Writers), and performed by the Musopen Symphony (CC-PD). Chapters 00:00:00: Introduction 00:04:54: Movie witchlore montage 00:10:12: Introduction, cont. 00:14:00: Text: from the Malleus Maleficarum 00:21:10: Introduction, cont. 00:23:24: Text: from The Life of St. Samson in the Book of Llandaff 00:27:44: Commentary 00:45:36: Text: from William of Malmesbury's Gesta Regum Anglorum 00:51:50: Commentary 01:04:21: Text: from George Burnett's Specimens of English Prose Writers 01:09:40: Commentary 01:11:38: Mystery Word: baggaged 01:17:03: Outro
Horror season is officially in full swing, and the Squad is celebrating with special guest Clay McLeod Chapman, author of "Ghost Eaters"! Join Clay and the Book Squad as we discuss the 1973 horror classic "Don't Look Now," directed by Nicholas Roeg and starring Donald Sutherland and Julie Christie. Get ready to dive deep into the grief horror genre, red raincoats, clairvoyance and seances, and much more. Then stick around as we chat with Clay about his new book (no spoilers!) and the upcoming film "Wendell & Wild." Beware: this episode is filled with ghooooooosts! Don't forget to join us for our next bookpisode where we'll be discussing Jessamin Chan's "The School for Good Mothers" (October 3rd). And then come back for or next Othersode on October 17, when we'll be joined by Melanie Anderson and Lisa Kröger to discuss their new book "Toil & Trouble!" And, hey, if you listen to this ep, don't forget to send us your feedback and leave a review! We love you!TOC:30 – Welcome Clay! And icebreaker15:30 – Movie intro17:00 – Spiritualism, cinematography, symbolism37:15 – Visions40:30 — Disability rep47:43 — The sex scene52:00 — Editing55:00 — Grief, the message1:03:00 — Interview with Clay!1:52:00 — What's on the blog? What's up next?https://bookriot.com/mushrooms-in-horror/
There's Something About Mary, dentists, when to share and when not to share, Let It Ride, rewatching, Tim Robinson, Richard Dreyfuss comedies, Henry Czerny, Clear and Present Danger, Revenge, sHenry Cavill, James Carville, JT Walsh, Priscilla Queen of the Desert, Hugo Weaving character actors, With Gourley and Rust, Child's Play, film school nerds, bomb pop, remembering things bigger than they are, Tom Poppa, pursuing your passions, conscientious consuming vs. binging, Passolini, obsessive paths, teen sex comedies, Mimi Rogers, George Kareman, Acting Reel Master Database, Dan Opsal, Rob Michael Hugel, Nicholas Roeg, Rob Hubel, old person high school teachers, Zeffirelli Romeo and Juliet, what is and what isn't, Red Shoe Diaries, USA Up All Night, The Hitchhiker, M.A.S.K., Wild Orchid. Support the show
How does a lawyer turned top advertising executive become one of the most successful television writers on TV creating award nominated comedy series and dramas. This week's Behind the Scenes guest has done just that. In addition to creating the long-running BBC tv series “May to December” and “My Hero”, plus the American animated comedy “Neigbours From Hell”, he also penned the critically acclaimed “Losing It”. Now he's a best-selling comic novelist with Hollywood producers knocking at his door. Meet the unstoppable Paul Mendelson. Steam, Smoke & Mirrors Theme music composed by John Orchard and arranged by Ian English Support the podcast by becoming a Patron: https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
Today's guest is artist and writer, Christian Tucci, who brought up the Nicholas Roeg masterpiece Don't Look Now. But before we get into the feature we discuss the new Apple series, Severence, a bunch of spaghetti Westerns, and the Vinegar Syndrome re-release of 1981 slasher, Just Before Dawn. The trio discusses so much! This is a very sophisticated episode, going into the themes of water and mirrors, but they also manage to discuss the hotness of Donald Sutherland, his son Kiefer, beautiful Julie Christie, the best sex scene of all time, and how shocking the end of this. Long Island Medium comes up and the trio discusses their histories with psychics. Did you know Venice is a character in the movie? Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com
Hello and welcome to the official first main feed episode of Bride of Alternate Ending! We are the horror spinoff show hosted by Brennan Klein and Tim Brayton, and we've graduated from Patreon to the main feed this month! These episodes will be coming the 2nd and 4th Friday of every month! For spooky season, we've decided to gift each other with horror classics that the other hasn't seen. First up is Tim, who is showing Brennan the 1973 Nicholas Roeg classic DON'T LOOK NOW for the very first time!
Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este vigésimo primer episodio, nos ocupamos de Atracción fatal (Fatal Attraction, 1987) de Adrian Lyne y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: Tres hombres y un bebé (Three Men and a Baby, 1987) de Leonard Nimoy, 9 semanas y media (9½ Weeks, 1986) y Alucinaciones del pasado (Jacob's Ladder, 1990) de Adrian Lyne, Obsesión mortal (Play Misty for me, 1971) de Clint Eastwood, Someone's Watching Me! (1978) de John Carpenter, El loco de la motosierra (The Texas Chain Saw Massacre, 1974) de Tobe Hooper, Bajos instintos (Basic Instinct, 1992) de Paul Verhoeven, Perversa luna de hiel (Bitter Moon, 1992) de Roman Polanski, Seducción de dos lunas (Two Moon Junction, 1988) de Zalman King, Flashdance (1983), Propuesta indecente (Indecent Proposal, 1993) e Infidelidad (Unfaithful, 2002) de Adrian Lyne, Duro de matar (Die Hard, 1988) de John McTiernan, Venecia rojo shocking (Don't Look Now, 1973) de Nicholas Roeg, El color de la noche (Two Moon Junction, 1988) de Richard Rush, El callejón de las almas perdidas (Nightmare Alley, 1947) de Edmund Goulding, Detour (1945) de Edgar G. Ulmer, Soy un fugitivo (I Am a Fugitive from a Chain Gang, 1932) de Mervyn LeRoy, Los sobornados (The Big Heat, 1953) de Fritz Lang, Vestida para matar (Dressed to Kill, 1980) de Brian De Palma, Juegos de placer (Boogie Nights, 1997) de Paul Thomas Anderson, Rambo (First Blood, 1982) de Ted Kotcheff, Bastardos sin gloria (Inglourious Basterds, 2009) de Quentin Tarantino, Buenos muchachos (Goodfellas, 1990) de Martin Scorsese, Nueve reinas (2000) y El aura (2005) de Fabián Bielinski, Lolita (1997) y Foxes (1980) de Adrian Lyne, Después de hora (After Hours, 1985) de Martin Scorsese, Wall Street (1987) de Oliver Stone, Él sabe que estás sola (He Knows You're Alone, 1980) de Armand Mastroianni, Cuando llama un extraño (When a Stranger Calls, 1979) de Fred Walton, Espera la oscuridad (Wait Until Dark, 1967) de Terence Young, No respires (Don't Breathe, 2016) de Fede Alvarez, Pasión sin límite (The Crush, 1993) de Alan Shapiro, Fear (1996) de James Foley, Fijación (Swimfan, 2002) de John Polson, El fanático (The Fan, 1996) de Tony Scott, Tres rostros para el miedo (Peeping Tom, 1959) de Michael Powell, Maníaco (Maniac, 1980) de Wlliam Lustig, Las procesadas (1975), Las barras bravas (1985) y Los drogadictos (1979) de Enrique Carreras, El triunfo de la voluntad (Triumph des Willens, 1935) de Leni Riefenstahl, La mosca (The Fly, 1986) de David Cronenberg y Los extermineitors (1989) de Carlos Galettini.... ... por si justo te dio paja anotar y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio o agregar la tuya usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.
In this long awaited episode, Xan & Gretta get to talk about a fun 1990s children's film about magic potions and evil witches. Was it a great adaptation? Well sit back and find out as they review the 1990 fantasy film adaption of the Roald Dahl novel The Witches directed by Nicholas Roeg and starring Anjelica Huston, Mai Zetterling, Rowan Atkinson, and Jasen Fisher. ----more---- As our hosts discuss the amazing practical effects of this film, they also compare it to the novel, give great praise to Anjelica Huston's acting ability and also talk a bit about the 2020 remake. Remember to Like, Share and Subscribe. Follow us @spiraken on Twitter and @spiraken on Instagram, subscribe to this podcast and our YouTube channel, Support our Patreon and if you would kindly, please go to www.tinyurl.com/helpxan and give us a great rating on Apple Podcasts. Also join our discord and Thank you and hope you enjoy this episode. #spiraken #moviereview #dodecahydronofmovies #childrensmovie #thewitches1990 #jimhenson #roalddahlthewitches1990 #anjelicahuston #scarykidsmovie #podcasthq #manga #spirakenreviewpodcast Music Used in This Episode: Closing Theme- End Credits by Stanley Myers (The Witches OST 1990) WHERE TO FIND US Our Instagram https://www.instagram.com/spiraken/ Our Email Spiraken@gmail.com Xan's Email xan@spiraken.com Our Patron https://www.patreon.podbean.com/spiraken or https://www.patreon.com/spiraken Our Discord https://tinyurl.com/spiradiscord Our Twitter https://twitter.com/spiraken Youtube Channel https://www.youtube.com/user/spiraken Our Amazon Store http://www.amazon.com/shops/spiraken Random Question of the Day: Did you prefer this version or the 2020 remake?
Episode 91 of Adapt or Perish has just checked in, and OH MY GOD I THINK IT’S A WITCH. We’re taking a look at The Witches, Roald Dahl’s horror story for kids! In this episode we discuss: Roald Dahl's original 1983 novel The 1990 movie, directed by Nicholas Roeg, produced by Jim Henson, written by Allan Scott, and starring Anjelica Huston, Jasen Fisher, and Mai Zetterling The 2020 movie, directed by Robert Zemeckis, written by Zemeckis, Guillermo del Toro, and Kenya Barris, and starring Anne Hathaway, Jahzir Kadeem Bruno, and Octavia Spencer Footnotes: Episode 22: Charlie and the Chocolate Factory Episode 31: Where the Wild Things Are & Fantastic Mr. Fox Episode 55: The BFG Episode 77: Matilda The Gift of Fear by Gavin de Becker "Black Hole Sun" by Soundgarden ‘The Witches’ Review: There’s No Magic to Robert Zemeckis’ Dreadful Roald Dahl Adaptation by David Ehrlich You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.
Chegando no seu feed de filmes clássicos mais uma trinca de produções cinematográficas: é o "Dicas Triplas do PFC #17" com Fred, Alexandre e o músico Willian de Andrade em mais um bate-papo sobre cinema, desta vez com o longa americano de estreia de Mike Nichols, "Quem Tem Medo de Virginia Woolf?" (Who's Afraid of Virginia Woolf?, 1966 - acessem no marco 00:03:30), a dupla de filmes suecos de Jan Troell, "Os Emigrantes/O Preço do Triunfo" (Utvandrarna/Nybyggarna, 1971-1972 - acesse no marco temporal 00:25:53) e o terror inglês do cineasta Nicholas Roeg, "Inverno de Sangue em Veneza" (Don't Look Now, 1973 - acesse no marco 00:58:04). Os Spoilers só começam a partir do marco temporal 01:22:42. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.
Ah, la joie des colos de vacances d’antan, où ados et monos se faisaient allègrement débiter en tranches par un psychopathe masqué. Ou bien la nostalgie des années fac, où d’accortes étudiantes se faisaient larder de coups de couteau par des binoclards revanchards. Vous l’avez compris, l’équipe du PIFFFcast se penche avec allégresse sur le genre séminal du slasher en exhumant quelques incontournables ou classiques oubliés d’un genre trop souvent rabroué. Avec Véronique Davidson, Cyril Despontin, Xavier Colon, Laurent Duroche et Talal Selhami. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/NTOmF2kw9J4 ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast Dossier Slasher : - Treize femmes de George Archainbaud (1932) - 10 petits indiens de George Pollock (1965) - Le voyeur de Michael Powell (1960) - Psychose d'Alfred Hitchcock (1960) - Blood Feast de Herschell Gordon Lewis (1963) - La Baie Sanglante de Mario Bava (1971) https://soundcloud.com/pifffcast/pifffcast-62-bava-roi - Torso de Sergio Martino (1973) - Black Christmas de Bob Clark (1974) https://soundcloud.com/pifffcast/pifffcast-76-merry-pifffmas - Massacre à la tronçonneuse de Tobe Hooper (1974) - Halloween de John Carpenter (1978) - Vendredi 13 de Sean S. Cunningham (1980) - La saga Freddy https://soundcloud.com/pifffcast/pifffcast-67-saga-freddy-les-griffes-de-la-nuit - Hysterical de Chris Bearde (1983) - Terreur sur la ligne de Fred Walton (1979) - Cheerleader Camp / Poupées de chair de John Quinn (1988) - Alice Sweet Alice / Communion Sanglante de Alfred Sole (1976) - Tanya's Island de Alfred Sole (1980) - Ne vous retournez pas de Nicholas Roeg (1973) https://soundcloud.com/pifffcast/pifffcast-45-anarchy-in-the-uk - Last House on dead end street de Roger Watkins (1973) - Terror Train / Le Monstre du train de Roger Spottiswoode (1980) - Prom night / Le Bal de l'horreur de Paul Lynch (1980) - Fog de John Carpenter (1980) - Déviation Mortelle de Richard Franklin (1981) https://soundcloud.com/pifffcast/pifffcast-55-les-magiciens-doz - Action Jackson de Craig R. Baxley (1988) - Le jour des fous (1985) https://soundcloud.com/pifffcast/pifffcast-68-school-on-fire - My Bloody Valentine / Meurtres à la St Valentin de George Mihalka (1981) - Meurtres à la St Valentin de Patrick Lussier (2009) - Sleepaway camp / Massacre au camp d'été de Robert Hiltzik (1983) - Happy Birthday to me / Happy Birthday : Souhaitez ne jamais être invité de J. Lee Thompson (1981) - Bloody Bird de Michele Soavi (1987) https://soundcloud.com/pifffcast/pifffcast-62-bava-roi - April Fool's day / Week-end de terreur de Fred Walton (1986) - Vendredi 13: Jason le mort-vivant de Tom McLoughlin (1986) - Dr Giggle / Dr Rictus de Manny Coto (1992) - Sonny Boy de Robert Martin Carroll (1989) - Scream de Wes Craven (1996) - Souviens-toi l'été dernier de Jim Gillespie (1997) - Maniac Cop 2 de William Lustig (1990) - Candyman de Bernard Rose (1992) - Hellbent de Paul Etheredge (2004) - Carnage de Tony Maylam (1981) - Cry Wolf de Jeff Wadlow (2005) - Cold Prey de Roar Uthaug (2006) - Ogroff de Norbert Moutier (1983) - Promenons-nous dans les bois de Lionel Delplanque (2000) - Haute Tension de Alexandre Aja (2003) Les recos en vrac : - Etoile de Peter Del Monte (1989) - Zack Snyder's Justice League de Zack Snyder (2021) - Boss Level de Joe Carnahan (2021) - Silent Running de Douglas Trumbull (1972) - She-Ra les princesses du pouvoir (série TV)
The Kahuna Kids go back to their cinematic roots as they explore a blast from Kais past in Nicholas Roegs The Man Who Fell to Earth featuring David Bowies film debut. Recognizing one year of a global lockdown. Kush And Kai Ep 54: Cobra Kai S3 Coming Soon.The Kick Ass Movie Podcast Bonus Ep: March 21st on The BosNet!The NEXT Sweet Science Cinema March 31st on The BosNet!Follow Kush on Twitter @Kush_HayesMovie reviews at: www.TheBosNet.Family/reviewsRobyn on Twitter @Robyn_SetoPolite Beer Expressions at: www.TheBosNet.Family/pbeSubscribe to The Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2021 TheBosNet Family All Rights Reserved
Promo for Kush And Kai Ep 53: The Man Who Fell to Earth releasing Tomorrow March 17th!!The Kick Ass Movie Podcast Bonus Ep: March 21st on The BosNet!The NEXT Sweet Science Cinema March 31st on The BosNet!Follow Kush on Twitter @Kush_HayesMovie reviews at: www.TheBosNet.Family/reviewsRobyn on Twitter @Robyn_SetoPolite Beer Expressions at: www.TheBosNet.Family/pbeSubscribe to The Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2021 TheBosNet Family All Rights Reserved
Mike and Dan take off to Venice to discuss Nicholas Roeg's 1973 thriller Don't Look Now. They talk about how the film reflects many people's conflicted approach to the supernatural and how watching a movie is like having second sight: the movie lets the viewer act like a psychic for a few moments at a time. They praise the film as one that's every bit as good as its surprise ending and, along the way, bring in 2001, The Sixth Sense, The Wicker Man, The Godfather, Macbeth--and even Animal House. So get off that scaffold, stop chasing that red raincoat, and give it a listen! Please follow or subscribe to the show wherever you get your podcasts and on Twitter @15MinFilm. Incredible bumper music by John Deley.
Andrew and Matt conclude their series on Folk Horror with this old Nicholas Roeg chestnut, starring Julie Christie, classic beefman Donald Sutherland, and, of course, Venice. Show Notes Don’t Look Now was directed by Nicholas Roeg and stars Donald Sutherland and Julie Christie. The film’s wikipedia page The story was inspired by Daphne Du Maurier’s short […]
We are thankfully leaving Vin Diesel and the Riddickverse behind this week as we delve into two films from the same visionary director, Nicholas Roeg. Both films leave an indelible imprint on the viewer with their unorthodox editing and striking imagery. The first, 1973's Don't Look Now, is a meditation on grief through the lens of the supernatural, boasting one of cinema's most unforgettable endings. The second, 1971's Walkabout, tells the story of two children lost in the Australian outback who meet a young Aboriginal boy. This dark tale shows the beauty and chaos of nature along with the insanity of modern man. Timestamps Don't Look Now (00:00:45) Walkabout (01:06:45) Links Dusted – Pale Light (music from off of Donnchadh's favourite ever TV show “Banshee”) https://youtu.be/oGbH7PtKsiA Justwatch.com – streaming and rental links https://www.justwatch.com
Julius en Jasper bespreken welke klassieker beter is: Rosemary's Baby (1968) van Roman Polanski of Don't Look Now (1973) van Nicholas Roeg.
Ello ello ello. Wots all this then? We're talking Nicholas Roeg's 1973 thriller "Don't Look Now" and you better believe it's from jolly old England town. Typing out a British accent is impossibly more annoying than hearing someone do the accent so if you're still reading, bravo! Is this film scary? Is it very erotic watching Donald Sutherland and Julie Christie have sex? One or both of these questions will be answered within! Scarier Than Fight Club continues!
Si, dans le coin de paradis où vous passez vos vacances, se trouvent (rayez les mentions inutiles) des preneurs d'otage libidineux, des cajuns barbus pas contents, des guerriers mayas, des créatures voraces ou des débris de satellite, un conseil : rentrez vite chez vous ! De l'immensité de l'espace aux profondeurs de la Terre, des bayous de la Louisiane au bush australien, la vie n'est qu'une lutte pour la survie dans ce nouveau PIFFFcast spécial « survival ». Avec Véronique Davidson, Xavier Colon, Talal Selhami, Laurent Duroche et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : youtu.be/aUf3IFP6m4o ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast REFERENCES L'oeil du PIFFF : - World Apartment Horror de Katsuhiro Ōtomo (1990) - Get Duked! (ex Boyz in the Wood) de Ninian Doff (2019) - La maison des ombre de Nick Murphy (2011) - Straight on Till morning de Peter Collinson (1972) - Fright de Peter Collinson (1971) - Tigers are not afraid / Ils reviennent de Issa Lopez (2017) Les survivals : - Five Came back / Quels seront les cinq ? de John Farrow (1939) - Les échappés du néant de John Farrow (1956) - Lifeboat d'Alfred Hitchcock (1944) - Inferno / La piste fatale de Roy Ward Baker (1953) - Robinson Crusoé de Daniel Defoe (Roman - 1719) - Sa majesté des mouches de William Golding (Roman - 1954) - Sa majesté des mouches de Peter Brook (1963) - Walkabout de Nicholas Roeg (1971) https://soundcloud.com/pifffcast/pifffcast-70-david-cronenberg-la-chair-et-lecran - La proie nue de Cornel Wilde (1965)https://soundcloud.com/pifffcast/pifffcast-71-vendre-du-reve - Jeremiah Johnson de Sydney Pollack (1973) - Délivrance de John Boorman (1972) - Rambo de Ted Kotcheff (1982) - Antarctica de Koreyoshi Kurahara (1983) - Predator de John Mc Tiernan (1987) - Buried de Rodrigo Cortés (2010) - Le Territoire des loups de Joe Carnahan (2011) - L'odyssée de Pi de Ang Lee (2012) - Touching the void de Kevin Macdonald (2003) - Détour Mortel de Rob Schimdt (2003) - Harpoon de Rob Grant (2019) - Sans retour de Walter Hill (1981) - Fortress / L'école de tous les dangers de Arch Nicholson (1985) - Les dents de la mort de Arch Nicholson (1987) - Panique sur le green de Thomas R. Rondinella (1989) - The Descent de Neil Marshall (2005) - Apocalypto de Mel Gibson (2006) - La passion du christ de Mel Gibson (2004) - Gravity de Alfonso Cuaron (2013) - Aningaaq de Jonas Cuaron (2013) https://www.youtube.com/watch?v=3hfLsiH8p8o Les recos en vracs : - Chaîne Youtube de Mike Horn : https://www.youtube.com/MikeHornexplorer - Asadora de Urasawa Naoki (Kana) - Black Hammer de Dean Ormston (Urban Comics) - 40 ans toujours puceau de Judd Apatow (2005) - Mystify : Michael Hutchence de Richard Lowenstein (Documentaire - 2019)
This week, we shut down the scourge of “mystery seeds” being sent to unsuspecting customers via Amazon. Amy Adams gets another shot at Oscars glory with a new film called “Nightbitch.” Jeffrey Epstein’s New York City mansion hits the market for $88 million. And finally, the latest edition of our Summer Music Series features “Obsession,” a 1984 hit by Animotion. HEAR US ON ITUNES https://itunes.apple.com/us/podcast/this-week-in-nope/ OVERCAST https://overcast.fm/itunes1312654524/this-week-in-nope SPOTIFY https://open.spotify.com/show/07WFZhd5bgY1l1BspArfRJ STITCHER https://www.stitcher.com/podcast/this-week-in-nope SOUNDCLOUD https://soundcloud.com/user-518735966/tracks POCKET CASTS https://pca.st/SrJY RADIO PUBLIC https://radiopublic.com/this-week-in-nope-GAOx3N In this week’s episode: Watch the video for “Obsession” by Animotion. Big #YUP to… Walkabout, a 1971 Australian New Wave film directed by Nicholas Roeg, available on the Criterion Channel The Australian military, for rescuing three men stranded on an island in Micronesia. Axios’s Jonathan Swan, our finest living Australian White House reporter. Watch his jaw-dropping interview with Donald Trump here. In addition to Twitter, you can now also follow us on Goodpods, a new app that will help you discover great podcasts.
The Witches (1990), Nicholas Roeg's adaptation of Roald Dahl's book, is traumatising af. A young boy and his grandmother as stumble onto a witch's convention. The witches are wicked and sadistic, and beneath their appearance as regular women are hideous, bald, toe-less creatures who hate children more than anything else. Their leader, the Grand High Witch (portrayed with maximum camp by Anjelica Huston) is the worst witch of them all. I'm joined by the wicked smart Tara Judah, Cinema Producer at the Watershed in Bristol and frequent collaborator of The Final Girls, to dig into some of the reasons why this film, and Angelica Huston's performance, really gets under your skin. We talk about Anjelica Huston's sexy, slinky and campy take on the Grand High Witch, the grotesque physicality of the witches, how this fits into Nicholas Roeg's other work and why it remains terrifying for both children AND adults. *** The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism. Find out more about our projects here: thefinalgirls.co.uk Follow us on Twitter, Instagram and Facebook. Follow Anna on @annabdemented and Olivia is on @livihowe
EPISODE #234-- BOO! Did I get you? Good. I'm sorry, look, what? Anyways, on today's SPOOKTAGON we are joined by the ghoulish Hayley Jackson (@LittleRedPixie on IG) to talk Nicholas Roeg's film The Witches. We also rap about Sisters, Fleabag, The Addams Family, Downton Abbey, Birds of Passage, and Safety Last. It's a big, spooky episode! Donate to the cause at Patreon.com/Quality. Follow James on Twitter @kislingtwits and on Instagram @kislingwhatsit or on gildedterror.blogspot.com. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). Next week: The Witchfinder General! #Spooktacular #Halloween #RoaldDahl #Britain #England #ChildPeril #Witchcraft #EvilWomen #ChildrensFilm #SPOOKTAGON
Une VHS dans la poitrine, des grossesses extra-utérines, une mouche géante, une machine à écrire-cafard, une cicatrice-vagin… Ce ne sont quelques-unes des images indélébiles imprimées à jamais sur nos rétines par le cinéma de David Cronenberg, que l'équipe du PIFFFcast autopsie dans cette nouvelle émission. Longue vie à la Nouvelle Chair, forcément. Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : http://bit.ly/2FrUwHo ► En écoute aussi sur Itunes : https://apple.co/2Enma9n ► Sur Deezer : https://www.deezer.com/fr/show/56007 ► Sur Spotify : https://open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Mais aussi sur Youtube : https://www.youtube.com/watch?v=B84jq85C4k0 Références des films cités : • Le corrupteur de Michael Winner (1971) • Us de Jordan Peele (2019) • Monster in the closet de Bob Dahlin (1986) • Long Dream de Higuchinski (2000) • Walkabout de Nicholas Roeg (1971) • Vidéodrome de David Cronenberg (1983) • Dead Zone de David Cronenberg (1983) • La Mouche de David Cronenberg (1986) • Le Festin nu de David Cronenberg (1991) • Spider de David Cronenberg (2002) Bande originale : La Mouche de David Cronenberg composée par Howard Shore (1986)
Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 20, Sam is joined by Mark Jenkin, director of new film Bait (89 minutes) which received an incredible response at the 2019 Berlinale and is in UK cinemas from 30th August. Mark has chosen Jerzy Skolimowski’s 1978 British horror film The Shout (86 Minutes) starring John Hurt, Susannah York, Alan Bates and Tim Curry. Sam and Mark talk about the joys of shooting films on film, the importance of sound in cinema and what Nicholas Roeg could have done with this script, as producer Jeremy Thomas had initially intended. Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm We're also doing our very first live show at the London Podcast Festival on 14 September, with special guests Helen Zaltzman, Martin Austwick and director Colin Trevorrow. Tickets on sale here. Website: 90minfilmfest.comTweet: @90MinFilmFest Instagram: @90MinFilmFest Hosted by @sam_clements. Produced by Louise Owen. Guest star Mark Jenkin. Edited by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus link: Find out where to watch Bait here, and The Newlyn Filmhouse.
On this episode, we talk about the crazy history of the land down under, Australia. First, we review and discuss the new movie from writer/director Jennifer Kent called The Nightingale starring Aisling Franciosi and Sam Claflin. It's a tough movie to take, exploring the violent, dark history of Tasmania through the eyes of an Irish convict who has everything taken from her. Then we get into an Australian film from 2005, a modern western take on the outback and keeping law and order amidst the harsh hell that is the Australian desert in The Proposition starring Guy Pearce and Ray Winstone among others. And finally we talk about a film from director Nicholas Roeg in Walkabout, which experimentally explores the intersection of two British children abandoned in the outback by their mentally-crazed father and an aboriginal teen on his ritual walkabout. Rate and review us on Apple Podcasts! We're also on Spotify and Stitcher. Enjoy! Email: celluloidheroespod@gmail.com IG: @celluloidheroespod @seanshap0 @stevenifine
Today on the podcast, Lester and Tariq discuss the merits and controversies behind Nicholas Roeg's 'Don't Look Now', One of Britains seminal psychological thrillers. Twitter Facebook Instagram @themoviebrew Website Email Artwork by Forest Fire Creations Music by Jake Brett
The filmlordes interview Brady Corbet about his new film Vox Lux and talk about working with Sia, genre-fucking, ending with an excellent name drop of F.W Murnau and Nicholas Roeg.
In this episode Lucy and Sean pay tribute to two key figures in the world of WYRD_SIGNAL: David Bowie and Nicholas Roeg, exploring the intersections of Cold War capitalism, space travel, gnosticism, time travel and the creative potential of cocaine and mirrors in the 1977 science fiction classic The Man who Fell to Earth
Where we fight about the best Melissa McCarthy film since Spy and Rocky 4 x 2 ie Rocky 8 ie Creed II, in cinemas now + discuss the legacies of Nicholas Roeg and Bernardo Bertolucci
Lean On Pete + Widows, and we interview director/writer Andrew Haigh about Lean On Pete. Also in news; Rebel Wilson is cast in Cats, and filmmaker Nicholas Roeg passes away at the age of 90. We have the pleasure of interviewing Andrew Haigh about his new film Lean On Pete, and the filmlordes try not to talk about Ezra Miller.
Una difícil semana para la historia del cine nos obliga a decir adios a Nicholas Roeg y a Bernardo Bertolucci. Del primero, Miguel Cane habló largo y tendido en este episodio; del italiano se habla aquí, recordando su obra provocadora, hermosa y feroz; mas allá de polemicas. Además, Raúl Fuentes reseña un sorprendente documental español.
Warners Media knows what it feels like to be god as they flip the switch and resurrect the bloated corpse of Filmstruck within the patchwork body that shall be known as Criterion Channel! We pay homage to two giants of cinema with a respectful salute to Nicholas Roeg and a look at our favourite William Goldman-scripted films. Then Jesse and Tom Netflix and Chill (I believe I'm using that correctly) and catch up on the sumptuous six course meal that is the Coen Brother's western anthology: The Ballad of Buster Scruggs -but not before getting lost on the Oregon Trail with Meek's Cutoff
Did you know there are five HOME ALONE movies? It’s true, and because we’re completely out of our minds we watched them all for this week’s CRITICALLY ACCLAIMED! We’re diving deep into this troubling family movie franchise to explain why the original films might never have been great, why the fifth film is arguably the best in the series, and why the third and fourth films might make you want to gouge out your eyes.Plus, we’ve also got new reviews of RALPH BREAKS THE INTERNET, ROBIN HOOD, CREED II, THE FAVOURITE, SHOPLIFTERS and THE CHRISTMAS CHRONICLES, and we’re saying goodbye to Nicholas Roeg, Ricky Jay and Bernardo Bertolucci. Email us at letters(a)criticallyacclaimed.net, follow your hosts on Twitter at @WilliamBibbiani and @WitneySeibold, and follow the podcast/website at @CriticAcclaim. Check out our website at www.criticallyacclaimed.net and head on over to www.patreon.com/canceledtoosoon to contribute to the show and get even more exclusive content!Email us at letters(a)criticallyacclaimed.net, and follow your hosts on Twitter at @WilliamBibbiani and @WitneySeibold. Introductions - 1:35Nicholas Roeg, Ricky Jay and Bernardo Bertolucci - 6:05Ralph Breaks the Internet - 30:51Robin Hood - 42:22Creed II - 55:44The Favourite - 1:13:40Shoplifters - 1:23:39The Christmas Chronicles - 1:29:25Home Alone - 1:40:17Home Alone 2: Lost in New York - 1:56:05Home Alone 3 - 2:09:09Home Alone 4: Taking Back the House - 2:16:05Home Alone 5: Holiday Heist - 2:27:40
This week the gang put Fantastic Beasts: The Crimes of Grindlewald on trial. Is it magical? Or is it criminal? This week, Alex is acting as the defense, and arguing that it’s a fantastic film worthy of the Hit List. Ausy is acting as the prosecution and arguing that it’s a beastly crime worse than those of Grindlewald. Dave is the character witness, whilst Gav acts as the judge, giving the final verdict. In the news, the gang talk about Avatar 2 and 3, the Big Trouble in Little China reboot, and the passing of Nicholas Roeg and Ricky Jay. Plus this week’s Film Feels ask what our favourite Johnny Depp performance is. This week’s quiz is all about the Fantastic Beasts of the Harry Potter universe! All of that plus a Caption Contest, musical instruments, impressions and banter. www.filmsontrial.co.uk
New Lion King Trailer & #SixDegreesOfMMO ***This is a 1 Spoiler Episode*** One of the Mikes spoils Act 1 of The Lion King. Visualize my eyes roll like a moody teenager as I write this, but to be honest, that’s what happened. Be forewarned if it matters to ya. What We’re Watching: Also Mike Re-Watched Crazy Rich Asians & A Star Is Born w/ the family- 1:27 Mike 1 watched Making a Murderer: Season 2 by himself, brooding, sad, & angry - 5:51 #SixDegreesOfMMO: Round 6 Winners for John Candy to Tessa Thompson - 11:08 Challenge No. 7: It’s absurd & impossible & you’ll love to hate us - 18:30 Stories of the Week: The Most Important Lion King Remake Trailer Review Since A Minute Ago - 22:39 Dumbo Trailer Review - 33:28 Nicolas Roeg R.I.P. - 36:53 Box Office Update: (Ralph, Creed, and You Break Records - 38:53) (Green Book Disappoints, Bohemian Rhapsody Rolls - 41:54) (A Star Is Profitable - 44:25) (No Money in Nottingham - 45:17) Do You Care?: (Hannah Grace - 47:21) (Limited Releases This Week - 48:00) (Julie Andrews Does Whatever the DCEU is Called Now - 49:19) Oscar Race Update: Vice with Christian Bale getting positive buzz - 52:06 Another Green Book Controversy - 56:17 Outro / Social Media / Words of Wisdom - 1:03:01 The Mikes of Oscar return for yet another installment of your favorite new podcast series, MMO Weekly, and to re-introduce what this new podcast format is all about, I ought to go no further than the Mike 1’s tagline. We review the Hollywood week that was and preview the Hollyweird week that will be. In reviewing the Hollywood week that was, we started that off with a What We’re Watching segment that usually covers what else we’ve been taking in just for fun as moviegoers, TV watchers, or youtube addicted millennials. This week, Also Mike re-watched Crazy Rich Asians and A Star Is Born while Mike 1 took in Making a Murderer: Season 2. We continue our movie trivia game #SixDegreesOfMMO, read the winners of round 6, and officially designate our first two time winner and championship belt holder for this Six Degrees Of Kevin Bacon inspired game. Then for our Stories of the Week segment, we review the trailer of The Lion King that broke #FilmTwitter this past Turkey Day as well as the newest look at Tim Burton’s Dumbo before reviewing the illustrious filmography of Nicholas Roeg. And of course, we update you on the record breaking Thanksgiving week box office and the two big stories most recently affecting this year’s Oscar Race involving Vice and Green Book. We also do a helluva lot to preview that Hollyweird week to come. Our Do You Care segment looks forward to next week’s box office as we weigh in on the upcoming theatrical releases: The Possession of Hannah Grace, Anna and the Apocalypse, and Mirai. We lay down the next #SixDegreesOfMMO challenge no. 7, which will baffle / delight / enrage / arouse ALL of your movie trivia powers, and we dare you to solve this Gordian knot in only a few moves. Finally, our Oscar Race update does as much to review the big stories as it does to preview the upcoming Vice movie coming out in late December before we follow up on our recent Oscar Sprint Profile of Green Book by handicapping its chances at receiving love at the podium after yet another controversial story hit in the Hollywood trades. Let us know your thoughts on social media. We’re Mike, Mike, and Oscar on Facebook, Instagram, Reddit, and Gmail. We’re @MMandOscar on Twitter. Do send us those #SixDegreesOfMMO responses to round 7. Thanks for listening, and if you’re enjoying our programming, please do review us on iTunes with a 5 star and/or review. Or just tell a friend about the show. Either way, we thank your for all your cooperation and support. Here’s that new MMOW slogan one more time. We review the Hollywood week that was and preview the Hollyweird week to come. We’re Mike, Mike, and Oscar, and this is MMO Weekly!
En ces temps de Brexit dur, il est bon de rappeler que le Royaume-Uni ne nous a pas seulement offert les Spice Girls et Doctor Who. Alors hop, on vous emmène en Eurostar sans bouger de votre fauteuil (ou selle de vélo, ou strapontin de métro, ou siège des toilettes), direction l'autre côté de la Manche, pour parler de films so british tels que Les Monstres de l'espace, Ne vous retournez pas ou Isolation. Tout ça en dégustant un thé, of course. Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Mais aussi sur YouTube : https://youtu.be/8hAS3tc8sUc Références des films cités : • Pulsions Cannibales d’Antonio Margheriti (1982) • Last Man (série TV - 2016) • Saga de Brian K. Vaughan (Comic Book - 2012) • Kaïro de Kiyoshi Kurosawa (2001) • Straight on till morning de Peter Collinson (1972) • Quatermass and the pit de Roy Ward Baker (1967) • Ne vous retournez pas de Nicholas Roeg (1973) • The Wicker Man de Robin Hardy (1973) • Isolation de Billy O’Brien (2005) • Heartless de Philip Ridley (2009) Bande Originale : • Hellraiser 2 de Christopher Young (1988)
A slight break in the scheduled programming while we carry out some essential podcast admin. (Totalling up votes for the next horror movie-franchise; negotiating licensing on our life-rights with Hollywood studios who want to make a movie out of the podcast; watching rubbish movies. That sort of thing...) As such, this week is a repeat of 2016's Halloween 'Trick': Wallace and Gromit and the Curse of the Were-Rabbit. No doubt you'll listen to the end, but don't believe the hype: Next week isn't 'Collateral', it's Nicholas Roeg's 1973 classic horror, Don't Look Now. Get in touch with your thoughts on what our next franchise should be (only three weeks left!) HowtoSurviveShow@gmail.com Follow us on Twitter! @HowToSurvivePod
It's episode 157... and I'm giving you a choice: either put on these glasses or start eatin' that trash can. This week, They Live (1988); a movie in which the wrestler Rowdy Roddy Piper puts on sunglasses that allow him to see the hidden forces which capitalist aliens use to control the world. We stick it to the man with some personal finance tips for intergalactic overlords; the importance of adhering to a dress code; and Chris enjoys Joe's most concise and coherent quiz yet. Whatever happens, one things for sure: Mama don't like tattletales. Next week, Nicholas Roeg's 1973 classic horror, Don't Look Now. Get in touch! HowtoSurviveShow@gmail.com Follow us on Twitter! @HowToSurvivePod
Sean and Lucy discuss Nicholas Roeg's psycho-supernatural horror film 'Don't Look Now', starring Donald Sutherland and Julie Christie, based on a story by Daphne du Maurier.
On this episode of Movieland, I unpack my adoration for David Bowie, particularly in his role as Tommy the Alien in Nicholas Roeg's 1976 "science fiction" film, The Man Who Fell to Earth.
A departure for us -- as edited by Patrick this time 'round -- in which the great Bill Ackerman and Patrick talk about controversial British filmmaker Nicholas Roeg. They delve into the majority of his filmography, bypassing the "What we watched" segment, but nevertheless, this is an episode you won't want to miss and won't soon forget! Thanks as always for listening and stay tuned for the Wes Anderson episode in about a week! - Jim
The music video: "What had been a liberating possibility for visual artists working in film, to bring their work towards a wider audience, without the pressure of narrative, without the necessity to tell stories, has become an absolutely fixed promo for the consumerism aimed at the youth market". So says Professor Rod Stoneman in this, the third in Pod Academy’s series based on his book, Seeing is Believing: the Politics of the Visual. which is produced and presented by Esther Gaytan Fuertes. In this podcast, Rod Stoneman talks about the visual experimentation made possible by the music video, which pushes the boundaries of mainstream narrative film. You can find other podcasts in the series here: Podcast 1 on Fashion images and Podcast 2 on graffiti Rod Stoneman: This image [above] comes from a film called Berlin Horse made by Malcolm Le Grice in 1970, an experimental film from the London Filmmakers’ Co-op. And it’s a striking visual image made from permutations of colour printing, using loops, a horse going round in a circle and a clip from an early American silent film, working alongside music in an interesting way. The music is created by Brian Eno using loops of guitar chords, which the chords are of different lengths so as they go round they change the relationship of the different sets of guitar chords to one another. And it suggests a previous history of work with sound and image happening in the experimental domain: Kenneth Anger made Scorpio Rising and Kustom Kar Kommandos even within I’d say mainstream films but even within feature film productions like Performance by Nicholas Roeg and Donald Cammell there is a sequence where Mike Jagger comes out of character to create a music video, you could say, or premonition of, and Bob Dylan’s famous film with the different lines from Subterranean Homesick Blues. These are precursors of something that really developed when music television started in the early 70s, when MTV was created. Gary Kemp from Spandau Ballet was absolutely right when he said, video was something that a band had to be good at; if you weren’t visual, if you couldn’t work in front of a camera you were not going to happen as a band. It's absolutely clear that, at that moment, MTV offered a possibility for brave and experimental work which didn’t have to be concerned with story telling or narrative to connect with contemporary music and reach a wider audience. But, quite quickly industrial constraints exerted themselves and some videos were taken to be too difficult or too experimental or —occasionally the phrase was used— not ‘MTV- friendly’. That excluded some work, also contracts to be drawn up —I mean, a pop-promo is precisely a promotional tour— and contracts began to be drawn up defining what the film-maker had to achieve in terms of, say, featuring a medium close shot of the lead singer of the band within the first 30 seconds. So that began to close what had been a liberating possibility for visual artists working in film, to bring their work towards a wider audience, without the pressure of narrative, without the necessity to tell stories. The current version of music videos is an absolutely fixed promo for the consumerism, aimed at the youth market. MTV itself has moved off to other formats, to reality television, and the space for something as extraordinary as Malcolm Le Grice’s Berlin Horse —which, interestingly, was used in the Doves’ music video Catch the Sun in a rather decorative way— the space for new visually experiment has really been closed off. If you have enjoyed this podcast, remember you can listen or download the rest of this series from our website, www.podacademy.org Seeing is Believing: The politics of the visual is published by Black Dog (UK £19.95, US £29.95) It explores the complex and reciprocal dynamic between world and image in this most visually mediated society. Everyone ‘knows’ images can be false or deceptive,
Legendary British director Nicholas Roeg talks to Georgia Mann-Smith at his home in London. Responsible for such seminal films as Don’t Look Now, Performance and Bad Timing, Roeg talks about the use of music in his films including Pino Dinagio’s music for Don’t Look Now and John Barry’s score to Walkabout …
In this episode, Joe and Dan argue the merits of black and white over color. Films and filmmakers discussed...FILMS: Attack of the 50 Foot Woman * No Country for Old Men * Shaft * Dr. Zhivago * Sweeney Todd * Raging Bull * In Cold Blood * The Day of the Locust * Butch Cassidy and the Sundance Kid * American Beauty * The Cabinet of Dr. Caligari * Nosferatu * The Golem * Young Frankenstein * Cat People * The Body Snatcher * Invasion of the Body Snatchers * The Curse of the Cat People * I Walked with a Zombie * The Leopard Man * The Grapes of Wrath * The Ox-Bow Incident * High Noon * The Day of the Jackal * Dirty Harry * Chinatown * Taxi Driver * The Twilight Zone * Manhattan * Stranger Than Paradise * Down by Law * The Outer Limits * Ed Wood * The Adventures of Robin Hood * The Mummy * My Darling Clementine * The Tingler * Sunrise * Double Indemnity * Carnival of Souls * A Personal Journey with Martin Scorsese Through American Movies * Night of the Living Dead * Invisible Invaders * The Last Man on Earth * I Am Legend * The Maltese Falcon * From Here to Eternity * It's a Wonderful Life *FILMMAKERS: Georges Melies * Nathan Juran * Gordon Parks * Nicolas Roeg * David Lean * Tim Burton * The Coen Brothers * Martin Scorsese * Joel Schumacher * Richard Brooks * Conrad Hall * Val Lewton * Mel Brooks * Boris Karloff * Marlon Brando * Dashiell Hammett * Gary Cooper * John Wayne * Anthony Mann * Fred Zinnemann * Clint Eastwood * John Huston * Mickey Spillane * Don Siegel * Philip Kaufman * Woody Allen * Jim Jarmusch * Henry Fonda * Vincent Price * F. W. Murnau * George Romero * John Agar * Humphrey Bogart *Theme from The Conversation by David Shire... Blog image from Orson Welles' masterpiece Citizen Kane shot by Gregg Toland...36:44 / 33.7 MB / Rated: PG-13... "Thanks for the download"...Next Episode: The Films of Samuel Fuller
PERFORMANCE, le rituel occulte de Donald Kammel et Nicolas Roeg. Parmi eux, rendus fermement opposés, rien ne manifeste autant nos concepts étranges. Pourquoi être retourné faire ouverture, rendu maladif à nos concepts ésotériques. Pourquoi être rendus forcément ou risiblement misérables à cause d'eux. Par élégance renforcée faire omettre rarement la manne attèrée nous contraint éternellement. Bienvenue à tous à notre PERFORMANCE, méditations éthérées sur le manifeste occulte du film du même nom de Nicholas Roeg et Donald Cammel (1968) Rien n'est vrai, tout est permis
PERFORMANCE, le rituel occulte de Donald Kammel et Nicolas Roeg. Parmi eux, rendus fermement opposés, rien ne manifeste autant nos concepts étranges. Pourquoi être retourné faire ouverture, rendu maladif à nos concepts ésotériques. Pourquoi être rendus forcément ou risiblement misérables à cause d'eux. Par élégance renforcée faire omettre rarement la manne attèrée nous contraint éternellement. Bienvenue à tous à notre PERFORMANCE, méditations éthérées sur le manifeste occulte du film du même nom de Nicholas Roeg et Donald Cammel (1968) Rien n'est vrai, tout est permis
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