German film director
POPULARITY
2 episodes with Robert Wiene
2 episodes with Robert Wiene
2 episodes with Robert Wiene
2 episodes with Robert Wiene
6 episodes with Robert Wiene
3 episodes with Robert Wiene
2 episodes with Robert Wiene
Wrapping up our MAD SCIENTISTS triple feature, we're making our way to Holstenwall to meet an evil hypnotist and his unconsenting sidekick in Robert Wiene's THE CABINET OF DR. CALIGAI, starring Friedrich Feher, Werner Krauss, Conrad Veidt, Lil Dagover, Hans Heinrich von Twardowski, and Rudolf Lettinger.Tim Burton & German Expressionism on YouTube Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com
Novena temporada de Librero SonoroEpisodio 14Conducción: Grace Lugo Gracia A 105 años de El Gabinete del Dr. Caligari (1920), dirigida por Robert Wiene, celebramos una película que transformó el cine en arte. Con sus escenografías deformadas, luces angulosas y atmósfera de pesadilla, este clásico del expresionismo alemán no solo inauguró el cine de terror psicológico, sino que abrió una puerta a lo inconsciente, a lo simbólico, a lo ambiguo. Hoy, más de un siglo después, sus sombras siguen proyectándose en nuestra forma de ver lo ominoso y sombrío. Pistas utilizadas:1- Biblioteca compuesta por Ana Leyva Luna y Amaury Pérez Vega.2- "Juan Sánchez - Blue Nights" está bajo una licencia Creative Commons (CC BY-NC-SA 3.0) Música promocionada por Breaking Copyright: https://bit.ly/bkc-blue-nights
In questo episodio ci immergiamo in un viaggio oscuro e affascinante alla scoperta di Robert Wiene, regista geniale e misterioso, e del suo film più celebre: "Il Gabinetto del Dottor Caligari". Partendo dalla sua giovinezza nella Vienna di fine Ottocento, ripercorriamo il cammino artistico e personale di Wiene fino alla Berlino post-bellica, città in fermento e tormentata, dove nel 1919 prende vita uno dei capolavori assoluti del cinema espressionista. Attraverso le ombre inquietanti di Caligari e gli occhi magnetici del sonnambulo Cesare, raccontiamo come un uomo e un film abbiano cambiato per sempre il modo di concepire la paura e la follia sul grande schermo. Tra curiosità, retroscena e misteri, scopriremo come Il Gabinetto del Dottor Caligari abbia segnato non solo la storia del cinema, ma anche la vita stessa del suo creatore. Learn more about your ad choices. Visit megaphone.fm/adchoices
Película: "Orlacs Hände" (Robert Wiene, 1924) Conducción: Diego Cirulo Columnistas: Luciana Eyras, Valentina Rulloni, Martín Falco. ¿Qué harías si, de pronto, tus manos ya no fueran las de siempre? ¿Qué harías si te enterases que tus nuevas manos pertenecieron a un asesino? Te invitamos a recorrer el universo del torturado Orlac, un pianista que batalla entre su vida pasada y el terror que habita en sus dedos en el presente. Para esta ocasión, entre tinieblas, gritos y fantasmas, te presentamos a dos de nuestros nuevos integrantes que, claro, están tanto o más locos que los que somos habituales. ¿Tenés miedo? Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca Webmaster: Andrés Cirulo
Bueno, pues llegó esa época del año. Si me seguís ya sabéis de que va esto. Para la gente nueva; durante todo el octubre estaré colgando un podcast por día con 31 impresiones sobre 31 películas de terror totalmente aleatorias, tanto del pasado como de la actualidad. Y este año empiezo celebrando el centenario del body horror con la primera película del subgénero, la inquietante "Las manos de Orlac", en la que un afamado pianistra pierde sus manos y las ve reemplazadas por las de un asesino ejecutado. Mein Gott!
Pour la première de Rétro Terreur, je reçois mon partenaire de TSLP, Bruno, afin de jaser de ce qui est considéré par plusieurs historiens et critiques comme étant le premier film d'horreur, Le Cabinet du docteur Caligari. Das Cabinet des Dr. Caligari est un film expressionniste et muet allemand de Robert Wiene. Considéré comme la quintessence du cinéma expressionniste allemand, il raconte l'histoire d'un hypnotiseur fou qui utilise un somnambule pour commettre des meurtres. Film qui inspiré des dizaines de réalisateurs de l'époque moderne et dont le scénario s'inspire de diverses expériences vécues par les scénaristes, tous deux pacifistes et méfiants à l'égard de l'autorité après leurs expériences avec l'armée pendant la Première Guerre Mondiale. Bonne écoute! Tu peux échanger avec nous sur: https://www.instagram.com/terreursurlepodpodcast/ https://www.facebook.com/Terreur-sur-le-Pod-111446400732063 https://www.instagram.com/lafreniere.serge/ @surlepod sur Twitter Tu désires avoir accès à plus de contenus de TSLP? Abonne-toi à notre Patreon. https://www.patreon.com/terreursurlepod
Diesmal begrüßt Olaf Zimmermann in der ersten Stunde der "elektro beats" den Ex-Kraftwerk-Musiker Karl Bartos. Nach seiner Autobiografie "Der Klang der Maschine" hat Karl Bartos jetzt den Stummfilmklassiker "Das Cabinet des Dr. Caligari" neu vertont. Dieser expressionistische Film von Robert Wiene hatte vor genau 104 Jahren in Berlin seine Premiere. Im Gespräch mit Karl Bartos geht es u.a. um seine persönliche Faszination für dieses Film-Meisterwerk, seine Visionen für die Neuvertonung, Handlungs-Details und nicht zuletzt Aufführungen des Films mit dem aktuellen Score von Karl Bartos. Nach der gefeierten Premiere an der Frankfurter Oper kommt diese Aufführung im April für zwei Termine nach Berlin. Stunde präsentiert dann u.a. Musik von Sofia Kourtesis, Squarepusher, Nabihah Iqbal, dem Projekt Chocolate Hills (Alex Paterson/The Orb & Paul Conboy/Bomb The Bass), Lucie Antunes, Ben Frost, Karyyn, Jeff Mills und Hagen von Bergen.
“UNTIL THE BREAK OF DAWN..”On this Halloween, we decided to cover one of the first horror films ever made. We cover the famous, German Expressionist film, The Cabinet of Dr. Caligari, directed by Robert Wiene from 1920. If you would like to watch the film before listening to us, the film is available for free on various sites, but we recommend watching the one that has fancy intertitles for the text and a blue tint in the beginning like this version here. The film is a “silent film“ so there is no spoken dialogue which we understand maybe might be a little intimidating for some audiences. However, we encourage you to give it a try so we can go on this adventure together. What does a horror film that is over 100 years old look like? How dated is it really? (Spoilers: It actually isn't) What is Expressionism? To put it simply, it is the artistic depiction of an emotional experience, rather than a realistic one. The set design of Caligari doesn't resemble our own world, but a world that suits the content of the narrative. Caligari seeks to tell an emotional truth, how the characters feel living in this world, than present the world as it is. We talk about why we think this choice works and the film is rightly described as a classic, but also hope that if the film is ever remade, that this Expressionist theme isn't lost in the translation to modern filmmaking sensibilities. The film's strong style in its set design influenced the choices made for the actors, the costumes and even the previously mentioned intertitles. Some of the techniques used to generate audience anxiety in this film can be seen in films today such as Alien, It Follows, and even The Babadook!We talk about how the film was made, and how not everyone agrees on how that went down. The film has a “frame story.” For this film, that means the bulk of the film takes place within a story told by one of the characters. The writers of the film were allegedly very upset about this, and stay they knew nothing about it, but 70 years later when the only surviving script was made available for public viewing, we find out that wasn't 100% true. The writers talk about being on set, but the set designers say they were never there, there are conflicting reports on who actually was the producer for the film, etc etc. The narrative of the production of the film is almost as unreliable as the film's narrator!We also talk about the history of when this film came out. The world was different, and the expectations of what the experience of “going to the movies” was also very different. A close up on a giant screen hit different for those audiences, an authority figure taking advantage of ordinary citizens meant something different for a Germany that just got out on the losing side of a World War. Despite being 100 years removed from the intended audience, we believe the film can still resonate with a modern audience.We hope you enjoy this episode!Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o
To truly appreciate this episode, you must become Caligari! We're going back to the origins of horror as we delve into the madness of Robert Wiene's 1920 thriller Das Cabinet des Dr. Caligari A.K.A. The Cabinet of Dr. Caligari! Listen as we discuss the disputed origins of the film's story and style, Agatha attempts to explain the nuances of the Expressionism movement that provided the film's unorthodox visual style, and Tim accuses the main character of murder. Warning: Contains explicit language, spoilers, and a lot of handy strait-jackets. Our theme song is "Nostalgia TV" by Edward Jonathan Blakeley through Lynne Publishing.
Transplantation ist ein Element in Body-Horror-Filmen, das alte Ängste in uns wach ruft. Übernehmen wir mit dem Körperteil die Eigenschaften des "Vorbesitzers"? ORLAC'S HÄNDE ist der erste dieser Filme, unübersehbar spätexpressionistisch, große Bauten, große Gesten, große Augen. Die Geschichte nach einem Roman von Maurice Renard erzählt vom Pianisten Paul Orlac, der bei einem Unfall seine Hände verliert. Der Arzt entscheidet sich, ihm die Hände eines gerade hingerichteten Mörders anzunähen. Die Operation gelingt, aber Orlac erträgt den Gedanken nicht, mit den Mörderhänden wieder Klavier zu spielen oder seine geliebte Frau zu berühren. Und dann geschieht ein Mord. Haben die Hände des Mörders wieder zugeschlagen?Der Film stellt Orlacs psychischen Zustand in den Mittelpunkt, die expressionistische Bildsprache spiegelt intensiv Orlacs Ängste. Seine Hände wirken tatsächlich wie Fremdkörper, als hätten sie einen eigenen Willen. Im Podcast direkt nach dem Film sprechen wir über die Hände der liebenden Ehefrau, über die beeindruckende Live-Klavierbegleitung von Uwe Oberg, über den drei Jahre später kommenden Tonfilm, über Handlungswendungen - und über nicht sehr stumme Betrunkene und Mäuse. Direkt nach dem Film vor dem Caligari am Mikrofon: Kristin und Thomas.
Un día como hoy, 24 de abril: Nace: 1873: Robert Wiene, cineasta alemán 1904: Willem de Kooning, pintor neerlandés (f. 1997). 1908: Marceline Day, actriz estadounidense (f. 2000). Fallece: 1980: Alejo Carpentier, escritor y musicólogo cubano (n. 1904). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023
Kirsty wanted to talk about one of her true loves, Robert Wiene's 1920 Expressionist masterpiece, The Cabinet of Dr Caligari, and Dan was only too happy to indulge. Although he drew the line at pronouncing the film's German title ('Das Cabinet des Dr Caligari') because he was chicken about pronouncing two syllables wrong. The restored Blu-Ray version of The Cabinet of Dr Caligari to which Dan and Kirsty frequently refer is this release. Kirsty's essay about Caligari and Hannbal is here. Visit our website, www.andnowpodcast.com
Today's film is “The Cabinet of Dr. Caligari,” released in 1920. Starring Werner Krauss as Dr. Caligari and Conrad Veidt as Cesare. The movie is directed by Robert Wiene.
On todays episode we discuss the first few episodic series in the horror genre, multiple films centering on the Devil and his B.D.E (Big Damnation Energy), Robert Wiene's first ventures into paranoia brought to the silver screen and the not-so-hypnotic curse of an ancient mummy.
In this week's episode, we take a look at one of the oldest horror movies EVER as we review Robert Wiene's “The Cabinet of Dr. Caligari”. We talk about the fact that this film is over 100 years old, its roots in German expressionism, and Nico points out an issue with the somnambulism in the movie. Spoilers in total silence.
On today's episode of Gaybros Go Silent we talk about the 1920 Horror classic The Cabinet of Dr. Caligari by Robert Wiene
Un día como hoy, 24 de abril: Nace: 1873: Robert Wiene, cineasta alemán 1904: Willem de Kooning, pintor neerlandés (f. 1997). 1908: Marceline Day, actriz estadounidense (f. 2000). Fallece: 1980: Alejo Carpentier, escritor y musicólogo cubano (n. 1904). Una producción de Sala Prisma Podcast. 2022
Il CINEMA. Punto. Non a caso, l'ho scritto in maiuscolo. Questo film, di ben 102 anni fa, porta strabene i suoi anni. Il gabinetto del Dottor Caligari è una pellicola ancora visivamente potentissima, massimo esempio dell'espressionismo tedesco. Una storia inquietante, sorprendente, struggente e romantica, che si segue perfettamente e senza mai annoiarsi, nonostante stiamo parlando di un film muto. Settantasette minuti di rara perfezione. Le scenografie, la musica, la recitazione incantano e regalano brividi ed emozioni a non finire. Il Dottor Caligari e Cesare sono personaggi che non dimenticherete mai più. Chi non ha mai visto questo film lo recuperi immediatamente, se dice di amare il cinema in tutte le sue sfaccettature, altrimenti beccatevi pure Emmerich e Bay o l'MCU senza colpo ferire, contenti voi... Tra l'altro, questo film è il preferito del Professor Guidobaldo Maria Riccardelli, come dimenticarlo? Restaurato egregiamente dalla Cineteca di Bologna e disponibile in una edizione in DVD e Blu-Ray assolutamente da collezionare.
The Films that Defined Their Decades - The 1920s: The Roaring Silents On this week's episode, Ibrahim & I sit down to continue our look at the cinema of each decade. This week we focus on the 1920s and the great films and directors whose films continue to enthrall us. Whether Chaplin's The Gold Rush (1925), Robert Wiene's The Cabinet of Dr. Caligari (1920), F.W. Murnau's Sunrise - A Song of Two Humans (1927)and The Last Laugh (1924), Buster Keaton's The General (1926) and Steamboat Bill Jr. (1928), Walt Disney's Steamboat Willie (1928) and Fritz Lang's Metropolis (1927). It's a fun and interesting conversation about the history of film and the importance of these great pictures. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.
Invitée : Sarah Ohana Au programme de cette année 1919 : Charlie Chaplin, D.W. Griffith, Douglas Fairbanks, Mary Pickford et la création de la United Artists Le Lys Brisé de D.W. Griffith J'accuse d'Abel Gance : l'acte de naissance du film de guerre ? La loi des montagnes (Blind Husbands), le premier film d'Erich von Stroheim Fritz Lang, Ernst Lubitsch, Robert Wiene... ou le nouveau cinéma allemand Recommandations : La Cigarette (Germaine Dulac), Les Araignées (Fritz Lang)
Voici la troisième et ultime de l'épisode de « **Tu L'As Vu ?** » consacré aux films des années 1930, avec au menu non pas un mais deux films, à savoir le film choisi par Casa « **M le Maudit** » de Fritz Lang ( 1931 ) ; https://www.allocine.fr/film/fichefilm_gen_cfilm=418.html ) ainsi que celui d'un de nos auditeurs, Simon, qui nous parlera de « **Furie** » ( Vers 44 minutes d'épisode ; toujours de Fritz Lang ; 1936 ; https://www.allocine.fr/film/fichefilm_gen_cfilm=31179.html ). Nous vous souhaitons une bonne écoute sur deux films majeurs dans la carrière de leur réalisateur mais aussi dans l'histoire du cinéma. Films évoqués durant l'épisode : « Metropolis** » de Fritz Lang ( 1927 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=240.html « La femme sur la Lune** » ( 1929 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3667.html « Du rififi chez les hommes** » de Jules Dassin ( 1955 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3682.html « Le Trou** » de Jacques Becker ( 1960 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1101.html « Le Cercle Rouge** » de Jean-Pierre Melville ( 1970 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2358.html « The Chaser** » de Na Hong-Jin ( 2008 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=134711.html « La Tendresse des Loups** » d'Ulli Lommel ( 1973 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=32355.html « L'Homme qui en savait trop** » d'Alfred Hitchcock ( 1934 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=6812.html « Agent Secret (Sabotage)** » d'Alfred Hitchcock ( 1936 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=108775.html “Le Faucon Maltais**” de John Huston ( 1941 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1809.html « Casablanca** » de Michael Curtiz ( 1942 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2645.html « Arsenic et vieilles dentelles** » de Frank Capra ( 1944 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1343.html « 20.000 lieues sous les mers** » de Richard Fleischer ( 1954 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5040.html « Les mains d'Orlac** » de Robert Wiene ( 1924 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=175762.html « Les mains d'Orlac** » de Karl Freund ( 1935 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=125154.html « La Poursuite Impitoyable** » d'Arthur Penn ( 1966 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=407.html « Gone Girl** » de David Fincher ( 2014 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=217882.html “L'Étrange Incident**” de William A.Wellman ( 1943 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3947.html Mini-série « M le Maudit** » d'Evi Romen et de David Schalko ( 2019 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=23044.html « M » de Joseph Losey ( 1951 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=10354.html “Monsieur Klein**” de Joseph Losey ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=68249.html « The Servant** » de Joseph Losey ( 1963 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=619.html “La Servante**” de Kim Ki-Young ( 1960 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8615.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) Claude Samard « Desert Tension » / « Dark Side » Éric Volpatti « Blunted Scalpel » Oded Fried-Gaon « Stumbling In The Heat » Thomas Richard Balmforth & Sam Taylor : “Prime Suspect” / “Tough Choice” / “Crack The Code” Bob Bradley & Philip Guyler “Moments Remain” Aurélien Riviere : “Nothing to Lose” / “Deep Questionning” Marc Aaron Jacobs “Finding Your Way” J.C. Lemay “Storm Chasers” Eric Heber Suffrin : “Investigative Office” / “Truth Hunter” Thomas Richard Balmforth & Bob Bradley : “Steady Movement” / “City Atmosphere” Arnaud Gauthier “Fake News” David Bagatelle, Charles Breteville & Jean Villa “Time Stood Still” Franz Waxman ( B.O. de « Dcteur Jekyll et Mister Hyde », 1941 ) : « Main Title » / « First Experiment/First Failure/In The Laboratory » / “Ivy's Room” / “Work Montage/Albert Hall/Mr. Higgins Died” / “Hyde's Escape/Trapped” / “The Museum” / “Piano Improvisation” Michel Michelet “Humouresque, Op.6” Jon Brooks “Dijon” Merci à Chris du podcast “Keski D'Vient**” ( https://www.podcastics.com/podcast/keski-dvient-le-podcast/ ) pour son autorisation à inclure l'extrait de l'émission sur James Cameron avec Casa en bonus :https://www.podcastics.com/podcast/episode/on-vous-parle-de-james-cameron-106750/ Liens :Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388
Nel corso di questa scalata attraverso tutta la storia del cinema, ci siamo spesso dovuti fermare a raccontare le singole storie degli artisti che hanno senza dubbio inciso il proprio nome sulle tavole della settima arte. Ma, a volte, la vita degli artisti si fonde indissolubilmente con quella delle proprie opere – arrivando, in certi casi, a diventare totalmente invisibile. Questa è la storia di un uomo che tutt'oggi si nasconde all'ombra del suo immenso capolavoro. Questa è la storia di Robert Wiene. Un gigantesco grazie va a Matteo Scelsa del podcast Ragazzacci per aver interpretato la narrazione di questa storia. Cover: Robert Wiene. Ti piace La Storia del Cinema? Seguila anche su Instagram: bit.ly/IG_LSDC O dai il tuo sostegno al progetto: bit.ly/Patreon_LSDC Ascolta qui Ragazzacci, il podcast di Matteo Scelsa: bit.ly/Ragazzacci La Storia del Cinema fa parte dell'universo di VOISLAND, il primo network di podcast italiano. Fatti un giretto su voisland.com
Paul Douglas talks to Robert Wiene about a new documentary featuring Kurt Vonnegut called Unstuck In Time.
Volvemos a uno de los filmes que son considerados clásicos no solo de el género del Horror, sino de el cine también. "El Cabinete del Dr Caligari" del director Robert Wiene, un interesante filme de la época del cine mudo, donde vemos como una novedosa atracción de feria, podria estar detrás de los asesinatos de una apacible villita alemana a principios de siglo.
Volvemos a uno de los filmes que son considerados clásicos no solo de el género del Horror, sino de el cine también. "El Cabinete del Dr Caligari" del director Robert Wiene, un interesante filme de la época del cine mudo, donde vemos como una novedosa atracción de feria, podria estar detrás de los asesinatos de una apacible villita alemana a principios de siglo.
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
Questo è Halloween, grida insieme a noi, fate largo a chi è speciale più di voi! E' il turno della Germania e di uno dei capolavori del Cinema Espressionista Tedesco: "Il Gabinetto del Dottor Caligari" di Robert Wiene. Cosa rende questo film ancora oggi molto importante, affascinante e tenebroso? Scopriamolo insieme.
Dr. Caligari and his sleepwalker wreak havoc on the lives of Franzis, Jane and Alan. Listen as Ashley, Matt and Ryan discuss this silent movie classic, as 13 Days of Halloween continues.
Hey there film buds, Though people often associate silent film with the likes of Charlie Chaplin and Greta Garbo, it encompassed as wide a range of genres and styles as film today. That includes the Horror genre. Horror, like much of the Silent Era, often relied on established ideas from literature and the stage. Since we recently dove deeper into film history with episodes covering horror and drama in the 30s and 40s and teenagers in movies of the 50s, we decided to present you with Silent Horror Film. Specifically chose films as a part of the German Expressionist movement, including FW Murnau's Nosferatu from 1922 and Robert Wiene's The Cabinet of Dr. Caligari from 1920. The style became synonymous with the Horror genre and was later used in other films, like the Universal Studios monster films and more. You can read more about the Expressionist movement here. Joining us in our discussion this week is friend of the show Sky Tilley and first time guest Madelaine Davis. Madelaine is a published writer, editor, marketing expert, and semi-professional athlete. They're both horror fans. We hope you enjoy this week's show, and as always:Keep it spooky y'allPS If you missed last week's episode, click hereFollow Madelaine and Sky:@MadelaineD_ on Twitter@madelained_ on Instagram@tilleys89 on Twitter@WeeklyPopUp on Twitter@tilleys2744 on InstagramEpisode GuideIntro - 00:56The Cabinet of Dr. Caligari Review and German Film History - 08:23Nosferatu Review and Vampires in Movies - 34:57What We're Watching, another IATSE strike update, and more - 1:03:12Total Runtime - 01:18:01
Hey there film buds, Though people often associate silent film with the likes of Charlie Chaplin and Greta Garbo, it encompassed as wide a range of genres and styles as film today. That includes the Horror genre. Horror, like much of the Silent Era, often relied on established ideas from literature and the stage. Since we recently dove deeper into film history with episodes covering horror and drama in the 30s and 40s and teenagers in movies of the 50s, we decided to present you with Silent Horror Film. Specifically chose films as a part of the German Expressionist movement, including FW Murnau's Nosferatu from 1922 and Robert Wiene's The Cabinet of Dr. Caligari from 1920. The style became synonymous with the Horror genre and was later used in other films, like the Universal Studios monster films and more. You can read more about the Expressionist movement here. Joining us in our discussion this week is friend of the show Sky Tilley and first time guest Madelaine Davis. Madelaine is a published writer, editor, marketing expert, and semi-professional athlete. They're both horror fans. We hope you enjoy this week's show, and as always:Keep it spooky y'allPS If you missed last week's episode, click hereFollow Madelaine and Sky:@MadelaineD_ on Twitter@madelained_ on Instagram@tilleys89 on Twitter@WeeklyPopUp on Twitter@tilleys2744 on InstagramEpisode GuideIntro - 00:56The Cabinet of Dr. Caligari Review and German Film History - 08:23Nosferatu Review and Vampires in Movies - 34:57What We're Watching, another IATSE strike update, and more - 1:03:12Total Runtime - 01:18:01
Hey there film buds, Though people often associate silent film with the likes of Charlie Chaplin and Greta Garbo, it encompassed as wide a range of genres and styles as film today. That includes the Horror genre. Horror, like much of the Silent Era, often relied on established ideas from literature and the stage. Since we recently dove deeper into film history with episodes covering horror and drama in the 30s and 40s and teenagers in movies of the 50s, we decided to present you with Silent Horror Film. Specifically chose films as a part of the German Expressionist movement, including FW Murnau's Nosferatu from 1922 and Robert Wiene's The Cabinet of Dr. Caligari from 1920. The style became synonymous with the Horror genre and was later used in other films, like the Universal Studios monster films and more. You can read more about the Expressionist movement here. Joining us in our discussion this week is friend of the show Sky Tilley and first time guest Madelaine Davis. Madelaine is a published writer, editor, marketing expert, and semi-professional athlete. They're both horror fans. We hope you enjoy this week's show, and as always:Keep it spooky y'allPS If you missed last week's episode, click hereFollow Madelaine and Sky:@MadelaineD_ on Twitter@madelained_ on Instagram@tilleys89 on Twitter@WeeklyPopUp on Twitter@tilleys2744 on InstagramEpisode GuideIntro - 00:56The Cabinet of Dr. Caligari Review and German Film History - 08:23Nosferatu Review and Vampires in Movies - 34:57What We're Watching, another IATSE strike update, and more - 1:03:12Total Runtime - 01:18:01
Robert Wiene directed this silent 1920 classic German horror film and influences the horror genre more than we recognize. Written by Hans Janowitz and Carl Mayer, this anti-authoritarian shows us what it must have felt to be ing Germany pre WWII. Love, deceit, zombie/sleepwalker, mind control and death. This movie is thoroughly entertaining even 100 years later. Keep up with all things ISP: https://www.iscreampodcast.com/
Et voici le début de la troisième saison de « Tu L'As Vu ? » avec le premier épisode explorant chaque décennie cinématographique. Le trio Gravlax – Papa(Gubi)da – Casa a décidé de commencer leur odyssée par la décennie 1920. Comme d'habitude, chacun a choisi un film qui l'intriguait. Le programme de cet épisode est donc : 6'25 - Le film de Casa : « Le Mecano de la General » de Clyde Bruckman et Buster Keaton (1926) :https://www.allocine.fr/film/fichefilm_gen_cfilm=108016.html 43'10 - Le film de Gravlax : « Le Cabinet du docteur Caligari » de Robert Wiene (1920 ; ATTENTION SPOILERS vers 1H02) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2186.html 1H17 - Le film de Gubi : « Peter Pan » d'Herbert Brenon (1924) :https://www.allocine.fr/film/fichefilm_gen_cfilm=185975.html Recommandations ( vers 1H39 ) : Casa : - Les courts-métrages de Buster Keaton ( disponibles sur YouTube ) « Le Maître Chinois » ( Drunken Master ) de Woo-Ping Yuen (1978) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3726.html Gravlax : - « Le Golem » de Paul Wegener (1920) : https://www.allocine.fr/film/fichefilm_gen_cfilm=6399.html « Haxän » de Benjamin Christensen (1922) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3906.html Gubi : « Quatre-vingt-treize » d'Albert Capellani ( 1920 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4379.html « Wendy » de Benh Zeitlin ( 2020 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=223801.html Films évoqués durant l'épisode : « Le Cirque » de Charles Chaplin (1928) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2406.html « Cadet d'eau douce » de Charles Reisner et Buster Keaton (1928) :https://www.allocine.fr/film/fichefilm_gen_cfilm=79482.html « Rush Hour » de Brett Ratner (1998) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15067.html « Le Kid » de Charles Chaplin (1921) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2255.html « Les Araignées » de Fritz Lang (1919) :https://www.allocine.fr/film/fichefilm_gen_cfilm=32790.html « Le testament du docteur Mabuse » de Fritz Lang (1933) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2236.html Documentaire « De Caligari à Hitler » de Rüdiger Suchsland (2014) :https://www.senscritique.com/film/De_Caligari_a_Hitler_Une_histoire_psychologique_du_cinema_al/20154038 « Docteur Mabuse le joueur » de Fritz Lang (1922) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2890.html « Nosferatu » de F.W.Murnau (1922) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2342.html « Le cabinet des figures de cire » de Paul Leni (1924) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3909.html “Edward aux mains d'argent” de Tim Burton (1990) :https://www.allocine.fr/film/fichefilm_gen_cfilm=27624.html “Sleepy Hollow” de Tim Burton (1999) :https://www.allocine.fr/film/fichefilm_gen_cfilm=22345.html « Suspiria » de Dario Argento (1977) :https://www.allocine.fr/film/fichefilm_gen_cfilm=12704.html « Inferno » de Dario Argento (1980) :https://www.allocine.fr/film/fichefilm_gen_cfilm=851.html « La Maison du docteur Edwards » d'Alfred Hitchcock (1945) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2741.html « Macbeth » d'Orson Welles (1948) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2938.html « Le Cabinet du docteur Caligari » de Roger Kay (1962) :https://www.allocine.fr/film/fichefilm_gen_cfilm=32675.html « Le Cabinet du docteur Caligari » de David Lee Fisher (2005) :https://www.allocine.fr/film/fichefilm_gen_cfilm=123157.html « Hook » de Steven Spielberg (1991) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7280.html « Kolberg » de Veit Harlan (1945) :https://www.allocine.fr/film/fichefilm_gen_cfilm=182238.html « Les Bêtes du Sud Sauvage » de Benh Zeitlin (2012) :https://www.allocine.fr/film/fichefilm_gen_cfilm=200333.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) Partition de Carl Davis pour « Le Mécano de la General » Partition de Cornelius Schwehr pour « Le Cabinet du docteur Caligari » Partition de Philip Carli pour « Peter Pan » Alexandre Prodhomme « Night Glitch » Tristan Calder, Brandon Hale & Sebastian Barnaby Robertson “Baskets” Rocky Joe “Drunken Master Main Theme” Stephen Horne “The Summoning” Partition pour « Notre-Dame de Paris » ( Albert Capellani ; 1911 ) Dan Romer & Benh Zeitlin “The Story of Wendy” Bardi Johannsson “Häxan – Orchestral Version” Liens :Vidéo YouTube de Mister Culte sur « La Cabinet du docteur Caligari » :https://www.youtube.com/watch?v=nuWBgEekPJs Chaîne YouTube « TLV Podcast » : https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQLien Twitter du podcast : https://twitter.com/TLVPodcastPage Facebook du podcast : https://www.facebook.com/M.GravlaxPage du podcast : https://tu-las-vu.lepodcast.fr/Mail du podcast : tlvpodcast@laposte.netPage Sens Critique avec tous les films traités dans le podcast : https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388 Erratum : À la fin de l'épisode, Gubi parle de Benh Zeitlin comme d'une réalisatrice alors que c'est un réalisateur. Désolé pour cette erreur. Gravlax et Casa ne l'ont pas repris car il faisait faim.
In dieser Woche haben wir zwei große Klassiker der filmischen Auseinandersetzung mit dem Deutschland des frühen 20. Jahrhunderts vor uns. Dabei ist zumindest einer davon nicht einmal ein ein deutschsprachiger Film. Das Cabinet des Dr. Caligari von Robert Wiene spiegelt die Auseinandersetzung der Deutschen mit dem beginnenden Autoritarismus nach dem Ende des Ersten Weltkriegs, und ist zugleich einer der ersten Horrorfilme und formvollendeten expressionistischen Filme überhaupt. Sein oder Nichtsein von Ernst Lubitsch setzt sich mit den Schrecken des Nationalsozialismus auf komödiantische Weise auseinander. In unseren passenden Bestenlisten üben wir uns in Nazi-Bashing und feiern die besten Schurken in der Geschichte des Kinos.
In the premiere of Season 4 (The Horror, The Horror) Kyle is joined by fellow podcaster Ben Thelen (of the Dead Reckoner podcast) and new guest Robert Lowe (of the 30 Year Old Boomercast) to discuss the first official full length narrative Horror, Robert Wiene's twisted artifice of German post-war anxiety in the maddening The Cabinet of Dr. Caligari.
Un día como hoy, 24 de abril: Nace: 1873: Robert Wiene, cineasta alemán 1904: Willem de Kooning, pintor neerlandés (f. 1997). 1908: Marceline Day, actriz estadounidense (f. 2000). Fallece: 1980: Alejo Carpentier, escritor y musicólogo cubano (n. 1904). Una producción de Sala Prisma Podcast. 2021
Hosts Josh and Jamie and special guest Séamus Malekafzali go silent film era mode with a Robert Wiene silent horror double feature of THE CABINET OF DR. CALIGARI (1920) and THE HANDS OF ORLAC (1924). Next week's bonus episode is a patron-exclusive bonus episode on HAXAN (1922) and THE CITY OF THE DEAD (1960), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-09:15 CABINET OF DR. CALIGARI // 09:15-52:25 THE HANDS OF ORLAC // 52:25-1:29:19 Outro // 1:29:19-1:32:42 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
Guhdaran ezîz @fatossterk di bernameya Kadraja Kurdî de li ser sînemaya Robert Wiene û li ser rêbaza ekspresyonîzîmê ku di salên 1900î de li Almanyayê xwe nîşan dide podcastek amade kiriye
Robert Wiene's Genuine: A Tale of a Vampire follows-up his massively successful 1919 film The Cabinet of Dr. Caligari, using the same writer, production designer, and cinematographer who had worked on the previous film. Genuine (Fern Andra) is not actually a vampire in the film, but rather a vamp (succubus) who uses her powers of seduction to torment and control the men who love her. The plot utilizes the old it was all just a dream-type ending, as the proceedings are revealed to be a dream suffered by a man who falls asleep while reading a scary book. The film did not do well at the box office, and Genuine was edited down into a 45-minute condensed version, which is the cut that has most commonly been available, making it very hard to judge the film, as discussed within this podcast. Want to watch something short after listening to this podcast? Check out The Portrait (1915) - a Russian silent horror film https://www.youtube.com/watch?v=xZaxq-POoQU Looking to read more about Robert Wiene? Beyond Caligari By Uli Jung & Walter Schatzberg is a fantastic start! Paperback and hardcover copies of the book can be found at Amazon.com Need another take on the movie? Read this article: Obscure Films: “Genuine: A Tale Of A Vampire” (1920) https://silentology.wordpress.com/2017/10/24/obscure-films-genuine-a-tale-of-a-vampire-1920/ Hosted by YiFeng, Bob and Lily Recorded on September 2, 2020
The “Cinephile Cuties” are ready to get put in a little box for 25 years, because they’re talking about The Cabinet of Dr. Caligari. Patrick gets very annoyed with Casey for making him watch a silent film. Casey, rightfully, feels guilty and ugly for making his friend watch a silent film. Plus, the boys put The Cabinet of Dr. Caligari through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And the boys give each other notes to improve the show. Listen in to see if it’s working! If you like this show, tell a friend! Follow Farthouse on Twitter and InstagramFollow Patrick and Casey on TwitterAnd follow Patrick and Casey on Letterboxd.
Join Dani and Nick for the twenty-eighth episode of KINOTOMIC.Episode 28 is the first episode in our 3-part Halloween Special.In this episode we discuss 'The Cabinet Of Dr. Caligari', directed by Robert Wiene; along with 'The Texas Chain Saw Massacre', directed by Tobe Hooper.Nick appreciates German Expressionism more, Dani experiences a different kind of horror movie, and we make reference to David Fincher's 'Mindhunter'.'The Texas Chain Saw Massacre' article on Esquire: https://www.esquire.com/entertainment/movies/a23810/texas-chainsaw-things-you-didnt-know/Leave a rating and a review, and THANK YOU for listening!!Twitter: @kinotomicContact us: kinotomic@gmail.com
With Autumn quickly approaching, WSF takes on another German expressionist silent horror written and directed by Caligari's Robert Wiene. FURCHT (FEAR) is the tale of Count Greven (Bruno Decarli)'s eventual descent into madness and hysteria with his obsession of collecting one too many of the world's greatest treasures. Lured by rumors of a sacred statue's mystic qualities, Greven's theft from an Indian temple leads to a masterpiece of torment and guilt, gradually rising the wrath of a High Priest (Conrad Veidt) who gives Greven just seven years to live . . . FURCHT is noted as being Veidt's earliest (known) surviving film. + Mentioned in this podcast: Article featuring David Bowie and how Buster Keaton influenced him: https://www.anothermag.com/art-photography/8840/david-bowie-and-buster-keaton-by-steve-schapiro Hosted by YiFeng, Bob and Lily. Originally recorded on July 31, 2020
Alison, Brady, and Josh sound off with The Cabinet of Dr. Caligari - the 1920 German expressionist film directed by Robert Wiene.Plus!Savage Harbor, salsa bombs, Perry Mason, I’ll Be Gone In The Dark, Highway to Hell, bad kissers, waxing armpits, Tiger Beat, and history!Don't forget!Leave us a voicemail! We’ll play it on the show. Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and Twitter. Leave us a review on Apple Podcasts!
Support the show! Unlike Nosferatu, Robert Wiene’s 1920 film, The Cabinet of Dr. Caligari, follows a decidedly less linear and clear-cut plot, but like Nosferatu, was an incredibly influential film for the genre. In our second episode on horror movies, we analyze how filmmakers began to trust their audiences to understand increasingly complex and unclear storylines, and we continue the discussion of what it means to see the “authentic” version of a film. Sources Jung, Uli and Walter Schatzberg: Beyond Caligari: the Films of Robert Wiene Ibid: “The Invisible Man behind ‘Caligari’: The Life of Robert Wiene” Kracauer, Siegfried: From Caligari to Hitler: A Psychological History of the German Film Titford, John S: “Object-Subject Relationships in German Expressionist Cinema”
Linkswww.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00http://www.screamingtoilet.com/dvd--blu-rayhttps://www.facebook.com/screamingpotty/https://www.facebook.com/mrparkahttp://shutupbrandon.podbean.com/https://www.facebook.com/screamingpotty/https://itunes.apple.com/us/podcast/shut-up-brandon-podcast/id988229934?mt=2https://www.stitcher.com/podcast/podbean-70/shut-up-brandon-podcast https://letterboxd.com/mrparka/ https://www.patreon.com/mrparka Time Stamps “Dream Demon” Review -0:15 “Sixteen Candles” Review -6:24 “Solid Metal Nightmares – Tetsuo: The Iron Man” Review – 14:03 “Solid Metal Nightmares – Tetsuo II: Body Hammer” Review – 22:57 “Solid Metal Nightmares – Adventures of Denchu Kozo” Review – 28:55 “Solid Metal Nightmares – Tokyo Fist” Review – 32:50 “Solid Metal Nightmares – Bullet Ballet” Review – 37:30 “Die Die Delta Pie” Review – 42:15 “Hair” Review with Jeremy – 48:07 “Robotrix” ” A Run Through ’91 Review – 104:49 “The Haunted” A Run Through ’91 Review – 1:11:30 “Servants of Twilight ‘” A Run Through ’91 Review – 1:16:55 Blindspot Episode 9 “The Cabinet of Dr. Caligari” Review – 1:21:52 Questions – 1:34:29 Answers –1:37:31 Question of the Week “Favorite CAT III titles?” “Favorite movie from Hong Kong?” 1:39:37 Update – 1:40:27 Video Version – https://youtu.be/FD7fhDfsUmM 22 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/ Links of Interest More Info, Ask a Question/Answer a Question – https://www.screamingtoilet.com/video/mrparkas-video-reviews-for-the-week-of-july-11th-episode-164-blindspot-week-09 Arrow Video – https://www.arrowvideo.com/ “Dream Demon” Blu-Ray – https://mvdshop.com/products/dream-demon-blu-ray “Sixteen Candles” Blu-Ray – https://mvdshop.com/products/sixteen-candles-blu-ray “Solid Metal Nightmares” Blu-Ray – https://mvdshop.com/products/solid-metal-nightmares-the-films-of-shinya-tsukamoto-blu-ray “Die Die Delta Pie” Blu-Ray – https://gatorbladefilms.com/ “Hair” Olive Signature Edition Blu-Ray – https://www.amazon.com/Hair-Olive-Signature-Blu-ray-Savage/dp/B085RT3JGX “Robotrix” Blu-Ray Import – https://www.yesasia.com/global/robotrix-1991-blu-ray-hong-kong-version/1088597328-0-0-0-en/info.html “The Haunted” YouTube – https://youtu.be/9BaF-YgmBNk “Servants of Twilight” DVD – https://www.amazon.com/Servants-Twilight-Bruce-Greenwood/dp/B00005O5DB/ Kino Lorber – https://www.kinolorber.com/ “The Cabinet of Dr. Caligari” Blu-Ray – https://www.kinolorber.com/product/the-cabinet-of-dr-caligari-2014-restoration-blu-ray Update Blu-Ray The City of Lost Children The Addams Family/ The Addams Family Values Lock Up The Strangers: Prey at Night Orca: The Killer Whale Brewster’s Millions Dirty Rotten Scoundrels Bill and Ted’s Excellent Adventure/ Bill and Ted’s Bogus Journey The Deadly Mantis The Mole People The Wasp Woman Ozone Reflections of the Living Dead American Rickshaw Abrakadabra Blood Games A. Wars Jekyll’s Dungeon of Death The Immortalizer Patty Hearst The Severed Arm Rad 4K Old Dracula Best Friends I Like to Watch/ Sorority Sweethearts Film Notes Dream Demon – 1988 – Harley Cokeliss Sixteen Candles – 1984 – John Hughes Tetsuo: The Iron Man – 1989 – Shin'ya Tsukamoto Tetsuo II: Body Hammer – 1992 – Shin'ya Tsukamoto Adventures of Denchu-Kozo – 1987 – Shin'ya Tsukamoto Tokyo Fist – 1995 – Shin'ya Tsukamoto Bullet Ballet – 1998 – Shin'ya Tsukamoto Die Die Delta Pie – 2013 – Sean Donohue/Christopher Leto Hair – 1979 – Milos Forman Robotrix – 1991 – Jamie Luk The Haunted – 1991 – Robert Mandel Servants of Twilight – 1991 – Jeffrey Obrow The Cabinet of Dr. Caligari – 1920 – Robert Wiene
Podemos dizer que cinema e literatura carregam uma relação de profunda intimidade que vai vai muito além das meras adaptações de livros para filmes. Ao tratarmos das influências literárias no cinema, podemos com segurança tratar de uma cadeia sucessória de um "antes" e um "depois". A montagem paralela de D.W. Griffith, por exemplo, vem da influência de Charles Dickens. O expressionismo alemão de de Fritz Lang, Robert Wiene e Murnau, como o próprio nome já diz, vem do expressionismo. Um dos principais movimentos de artes plásticas, literatura e música do início do século XX. Eisenstein, representando a vanguarda russa, explica a teoria da montagem usando o haicai japonês como fundamento. O suspense hitchcockiano, por sua vez, são influências das narrativas "crime-fiction" de Edgar Allan Poe e G.K. Chesterton, e a relação destes três artistas que vamos explorar ao longo deste programa. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Join this group of geographically-challenged friends who explore movies through trivia as an excuse to keep their friendships alive. In this episode, they'll be discussing The Cabinet of Dr. Caligari (1920), directed by Robert Wiene.
The Cabinet of Dr Caligari: 100th Anniversary In 1920, director Robert Wiene unleashed a coveted horror film that continues to resonate and inspire filmmakers. The Cabinet of Dr Caligari tells of the story of Cesare, played by the formidable Conrad Veidt, in a world where German Expressionism reigns supreme. And whenever Cesare awakens, murders happen. ... Read More The post THE LAST KNOCK present: 100th Anniversary of The Cabinet of Dr. Caligari appeared first on Crash Palace Productions.
Conversamos entorno a la película canónica de Robert Wiene, a propósito de cumplirse recientemente sus 100 años desde su estreno en Alemania. Comentamos sobre los géneros que implican su trama, del terror al cine negro, su estética, el expresionismo alemán, su influencia en directores como Alfred Hitchcock o Tim Burton, su discurso antibélico, la tiranía y el poder, el psicoanálisis y más lecturas. Carlos Esquives, crítico de cine, se reúne para esta ocasión con José Carlos Cabrejo (Crítico de cine / Revista Ventana Indiscreta).
Hem iniciat el programa a la secció #OnaCinema parlant sobre l'#AmericanaFilmFest, els premis #Cesar2020, la dimissió en bloc de l'equip de la mítica revista Cahiers de Cinéma, l'exposició de David Lynch sobre Fellini a la #FilmotecaDeCatalunya i la guanyadora de la #Berlinale2020, 'There is no evil' (Iran). Després ens hem dedicat a dos equips artístics del #FestivalMutis de #teatroindependent de #Barcelona: Ens han visitat Pau Jimfer i en Jordi de la companyia #LaVisceral, que ens porta una obra de la jove i reconeguda dramaturga Valeria Pisati, #Elmatamoscas, dissabte 7-3 a #NauIvanow. I després hem parlat amb l'artista venezolà Diego Mora, al capdavant de la companyia La Moraroja, que ens porta l'obra de Diego Leon 'Treblinka', situada a la 2a Guerra Mundial, on en Diego interpreta dos personatges, en format de monòleg, a la II Nit de Microteatre del festival, que podreu veure la nit de dijous 12-3 al #ClubCronopios. En Diego presenta un text nou a la matinal de #lecturadramatitzada del #MUTISXI dissabte 7 a la Casa del Llibre de Rbla. Catalunya. També hem recorregut la envolcallant música de la banda de rock progressiu #Toundra, que podreu gaudir en directe als Aribau Multicines mentre veieu 'El gabinete del Doctor Caligari' el clàssic de Robert Wiene, dissabte 7-3 a les 22h, gràcies a Café Kino. I hem recordat les actuacions de la cantautora #Joina i de la companyia #TheFeliuettes amb el seu cabaret feminista #Akelarre al #BcnDCultural. #cinema #teatre #música #OnaCultural #onadesants 94.6 FM onadesants.cat
Hem iniciat el programa a la secció #OnaCinema parlant sobre l'#AmericanaFilmFest, els premis #Cesar2020, la dimissió en bloc de l'equip de la mítica revista Cahiers de Cinéma, l'exposició de David Lynch sobre Fellini a la #FilmotecaDeCatalunya i la guanyadora de la #Berlinale2020, 'There is no evil' (Iran). Després ens hem dedicat a dos equips artístics del #FestivalMutis de #teatroindependent de #Barcelona: Ens han visitat Pau Jimfer i en Jordi de la companyia #LaVisceral, que ens porta una obra de la jove i reconeguda dramaturga Valeria Pisati, #Elmatamoscas, dissabte 7-3 a #NauIvanow. I després hem parlat amb l'artista venezolà Diego Mora, al capdavant de la companyia La Moraroja, que ens porta l'obra de Diego Leon 'Treblinka', situada a la 2a Guerra Mundial, on en Diego interpreta dos personatges, en format de monòleg, a la II Nit de Microteatre del festival, que podreu veure la nit de dijous 12-3 al #ClubCronopios. En Diego presenta un text nou a la matinal de #lecturadramatitzada del #MUTISXI dissabte 7 a la Casa del Llibre de Rbla. Catalunya. També hem recorregut la envolcallant música de la banda de rock progressiu #Toundra, que podreu gaudir en directe als Aribau Multicines mentre veieu 'El gabinete del Doctor Caligari' el clàssic de Robert Wiene, dissabte 7-3 a les 22h, gràcies a Café Kino. I hem recordat les actuacions de la cantautora #Joina i de la companyia #TheFeliuettes amb el seu cabaret feminista #Akelarre al #BcnDCultural. #cinema #teatre #música #OnaCultural #onadesants 94.6 FM onadesants.cat
A la 2a part del programa, hem tingut la sort de poder conversar un altre cop amb el gran escriptor i lletrista Carlos Villarrubia, per parlar sobre la seva manera de viure, d'escriure, del seu llibre 'El viajero emocional' (Editorial #Dédalo) i d'altres llibres d'ell, i hem passat amb ell una estona deliciosa. Esperem tornar a parlar amb ell ben aviat! Després, hem parlat sobre la propera projecció, dissabte 7 de març als #AribauCinemes, del gran clàssic de Robert Wiene, 'El gabinete del Doctor Caligari', amb música en directe de la banda de rock progressiu #Toundra, una experiència única, immersiva, per gaudir absolutament del cinema, que parteix de la magnífica iniciativa de #CaféKino. Finalment, ens visita Alberto Rizzo, dramaturg i director, al capdavant del #FestivalMutis de Teatro Independiente de Barcelona, que s'ha inaugurat la nit passada i que podreu gaudir les properes dues setmanes de #març (cloenda el 15-3). #lletres #cançons #CarlosVillarrubia #llibres #libros #cinema #cine #cinemamut #rock #rockprogressiu #música #concert #teatro #teatre #teatroindependiente #teatreindependent #Mutis #MUTISXI #OnaCultural #onadesants 94.6 FM onadesants.cat
A la 2a part del programa, hem tingut la sort de poder conversar un altre cop amb el gran escriptor i lletrista Carlos Villarrubia, per parlar sobre la seva manera de viure, d'escriure, del seu llibre 'El viajero emocional' (Editorial #Dédalo) i d'altres llibres d'ell, i hem passat amb ell una estona deliciosa. Esperem tornar a parlar amb ell ben aviat! Després, hem parlat sobre la propera projecció, dissabte 7 de març als #AribauCinemes, del gran clàssic de Robert Wiene, 'El gabinete del Doctor Caligari', amb música en directe de la banda de rock progressiu #Toundra, una experiència única, immersiva, per gaudir absolutament del cinema, que parteix de la magnífica iniciativa de #CaféKino. Finalment, ens visita Alberto Rizzo, dramaturg i director, al capdavant del #FestivalMutis de Teatro Independiente de Barcelona, que s'ha inaugurat la nit passada i que podreu gaudir les properes dues setmanes de #març (cloenda el 15-3). #lletres #cançons #CarlosVillarrubia #llibres #libros #cinema #cine #cinemamut #rock #rockprogressiu #música #concert #teatro #teatre #teatroindependiente #teatreindependent #Mutis #MUTISXI #OnaCultural #onadesants 94.6 FM onadesants.cat
Avui a @OnaCultural hem recomanat i llegit fragments de diversos llibres: #Autumn - #Tardor de l'escriptora escocesa Ali Smith, editats a #Penguin i #RaigVerd (brillant #traducció de Dolors Udina) i #Escapisme de l'escriptor i editor (#LlibresDelDelicte) Marc Moreno. Tot seguit, hem parlat amb Teresa Barba, directora de #CaféKino, impulsora de les proyeccions de cinema mut amb música contemporània, com la de 'El gabinete del Doctor Caligari" de Robert Wiene, que podreu gaudir amb la música en directe del grup de rock progressiu #Toundra als #AribauCinemes de Barcelona el proper 7 de març a les 22h. Tot seguit, hem parlat amb l'actriu i creadora Laia Alsina Riera, que estarà representant el meravellós cabaret feminista #Akelarre amb la companyia #TheFeliuettes el 5-3 al centre cívic #CotxeresCasinet al marc del #BcnDCultural. #llegir #literatura #autora #autor #editorials #producció #cinema #cinemudo #cine #cinemamut #música #cabaret #teatre #companyies #centrescívics #Barcelona #SantsMontjuïc #OnaCultural #onadesants 94.6 FM onadesants.cat
Avui a @OnaCultural hem recomanat i llegit fragments de diversos llibres: #Autumn - #Tardor de l'escriptora escocesa Ali Smith, editats a #Penguin i #RaigVerd (brillant #traducció de Dolors Udina) i #Escapisme de l'escriptor i editor (#LlibresDelDelicte) Marc Moreno. Tot seguit, hem parlat amb Teresa Barba, directora de #CaféKino, impulsora de les proyeccions de cinema mut amb música contemporània, com la de 'El gabinete del Doctor Caligari" de Robert Wiene, que podreu gaudir amb la música en directe del grup de rock progressiu #Toundra als #AribauCinemes de Barcelona el proper 7 de març a les 22h. Tot seguit, hem parlat amb l'actriu i creadora Laia Alsina Riera, que estarà representant el meravellós cabaret feminista #Akelarre amb la companyia #TheFeliuettes el 5-3 al centre cívic #CotxeresCasinet al marc del #BcnDCultural. #llegir #literatura #autora #autor #editorials #producció #cinema #cinemudo #cine #cinemamut #música #cabaret #teatre #companyies #centrescívics #Barcelona #SantsMontjuïc #OnaCultural #onadesants 94.6 FM onadesants.cat
A pedido de nuestros espectadores hicimos una lista comentada de más de sesenta grandes películas de horror de 1920 a 2019. En este programa comentamos la primera mitad de la lista: 1. El gabinete del doctor Caligari (1920) de Robert Wiene 2. La carreta fantasma (1921) de Victor Sjöström 3. Häxan: la brujería a través de los tiempos (1922) de Benjamin Christensen 4. Nosferatu (1922) de Wilhelm Murnau 5. Drácula (1931) y Fenómenos (1932) de Tod Browning 6. Vampyr (1932) de Carl Theodor Dreyer 7. La mujer pantera (1942) de Jacques Tourneur 8. Los ojos sin rostro (1960) de Georges Franju 9. El fotógrafo del pánico (1960) de Michael Powell 10. Los inocentes (1961) de Jack Clayton 11. Psicosis (1960) y Los pájaros (1963) de Alfred Hitchcock 12. Carnaval de las almas (1962) de Herk Harvey 13. A medianoche me llevaré tu alma (1964) y el resto de las películas de Zé do Caixão de José Mojica Marins 14. Kwaidan (1964) de Masaki Kobayashi 15. Repulsión (1965) y El bebé de Rosemary (1968) de Roman Polanski 16. Drácula, príncipe de las tinieblas (1966) y The Devil Rides Out (1968) de Terence Fisher 17. Hasta el viento tiene miedo (1968), El libro de piedra (1969) y Más negro que la noche (1975) de Carlos Enrique Taboada 18. La noche de los muertos vivientes (1968) de George A. Romero 19. Amores de vampiros (1970) de Roy Ward Baker 20. Santo contra las momias de Guanajuato (1970) de Federico Curiel 21. Duelo (1971) y Tiburón (1975) de Steven Spielberg 22. El hombre de mimbre (1973) de Robin Hardy 23. El exorcista (1973) de William Friedkin 24. No mires ahora (Amenaza en la sombra, 1973) de Nicolas Roeg 25. La masacre de Texas (1974) y Poltergeist (1982) de Tobe Hooper 26. Carrie (1976) de Brian de Palma 27. La profecía (1976) de Richard Donner 28. Suspiria (1977) de Dario Argento 29. Eraserhead (1977) y Twin Peaks: Fuego camina conmigo (1992) de David Lynch 30. Nosferatu (1979) de Werner Herzog Transmitido como video el 28 de enero de 2020
En el programa que celebraremos el centenario del estreno de El gabinete del Dr. Caligari de Robert Wiene, trataremos la actualidad de estrenos, festivales, morgue y taquilla, sin olvidarnos del estreno en VoD 'American Factory'. 0' - Presentación. 2' - Taquilla. 5' - El cinéfilo viajero. 8' - La morgue. 12' - La llamada de lo salvaje. 20' - El plan. 26' - ESTRENO VOD: American Factory, documental ganador del Óscar disponible en Netflix. 37' - Queen & Slim. 44' - Las golondrinas de Kabul. 52' - Monos. 58' - Manhattan sin salida. 64' - EL CLÁSICO: El gabinte del Dr. Caligari de Robert Wiene (1920). 77' - Dominó. 85' - Nuestra madres. 89' - Resto estrenos y despedida con Bob Dylan.
Wie von Max angekündigt begeben wir uns in die weit zurückliegenden Zeiten des deutschsprachigen Kinos und beobachten Conrad Veidt dabei, mit neuen Händen dem Wahnsinn zu verfallen. Wie das dick aufgetragene Schauspiel, die Bühnenbauten und auch die Musik auf uns gewirkt haben, besprechen wir in dieser Ausgabe. Eingangs erwähnt Max zwei Podcasts, die er neu abonniert hat. Da sind die Nachtmahre (instagram), ein Pärchen, welches sich durch die filmische Welt von Grusel, Grauen, Gänsehaut podcastet. Dazu kommt What to Watch (Twitter wtwchallenge, Webseite, letterboxd-Liste), ein Podcast zur gleichnamigen "What to Watch"-Challenge. Orlacs Hände wurde bei den Archivtönen im #horrorctober 2017 in Kamils Kammer des Schreckens besprochen: Reinhören. Der Film ist bei absolut medien in der arte Edition auf Blu-ray Disc erschienen. Am 26. Februar präsentiert Max in Rostock im Lichtspieltheater Wundervoll um 20 Uhr mit Das Cabinet des Dr. Caligari einen weiteren Film von Robert Wiene in der "li.wu.-Schatzkiste". Im März folgt Akira Kurosawas Ran. Der wird am 21. März auf Deutsch und am 23. März im Original mit Untertiteln gezeigt.
For Cineversary podcast episode #20, host Erik Martin speaks with guest Kristin Thompson, film scholar, Criterion Channel video essayist, and co-author of the seminal film studies texts Film Art and Film History, to celebrate the 100th anniversary of one of the most influential movies of all time and the first horror feature film that really mattered, "The Cabinet of Dr. Caligari," directed by Robert Wiene. Collectively, Kristin and Erik explore why this masterwork is worth celebrating all these years later, its cultural impact and legacy, what we can learn from the picture today, how it has stood the test of time, and more. Learn more about the Cineversary podcast at tinyurl.com/cineversarypodcast and email show comments or suggestions to cineversegroup@gmail.com.
100 years makes a world of difference, especially when it comes to film. But the more things change, the more they stay the same, and even in the century since its release you can still see and feel the macabre influence of Robert Wiene's 1920 classic of the silent era, The Cabinet of Dr. Caligari. When people talk about German Expressionism in film, this is the movie they're talking about. Its DNA appears in everything - from Citizen Kane to Edward Scissorhands, from Dr. Seuss to Rob Zombie - and after years of hearing and reading about its impact on so many artists, Matt and Tony are happy to finally cross this one off their lists.
Lo que iba a ser una denuncia incendiaria contra el poder establecido y su simbiótica relación con la violencia y el caos... fue encapsulada en el delirio de un loco, en una seguidilla de vueltas de tuerca que asombraban al espectador y que dejaban finalmente un sabor ambiguo respecto de las intenciones del conocimiento y el poder encarnados en el doctor Caligari. En su Alemania de origen no generó gran cosa, pero en Francia y Estados Unidos se percataron de inmediato de su afiebrada originalidad y de su capacidad de hacerse memorable por aquello que no se mueve y que no habla. Décadas después, fue reconocida como la primera cinta alemana en anunciar la pesadilla que asoló ese país. De eso y más hablamos en el podcast.
In our first film in a new 'sub-season', we tackle the 1922 classic that kick-started the vampire film genre (no, it wasn't absolutely the first, but it was the first ‘mainstream' vampire movie, and has inspired so many others). We have a special guest this week, who talks to us about German Expressionism, how this film is a reflection of contemporary events, and how to get 17-year-olds interested in a silent film from the 1920s! Next Time Our next vampire film is another cornerstone of the genre: DRACULA (1931). Recent Media CHERNOBYL (2019): Craig Mazin, Jared Harris, Stellan Skarsgård SUMMER OF ROCKETS (2019): Stephen Poliakoff, Keeley Hawes, Linus Roache GODZILLA: KING OF THE MONSTERS (2019): Michael Dougherty, Kyle Chandler, Vera Farmiga TRIPLE FRONTIER (2019): J.C. Chandor, Ben Affleck, Oscar Isaac Recommendations THE CABINET OF DR CALIGARI (1920): Robert Wiene, Werner Krauss, Conrad Veidt METROPOLIS (1927): Fritz Lang, Alfred Abel, Brigitte Helm LET THE RIGHT ONE IN (2008): Tomas Alfredson, Kåre Hedebrandt, Lina Leandersson THE LEAGUE OF EXTRAORDINARY GENTLEMEN (1999–2007): Alan Moore, Kevin O'Neill, Bill Oakley TABU: A STORY OF THE SOUTH SEAS (1931): F.W. Murnau, Matahi, Anne Chevalier BRIDE OF FRANKENSTEIN (1935): James Whale, Boris Karloff, Colin Clive Footnotes Before we get to this week's film, the documentary film about Chernobyl that Jennifer mentions, to which the tv mini-series is indebted, is this. Firstly, then, there's some important grounding in the genre of German Expressionism and in the story on which this film is based. This is a good introduction to the history of the time. This is the cinematographic technique to which Jennifer refers. And here's more on the movement in medical thought, popular in the 17th century, which led Sam to have questions about the film's history.
From Kim Newman, 1001 Movies You Must See Before You Die: "The Cabinet of Dr. Caligari is the keystone of a strain of bizarre, fantastical cinema that flourished in Germany in the 1920s and was linked, somewhat spuriously, with the Expressionist art movement. If much of the development of the movies in the medium's first two decades was directed toward the Lumiere-style 'window to the world', with fictional or documentary stories presented in an emotionally stirring manner designed to make audiences forget they were watching a film, Caligari returns to the mode of Georges Melies by presting magical, theatrical effects that exaggerate or caricature reality. Officials perch on ridiculously high stools, shadows are painted on walls and faces, and unrealistic backdrops and performances are stylized to the point of hysteria. "Writers Carl Mayer and Hans Janowitz conceived the film as taking place in its own out-of-joint world, and director Robert Wiene and set designers Hermann Warm, Walter Roehrig, and Walter Reimann put a twist on every scene and even intertitle to insist on this. Controversially, Fritz Lang - at an early stage attached as director - suggested that Caligari's radical style would be too much for audiences to take without 'explanation'. Lang devised a frame story in which the hero Francis (Friedrich Feher) recounts the story - of sinister mesmerist charlatan Dr. Caligari (Werner Krauss), his zombielike somnambulist slave Cesare (Conrad Veidt), and a series of murders in the rickety small town of Holstenwall - and is finally revealed to be an asylum inmate who, in The Wizard of Oz (1939) style, has imagined a narrative that incorporates various people in his daily life. This undercuts the antiauthoritarian tone of the film as Dr. Caligari, in the main story an asylum director who has become demented, is revealed as a decent man out to help the hero. However, the asylum set in the frame story is the same 'unreal' one seen in the flashback, making the whole film and not just Francis's bracketed story somehow unreliable. Indeed, by revealing its expressionist vision to be that of a madman, the film could even appeal to conservatives who deemed all modernist art as demented. "Wiene, less innovative than most of his collaborators, makes little use of cinematic technique, with the exception of the flashback-within-a-flashback as Krauss is driven mad by superimposed instructions that he 'must become Caligari.' The film relies on theatrical devices, the camera fixed center stage as the sets are displayed and the actors (especially Veidt) providing any movement or impact. Lang's input served to make the movie a strange species of amphibian: It plays as an art movie to the high-class crowds who appreciate its innovations, but it's also a horror movie with a gimmick. With its sideshow ambience, hypnotic mad scientist villain, and leotard-clad, heroine-abducting monster, The Cabinet of Dr. Caligari is a major early entry in the horror genre, introducing images, themes, and characters that became fundamental to the likes of Tod Browning's Dracula and James Whale's Frankenstein (both 1931)." Have a comment or a question for the host? Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter at @1001MoviesPC.
The Weimar Republic was born out of Germany's defeat in World War I, and the failed Communist revolution that followed the armistice in November 1918, and collapsed with the election of the Nazi Party in 1933. This week, Juliet talks to Tom Wilkinson (author of 'Bricks and Mortals: Ten Great Buildings and the People Who Made Them') about how the war and its aftermath changed German Expressionism, gave rise to Dada and the Neue Sachlichkeit movements, and brought about the most intense reaction against modernist culture. SELECTED REFERENCES Die Aktion - http://www.dada-companion.com/journals/per_aktion.php Arbeitsrat für Kunst - https://en.wikipedia.org/wiki/Arbeitsrat_für_Kunst Jean (Hans) Arp Bauhaus Der Blaue Reiter - https://www.tate.org.uk/art/art-terms/d/der-blaue-reiter Bertolt Brecht ARNOLT BRONNEN, Vatermord (1922) - https://en.wikipedia.org/wiki/Arnolt_Bronnen Die Brücke - https://en.wikipedia.org/wiki/Die_Brücke The Cabinet of Dr Caligari (dir. Robert Wiene, 1920) Otto Dix - https://www.ottodix.org/ ALFRED DÖBLIN, Berlin Alexanderplatz (1928) - https://www.nybooks.com/articles/2008/01/17/the-genius-of-berlin/ Kasimir Edschmid, 'Concerning Poetic Expressionism' (1917) Max Ernst George Grosz - http://www.redflag.org.uk/frontline/nine/09grosz.html WALTER HASENCLEVER, The Son (1912) - https://en.wikipedia.org/wiki/The_Son_(play) GERHART HAUPTMANN, The Weavers (1899) John Heartfield - https://www.johnheartfield.com/ Emmy Hennings - http://www.dada-companion.com/hennings/ Georg Heym - https://www.theguardian.com/books/2005/may/21/featuresreviews.guardianreview18 Hannah Höch - https://www.newstatesman.com/juliet-jacques/2014/01/new-woman-berlins-feminist-dadaist-pioneer-hannah-höch Richard Huelsenbeck Marcel Janco - https://en.wikipedia.org/wiki/Marcel_Janco Ernst Jünger - https://en.wikipedia.org/wiki/Ernst_Jünger GEORG KAISER, From Morning to Midnight (1916), The Coral (1917), Gas I (1918), Gas II (1920) - https://www.newstatesman.com/juliet-jacques/2013/12/morning-midnight-fiercely-anti-naturalistic-epitome-expressionist-style WASSILY KANDINSKY, Concerning the Spiritual in Art (1911) - https://www.wassilykandinsky.net/book-116.php Ernst Ludwig Kirchner Käthe Kollwitz - https://en.wikipedia.org/wiki/Käthe_Kollwitz OSKAR KOKOSCHKA, Murderer, Hope of Woman (1909) - https://en.wikipedia.org/wiki/Murderer,_the_Hope_of_Women SIEGFRIED KRACAUER, From Caligari to Hitler (1947) - https://monoskop.org/images/1/12/Kracauer_Siegfried_From_Caligari_to_Hitler_A_Psychological_History_of_the_German_Film.pdf M (dir. Fritz Lang, 1931) August Macke Thomas Mann Franz Marc Neue Jugend - http://www.dada-companion.com/journals/per_neue-jugend.php Friedrich Nietzsche - https://www.lrb.co.uk/v12/n16/jp-stern/impatience Emil Nolde Die Novembergruppe - https://www.rem.routledge.com/articles/die-novembergruppe-the-november-group-1918-1934 Pandora's Box (dir. G. W. Pabst, 1928) Christian Schad - https://www.tate.org.uk/art/artists/christian-schad-2331 Kurt Schwitters GEORG SIMMEL, The Metropolis and Mental Life (1903) - http://www.laits.utexas.edu/berlin/pdf/scholarship/Simmel_The%20Metropolis.pdf Carl Sternheim - https://en.wikipedia.org/wiki/Carl_Sternheim August Strindberg Der Sturm - https://www.moma.org/s/ge/collection_ge/objbyppib/objbyppib_ppib-25_sov.html Sophie Taeuber-Arp - https://frieze.com/tags/sophie-tauber-arp ERNST TOLLER, Masse-Mensch (1920), Hoppla! We're Alive! (1927) - https://spartacus-educational.com/FWWtoller.htm Ferdinand Tönnies Kurt Tucholsky - https://lareviewofbooks.org/article/fabulous-tragic-kurt-tucholsky/ TRISTAN TZARA, 'Dada Manifesto' (1918) - http://writing.upenn.edu/library/Tzara_Dada-Manifesto_1918.pdf Richard Wagner Max Weber Frank Wedekind
Taucht mit uns tief ein in die Weimarer Republik, als der Strom so knapp war, dass Licht und Schatten auf die Kulissen gemalt werden mussten. Wir besprechen den Horror-Klassiker von Robert Wiene und mit ihm die Frage, was Horror ist. Wir reden über den Horror-Trope des Irrenhauses, den Schatten, den Hitler vorauswirft, das Trauma des ersten Weltkrieges, die autoritäre deutsche Gesellschaft, Expressionismus und und und …
Our deadicated hosts return to director Robert Wiene with his 1924 film Orlacs Hände with Conrad Veidt, Alexandra Sorina, and Fritz Kortner. What has Wiene and Veidt been up to since Caligari? What is the history of organ transplants? Find out this and more in our twelfth episode! Context setting 00:00; post intermission 21:57; summary 28:52; discussion 52:23; ranking 1:01:19
Deadicated hosts Ben and Sarah tackle the German follow up to Dr Caligari... Genuine, Die Tragödie Eines Seltsamen Hauses, directed by Robert Wiene from 1920. We cover the differences between the original and the US release (retitled Genuine, A Tale of a Vampire), and (attempt) to decipher the long history of fearing women's sexuality. Oh my!
Kat and Samm return for episode 12 of Daughters of Darkness, where they discuss mad science in general and transplant-themed horror in particular. They begin with an analysis of the origins of mad science fiction in Gothic literature — partly a reaction to the European Enlightenment — through the fiction and nonfiction work of writers like Coleridge and Goethe, culminating in Mary Shelley’s seminal Frankenstein. The episode moves on to explore adaptations of Maurice Renard’s novel, Les Mains d’Orlac (1920), in which a pianist’s hands are damaged in an accident and replaced in an experimental procedure; but he’s convinced that his new hands belonged to a murderer and are possessing him to commit horrible acts. Beginning with Robert Wiene’s forerunner German expressionist film Orlacs Hände (1924), with Conrad Veidt, Renard’s loose plot thread moves through Maurice Tourneur’s similarly-themed, neglected La main du diable (1943) — a surreal, blackly comic work made during the Nazi occupation of France — to Karl Freund’s Mad Love (1935). Starring Peter Lorre as a crazed surgeon, the focus of this film is not on Orlac, the piano player, but on the demented Dr. Gogol, who is obsessed with Orlac’s wife, an actress in the Grand Guignol. Also discussed is Georges Franju’s groundbreaking Les yeux sans visage (1960), about a surgeon attempting to replace his daughter’s ruined face through nefarious means, and offshoots like Jess Franco’s Gritos en la noche aka The Awful Dr. Orloff (1962), as well as one of Michael Pataki’s few directorial efforts, Mansion of the Doomed (1976). The majestic Richard Basehart stars as a well-meaning but misguided doctor trying desperately to replace his daughter’s eyes.
Dr. Caligari's somnambulist, Cesare, and his deadly predictions.Director: Robert WieneWriters: Carl Mayer (story), Hans Janowitz (story)Stars: Werner Krauss, Conrad Veidt, Friedrich Feher - via IMDBhttps://archive.org/details/DasKabinettdesDoktorCaligariTheCabinetofDrCaligari
We dip into German expressionism on the podcast this week, and we take a look at the classic, The Cabinet of Dr Caligari. It's a 1920 German silent horror film, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. The Cabinet of Dr Caligari is frequently considered the quintessential work of German Expressionist cinema. … Continue reading Really Awful Movies: Ep 79 – The Cabinet of Dr Caligari →
The Cabinet of Dr. Caligari (dir. Robert Wiene) is clearly one of the most important horror films of all time, and Greg Starrett joins Derek at Monster Kid Radio to tell us why. By the time they're done, you'll agree his film influenced movies, monster and otherwise, for years to come!Voicemail: 503-479-5MKR (503-479-5657)Email: monsterkidradio@gmail.com (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at http://monsterkidradio.libsyn.com)Support Monster Kid Radio on Patreon - Fit for a Frankenstein - Greg Starrett and Paul McComas read Fit for a Frankenstein - The opening and closing song "Dead of Night" (from the album Who Goes There?) appears by permission of The Alder Kings - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC.
When we think about the classic monster movie actors, we think about names like Karloff, Lugosi, Chaney, etc. In this episode of Monster Kid Radio, Greg Starrett (the co-author of Fit for a Frankenstein) is going to help us add the name Conrad Veidt to that list. Derek welcomes Greg to the show, and before they dive into a conversation about The Cabinet of Dr. Caligari (dir. Robert Wiene), Greg gives us a primer on the man who played a sleepwalker in that film but by no means sleptwalk through his role.Voicemail: 503-479-5MKR (503-479-5657)Email: monsterkidradio@gmail.com (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at http://monsterkidradio.libsyn.com)Support Monster Kid Radio on Patreon - http://www.patreon.com/monsterkidradioFit for a Frankenstein - http://paulmccomas.com/authored/fit-for-a-frankenstein/The opening and closing song "Volcanico" (from the album Who Goes There?) appears by permission of The Alder Kings - http://www.thealderkings.comAll original content of Monster Kid Radio by Monster Kid Radio LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.Monster Kid Radio is a registered service mark of Monster Kid Radio LLC.RIP Khet.
In this episode: Mark Cosgrove, Watershed's Cinema Curator, considers what is unique about the experience and what is the value of seeing a film in the cinema, and what is it that makes film quintessentially cinematic.
Hoy viajaremos hasta Madrid España y volveremos atrás casi 30 años para reencontrarnos con el nacimiento y la trayectoria de una de las bandas más importantes de la Movida Madrileña, Hoy en Rocanrol Búmerang, Gabinete Caligari. Canción 1: Sangre españolaCanción 2: Que dios reparta suerte Las dos canciones anteriores son de 1983 y hacen parte del primer disco de Gabinete Caligari llamado igual, Que Dios Reparta Suerte. Este primer álbum de Gabinete Caligari dejó claro que no sólo era un disco de rock sino que era un disco de Rock Español, con mayúsculas, en el que además de acercar al punk, ritmos como el pasodoble, las letras reivindicaban temas tan controvertidos como la fiesta brava. Escuchemos también la primera canción importante de Gabinete Caligari, se llama Golpes, una historia de amor sado-masoquista que llamó la atención de los jóvenes madrileños. Canción 3: GolpesCanción 4: Olor a carne quemada Olor a carne quemada, canción de sus primeros años en los que la vitalidad punk y las letras con temas como la pena de muerte y el sado-masoquismo resultaban tan oscuros como atractivos y envolvía al grupo de un halo desafiante y agresivo. Gabinete Caligari eran Jaime Urrutia en la voz y la guitarra, Ferni Presas en el bajo y Edi Clavo en la batería. En sus inicios la banda estaba influenciada por el expresionismo alemán, de hecho “El Gabinete del Doctor Caligari” es una película del expresionismo alemán dirigida en 1920 por Robert Wiene. Canción 5: Queridos CamaradasCanción 6: Caray El segundo disco de Gabinete Caligari se publicó en 1985 bajo el título Cuatro Rosas, convirtió inmediatamente al single homónimo en uno de los favoritos del público, al igual que Más dura será la caída, sin embargo, sería con el álbum Al calor del Amor en un Bar de 1986 que se consagrarían definitivamente. Canción 7: Más dura será la caídaCanción 8: El calor del amor en un barCanción 9: En la suite nupcial En la suite nupcial apareció en su disco Camino Soria de 1987. Con la edición de Al Calor del Amor en un Bar, Gabinete fue considerada en definitiva como una banda de rock cargada de españolidad. El guiño permanente con la tauromaquia, la masonería e incluso por lo militar además de reivindicar en el rock músicas tan tradicionales, los ponían en un lugar al que ninguna otra banda aspiraba pues las aficiones de la banda eran consideradas antimodernas por no decir conservadoras. Pero la calidad musical y lírica es innegable. Una muestra de esto es la canción Camino Soria, escuchémosla. Canción 10: Camino SoriaCanción 11: Sólo se vive una vez La carrera de Gabinete sería muy diferente en la década siguiente, su acérrima fidelidad a su estilo resistió el paso de los años noventa pero la popularidad decayó ante el pop simplón. Aun así, en el camino, Gabinete Caligari dejó para muchos, el mejor disco de rock español de los ochenta, Camino Soria. Un disco brillante con canciones perfectas y letra contundentes, de este escuchemos la canción La sangre de tu tristeza. Canción 12: La sangre de tu tristezaCanción 13: La culpa fue del cha-cha-cha La culpa fue del cha-cha-cha, es una remezcla hecha por el productor Raúl Orellana para el maxisingle que por entonces se editaba con versiones para discoteca de las canciones más importantes del verano. Gabinete Caligari se separó definitivamente en 1999 y su líder Jaime Urrutia optó por una interesante carrera como solista ganando respeto y admiración de músicos como Andrés Calamaro y Enrique Bunbury entre muchos otros. Canción 14: Cuatro rosas
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