Podcasts about Un Chien Andalou

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In this 90 Minutes or Less Spotlight episode Sam talks to Bryony Dixon, Silent Film Curator at the BFI. They discuss The BFI Film on Film Festival 2025 with a focus on the early surrealist film Un Chien Andalou by Luis Buñuel and Salvador Dalí.  Film on Film runs from 12-15 June 2025, with tickets available now.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Tweet: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Sean Baker. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey. 

Ein Schornstein stürzt ein. Ein Dichter zeichnet ein Gesicht auf Leinwand. Plötzlich beginnt der gezeichnete Mund zu reden. Irritiert wischt der Dichter diesen ab, nur um ihn kurz darauf auf seiner Hand wiederzufinden. Da die Reinigung der Hand nicht hilft, wird der Mund schnell auf eine Statue gepackt, die natürlich kurz darauf zu leben beginnt. Sie schickt den Dichter durch einen Spiegel in eine Paralleldimension, wo er in einem Hotelflur durch die Schlüssellöcher verschiedene Szenen betrachtet: Ein Revolutionär der wieder und wieder erschossen wird, ein gezüchtigtes Kind, das an der Decke schwebt, ein Hermaphrodit umgeben von Pentagrammen… schließlich hat der Dichter genug und erschießt sich… und landet zurück in seiner Welt. Er zerstört die Statue und wird selbst zu einer. Kinder machen eine Schneeballschlacht, die langsam in tödliche Gewalt eskaliert. Ein Tisch wird aufgebaut: Ein Mann und eine Frau spielen Karten, beobachtet von einem amüsierten Theaterpublikum. Auch dieses Kartenspiel endet tödlich. Ein Engel kommt vorbei, die Frau wird zur Statue, führt einen Ochsen irgendwohin, landet in einem Gitarrenkasten. Ein Schornstein stürzt ein. Nein, das ist mir nicht heute im Büro passiert, sondern das ist so ziemlich genau die Chronologie der Handlung von Jean Cocteaus erstem Spielfilm Le Sang d'un poète - Das Blut eines Dichters - aus dem Jahr 1930. In vier Sequenzen erzählt, 50 Minuten lang, konsequent der Logik des Traums gehorchend. Ein Film des Surrealismus, nur ein Jahr nach dem berühmten Un Chien Andalou von Salvador Dail und Luis Bunuel. Natürlich wollte Cocteau nie diesem Genre zugeordnet werden. Weil Schubladen sind etwas für Konformisten, Bitch! Aber der Film atmet den Geist dieser Epoche und auch dieser spezifischen Kunstrichtung: Symbolisch aufgeladen, freudianisch, traumhaft, ohne kohärente Logik… soweit so prätentiös, so weit so kunsthistorisch bedeutend. Aber wir wollen natürlich unabhängig davon Filme empfehlen. Und müssen uns jetzt die Frage stellen: Ist das ein sehenswerter Film? Johannes, Rede!

On today's surreal episode, we talked about Luis Bunuel's first film and collaboration with Salvador Dali, Un Chien Andalou. Lots to unpack on this one. Plus, an email about wordplay that ends with a teaser… Get an extra episode every week and support the show at patreon.com/extended_clip Send us questions at extendedclippodcast@gmail.com

2:16:57 – Frank in New Jersey, plus the Other Side. Topics include: Icicles, Parisian Holiday Brunch candle, Pixies, Un Chien Andalou (1929), vents synchronicity, more brunch candles, Yves in Brooklyn, People Magazine, Voyager CD-ROMs, chaos cakes, Scan the Night, EF Hutton, John Philip Sousa, Monty Python, Mr. Show, Saturday Night (2024), Inherent Vice (2014), and much more… […]

2:16:57 – Frank in New Jersey, plus the Other Side. Topics include: Icicles, Parisian Holiday Brunch candle, Pixies, Un Chien Andalou (1929), vents synchronicity, more brunch candles, Yves in Brooklyn, People Magazine, Voyager CD-ROMs, chaos cakes, Scan the Night, EF Hutton, John Philip Sousa, Monty Python, Mr. Show, Saturday Night (2024), Inherent Vice (2014), and much more… […]

Happy Halloween! Hellbent for Horror returns from the dead (and grateful to be here) to start more conversations. I've missed you all! The best-kept secret of long-term horror fans may be that we don't necessarily watch merely to be scared. What captivates us is the element of surprise. If you can't scare us, surprise us. How do you surprise horror fans who have seen it all? Join me as I give my opinion on how filmmakers and studios can meet horror fans' expectations and make movies they will love! Enter the” three doors of death” if you dare! I hope you enjoy the show!   Movies and stories covered: Snakes on a Plane (2006) Talk To Me (2022) The Séance- Short story by Ronal Kayser (1936) I Walked With a Zombie (1943) Night of the Living Dead (1968) 28 Days Later (2002) Dawn of the  Dead (2004) Near Dark (1987) The Lost Boys (1987) Rebel Without a Cause (1955) And Then There Were None-novel by Agatha Christie (1939) Twitch of the Death Nerve (1971) Black Sunday (1960) Blood and Black Lace (1964) Halloween (1978) Friday the 13th (1980) Going To Pieces: The Rise And Fall of The Slasher Film (2006) Graduation Day (1981) Un Chien Andalou (1929) The Blair Witch Project (1999) Scream (1995) The Last Broadcast (1998) Cannibal Holocaust (1980) David Holzman's Diary (1967) Bonnie and Clyde (1967) Skinamarink (2022) The Yellow Wallpaper short story by Charlotte Perkins Gilman (1892)    

Apologies to Madeleine Stowe, a great thriller from 1998, resting dick face, a couple of great stoner performances, the genius of May and Matthau, laying off the drinking, a great horoscope, ridiculous coffee orders, actors doing crappy commercials, a touching animated movie about a dog and a robot, an amazing article about loneliness, Elon Musk still sucks, the quieting of the American cafeteria, airport bins are toxic, a movie with substance, an amazing perfomance by Demi Moore, another burning behind, and saying goodbye. Stuff mentioned: Disturbing Behavior (1998), The Green Mile (1999), The Mist (2007), Wheel of Fortune The Green Mile (https://www.youtube.com/watch?v=DgrT3_3qcfE), Back to the Future (1985), The Gamble House (4 Westmoreland Pl, Pasadena, CA 91103), Harvey Danger "Flagpole Sitta" (1997), The Cabin in the Woods (2012), A New Leaf (1971), Beastie Boys "Intergalactic" (1998), Beastie Boys Hello Nasty (1998), Pixies "Debaser" (1989), Pixies Doolittle (1989), Un Chien Andalou (1929), Looper (2012), Philip K. Dick Do Androids Dream of Electric Sheep? (1968), Robot Dreams (2023), The Wizard of Oz (1939), Earth, Wind & Fire "September" (1978), Matthew Shaer "Why Is the Loneliness Epidemic So Hard to Cure?" (The New York Times Magazine, August 27, 2024 https://www.nytimes.com/2024/08/27/magazine/loneliness-epidemic-cure.html), The Substance (2024), Revenge (2017), The Muppets "Saying Goodbye" (1984), The Muppets Take Manhattan (1984), and Alien (1979).

For Chris Marker, writing came before filmmaking. A decade after Marker's death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing La Jetée (1962). To celebrate the publication of the first English translation of Marker's early writings (published between 1948 and 1955), Steven Ungar, the editor of Chris Marker: Early Film Writings, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation.“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”—film theorist Roy ArmesChris Marker (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film La Jetée (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM Immemory to the multimedia digital platform Second Life.Steven Ungar is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including Critical Mass: Social Documentary in France from the Silent Era to the New Wave.Sally Shafto is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of The Zanzibar Films and the Dandies of May 1968, and her translations include Jean-Marie Staub and Danièle Huillet's Writings. She teaches at Framingham State University.Jean-Michel Frodon is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including The World of Jia Zhangke and Le Cinéma Français de la Nouvelle Vague a Nos Jours, and wrote the foreword to “Night and Fog”: A Film in History by Sylvie Lindeperg. Frodon blogs at Projection Publique.Sam Di Iorio is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for Screen, Trafic, Film Comment and the Criterion Collection. His essay “Comolli's Detours: Free Jazz, Film Theory, Cinéma Direct” is forthcoming with Amsterdam University Press. EPISODE REFERENCES AND RECOMMENDED READING:-André Bazin-Robert Cannon's Gerald McBoing-Boing-Alain Resnais-Agnès Varda-Jean Rouch-René Leibowitz-Joseph Rovan (born Joseph Adolph Rosenthal)-Nicole Védrès-Eternal Current Events (translated by Jackson B. Smith)-Le Dépays / Chris Marker-Camera Obscura piece by Ivan Cerecina translating Nicole Védrès's “Les feuilles bougent” (“The Leaves Are Stirring”) and an accompanying essay-Republic of Images / Alan Williams-Le Cinéma Français de la Nouvelle Vague a Nos Jours / Jean-Michel Frodon-The Fragile Present: Statues Also Die with Night and Fog by Sam Di Iorio; article in South Central Review.-Trafic N°105 (Printemps 2018), with article by Sam Di IorioMORE CHRIS MARKER:chrismarker.chGorgomancy.netThe Criterion ChannelChris Marker: Early Film Writings is available from University of Minnesota Press."One of the pleasures of Chris Marker's films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others' images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."—Chris Darke, author of La Jetée (BFI Film Classics)

Angélica Hellish, Marcos Noriega, Douglas Fricke (Podtrash) e Filipe Pereira (Cinealerta) conversam sobre filmes com narrativas interessantes e muitas vezes não convencionais!   ACESSE AS ANOTAÇÕES DO DOUGLAS AQUI: Mencionados: “Napoleon”, de Abel Gance, 1927 / “Vampiros da Meia-Noite” 1927 / "Haxan" de 1922 / “Dollie Daisy in Hearts and Flowers” (Howard H. Moss, 1930) / “O Porco Dançarino” (1907, “Le Cochon Danseur”, Millard Mercury) / “L'Inferno” (1911, Francesco Bertolini / “A Queda da Casa de Usher” (1928. Jean Epstein) / “Three's a Crowd” (“Pai sem Selo”, 1927, Harry Langdon) / Alice no País das Maravilhas (1903) / George Méliès: "L'Éclipse du soleil en pleine lune" (Eclipse do sol na lua cheia) / L'Inumane (The Inhuman Woman), 1924 / “Dream of a Rarebit Fiend” (1906) / “The Red Spectre” (1907) / “The Thieving Hand” (1908) / “Princess Nicotine, or, the Smoke Fairy” (1909) / “Filmstudie” (Hans Richter, 1926) / “The Adventures of Prince Achmed” (“Die Abenteuer des Prinzen Achmed” no original alemão, da diretora Lotte Reiniger, de 1926) / “Braza Dormida” (1928, Brasil, do mineiro Humberto Mauro) / “The Cameraman's Revenge” (1911) / “Goroda i gody” (“Citites and Years”, 1930) / “Aelita” (1924, de Yakov Protazanov) / “O Caso dos 3 Milhões” (1926, direção Yakob Protazanov pela Companhia Mezrhapom-Rus) / “земля” (“Earth”, dir. Aleksander Dovzhenko, 1930) / “Ekstase” (“Ecstasy”, 1933, dir. Gustave Machaty) / “The Adventures of the Little Chinese” (1928) / “China In Flames” (1925) / A Queima do Templo do Lótus Vermelho (“The Burning of the Red Lotus Temple” 1928 e 1931 / “Laogong zhi aiqing” (“Laborer's Love” ou 勞工之愛情, 1922, dir. Zhang Shichuan / “Hong Xia” (Red Heroine, ou 红侠 no original, de 1929) / Entr'acte (1924) René Clair / Ballet Mécanique (1924) / Limite (1931) Mário Peixoto / Meia-Noite Levarei Sua Alma (1962) / Rien que les heures (1926) Alberto Cavalcanti /The Mystery of Picasso (1956) / La Jetée (1962) / Meshes of the Afternoon (1943) / Un Chien Andalou (1929) / The Blood of a Poet (1932) / A Page of Madness (1926) / Drácula: O Diário de Uma Virgem (2002) / Nós Que Aqui Estamos Por Vós Esperamos (1999) e 1,99 O Supermercado Que Vende Palavras (2003) https://masmorracine.wordpress.com/2013/07/14/masmorra-cast-44-trilogia-qatsi-baraka-e-samsara/ https://www.youtube.com/watch?v=lR-Ru1_EFFg   APOIE A GENTE, NOSSO PIX apoiomasmorra@gmail.com MEU PROJETO NOVO – TRUE CRIME! https://www.youtube.com/@voltaaomundonocrime⁠⁠⁠⁠⁠ JÁ SE INSCREVA E DEIXE SEU LIKE ACESSE CINECLUBE DA MASMORRA: ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6XO2tljzo8XHlFCe3exzCn⁠ ⁠⁠⁠⁠⁠ SeLIVES TODAS AS QUARTAS 21H NO ⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠, ⁠⁠⁠⁠TWICH⁠⁠⁠⁠ E ⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠ Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.comSIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ⁠⁠⁠⁠⁠https://www.twitch.tv/angelmasmorra⁠⁠⁠⁠⁠⁠ AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine quiser se inscrever e dar estrelas no podcast lá no Spotify, ⁠clique aqui⁠:  

Angélica Hellish, Marcos Noriega, Douglas Fricke (Podtrash) e Filipe Pereira (Cinealerta) conversam sobre filmes com narrativas interessantes e muitas vezes não convencionais!   ACESSE AS ANOTAÇÕES DO DOUGLAS AQUI: Mencionados: “Napoleon”, de Abel Gance, 1927 / “Vampiros da Meia-Noite” 1927 / "Haxan" de 1922 / “Dollie Daisy in Hearts and Flowers” (Howard H. Moss, 1930) / “O Porco Dançarino” (1907, “Le Cochon Danseur”, Millard Mercury) / “L'Inferno” (1911, Francesco Bertolini / “A Queda da Casa de Usher” (1928. Jean Epstein) / “Three's a Crowd” (“Pai sem Selo”, 1927, Harry Langdon) / Alice no País das Maravilhas (1903) / George Méliès: "L'Éclipse du soleil en pleine lune" (Eclipse do sol na lua cheia) / L'Inumane (The Inhuman Woman), 1924 / “Dream of a Rarebit Fiend” (1906) / “The Red Spectre” (1907) / “The Thieving Hand” (1908) / “Princess Nicotine, or, the Smoke Fairy” (1909) / “Filmstudie” (Hans Richter, 1926) / “The Adventures of Prince Achmed” (“Die Abenteuer des Prinzen Achmed” no original alemão, da diretora Lotte Reiniger, de 1926) / “Braza Dormida” (1928, Brasil, do mineiro Humberto Mauro) / “The Cameraman's Revenge” (1911) / “Goroda i gody” (“Citites and Years”, 1930) / “Aelita” (1924, de Yakov Protazanov) / “O Caso dos 3 Milhões” (1926, direção Yakob Protazanov pela Companhia Mezrhapom-Rus) / “земля” (“Earth”, dir. Aleksander Dovzhenko, 1930) / “Ekstase” (“Ecstasy”, 1933, dir. Gustave Machaty) / “The Adventures of the Little Chinese” (1928) / “China In Flames” (1925) / A Queima do Templo do Lótus Vermelho (“The Burning of the Red Lotus Temple” 1928 e 1931 / “Laogong zhi aiqing” (“Laborer's Love” ou 勞工之愛情, 1922, dir. Zhang Shichuan / “Hong Xia” (Red Heroine, ou 红侠 no original, de 1929) / Entr'acte (1924) René Clair / Ballet Mécanique (1924) / Limite (1931) Mário Peixoto / Meia-Noite Levarei Sua Alma (1962) / Rien que les heures (1926) Alberto Cavalcanti /The Mystery of Picasso (1956) / La Jetée (1962) / Meshes of the Afternoon (1943) / Un Chien Andalou (1929) / The Blood of a Poet (1932) / A Page of Madness (1926) / Drácula: O Diário de Uma Virgem (2002) / Nós Que Aqui Estamos Por Vós Esperamos (1999) e 1,99 O Supermercado Que Vende Palavras (2003) https://masmorracine.wordpress.com/2013/07/14/masmorra-cast-44-trilogia-qatsi-baraka-e-samsara/ https://www.youtube.com/watch?v=lR-Ru1_EFFg   APOIE A GENTE, NOSSO PIX apoiomasmorra@gmail.com MEU PROJETO NOVO – TRUE CRIME! https://www.youtube.com/@voltaaomundonocrime⁠⁠⁠⁠⁠ JÁ SE INSCREVA E DEIXE SEU LIKE ACESSE CINECLUBE DA MASMORRA: ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6XO2tljzo8XHlFCe3exzCn⁠ ⁠⁠⁠⁠⁠ SeLIVES TODAS AS QUARTAS 21H NO ⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠, ⁠⁠⁠⁠TWICH⁠⁠⁠⁠ E ⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠ Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.comSIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ⁠⁠⁠⁠⁠https://www.twitch.tv/angelmasmorra⁠⁠⁠⁠⁠⁠ AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine quiser se inscrever e dar estrelas no podcast lá no Spotify, ⁠clique aqui⁠:  

Hva skjer nå egentlig? I denne kaotiske sendingen snakker Jakob, Lise og Astrid om fem kaotiske, surrealistiske filmer. Hva er egentlig surrealisme? Må alle surrealistiske filmer inenholde pupp? Har David Lynch det bra med seg selv? Hvor er jeg? Og hva er egentlig den blå væsken Jakob serverer oss? Le Coquille et le Clergyman, Un Chien Andalou, The Holy Mountian, Being John Malcovich og Mulholland drive (der Maria beriker oss med sin akademiske kunnskap) står på dagens program. 

On Episode 109 of Floating Through Film, we begin our new series picked by Dany, Luis Buñuel! After a brief introduction on the man himself, Dany starts the episode by giving some background on Buñuel's influences/approach to Montage (14:50), before reviewing two of his classics released 21 years apart, 1929's Un Chien Andalou (40:50), and 1950's Los olvidados (1:09:09) Episode Next Week: Mexican Bus Ride (Subida al cielo) + Illusion Travels by Streetcar (La ilusión viaja en tranvía) Music: - Intro: from Early Summer - Break: Los olvidados - Outro: Los olvidados Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that's come before or will come after, the 1989 classic Doolittle from Pixies. It's just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Welcome to the Instant Trivia podcast episode 925, where we ask the best trivia on the Internet. Round 1. Category: note-able women 1: In 1999 this singer who once tore up the Pope's picture was ordained the first female priest in the Latin Tridentine Church. Sinead O'Connor. 2: Emily Watson earned an Oscar nomination for playing cellist Jacqueline du Pre in this 1998 film. Hilary and Jackie. 3: She sang on Broadway in "Damn Yankees" and "Bells Are Ringing" before playing TV's screechy-voiced Edith Bunker. Jean Stapleton. 4: The violin virtuoso known by the single name Midori was born in this country in 1971. Japan. 5: Patti Page played Sister Rachel in this Burt Lancaster film based on a Sinclair Lewis novel. Elmer Gantry. Round 2. Category: art and artists 1: This "American Gothic" artist was an asst. professor of fine arts at the Univ. of Iowa in 1934. Grant Wood. 2: This Spanish surrealist collaborated on 2 films with Luis Bunuel, "Un Chien Andalou" and "L'Age D'Or". Salvador Dali. 3: A Canaletto view of this square shows the Doge's palace and the Loggia of Sansovino. Saint Mark's Square. 4: Otto Dix did several of this type of portrait, including one "As a Soldier" and one as the war god Mars. self-portrait. 5: Though the Spanish court painter, he portrayed the vulgarity of the family of Charles IV. Francisco Goya. Round 3. Category: esoterica 1: This Poe poem has a scholar seeking solace in ancient, esoteric writings, but he's disturbed by a "rapping at my chamber door". "The Raven". 2: The Pleistocene Epoch was the last time about 1/3 of the Earth's land surface was covered by these. glaciers. 3: Kukai, also known as Kobo Daishi, brought esoteric Shingon Buddhism to this country. Japan. 4: For Louis XV from 1769 to 1774 it was Marie DuBarry. mistress. 5: Pemba, one of the world's leading suppliers of clove oil, is an island near Zanzibar in this ocean. Indian Ocean. Round 4. Category: the world of lounge 1: Much lounging is done on this vinyl-covered fabric named for Naugatuck, Connecticut. Naugahyde. 2: The primo cocktail of the cocktail nation is this one favored by James Bond. a martini. 3: You can't go wrong if you make this man your model of style and demeanour:"The last thing I need is a dame around me who says she's my wife. You know how I operate.". Dean Martin. 4: 1996 film that popularized lines like "You're money, baby". Swingers. 5: With hits like "Somewhere My Love", this bandleader brought a "Ray" of light to '60s lounge. Ray Conniff. Round 5. Category: "n"veloped 1: The only word in "The Pledge of Allegiance" that starts and ends with "N". nation. 2: It's the first age you reach when you're surrounded by "N"s. nineteen. 3: This "Dance" by the Pointer Sisters was featured in the film "Beverly Hills Cop". "The Neutron Dance". 4: A black widow spider's venom is classified as this 10-letter type of poison. a neurotoxin. 5: A webcam on this university's School of Communications is pointed at Lake Michigan. Northwestern. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Were talkies a mistake? Join us as we talk about the last of the silent era and the rocky start of the sound era, and possibly the worst Best Picture winner of all time! But also some cool shorts and the frenetic and creative Man With a Movie Camera!   You can watch along with our video version of the episode here on Youtube! https://www.youtube.com/watch?v=X1MTCrCrLq4   You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1929 Films Discussed playlist right here! (some are missing, copyright!) 06:12 - Skeleton Dance 13:15 - Un Chien Andalou 22:50 - Man With a Movie Camera 39:02 - Woman in the Moon 1:01:19 - Pandora's Box 1:15:12 - The Broadway Melody 1:38:05 - The Wild Party 1:49:56 - The Cocoanuts 2:04:40 - Final thoughts and Favorites   See you next year!

Alors, en dance! Croissant! Croquette! Cravate! Voor zij die het nog wisten (of nu nog niet door hadden), de Franse Slag heeft de Movie Matters Podcast bereikt. Gelukkig moest er geen “Schild en Vriend” geroepen worden, want het is maar de vraag wie van ons alsdan geen goedendag zou gepresenteerd gekregen hebben? In de Watchlist worden voor het eerst niet 3, maar wel 4 films bekeken, allen met een (soms beperkte) Franse invalshoek. Een iconische kortfilm beet de volle 17 minuten de spits af, namelijk “UN CHIEN ANDALOU”. Poelie selecteerde het presque waargebeurde gevangenis epos “LE TROU”. Zwino kon een Tati comédie dan weer niet gauche laten liggen, met “PLAYTIME”. Peer tenslotte trok naar le tribunal voor een recenter werk met “SAINT OMER”. Ging onze baret schever op ons hoofd staan, of hingen we de tricolore blauw-wit-rode vlag buiten, ter viering van de Franse feestdag? Geen feest, zonder Cinemaat. En ook de Cinemaat is onderhevig aan hypes: roze explosies of exploderend roze, het blijft hem gelijk. Daarom ook hier een dubbele bespreking, van het fenomeen dat de cinema's op zijn grondvesten doet daveren: BARBENHEIMER! Al dit lekkers, én meer, in aflevering 27. Amusez-vous!   jullie kunnen ons ook mailen naar moviematterspodcast@hotmail.com Volg ook onze socials: (1) Movie Matters Podcast Op facebook en op instagram: @_moviematterspodcast_ • Volg ons via Letterboxd: Zwino: ‎ThomasZwino's profile • Letterboxd Peer: ‎Lpereboom's profile • Letterboxd Tim:  ‎Tim Poelman's profile • en https://boxd.it/4Y95L En Join onze discord waar we samen gezellig over films kunnen praten: https://discord.gg/Krq6uXGWFm

Kate MacKay. Photo: BAMPFA Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. Recorded at BAMPFA July 7, 2023. Special thanks to AJ Fox. Pacific Film Archive film series listing. The post Kate MacKay: The Films of Luis Bunuel, 2023 appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Two from Berkeley Art Museum Pacific Film Archive Preston Sturges A scene from “The Miracle at Morgan's Creek.” Stuart Klawans, author of “Crooked but Never Common: The Films of Preston Sturges,” in conversation with host Richard Wolinsky. Stuart Klawans was film critic for the Nation  from 1988 to 2021, and before that wrote a small press and poetry column for the magazine. His previous books were Film Follies: The Cinema Out of Order, and a collection of his reviews and essays from 1988 to 2001, Left in the Dark. Preston Sturges was the first in the Hollywood sound era to write and direct his own films, creating a series of movies, from The Great McGinty in 1940, through The Lady Eve, Sullivan's Travels, The Miracle of Morgan's Creek and other classics to Unfaithfully Yours in 1948, that still resonate today. A retrospective of the films of Preston Sturges runs at Pacific Film Archive July 27th through August 26th, and Stuart Klawans will be on hand to introduce The Great McGinty on July 27th, The Lady Eve on July 29th and The Miracle of Morgan's Creek on July 30th. You can find out more at bampfa.org. All the films mentioned in the interview are available streaming either for rental via Amazon or Apple, or in the case of Unfaithfully Yours, The Sin of Harold Diddlebock and The Great Moment, free on YouTube. Recorded via Zencastr July 6, 2023. Complete 52-minute interview.   Luis Bunuel A scene from “The Discreet Charm of the Bourgeoisie.” Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. All photos courtesy Berkeley Art Museum Pacific Film Archive. Pacific Film Archive film series listing.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Hippest Trip: The Soul Train Musical,  August 25 – October 1, 2023. Aurora Theatre  Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Out of Character, written and performed by Arfel Stachel, June 23 – July 30, Peets Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: Crowns by Regina Taylor, September 9 – October 6, 2023. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. The Sound of Music, September 8 -24. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: See website for upcoming events and streaming interview. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. See website for upcoming season. 42nd Street Moon. See website for upcoming shows. Golden Thread  New Threads staged reading series, August 20 and August 27. Landmark Musical Theater.  My Unauthorized Hallmark Movie Musical, July 6 – July 30. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 9, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast by Star Finch, August 2 – 20, Campo Santo at the Magic. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Drag Queen Storytime Gone Wild starring the Kinsey Sicks, July 5 -16. Oakland Theater Project.  Gary, a sequel to Titus Andronicus by Gaylor Mac, September 1 – 24. Pear Theater. Falsettos,  June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light:  Spring Awakening, streaming through July 30. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  A Chorus Line runs through September 16, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company:Sex with Strangers by Laura Eason, October 12 – 30. Shotgun Players. Summer Salon: Various artists, July 23 – August 19. Wolf Play by Hansol Jung, Performances start September 2, 2023. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. New Works Festival, August 11 – 20, Lucie Stern Theatre, Palo Alto. Word for Word.  See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – July 13, 2023: Stuart Klawans – Kate MacKay appeared first on KPFA.

This week we kick off our extended look into the narrative of David Lynch's work as a filmmaker by exploring the early years of his career; painting, short films, art school, film school, his first relationships, and of course - Eraserhead. Other Films Mentioned:The Alphabet (1968, dir. David Lynch)Annie Hall (1977, dir. Woody Allen)A Bridge Too Far (1977, dir. Richard Attenborough)Close Encounters of the Third Kind (1977, dir. Steven Spielberg)Dune (1984, dir. David Lynch)The Elephant Man (1980, dir. David Lynch)The Goodbye Girl (1977, dir. Herbert Ross)The Grandmother (1970, dir. David Lynch)The Hills Have Eyes (1977, dir. Wes Craven)House (1977, dir. Nobuhiko Ôbayashi)L'Age D'Or (1930, dir. Luis Buñuel)Lolita (1962, dir. Stanley Kubrick)Night of the Living Dead (1968, dir. George A. Romero)Saturday Night Fever (1977, dir. John Badham)Scanners (1981, dir. David Cronenberg)The Shining (1980, dir. Stanley Kubrick)Six Men Getting Sick (1967, dir. David Lynch)Smokey and the Bandit (1977, dir. Hal Needham)Sorcerer (1977, dir. William Friedkin)Star Wars (1977, dir. George Lucas)Suspiria (1977, dir. Dario Argento)The Thing (1982, dir. John Carpenter)Twin Peaks: Fire Walk With Me (1992, dir. David Lynch)Un Chien Andalou (1929, dir. Luis Buñuel)Videodrome (1986, dir. David Cronenberg) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the third Fresh Air Award! Four cinephiles continue a Fourwind Films tradition of awarding a film that pushed cinema forward the most as an artform during a particular decade. To be nominated, a motion picture has to have changed movies in some way and made a lasting impression on how movies are made today. This episode delves into the decade that saw the beginning of successful commercial sound in cinema: 1920-1929. Before getting into the nominations with the panelists, our host Justin Joseph Hall goes through a quick history lesson on what was happening in the decade businesswise and technology-wise.  The four cinephiles who select the nominees in this panel are cinephiles Elizabeth Chatelain, Tracey Goessel, Justin Joseph Hall, and Kevin Hinman. If the piece has moving images and came out in the appropriate decade, it is eligible for nomination. This group chose an array of documentaries, shorts, animated films, and feature films, including films with the first synchronized score with animation, the first montage, a commercially successful duo tone color film, and the first soundtrack synched on the film strip. Nominations by each panelist: Elizabeth Chatelain nominees Battleship Potemkin (1925) Man with a Movie Camera (1929) Sunrise: A Song of Two Humans (1927) Un Chien Andalou (1929) The Cabinet of Dr. Caligari (1920) Tracey Goessel nominees Nanook of the North (1922) Don Juan (1926) Steamboat Willie (1928) The Play House (1921) The Toll of the Sea (1922) Justin Joseph Hall nominees Un Chien Andalou (1929) Nosferatu (1922) Battleship Potemkin (1925) The Cabinet of Dr. Caligari (1920) Man with a Movie Camera (1929) Kevin Hinman nominees Sunrise: A Song of Two Humans (1927) Drifters (1929) Un Chien Andalou (1929) Die Nibelungen: Siegfried (1924) The Gold Rush (1924) To find the 1920's Fresh Air Award winner click on this link! We hope you enjoy this episode! Share with us your own lists, comments, arguments, and films that we left out via social media @fourwindfilms. We're on Instagram, Facebook, TikTok, and LinkedIn. Thanks for listening, Season 7 to come shortly! Thank you to our panelists who did joined this out of their passion for cinema. Credits for podcast: Production Company - Fourwind Films Fresh Air Award Contributors for 1900s Decade - Elizabeth Chatelain, Tracey Goessel, Justin Joseph Hall, & Kevin Hinman Host - Justin Joseph Hall Editor - Billie Jo Laitinen Sound Mixer - Hans Bilger Additional Sound Recordist - Elizabeth Chatelain, Kevin Hinman, Ricky Rosario The theme song of Season 6 is Getting It Done by Kevin MacLeod. Additional Music MOMFG & The Drums! provided by Kevin Hinman & Magnum Opus for interludes. Music in the public domain used in this podcast: Deep Blue Sea - Clara Smith One of Battleship Potemkin's Scores - Eisenstein wanted the scores to be updated about every decade. Don Juan Soundtrack - Context on who wrote it “William Axt used two pieces that owned by Robbins-Engel, "The Fire Agitato" and "In Gloomy Forest," along with several pieces of European classical music including compositions by Richard Strauss.

Aujourd'hui nous traiterons de 3 films , Alibi.com 2 de Philippe Lacheau, La Grande Magie de Noémie Lvovsky et La Tour de Guillaume Nicloux. Pour le passé nous partons en 1929 à la découverte de Un Chien Andalou de Luis Buñuel Keaton, présenté par Adrien Milliard avec JMA , Blue et Julien. Montage : Adrien Milliard   Timecodes: Alibi.com 2 / 0:50 Spoiler Alibi.com 2 / 23:00 La Grande Magie / 35:22 Spoiler La Grande Magie / 2:10 La Tour / 53:09 Un Chien Andalou / 1:08:00 Soutenez-nous sur PayPal !

THE BOYS ARE BACK AND THEY'RE LOOKING FOR TROUBLE i'm joined by my buddies jimmy (@gripped_bulbs) and josh (@whale_defense), where we talk about jimmy's favorite movie and the alleged ALLEGED connections between serial killers and the surrealist movement i don't know man. it's the worst double feature of all time

Brandon, James, Britnee, and Hanna discuss four films that recently fell off the Sight & Sound Top 100 list, starting with Luis Buñuel & Salvador Dalí's landmark surrealist short Un Chien Andalou (1929) https://swampflix.com/ 00:00 Welcome 02:44 Resurrection (2022) 05:40 The Innocents (2022) 07:17 After Blue: Dirty Paradise (2022) 10:00 Please Baby Please (2022) 13:33 Dimension 20 15:45 The Menu (2022) 22:33 The Sight & Sound Top 100 27:40 Un Chien Andalou (1929) 44:02 The Magnificent Ambersons (1942) 1:04:18 Wild Strawberries (1957) 1:26:26 Rio Bravo (1959)

A triple feature of old, short film: A Trip to the Moon, The Great Train Robbery, and Un Chien Andalou (Ian rec “Hugo” – Adam rec “Good Time”)

The Secret Movie Club Team (Connor Lloyd Crews, Edwin Gomez, Daniel Ott, and Craig Hammill) adds their entry to the pile of conversations about essential 1929 Luis Buñuel and Salvador Dalí short, Un Chien Andalou. If you've been to film school, you've seen it! If you haven't, it's on YouTube! The Team also discusses Surrealism in film. Connor loves the hell sequence in Bill & Ted's Bogus Journey. Edwin thinks Head is amazing. Daniel admires the work of Apichatpong Weerasethakul, hates hand-ants, and reveals what he knows about P3. Craig mostly talks about his dreams and Jack Nicholson.

Depuis, 1929 et la vision surréaliste d'un œil de femme tranché au rasoir dans UN CHIEN ANDALOU de Luis Buñuel, le corps humain sur grand écran a régulièrement été, sinon mis à mal, le terrain d'expérimentations plus ou moins outrancières et d'expressions perturbantes. Désigné en 1983 comme étant un sous-genre horrifique par le journaliste Philip Brody, le body horror s'avère un des moyens d'expression les plus cathartiques qui soi : les épreuves endurées par le corps à l'écran provoquant un mimétisme et des douleurs fantômes instantanés chez la plupart des spectateurs. À l'occasion de la sortie de CRIMES OF THE FUTUR de David Cronenberg, souvent désigné contre son gré comme le maître du body horror, nous avons eu envie de revenir sur quelques propositions particulièrement marquantes qu'on pourrait, à la louche, ranger dans ce sous-genre. Volontairement, nous n'avons pas opté pour les films les plus excessivement graphiques qui peuvent se ranger sous cette étiquette. De quoi le corps est-il le temple ? Que dit-il de notre condition ? De notre évolution ? De notre rapport à la technique et à la science ? Ou plus généralement : que somatise-t-il ? Pour tenter de répondre à ces questions, nous évoquerons POSSESSION d'Andrzej Zulawski et TETSUO de Sin'ya Tsukamoto. Bienvenue dans Exposed épisode 19, consacré à CRIMES OF THE FUTURE de David Cronenberg et au body horror, un épisode enregistré à Neuchâtel dans le cadre la 21e édition du NIFFF. --- (00:00) INTRODUCTION (03:26)LES CRIMES DU FUTUR(David Cronenberg, 2022) (40:06)POSSESSION(Andrzej Żuławski, 1981) (01:05:22) TETSUO (Shin'ya Tsukamoto, 1989) (01:30:38) CONCLUSION --- Autres films évoqués : VIDEODROME (David Cronenberg, 1983), CRASH (David Cronenberg, 1996), eXistenZ (David Cronenberg, 1999), COSMOPOLIS (David Cronenberg, 2012), A DANGEROUS METHOD (David Cronenberg, 2011), FRISSONS (David Cronenberg, 1975), SCANNERS (David Cronenberg, 1981), L'HEURE DU LOUP (Ingmar Bergman, 1968), LE FESTIN NU (David Cronenberg, 1991), PERSONAL SHOPPER (Olivier Assayas, 2016), THE DEATH OF DAVID CRONENBERG (Caitlin Cronenberg & David Cronenberg, 2021), LE SYNDROME ASTHÉNIQUE (Kira Mouratova, 1989), L'HISTOIRE d'ADÈLE H. (François Truffaut, 1975), L'ANTRE DE LA FOLIE (John Carpenter, 1994),UN CHIEN ANDALOU ( Luis Buñuel, 1929), ERASERHEAD (David Lynch, 1977), HIRUKU THE GOBLIN (Shin'ya Tsukamoto, 1991), BULLET BALLET (Shin'ya Tsukamoto, 1998), GEMINI (Shin'ya Tsukamoto, 1999), KILLING (Shin'ya Tsukamoto, 2018), FIRES ON THE PLAIN (Shin'ya Tsukamoto, 2014), REFLECTIONS OF EVIL (Damon Packard, 2002), UNE PAGE FOLLE (Teinosuke Kinugasa, 1926), TETSUO 2 : BODY HAMMER (Shin'ya Tsukamoto, 1990), TETSUO: THE BULLET MAN (Shin'ya Tsukamoto, 2009), BRIDE OF FRANKENSTEIN (James Whale, 1935), RE-ANIMATOR (Stuart Gordon, 1985), BRIDE OF RE-ANIMATOR (Brian Yuzna, 1990), LA FIANCÉE DE CHUCKY (Ronny Yu, 1998), SOCIETY (Brian Yuzna, 1989), THE BRIDE WITH WHITE HAIR (Ronny Yu, 1993) --- Titre d'outro : Destruction Babies, Shutoku Mukai Exposed est un podcast animé par l'équipe de www.filmexposure.ch : Thomas Gerber, Alexandre Rallo, Jean Gavril Sluka.

Jackie and Greg take on Luis Buñuel and Salvador Dalí's surrealist cannonball from 1929 that sent shockwaves throughout the art world. Topics of discussion include the film's origins; how Buñuel miscalculated his audience; id, ego, and suppressed human emotions; and and how the dreamlike imagery literally has no meaning. Join them as they talk excitedly about eyeballs, ants, and armpit hair. With a 16-minute runtime, this is the shortest film on the Sight & Sound list!#93 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox

The voyage follows Bowie from North America to Europe on his 1976 Isolar Tour aka The Thin White Duke Tour, The Station to Station Tour and The White Light Tour. We discuss the live album Live Nassau Coliseum '76 as well as his infamous drug bust in Rochester, NY with Iggy Pop and his unconventional show opener - a showing of the 1929 film Un Chien Andalou.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that's come before or will come after, the 1989 classic Doolittle from Pixies. It's just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that's come before or will come after, the 1989 classic Doolittle from Pixies. It's just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

49 – Triple Feature (A Trip to the Moon, The Great Train Robbery, and Un Chien Andalou) (Ian rec “Hugo” – Adam rec “Good Time”) Want to suggest a film for us to review on the show? You can support us at patreon.com/1001by1. You can listen to us on iTunes, Stitcher, Spotify, & Google Play. You can find us on Facebook at facebook.com/1001by1. You can find us on Twitter at twitter.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

1929. L'intero panorama artistico globale sta per essere scosso da un vero e proprio terremoto che porta il nome di Un Chien Andalou. I giovani Luis Buñuel e Salvador Dalí, quasi senza accorgersene, hanno già rivoluzionato drasticamente tutta l'arte cinematografica. E il mio più sentito grazie va a Gianpiero Kesten del podcast Cose Molto Umane per aver prestato la sua voce e il suo tempo per la narrazione di uno dei massimi capolavori della storia del cinema.Cover: Frame da Un Chien Andalou (1929), di Luis Buñuel e Salvador Dalí. Ti piace La Storia del Cinema? Seguila anche su Instagram: bit.ly/IG_LSDC O dai il tuo sostegno al progetto: bit.ly/Patreon_LSDC Se vuoi scoprire qualcosa di nuovo SUL MONDO, ascolta Cose Molto Umane: bit.ly/CoseMoltoUmane La Storia del Cinema fa parte dell'universo di VOISLAND, il primo network di podcast italiano. Fatti un giretto su voisland.com

what were thee guys smocking???????? to subscribe to the mister movies pod cast patreon, go to https://patreon.com/mistermovies

In this first edition of the Director's Highlight series, Aric and Marisa take on selected films of the controversial juggernaut Luis Buñuel. They spotlight three memorable periods of his long career: his surrealist origins in Paris, his filmmaking in Mexico, and his great late career run of films produced in France.These eras of Buñuel's career are examined through six films: UN CHIEN ANDALOU (1929), Buñuel and Salvador Dali's surrealist experimental short, VIRIDIANA (1961), the acclaimed Palme d'Or winning critique of religous charity, THE EXTERMINATING ANGEL (1962), an absurd satire of aristocratic norms, THE MILKY WAY (1969), a spiritual road film questioning the significance of religious virtues, THE DISCREET CHARM OF THE BOURGEOISIE (1972), a film about an illogical dinner party that turns catastrophic, and THE PHANTOM OF LIBERTY (1974), a film arranged by dream-logic that passes through episodes of history. Please consider supporting this show through our Patreon!Keep up with us on Instagram and Twitter: @filmchatterpod.Check out the films mentioned in this episode on our Letterboxd.Thanks for tuning in!Powered and distributed by Simplecast

We review Un Chien Andalou (An Andalusian Dog), a short film that's widely considered the greatest short film of all time, with a 100% rating on Rotten Tomatoes.

Podcast DoarEduca, feito para divulgar notícias, dicas para o ENEM e muito mais! *Nesta edição:* População carcerária diminui, mas Brasil ainda registra superlotação nos presídios em meio à pandemia e presos adoecidos com o vírus convivem na mesma cela que os demais Dos ‘centennials' aos ‘pandemials': o futuro truncado dos jovens na América Você sabe como era feita a identificação antes da carteira de identidade? No assunto da semana, a escritora, blogueira, deficiente física e ativista pelos direitos das pessoas com deficiência, Priscila Satmam dá o papo sobre Capacitismo. E para fechar daquele naipe de sempre, a Maria Luiza indica o filme Un Chien Andalou, primeiro filme produzido por Luis Buñuel em parceria com Salvador Dalí. Esse projeto foi idealizado para que todos participem, então cola com a gente!

The podcast returns with a discussion on the 1929 surrealist classic, Un Chien Andalou. Listen in as Dustin and Mike hit the roundtable to debate the validity of art for art's sake, dream logic, and determine whether they believe the film to be a masterpiece or a museum piece. Music: "Debaser" (Pixies) Like us on Facebook Follow us on Twitter Join our Patreon Subscribe for free: itunes Stitcher

This week, Kris and Donna dive into "Un Chien Andalou" (1929), the infamous 16-minute surrealist short film made by Luis Bunuel and Salvador Dali. Also, Kris becomes a magical shit angel, George Orwell dunks hard on Salvador Dali, Freud said fingers are penises, and it turns out that people in 1920s Europe were still queer as hell.CONTENT WARNINGS: Eye Trauma, Sexual Harassment/Assault, Dead Animals, Dismembered Body Part, Insects (Ants/Moths).Got questions, comments, stories, or movie suggestions? Hit us with them at info@shtlstpod.com! Don’t forget to follow us on Twitter and Instagram @shtlstpod for all your gross movie updates!SHOW NOTES:“Un Chien Andalou (1929),” IMDB.“Un Chien Andalou,” Wikipedia.“Luis Bunuel,” Wikipedia.“Luis Bunuel,” Britannica.“Salvador Dali,” Wikipedia.“Un Chien Andalou,” Michael Koller, Senses of Cinema, January 2001.“It's Really Surreal How Salvador Dalí Was a Fascist Who Hit Women,” Lauren Oyler, Vice, October 8 2015.“Benefit of Clergy: Some Notes on Salvador Dali,” George Orwell, Penguin Books, June 1944.“Un Chien Andalou,” Roger Ebert, April 16 2000.“Surrealism, Symbols and Sexuality in Un Chien Andalou (1929) and L’Age d’Or(1930),” Sabina Stent, March 14 2014.

This week we're talking short films with Un Chien Andalou (1929) and The Sheol Express (2011).

Little bonus episode this week for Valentine's Day: Lauren Greenhall comes on to talk classic razor in the eye short film Un Chien Andalou.

In this episode of the Slice of Life Podcast, the boys talk about some crazy movies that they saw in 2020 including Wonder Woman 1984, Soul, and a throwback to the 20s with Un Chien Andalou which is a French Psychedelic surrealist film that's crazy. We also want you to follow us on Letterboxd, “isaac_john” and “Michael Meader”. We also talk about our Christmas Break including, Grinch, Jingle All the Way, White Christmas, Santa Clause, Santa Clause 2, Home Alone, Home Alone 2, Klaus, Polar Express, and Elf. --- Support this podcast: https://anchor.fm/thesliceoflife/support

The “Cinephile Cuties” are ready to start working at a fancy, little brothel. That’s because they’re chatting about Luis Buñuel’s Belle de Jour. Patrick accuses Casey of being a “Scooper.” And Casey wears a beret. Plus, they put Belle de Jour through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And they give each other notes to improve the show. Listen in to see if it’s working!  If you like this show, tell a friend! Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and on TwitterAnd follow Patrick and Casey on Letterboxd.

Falamos sobre ter Covid, erasmus em Bolonha,o dinheiro dos youtubers, entre outras coisas. Falamos também sobre filmes como Persona, Belle de Jour, Un Chien Andalou. [Episódios em vídeo disponíveis em www.patreon.com/dava1filme]

TW: Suicide and unwanted touching.

Special Drop! Our website Popculturist is live! Visit and read our stuff at www.popculturisthub.com 10:43 The first communal monkey is discussed with Chadwick Boseman's 21 Bridges 20:25 Tessa talks about the old Adam West Batman TV Show 33:20 Andy discusses the weird Un Chien Andalou 41:00 Sam finally catches up with Final Fantasy 7  Full Transcript

On the eighth episode of Shite & Sound, Finn and Uther watch ‘Un Chien Andalou' (1929), Luis Buñuel's landmark of surrealist cinema that'll make you want to wear eye protection for the rest of your life, and ‘Begotten' (1989), something that looks like a bunch of aliens made a snuff film in a desert. Salvador Dali's kooky ideas. Terrence Howard's doesn't understand maths. What would you watch with five minutes to live? Finn takes issue with a filmmaking trend and Uther threatens to fight the stars of Hollywood. See acast.com/privacy for privacy and opt-out information.

Here we go! Time to tackle another round of trivia! We have questions on Food & Drink, Literature, Science, Mythology and much more. Can you answer the following questions: What is the primary ingredient in hummus? Which Shakespeare title character says that life is "a tale told by an idiot, full of sound and fury, signifying nothing"? The document known as the Einstein-Szilard letter, drafted in 1939 and sent to President Franklin D Roosevelt, prompted action which directly led to what fateful research effort? Which famous Spanish painter made the movie "Un Chien Andalou" with Luis Bunuel? In Greek mythology, who drove away the man-eating Stymphalian Birds that plagued a lake in Arcadia? What is the name of the award for the top goalscorer of the FIFA World Cup? Don't forget to check out TriviAction! Find out more information about it here. If you enjoyed this episode, please check out another episode, may we suggest Episode 62. Music Hot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Don't forget to follow us on social media for more trivia at home: Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support! Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question! Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia - stay for the trivia. Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

That's French for "Uh, what the fuck". Un Chien Andalou (1929).

Welcome to the first episode of Roger's List! On this podcast, we're going to be watching and discussing every single film Roger Ebert wrote about in his Great Movies column! For this debut episode, we'll be going into details of our format, looking briefly at the life and work of Roger Ebert, and then discussing our first film, Luis Bunuel and Salvador Dali's seminal surrealistic short film UN CHIEN ANDALOU!  Hosted by Steve Guntli and Mikayla Nicholson Logo by Corinne Kempen Email: rogerslistpod@gmail.com Twitter: @rogerslistpodLetterboxd: rogerslistpod Next week's episode: In Cold Blood 

Welcome back to Intermission, a spin-off podcast from The Film Stage Show. In a time when arthouse theaters are hurting more than ever and there are a plethora of streaming options at your fingertips, we wanted to introduce new conversations that put a specific focus on the films that are foundational or perhaps overlooked in cinephile culture. Led by yours truly, Michael Snydel, Intermission is a 1-on-1 supplementary discussion podcast that focuses on one arthouse, foreign, or experimental film per episode as picked by the guest. For our seventh episode, I talked to Film Formally co-host, Will Ross, about Luis Buñuel's shapeshifting 1970 film Tristana, which is currently available on The Criterion Channel through June 30 and available on Kanopy and on disc. Thematically comparable to much of Buñuel's work in its broad targets, it's a vivisection of upper-crust hypocrisy and the illogical variances of social, economic, and political systems of the time. Starring Catherine Deneuve (reuniting with Buñuel after ‘67's Belle de Jour), the film revolves around the relationship of Tristana (Deneuve), a woman bound and incited by circumstance, and Don Lope (Fernando Reyes), a domineering old man defined by the many contradictions of his personality. The film itself then can be viewed as one long shifting power struggle that's both self-evident and mired in layers of false nobility, emotional sadism, and perversity. And yet, despite the similarities with much of Buñuel's filmography and its brief dalliances into unreality through its two pivotal dream sequences, Will suggested a very different approach to discussing the film–pushing back on the filmmaker's predominant reputation as a surrealist. He's resolute about Buñuel's impact on surrealism through films like Un Chien Andalou, but as Will explains in the episode, he sees Tristana as the first time he could begin to decode Buñuel. Instead of leaning on particular language, he makes a strong argument that the filmmaker's diffuse work is more a matter of nothing being wasted and a fundamental effort to buck the use of a single ideology to solve his films than a matter of surrealist trickery. This supposition served as the foundation of the episode as we discussed the many ways Tristana avoids easy avenues in representing its main characters, Buñuel's ingenuity with textures, and the misconceptions of questioning the text when its answers are laid bare. Our discussion also touches on the nature of misanthropy and its coexistence with empathy and the lack thereof. Intermission episodes are shared exclusively with our Patreon community before being posted to The Film Stage Show's main feed. One can also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. Intermission is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

How to analyse a film that is not meant to be analysed? The premise is there is no premise, only 21 minutes of surreal imagery inspired by dreams. The world-famous painter Salvador Dali co-wrote his first film, An Andalusian Dog, with his student colleague Luis Buñuel. Despite having written a screenplay, the film itself does not follow any conventional narrative structure - rather, it embraces the freedom of artistic expression with little to no structure. Welcome to surrealist cinema. Directed by Luis Buñuel. Starring Simone Mareuil, Pierre Batcheff, Luis Buñuel, Salvador Dali, Robert Hommet. This show can be listened to on Spotify, Apple Podcasts or wherever you listen to your podcasts. You can find us also on social media – Facebook, Twitter, Youtube, Instagram, and www.theflicklab.com. Hosted by Karri Ojala and Henrik Telkki. Edit by Karri Ojala. The Flick Lab theme tune by Nick Grivell.

In this weeks episode we are looking at two films directed by Yorgos Lanthimos: The Lobster (2015) and the Favourite (2018). In addition, we added a surrealist film from 1929 entitled Un Chien Andalou by Luis Buñuel and Salvador Dalí. Together we unpack surrealism and how it is displayed in all three of these films. Not only are these films projects of surrealist ideas, but also include a well known cast of actors! Olivia Coleman and Rachel Weisz appear in both of Lanthimos's films; while other famous actors such as Collin Ferrel, Emma Stone, John C. Reilly, & Nicholas Hoult make up the dynamic casts of Lanthimos’s crazy worlds. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week Mike chats to film writer and historian Pamela Hutchinson about that iconic 20 minute surreal mind fuck, Un Chien Andalou. Watch the whole film on YouTube now. In the second half of the episode Mike is joined by Mary Wild to discuss her own thoughts on this series and this sub-genre. Music by Jack Whitney.  Visit our website www.evolutionofhorror.com  You can now buy Evolution of Horror T-SHIRTS!  www.evolutionofhorror.com/shop Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER    

We’re going WAY back in time to discuss three short films listed in the book: Georges Melies’ 1902 Sci-Fi adventure “A Trip to the Moon”, Edwin S. Porter’s 1903 western “The Great Train Robbery”, & Luis Bunuel’s 1929 experimental mind trip “Un Chien Andalou”. This week, Adam talks about being a working actor and Ian doesn’t know where a crucifix goes. Also, this week Ian recommends “Hugo” and Adam recommends “Good Time” (currently on Prime).

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that's come before or will come after, the 1989 classic Doolittle from Pixies. It's just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! Say hello to @BlakeMurphyODC and @JGoldsbie as well. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that’s come before or will come after, the 1989 classic Doolittle from Pixies. It’s just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week’s podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! Say hello to @BlakeMurphyODC and @JGoldsbie as well. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today’s show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

This episode we look at the completely normal life of Salvador Dali, the second(?). We talk about his work the Apparatus and Hand, the Persistence of Memory, and the Crucifixion. We also talk about his work not with paint with Un Chien Andalou, Mae West Lips sofa, Destino, and Spellbound. Don't forget to check out My Girl My Whiskey and Me. @halfwaydocent on Instagram and Twitter. Email halfwaydocent@gmail.com.

Well hello, guys and gals. Mandy abuses the power she has over Sound Engineer Caleb HARD. We watched stuff too. I made Lucas watch "Un Chien Andalou" (1929), the Luis Buñuel and Dali masterpiece, and Lucas made me watch a comedy special I wanted to commit unalive before, during and after. It was, Dave Chapelle's "Sticks and Stones".

Our recording session was as WTF as the movies we watched. It's time for our annual WTF podcast, when we review the strange and bizarre--just in time for Thanksgiving! We kick things off with the O.G. WTF film, Luis Buñuel and Salvador Dali's 1929 surrealist classic UN CHIEN ANDALOU. Next we jump to 2006 with Michael Arias' anime adaptation of Taiyō Matsumo's manga TEKKONKINKREET and discuss the concept of yin and yang. Then we bring back podcast favorite, Rubber writer/director Quentin Depieux, with his 2014 film REALITY. At the end, we look forward to a couple of movies about iconic artists Vincent van Gogh and Frida Kahlo. --- Support this podcast: https://anchor.fm/buried-cinema/support

How have we got this far without discussing anything by the original film surrealist, Luis Buñuel? Well, today we rectify the situation and discuss not one but four films from the Spanish exile / expatriate moviemaking legend. In this episode, your hosts examine the previously promised UN CHIEN ANDALOU (1929), THE EXTERMINATING ANGEL (1962), and THE DISCREET CHARM OF THE BOURGEOISIE (1972), plus one of his more accessible films, BELLE DE JOUR (1967) with Catherine Deneuve. Among the topics for discussion: Buñuel's peripatetic life and unpopular politics, his roles in both the Surrealist and French New Wave movements, his use of dreams and the subconscious, the targets of his satire, and connections to the works of David Lynch and Last Year at Marienbad. Episode links: Luis Buñuel on IMDb Luis Buñuel on Wikipedia Surrealism on Wikipedia French New Wave on Wikipedia J. Hoberman on Buñuel's politics in The Nation Un Chien Andalou on IMDb Un Chien Andalou on Wikipedia Un Chien Andalou on YouTube Roger Ebert review of Un Chien Andalou The Exterminating Angel on IMDb The Exterminating Angel on Wikipedia Roger Ebert review of The Exterminating Angel Criterion essay on The Exterminating Angel Senses of Cinema on The Exterminating Angel The Take on The Exterminating Angel The Cinephile Fix on The Exterminating Angel Belle de Jour on IMDb Belle de Jour on Wikipedia Roger Ebert review of Belle de Jour The Discreet Charm of the Bourgeoisie on IMDb The Discreet Charm of the Bourgeoisie on Wikipedia Roger Ebert review of Discreet Charm Pauline Kael review of Discreet Charm Celluloid Wicker Man on walking in Discreet Charm The Outline on DFW and literary journalism S9E5: JOHNNY GOT HIS GUN Show links: Subscribe: Apple Podcasts Discuss: ETV Podcast Club Follow: Facebook + Twitter Archive: enterthevoid.fm

How have we got this far without discussing anything by the original film surrealist, Luis Buñuel? Well, today we rectify the situation and discuss not one but four films from the Spanish exile / expatriate moviemaking legend. In this episode, your hosts examine the previously promised UN CHIEN ANDALOU (1929), THE EXTERMINATING ANGEL (1962), and THE DISCREET CHARM OF THE BOURGEOISIE (1972), plus one of his more accessible films, BELLE DE JOUR (1967) with Catherine Deneuve. Among the topics for discussion: Buñuel's peripatetic life and unpopular politics, his roles in both the Surrealist and French New Wave movements, his use of dreams and the subconscious, the targets of his satire, and connections to the works of David Lynch and Last Year at Marienbad. Episode links: Luis Buñuel on IMDb Luis Buñuel on Wikipedia Surrealism on Wikipedia French New Wave on Wikipedia J. Hoberman on Buñuel's politics in The Nation Un Chien Andalou on IMDb Un Chien Andalou on Wikipedia Un Chien Andalou on YouTube Roger Ebert review of Un Chien Andalou The Exterminating Angel on IMDb The Exterminating Angel on Wikipedia Roger Ebert review of The Exterminating Angel Criterion essay on The Exterminating Angel Senses of Cinema on The Exterminating Angel The Take on The Exterminating Angel The Cinephile Fix on The Exterminating Angel Belle de Jour on IMDb Belle de Jour on Wikipedia Roger Ebert review of Belle de Jour The Discreet Charm of the Bourgeoisie on IMDb The Discreet Charm of the Bourgeoisie on Wikipedia Roger Ebert review of Discreet Charm Pauline Kael review of Discreet Charm Celluloid Wicker Man on walking in Discreet Charm The Outline on DFW and literary journalism S9E5: JOHNNY GOT HIS GUN Show links: Subscribe: Apple Podcasts Discuss: ETV Podcast Club Follow: Facebook + Twitter Archive: enterthevoid.fm

This week on The Spectator Film Podcast… Un chien andalou (1929) 2.1.19 Featuring: Austin, Maxx Commentary #1 begins at 29:00 Commentary #2 begins at 49:02 — Notes — Un chien andalou (1929) — Here’s the link to the version we watched online. Un Chien Andalou: French Film Guide by Elza Adamowicz — Here’s a fantastic introduction to Un chien andalou and the context in which it was made. Given the movie’s status as a cinematic landmark, there’s an abundance of accompanying scholarly work; lots of these resources can be a little convoluted – but not this book. We’ll include some relevant quotes below: On the Psychic Automatism Technique “The surrealist technique consciously adopted by Buñuel and Dalí to produce the screenplay was that automatism… They freely adopted Surrealism’s ‘recipe’ for producing an automatic text or drawing: take a blank sheet of paper or canvas, clear your mind of any preconceived theme or story, and write or draw anything that comes to mind, guarding against the intervention of reason” (9). “Buñuel and Dalí’s conscious and self-consciously mechanistic application of surrealist automatic techniques suggests a playful imitation of automatism… The claim that the script was produced quite spontaneously is further called into question when we consider Buñuel and Dalí’s extensive knowledge of the cinema, and their experience in film production (Buñuel) and painting (Dalí). Indeed the deliberate eschewing of rational discourse on the one hand, and the pastiche and playful quoting of 1920’s films on the other, suggest that the film was conceived in a dadaist spirit of pastiche and parody as much as genuine surrealist engagement with the exploration of the unconscious”(10). On Un chien andalou‘s ability to disorient the viewer “Such disruptions defamiliarize perception and destabilize the spectator, who is assaulted not only indirectly through the formal and narrative techniques enumerated above, but also quite directly, as in the violence of the eye-slitting scene… the confrontation with the female character as the active subject of the gaze. The spectator’s initial passivity – encouraged by the intertitle ‘Once upon a time’ – is violently disrupted through the literal assault on her own eye” (42) “The formal strategies of defamiliarization outlined above – the film’s ellipses and interpolated shots, its spatial incongruities, irrational associations, rhythmic structures, fragmentation – impede naturalization. As a consequence normal perception of narrative as an organizing principle – the (chrono)logical succession of events, the verisimilitude of actions and characters – is impossible, and the processes of cinematic narration are foregrounded. In Un chien andalou the absence of diegetic coherence disorients the viewer.” (42-43) “With its literal visual aggression, the opening sequence shakes the viewing subject out of her passive mode of perception. Such an assault on stable spectatorial positions disrupts the symbolic order, problematizing standard consumption of the film, and allowing the irrational to express itself. Deprived of a firm anchor in a familiar narrative, the viewer is disoriented and hence open to the poetic qualities of the film. As a consequence the mind seeks alternative forms of linking” (43)   “Un Chien Andalou” by Michael Koller from Senses of Cinema “Buñuel, Luis” by Dominique Russell from Senses of Cinema — One of Senses of Cinema‘s fantastic Great Director profiles. Visionary Film: The American Avant-Garde, 1943-2000 by P. Adams Sitney [3rd Ed.] — This is certainly one of the most insightful books ever written about movies. Regardless of your interest in Un chien andalou, we highly recommend this book. While Sitney doesn’t set out to examine Un chien andalou specifically, he discusses it alongside Meshes of the Afternoon (1943) in the opening chapter and his thoughts are fantastic.

Join us this week where we discuss our first film of the horror genre and our first under 30 mins long. Scores: Dan: 4 Will: 4

Tyler and David discuss what they've been watching, including Arctic, The Other Side of the Wind, El Paso, Un Chien Andalou, Blaze, The Amazing Race and Pawn Stars.

On the August 17, 2018 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by managing editor Jacob Hall, and writer Chris Evangelista to talk about the latest film and TV news, including an unmade Catwoman movie, a Jason Bourne tv series and are computer screen movies the future of cinema? And in The Mailbag, we'll answer a question about what you should know if you want to attend a film festival. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: Peter was gone at a Magic convention for a week and then got very sick, but is back. In The News: Chris - Here's What a ‘Catwoman' Solo Movie Starring Michelle Pfeiffer Could Have Been About Jacob - ‘Jason Bourne' Spin-Off Series ‘Treadstone' Coming to USA Chris - Timur Bekmambetov Developing 14 Computer Screen Movies, Is The Format the Future of Cinema or Is He Nuts?   In The Mailbag: Shaun K writes in: “Hello Peter and the gang,  I have a question about film festivals. My wife and I love going to the movies together. I'd list our bonafides but you don't care about that stuff and it'd just be a thinly veiled list designed to culminate in the fact that we had an awesome wedding in an art house theater. Oh darn, look at that, it slipped in there.  Anyway, every year we try to take a vacation, last year it was Disney, this year was Ireland but I've had an idea to try to go to one of the bigger cooler film festivals. The problem with that though is that I really know nothing about them. I see a lot of headlines and early reviews coming out of things like Sundance and TIFF and South By but I really have no clue on how one goes about getting tickets to such a thing or if you have to be a working media member or anything. So I'm looking for your opinions on the best festivals that we could go to as just fans of films. We aren't looking to necessarily see the next Un Chien Andalou so nothing too crazy artsy.   Now one small caveat to this is that my wife is a teacher so our only real window to go to one of these festivals is in the summer. Also, we live in Philly so if there's anything that doesn't require a cross-country flight that'd be great too. Any and all suggestions are greatly appreciated.   I love the podcast and the website, thanks so much for the hours of entertainment and information.” All the other stuff you need to know:   You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes.   /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.   You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS).   Please feel free to send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air.   Please rate and review the podcast on iTunes, tell your friends and spread the word!   Thanks to Sam Hume for our logo.

Who wears short shorts!? Join the Dead Beat Film Society as we discuss 3 short films starting with sploodge in the moon's eye, Georges Méliès descent into poverty, piracy, Thomas Edison, colonization, and the birth of sci-fi then on to slice an eyeball open, Old Anty Hands, Salvador Dalí, Luis Buñuel, masculinity, power, surrealism, the unconcious mind and armpit hair, and finally a hodge podge of egyptian mythology, the occult, sex magic, Kenneth Anger, Aleister Crowley, Bobby Beausoleil and the Manson Family, satanism, queer cinema, and good butts! Smash that play button for an in depth A Trip to the Moon, Un Chien Andalou & Lucifer Rising film analysis! (Special Guest: Ex Rated Movies) Click here to subscribe to Ex Rated Movies podcast for more great film talk!  

The boys are back in town to cover some pre- 1970's disturbing cinema. We are tackling horrors of the malformed men, Eyes without a face, Jigoku, as well as Un Chien Andalou.

This film lasts seventeen minutes, features mutilation, insects and dismemberment. Yet it is one of the most influential ever made. The post 296. Un Chien Andalou appeared first on Steven Benedict.

Paolo and Carrie are joined by Gabby Abrego to discuss Arie Posin's 2005 ensemble indie drama The Chumscrubber. Topics include: what the title means, Ralph Fiennes' dolphin-centric story arc, and an unexpected reference to Un Chien Andalou.

On this week's episode of the podcast, Un Chien Andalou. You've probably seen the poster, even if you don't recognize its origins. Un Chien Andalou is a 1929 silent surrealist short film by the Spanish director Luis Buñuel and infamous surrealist artist Salvador Dalí. The flick was Buñuel's first film and was initially released in … Continue reading Really Awful Movies: Ep 158 – Un Chien Andalou →

Did you know the original Halloween is 110 minutes long? I'm sorry, but who's got time for that noise? Maybe back in 1978 when all people had to do was homebrew beer and collect Susan B. Anthony dollars and wait in line for gas that shit would fly, but us modern folks got things to do, places to be, Pokemon to Go.   What the world needs now, is films, short films.   And we here at Tracks of the Damned are all about fulfilling your needs (hey baby, hit me up at tracksofthedamned@gmail.com ), so here we are with our 1st Annual Tracks of the Damned Short Horror Film Festival. Among the twisted sights you'll witness in these seven films are blood-drinking Barbies, cats hiding in men's bodies, nightmarish altered-states, blood soaked ventriloquist dummies, ants crawling out of hands, and James Mason losing his goddamned mind. With the help of Jim Laczkowski, Daniel Baldwin, Chris Olson, and Samm Deighan, Patrick takes you on a journey through some of the weirdest and wildest short horror films ever made, all of which you can watch right here, on the internet.    Also, a lot of animation and avant-garde this year. Just turned out that way!   The Psychotic Odyssey of Richard Chase (1999) Dream Work (2001) The Cat With Hands (2001) The Dummy (1982) The Tell Tale Heart (1953) Pixillation (1970) (scroll all the way to the bottom of the page) Un Chien Andalou (1929)   0:00 - 11:08 -  Episode Intro 11:08 - 12:51 - Psychotic Odyssey of Richard Chase intro 12:51 - 19:37 - Psychotic Odyssey of Richard Chase commentary 19:38 - 26:32 - Dreamwork Intro 26:33 - 37:33 - Dreamwork Commentary 37:34 - 40:20 - The Cat With Hands Intro 40:21 - 44:33 - The Cat With Hands Commentary 44:34 - 50:10 - The Dummy Intro 50:11 - 58:27 - The Dummy Commentary 58:28 - 1:00:35 - The Tell Tale Heart Intro 1:00:36 - 1:09:24 - The Tell Tale Heart Commentary 1:09:25 - 1:14:00 - Pixillation Intro 1:14:01 - 1:19:23 - Pixillation Commentary 1:19:24 - 1:20:55 - Un Chien Andalou Intro 1:20:56 - 1:39:12 - Un Chien Andalou Commentary 1:39:13 - 1:41:30 - Outro

This week, we took a trip to surrealist land by watching the short film Un Chien Andalou. And being as it is only 20 minutes long, we also watched The Running Man, because why not? Imagine if you will dreaming of ants coming out of your hand, but waking up to Arnold screaming in your face "GAAARHHHRHRRHRHH". Which is the true nightmare... just kidding, it's totally Schwarzenegger. Email: pleasedontpodcast@gmail.com twitter: @outerspacepod facebook: facebook.com/pdsmios   Show Notes: Un Chien Andalou Full Movie - https://www.youtube.com/watch?v=BIKYF07Y4kA The Pixies Debaser - https://www.youtube.com/watch?v=PVyS9JwtFoQ Signs Alien - https://www.youtube.com/watch?v=HeTjBPbY70Y Aaron was right! The music in the version we saw was the original music - https://www.youtube.com/watch?v=fuPDMhyGKB8 Lite Brite - https://www.youtube.com/watch?v=ObdEUA2rwGg Bang a Gong - https://www.youtube.com/watch?v=TVEhDrJzM8E Jazzercise - https://www.youtube.com/watch?v=LSvkG2xa3xs Walkman - https://www.youtube.com/watch?v=7lipckhgG5g THe Cure - https://www.youtube.com/watch?v=FoqxwFyTywI The Pointer Sisters JUMP! - https://www.youtube.com/watch?v=V5EGN3O5Rs8 Bakersfield, CA - https://www.youtube.com/watch?v=nSTKjyCbYFg Sonic's Drive-In - https://www.youtube.com/watch?v=GRr1t8IkdyU Van Damme butt shot - https://www.youtube.com/watch?v=OtN79TFjiD0 Ice-T in Tank Girl - https://www.youtube.com/watch?v=DQ4zMAbjpJk LL Cool J in Toys - https://www.youtube.com/watch?v=JcXZuVrBAfo Mick Jagger in Freejack - https://www.youtube.com/watch?v=dv8DYe9JpZw No More Lonely Nights - https://www.youtube.com/watch?v=F_DYyr6dROA Sven Ole Thorson in Mallrats - https://www.youtube.com/watch?v=dQRfWqSj3Gw Footloose - https://www.youtube.com/watch?v=Fn7d_a0pmio Francis' man servent - https://www.youtube.com/watch?v=QU_78ORxVUo Shredder's right hand man - https://www.youtube.com/watch?v=3_7_Lmcbro8 Pain: American Style - https://www.youtube.com/watch?v=uNHuI0Pw0m8 Waterworld - https://www.youtube.com/watch?v=LoSLZP0e-M4 Karate Kid 2 theme - https://www.youtube.com/watch?v=1cUx11m2ZaU Fred Meyer - https://www.youtube.com/watch?v=4vaPZZHMuNM  

A new series in which each week I read a chapter from a novel I wrote as a teenager 15 years ago, and afterwards talk about it to see how little I have changed since then. This is a story of an alien invasion taking place on Earth directly after the First World War, a mix of Blackadder Goes Forth, Independence Day, and Un Chien Andalou. Yes, those natural bedfellows. And as you can imagine, this was not a novel that was published. Here, I present the awfulness of this novel for your amusement, and you can think of it as a How To NOT write a book.  Today, we just look at the synopsis, with a bit more detail surrounding the creation Assterwork, and will jump into the first chapter in the next episode.  Please like and comment. I would very much like your support in improving this podcast, but maybe don't recommend this to your friends just yet....  

Neste episódio discuto a relação entre Cinema e Filosofia. Aqui a questão é mais do que apenas apresentar filmes que possuem teor filosófico, mas sim considerar o Cinema como uma linguagem artístico/filosófica em sua essência. Livros mencionados no episódio: O que Sócrates diria a Woody Allen – Juan Antonio Rivera O cinema pensa – Julio Cabrera Nesse episódio utilizei como sonorização trechos de áudios dos seguintes filmes: Sound of Noise (2010) Un Chien Andalou (1929) All that Jazz (1979) O fabuloso destino de Amélie Poulain (2001) Bleu (1993) Top Hat (1935)