Podcasts about Norman Corwin

Today we go back to the early days of America's participation in the war, with “Clipper Home,” an episode of “An American in England.” This short-run series aired in the summer and fall of 1942. It was written by the legendary Norman Corwin, based on his time in England, and produced by Edward R. Murrow.Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

This episode was originally released on 11/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 121, we finish our Americana mini-series by coming home for November's festivities. We'll cheer for the home team, taste the best turkey dressing, and remember what's most important with some of radio's best. —————————— Highlights: • What Can We Be Thankful For? • Thanksgiving with The Answer Man and Radio's Origin • Ken Carpenter and One Man's Family • The Columbia Workshop Relaunches • Hearts in Harmony • Damon Runyon's Football Homecoming • John Brown's Communist Troubles • Thanksgiving with Miss Brooks • Bob Bailey and Let George Do It • Thanksgiving with Ozzie and Harriet • Checking in With Bob and Ray • Have Gun Will Travel • Ending with Jean Shepherd • Looking ahead to December —————————— The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air - By John Dunning • Network Radio Ratings — By Jim Ramsburg —————————— On the interview front: • Eve Arden, Ken Carpenter, Norman Corwin, Gale Gordon, Virginia Gregg, Gloria McMillan, Carlton E. Morse and Janet Waldo spoke to Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Eve Arden, Roberta Bailey-Goodwin and Dick Joy, spoke with John Dunning for his 71KNUS program from Denver. • John Dehner spoke to SPERDVAC. For more information, go to SPERDVAC.com. • John Dehner also spoke with Neil Ross for KMPC and John Hickman of WAMU. • Ozzie Nelson spoke with Johnny Carson and James Day. • Frank Stanton spoke with CBS for their 50th Anniversary in 1977 • William Paley spoke while receiving an award on November 20th, 1958. —————————— Selected music featured in today's episode was: • Thanksgiving and Joy — By George Winston • The Holly and the Ivy — By Velvet & Voices • Simple Gifts, Pachelbel's Canon, and Autumn Stars — By Michael Silverman • The Pavane — By Steve Erquiaga

This episode was originally released on 9/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 119 we continue our Americana mini-series by bringing our appetites to the diner. We'll hear stories from some of radio's best and center ourselves around shows taking place in establishments. —————————— Highlights: • What Exactly is a Diner? • Lux Presents Hollywood • Suspense At the End of World War II • The Diner After World War II • Bill Conrad, Burt Lancaster, and The Killers • ABC Takes Friday Nights With This Is Your FBI • Frank Sinatra and His Rocky Fortune • Going Back to Gunsmoke • James Earl Jones and Theater Five —————————— The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air - By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as: • From Hash House to Family Restaurant: The Transformation of the Diner and Post-World War II Consumer Culture — By Andrew Hurley from The March 1997 Journal of American History. And other articles from: • Paste Magazine • Smithsonian Magazine —————————— On the interview front: • Parley Baer, Conrad Binyon, Norman Corwin, and Lurene Tuttle spoke to Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Parley Baer, Jerry Devine, Lawrence Dobkin, Fred Foy, and Bob Maxwell, were with SPERDVAC. For more information, go to SPERDVAC.com. • William Spier spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear this full interview at Goldenage-WTIC.org. • John Dehner was with Neil Ross for KMPC. • Frank Sinatra spoke with Arlene Francis, Walter Cronkite, and Larry King. • William Conrad with Chris Lambesis. • Norman Macdonnell with John Hickman of WAMU for his Gunsmoke documentary. —————————— Selected music featured in today's episode was: • Theme From A Summer Place — By Percy Faith • I've Got The World on a String and Why Try To Change Me Now — By Frank Sinatra • The Venice Dreamer Pt1 and 2 — By George Winston • Across the Alley from the Alamo — By The Mills Brothers

Celebrate the 234th anniversary of the Bill of Rights and the historic December 15, 1941, radio broadcast of We Hold These Truths with a live performance and radio event at Town Hall Seattle. Known as the poet laureate of American radio, Norman Corwin wrote We Hold These Truths months before its original airing. But after the attack on Pearl Harbor on December 7, the program—created to honor the Bill of Rights on its 150th anniversary—took on new emotional depth and national significance. This production commemorates both the Bill of Rights and Corwin's landmark broadcast, featuring a cast of prominent local broadcasters and public figures. Feliks Banel is an award-winning broadcaster and historian based in Seattle. Presented by Town Hall Seattle, SPACE 101.1 FM, and Cascade of History.

Same Time, Same Station 03/15/2026 Jimmy Stewart Part 4. “Screen Guild Theater” 03/12/1939 Ep010 Tailored By Toni. Spring Byington, Edward Everett Horton, Carol Lombard, James Stewart. “Plays For Americans” 03/15/1942 (07) A Letter At Midnight With Lieutennant James Stewart. Written and Directed by Arch Oboler. “We Hold These Truths” 12/15/1941 ( Special Broadcast) written by Norman Corwin on the 150th Anniversary of the Ratification of The Bill Of Rights. CBS. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

Same Time, Same Station 03/15/2026 Jimmy Stewart Part 4. “Screen Guild Theater” 03/12/1939 Ep010 Tailored By Toni. Spring Byington, Edward Everett Horton, Carol Lombard, James Stewart. “Plays For Americans” 03/15/1942 (07) A Letter At Midnight With Lieutennant James Stewart. Written and Directed by Arch Oboler. “We Hold These Truths” 12/15/1941 ( Special Broadcast) written by Norman Corwin on the 150th Anniversary of the Ratification of The Bill Of Rights. CBS. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

This episode was originally released on 5/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 115, we focus on one of the last experimental programs on the air, The CBS Radio Workshop, and the man at its Hollywood helm, William Froug. We'll listen to episodes, hear interviews with men and women known and unknown, and find out why this show was so critically acclaimed in its day. —————————— Highlights: • Who is Bill Froug and what does he do? • What do Norman Corwin, Orson Welles, Ray Bradbury, Burgess Meredith, and Bernard Hermann have in common? • Network radio in 1936 • Network radio in 1956 • The CBS Radio Workshop is revived • Season Of Disbelief & Hail And Farewell • A Report on ESP • Subways Are For Sleeping • Winding down the Workshop • Looking ahead to Monitor —————————— The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: On the Air - By John Dunning As well as articles from: Broadcasting Magazine The New York Daily News —————————— On the interview front: • Lilian Buyeff, Don Diamond, John Dehner, Lawrence Dobkin, Bill Froug, Jack Johnstone, Byron Kane, Elliott Lewis, and Peggy Webber were with SPERDVAC. For more information, go to SPERDVAC.com. • Norman Corwin, Virginia Gregg, Carlton E. Morse, Alan Reed, and Russell Thorson spoke with Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Bill Robson spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear this full interview at Goldenage-WTIC.org. • William Paley spoke while receiving a citation in November of 1958. • Ray Bradbury was interviewed by Jerry Haendiges in October of 1976. —————————— Selected music featured in today's episode was: • Don't Fence Me In — By Bing Crosby and The Andrews Sisters • February Sea — By George Winston • Heartbreak Hotel — By Elvis Presley • Seance on a West Afternoon — By John Barry

Today we go back to the early days of America's participation in the war, with “Home is Where You Hang Your Helmet,” an episode of “An American in England.” This short-run series aired in the summer and fall of 1942. It was written by the legendary Norman Corwin, based on his time in England, and produced by Edward R. Murrow.Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.  

Merry Christmas Day, everyone! Today we're presenting one of the most unusual Christmas broadcasts ever aired: Norman Corwin's 1942 CBS play, The Plot to Overthrow Christmas. Told as a darkly comic rhyming fantasy, the story opens in Hades, where history's greatest villains plot to wipe out Christmas once and for all. Their scheme sends Nero himself to the North Pole with orders to eliminate Santa Claus, but what follows is an unexpected and surprisingly moving turn toward redemption, sparked by the spirit of the season and the gift of a Stradivarius violin. Equal parts fantasy, poetry, and wartime artifact, this broadcast is a rare Christmas story that balances wit, wonder, and the enduring belief that even the darkest hearts can be changed. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

This episode of CASCADE OF HISTORY features a live broadcast of a performance of “We Hold These Truths," a radio play written by Norman Corwin and originally performed on December 15, 1941 to commemorate the 150th anniversary of the ratification of the Bill of Rights. This live broadcast was performed before a live audience at Town Hall Seattle on December 15, 2025 - the 234th anniversary of the Bill of Rights. The 2025 cast featured Frank Abe; Enrique Cerna; Lisa Craze Brooks; Jim Dever; Mike Fuller; Heather Hirotaka; Naomi Ishisaka; Stephanie Johnson-Toliver; John Maynard; Dave Ross; Ken Workman; Bill Yeend; and Ken Zick. Live sound effects were designed and performed by Curtis Takahashi. Live music was arranged and performed by Silas Berlin. Sound engineering for Town Hall was by Rob Witmer. Town Hall production by Lillian Cantwell. Special thanks to Aisha Shah and all the staff, volunteers and donors who support Town Hall Seattle for agreeing to host this performance. Special thanks to SPACE 101.1 FM's Eric Zappa, Mark Patterson and Mitch Etter for their support of live remote broadcasts such as this, and to Mitch, especially, for running the mixing board back at the station for this show. This LIVE broadcast of CASCADE OF HISTORY was originally presented at 7:30pm Pacific Time on Monday, December 15, 2025 via SPACE 101.1 FM and gallantly streaming live via www.space101fm.org from historic Town Hall Seattle on First Hill on the edge of downtown. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

One week after the Japanese attack on Pearl Harbor, the combined radio networks broadcast a celebration of the 150th anniversary of the ratification of the Bill of Rights on December 15, 1791.  The all-star broadcast cast was impressive --  Edward Arnold, Lionel Barrymore, Bob Burns, Walter Brennan, Walter Huston, Marjorie Main, Edward G. Robinson, Jimmy Stewart, Rudy Vallee, and Orson Welles, and scripted by Norman Corwin.  For a few hours, there was doubt the long planned program would not air because of Pearl Harbor.  But a one sentence reply from President Roosevelt's office said it all -- "The President thinks it's more important now than ever to proceed with the program."Enjoy this celebration of America.  

This week on Sunday Night Playhouse, Vintage Classic Radio presents Norman Corwin's sharp and spirited 1944 holiday classic, "The Plot to Overthrow Christmas". In this witty rhymed fantasy, a council of history's great villains meets to hatch a plan to destroy Christmas itself. Corwin uses humour and imagination to take aim at tyranny and the forces that thrive on fear, cruelty, and authoritarian power. It's a clever, fast-paced Christmas tale with an unmistakable wartime message: joy, freedom, and human decency are worth defending.

Today we go back to the early days of America's participation in the war, with “Cromer,” an episode of “An American in England.” This short-run series aired in the summer and fall of 1942. It was written by the legendary Norman Corwin, based on his time in England, and produced by Edward R. Murrow.Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.  

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is author and radio historian Michael C. Keith. He's a retired academic, and prolific author and editor of fiction and non-fiction. Among his titles are the iconic text book THE RADIO STATION, and the collection of essays RADIO CULTURES: THE SOUND MEDIUM IN AMERICAN LIFE. Michael C. Keith also worked closely with the late Norman Corwin, American radio playwright and author, and the man responsible for WE HOLD THESE TRUTHS. WE HOLD THESE TRUTHS was a live broadcast on all four American radio networks on December 15, 1941 - just eight days after the attack on Pearl Harbor - marking the 150th anniversary of the ratification of the Bill of Rights. CASCADE OF HISTORY will be presenting WE HOLD THESE TRUTHS live from, and in partnership with, Town Hall Seattle and live on SPACE 101.1 FM on December 15, 2025 at 7:30pm Pacific Time. We spoke with Michael C. Keith on November 13, 2025 in order to provide some history context in advance of the 2025 production. For more information about attending WE HOLD THESE TRUTHS at Town Hall Seattle: https://townhallseattle.org/event/we-hold-these-truths/ CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

On this episode of The Good Old Days of Radio Show, we are bringing you a powerful World War II–era broadcast from March 14, 1944: “The Long Name None Could Spell,” part of the Columbia Presents Corwin series. Written, directed, and produced by Norman Corwin, this dramatic program is a heartfelt tribute to Czechoslovakia after its betrayal and breakup following the 1938 Munich Agreement. Featuring narration by Martin Gabel and commentary from journalist William L. Shirer (who later wrote the famous book “The Rise and Fall of the Third Reich”), the broadcast captures the intense emotion, patriotism, and moral conviction of wartime America. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

This episode was originally released on 6/1/2020. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 104 we focus on Orson Welles' radio career from Pearl Harbor through the end of radio's peak, and pick up where we left off in Breaking Walls episode 79. —————————— Highlights: • Orson Returns to Radio In the Fall of 1941 • The Magnificent Ambersons Enters Productions • December 7th, 1941 • Orson and Norman Corwin Collaborate • Orson is Named Pan-American Goodwill Ambassador • It's All True and Brazil • Problems with RKO • Endings Changed, Others Destroyed • Orson gets fired—Returns to the United States in the fall of 1942 • Ceiling Unlimited And Hello Americans • Jane Eyre • Jack Benny Gets Sick, Orson filles in as host • The Mercury Wonder Show • Rita • Marriage, again • Busy Radio Days in 1944 • The Orson Welles Almanac • Campaigning for FDR • Donovan's Brain • D Day • Election Day—1944 • Rita and Orson meet Rebecca • Christmas 1944 • This is My Best • Our President is Dead • More Collaborations with Corwin • The War Ends • The Stranger • Around the World in Eighty Days • The Mercury Summer Theater • The Lady From Shanghai • Divorce • Macbeth • Europe and the end for Welles on American radio —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • Citizen Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • On the Air — By John Dunning • Discovering Orson Welles by Jonathan Rosenbaum • Orson Welles on the Air, at OrsonWelles.Indiana.edu • Wellesnet.com. —————————— On the interview front: • Orson Welles was with Peter Bogdonavich, Dick Cavett, Johnny Carson, Merv Griffin, Leslie MeGahey, Dinah Shore, and Huw Wheldon. • Byron Kane and Jeanette Nolan were with SPERDVAC, the Society to Preserve and Encourage Radio Drama, Variety, and Comedy. For more information, please go to SPERDVAC.com • Norman Corwin was with Chuck Schaden. Hear the full chat at SpeakingofRadio.com. • Howard Duff was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear their full chat at Goldenage-WTIC.org. • Robert Wise was with Leslie MeGahey. • Jack Benny spoke with Jack Carney. • Lurene Tuttle spoke with Same Time, Same Station in 1972. • Agnes Moorehead was with Dick Cavett in 1973. —————————— Selected music featured in today's episode was: • Perfida — By Jimmy Dorsey and his Orchestra • The Klezmer's Wedding — By Andre Moisan • The Third Man — By Anton Karas • Hooray for Hollywood — By Don Swan • The Battle Cry of Freedom — By Jacqueline Schwab • Star of Bethlehem — Conducted by John Williams

We have an extended episode of the podcast for you today. It's a rare, full 90-minute CBS broadcast from October 1945 called Stars in the Afternoon. This previously uncirculated broadcast originally aired live from Carnegie Hall, and was a special, designed as a big promotional preview for CBS's fall lineup. Produced by Norman Corwin, you'll hear snippets and appearances from popular shows of the day, including The Aldrich Family, Inner Sanctum, We the People, Take It or Leave It, and The Thin Man. It's a fascinating time capsule from the golden age of radio, and gives a real picture of what radio entertainment sounded like in 1945. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

The news stories of Victory in Japan day, August 14, 1945, 80 years ago. In addition we hear the Fred Waring show from August 14, 1945 with a live shortwave report from Jack Benny in Europe.  Then Command Performance, from August 14, 1945, Victory Extra.  The program begins with a prayer by Ronald Colman, followed by "Ave Maria," sung by Rise Stevens. Bing Crosby hosts the show as Bob Hope is in Europe.  Performers included Rise Stevens, Dinah Shore, Bette Davis, Jimmy Durante, Jose Iturbi, Lionel Barrymore, Marlene Dietrich, Burgess Meredith, Ginny Simms, Frank Sinatra, Janet Blair, William Powell, Harry Von Zell, Lucille Ball, The King Sisters, Cary Grant, Robert Montgomery, Loretta Young, and Lena Horne.We close with Fourteen August as broadcast on CBS August 14, 1945.  A moving and dramatic anti-war reading written on short notice by Norman Corwin and read by Orson Welles.  

This episode was originally released on 9/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 95, we go back to school with radio's teacher's pets, class clowns, and perhaps the most iconic “Miss” in radio history. —————————— Highlights: • How William Paley used The Columbia Workshop to launch shows and careers. • Suspense Moves to Hollywood and Gets Sponsorship • The Radio Rise of Eve Arden and the Launch of Our Miss Brooks • The NBC University Theater dramatizes a Washington Irving Classic • The New Mr. and Mrs. Ronald and Benita Colman Show • Johnny Dollar Investigates a Suspicious Schoolhouse Fire • Theater Five saves a Nursery • All Hallow's Eve —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • The Who Is Johnny Dollar Matter — by John C. Abbott • On The Air — By John Dunning • Network Radio Ratings, 1932-53 — by Jim Ramsburg As well as articles from: • Broadcasting Magazine - April 27th, September 14th, and November 30th 1964, as well as January 4th, January 11th, and June 28th, 1965. • Radio Daily - September 30th, 1949 • Sponsor Magazine - September 2nd, 1952 —————————— On the interview front: • SPERDVAC was with Jack Johnstone, Al Lewis, Jeanette Nolan and Elliott Reid—For more information, please go to SPERDVAC.com. • Chuck Schaden interviewed Eve Arden, Parley Baer, Ken Carpenter, Norman Corwin, Gale Gordon, Jack Haley, Agnes Moorehead, Russell Thorson, and Willard Waterman. Hear their full chats at SpeakingofRadio.com. • Hans Conried, William N. Robson, and William Spier were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. These interviews can be heard at GoldenAge-WTIC.org. • Eve Arden, Roberta Goodwin Bailey, and E. Jack Neuman were with John Dunning for 71KNUS. • Elliott Reid was with Frank Bresee and Walden Hughes on October 14th, 2002 and Don Quinn was interviewed by Owen Cunningham in 1951. —————————— Selected Music featured in today's episode was: •I Wonder Why - by Dion and the Belmonts • Pyramid of the Sun - by Les Baxter • Moon - by George Winston • The Look of Love - by Billy May and his Orchestra • Young at Heart - by Frank Sinatra • I'll be Seeing You - by the Harry James Band • Spooky - by Dusty Springfield ——————————

Today we are presenting a rare, previously unbroadcast recording of a Pacific Pioneer Broadcasters (PPB) luncheon from November 15, 1974, honoring renowned radio writer and director Norman Corwin. This two-hour recording features speeches and anecdotes from numerous prominent figures in radio, television, and film, such as Hans Conried, Lynn Murray, Perry Lafferty, Elliot Lewis, Ray Bradbury, Stan Freberg, and William Shatner, all celebrating Corwin's influence and the "golden age of radio." The episode concludes with Corwin's acceptance speech and his plea for a revival of live radio drama. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

This is the final week in our mini-tribute to writer/director/producer Norman Corwin. Today we are bringing you  a special broadcast, "God and Uranium," originally aired on August 19, 1945. This historical recording showcases the commemorative writings of Norman Corwin, presented by Orson Welles and Olivia de Havilland, reflecting on VE and VJ Days and the implications of the atomic bomb. The broadcast emphasizes the end of World War II, the sacrifices made, and the need for continued vigilance and effort to secure a lasting peace, contrasting the rapid declaration of war with the slower, more complex pursuit of peace. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Today on our shorter-than-usual episode we have a rare rehearsal recording of "The Pursuit of Happiness," a radio program written by Norman Corwin and starring Charles Laughton and Elsa Lanchester from December 8, 1939, showcasing Laughton's performance and even capturing a moment where he realizes he is missing script pages, providing a unique glimpse into the unscripted reality of radio rehearsal. And John tells a story about the loss of countless 1930s radio transcriptions from the CBS network.  Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Continuing our short tribute to radio writer/director/producer Norman, we present an episode of "Columbia Presents Corwin," features Charles Laughton and Elsa Lanchester in a Corwin comedy about Charles E. Gumpert, a seemingly ordinary man who experiences sudden, dramatic personality shifts, believing himself to be various historical figures like Niccolo Paganini, Julius Caesar, Sigmund Freud, and even Samson. These transformations lead to bizarre and humorous situations, causing chaos for his wife, Elsa, who struggles to cope with his constantly changing identities. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Today it's our annual Independence Day episode. This year, we are bringing you a rare chance to hear a rehearsal recording of Norman Corwin's famous "We Hold These Truths" program, originally aired on December 15, 1941, shortly after the attack on Pearl Harbor. This newly discovered audio was recorded two days prior to the live broadcast and features different actors in key roles, along with the notable absence of President Franklin D. Roosevelt's intended closing remarks. The program itself is a dramatic exploration of the Bill of Rights, tracing its creation and its enduring significance through historical reenactments, debates, and reflections on its continued relevance in 1941, emphasizing its role in safeguarding American liberties during a time of national crisis. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Today in our tribute to Norman Corwin, we're bringing you his 1939 Columbia Workshop production, "Seems Radio is Here to Stay." The broadcast is a poetic exploration of the nature and reach of radio, celebrating its ability to connect people across vast distances and its multifaceted role in society, including news, entertainment, and the work of countless individuals behind the scenes. The program features narration and excerpts of a performance, including a scene from Shakespeare's Hamlet, and emphasizes radio's capacity to bring diverse voices and content to a wide audience.  Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Today we bring you a lovely radio show from the series "Columbia Presents Corwin," in Norman Corwin's work titled "Daybreak," which stars actor Ronald Coleman. This is the second performance from July 10, 1945,  repeat of a highly regarded radio play written in the early 1940s, known for its poetic style. The central segment of the broadcast is the radio drama "Daybreak" itself, which chronicles the journey of dawn as it circles the globe, depicting various scenes and locations as daylight arrives.  Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

We continue to feature programs written, directed, and produced by Norman Corwin. Today's episode shows not only the strong poetic touch of Corwin, but integrates it with music, as sung by folk great Burl Ives. It is the historical drama and folk cantata, "The Lonesome Train," which recounts the journey of Abraham Lincoln's funeral train after his assassination. Film buffs will recognize Raymond Massey (Abe Lincoln in Illinois) reprising his iconic role of Abraham Lincoln. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

We continue our short series dedicated to writer/director/producer, Norman Corwin, with an episode of The Fred Allen Show that is not broadly in circulation, originally broadcast on May 14th, 1944, with Corwin as special guest. Allen does a satirical adaptation of the Jack and Jill nursery rhyme presented in Corwin's dramatic style. The second half of the discs were badly damaged, but worth presenting, as it is the only time we know of that Allen and Corwin ever appeared together. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

This podcast is dedicated to showcasing the very best of vintage radio, and with that effort in mind, for the next few weeks we will be highlighting the work of writer/director/producer Norman Corwin. These days he's not exactly a household name, but once you hear his work from the '30s, '40s, and '50s, you will understand why he was so influential. We're kicking things off with a Corwin program from 1939 called "So This Is Radio," which offers an in-depth look at the various roles and processes involved in creating a radio broadcast. Following this, you will get to hear these radio techniques put into practice with one of Corwin's famous radio plays "Unity Fair" from 1945, featuring Groucho Marx.  Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Carmilla is invited to stay with Helen and her father after she and her mother crash near Laura's manor. The girls become fast friends, but Helen's father becomes increasingly apprehensive about their relationship.To download, right-click here and then click SaveJoin the Journey Into Patreon to get extra episodes and personal addresses, plus other extras and rewards.Joseph Sheridan Le Fanu, popularly known as J. S. Le Fanu, was an Irish writer of Gothic literature, mystery novels, and horror fiction. Considered by critics to be one of the greatest ghost story writers of the Victorian era, his works were central to the development of the genre during the late 19th and early 20th centuries.Lucille Fletcher was an American screenwriter of film, radio and television. Her most notable credits include 1) "The Hitch-Hiker," an original radio play written for Orson Welles, and adapted for The Twilight Zone television series, and 2) "Sorry, Wrong Number," one of the most celebrated plays in the history of American radio, which she adapted and expanded for the 1948 film noir classic of the same name.Columbia Workshop was a radio series that aired on the Columbia Broadcasting System from 1936 to 1943, and returning in 1946–47. Over its run, the program was directed by Irving Reis, William N. Robson, and Norman Corwin.Theme music: Liberator by Man In SpaceTo comment on this or any episode:Send comments and/or recordings to journeyintopodcat@gmail.comPost a comment on Facebook here, or on X here

Today we have “On a Note of Triumph,” a special presentationwritten by Norman Corwin for CBS. It celebrates theAllied victory in Europe. It first aired on May 8, but was rebroadcast several times during the month of May. Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

Fibber McGee and Molly. October 11, 1937. Red net. Sponsored by: Johnson's Wax. Chicago origination. A fun visit to the Wistful Vista auto show. Possibly Harold Peary's first appearance on the program. Jim Jordan, Marian Jordan, Harlow Wilcox (announcer), Ted Weems and His Orchestra, Elmo Tanner (whistler), Perry Como (vocal), Bill Thompson, Harold Peary, Hugh Studebaker.  The Columbia Workshop. May 04, 1941. CBS net. "Radio Primer". Sustaining. A funny look at the radio industry from A to Z. The first program of "Twenty-Six By Corwin.". Norman Corwin (writer), Everett Sloane, Frank Gallop.Mr. and Mrs. Blandings. May 13, 1951. NBC net. Sponsored by: Trans World Airlines. Mr. Blandings tries so hard not to forget his anniversary, that he remembers it a week too soon. Part of one of the commercials has been deleted. Cary Grant, Betsy Drake (performer, writer as "M. Winkle"), Warren Lewis (director), Don Stanley (announcer), Alan Reed, Eric Hodgins (creator).Barrie Craig, Confidential Investigator. October 17, 1951. NBC net. "The Judge and The Champ". Sustaining. Al White, a crusading columnist, is murdered after threatening to expose a fixed fight and political corruption. William Gargan, Santos Ortega, Don Pardo (announcer), Frank Kane (writer), Edward King (director). The Black Museum. 1952. Program #6. Syndicated, WRVR-FM, New York aircheck. "The Blue .22". Sponsored by: Participating sponsors. Vivian is a woman scorned, and she has a little blue pistol. The date is approximate. Syndicated rebroadcast date: October 23, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 2000 Plus. October 10, 1951. Mutual net. "The Rocket and The Skull". Sustaining. The most important man in the country's race to the Moon is wounded in a plane crash...and starts to hear strange messages to Mars! This program has also been dated September 6, 1950. Arnold Robertson, Emerson Buckley and His Orchestra, William Griffis, Sherman H. Dreyer (creator, producer), Robert Weenolsen (producer), Gregory Morton, Nat Polen, Merril E. Joels, Elliot Jacoby (composer), Walt Shaver (sound), Adrian Penner (sound), Bob Albright (engineer), Ken Marvin (announcer). TOTAL TIME: 2:52:41.832SOURCES: Wikipedia and The RadioGoldindex.com

Drama on the 80th anniversary of V-E Day. First a look at the events of the dayThen On a Note of Triumph, originally broadcast May 8, 1945, 80 years ago. An excellent V-E Day production making full use of the creative medium of radio.  Norman Corwin's drama brought to life by the underrated Martin Gabel.  Followed by The NBC University Theater, originally broadcast May 8, 1949, 76 years ago, The Red Badge of Courage starring John Agar. Graphic descriptions of the carnage found on Civil War battlefields, told by a boy plagued by fear but with a "red badge of courage."Finally, The House of Mystery, originally broadcast May 8, 1945,  80 years ago, The Monster in the Lake. Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Ochenta años después de su histórica emisión, Onda Cero presenta la primera adaptación en español de On a Note of Triumph, el mítico programa de radio escrito y dirigido por Norman Corwin que la cadena CBS emitió el 8 de mayo de 1945, en pleno Día de la Victoria en Europa.

En este programa de radioficción escucharemos una serie de fragmentos seleccionados del nuevo podcast de Onda Cero, 'Viento de Triunfo' una traducción al español narrada y dirigida por Carlos Alsina, del programa radiofónico de "On a Note of Triumph", dirigido originalmente por Norman Corwin y emitido el 8 de mayo de 1945, en pleno Día de la Victoria en Europa.

Ochenta años después de su histórica emisión, Onda Cero presenta la primera adaptación en español de On a Note of Triumph, el mítico programa de radio escrito y dirigido por Norman Corwin que la cadena CBS emitió el 8 de mayo de 1945, en pleno Día de la Victoria en Europa. En Viento de triunfo, Carlos Alsina recupera aquel libreto inolvidable —con la música original de Bernard Herrmann— para ofrecer una versión fiel en tono, forma y espíritu. Más que un homenaje a la victoria, es una reflexión profunda sobre el coste de la guerra, la memoria colectiva y el papel de Estados Unidos en el nuevo orden mundial. Un especial sonoro con alma de documental y textura de archivo, en el que han participado más de 40 profesionales de Onda Cero, y que revive uno de los momentos más impactantes de la historia de la radio. Porque en 1945, la radio fue mucho más que un medio: fue la conciencia de un país.

This episode was originally released on 6/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ Question? What do starlets Marlene Dietrich, Kay Thompson, Margaret Sullivan, and Loretta Young have in common? How about writers and directors Norman Corwin, Helen Deutsch, and Bill Spier. How about Danny Kaye, Mel Allen, Gerald Mohr, Elliot Lewis, Byron Kane, Lurene Tuttle, Paula Winslowe, Joseph Kearns, and Arthur Q. Bryan? Answer: They guest-starred, grew, or launched their careers on CBS's Forecast! Forecast was a summer replacement series for the Lux Radio Theatre which ran for two seasons in 1940 and 1941. It ushered in an era of show pilots for public viewing and helped give rise to countless actors, writers, and directors, as well as two huge shows: Suspense & Duffy's Tavern. On Breaking Walls Episode 80, we present an in-depth look at Forecast featuring interviews, insights, and episode moments. Highlights: • Why would Forecast have come to the airwaves in the first place? • Hear CBS head William S. Paley's insights on programming • How Alfred Hitchcock helped launch the famed mystery show, Suspense • Bill Spier: Music critic, turned producer and director of mystery • How Elliott Lewis got his start on Forecast • Mel Allen & Duffy's Tavern: Where the Elite Meet To Eat • Norman Corwin's Two pieces for Forecast that helped catapult his career • How radio actor Byron Kane got his first role on Forecast • Jim Backus & the Class of 1941 * Hopalong Cassidy • The Country Lawyer: One of the most experimental radio broadcasts of its time • An all african-american jubilee to close Forecast The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. Featured in today's episode were interviews with: • Bill Spier and Mel Allen for Dick Bertel & Ed Corcoran's WTIC Golden Age of Radio program, who's episodes can be found at GoldenAge-Wtic.org • Elliott Lewis and Byron Kane, for the Society to Preserve and Encourage Radio Drama, Variety, and Comedy, which can be found at SPERDVAC.com • and Jim Backus and Norman Corwin with Chuck Schaden, who's interviews can be streamed for free at SpeakingofRadio.com. Norman Corwin was also interviewed by Michael James Kacey for his DVD The Poet Laureate of Radio: An Interview with Norman Corwin, which you can pick up on Amazon. Selected Music featured in today's Episode was: • My Blue Heaven by Glenn Miller • Begin the Beguine & Stardust by Artie Shaw • Alcolba Azul, by Elliot Goldenthal The Battle Cry for Freedom by Jaqueline Schwab for the Civil War, by Ken Burns Falling played by Michael Silvermann • Catch a Falling Star, by Perry Como

Take a short walk into deep radio history. Julia Barton and Sarah Montague join Rob to talk about two audio storytelling classics from the 1930s: "Seems Like Radio Is Here to Stay," an homage to radio by Norman Corwin, and the anti-fascist play "The Fall of the City," by Archibald MacLiesh. Old school radio at its best!

Remembering the events of December 7, 1941 and the attack on Pearl Harbor.First a look at the events of the dayThen a number of the early reports and analysis of the first hours after the attacks on Pearl Harbor and Manila, at the time an American Territory. Then CBS World News Today with shortwave reports and news from John Daly and Elmer Davis on the attacks.  That is followed by news and commentary from NBC's HV Kaltenborn, all from December 7, 1941, 83 years ago.  Next, The Gulf Screen Guild Theater, originally broadcast December 7, 1941, 83 years ago, Between Americans.  A sound portrait of our country, starring Orson Welles and written by Norman Corwin.  Followed by This is your FBI, originally broadcast December 7, 1945, 79 years ago, Pearl Harbor. A program marking the 4th anniversary of the Japanese attack on Pearl Harbor. The story of how the FBI protected the security of America before and after the attack, through the FBI's "years of preparations."Finally Jonathan Thomas and his Christmas on the Moon, originally broadcast December 7, 1938, 86 years ago, Jonathan Has Fallen Under the Witches Spell.  Jonathan Thomas falls off Gorgonzola The Horse, and is fated to sleep for a long, long time. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

We've featured some Norman Corwin dramas here in the past (links in the description). Corwin was particularly noted as one of radio's most literary figures. He was certainly known for some hard-hitters, but did some light scripts, such as this one. Of course, having a reputation to uphold, he could not settle for anything easy, and so you have the entire thing written in verse. The cast is impressive: Vincent Price, Groucho Marx, Robert Benchley, Keenan Wynn, Sylvia Sidney, and Norman Lloyd. And you will probably be thinking in verse for awhile after listening to this, so we apologize for that. Other Norman Corwin plays we've featured: https://goodolddaysofradio.podbean.com/e/episode-78-on-a-note-of-triumph/ https://goodolddaysofradio.podbean.com/e/episode-88-we-hold-these-truths/ https://goodolddaysofradio.podbean.com/e/episode-95-the-best-of-lucille-fletcher-my-client-curly/ Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Support Breaking Walls at https://www.patreon.com/thewallbreakers Well, we're back where we started, but we're not the same. I mentioned at the beginning of this episode that when you run on the treadmill to oblivion, you don't always go where you want, but you get in shape doing it. When I began Breaking Walls ten years ago I envisioned it as a sit-down interview show. Over time it slowly morphed into on the scene reporting, and eventually a history of U.S. Network Radio Broadcasting. When I made this programming switch permanent in February of 2018 I didn't know how long I'd be able to keep it up. In many ways these documentaries have been a means of teaching myself the business of broadcasting in order to use the past to inform the present. They've also been about teaching myself how to be a good writer, sound designer, and narrator. My life has undergone many changes in the past six and a half years. I now have paid work in the world of audio thanks to Breaking Walls. This paid work is encroaching upon my time and honestly, it's paid. It needs to be a priority. This is a long-winded way of saying that I need to take a break from the treadmill. So, for the next three months Breaking Walls is undergoing a change. Don't worry! I'm still going to put out new content. You'll still see an episode 156 of Breaking Walls, which, incidentally, will feature shows from Halloween 1944. Rather than contain my narration and sound design as one giant documentary, they'll be standalone radio shows with the usual information written into the description of each track. I'm also going to continue to post the Breaking Walls archives to Youtube, and post additional content on Patreon.com/TheWallBreakers. On Patreon the next episode will drop early as one giant playlist of shows. I've been on the fence about how and when to pause. Eighty months is a long time to run on any treadmill without a break. Given that this was the tenth anniversary of the launch of Breaking Walls, I feel like it's a good time to give myself that break. You never know, when you close one door — even temporarily like this is — what good things can come in through a window or a side. My plan is to come back to documentary-style episodes of Breaking Walls on January 1st, 2025. (Half Pause) The reading material used in today's episode was: • On The Air — By John Dunning • Gleason's Second Honeymoon — By Pete Hammil • The Great One: The Life and Legend of Jackie Gleason — By William A. Henry • Network Radio Ratings — By Jim Ramsburg As well as articles and features from • Broadcasting Magazine • Ephemeral New York • The Library of Congress • Naval History and Heritage Command • The New York Times • The Sydney Morning Herald (Half Pause) On the interview front: • Don Ameche spoke with Chuck Schaden. Hear this full chat at Speakingofradio.com. • Mel Allen and Edgar Bergen spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Norman Corwin spoke with John Dunning for his 71KNUS program from Denver. • Bob Hope spoke with Dick Cavett • Gene Tierney spoke with Mike Douglas • Fred Allen spoke with Tex McCrary and Jinx Falkenburg (Half Pause) I'd like to thank Chuck Schaden, the late Dick Bertel, the late John Dunning, and SPERDVAC. Without these people and their tremendous work I'd never have been able to do a single episode of Breaking Walls. I'd also like to thank Dr. Joseph Webb for opening the door for me into this world.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Norman Corwin. The piece of his, which Orson Welles is narrating, that you've heard thus far throughout this episode of Breaking Walls, is “New York: A Tapestry For Radio.” The first broadcast of this piece originally aired on May 16th, 1944 as part of a City Trilogy within CBS' Columbia Presents Corwin. That version had Martin Gabel as narrator. One year later it was rebroadcast with Welles taking over for Mr. Gabel. By 1944 Norman Corwin had free rein over his productions. In six years he'd gone from a network rookie to the most-lauded creator on the air. He was now the poet-laureate of radio, a nickname which would stick with him the rest of his life. One of his favorite people to work with was Orson Welles. I've recently covered Norman Corwin in great detail within episode 153 of Breaking Walls. For more info, please tune into that. In the meantime, here's the rest of “New York: A Tapestry for Radio.”

Support Breaking Walls at https://www.patreon.com/thewallbreakers Willam Spier was born on 10/16/1906 in New York City. He began his career as an editor at Musical America Magazine, eventually becoming its chief critic. His radio career began in 1929, when he produced and directed The Atwater-Kent Hour, a Met Opera presentation. He soon became a valuable member of BBD&O's growing staff of radio writers & directors. In 1931 Spier went to Hollywood to direct one of the first big budget radio programs in southern California. Coming back to New York, he was one of the people responsible for the creation of The March of Time. In 1940 Spier left BBD&O & began working for CBS. He was soon their story editor. Meanwhile, CBS decided to bring Forecast back. Season two premiered on 7/14/1941, with a play from Hollywood called The Arabian Nights. It starred Marlene Dietrich & was directed by Charles Vanda. The following week Kay Thompson starred in 51 East 51 from New York. It was an on-the-scene comedy at a fictitious upscale New York bar. Her director that evening was Bill Spier. The two were soon dating, marrying in 1942. Two weeks later, Spier produced & directed a Forecast episode called Song Without End, starring Burgess Meredith & Margo. It was to be a biopic on musicians and composers. That autumn Vanda & Spier were in New York, pushing for the launch of Suspense as a CBS cost-sustained show. On Sunday 12/71941 Japan attacked Pearl Harbor & Manilla, finally thrusting the US into World War II. The next Sunday, as CBS prepared for the Monday multi-network broadcast of Norman Corwin's We Hold These Truths, Bill Paley finally approved Suspense's launch as a thirteen-week summer series in 1942. Vanda got Harold Medford to come East to write. Although Bill Spier was head of CBS's New York Story Department, it was Harold Medford who polished the first seven shows. Vanda also got CBS musician Bernard Herrmann to compose the show's score. Suspense premiered on Wednesday June 17th, 1942 at 10:30PM eastern time. The first episode, “The Burning Court” was adapted from a story by John Dickson Carr. Seeking a star, Vanda chose Charlie Ruggles. Known for his comedic flair, Ruggles was in New York for the opening of his latest film, Friendly Enemies. Vanda believed that Suspense could cast against type. It came to be a show staple. Charles Vanda wound up only being in charge of the first five shows. He went into the army. The second show was the John Collier mystery “Wet Saturday,” a grim tongue-in-cheek tale of murder. The final three shows by Vanda were a take on the Lizzie Borden case, a murder story aboard a train, & a thrill kill, “Rope” that Alfred Hichcock later shot with James Stewart. With Vanda entering the service Bill Spier took over the production. Spier's first episode as producer was on 7/22/1942. On 9/2 Suspense broadcast Lucille Fletcher's “The Hitchhiker.” At the time Fletcher was married to Bernard Herrmann. “The Hitchhiker” starred Orson Welles. Welles & Spier had known each other since The March of Time. Welles just returned from Brazil where he'd been promoting greater Pan-Americanism on behalf of RKO. It was his first appearance on Suspense. When the thirteen-week summer run ended, CBS was set to cancel the series. The last episode was called, “One Hundred In the Dark.” It aired on September 30th, 1942. In the end Suspense was saved by the amount of fan mail & phone calls to CBS. Spier pushed to link the show with a prestigious mystery author. He approached the agent of John Dickson Carr, who'd written “The Burning Court,” & a deal was soon in place for him to write exclusively for the program. CBS picked up Suspense for the fall season and put it on the air Tuesdays at 9:30PM beginning 10/27. John Dietz returned as director and a foreboding narrator, “The Man In Black,” was played by Ted Osborne.

Support Breaking Walls at https://www.patreon.com/thewallbreakers In July of 1940 CBS' Lux Radio Theatre was scheduled for its summer hiatus. Lux aired sixty-minute condensations of films Mondays at 9PM. Pulling a rating of 23.7, it was CBS's highest-rated show and Monday's most-listened to program. Head of CBS William Paley and Program Director Bill Lewis wanted to use the vacated time slot to attract both audience participation and potential sponsors. At that time, CBS's story editor was William Spier. They decided to launch a pilot series to workshop new shows. They called it Forecast. It debuted on July 15th, 1940. Each week two thirty minute shows — one from New York and one from Hollywood — aired live. CBS petitioned their audience to write in about the pilots they liked. On July 22nd at 9:30PM, a Forecast took to the air starring Herbert Marshall, Edmund Gwenn, and Noreen Gammill. This particular one was conceived by Charles Vanda. Born in New York on June 6th, 1903, Charles Vanda got into radio and moved to Los Angeles in 1935 to be the CBS West Coast Program Director. Although Los Angeles was still a minor outpost for radio, by decade's end it overtook Chicago and matched New York as a major broadcasting hub. William Paley was keen on pushing programming in Hollywood and Vanda's boss Bill Lewis was a man who proudly championed shows like The Columbia Workshop. Among the people Lewis helped was Norman Corwin. Vanda conceived the mystery program as a drama with famous stars, a large orchestra, and a well-known host. The man Vanda wanted was Alfred Hitchcock. It was Hitchcock who came up with the show name, Suspense. On July 22nd, the day Suspense was to air, Hitchcock was unexpectedly called to New York and wouldn't be able to appear. Rather than change directions, British actor Edmond Stevens imitated Hitchcock. But, the broadcast flopped. Variety said, “Alfy, old boy, don't ever do that to us again,” referring to the open ending. That, along with Hitchcock's spotty availability spooked advertisers. No one wanted to sponsor the program. Suspense was mothballed. Of all the pilots that aired during season one of Forecast, only Duffy's Tavern got picked up, and even that didn't happen until March of 1941. Charles Vanda was soon called back to New York to produce shows like The Columbia Workshop. There he worked with William Spier. Within two years the duo would finally bring Suspense to the air.

By 1944 Norman Corwin had free rein over his productions. In six years he'd gone from a network rookie to the most-lauded creator on the air. He was now the poet-laureate of radio, a nickname which would stick with him the rest of his life. That March, The Columbia Workshop was rechristened as Columbia Presents Corwin for a twenty-two week run. At 10PM eastern time on Independence Day 1944 Corwin broadcast "Home For the Fourth." In this play, two brothers are away at war. One, played by Dane Clark, gets a two-day pass to see his family and fiance. It's a slice of American life written and directed in a way that came to define Corwin. He understood that people were a part of, and yet transcended their own time. This play is eighty years old, but sounds like we could have spent time with these people eighty minutes ago.

In early 1942 Norman Corwin began a unique show over all four major radio networks. It was a thirteen episode, non-commercial broadcast called This is War, bringing together the best talent and resources of the broadcast and entertainment industry, like actor Joe Julian. That summer, Corwin went to England to produce a series helping to improve relations between the English and Americans, which were, surprisingly, strained. People like aviation legend Charles Lindbergh were anticommunism, but pro-isolationism and pro-eugenics. All three views were supported by the Nazi party. President Roosevelt was deeply angry at Lindbergh's opposition to his administration's interventionist policies. He told Treasury Secretary Henry Morgenthau in 1941, "If I should die tomorrow, I want you to know this, I am absolutely convinced Lindbergh is a Nazi." Linbergh publicly denounced anti-semitism in 1941, but many people remained anti-anglo throughout the country, with some even citing the American Revolution and the War of 1812 as reasons. Called An American In England, it was a joint effort from BBC and U.S. broadcasters. Edward R. Murrow would produce. The entire available London Philharmonic Orchestra would be used. The series would be sent back to the states by short-wave. Because it was to be heard live at 10PM for Eastern War time, that meant it was broadcast overnight in England. The result was a limited-release series considered to be among the most important works Corwin ever produced.

On Tuesday July 4th, 1944 at 11:15AM, the homespun Vic and Sade took to the air over NBC's WEAF in New York. First airing on June 29th, 1932, Vic and Sade was created by Paul Rhymer. Known as “radio's home folks,” the show was broadcast from The Merchandise Mart in Chicago. Rhymer wrote the script each morning before heading to watch the rehearsal and broadcast. On good days, one rewrite sufficed. On difficult days, the script would be ripped up again and again and poured over. The result was a standalone twelve-minute sketch that, over time, told the life story of Mr. and Mrs Victor Gook and their family and friends at “the small house halfway up in the next block” in a rural town somewhere in Illinois. The town was populated by strange eccentrics with some of the most wonderful names ever heard in fiction. Most of the characters were only spoken about and sound effects were purposely sparse, save for the ever-present telephone. In radio circles, the show was regarded as one of the all-time best. Among its devoted fans were Jean Shepherd, Norman Corwin, Jim and Marion Jordan, Carlton E. Morse, Stan Freberg, Ray Bradbury, and Franklin and Eleanor Roosevelt.

Tuesday, July 4th, 1944. It's been twenty-nine days since the Allies first stormed the beaches of Normandy. They've continued to slowly push inland, but the battle for control of the Caen has raged onward. CBS is there with up-to-the-minute news. On Saturday July 1st, A counterattack by German Panzer Corps failed to dislodge the British Second Army around Caen. When OB West Gerd von Rundstedt phoned Berlin to report the failure, Chief of Staff Wilhelm Keitel asked, “what shall we do?” Rundstedt replied, “Make peace you fools!” He was fired the next day. Meanwhile the U.S. 133rd Infantry Regiment captured Cecina in Tuscany, Italy. They'd enter Siena on Monday the 3rd. At the same time Allies and Japanese forces began battling in New Guinea and The Battle of Imphal in India ended in Allied victory. On the morning of the Fourth, Minsk, the last big German stronghold on Soviet soil, finally fell. This kind of war created a need for fast news relays, so much so that for the first time, news was being recorded on the battlefront. On Independence Day 1944, needing to push further inland from Normandy, the task fell to the 79th and 90th Divisions as well as the 82nd Airborne, all of whom had to assault uphill and around a large marsh in the low ground, while twelve Nazi divisions lay in wait, including several Panzer units. The troops fought yard by yard, making slow but steady progress at a high cost. The 90th Division alone lost over 500 men that day. This same day, General Omar Bradley had artillery units in the US First Army open fire on the German lines precisely at noon. Some units fired red, white, and blue smoke shells at the Germans. The message was clear: The Americans were in Western Europe and they wouldn't be leaving until victory was achieved. ____________ The man you just heard was Norman Lewis Corwin. He was born on May 3rd, 1910 in Boston, Massachusetts. The third of four children, his mother Rose was a homemaker, and his father, Samuel, a printer. Norman graduated from Winthrop High School, but unlike his brothers, he did not attend college. Instead, he got a job at the Greenfield Reporter as a Cub newsman at seventeen. Corwin was later hired by the Springfield Republican where he worked as an editor. He became known for his column "Radiosyncracies." His first exposure to professional Radio broadcasting came with an opportunity to air an interview regarding one of the human interest stories he'd written. Station WBZA soon needed a newsreader and sought to have the position filled with someone from the local paper. Corwin got the job. By 1929 Corwin fashioned his own broadcast over WBZA, a combination of piano interludes interwoven with Corwin's original poetry readings. He called the program Rhymes and Cadences. In 1931, Corwin traveled to Europe with his older brother, witnessing the growing fascism, social and religious unrest, and political turmoil. It helped shape his broadcasting career. In June 1935, he went to Cincinnati to work at WLW. He soon learned that any on-air reportage of collective bargaining efforts were grounds for immediate dismissal. Objecting, he was fired. Eventually he got the ACLU's backing and got the policy changed. Corwin came to New York, finding work as a publicist for 20th Century-Fox. He soon proposed a poetry and music program for WQXR. The program was called Poetic License, and it wasn't long before both NBC and CBS took notice. A few days shy of his twenty-eighth birthday in 1938, CBS hired Corwin as a director for One-Hundred-Twenty-Five-Dollars per-week. Within a few months he directed his first Columbia Workshop experimental drama, “The Red Badge of Courage,” airing July 9th, 1938. On the night of Sunday October 30th, 1938, Corwin was rehearsing the pilot for a new program, Words Without Music. Downstairs, Orson Welles was broadcasting his infamous Mercury Theater “War of The Worlds.”

Here we are, back at Bill Pogue's. It's after 11PM. What do we know? Well, there are less people drinking here than last night, most would rather stay in and listen for updates. On the air over CBS right now is Joan Brooks. Me? I'm just trying to have that nightcap I started yesterday. There are still news bulletins coming out of Europe. It's almost dawn there. The men will be continuing their missions with D-Day: Plus 1 So far, we know that at least four-thousand Allied soldiers have been killed in the initial attack, but the German forces on the Normandy peninsula have either been killed, captured or forced to withdraw to Caen. I'm sure as we speak troops and equipment are being ferried across the Channel. I know the hope is that by the end of June we'll have nearly a million men in western Europe as we advance north from Italy simultaneously. With the Russians pushing Germany west it's only a matter of time, but the Germans won't go down without a fight. But, I know American resolve. We'll be up for the task, no matter how long it takes. It's why next month on Breaking Walls we'll move just a few weeks into the future and focus on Independence Day, 1944. —————————— The reading material used in today's episode was: • Radio Speakers--A Biographical Dictionary — By Jim Cox • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • CBSNews.com • GlobalNews.ca • LIFE Magazine • Military-History.org • The New York Times • The New York Daily News • Presidency.UCSB.edu • RadioArchives.com • Radio Daily —————————— On the interview front: • André Baruch, Mel Blanc, Ken Carpenter, Norman Corwin, Alice Frost, Barbara Luddy, Bret Morrison, Ken Roberts, Kate Smith, and Olan Soule spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Himan Brown, Staats Cotsworth, Jim Jordan, Mandel Kramer, and Jan Miner, spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Joan Banks spoke to SPERDVAC. For more info, go to SPERDVAC.com • Fran Carlon, John Daly, and Ben Grauer spoke for Westinghouse's 50th anniversary. • Ned Calmer, Doug Edwards, Lowell Thomas, Charles Osgood, and Bob Trout spoke to CBS for their 50th anniversary. • HV Kaltenborn spoke to NBC for their 50th anniversary • Charles Collingwood and Bob Trout spoke to the makers of Please Stand By • Bob Trout also spoke to the Television Academy • George Burns spoke with Barbara Walters • Red Skelton spoke with Dini Petty —————————— Selected music featured in today's episode was: • Romanian Folk Dances #3 — By Béla Bartók, played by Avi Avital • Wilderness Trail — By Walter Scharf for National Geographic —————————— A massive special thank you to Walden Hughes for supplying so many master quality recordings used in this D-Day episode. Listen to Walden's shows on the Yesterday USA radio network.

Norman Corwin was twenty-seven years old when he was hired by CBS in April of 1938. For three years he honed his craft on shows like Words Without Music, The Pursuit of Happiness, So This is Radio and Forecast. In 1941 he was tasked with taking over The Columbia Workshop for twenty-six weeks. These plays are today known as “Twenty-Six By Corwin.” They ranged from whimsy, to romance, to high drama, to coming of age tales. CBS refused to offer the series up for sponsorship. Corwin's programs weren't about revenue, they were about advancing the medium itself. After the bombing of Pearl Harbor and Manilla on December 7th, 1941, Corwin penned a play in honor of the 150th anniversary of The Bill of Rights. It was at the behest of President Roosevelt. The play was called “We Hold These Truths,” and broadcast on December 15th. Simultaneously heard on all four networks, sixty-million tuned in. It was at that time, the largest ratings share of any dramatic program ever. By 1944 Corwin had free rein over his productions. The Workshop essentially became branded as Columbia Presents Corwin. Corwin had previously adapted Carl Sandburg's The People, Yes three times. At 8PM over CBS on D-Day, Corwin presented the first in An American Trilogy on Carl Sandburg featuring Charles Laughton. The following two weeks he'd present part two on Thomas Wolfe and part three on Walt Whitman. Opposite, NBC broadcast a special version of the Ginny Simms show.