Podcasts about maenads

When Dionysus, god of wine and insanity, appears to Ariadne, determined to marry her, she tells him the tale of her ancestor Io.  Written and directed by Bibi Jacob. With Nigel Pilkington as Dionysus and Bibi Jacob as Ariadne. Original violin loops were created and performed by Chloe Dunn. Sound and production by Geoff Chong.    Sources include: Aeschylus' 'Prometheus Bound', Moschus' poem 'Europa', Walter Otto's ‘Dionysus: Myth and Cult' and Roberto Calasso's ‘The Marriage of Cadmus and Harmony,'  

It's the annual etymology quizlusionist! I'm on a family holiday for the first time since 1988, so enlisted my brother Andy Zaltzman of the Bugle podcast to test his/your wits on singing goats, explosives, mythological Greek sweeteners, attics, left-handedness and whales. Can you beat Andy's score? Play along using the interactive scoresheet at theallusionist.org/andyquiz. Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. Plus, if you sign up by 31 August 2023, I will record the words and phrases of your choice for you to use as your phone text tone or alarm or doorbell or little message of affirmation. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Blueland, refillable home cleaning products eliminating single-use plastics. Get 15% off your first order by going to blueland.com/allusionist.• Ravensburger, who have been making jigsaw puzzles since 1883! Try their vast range of puzzles from 2 pieces to 40,000.• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • Kitsch, who make products to care for your hair and skin - shampoo and conditioner bars, soaps, sleep masks, heatless rollers, satin hoodies and bonnets and pillowcases... Get a whopping 30% off your entire order at MyKitsch.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

In episode 107, we discuss:Taylor Swift fans report 'amnesia' following Eras show;CIA, MK Ultra, and Project Artichoke;Electronic Dissolution of Memory; Radio Hypnotic Intra-Cerebral Control;Loosh, dementors, and subliminal messaging;Maenads, the cult of Dionysus/Bacchus, mania, Bacchanalia;Love; and, The definition of crazy.Instagram: mymaria777Backup IG: theoracle333 Twitter: mymaria777Telegram channel:https://t.me/joinchat/_TJTEOL6PWk1ZDIxTelegram chat:https://t.me/joinchat/ii4ZfC2_JidlYTkxSubscribe please! Stay connected by signing up for my e-mail list: www.mymaria777.com ILYSFM.

Alise Versella is a twice Pushcart nominated contributing writer for Rebelle Society and the author of the full length poetry collection When Wolves Become Birds (Golden Dragonfly Press 2021). Her chapbook Maenads of the 21st Century is due out with dancing girl press and her collection A Psalm for the Weary is out this April 2023 with Alien Buddha Press. She has been widely published in various magazine and journals as well as long listed for Palette Poetry's 2021 Sappho Prize and a nomination for Best of the Net. You can find her at www.aliseversella.com

The red-light district in a city is meant to be an outlet for the restless to blow off steam, for lawlessness to play out, within acceptable limits. The unwritten rule is this: if you want to be risky and maybe destroy yourself, just go do it over here in this corner. It's a silent agreement. Town festivals are just small versions of Fat Tuesdays for the locals. A culture or society needs a Purim or Fat Tuesday or Carnivale or a parade or a keg party or Prom to let it all hang out for a bit, because it keeps people sane. However, the allowance of the rowdy night or weekend only makes sense if a return to normalcy and rules happens after it's over. Notice that Halloween is followed by All Saints Day. Fat Tuesday is followed by Ash Wednesday. Lent, a period of fasting and prayer, is followed by the feast of Easter. What's interesting in the Christian liturgical calendar is that these outlets are built into the year, every year, because there is an awareness of this “need” to sin, to burn off the slag, as if perhaps we have actually learned something over time. Maybe from the thirty thousand years of human history we have learned something. Maybe wandering the African savannah to the caves of France to crossing the Bering Strait and living in the empires of Sumeria and Mesopotamia and China and Egypt and Greece and Rome taught us some things. Maybe the smart people passing down oral tales figured a few things out and warned us in stories about why full lockdown and full license are both not great ideas. Perhaps, maybe, just maybe, there is some wisdom passed down to us through these silly myths and oral stories that came from these toothless flyover illiterate goat herders from ancient times that we sophisticated internet and smart phone users might benefit from if we can take a break from our Netflix and porn.One of these stories is the play, The Bacchae, by the Greek playwright, Euripides. This tells the story of Pentheus, a man who tries to defeat the god of wine and partying, Dionysus. To make a long play short, Pentheus gets ripped to pieces by the Maenads, the wild women, because he tries to peek and disrupt their annual ritual celebration where they let it all hang loose. The whole point of this play is what I'm talking about in this post. The Bacchae depicts a struggle to the death between the twin forces of control (restraint) and freedom (release), and permits Dionysus to provide an answer to this question. The god's implicit message is that not only is there space within society for the irrational, but that such a space must be allowed for that society to exist and thrive. By denying or opposing the irrational, as Pentheus did, the person who opposes it, or the society that denies it, will be torn apart. (taken from Sparknotes)So you see, database design and Greek tragedy can be discussed together. While this play may seem to go into some strange notions, the point is clear, and the United States congress should have read this play before passing the Prohibition of Alcohol amendment, as that marriage of law and excess order gave birth to a Mount Saint Helens eruption named Al Capone and organized crime. In more recent history, we were able to observe the lockdowns for Covid where the state put very strict rules on people, but left liquor stores open as “essential” business, which seemed to be the one element of minor rebellion allowed. IN response, people took to drinking during the lockdown as a coping strategy. However, staring into screens and drinking did not help very much, because soon many of the cities in the United States were in flames and rioting went on for month after month. The lockdown led to the upside-down. On the one hand we had complete control, while in other areas there was total lawlessness. And this happened with both the left and the right, so it's not like just one “side” went crazy in the state of legalism. The decision to leave liquor stores open is one thing. But then another decision came. Churches were closed, but strip joints were granted the status of being “essential businesses.” This, to me, is the summary statement of the Covid era in America, because it highlighted how upside-down our leadership and culture has become. Or rather, it simply revealed a reality that was already in existence, but just hadn't been made fully known, at least to me. The upside-down world had finally shown its true face. Was it God's will to have liquor stores and strip joints and abortion clinics be open and celebrated while churches were closed? Apparently so. And most likely it was done so that we could observe the madness that ensued and then choose how we want to live our lives. The nation had long held the word God on its lips, but never had it been so clear that it has long been only lip-service. If there is one common thread in the stories of the Bible, it is that turning away from the living God leads to disorder. No sooner did churches get shuttered in California than massive riots erupted. Correlation is not causation, but what strange luck for the devil for those two things to happen in succession. A moment in 2020 struck me when suddenly I understood why Abraham was called out of Haran. He had to leave the culture behind. For three months straight, cities across America belched smoke into the sky, night and day. I saw places that I formerly frequented in Portland, Oregon being burned to the ground. Then we saw the capitol building invaded by a hoard. It was difficult not to see the events that played out as Biblical, because the pattern matched eerily well to those old Bronze Age myths from those smelly, backward goat-herders. The dilemma of the ancient people was suddenly shoved near to each of us. The illusion of the nation that we had been living in disappeared. It was like a glossy polish of a tabletop hiding a rotten and termite-eaten wood structure. Like makeup removed from a hideous face, we saw the what America really had become. The empire was finally, fully unveiled. And as an empire can only come by elevating human desires to be higher than humility before God, like all empires, the pursuit of power and wealth and pleasure and honor eventually drives itself off a cliff. Empire is an attempt at self-salvation. Empire is the direct ambition of pride. But in the end, like a cell that refuses to live and die in its seasons, empire is a massive, unspoken suicide pact made among millions of people. Empire is the story of a cancer cell writ large. In making itself the most important thing, above God, an empire ends up killing the nation. A wise nation has its seasons and abides with fear of God. An empire ignores the seasons and thinks it will never die. As soon as a nation or a people justifies its decisions by the wrong kind of “freedom,” the unravelling begins. There is “freedom of indifference” and “freedom for excellence.” This is extremely simple and ties into everything else I repeat here. We can choose the fruit on the forbidden tree or we can choose to obey God. That's the dilemma: which type of freedom do you choose? Choosing the former, the wrong kind of freedom, precedes disorder, chaos, and eventually war, which America is hurtling toward. Order spins into disorder quickly when the wrong definition of “freedom” takes hold of a people. You can witness this on both sides of American politics. The pendulum swings, but unlike a clock pendulum, it swings with a knife, an axe, slicing into that which occupies the middle. To avoid the knife, sides must be chosen. As the pendulum is lowered, the knife gets closer, and the sides must flee further apart. After all, the one thing we know we want is self-preservation, not death. To avoid being cut down, we huddle on the left or the right to hide. Political parties are modern fig leaves, and as Adam said to God, “I was afraid, because I was naked, so I hid,” that is what we are saying when we rush into the mob of our chosen political party. We hid behind the elephant or the donkey, using those affiliations to protect our nakedness, but neither of those will save you or anyone else in the end. The Greeks had Alexander, Persia had Cyrus, Rome had Caesar, Germany had Hitler: all of these model the same problem that is told about Babylon and Egypt in the Bible. These are the stories of empire and power. We tend to idealize the ancient emperors but see the most recent ones as monstrous. We speak of Caesar with strange admiration and despise Hitler, even though these two were doing the same thing, warring and enslaving and killing people in pursuit of power. Rest assured: the conquerors are all monstrous. These famous names are the “strongmen” of history, but they are all symptoms of an underlying disease. They only come to power because of mass fears among the people, growing out of eras like we have in America today. Hyper-polarization, distrust of authority, scapegoating, economic problems, failed attempts to overthrow the government, lies being spread, pandemics, propaganda, inflation. The canary in the coal mine for nearing the “strongman” phase of a nation is easy to spot: it is the collapse of sexual morality. America has been inching in this direction for sixty years and the snowball is now tumbling downhill. No sociologist, historian, or political scientist need explain it, as people feel the fragmentation happening today. The lust for national power brought a lust for everything. The desire for money and power created dirty deeds and deals, compromised morality. Secret wars brought affluence, and affluence brings entitlement. The bad example in our national leaders of how power and wealth was gained leads directly to the desires of individuals that need no more justification than “I want it” and “don't tell me what to do.” Here's the thing: if the winners cheated to get their spot on the podium, so shall we all. If the winners cheated, so can we. And we see it everywhere. We see it in business: Enron, Wells Fargo, Theranos. We see it in sports: Lance Armstrong and Marion Jones and Barry Bonds. We see it in the wealthy: Epstein, the Panama Papers, Trump, Gates. We see it in the church: McCarrick, the 300 Pennsylvania priests, the Jay Report. None of the models and heroes follow the rules. So we begin to ask ourselves the fatal question: “Why should I?”And that is exactly the question that must be resisted. “If they can do it, why can't I?” That is the temptation in the Garden. That is the voice that you must reject. In the Spiritual Combat, you must distrust that voice, and put all of your confidence into God alone, praying for Jesus to give you strength and direction, and the breath of life, the Holy Spirit, to guide you away from the easier path. Be Abraham, not Lot. Be Peter, not Judas. Aim to be a saint. The bad examples of this world should not open doors for you, but rather represent police-tape of where you do not cross, as the only cross to be concerned with is the one which Jesus will help you bear and carry. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.whydidpetersink.com

Then Bacchus … and Maenads began a dance, far wilder than the dance of the trees; not merely a dance for fun and beauty (though it was that too) but a magic dance of plenty, and where their hands touched, and where their feet fell, the feast came into existence.… Thus Aslan feasted the Narnians till long after the sunset had died away, and the stars had come out.… And the best thing about this feast was that there was not breaking up or going away, but as the talk grew quieter and slower, one after another would begin to nod and finally drop off to sleep with feet towards the fire and good friends on either side. –Prince Caspian

It's witching season, the time when women of all ages embrace a mythical image of unfettered feminine power. The witch may cast spells, seek vengeance, or wreak creative havoc—as she pleases. Flying the night skies of psyche, the witch brings primordial realities into culture's brittle convictions. Like all aspects of the collective unconscious, the witch lays low when times are fine but rises when times are tense. Her archetypal power then infects humankind, inciting mass hysteria and the horrors of  persecutory epidemics. The witch is a symbol of our fear and vulnerability to the Great Mother in her dark, heartless aspect--and her power remains. Jung says, “On a primitive level people are afraid of witches; on the modern level we are apprehensively afraid of microbes.” If we can face the witch and acknowledge her power to depose ego and order, we can also face our choices and the freedom to make them.  Dream My family has rented a house in an affluent area of my city for a celebration. I borrow my dad's keys afterward to get something out of the car before planning to return quickly to the house. I'm wearing a yarmulke for the occasion. On my way back, I step onto a concrete block overlooking an SUV with an alarm going off. Despite there being a man in the car, a plainclothes policeman approaches me to say I'm being taken in for questioning because the car was stolen. The police officer refuses to let me call my father to tell him what happened. I am questioned by two officers, now in their uniforms, at the back of a luxurious synagogue. I am outraged and trying to profess my innocence with confidence but my body and voice are shaking. The other officer lets me call my dad, who speaks in a gentle voice with sadness and almost disappointment. Then I am brought to a university-type study room to be questioned by a group of teen police officers, some of whom I recognize as people I went to high school with. On the way to this room I see a friend and explain what is happening but she seems apathetic and keeps walking. In the room, the teen police group is being irreverent and making jokes and creating distractions, looking at their phones, playing games, not listening to my expressions of anger and fear. At the end of the dream, Amy Winehouse appears in the room and we all sing her song "Love is Blind." I strain my voice to sing loudly and distinctly. References Erich Neumann, Fear of the Feminine, https://www.amazon.com/Fear-Feminine-Erich-Neumann/dp/0691034737/ref=sr_1_4?dchild=1&keywords=Erich+Neumann&qid=1635200430&sr=8-4 Geoff Shullenberger, “Karen” and the Maenads, Outsider Theory Madeline Miller, Circe. https://www.amazon.com/s?k=circe+by+madeleine+miller&crid=E6EPRLD49JIC&sprefix=Circe+by+Madeleine%2Cspecialty-aps%2C427&ref=nb_sb_ss_fb_1_18_ts-doa-p  

Oinomancy and Tyromancy. Divination by wine and divination by cheese. RJ and Elle discuss the history of Alcohol as a tool for magic. The consumption of Alcohol goes well into pre-history, with the earliest records existing in ancient mesopotamia. RJ Gags remembering alcohol poisoning patients he treated as an EMT.  They also discuss the Maenads, ancient greek priestesses of Dionysus who used alcohol to commune with their god. They performed several rituals at their Baccanals before the practice was outlawed by the Roman Government. In the Extra Spell, RJ discusses the history of Witches Brew and how our current image of the witch with pointy hat, cat, broomstick, and cauldron come from female brewmasters. RJ finishes his portion by touching on the history of alcoholism.  Elle performs Oinomancy in the ancient greek tradition for Shanna. Support the show (https://www.patreon.com/mancy)

SUPPORT ME ON PATREON (thank you!) https://www.patreon.com/thoughtsonthinking/ ORIGINAL YOUTUBE VIDEO: https://www.youtube.com/watch?v=JLfCaBCz4vA&t=17s NEWSLETTER: https://www.thoughtsonthinking.org/ DISCORD: https://discord.com/invite/3YdhJBaCJQ/ In this video//episode I blend Greek mythology and Jungian psychology with modern 21st century phenomena. I talk about the archetype of the digital anima (devouring mother) & how the TikTok dance craze is a symbolic representation of the dancing Maenads within Greek Dionysian cult, and how their desire to experience Dionysian eternity is no different from the digital eternity within the internet of the digital anima. --- Send in a voice message: https://anchor.fm/thoughts-on-thinking/message

Maenads! Who are they, what do they want, and how do they wear their fox-skins? Kittens! How can they be so cute and so murderous at the same time? Join Alexis and Lottie as they discuss why frenzied Bassarids and Cutie McFloofcat are both the same Gothic trope of violent comeuppance. Via boring werewolves, Nosferatu and beautiful, naughty Clodius, of course. Also, there is a surprise storm half-way through.Games / books mentioned in this episode, for your gaming / reading pleasure:- Cultist Simulator, by us- BOOK OF HOURS, by us- True Blood, by HBO- 'A Case of Murder', by Vernon Scannell- 'The Squaw', by Bram Stoker- Dracula, by Bram Stoker- 'The Black Cat', by Edgar Allan Poe- Nosferatu, by F. W. Murnau- Cat People, by - The Secret History, by Donna TarttFollow us on Twitter and sign up to the mailing list to make sure you don't miss the next episode! ♥Support the show (http://bit.ly/2JCKVEH)

Maenads were the female followers of Dionysus that ripped men to shreds. What the hell is up with that? Artwork: Orpheus by Emilie Bin --- Send in a voice message: https://podcasters.spotify.com/pod/show/manic-classics/message

Julie and Liss were invited to be on The Abracast. Check it out!

WHATS GOOD this month I talked to Shani Banerjee, Pittsburgh wildass and singer of Empty Beings and Maenads, about growing up in Pittsburgh's Bengali community, hanging out at bars with her bluegrass dad, finding punk, escaping an abusive relationship, and so much more. This is a good one, Shani is cool, and I used the word autodidact incorrectly in the intro. Fuckin sue me. Guest appearance by Basti the dog. Here's the Maenads video we talked about. Get on the email list at lifeharvester.substack.com

Welcome back Fillorians! The hits just seem to keep coming for Josh. First, he loses his memories for months and now his Lycanthropy is acting up and he needs to make a choice to find some "lucky" person to infect with the STD or kill. Oops. Double oops when he realizes that while he was Issac, he hooked up with someone and didn't disclose his status. Elsewhere, Q is dealing with his father's death and the possibility of losing his father forever. Hit play and listen in as Brad and Cort break down this week’s new episode, "Marry F**k Kill".  Julia enlists the help of Penny 23 and one of Bacchus' former Maenads to figure out the nature of her own Godhood. What in the world will happen to poor Josh next? Though, it seems that he got the girl this week. Are Margo and Josh just a case of two friends hooking up for a very good reason or something more? Penny 23 is hopelessly devoted to Julia, but how does Julia feel? What exactly has Darth Eliot done to our former High King? Be sure to drop us a comment below or in our Facebook group with your thoughts on Ep 4x04 “Marry F**k Kill". You can also email us at bradandcorttalk@gmail.com.

Hello everyone, welcome back to Hexed, the third book in the Iron Druid Chronicles by Kevin Hearne! You can pick up the book here, if you're interested! https://amzn.to/2Q8oVDAThis episode is brought to you by Sue Hayes, and I want to thank her for commissioning more of this book because I have been really hard on Atticus and I want to see some redemption. Usually 5 chapters makes for 50 pages almost exactly, but these chapters were longer so it's only 3 for this episode. Laksha is back, and in a body she really likes, so she decides that she's going to do what she can to keep it, and makes a deal that she will help Atticus with the Maenads in exchange for him getting the golden apples of Idunn. They only grow in Asgard, and Atticus things that this demand is way out of proportion, but he finally her bargains her down to just ONE apple instead of all of them, so i guess that's something? The fight against the Maenads is a lot of fun to read, in no small part because I am currently watching Season 2 of True Blood, in which Maenads feature quite prominently. I like that I have this trend happening in my life right now. Thank you again to Sue for the commission, and I hope you enjoy the show!

Final Fantasy IV: The After Years By Kaleb Schweiss Development History:       Final Fantasy IV: The After Years was initially announced prior to the release of the DS Remake of Final Fantasy IV. Takashi Tokida, the game's executive producer, discussed there being talk of creating an after story, and a discussion began about working on mobile titles. Tokida may seem to be jumping in and changing things, but he had become quite attached to the characters, due to being a scenario writer for Final Fantasy IV. They decided that releasing the game in a mobile format would be beneficial, so it would allow players to play after completing the DS remake. This would effectively give you time to refresh your knowledge of FFIV before moving on to the After Years. The decision to have an episodic release came from a desire to have players anticipate the new chapters in the same way manga readers do. The Japanese mobile phones got the game on February 18th, 2008. The Prologue section Return of the Moon and Ceodore’s Tale were the initial releases, and the succeeding chapters came out in one month intervals. Just before the Lunarians Tale was released, Square Enix announced that the game had reached one million downloads, not including the free prologue chapter. As of March 2009, it has exceeded three million paid downloads. The game has a generally positive rate of review, with IGN giving it an 8/10.   Storyline:       The game takes place after the moon leaves the Blue Planets orbit. Peace ensues in the kingdoms, Mist is rebuilt. Civility reigns. Seventeen years later, the unimaginable happens. A second moon appears. FOR THE SECOND TIME!! We are then introduced to the product of Cecil’s powerful loins; Ceodore. Yes. His FUCKING GAME IS CEODORE!!! He is being initiated into the Red Wings, Baron’s famous air force fleet. He is introduced as a character who fears he’ll never step out of the shadow of his famous parents. He later finds out that he has what it takes, yada yada yada. We then head back to Baron, where we see Cecil, Rosa, and Cid fighting the endless onslaught of enemies, who seemingly appeared out of nowhere. We are then introduced to the Mysterious Girl. Cecil sees the imminent threat, and has Cid relocate with Rosa while he confronts this little bitch. The woman summons the legendary beast of ruin, Bahamut, and rips Cecil about a hundred new assholes. While these events take place, the airship carrying Ceodore is attacked. Everyone but Ceodore is killed, and he begins his journey home. While on the way, he gets ambushed by monsters, and is rescued by the Hooded Man. They head towards Mysidia, and we intercut to Mt. Ordeals, where Kain is heading towards Baron with a raging boner for Cecil’s sweet ass. On the way, Kain teams up with the aforementioned Mysterious Girl to steal the crystals. He also kidnaps Rosa, stating that he plans to kill Cecil and take Rosa for his own.  Ceodore, the Hooded man, and everyone’s “favorite” Spoony Bard Edward, intercept Kain in front of Cecil’s throneroom. This is when the Hooded Man finally reveals himself as the real Kain. The Kain we had been seeing up to this point was in fact a manifestation of his dark half. Kain fights his dark half, much like Cecil did seventeen years prior, and wins. He then becomes a Holy Dragoon.       We then get some of that sweet, sweet Rydia. She, Luca, and Edge are on an airship in the underworld. Suddenly, or not so much if you played the Lunarians Tale, the Man in Black appears and takes over the airship, taking it towards Baron. Upon approach, the party sees meteors falling from the second moon. They get to Baron, and find it sealed by magic. They then travel the world looking for their lost friends. This part of the game really reminded me of the Planet of Ruin in Final Fantasy VI. You eventually run into Rydia, and proceed to hunt down each of her missing Eidolons. Once the control of the summons via the Mysterious Girl are broken, the party is finally able to enter Baron. Once the party frees Cecil from the Mysterious Girl,  the Man in Black reveals himself as Golbez. Cecil, while freed from the girl's grasp, is a little off. The party realizes that the second moon is going to crash into their planet, reducing everything to a molten ball of pain, and try to come up with ways to stop it. Enter the Lunar Whale! Baawwwwooooooaaapppp!!!! The party takes the Lunar Whale to, you guessed it, the new moon. You descend the hours long dungeons, fighting your way through enemies from the original Final Fantasy IV, and then throws us a curveball. We fight bosses from Final Fantasy I through VI!! WTF!!!!!!! You eventually encounter Cecil’s evil side, fight it, and Cecil returns to the light.     Once you reach floor 1,000,000,000,000,000 of the dungeon, the party comes across a really freaky, FFIX esque room filled with multiple models of the Mysterious Girl being infused with what I can only assume is either Mako, or Mt. Dew. The Mysterious Girl comes from a race called the Maenads. They were each brought to be by the Creator, and their mission was to retrieve the crystals. The party descends deeper to discover this creator. He reveals that he comes from a race that died out due to failure to evolve, and he decided that he universe shouldn’t be overrun by inferior species. So, he did the only thing a logical Final Fantasy end boss could do. Create an intricate system of data gathering cameras in the form of crystals, and sent them around the universe to monitor life on the planets. He used these crystals to determine if the planet is evolving to its true potential. If it’s not up to par, he will destroy it. The Blue Planet did not reach the bar, as determined by James Cameron, and thus will be destroyed. Once this is revealed, he crushes the party. They are revived by the power of the crystals, and begin to wail on the Creators back door. Once they penetrate his pucker, we fight him. The moob form is fairly simple to destroy, but the ultimate form is another thing entirely. The party uses a crystal on him, and ultimately kills him, and flee the moon, rescuing the Maenad who explained their race to the party earlier. As the creator dies, he thanks the party for defeating him, and shows remorse for his actions. As he should, since the inhabitants of an inferior planet tore him to pieces. The party returns to their homes, Rydia adopts Maenad and names her Cuore, Edge’s ninjas continue to spy on everything, Cecil has Ceodore serve in the Red Wings under Kain, and also orders Baron’s airships disarmed and used to help rebuild the other kingdoms.   REMIXES: https://www.youtube.com/watch?v=JGMku7bGwB4 https://www.youtube.com/watch?v=pOnJgWO8MBY https://www.youtube.com/watch?v=cQ8QiTd2Baw https://www.youtube.com/watch?v=G2SMrZjz28w https://www.youtube.com/watch?v=xaLB5xHIjSs https://www.youtube.com/watch?v=6AE0IJY5ZOI https://www.youtube.com/watch?v=Dhu0POCLfS0

Final Fantasy IV: The After Years By Kaleb Schweiss Development History:       Final Fantasy IV: The After Years was initially announced prior to the release of the DS Remake of Final Fantasy IV. Takashi Tokida, the game's executive producer, discussed there being talk of creating an after story, and a discussion began about working on mobile titles. Tokida may seem to be jumping in and changing things, but he had become quite attached to the characters, due to being a scenario writer for Final Fantasy IV. They decided that releasing the game in a mobile format would be beneficial, so it would allow players to play after completing the DS remake. This would effectively give you time to refresh your knowledge of FFIV before moving on to the After Years. The decision to have an episodic release came from a desire to have players anticipate the new chapters in the same way manga readers do. The Japanese mobile phones got the game on February 18th, 2008. The Prologue section Return of the Moon and Ceodore’s Tale were the initial releases, and the succeeding chapters came out in one month intervals. Just before the Lunarians Tale was released, Square Enix announced that the game had reached one million downloads, not including the free prologue chapter. As of March 2009, it has exceeded three million paid downloads. The game has a generally positive rate of review, with IGN giving it an 8/10.   Storyline:       The game takes place after the moon leaves the Blue Planets orbit. Peace ensues in the kingdoms, Mist is rebuilt. Civility reigns. Seventeen years later, the unimaginable happens. A second moon appears. FOR THE SECOND TIME!! We are then introduced to the product of Cecil’s powerful loins; Ceodore. Yes. His FUCKING GAME IS CEODORE!!! He is being initiated into the Red Wings, Baron’s famous air force fleet. He is introduced as a character who fears he’ll never step out of the shadow of his famous parents. He later finds out that he has what it takes, yada yada yada. We then head back to Baron, where we see Cecil, Rosa, and Cid fighting the endless onslaught of enemies, who seemingly appeared out of nowhere. We are then introduced to the Mysterious Girl. Cecil sees the imminent threat, and has Cid relocate with Rosa while he confronts this little bitch. The woman summons the legendary beast of ruin, Bahamut, and rips Cecil about a hundred new assholes. While these events take place, the airship carrying Ceodore is attacked. Everyone but Ceodore is killed, and he begins his journey home. While on the way, he gets ambushed by monsters, and is rescued by the Hooded Man. They head towards Mysidia, and we intercut to Mt. Ordeals, where Kain is heading towards Baron with a raging boner for Cecil’s sweet ass. On the way, Kain teams up with the aforementioned Mysterious Girl to steal the crystals. He also kidnaps Rosa, stating that he plans to kill Cecil and take Rosa for his own.  Ceodore, the Hooded man, and everyone’s “favorite” Spoony Bard Edward, intercept Kain in front of Cecil’s throneroom. This is when the Hooded Man finally reveals himself as the real Kain. The Kain we had been seeing up to this point was in fact a manifestation of his dark half. Kain fights his dark half, much like Cecil did seventeen years prior, and wins. He then becomes a Holy Dragoon.       We then get some of that sweet, sweet Rydia. She, Luca, and Edge are on an airship in the underworld. Suddenly, or not so much if you played the Lunarians Tale, the Man in Black appears and takes over the airship, taking it towards Baron. Upon approach, the party sees meteors falling from the second moon. They get to Baron, and find it sealed by magic. They then travel the world looking for their lost friends. This part of the game really reminded me of the Planet of Ruin in Final Fantasy VI. You eventually run into Rydia, and proceed to hunt down each of her missing Eidolons. Once the control of the summons via the Mysterious Girl are broken, the party is finally able to enter Baron. Once the party frees Cecil from the Mysterious Girl,  the Man in Black reveals himself as Golbez. Cecil, while freed from the girl's grasp, is a little off. The party realizes that the second moon is going to crash into their planet, reducing everything to a molten ball of pain, and try to come up with ways to stop it. Enter the Lunar Whale! Baawwwwooooooaaapppp!!!! The party takes the Lunar Whale to, you guessed it, the new moon. You descend the hours long dungeons, fighting your way through enemies from the original Final Fantasy IV, and then throws us a curveball. We fight bosses from Final Fantasy I through VI!! WTF!!!!!!! You eventually encounter Cecil’s evil side, fight it, and Cecil returns to the light.     Once you reach floor 1,000,000,000,000,000 of the dungeon, the party comes across a really freaky, FFIX esque room filled with multiple models of the Mysterious Girl being infused with what I can only assume is either Mako, or Mt. Dew. The Mysterious Girl comes from a race called the Maenads. They were each brought to be by the Creator, and their mission was to retrieve the crystals. The party descends deeper to discover this creator. He reveals that he comes from a race that died out due to failure to evolve, and he decided that he universe shouldn’t be overrun by inferior species. So, he did the only thing a logical Final Fantasy end boss could do. Create an intricate system of data gathering cameras in the form of crystals, and sent them around the universe to monitor life on the planets. He used these crystals to determine if the planet is evolving to its true potential. If it’s not up to par, he will destroy it. The Blue Planet did not reach the bar, as determined by James Cameron, and thus will be destroyed. Once this is revealed, he crushes the party. They are revived by the power of the crystals, and begin to wail on the Creators back door. Once they penetrate his pucker, we fight him. The moob form is fairly simple to destroy, but the ultimate form is another thing entirely. The party uses a crystal on him, and ultimately kills him, and flee the moon, rescuing the Maenad who explained their race to the party earlier. As the creator dies, he thanks the party for defeating him, and shows remorse for his actions. As he should, since the inhabitants of an inferior planet tore him to pieces. The party returns to their homes, Rydia adopts Maenad and names her Cuore, Edge’s ninjas continue to spy on everything, Cecil has Ceodore serve in the Red Wings under Kain, and also orders Baron’s airships disarmed and used to help rebuild the other kingdoms.   REMIXES: https://www.youtube.com/watch?v=JGMku7bGwB4 https://www.youtube.com/watch?v=pOnJgWO8MBY https://www.youtube.com/watch?v=cQ8QiTd2Baw https://www.youtube.com/watch?v=G2SMrZjz28w https://www.youtube.com/watch?v=xaLB5xHIjSs https://www.youtube.com/watch?v=6AE0IJY5ZOI https://www.youtube.com/watch?v=Dhu0POCLfS0