Liberal arts of astronomy, arithmetic, music and geometry
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GuestsDr. Matthew Post: Founder and Former Director of the Classical Education Graduate program at The University of Dallas; Served with The National Classical Education Symposium, The Institute for Classical Education, and The National Council for Classical Educators; Currently serves as Assistant Dean of Academic Affairs, Honors College at The University of TulsaDr. Laura Eidt: University of Dallas- Affiliate Assistant Professor of Modern Languages, Humanities Program Director, Director of UD's K-5 Latin Curriculum Latin Through StoriesDr. Robert Terry: Over 25 years at a Classical University Model School teaching and serving as curriculum director and faculty development, Masters in Great Books, Doctorate of Theology (ThD in Inkling Studies)Jonathan Fiore: Formerly homeschooled, Graduate of Hillsdale, Masters in Classical Education from The University of Dallas, Humanities Teacher at Holy Innocent's Catholic SchoolTopics CoveredWhat are the essential criteria for a school to be considered classical?There are 4 touchstones that make up a classical education: Christ-centered, cultivation of wisdom and virtue, appreticeship in the 7 liberal arts, and a focus on the timeless and traditionalCommunity and leadership must have an understanding of the tradition for successAtmosphere is central to the success -- order and harmony (beauty) is really importantAre the following things necessary?- Great Books, Socratic Dialogue, integration of subjects, Charlotte Mason, Trivium & Quadrivium, Latin? Love and freedom are at the heart of classical educationDoes reading the classics or teaching ancient Greek history automatically define your school as "classical"?Are we preparing students to see themselves as part of a community and a country?How ought we assess students if education is rooted in love and liberty?-- What does the research tell us about good and bad ways to assess students?What are some common roadblock in classical education?Memory work should be meaningful rather than rote fact chantsSeminarsFormation of teachers and parents is necessary Resources we Discussed:Paradox of Education in a Republic by Eva BrannJefferson's Natural AristocracyHomer's Iliad and OdysseyWhat is a book or poem that every classical teacher and board member should read?The Liberal Arts Tradition by Clark and JainPlato's GorgiasThe Awakening of Miss Prim by Natalia Sanmartin FenolleraHomer's Iliad (Fagles or Lattimore translation)Abolition of Man by C.S. LewisParadox of Education in a Republic by Eva Brann________________________________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2024 Beautiful Teaching LLC. All Rights Reserved
Bate-Papo Mayhem 391 - Joel Galmacci - A Música do Quadrivium https://projetomayhem.com.br/ O vídeo desta conversa está disponível em: https://youtu.be/hVNgvlWa3es Bate Papo Mayhem é um projeto extra desbloqueado nas Metas do Projeto Mayhem. Todas as 3as, 5as e Sabados as 21h os coordenadores do Projeto Mayhem batem papo com algum convidado sobre Temas escolhidos pelos membros, que participam ao vivo da conversa, podendo fazer perguntas e colocações. Os vídeos ficam disponíveis para os membros e são liberados para o público em geral duas vezes por semana, às segundas e quintas feiras e os áudios são editados na forma de podcast e liberados uma vez por semana. Faça parte do projeto Mayhem: https://www.catarse.me/tdc
Having worked in Catholic classical education for decades, Mark Langley knows the place of music in Catholic education, and has built schools in which every student is enabled to learn and sing chant and polyphonic works from the Church's sacred music treasury. Join us for a discussion about where music figures into the educational structure, and some problems in the modern conception of the nature of music that prevent Catholic education from giving music its proper due. Learn more about Mr. Langley and his work here: https://olwclassical.org/faculty/ Learn more about the Catholic Institute of Sacred Music here: http://catholicinstituteofsacredmusic.org/
鎌倉でギャラリーを営みながら財務コンサルタントでもある、株式会社Quadriviumの黒田貴彦さんをゲストにお招きしました。
You're not wrong! The energy feels really big this month — and that's because it is!
Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Sepultura es una banda brasileña de thrash metal formada en 1984 en Belo Horizonte por los hermanos Max (guitarra y voz) e Igor Cavalera (batería). Está considerado como el grupo de heavy metal más exitoso de Brasil y uno de los más influyentes de dicho género en todo el mundo, aunque su música se orientaría originalmente al thrash, death y groove metal y posteriormente al hardcore, metal alternativo, nu metal y metal industrial. Formada en el contexto de la represión policial que marcó los últimos años de la dictadura militar brasileña, Sepultura ha disfrutado de éxito internacional desde finales de la década de 1980 con un estilo principalmente orientado hacia el thrash metal gracias a trabajos como Arise (1991) Chaos A.D. (1993) o Roots (1996). El fundador y principal compositor del conjunto, Max Cavalera, dejó la agrupación abruptamente en 1996 como resultado de desacuerdos personales y posteriormente fundó Soulfly. Su hermano Igor hizo lo mismo en 2006 y ambos volvieron a unirse en el proyecto Cavalera Conspiracy. La formación actual de Sepultura está integrada por el bajista Paulo Jr. —el único integrante original que continúa en la banda—, el guitarrista Andreas Kisser, el vocalista estadounidense Derrick Green y el batería Eloy Casagrande. El grupo ha publicado quince álbumes de estudio que les ha permitido vender más de veinte millones de copias en todo el mundo hacia 2014. Sepultura fue formada en 1984 en Belo Horizonte, capital del estado de Minas Gerais en Brasil. Sus dos fundadores fueron los hermanos Max e Igor Cavalera, hijos de una modelo llamada Vânia y del diplomático italiano Graciliano Cavalera, cuya repentina muerte por un ataque al corazón dejó a la familia sin recursos financieros. Tras el fallecimiento de su padre, Max se interesó por su colección de vinilos para saber cual era la música que le gustaba y allí encontró el cuarto álbum de Led Zeppelin y el primero de Black Sabbath. A finales de ese mismo año, los dos hermanos optaron por abandonar sus estudios y dedicarse por completo a la música. Después de varios cambios iniciales, la formación quedó establecida con Max como guitarrista, Igor a la batería, el bajista Paulo Jr. y el vocalista Wagner Lamounier. Debido a desacuerdos artísticos, este último abandonó el conjunto para fundar Sarcófago, por lo que Max pasó a ser también el vocalista y Jairo Guedz se convirtió en su nuevo guitarrista. A lo largo de 1985, Sepultura participó en varios festivales locales y firmó un contrato con el sello discográfico Cogumelo. Su primer EP, titulado Bestial Devastation y grabado en solo dos días en un estudio improvisado, salió a la venta en diciembre conjuntamente con Século XX de Overdose. A pesar de su mala calidad, debido a la sobresaturación de los amplificadores, el EP permitió al grupo ser conocido en Brasil y grabar Morbid Visions en agosto de 1986. Aunque en esos momentos su fama se limitaba únicamente a su país de origen, debido a que sus dos primeros trabajos no fueron publicados en el resto del mundo, el hecho de ejercer de telonera de Venom en Belo Horizonte y componer temas como «Troops of Doom» ayudaron a aumentar su popularidad. Tras el lanzamiento de su álbum debut, el conjunto decidió trasladarse a São Paulo, la ciudad más grande de Brasil, para avanzar en su carrera. La banda fue una de las primeras en su nación en fusionar death y black metal junto a Sarcófago, liderada por Wagner Lamounier. Las dos formaciones, pioneras del heavy metal en Brasil, mantuvieron una rivalidad durante mucho tiempo: Originalmente los miembros de ambas agrupaciones eran amigos desde la infancia, pero la salida de Lamounier de Sepultura provocó una confrontación contra Max Cavalera. La situación no mejoraría con el tiempo, pues el batería D.D. Crazy rompería una botella en la cabeza del futuro guitarrista de Sepultura Andreas Kisser y en 2013, Max calificó a Lamounier como «un gilipollas, un mierda, por eso fue expulsado de la banda». Tras su primera gira en 1987, el guitarrista Jairo Guedz dejó el grupo al perder su interés por el death metal. Su sustituto fue el mencionado Andreas Kisser, originario de São Paulo, y que había trabajado como pipa de Max Cavalera. La experiencia del nuevo miembro contribuyó en gran medida a la evolución del estilo de la banda en su siguiente álbum de estudio, Schizophrenia, su primer trabajo grabado de manera profesional. Durante los meses siguientes, Sepultura realizó conciertos con audiencias de hasta 2000 personas y el disco llega a vender más de 10 000 copias, más que grupos extranjeros como Slayer o Anthrax. El grupo envío varias cintas a los Estados Unidos y algunos de sus temas fueron emitidos en estaciones de radio, a pesar de que muchas de ellas eran reacias a radiar thrash metal, debido a la oposición de los encargados de locales que no querían transmitir música demasiado violenta en sus establecimientos. En 1988, Max decidió viajar a los Estados Unidos con la intención de conocer productores después de entablar algunas relaciones en sus conciertos. El conjunto llamó la atención de la discográfica Roadrunner Records, cuyo director artístico, Monte Conner, le ofreció un contrato a largo plazo y la distribución de Schizophrenia a mayor escala sin haber visto antes a la banda actuar en directo. Tras firmar el acuerdo, el disco salió a la venta en Norteamérica y Europa donde cosechó buenas críticas. El álbum Beneath the Remains fue grabado durante nueve noches, para aprovechar tarifas más baratas, en un estudio de mala calidad de Río de Janeiro. Debido a que los músicos no sabían hablar inglés tuvieron que comunicarse mediante un intérprete con el productor Scott Burns. La buena recepción del disco, que llegó a vender 600 000 copias en todo el mundo, permitió al grupo realizar su primera gira mundial y ser reconocido como uno de los más famosos exponentes del death metal. Su primera actuación en los Estados Unidos tuvo lugar el 31 de octubre de 1989 en el Ritz de Nueva York, como acto de apertura del músico danés King Diamond. En 1990, la banda decidió mudarse a Phoenix, Arizona, y contratar como mánager a Gloria Bujnowski. La gira promocional del álbum terminaría en enero de 1991, tras un concierto en el festival Rock in Rio, en Río de Janeiro, ante más de 100 000 personas. A lo largo de 1990, la agrupación grabó su cuarto trabajo de estudio, Arise, en los estudios Morrisound de Tampa, Florida. El álbum salió a la venta en abril de 1991 y contiene los sencillos «Dead Embryonic Cells» y «Arise», cuyos vídeos musicales fueron prohibidos por el canal televisivo MTV por blasfemia. Su buena recepción permitió que el grupo realizara una gira mundial de dos años que incluyó dos conciertos con lleno absoluto en un estadio indonesio. El éxito internacional de Sepultura sirvió como referencia para conjuntos de países donde el heavy metal no tenía cabida en los medios de comunicación. Por esas fechas, la agrupación grabó una versión del tema de Motörhead «Orgasmatron», cuyo vídeo musical fue elegido por el público como el mejor vídeo brasileño en la edición de 1991 de los MTV Video Music Award. En 1992, el grupo participó en otras dos giras, en una junto a Helmet y Ministry, y en la otra como telonero de Ozzy Osbourne y Alice in Chains. Ese mismo año, Max contrajo matrimonio con la gerente Gloria Bujnowski, casi el doble de años mayor que él. En 1993 fue publicado Chaos A.D., con una temática lírica orientada hacia la denuncia social, especialmente en Brasil y que alcanzó el puesto 32 del Billboard 200, algo poco común para una banda de heavy metal extranjera. En 1994, la banda participó en uno de los principales festivales europeos de dicho género, el Monsters of Rock, realizado en Donington Park, Inglaterra. Ese mismo año, el vídeo musical de «Territory» obtuvo un galardón en los MTV Video Music Awards y Max Cavalera formó el proyecto de corta duración Nailbomb, con el cual publicó un único álbum de estudio y en el que participaron su hermano Igor y Kisser. En marzo de 1996 salió a la venta Roots, la cima de la popularidad en la carrera del conjunto, el cual llegó a vender más de dos millones de copias en todo el mundo y se situó entre los cinco discos más vendidos en el Reino Unido. Este trabajo contó con la colaboración de músicos como Carlinhos Brown, DJ Lethal, Mike Patton o Jonathan Davis, entre otros, y parte de su grabación tuvo lugar en una reserva de indígenas Xavantes en el Mato Grosso. Según declaraciones posteriores de Max Cavalera, este fue el primer disco que grabó Paulo Jr. ya que anteriormente las pistas de bajo eran grabadas por él y por Kisser. El bajista confirmó esta afirmación y remarcó que Kisser fue el que le sustituyó en Schizophrenia y Beneath The Remains, aunque destacó que «yo tuve que tocar en directo, que es el principal desafío». El 17 de agosto de 1996, el grupo participó en el festival Monsters of Rock como un trío con Kisser como cantante. Solo unas horas antes de su actuación, Max recibió la noticia de que su hijastro, Dana Wells, había fallecido en un accidente automovilístico, lo que le obligó a abandonar el recinto y tomar un vuelo hacia los Estados Unidos. Tras el funeral de Wells, el vocalista regresó al conjunto para continuar la gira, sin embargo, pocos meses después los miembros restantes le anunciaron su decisión de despedir a Gloria Bujnowski, esposa de Max y madre del joven fallecido, como gerente de Sepultura. El mismo día de diciembre, tras un concierto en el Brixton Academy de Londres, Max anunció su renuncia voluntaria a sus compañeros, aunque no se haría oficial hasta comienzos de 1997 y posteriormente formaría el proyecto Soulfly. Tras la salida de Max Cavalera, el público temió una separación definitiva del grupo, sin embargo, los tres miembros restantes anunciaron su decisión de continuar juntos. Tras una extensa búsqueda para buscar a un sustituto, la banda eligió como nuevo cantante a Derrick Green, natural de Cleveland, Ohio y que debutó con el disco, Against, que salió a la venta en octubre de 1998 y que recibió reseñas regulares por parte de la crítica musical. Por su parte, su recepción comercial fue peor que la de sus dos anteriores trabajos y vendió la mitad de copias que el álbum debut de Soulfly, el cual recibió además un disco de oro en los Estados Unidos. Su siguiente disco, Nation, publicado en marzo de 2001, incluyó la colaboración del grupo finés de violonchelistas Apocalyptica, Jamey Jasta y nuevamente de Jello Biafra. Debido principalmente a la baja comercialización de su antecesor, el álbum apenas tuvo promoción, razón por la cual la agrupación decidió romper su contrato con Roadrunner Records. Por su parte, la discográfica aprovechó para lanzar el directo Under a Pale Grey Sky, que contiene el último concierto de Cavalera en el Brixton Academy. En 2003, la agrupación firmó un acuerdo con el sello SPV Records, que publicó el EP Revolusongs, que estuvo compuesto por versiones de bandas como Hellhammer, U2 o Public Enemy y el álbum de estudio Roorback, cuyas reseñas fueron variadas y sus ventas aún peores que las de las primeras obras con Green. Durante esa época, Sepultura aprovechó para actuar en países en los que la escena del heavy metal no estaba tan desarrollada como Nueva Zelanda o Indonesia, además en 2005 editó el directo Live in São Paulo. El décimo trabajo de estudio de Sepultura fue un álbum conceptual inspirado en La Divina Comedia titulado Dante XXI y publicado en marzo de 2006. Al año siguiente, Max reveló en una entrevista que Igor y él habían hecho las paces después de casi una década y habló sobre una posible reunión con la banda. Este hecho no sucedió y esta vez fue el batería quien abandonó la formación debido a diferencias creativas y personales. Los dos hermanos, sin embargo, volvieron a juntarse y fundaron el proyecto Cavalera Conspiracy. A pesar de la salida de otro de los fundadores del grupo, Sepultura continuó su carrera con la colaboración de Roy Mayorga durante algunos conciertos y finalmente con la contratación de un nuevo batería, Jean Dolabella. Kisser declaró posteriormente que «a Igor ya no le atrae el metal, solo toca con Cavalera Conspiracy porque le gusta estar con Max». En enero de 2009 salió a la venta A-Lex, un nuevo trabajo conceptual inspirado en la novela de Anthony Burgess La naranja mecánica y en la película homónima de Stanley Kubrick y que supuso su primer disco grabado sin ninguno de los hermanos Cavalera. Tras su lanzamiento, Max criticó que a sus ex compañeros no les gustaba la película y que en una ocasión en que la estaba mirando le comentaron: «¿Qué es esa mierda que estás viendo?». Durante su gira promocional, el conjunto tuvo la posibilidad de ejercer de telonero de Metallica en el estadio Morumbi de São Paulo los días 30 y 31 de enero de 2010, ante 100 000 personas. En julio de 2010, la banda firmó un contrato con el sello discográfico Nuclear Blast, para la distribución de sus siguientes trabajos. A finales de ese año, el grupo comenzó a trabajar en su duodécimo álbum de estudio junto al productor Roy Z, que había trabajado con anterioridad con Judas Priest y Bruce Dickinson. El disco salió a la venta en junio de 2011 bajo el título Kairos e incluyó versiones de los temas «Just One Fix» de Ministry y «Firestarter» de The Prodigy. Tras su lanzamiento, el conjunto realizó una gira mundial que incluyó festivales como el Wacken Open Air o el Rock in Rio y durante la cual contó con la colaboración de la agrupación francesa Les Tambours du Bronx. En noviembre, Jean Dolabella abandonó la formación para concentrarse en otros proyectos y le reemplazó Eloy Casagrande, de apenas 20 años de edad. En septiembre de 2013, el grupo volvió a tocar en el festival Rock in Rio, esta vez con la participación del artista de música popular brasileña Zé Ramalho. Al mes siguiente salió a la venta el álbum The Mediator Between Head and Hands Must Be the Heart, cuyo productor fue Ross Robinson, quien ya había ejercido esta labor en Roots y que contó con la colaboración del batería de Slayer, Dave Lombardo. En mayo de 2016, Sepultura comenzó la grabación de un nuevo trabajo de estudio con el productor Jens Bogren que sería publicado el 13 de enero de 2017 bajo el título de Machine Messiah. Para promocionarlo, la banda participó como acto de apertura de Kreator y Testament en sus respectivas giras por Europa y Norteamérica. En mayo de 2017 tuvo lugar el estreno del documental oficial Sepultura Endurance para el cual los hermanos Cavalera prohibieron el uso de las canciones grabadas antes de sus salidas del grupo, debido a que son propietarios de la mitad de los derechos. En el primer trimestre de 2018, el conjunto realizó una nueva gira promocional por Europa con Obscura, Goatwhore y Fit for an Autopsy. En agosto de 2019, el cuarteto viajó a Suecia para realizar la grabación de un nuevo trabajo, Quadra, producido al igual que su antecesor por Bogren. Tras su lanzamiento, tuvo un éxito destacable en la lista de álbumes alemana, donde llegó a la quinta posición, la mejor en dicho país en su carrera. Sepultura anunció una nueva gira de promoción con Sacred Reich y Crowbar para la primavera de 2020, aunque debido a la pandemia de COVID-19 debió de ser suspendida. El deseo de tocar heavy metal nació del rechazo al pop y a la música tradicional brasileña que rodeaban a los hermanos Cavalera, que en su infancia eran alumnos de una escuela de samba. Durante su formación, el grupo decidió alejarse de estos estilos, del choro, de la bossa nova e incluso de lo que empezaba a ser calificado como rock brasileño. Esta negación de su pertenencia nacional a través de la música permitió a sus miembros reivindicar su individualidad, al igual que otros jóvenes brasileños que no se identificaban con la música popular brasileña o el rock brasileño. El guitarrista Andreas Kisser comentó sobre aquella etapa: «Escuchábamos heavy y black metal y pensábamos que todo lo que había en Brasil era una mierda. No nos gustaba la samba, no nos gustaba el rock brasileño». Las influencias de la formación original, en especial de los hermanos Cavalera eran agrupaciones provenientes de la primera ola del heavy metal o del hard rock, de hecho, Max Cavalera declaró que formó Sepultura después de escuchar el álbum Vol. 4 de Black Sabbath, una de las bandas pioneras del metal. Además, a diferencia de otros conjuntos brasileños que elegían nombres en inglés, Sepultura optó por un apelativo en portugués que Max escogió de la canción de Motörhead «Dancing on your Grave» —en portugués: Dançando em sua sepultura—. Aparte de Black Sabbath y Motörhead, los hermanos también estaban influenciados por Deep Purple y Led Zeppelin, así como por la mayoría de bandas populares de hard rock y heavy metal de finales de la década de 1980 como Van Halen, Judas Priest, Ozzy Osbourne, AC/DC y Iron Maiden. Max e Igor solían visitar con frecuencia una tienda de discos en São Paulo en donde compraron sus primeros discos de Iron Maiden, Slayer y Metallica. Sin embargo, en un país que acababa de salir de una dictadura militar, los álbumes de heavy metal y el punk rock eran considerados como «socialmente inaceptable», ya que representaban una incitación a la rebelión y a la oposición a la religión, un motivo por el cual, los integrantes del grupo tuvieron dificultades para expresar su interés por esta música. Kisser destacó además a sus agrupaciones más importantes, Queen y Kiss: «Queen vino a Brasil en 1981, pero mi madre no me dejó ir porque era demasiado joven. Entonces Kiss llegó en 1983 y ese sería mi primer concierto. Poder verles en directo durante su gira Creatures of the Night Tour fue una locura, eso cambió mi vida. ¡Por eso estoy aquí! Ver eso, en mi ciudad, en el estadio de mi equipo de fútbol. Lo cambió todo». Los gustos de los integrantes de Sepultura cambiaron tras el descubrimiento del trío británico Venom y su influencia puede apreciarse de manera significativa en su primer EP, Bestial Devastation, en el que la voz está orientada hacia los gritos y las guitarras hacia la distorsión. Igor Cavalera declararía más tarde: «Recuerdo el día que escuché a Venom por primera vez en una cinta que me había prestado un amigo. Era muy parecido a Motörhead, pero un poco más violento. Una vez que descubrimos los demás trabajos de Venom dejamos de escuchar a Iron Maiden y a otras bandas ligeras». Los hermanos Cavalera posteriormente mostraron su interés también en Metallica, Kreator, Sodom, Megadeth, Slayer, Exodus, Possessed y Exciter, y sus ritmos violentos y frenéticos pueden apreciarse en Bestial Devastation y en su primer álbum, Morbid Visions. También destaca en este último el sonido característico del death metal; batería omnipresente, voces guturales y estribillos repetitivos. Por su parte, Andreas Kisser, que ingresó tras el lanzamiento de este disco, tenía como influencia a Anthrax, Metallica, Slayer y Megadeth. Al negar la influencia de la música brasileña, tradicional y contemporánea, los miembros de Sepultura buscaban internacionalizar su música y emular a los principales grupos de la escena del heavy metal. Sus dos primeros trabajos, Bestial Devastation (1985) y Morbid Visions (1986), guardan similitudes con los de las bandas estadounidenses de death metal, pero con reminiscencias de black metal. En ambos discos se aprecian elementos recurrentes de estos dos subgéneros de heavy metal: Uso de gritos amplificados, letras ininteligibles, tempos extremadamente rápidos, reiterados golpes de platillos, ausencia de estribillo y repetición del ritmo. Del mismo modo, Sepultura utilizó en estos dos trabajos una gran distorsión de guitarra y rompió la armonía diatónica propia del blues con el fin de crear un sonido más oscuro. En su siguiente álbum, Schizophrenia (1987), destaca la evolución musical en las pistas de guitarra debido a la llegada de Andreas Kisser, un músico más técnico y con más experiencia, que trajo consigo melodías más complejas y solos más elaborados, aunque manteniendo un sonido cercano al death metal. El ritmo del disco es más rápido y las canciones más estructuradas que las de su antecesor, con un acercamiento al thrash metal. y con una mejora significativa de la técnica de los músicos, lo que les permitió utilizar staccato para conseguir así un sonido melódico y a la vez agresivo, como en la canción «To the Wall». La distorsión de las guitarras de Kisser y Max Cavalera es llevada a la extremidad, mientras que la batería de Igor Cavalera, interpretada velozmente, cubre parcialmente a los demás instrumentos y desdibuja el sonido de la guitarra. Por su parte, los temas de Beneath the Remains (1989) se orientan hacia un thrash más oscuro y brutal, y entre las pistas incluidas, destacan «Mass Hypnosis» o «Slaves of Pain» que demuestran el virtuosismo de Kisser con la guitarra y de Igor con el doble pedal del bombo. Este trabajo guarda similitudes con los de otras bandas del género como Sodom o Kreator. Sepultura continuó su evolución musical con Arise (1991), en el que algunas de sus canciones permanecen fieles a su sonido thrash, mientras que otras contienen riffs de guitarra acústica o en el caso de «Escape to the Void», un sample de la banda sonora de Psicosis, compuesta por Bernard Herrmann. En Chaos A.D. (1993), el grupo suprimió algunos elementos del thrash y del death de sus primeros trabajos en beneficio del hardcore punk y el metal industrial, además cuenta con la participación de Jello Biafra, líder de Dead Kennedys —uno de los principales conjuntos del género punk— como vocalista en el tema «Biotech is Godzilla». Por su parte, Igor Cavalera proporciona con su batería cambios de ritmo inesperados propios del punk y una combinación de sonidos tradicionales brasileños como en la pista «Kaiowas», además, «Territory» incluye el primer solo del percusionista en su carrera con la banda. Andreas Kisser declaró que la influencia de Ministry —agrupación emblema del metal industrial— fue determinante en este disco. La evolución musical de Sepultura hacia el hardcore continuó con su siguiente álbum, Roots (1996) y si en sus trabajos anteriores el conjunto trataba de negar cualquier herencia de la música brasileña, aquí el estilo es una mezcla entre la música tradicional de su país y el thrash metal. Como novedad, aparecen pasajes de percusión grabados por Carlinhos Brown, birimbaos y hasta sonidos tribales interpretados por una tribu de indígenas Xavantes en temas como «Itsari», «Born Stubborn» o «Procreation (of the Wicked)». En ese momento, el legado de la música brasileña es asumido y reclamado por el grupo y según Kisser: «Esto es para mostrar a todo el mundo lo mejor de Brasil; los colores, la música y la cultura de los indígenas y la influencia africana, especialmente en la percusión». Con Against (1998), el primer álbum con Derrick Green, Sepultura se decidió por un metalcore y un nu metal de tendencia étnica, inspirado por el punk hardcore, el funk e incluso el rap. El disco mantiene aportes de música tradicional, esta vez gracias a la agrupación de percusionistas de taiko Kodō en la canción «Kamaitachi» y la inclusión de flautas y violines. Según el crítico Steve Huey, el grupo perdió la parte experimental de su anterior disco y que lucha por encontrar un estilo cercano al thrash metal, a pesar de contar con la colaboración de Jason Newsted, bajista de Metallica, en el tema «Hatred Aside». Su siguiente álbum, Nation (2001), cuyas letras se orientan hacia la política, abarca un sonido más punk, de nuevo gracias a la colaboración de Jello Biafra, además este trabajo finaliza con la pieza instrumental «Valtio», interpretada junto al grupo de violonchelistas Apocalyptica. Revolusongs (2003), un EP de versiones de otros artistas, permitió a Sepultura interpretar otros géneros —como el rap en su versión de un tema de Public Enemy—. Roorback (2003), su álbum más hardcore, continuó esta progresión hacia el sonido thrash fusionado con punk, mientras que Dante XXI (2006) y A-Lex (2009) son dos discos conceptuales que siguieron en la línea del thrash metal con furiosos y poderosos gritos interpretados por Green. Kairos (2011), demuestra una mayor ambición por el thrash de la «vieja escuela» según Kisser y su grabación fue realizada en directo con los instrumentos propios de una banda de metal —guitarra, voz, bajo y batería— y con la colaboración de los percusionistas del grupo Les Tambours du Bronx en la canción «Structure Violence (Azzes)». Por su parte, The Mediator Between Head and Hands Must Be the Heart (2013) muestra una mayor velocidad que su antecesor y un tempo más salvaje. En Machine Messiah, Sepultura vuelve a abordar el thrash y el hardcore de su antecesor e incorpora además un conjunto de violinistas y una versión de la canción de la serie japonesa Ultra Seven. Quadra se divide, en palabras de Kisser, en cuatro partes; la primera orientada hacia el thrash metal de sus orígenes, la segunda inspirada por el sonido de Roots, la tercera encaminada hacia la pista acústica instrumental «Iceberg Dances» de Machine Messiah y la cuarta, con un sonido más melódico y tranquilo culminado con la participación de la vocalista Emmily Barreto. Desde Bestial Devastation a Quadra, Sepultura ha utilizado distintos temas en las letras de sus canciones, aunque los principales han sido la muerte, el satanismo, lo paranormal, la guerra, la paranoia, la violencia y la destrucción. Originalmente, Max Cavalera traducía del inglés al portugués las canciones de sus bandas de heavy metal favoritas, sin embargo, al no dominar el idioma, el vocalista realizó varias traducciones erróneas, además el fuerte acento portugués de Max marcó a los primeros trabajos de la banda. La temática sobre la muerte, presente en «Necromancer», «Funeral Rites» o «R.I.P : Rest In Pain»; así como la temática sobre la guerra, en pistas como «War», «Troops of Doom» o «Warriors of Death», son de los más frecuentes en sus primeras obras, mientras que otras canciones muestran puntos de vista blasfemos, como «Crucifixion». De esta manera, el conjunto fue objeto de desprecio por parte de la sociedad brasileña, predominantemente católica. En los años siguientes, el grupo mantuvo sus temas favoritos, especialmente la guerra e incluyó otros nuevos como la violencia y la opresión, asimismo algunas canciones tienen letras denunciatorias como «Manifest», que trata sobre la masacre de Carandiru. Las imágenes de las portadas guardan relación con la música y las letras, y en ellas se hace uso de una estética monstruosa y representaciones de pesadillas, como por ejemplo la de Beneath the Remains, que muestra un cráneo rojo sobre un fondo negro. Sepultura también ha abordado en sus álbumes cuestiones políticas, algo novedoso en Brasil, una nación que acababa de salir de una dictadura militar de dos décadas y en sus primeros trabajos, canciones como «Anticop» o «C.I.U: Criminals In Uniform» reflejan un rechazo a la jerarquía establecida y un fuerte sentimiento contra las fuerzas del orden. Este compromiso con la rebelión llevó a que las personalidades conservadoras lo consideraran como una incitación a la violencia. Chaos A.D. fue el disco que marcó una evolución hacia el metalcore con unas letras más reivindicativas, sociales y denunciatorias, especialmente en relación con Brasil. Max Cavalera, consciente del peligro que ello conllevaba, declaró en 1991: «Sepultura abrió los ojos a la gente a través de sus letras, pero es peligroso hacer eso en Brasil, porque si a la gente no le gusta lo que dices te van a matar». En el tema «Murder», incluido en el álbum Arise, el grupo hace un retrato de la violencia, el racismo, la represión policial y de la inhumanidad de las detenciones en la sociedad brasileña. Por su parte, el vídeo musical de «Territory» muestra imágenes de enfrentamientos ciudadanos en Palestina, Irlanda del Norte y Brasil, y la canción «Kaiowas» está dedicada a una tribu de amerindios que se suicidaron en masa como protesta por la expropiación de sus tierras. La culminación del compromiso político de la banda fueron los discos Nation y Roorback, donde se aprecia cierta ideología de izquierdas en la línea de los grupos de hardcore punk. Estos dos trabajos abarcan en sus letras temas como la corrupción, la lucha política, el pacifismo y la no violencia, además en el folleto de Nation pueden apreciarse citas de la Madre Teresa de Calcuta, Albert Einstein y Gandhi. Su siguiente álbum de estudio, Dante XXI, fue una obra conceptual sobre el libro de Dante Alighieri La divina comedia, mientras que en su sucesor, A-Lex, el conjunto tomó como inspiración la novela de Anthony Burgess La naranja mecánica y su adaptación cinematográfica a cargo de Stanley Kubrick. Kairos tiene como concepto el tiempo, de hecho su título procede de un término griego que alude a un periodo de tiempo en el cual algo especial sucede, mientras que las letras de The Mediator Between Head and Hands Must Be the Heart están parcialmente influenciadas por la película muda Metrópolis de Fritz Lang. En Machine Messiah, Sepultura «explora la devoción religiosa de la sociedad al avance tecnológico con la idea de un Dios salvador que regresa, convertido en cyborg, para salvar a la humanidad». Por su parte, para el álbum Quadra, Andreas Kisser tomó inspiración del libro Quadrivium, que en sus propias palabras trata «sobre las cuatro artes liberales, que son la cosmología, la música, la geometría y las matemáticas. El número cuatro, de acuerdo con Quadrivium, es el número de manifestaciones donde todo sucede». En sus inicios, el grupo apenas pudo destacar con su heavy metal en un país donde la música popular brasileña era el género musical de moda desde mediados de la década de 1960. Por ese motivo, además de por su limitada distribución, sus dos primeras obras, Bestial Devastation y Morbid Visions, no llamaron la atención de los críticos. Sin embargo, las pocas reseñas no fueron positivas y criticaron la banalidad de los riffs, la falta de originalidad en sus letras y el carácter involuntariamente cómico de la voz de Max Cavalera. Posteriormente, ambos discos recibieron buenas críticas y el analista Garry Sharpe-Young señaló que el EP era prometedor: «El gruñido de apertura de «The Curse» habría tenido notoriedad si la banda se hubiera formado en Escandinavia o en el resto de Europa. Con una crudeza infernal, dictada por su juventud y falta de experiencia, Bestial Devastation ofrece un death metal primitivo y sin duda, uno de los primeros ejemplos de la hoy célebre técnica de blast beat en el tema “Antichrist”. A pesar de las restricciones de estudio, la reverberación de la voz gutural de Max Cavalera y la guitarra completamente desafinada, Bestial Devastation ha envejecido bien». Schizophrenia recibió los elogios de la prensa especializada brasileña y está considerado el álbum que forjó su estilo thrash con un sonido más denso y grave y una voz particularmente estridente. Eduardo Rivadavia del sitio web Allmusic le concedió una puntuación de 4 sobre 5 y lo calificó como «un increíble salto creativo». No obstante, fue con Beneath the Remains que el conjunto conoció su primer éxito de crítica por parte de importantes medios especializados contemporáneos. La revista Decibel lo posicionó en su salón de la fama y señaló que los temas del álbum «fueron producto de la voluntad de extender su salvaje híbrido de thrash-death más allá de las fronteras de la ciudad y el país al que llamaban hogar». Arise es a menudo considerado el disco en el que Sepultura llegó a su apogeo en cuanto a técnica y composición. A pesar de la censura del vídeo musical del tema «Dead Embryonic Cells», tuvo una buena recepción crítica y comercial: Alcanzó la posición 119 del Billboard 200 y vendió más de un millón de copias, algo poco común para un disco de una agrupación de heavy metal no estadounidense. El éxito de Arise fue superado por Chaos A.D., que llegó al puesto 32 de la lista estadounidense y logró una certificación de disco de oro de la Recording Industry Association of America. Steve Huey de Allmusic lo puntuó con un 4'5 sobre 5 y lo calificó como «uno de los mejores álbumes de heavy metal de todos los tiempos». Roots continuó la racha de buenas críticas y alcanzó la vigésimo séptima posición del Billboard 200 —el mejor puesto en la carrera de la banda— además de conseguir un disco de oro otorgado por la RIAA. Huey lo puntuó en Allmusic con un 4'5 sobre 5 y en su opinión «consolidó el status de Sepultura como quizás la más distintiva y original banda de heavy metal de la década de 1990». Los álbumes publicados tras la llegada de Derrick Green recibieron reseñas variadas y alcanzaron peores posiciones en las listas que los últimos tres trabajos grabados con Max Cavalera. Against alcanzó el puesto 82 del Billboard 200 pero obtuvo principalmente críticas negativas. El crítico Steve Huey destacó que «el problema es que parece carecer de una visión o una dirección clara» aunque señaló que el disco «es mucho mejor de lo que cabría esperar y hay suficientes destellos del antiguo brillo de Sepultura». Por su parte, Nation únicamente llegó a la posición 134 de la lista estadounidense aunque tuvo una recepción crítica mejor que la de su antecesor. Don Kaye de Blabbermouth remarcó que «Sepultura suena más como una banda que en Against» y escribió que «el estilo vocal y las líneas melódicas de Green desempeñan un papel integral en la composición». Roorback fue el primer álbum del conjunto en no posicionarse en el Billboard 200 desde Beneath the Remains y recibió tanto buenas como pésimas reseñas. Adrien Begrand de Popmatters lo calificó como «su más consistente y energético trabajo desde Roots» y señaló que los integrantes del grupo «demuestran que son más que capaces de proporcionar algunos momentos emocionantes». Por su parte, Don Kaye comentó que «desde la apertura de «Come Back Alive» a la outro, Roorback es la prueba concluyente de que Sepultura han perdido gran parte de su fuego». Las críticas de Dante XXI y A-Lex siguieron en la línea de sus tres antecesores. El crítico Greg Prato calificó al primero como «fácilmente uno de los lanzamiento más poderosos del conjunto con Green», mientras que Alex Henderson señaló que «los cambios de formación pueden tender un efecto muy negativo en una banda, pero Sepultura ha mantenido la vitalidad todos estos años y esa vitalidad está viva en el magnífico A-Lex». Kairos dividió a la crítica y cosechó tanto buenas reseñas como mediocres. Jason Heller de The A.V. Club comentó que a diferencia de su antecesor, «Kairos es solo un montón de canciones» y añadió que «la carne del disco es dura e insípida y ensartada por un repertorio de exhaustos riffs de Andreas Kisser», mientras que Dan Marsicano de About escribió que el álbum «es una celebración de todo lo que ha hecho el grupo en su carrera de 25 años. Es casi como una colección de grandes éxitos, donde hay algo para los aficionados de todas las épocas de Sepultura». Por su parte, The Mediator Between Head and Hands Must Be the Heart tuvo una mejor recepción crítica. Ray Van Horn de Blabbermouth señaló que lo mejor es que «suena adecuadamente como un álbum de Sepultura» y remarcó que «los riffs de Kisser son de confianza, como siempre». Machine Messiah y Quadra recibieron buenas reseñas y el redactor de Allmusic Thom Jurek consideró al primero como «ambicioso, furioso y hambriento» y al segundo como su primer trabajo «que se semeja en igualdad cualitativa a la trilogía clásica». Los álbumes de Sepultura han ejercido como influencia de varios grupos posteriores, en concreto con los discos Chaos A.D. y Roots, que sintetizaban thrash metal con ritmos tribales y que sirvieron como referencia de bandas de metal alternativo como Slipknot, Godsmack, System of a Down, Gojira, Between the Buried and Me, Vein, Code Orange, Toxic Holocaust y Nails. Además, entre los conjuntos que han versionado algunos de sus temas se encuentran Napalm Death, Aborted, God Forbid, Apocalyptica, Kalmah, Children of Bodom, Trivium, Havok, Dimension Zero, Ratos de Porão, Krisiun, Hatebreed, entre otras. Por su parte, los integrantes de Radiohead declararon estar influenciados por el conjunto: «Vimos a Sepultura hace algunos años en un festival holandés y nos encantaba su sombría música brasileña con un poco de vudú. Tocaban con instrumentos de los bosques tropicales a base de palmas y habas. Era bastante inquietante». Gus G., guitarrista de Ozzy Osbourne y Firewind, señaló que «Sepultura fue realmente importante para introducir nuevos estilos al heavy metal, especialmente Roots. Si lo piensas bien, de ahí viene el nu metal. Escuché a Slipknot y Coal Chamber, todos están fuertemente influenciadas por los poderosos riffs de Andreas con ese tipo de ritmo. Puedes escuchar su influencia en tantas bandas, sin mencionar lo que Sepultura hizo respecto al tema de la percusión». De acuerdo con la RIAA y la BPI, la agrupación ha conseguido dos discos de oro en los Estados Unidos y otros dos en el Reino Unido. Por otra parte, la banda ha vendido más de veinte millones de copias en todo el mundo hacia 2014. Pagina Oficial: https://www.sepultura.com.br/
This episode was meant to come out early this month but lost in the shuffle. I reviewed an older podcast called "Peace Revolution" EP. Seven where we learn where the art of Rhetoric came from and what it taught. We are presented with the Seven Liberal Arts and Sciences in Freemasonry, but nobody tells us why. The art of persuasion seems to have been with us for thousands of years. When were the Trivium and Quadrivium in their present form developed? Why is this important to us Masons and should we study it all? Peace Revolution Ep. #12 - The History of Money - 36 min. 30 sec Peace Revolution Ep. #33 is a lecture given by Manly P. Hall where he expounds on the Seven Liberal Arts and Sciences and how the Romans understood it. Corax of Sicily Demosthenes died in 322 BC, and it was his specific style of persuasive rhetoric that the Skull and Bones at Yale leveraged for their benefit. Sister Miriam Joseph and The Trivium Follow me on: TikTok @Masonicmuscle357 Instagram @Masonicmuscle You can also write to me at Masonicmuscle357@gmail.com Let's put the Mystery back in Masonry! #mysteries #liberal #truevsalkue #value #manlyphall #secrets #occult #romans #peacerevolutionpodcast #freemasonry #pheonicians #money #contracts #words #technology #bankers #anglosaxons #corporations #moneyprinting #control #government #masonicmsuclepodcast #richardgrove #grandtheftworld #skullandbones #trivium #quadrivium #reguismanuscript #beer --- Support this podcast: https://podcasters.spotify.com/pod/show/cesar-rubio5/support
In this episode, Mario speaks with Lars Hamkens and Jamie Pridham of Toronto-based Quadrivium Capital Partners. Quadrivium, an investment firm that works with executives and serial entrepreneurs in lower midmarket acquisitions, currently has a portfolio of 11 successful companies funded by groups of individual investors and generally held for the long term. The typical Quadrivium deal begins with an introduction to an entrepreneurial business operator for whom an appropriate opportunity is identified, often a situation with an exiting owner-operator. Looking ahead, Jamie and Lars are of the view that the lower midmarket is significantly insulated from macroeconomic forces and should continue to reward those who are willing to take the risks of entrepreneurship.
Quadrivia es el plural de Quadrivium. John Manuel Kennedy Traverso habla de su Quadrivia y explica la conformación del Cuadrado Imperfecto de la Infelicidad y como controlarlo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/john-kennedy98/message
Time Artist Title Duration Album Year Intro 0:02:13 Gayle Ellett & The Electromags Via Valencia (ft. Alfonso Rodenas) 5:17 Friends 2023 0:05:58 Nick Fletcher The Journey To Varanasi 7:06 Quadrivium 2023 0:15:01 Paskinel La Danse Des Feux Follets 5:53 Maraude Automnale 2023 0:20:54 Residuos Mentales Impending Catastrophe 9:03 A Temporary State of Bliss 2023 0:32:23 […]
Music is one of the seven great lights in the medieval model of education. It's part of the Quadrivium, along with Geometry, Arithmetic, and Astronomy. The common denominator of all four is numbers. Arithmetic is the study of numbers proper, geometry is numbers in space, astronomy is numbers in space and motion. Music is numbers in *time*, numbers in proportion and intervals. > “[M]usic advances even further towards that ‘summit of perfection' for which the quadrivium is a prerequisite. The theory of music is a penetration of the very heart of Providence's ordering of things. It is not a matter of cheerful entertainment or superficial consolation for sad moods, but a central clue to the interpretation of the hidden harmony of God and nature in which the only discordant element is evil in the heart of man.” (Henry Chadwick)Rhetoric is the pinnacle of the Trivium, Music is the crown of the Quadrivium, and in some ways, Music is the high point of Rhetoric, or at least a glorious expression of truth and goodness in beauty. A song is time *adorned*, and a song sung together is adorned time *shared*. Christmas is a celebration of God adorning humanity by taking on flesh. The eternal God now shares time with us. What better way to honor the Son's birth than singing?! In our series of Advent Activities we started with Waiting. Since then we've successfully waited two additional weeks, closer to Christmas and to the Second Coming. Last week we considered Feasting, and I am bursting after multiple opportunities just this past week. Now we come to Singing. Unlike waiting, I've addressed singing multiple times, whether related to our liturgy or just while teaching through some psalms. Also unlike waiting, which is more a question of How? instead of If? since the time will pass regardless, feasting can be consciously rejected (and is by some). Singing can be good or bad or rejected. Unlike feasting, singing can be outsourced; we can depend on/hire surrogate singers. While there are certainly times to enjoy the skill of a soloist or performing group, we shouldn't choose to only be an audience and never a choir. Whether or not your noise is skillful, even tuneful, it ought to be joyful. And the coming of the Son of God in flesh, once already and again anticipated, should stir the soul up to sing. A Queen once said, "a stable once had something inside it that was bigger than our whole world." Are we just supposed to hum about that?Though singing is not the command in Colossians 3:16, it is an inevitable and edifying result of obedience. We Bible people will be known to the degree our lives together are lyrical.> Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God. (Colossians 3:16)The word should be "in-dwelling." It's supposed to dwell **richly**, abundantly, in full-measure. We could say, let the Word live like it's completely at home in us. It belongs in us. One thing that stands out is that it is identified as **the word of Christ**. Christ Himself *is* the Logos, the Word, who took on flesh and dwelt among us. So we're to let the Word of the Word dwell in us. This is only the second time this label is given to Scripture (see also Romans 10:17), and it seems that Paul was going out of his way to help the Colossians see the preeminence of Christ. Christ is the image of the invisible God, the firstborn of creation, not in time, but in rights and privileges (Colossians 1:15). By Christ and through Christ were all things created and so all glory to Christ (Colossians 1:16). Christ is the head of the church, the firstborn from the dead, both chronologically and eschatologically (Colossians 1:18). In Christ the fulness of God was pleased to dwell (Colossians 1:19), in Him the whole fullness of deity dwells bodily (Colossians 2:9). Christ, His person and His power and His life and death and resurrection to life, compels songs! It started on the night of His birth. There is good reason to think that the heavenly choir was doing more singing than chanting in Luke 2.> And suddenly there was with the angel a multitude of the heavenly host praising God, and saying,> Glory to God in the highest, > And on earth peace, > Good will toward men. > (Luke 2:13-14 KJV)"Hark! the herald angels sing, glory to the newborn King!" Philippians 2:5-11 has been called a "hymn"; it does have a different rhythm than most prose. It sings of the Incarnation, of Christ Jesus who was made in the likeness of men, and was found in the form of man. 1 Timothy 3:16 also has a more lyrical shape, and begins with the Incarnation, "God was manifest in the flesh." The section above in Colossians 1:15-20 is also often called a hymn, and highlights the Incarnation in multiple ways. Back to Colossians 3, when Christ appears our lives, now hidden in Christ, will appear with Him in glory (Colossians 3:4). So we are commanded to forgive like Christ forgave us (Colossians 3:13). We are required to be ruled by the peace of Christ (Colossians 3:15). And we must let Christ's Word have its place at home in us (Colossians 3:16). What happens when that happens is that we don't stay quiet. We speak and we sing. There is *wisdom* and there is *thanks*. And in our verbal arsenal are songs, songs, and more songs.No joke, I've read the argument that **psalms and hymns and spiritual songs** refer to three classes of psalms. But, there isn't agreement on what psalms are which psalms. Psalms tell us to *sing*, and many Psalms look to the coming of Christ. A couple of Christmas applicable-s are Psalm 96 and 98, both of which start with singing and anticipate the Lord coming to judge. > Oh sing to the LORD a new song; > sing to the LORD, all the earth! > Sing to the LORD, bless his name; > tell of his salvation from day to day. > Declare his glory among the nations, > his marvelous works among all the peoples!> > Let the heavens be glad, and let the earth rejoice; > let the sea roar, and all that fills it; > let the field exult, and everything in it! > Then shall all the trees of the forest sing for joy > before the LORD, for he comes, > for he comes to judge the earth. > He will judge the world in righteousness, > and the peoples in his faithfulness. > (Psalm 96:1-3, 11-13)Of course anything written after about AD 90 would have to be application of Colossians 3:16, but so would any English translation of Colossians 3:16, or of any inspired Psalm, or any more modern musical arrangement. Some of the best in our arsenal are Christmas carols. *Carol* is a word for a song of joy and praise, now most often associated with the Incarnation. Great carols exalt Christ. They teach and admonish one another in wisdom. They express our thanks to God. They let us apply Colossians 3:16. They unite us as one body. They let announce *joy to the world*.“He comes to make His blessings flow Far as the curse is found” is Genesis 3:15. “Adam's likeness, Lord efface, Stamp Thine image in its place” is Colossians 1:28 in carol form. “God rest ye merry, gentlemen, let nothing you dismay. … Now to the Lord sing praises all you within this place.” “Comfort, comfort ye, My people, Speak ye peace thus saith our God; Comfort those who sit in darkness, Bowed beneath their sorrow's load.” “Boundless shall Thy kingdom be; When shall we its glories see?!”There's something that makes singing stir the soul, and when the soul is stirred it wants to sing. *Let men their songs employ.* When I say this message is an apology for Christmas carols, I mean apology not as an admission of error or regret, but apology as defense against criticism. In fact, the ubiquity of pagans singing about Christ's birth is an apologetics class itself. Not every meal is a feast. Not every get-together needs a Cantus bully; we are not on stage in a musical. That said, maybe you could use a little more considerable noise in your house. Get some Cantus under the tree. Use "[Sing Your Part](https://singyourpart.app/)" (or get [the app](https://singyourpart.org/)).# ConclusionWhat better than singing (in minor keys) to express our sadness and longing? What better than singing (in major keys and moving melodies) to express our joy and praise? Choirs help to make community. There's more about that in a book called, _Keeping Together in Time_; choirs are a force against isolation and depression. TEC has power because we have one amazing singing voice. Singing together has *grown* us. > For the Lord God omnipotent reigneth> Hallelujah….> King of kings and Lord of lords > And He shall reign forever and ever> (Handel, Messiah, HWV 56: Part II, no. 44. “Hallelujah Chorus”)Singing is not mere preparation, it is participation. Singing is not filler, it is an expression of faith. Don't hold back. ----------## ChargeSing Your Part is not just the name of an app, it is the charge to every member of the body of Christ. You are a part, you have a part. The church/choir is stronger and better and brighter because of you. You have been called/employed to sing joy to the world, the Savior reigns!## Benediction:> May the God of endurance and encouragement grant you to live in such harmony with one another, in accord with Christ Jesus, that together you may with one voice glorify the God and Father of our Lord Jesus Christ. (Romans 15:5–6 ESV)
Pyramids all around the world Ancient Mystery Schools 138 pyramids in Egypt What did you learn in the ancient mystery schools? Sacred Geometry Randall Carlson – the Renegade Scholar What is sacred geometry? The best books on Sacred Geometry. The Trivium and Quadrivium. Dwight L. Smith Past Grand Master of Indiana. Definition of terms Wikipedia??? Ancient Temples. Anderson Constitutions of the Freemasons Ancient Atlantis The Eye of the Sahara @masonicmuscle write to me at Masonicmuscle357@gmail.com #ancient #mysteries #brightinsight #atlantis #eyeofthesahara #Sahara #geometry #sacred #sacredgeometry #secret #freemason #mastermason #trivium --- Support this podcast: https://podcasters.spotify.com/pod/show/cesar-rubio5/support
It's the annual etymology quizlusionist! I'm on a family holiday for the first time since 1988, so enlisted my brother Andy Zaltzman of the Bugle podcast to test his/your wits on singing goats, explosives, mythological Greek sweeteners, attics, left-handedness and whales. Can you beat Andy's score? Play along using the interactive scoresheet at theallusionist.org/andyquiz. Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. Plus, if you sign up by 31 August 2023, I will record the words and phrases of your choice for you to use as your phone text tone or alarm or doorbell or little message of affirmation. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Blueland, refillable home cleaning products eliminating single-use plastics. Get 15% off your first order by going to blueland.com/allusionist.• Ravensburger, who have been making jigsaw puzzles since 1883! Try their vast range of puzzles from 2 pieces to 40,000.• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • Kitsch, who make products to care for your hair and skin - shampoo and conditioner bars, soaps, sleep masks, heatless rollers, satin hoodies and bonnets and pillowcases... Get a whopping 30% off your entire order at MyKitsch.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.
Musician and composer, Greg Wilbur of New College Franklin contemplates music within the quadrivium; he explains why music ought to be ordered rightly in education and how it rests in harmony with the other Liberal Arts. He even discusses a little bit of conspiracy theories. Gregory Wilbur is President and Dean of the College, permanent Trustee, and Senior Fellow at New College Franklin. Over the past years at New College, he has taught courses or sections of Music, Geometry, Cosmology, Moral Philosophy, Poetics, and numerous preceptorials such as The Art of Film, 20th-Century Literature, Hospitality and Cooking, and the Quadrivium. Mr. Wilbur has composed award-winning works for choir, orchestra, film, and corporate worship as well as various commissions. He recently released his fifth CD of congregational hymns called Praise Your Maker.
In the Covid summer of 2020, the art world was jolted by a very different kind of drama when reports surfaced that MCH Group, the Swiss corporation best known as the parent company of Art Basel, had entered talks to sell a significant equity stake to Lupa Systems, the private investment company founded by none other than James Murdoch. For listeners who haven't spent years devouring media-sector or political gossip, James Murdoch is the fourth of six children of billionaire media mogul Rupert Murdoch, now most infamous for presiding over the hard-right coverage beamed out through Fox News in the U.S. and various overseas properties via his News Corp conglomerate. The proximity of the Murdoch family to Art Basel initially sent some people in the art world into hysterics. One conspiracy theory even held that James was acting as a front for his father, who would take control of the planet's best known, most prestigious art fair and… well, it was never quite clear what he would do, or why he would care, but obviously something dastardly and irreparable was about to happen, and we should all prepare for the worst. Yet people interested in digging soon found out that James Murdoch is very much his own man with his own resources. Although he spent decades in the family business, including prominent roles in some of its satellite TV and entertainment companies, he cut his final tie to the empire when he resigned from the board of News Corp in July 2020. He has been a public critic of Donald Trump as far back as 2017, and through Quadrivium, the foundation James and his wife Kathryn started in 2014, he has funneled substantial philanthropic resources into counteracting climate change, promoting evidence-based solutions in science and health, expanding voting rights, and pushing back against online extremism.He's also a mogul in his own right. When Disney paid a knee-buckling $71.3 billion in 2019 to acquire nearly all of the Murdochs' entertainment assets, James received a reported $2.2 billion from the deal. He launched Lupa Systems shortly after, with sources claiming at the time that he would invest up to $1 billion of his wealth through the company. By fall of 2020, MCH Group's shareholders had approved the deal to make Lupa Systems the company's new “anchor shareholder,” with the option to buy up to 49 percent of its shares. But in the time since, we've heard relatively little from James Murdoch himself about how MCH Group and Art Basel fits alongside the other ventures in Lupa's portfolio, including media properties like the Tribeca Festival, advanced technology startups, and sustainability projects Ahead of the 2023 edition of Art Basel in Basel, however, Artnet News Art Business Editor, Tim Schneider, managed to sit down with James at Lupa Systems New York offices to hear his thinking firsthand.
In the Covid summer of 2020, the art world was jolted by a very different kind of drama when reports surfaced that MCH Group, the Swiss corporation best known as the parent company of Art Basel, had entered talks to sell a significant equity stake to Lupa Systems, the private investment company founded by none other than James Murdoch. For listeners who haven't spent years devouring media-sector or political gossip, James Murdoch is the fourth of six children of billionaire media mogul Rupert Murdoch, now most infamous for presiding over the hard-right coverage beamed out through Fox News in the U.S. and various overseas properties via his News Corp conglomerate. The proximity of the Murdoch family to Art Basel initially sent some people in the art world into hysterics. One conspiracy theory even held that James was acting as a front for his father, who would take control of the planet's best known, most prestigious art fair and… well, it was never quite clear what he would do, or why he would care, but obviously something dastardly and irreparable was about to happen, and we should all prepare for the worst. Yet people interested in digging soon found out that James Murdoch is very much his own man with his own resources. Although he spent decades in the family business, including prominent roles in some of its satellite TV and entertainment companies, he cut his final tie to the empire when he resigned from the board of News Corp in July 2020. He has been a public critic of Donald Trump as far back as 2017, and through Quadrivium, the foundation James and his wife Kathryn started in 2014, he has funneled substantial philanthropic resources into counteracting climate change, promoting evidence-based solutions in science and health, expanding voting rights, and pushing back against online extremism.He's also a mogul in his own right. When Disney paid a knee-buckling $71.3 billion in 2019 to acquire nearly all of the Murdochs' entertainment assets, James received a reported $2.2 billion from the deal. He launched Lupa Systems shortly after, with sources claiming at the time that he would invest up to $1 billion of his wealth through the company. By fall of 2020, MCH Group's shareholders had approved the deal to make Lupa Systems the company's new “anchor shareholder,” with the option to buy up to 49 percent of its shares. But in the time since, we've heard relatively little from James Murdoch himself about how MCH Group and Art Basel fits alongside the other ventures in Lupa's portfolio, including media properties like the Tribeca Festival, advanced technology startups, and sustainability projects Ahead of the 2023 edition of Art Basel in Basel, however, Artnet News Art Business Editor, Tim Schneider, managed to sit down with James at Lupa Systems New York offices to hear his thinking firsthand.
This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, May 23rd, 2023. Concordis Education Partners: Classical Christian education has reminded us to aim education at truth, but the trivium has been used as a formula rather than a way of training students in discernment. To teach well, you must coach. Concordis Foundation is offering their third annual BOOT CAMP – a faculty summit – July 11-13th in Moscow, Idaho. This is a three-day intensive teaching training where you learn to coach students, using the trivium, so that you can meet students at all learning levels. Learn more at concordispartners.com https://www.westernjournal.com/two-women-told-broken-law-criticizing-male-attempting-breastfeed-child-report/ Two Women Are Told They've Broken the Law by Criticizing Male Attempting to Breastfeed a Child: Report Two Australian women were reportedly given notices informing them that they committed a crime by criticizing a male, who identifies as a woman, that was trying to breastfeed a baby. The news was first reported by the “Pro-Woman, Pro-Child Safeguarding, Anti-Bullsh*t,” media outlet Reduxx. According to the outlet, Twitter contacted the two women — Jasmine Sussex and Leah Whiston — on May 16, notifying them that they had violated Australian law in several of their tweets. The platform told the two that a “government entity or law enforcement agency” had informed them of their alleged crime, and that the platform had been forced to hide the content from Australian users. The posts in question had been critical of Jennifer Buckley, a female-identified male. Buckley had previously announced online that, after two years of transitioning, he had induced lactation and had begun breastfeeding his newborn son, who his wife had given birth to. Sussex was heavily critical of this, telling the U.K.’s Daily Mail that “men shouldn’t breastfeed because breastfeeding [is] for the baby,” and that “there is no evidence that any male-induced milk is equivalent to mother’s milk.” “We have no idea if the substance is even milk. It’s absolutely a human experiment on babies,” she told the outlet. As a volunteer breastfeeding counselor, Sussex was reportedly fired from her job in 2021 for failing to comply with the adoption of “gender neutral” language in breastfeeding care — a claim which the ABA denied to the Daily Mail. A year after, she was removed from the Australian Breastfeeding Association (ABA), Reduxx reported. “I was sacked for. … ‘Engaging in Sectarian Controversy’ in breach of the ABA constitution,” she told Reduxx. “In other words, continuing to talk about the dangers of gender identity ideology for mothers and babies, including how men were forcing their way into the breastfeeding relationship by attempting to induce lactation.” Whiston, meanwhile, is the representative for the Standing for Women Queensland (SFWQ) page. She had posted a Twitter thread on the page, revealing that an LGBT lobby group had allegedly given the ABA $20,000 for them to create an educational booklet about “chest feeding.” https://www.dailysignal.com/2023/05/22/exclusive-leaked-policy-exposes-fox-news-stances-on-woke-ideology/?fbclid=IwAR36KJiUko85jY6nRrQSX4DH2XOZAwUdyaTl-iEhQIfZe9w-ZPnsTY3cAnA Leaked Policy Exposes Fox News Stances on Woke Ideology Fox News employees are allowed to use bathrooms that align with their gender identity, rather than their biological sex, and permitted to dress in alignment with their preferred gender. They must also be addressed by their preferred name and pronouns in the workplace. These are just a few of the policies outlined in the company handbook, dated January 2021, a copy of which was shared with The Daily Signal. Fox also offers to help employees come up with a “Workplace Transition Plan” to ease their gender transition at work. The revelations comes amid conservative consternation at Fox Digital’s use of activist language like “gender affirming care” in stories on its website, as well as the site’s consistent use of female pronouns for biological males like TikTok celebrity Dylan Mulvaney and swimmer Lia Thomas (formerly known as Will Thomas). Fox also drew strong backlash for a June 2022 on-air segment praising a child’s gender transition as an “inspiration to others.” That segment briefly depicted California state Sen. Scott Weiner, a far-left Democrat who led the move to soften sex offender registry requirements for sodomy with minors, and highlighted the activist claim that a child might commit suicide if he or she is not permitted to transition. Carlson’s show was canceled April 24, days after he delivered a viral speech at The Heritage Foundation’s 50th anniversary gala. Fox News Media has not given a reason, simply stating that the two parties “agreed to part ways.” A source who still works at Fox News told The Daily Signal that after Carlson’s show was canceled in April, producers for the new 8 p.m. “Fox News Tonight” program were told not to bash Mulvaney. That directive came from high-level executives, the source said. Fox News did not respond to The Daily Signal’s multiple requests for comment. Under the category “Gender Transition,” Fox’s employee handbook promises that the company is dedicated to “expanding and strengthening” efforts to “sustain a more inclusive work environment.” The Fox employee handbook is posted on Workday, where employees can see company guidelines or policies, a former employee told The Daily Signal. “Employees who are transitioning their gender have the right to be open about their transition if they so choose, and to work in an environment free of harassment, discrimination, or retaliation, and without fear of consequences or transphobia for living openly,” the policy says. Citing the Human Rights Campaign, one of the most prominent LGBTQ organization in the country, the Fox handbook defines a slew of LGBTQ terms, including cisgender, gender expression, gender-fluid, gender identity, gender non-conforming, gender transition, LGBTQ, non-binary, and transgender. For the past several years, Fox received a perfect score on the Human Rights Campaign’s Corporate Equality Index, “the nation’s foremost benchmarking survey and report measuring corporate policies and practices related to LGBTQ+ workplace equality.” A former Fox News employee told The Daily Signal that the company frequently mentions this perfect score in employee training materials. “Fox News devotes hours of programming to attacking ‘woke companies,’ but ironically Fox is as woke as the rest of them,” another former Fox News employee told The Daily Signal, emphasizing that Fox viewers would be “astonished to find out what the company is like.” Fox’s policies appear to be aligned with the legal requirements in New York City, where the company is headquartered, as well as California, where a large number of its employees work. The handbook explicitly states that any employee “may access the restroom corresponding to their gender identity.” “If a transitioning employee expresses a desire for increased privacy they will be provided access to a single occupancy restroom where available,” the handbook says. “However, no employee shall be required to use a single occupancy restroom if they do not wish to do so.” When trans-identifying TikTok star Mulvaney was first gaining prominence last year, producers for “Tucker Carlson Tonight” had to fight to be able to refer to Mulvaney with male pronouns in the show’s chyrons, the former “Tucker Carlson Tonight” producer told The Daily Signal. Carlson’s team also fought to be able to host The Daily Wire’s Matt Walsh on trans issues, the producer said, but the team was repeatedly met with resistance from Fox on this due to Walsh’s frank condemnation of transgender ideology. This may have also been due in part to Fox’s view of The Daily Wire as a competitor, the former producer suggested. https://www.based-politics.com/2023/05/22/this-public-college-is-giving-out-paid-internships-that-openly-exclude-white-people/ This public college is giving out paid internships that openly exclude white people Martin Luther King Jr. famously dreamed of a day when Americans would be judged not by the color of their skin but by the content of their character. Well, keep dreaming, MLK, because segregation and open race discrimination are making a comeback—this time, in progressive bastions like our higher education system and in the name of “Diversity, Equity, and Inclusion.” The University of Minnesota just got hit with a federal civil rights complaint because it’s openly conditioning a paid internship program on the basis of race. Their “Multicultural Summer Research Opportunities Program” is “an intensive 10 week summer program in which undergraduate students of color work full-time with a faculty mentor on a research project.” It aims to help in “preparing students for graduate school and developing research skills,” and pays students a $6,000 stipend. A condition of the program is that it is only open to students who “identify” as “a student of color or Native American.” This program’s legality is being challenged by the Legal Insurrection Foundation’s Equal Protection Project (EPP), which “seeks to ensure equal protection under the law and non-discrimination by the government” and “opposes racial discrimination in any form.” They just filed a complaint with the Office of Civil Rights of the U.S. Department of Education arguing that this internship program violates the Civil Rights Act and the Equal Protection clause of the Constitution. “The U. Minnesota segregated summer program is inexcusable, and it’s shocking that a major university would so openly make educational opportunities open only to students of a certain skin color,” EPP President Bill told Fox News Digital. “There is no good form of racial discrimination. Depriving white students of educational opportunities does not promote racial or any other form of justice.” https://www.breitbart.com/politics/2023/05/21/census-new-york-city-loses-nearly-half-a-million-residents-in-two-years/ New York City Loses Nearly Half a Million Residents in Two Years New York City has lost nearly half a million residents over the course of just two years, newly released United States Census Bureau data reveals. The Census Bureau data, which shows population estimates for mid-2022, finds that fewer than 8.4 million residents remain living in New York City — still making the Big Apple the nation’s most populous city by several million. In April 2020, the very start of the Chinese coronavirus pandemic, more than 8.8 million residents lived in New York City. This figure indicates a population loss of more than five percent from April 2020 to July 2022 with almost half a million residents leaving the city. Americans moving out of deep blue cities is widespread, the Census Bureau data shows. The second largest city, Los Angeles, California, and the third largest city, Chicago, Illinois, also lost residents over the course of two years. In Los Angeles, for instance, about 3.8 million residents remain in the city as of July 2022 compared to about 3.9 million residents in April 2020, a loss of about 100,000 residents. Similarly, Chicago had about 2.67 million residents as of July 2022 but in April 2020, the city had about three percent more residents. Over the two years, about 85,000 residents left Chicago. And now for the rundown… https://andmagazine.substack.com/p/china-is-building-killer-robots-using Many of us have seen The Terminator, a 1984 film starring Arnold Schwarzenegger. It depicts an almost unstoppable robot sent back in time from 2029 to 1984. Its mission was to kill a woman whose unborn son will save humanity from Skynet, a 2029 artificial intelligence system that had become self-aware and then decided to destroy all of mankind because humans were interfering in their plans and programs. The Chinese Communist Party, the CCP, is now creating their version of the Terminator -- an army of battlefield killer robots that will not be managed by humans in any way and, instead, will be controlled by an artificial intelligence (AI) system. The Chinese plan for building such lethal autonomous robots was revealed by Zeng Yi, an executive in a Chinese government-owned company named Norinco. He said, “In future battlegrounds, there will be no people fighting,” adding that autonomous AI platforms are “inevitable.” https://www.washingtonexaminer.com/news/washington-secrets/explosion-of-ap-climate-change-stories-following-8m-enviro-grant In the year following a grant of more than $8 million to the Associated Press from key climate change advocates, the news service has poured out at least 64 stories warning of environmental calamity, according to a new media study.Media Research Center Business charted the stories and language used following the multimillion-dollar grant and found that AP also used over 500 environmental extremism buzzwords in the stories. The media giant, which feeds news outlets worldwide, received grants totaling $8 million from the William and Flora Hewlett Foundation, the Howard Hughes Medical Institute, Quadrivium, the Rockefeller Foundation, and the Walton Family Foundation in February 2022. AP said it would hire 20 new environmental writers with the money to create a climate swat team to “enhance the global understanding of climate change and its impact across the world.” https://www.outkick.com/trans-high-school-track-runner-robs-female-athlete-of-state-championship-bid/ Another day, another biological male taking opportunities from deserving females.Athena Ryan took second place Saturday in the high school women’s 1600 meter race at the North Coast Meet of Champions in California. The top three athletes advance to the CIF State Track & Field Championships next week. So the fourth-place finisher, Adeline Johnson, missed her chance to compete in State by just one spot. A spot taken by a boy. Ryan, a junior at Sonoma Academy, competed on the men’s team in 2021. But he’s been running in women’s events for the past two seasons. In Saturday’s meet, he clocked a season-record 4:55:91 in the 1600m finals. He would have finished last in the male category. The slowest male time in the preliminaries was 4:46:54. The slowest male time in the finals was 4:35:12. A group of advocates held a banner at the event that simply read, “Protect Female Sports.” They were eventually asked to leave and then escorted off the premises. But not before they had an interesting exchange with an angry passerby. How about we end with some cool news… https://www.dailyfetched.com/soldier-who-lost-both-legs-in-afghanistan-does-the-unimaginable-and-climbs-everest-anything-is-possible/ British army soldier Gurkha veteran Hari Budha Magar, who lost both his legs while serving in Afghanistan, has successfully climbed to the top of the world’s tallest mountain, Mount Everest. Magar, a father of three, served as a corporal in the Gurkha regiment in the British Army. After Magar lost his legs to an improvised explosive device in 2010, he thought his life was “completely finished.” The veteran, who now lives in Canterbury, England, battled depression and alcoholism following the explosion. But Magar persevered. The veteran helped strike down a ban on both double amputees and blind people climbing Everest, ensuring he would have a chance at overcoming both nature and his injuries. According to the BBC, Magar hoped to “inspire others” and “change perceptions on disability” and set off with a team of Nepalese climbers to combat Everest. He” set off on May 6 with a team of Nepalese climbers led by Krish Thapa, a fellow Gurkha veteran and British special forces mountain troop leader. Magar announced he “stood victorious” atop Everest around 3 p.m. on May 19, noting, “Disability is no barrier to reaching the 8,849-metre peak.”
This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, May 23rd, 2023. Concordis Education Partners: Classical Christian education has reminded us to aim education at truth, but the trivium has been used as a formula rather than a way of training students in discernment. To teach well, you must coach. Concordis Foundation is offering their third annual BOOT CAMP – a faculty summit – July 11-13th in Moscow, Idaho. This is a three-day intensive teaching training where you learn to coach students, using the trivium, so that you can meet students at all learning levels. Learn more at concordispartners.com https://www.westernjournal.com/two-women-told-broken-law-criticizing-male-attempting-breastfeed-child-report/ Two Women Are Told They've Broken the Law by Criticizing Male Attempting to Breastfeed a Child: Report Two Australian women were reportedly given notices informing them that they committed a crime by criticizing a male, who identifies as a woman, that was trying to breastfeed a baby. The news was first reported by the “Pro-Woman, Pro-Child Safeguarding, Anti-Bullsh*t,” media outlet Reduxx. According to the outlet, Twitter contacted the two women — Jasmine Sussex and Leah Whiston — on May 16, notifying them that they had violated Australian law in several of their tweets. The platform told the two that a “government entity or law enforcement agency” had informed them of their alleged crime, and that the platform had been forced to hide the content from Australian users. The posts in question had been critical of Jennifer Buckley, a female-identified male. Buckley had previously announced online that, after two years of transitioning, he had induced lactation and had begun breastfeeding his newborn son, who his wife had given birth to. Sussex was heavily critical of this, telling the U.K.’s Daily Mail that “men shouldn’t breastfeed because breastfeeding [is] for the baby,” and that “there is no evidence that any male-induced milk is equivalent to mother’s milk.” “We have no idea if the substance is even milk. It’s absolutely a human experiment on babies,” she told the outlet. As a volunteer breastfeeding counselor, Sussex was reportedly fired from her job in 2021 for failing to comply with the adoption of “gender neutral” language in breastfeeding care — a claim which the ABA denied to the Daily Mail. A year after, she was removed from the Australian Breastfeeding Association (ABA), Reduxx reported. “I was sacked for. … ‘Engaging in Sectarian Controversy’ in breach of the ABA constitution,” she told Reduxx. “In other words, continuing to talk about the dangers of gender identity ideology for mothers and babies, including how men were forcing their way into the breastfeeding relationship by attempting to induce lactation.” Whiston, meanwhile, is the representative for the Standing for Women Queensland (SFWQ) page. She had posted a Twitter thread on the page, revealing that an LGBT lobby group had allegedly given the ABA $20,000 for them to create an educational booklet about “chest feeding.” https://www.dailysignal.com/2023/05/22/exclusive-leaked-policy-exposes-fox-news-stances-on-woke-ideology/?fbclid=IwAR36KJiUko85jY6nRrQSX4DH2XOZAwUdyaTl-iEhQIfZe9w-ZPnsTY3cAnA Leaked Policy Exposes Fox News Stances on Woke Ideology Fox News employees are allowed to use bathrooms that align with their gender identity, rather than their biological sex, and permitted to dress in alignment with their preferred gender. They must also be addressed by their preferred name and pronouns in the workplace. These are just a few of the policies outlined in the company handbook, dated January 2021, a copy of which was shared with The Daily Signal. Fox also offers to help employees come up with a “Workplace Transition Plan” to ease their gender transition at work. The revelations comes amid conservative consternation at Fox Digital’s use of activist language like “gender affirming care” in stories on its website, as well as the site’s consistent use of female pronouns for biological males like TikTok celebrity Dylan Mulvaney and swimmer Lia Thomas (formerly known as Will Thomas). Fox also drew strong backlash for a June 2022 on-air segment praising a child’s gender transition as an “inspiration to others.” That segment briefly depicted California state Sen. Scott Weiner, a far-left Democrat who led the move to soften sex offender registry requirements for sodomy with minors, and highlighted the activist claim that a child might commit suicide if he or she is not permitted to transition. Carlson’s show was canceled April 24, days after he delivered a viral speech at The Heritage Foundation’s 50th anniversary gala. Fox News Media has not given a reason, simply stating that the two parties “agreed to part ways.” A source who still works at Fox News told The Daily Signal that after Carlson’s show was canceled in April, producers for the new 8 p.m. “Fox News Tonight” program were told not to bash Mulvaney. That directive came from high-level executives, the source said. Fox News did not respond to The Daily Signal’s multiple requests for comment. Under the category “Gender Transition,” Fox’s employee handbook promises that the company is dedicated to “expanding and strengthening” efforts to “sustain a more inclusive work environment.” The Fox employee handbook is posted on Workday, where employees can see company guidelines or policies, a former employee told The Daily Signal. “Employees who are transitioning their gender have the right to be open about their transition if they so choose, and to work in an environment free of harassment, discrimination, or retaliation, and without fear of consequences or transphobia for living openly,” the policy says. Citing the Human Rights Campaign, one of the most prominent LGBTQ organization in the country, the Fox handbook defines a slew of LGBTQ terms, including cisgender, gender expression, gender-fluid, gender identity, gender non-conforming, gender transition, LGBTQ, non-binary, and transgender. For the past several years, Fox received a perfect score on the Human Rights Campaign’s Corporate Equality Index, “the nation’s foremost benchmarking survey and report measuring corporate policies and practices related to LGBTQ+ workplace equality.” A former Fox News employee told The Daily Signal that the company frequently mentions this perfect score in employee training materials. “Fox News devotes hours of programming to attacking ‘woke companies,’ but ironically Fox is as woke as the rest of them,” another former Fox News employee told The Daily Signal, emphasizing that Fox viewers would be “astonished to find out what the company is like.” Fox’s policies appear to be aligned with the legal requirements in New York City, where the company is headquartered, as well as California, where a large number of its employees work. The handbook explicitly states that any employee “may access the restroom corresponding to their gender identity.” “If a transitioning employee expresses a desire for increased privacy they will be provided access to a single occupancy restroom where available,” the handbook says. “However, no employee shall be required to use a single occupancy restroom if they do not wish to do so.” When trans-identifying TikTok star Mulvaney was first gaining prominence last year, producers for “Tucker Carlson Tonight” had to fight to be able to refer to Mulvaney with male pronouns in the show’s chyrons, the former “Tucker Carlson Tonight” producer told The Daily Signal. Carlson’s team also fought to be able to host The Daily Wire’s Matt Walsh on trans issues, the producer said, but the team was repeatedly met with resistance from Fox on this due to Walsh’s frank condemnation of transgender ideology. This may have also been due in part to Fox’s view of The Daily Wire as a competitor, the former producer suggested. https://www.based-politics.com/2023/05/22/this-public-college-is-giving-out-paid-internships-that-openly-exclude-white-people/ This public college is giving out paid internships that openly exclude white people Martin Luther King Jr. famously dreamed of a day when Americans would be judged not by the color of their skin but by the content of their character. Well, keep dreaming, MLK, because segregation and open race discrimination are making a comeback—this time, in progressive bastions like our higher education system and in the name of “Diversity, Equity, and Inclusion.” The University of Minnesota just got hit with a federal civil rights complaint because it’s openly conditioning a paid internship program on the basis of race. Their “Multicultural Summer Research Opportunities Program” is “an intensive 10 week summer program in which undergraduate students of color work full-time with a faculty mentor on a research project.” It aims to help in “preparing students for graduate school and developing research skills,” and pays students a $6,000 stipend. A condition of the program is that it is only open to students who “identify” as “a student of color or Native American.” This program’s legality is being challenged by the Legal Insurrection Foundation’s Equal Protection Project (EPP), which “seeks to ensure equal protection under the law and non-discrimination by the government” and “opposes racial discrimination in any form.” They just filed a complaint with the Office of Civil Rights of the U.S. Department of Education arguing that this internship program violates the Civil Rights Act and the Equal Protection clause of the Constitution. “The U. Minnesota segregated summer program is inexcusable, and it’s shocking that a major university would so openly make educational opportunities open only to students of a certain skin color,” EPP President Bill told Fox News Digital. “There is no good form of racial discrimination. Depriving white students of educational opportunities does not promote racial or any other form of justice.” https://www.breitbart.com/politics/2023/05/21/census-new-york-city-loses-nearly-half-a-million-residents-in-two-years/ New York City Loses Nearly Half a Million Residents in Two Years New York City has lost nearly half a million residents over the course of just two years, newly released United States Census Bureau data reveals. The Census Bureau data, which shows population estimates for mid-2022, finds that fewer than 8.4 million residents remain living in New York City — still making the Big Apple the nation’s most populous city by several million. In April 2020, the very start of the Chinese coronavirus pandemic, more than 8.8 million residents lived in New York City. This figure indicates a population loss of more than five percent from April 2020 to July 2022 with almost half a million residents leaving the city. Americans moving out of deep blue cities is widespread, the Census Bureau data shows. The second largest city, Los Angeles, California, and the third largest city, Chicago, Illinois, also lost residents over the course of two years. In Los Angeles, for instance, about 3.8 million residents remain in the city as of July 2022 compared to about 3.9 million residents in April 2020, a loss of about 100,000 residents. Similarly, Chicago had about 2.67 million residents as of July 2022 but in April 2020, the city had about three percent more residents. Over the two years, about 85,000 residents left Chicago. And now for the rundown… https://andmagazine.substack.com/p/china-is-building-killer-robots-using Many of us have seen The Terminator, a 1984 film starring Arnold Schwarzenegger. It depicts an almost unstoppable robot sent back in time from 2029 to 1984. Its mission was to kill a woman whose unborn son will save humanity from Skynet, a 2029 artificial intelligence system that had become self-aware and then decided to destroy all of mankind because humans were interfering in their plans and programs. The Chinese Communist Party, the CCP, is now creating their version of the Terminator -- an army of battlefield killer robots that will not be managed by humans in any way and, instead, will be controlled by an artificial intelligence (AI) system. The Chinese plan for building such lethal autonomous robots was revealed by Zeng Yi, an executive in a Chinese government-owned company named Norinco. He said, “In future battlegrounds, there will be no people fighting,” adding that autonomous AI platforms are “inevitable.” https://www.washingtonexaminer.com/news/washington-secrets/explosion-of-ap-climate-change-stories-following-8m-enviro-grant In the year following a grant of more than $8 million to the Associated Press from key climate change advocates, the news service has poured out at least 64 stories warning of environmental calamity, according to a new media study.Media Research Center Business charted the stories and language used following the multimillion-dollar grant and found that AP also used over 500 environmental extremism buzzwords in the stories. The media giant, which feeds news outlets worldwide, received grants totaling $8 million from the William and Flora Hewlett Foundation, the Howard Hughes Medical Institute, Quadrivium, the Rockefeller Foundation, and the Walton Family Foundation in February 2022. AP said it would hire 20 new environmental writers with the money to create a climate swat team to “enhance the global understanding of climate change and its impact across the world.” https://www.outkick.com/trans-high-school-track-runner-robs-female-athlete-of-state-championship-bid/ Another day, another biological male taking opportunities from deserving females.Athena Ryan took second place Saturday in the high school women’s 1600 meter race at the North Coast Meet of Champions in California. The top three athletes advance to the CIF State Track & Field Championships next week. So the fourth-place finisher, Adeline Johnson, missed her chance to compete in State by just one spot. A spot taken by a boy. Ryan, a junior at Sonoma Academy, competed on the men’s team in 2021. But he’s been running in women’s events for the past two seasons. In Saturday’s meet, he clocked a season-record 4:55:91 in the 1600m finals. He would have finished last in the male category. The slowest male time in the preliminaries was 4:46:54. The slowest male time in the finals was 4:35:12. A group of advocates held a banner at the event that simply read, “Protect Female Sports.” They were eventually asked to leave and then escorted off the premises. But not before they had an interesting exchange with an angry passerby. How about we end with some cool news… https://www.dailyfetched.com/soldier-who-lost-both-legs-in-afghanistan-does-the-unimaginable-and-climbs-everest-anything-is-possible/ British army soldier Gurkha veteran Hari Budha Magar, who lost both his legs while serving in Afghanistan, has successfully climbed to the top of the world’s tallest mountain, Mount Everest. Magar, a father of three, served as a corporal in the Gurkha regiment in the British Army. After Magar lost his legs to an improvised explosive device in 2010, he thought his life was “completely finished.” The veteran, who now lives in Canterbury, England, battled depression and alcoholism following the explosion. But Magar persevered. The veteran helped strike down a ban on both double amputees and blind people climbing Everest, ensuring he would have a chance at overcoming both nature and his injuries. According to the BBC, Magar hoped to “inspire others” and “change perceptions on disability” and set off with a team of Nepalese climbers to combat Everest. He” set off on May 6 with a team of Nepalese climbers led by Krish Thapa, a fellow Gurkha veteran and British special forces mountain troop leader. Magar announced he “stood victorious” atop Everest around 3 p.m. on May 19, noting, “Disability is no barrier to reaching the 8,849-metre peak.”
www.gnosticacademy.org
Since ancient times, classical educators regarded math as a subject to make one wise. Math demonstrates the order, beauty, and harmony in the world around us in a way language cannot always do, and classical education roots the teaching of math in the pursuit of truth, beauty, and goodness. In this episode, host Winston Brady speaks with Phillip Johnson, Professor of Engineering and Sciences at Thales College, and Ravi Jain, an Alcuin Fellow, author of "The Liberal Arts Tradition," and the graduate scholar in science and religion at Oriel College, Oxford University. In the episode, they discuss the history of mathematics education, as well as the ways in which mathematics helps students better understand truth and beauty, and thereby gain wisdom and virtue. We can use mathematics not only to solve problems but also to gain confidence that our world is not inherently random and chaotic—that there is an order to the world that we can see, test, and demonstrate through the power of mathematical reasoning.
About our GuestKon Bouzikos is currently the President and cofounder of ACES (Australian Classical Education Society). The Australian Classical Education Society Inc. is an association for students, parents, educators, politicians, experts and like-minded individuals who wish to see classical education introduced within the Australian educational landscape.The roots of education are based on the seven Liberal Arts (the Trivium and Quadrivium) and it is now time that this type of education which is not elitist is offered to students in Australia. A broad based education that is concerned with human formation, reading the great books and allowing students to see connections between the different subjects is so vital and necessary today. The renewal for classical education which began in America 40 years ago is urgently needed in Australia. The educational landscape is about to change in Australia!He is an experienced Primary and Secondary School Teacher and has worked in Orthodox, Catholic, Government and Independent Schools. His subject areas include: the Humanities, Religious Education and Modern Greek. He values the Seven Liberal Arts and the importance of a Christian Classical education. Kon enjoys dialogue and critical thinking in order to elicit the truth during conversations. Greek philosophers such as Plato, Socrates and Aristotle continue to shape his views of education. Kon's educational qualifications areEducational Qualifications2008-2009: Graduate Certificate in Catholic StudiesAustralian Catholic University Melbourne Campus – St. Patrick's2003-2005: Master of Education, Leadership & Management in EducationalOrganizationsThe University of Melbourne1995: Graduate Diploma in Education, (SOSE, History, Modern Greek)Monash University1989- 1991 Bachelor of Arts, Politics and Modern GreekSign up for their newsletters at the ACES website: http://www.classicaleducation.org.au/_______________________________Show NotesThis enlightening podcast conversation with Kon Bouzikos and Adrienne is all about the spreading passion for education reform across Australia. Australia Classical Education Society (ACES) was formed in 2021, and it reaches far and wide. For the love of learning, ACES has a deep interest in sharing experiences with others. With great passion, Kon affirms that the Australians need and want Americans who are immersed in the classical education movement to teach them and help direct them. They need our help as the endeavor to awaken Australia to the beauty of a liberal arts education. Kon and Adrienne discuss topics of great importance for all educators. This episode will even inspire Americans who wish to know more about the classical education movement at large.Some Topics and Ideas in this Episode Include: Why reform education in Australia? What are the responses from educators when you invite them to ACES ? Do you have home schools and charter schools in Australia? What resources for Classical Education are available in Australia? Sign up for their newsletters at the ACES website: http://www.classicaleducation.org.au/Resources and Books & Mentioned In This EpisodeThe Abolition of Man by C. S. LewisPoetic Knowledge by James TaylorHow to Read a Book: The Art of Getting a Liberal Education by Mortimer AdlerSt. Basil, Address To the Youth (AKA: Young Men on the Right Use of Greek to Men)Pastor Douglas Wilson booksThe Australian book distributor for classical education resources is Sara Flynn. Email her at: contact@logosaustralis.comHer website is: https://logosaustralis.com/Campion College:https://www.campion.edu.au/On-line Courses with Beautiful Teaching Consultants: https://beautifulteaching.coursestorm.com/_________________________________________________________SUPPORTThis is a listener supported podcast. Considering the drama we have seen on Patreon and other social media platforms, we encourage listeners to support this podcast through donations. Part of your support goes to fund professional editing, hardware, software as well as other fees. It also frees Adrienne up to be more involved in the content creation, participation on other platforms, and public speaking. You can donate by visiting our website at https://www.classicaleducationpodcast.com/supportCredits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2023 Beautiful Teaching LLC. All Rights Reserved ★ Support this podcast ★
Erwin Schrödinger is one of the "fathers of quantum mechanics". He also sexually abused children. Trinity College Dublin recently denamed a lecture theatre that had been named after him - but his name is still on an equation that won the Nobel Prize for physics. And a cat. Writer and historian Subhadra Das recounts how and why you rename a university building, and retired physicist Martin Austwick considers that renaming an eponymous equation or theory might be more difficult than unscrewing a sign from a wall. This is an instalment of the Telling Other Stories series, about renaming. Content note: this episode contains references to racism and eugenics, and to the sexual abuse of children. There is also a Category B swear. Find out more about this episode and get extra information about the topics therein at theallusionist.org/box, where there's also a transcript. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin's own songs via palebirdmusic.com. Our ad partner is Multitude. To sponsor the show in 2023, contact them at multitude.productions/ads. This episode is sponsored by: • Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • NordVPN is offering exclusivelusionist big discounts: grab the deal on this trusty VPN at nordvpn.com/allusionist, and try it risk-free now with a 30-day money-back guarantee.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.
Are numbers merely a man-made abstraction used to explain the physics of our reality or might they account for a lager purpose serving as the universal “language” of God? We talk about this and much more, including: What Are the Seven Sacred Sciences Did the fallen angels have a hand in the corruption of science Does the Quadrivium teach us how to relate to the outside world Why isn't the Quadrivium being taught in schools the way it should be How does Arithmetic teach us how to problem solve Can geometry do more than show us how to make circles on a piece of paper Is music more than the pleasing sound we hear from the radio How is astronomy a combination of music and geometry What have these sciences degraded into What can we do about it now that we know academia has let us down Referenced On Air The Genesis Six Conspiracy Understanding The Trivium Quadrivium Square Roots By Hand Homeschool AIDS Foundation Worldview Tuttle Twins The Homeschool Mom Show Notes and Additional Resources Connect With Us Facebook Instagram Twitter
What is the quadrivium and how does it relate to classical education? If you've enjoyed our past conversations on the liberal arts, the trivium, and a close look at Christian homeschool education, this conversation is for you! Today we take an overview look at possibly the oldest learning curriculum in the world: The Quadrivium. Not only does a solid education need language arts to work, it needs the four pillars of geometry, astronomy, arithmetic, and music to work in a modern context. Why teach the Quadrivium? We're glad you asked. Hope you enjoy the show!
Are we, as a species, at the pinnacle of education and discovery; or have core tenants of our learning been stripped away, leaving us vulnerable and susceptible to the control matrix? We're gonna talk about this and more on this week's intel briefing. What knowledge was given to Adam in order to execute his dominion mandate How the Seven Sacred Sciences are divided into the art of words and the art of numbers How the fallen angels had a hand in the degradation of the Seven Sacred Sciences How the Trivium and Quadrivium help us relate to one another and the outside world Whether or not the three ways of the Trivium are needed for proper human interaction How Trivium is comprised of grammar, logic and rhetoric How grammar tells us to speak, logic tells us to think, and rhetoric tells us how to combine those in conversation Should we socially engage in higher forms of thought before we understand the lower ones What are our options for education when we can't trust our institutions Referenced On Air Crimes of the Educators Love Your God With All Your Mind Dr Jeffery Lehman on the Trivium Quadrivium J. P. Moreland on the laws of logic Laws of Logic Master List of Logical Fallacies Show Notes and Additional Resources Connect With Us Facebook Instagram Twitter
Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Tras la salida de Max Cavalera, el público temió una separación definitiva del grupo, sin embargo, los tres miembros restantes anunciaron su decisión de continuar juntos. Tras una extensa búsqueda para buscar a un sustituto, la banda eligió como nuevo cantante a Derrick Green, natural de Cleveland, Ohio y que debutó con el disco, Against, que salió a la venta en octubre de 1998 y que recibió reseñas regulares por parte de la crítica musical. Por su parte, su recepción comercial fue peor que la de sus dos anteriores trabajos y vendió la mitad de copias que el álbum debut de Soulfly, el cual recibió además un disco de oro en los Estados Unidos. Su siguiente disco, Nation, publicado en marzo de 2001, incluyó la colaboración del grupo finés de violonchelistas Apocalyptica, Jamey Jasta y nuevamente de Jello Biafra. Debido principalmente a la baja comercialización de su antecesor, el álbum apenas tuvo promoción, razón por la cual la agrupación decidió romper su contrato con Roadrunner Records. Por su parte, la discográfica aprovechó para lanzar el directo Under a Pale Grey Sky, que contiene el último concierto de Cavalera en el Brixton Academy. En 2003, la agrupación firmó un acuerdo con el sello SPV Records, que publicó el EP Revolusongs, que estuvo compuesto por versiones de bandas como Hellhammer, U2 o Public Enemy y el álbum de estudio Roorback, cuyas reseñas fueron variadas y sus ventas aún peores que las de las primeras obras con Green. Durante esa época, Sepultura aprovechó para actuar en países en los que la escena del heavy metal no estaba tan desarrollada como Nueva Zelanda o Indonesia, además en 2005 editó el directo Live in São Paulo. El décimo trabajo de estudio de Sepultura fue un álbum conceptual inspirado en La Divina Comedia titulado Dante XXI y publicado en marzo de 2006. Al año siguiente, Max reveló en una entrevista que Igor y él habían hecho las paces después de casi una década y habló sobre una posible reunión con la banda. Este hecho no sucedió y esta vez fue el batería quien abandonó la formación debido a diferencias creativas y personales. Los dos hermanos, sin embargo, volvieron a juntarse y fundaron el proyecto Cavalera Conspiracy. A pesar de la salida de otro de los fundadores del grupo, Sepultura continuó su carrera con la colaboración de Roy Mayorga durante algunos conciertos y finalmente con la contratación de un nuevo batería, Jean Dolabella. Kisser declaró posteriormente que «a Igor ya no le atrae el metal, solo toca con Cavalera Conspiracy porque le gusta estar con Max». En enero de 2009 salió a la venta A-Lex, un nuevo trabajo conceptual inspirado en la novela de Anthony Burgess La naranja mecánica y en la película homónima de Stanley Kubrick y que supuso su primer disco grabado sin ninguno de los hermanos Cavalera. Tras su lanzamiento, Max criticó que a sus ex compañeros no les gustaba la película y que en una ocasión en que la estaba mirando le comentaron: «¿Qué es esa mierda que estás viendo?». Durante su gira promocional, el conjunto tuvo la posibilidad de ejercer de telonero de Metallica en el estadio Morumbi de São Paulo los días 30 y 31 de enero de 2010, ante 100 000 personas. En julio de 2010, la banda firmó un contrato con el sello discográfico Nuclear Blast, para la distribución de sus siguientes trabajos. A finales de ese año, el grupo comenzó a trabajar en su duodécimo álbum de estudio junto al productor Roy Z, que había trabajado con anterioridad con Judas Priest y Bruce Dickinson. El disco salió a la venta en junio de 2011 bajo el título Kairos e incluyó versiones de los temas «Just One Fix» de Ministry y «Firestarter» de The Prodigy. Tras su lanzamiento, el conjunto realizó una gira mundial que incluyó festivales como el Wacken Open Air o el Rock in Rio y durante la cual contó con la colaboración de la agrupación francesa Les Tambours du Bronx. En noviembre, Jean Dolabella abandonó la formación para concentrarse en otros proyectos y le reemplazó Eloy Casagrande, de apenas 20 años de edad. En septiembre de 2013, el grupo volvió a tocar en el festival Rock in Rio, esta vez con la participación del artista de música popular brasileña Zé Ramalho. Al mes siguiente salió a la venta el álbum The Mediator Between Head and Hands Must Be the Heart, cuyo productor fue Ross Robinson, quien ya había ejercido esta labor en Roots y que contó con la colaboración del batería de Slayer, Dave Lombardo. En mayo de 2016, Sepultura comenzó la grabación de un nuevo trabajo de estudio con el productor Jens Bogren que sería publicado el 13 de enero de 2017 bajo el título de Machine Messiah. Para promocionarlo, la banda participó como acto de apertura de Kreator y Testament en sus respectivas giras por Europa y Norteamérica. En mayo de 2017 tuvo lugar el estreno del documental oficial Sepultura Endurance para el cual los hermanos Cavalera prohibieron el uso de las canciones grabadas antes de sus salidas del grupo, debido a que son propietarios de la mitad de los derechos. En el primer trimestre de 2018, el conjunto realizó una nueva gira promocional por Europa con Obscura, Goatwhore y Fit for an Autopsy. En agosto de 2019, el cuarteto viajó a Suecia para realizar la grabación de un nuevo trabajo, Quadra, producido al igual que su antecesor por Bogren. Tras su lanzamiento, tuvo un éxito destacable en la lista de álbumes alemana, donde llegó a la quinta posición, la mejor en dicho país en su carrera. Sepultura anunció una nueva gira de promoción con Sacred Reich y Crowbar para la primavera de 2020, aunque debido a la pandemia de COVID-19 debió de ser suspendida. El deseo de tocar heavy metal nació del rechazo al pop y a la música tradicional brasileña que rodeaban a los hermanos Cavalera, que en su infancia eran alumnos de una escuela de samba. Durante su formación, el grupo decidió alejarse de estos estilos, del choro, de la bossa nova e incluso de lo que empezaba a ser calificado como rock brasileño. Esta negación de su pertenencia nacional a través de la música permitió a sus miembros reivindicar su individualidad, al igual que otros jóvenes brasileños que no se identificaban con la música popular brasileña o el rock brasileño. El guitarrista Andreas Kisser comentó sobre aquella etapa: «Escuchábamos heavy y black metal y pensábamos que todo lo que había en Brasil era una mierda. No nos gustaba la samba, no nos gustaba el rock brasileño». Las influencias de la formación original, en especial de los hermanos Cavalera eran agrupaciones provenientes de la primera ola del heavy metal o del hard rock, de hecho, Max Cavalera declaró que formó Sepultura después de escuchar el álbum Vol. 4 de Black Sabbath, una de las bandas pioneras del metal. Además, a diferencia de otros conjuntos brasileños que elegían nombres en inglés, Sepultura optó por un apelativo en portugués que Max escogió de la canción de Motörhead «Dancing on your Grave» —en portugués: Dançando em sua sepultura—. Aparte de Black Sabbath y Motörhead, los hermanos también estaban influenciados por Deep Purple y Led Zeppelin, así como por la mayoría de bandas populares de hard rock y heavy metal de finales de la década de 1980 como Van Halen, Judas Priest, Ozzy Osbourne, AC/DC y Iron Maiden. Max e Igor solían visitar con frecuencia una tienda de discos en São Paulo en donde compraron sus primeros discos de Iron Maiden, Slayer y Metallica. Sin embargo, en un país que acababa de salir de una dictadura militar, los álbumes de heavy metal y el punk rock eran considerados como «socialmente inaceptable», ya que representaban una incitación a la rebelión y a la oposición a la religión, un motivo por el cual, los integrantes del grupo tuvieron dificultades para expresar su interés por esta música. Kisser destacó además a sus agrupaciones más importantes, Queen y Kiss: «Queen vino a Brasil en 1981, pero mi madre no me dejó ir porque era demasiado joven. Entonces Kiss llegó en 1983 y ese sería mi primer concierto. Poder verles en directo durante su gira Creatures of the Night Tour fue una locura, eso cambió mi vida. ¡Por eso estoy aquí! Ver eso, en mi ciudad, en el estadio de mi equipo de fútbol. Lo cambió todo». Los gustos de los integrantes de Sepultura cambiaron tras el descubrimiento del trío británico Venom y su influencia puede apreciarse de manera significativa en su primer EP, Bestial Devastation, en el que la voz está orientada hacia los gritos y las guitarras hacia la distorsión. Igor Cavalera declararía más tarde: «Recuerdo el día que escuché a Venom por primera vez en una cinta que me había prestado un amigo. Era muy parecido a Motörhead, pero un poco más violento. Una vez que descubrimos los demás trabajos de Venom dejamos de escuchar a Iron Maiden y a otras bandas ligeras». Los hermanos Cavalera posteriormente mostraron su interés también en Metallica, Kreator, Sodom, Megadeth, Slayer, Exodus, Possessed y Exciter, y sus ritmos violentos y frenéticos pueden apreciarse en Bestial Devastation y en su primer álbum, Morbid Visions. También destaca en este último el sonido característico del death metal; batería omnipresente, voces guturales y estribillos repetitivos. Por su parte, Andreas Kisser, que ingresó tras el lanzamiento de este disco, tenía como influencia a Anthrax, Metallica, Slayer y Megadeth. Al negar la influencia de la música brasileña, tradicional y contemporánea, los miembros de Sepultura buscaban internacionalizar su música y emular a los principales grupos de la escena del heavy metal. Sus dos primeros trabajos, Bestial Devastation (1985) y Morbid Visions (1986), guardan similitudes con los de las bandas estadounidenses de death metal, pero con reminiscencias de black metal. En ambos discos se aprecian elementos recurrentes de estos dos subgéneros de heavy metal: Uso de gritos amplificados, letras ininteligibles, tempos extremadamente rápidos, reiterados golpes de platillos, ausencia de estribillo y repetición del ritmo. Del mismo modo, Sepultura utilizó en estos dos trabajos una gran distorsión de guitarra y rompió la armonía diatónica propia del blues con el fin de crear un sonido más oscuro. En su siguiente álbum, Schizophrenia (1987), destaca la evolución musical en las pistas de guitarra debido a la llegada de Andreas Kisser, un músico más técnico y con más experiencia, que trajo consigo melodías más complejas y solos más elaborados, aunque manteniendo un sonido cercano al death metal. El ritmo del disco es más rápido y las canciones más estructuradas que las de su antecesor, con un acercamiento al thrash metal. y con una mejora significativa de la técnica de los músicos, lo que les permitió utilizar staccato para conseguir así un sonido melódico y a la vez agresivo, como en la canción «To the Wall». La distorsión de las guitarras de Kisser y Max Cavalera es llevada a la extremidad, mientras que la batería de Igor Cavalera, interpretada velozmente, cubre parcialmente a los demás instrumentos y desdibuja el sonido de la guitarra. Por su parte, los temas de Beneath the Remains (1989) se orientan hacia un thrash más oscuro y brutal, y entre las pistas incluidas, destacan «Mass Hypnosis» o «Slaves of Pain» que demuestran el virtuosismo de Kisser con la guitarra y de Igor con el doble pedal del bombo. Este trabajo guarda similitudes con los de otras bandas del género como Sodom o Kreator. Sepultura continuó su evolución musical con Arise (1991), en el que algunas de sus canciones permanecen fieles a su sonido thrash, mientras que otras contienen riffs de guitarra acústica o en el caso de «Escape to the Void», un sample de la banda sonora de Psicosis, compuesta por Bernard Herrmann. En Chaos A.D. (1993), el grupo suprimió algunos elementos del thrash y del death de sus primeros trabajos en beneficio del hardcore punk y el metal industrial, además cuenta con la participación de Jello Biafra, líder de Dead Kennedys —uno de los principales conjuntos del género punk— como vocalista en el tema «Biotech is Godzilla». Por su parte, Igor Cavalera proporciona con su batería cambios de ritmo inesperados propios del punk y una combinación de sonidos tradicionales brasileños como en la pista «Kaiowas», además, «Territory» incluye el primer solo del percusionista en su carrera con la banda. Andreas Kisser declaró que la influencia de Ministry —agrupación emblema del metal industrial— fue determinante en este disco. La evolución musical de Sepultura hacia el hardcore continuó con su siguiente álbum, Roots (1996) y si en sus trabajos anteriores el conjunto trataba de negar cualquier herencia de la música brasileña, aquí el estilo es una mezcla entre la música tradicional de su país y el thrash metal. Como novedad, aparecen pasajes de percusión grabados por Carlinhos Brown, birimbaos y hasta sonidos tribales interpretados por una tribu de indígenas Xavantes en temas como «Itsari», «Born Stubborn» o «Procreation (of the Wicked)». En ese momento, el legado de la música brasileña es asumido y reclamado por el grupo y según Kisser: «Esto es para mostrar a todo el mundo lo mejor de Brasil; los colores, la música y la cultura de los indígenas y la influencia africana, especialmente en la percusión». Con Against (1998), el primer álbum con Derrick Green, Sepultura se decidió por un metalcore y un nu metal de tendencia étnica, inspirado por el punk hardcore, el funk e incluso el rap. El disco mantiene aportes de música tradicional, esta vez gracias a la agrupación de percusionistas de taiko Kodō en la canción «Kamaitachi» y la inclusión de flautas y violines. Según el crítico Steve Huey, el grupo perdió la parte experimental de su anterior disco y que lucha por encontrar un estilo cercano al thrash metal, a pesar de contar con la colaboración de Jason Newsted, bajista de Metallica, en el tema «Hatred Aside». Su siguiente álbum, Nation (2001), cuyas letras se orientan hacia la política, abarca un sonido más punk, de nuevo gracias a la colaboración de Jello Biafra, además este trabajo finaliza con la pieza instrumental «Valtio», interpretada junto al grupo de violonchelistas Apocalyptica. Revolusongs (2003), un EP de versiones de otros artistas, permitió a Sepultura interpretar otros géneros —como el rap en su versión de un tema de Public Enemy—. Roorback (2003), su álbum más hardcore, continuó esta progresión hacia el sonido thrash fusionado con punk, mientras que Dante XXI (2006) y A-Lex (2009) son dos discos conceptuales que siguieron en la línea del thrash metal con furiosos y poderosos gritos interpretados por Green. Kairos (2011), demuestra una mayor ambición por el thrash de la «vieja escuela» según Kisser y su grabación fue realizada en directo con los instrumentos propios de una banda de metal —guitarra, voz, bajo y batería— y con la colaboración de los percusionistas del grupo Les Tambours du Bronx en la canción «Structure Violence (Azzes)». Por su parte, The Mediator Between Head and Hands Must Be the Heart (2013) muestra una mayor velocidad que su antecesor y un tempo más salvaje. En Machine Messiah, Sepultura vuelve a abordar el thrash y el hardcore de su antecesor e incorpora además un conjunto de violinistas y una versión de la canción de la serie japonesa Ultra Seven. Quadra se divide, en palabras de Kisser, en cuatro partes; la primera orientada hacia el thrash metal de sus orígenes, la segunda inspirada por el sonido de Roots, la tercera encaminada hacia la pista acústica instrumental «Iceberg Dances» de Machine Messiah y la cuarta, con un sonido más melódico y tranquilo culminado con la participación de la vocalista Emmily Barreto. Desde Bestial Devastation a Quadra, Sepultura ha utilizado distintos temas en las letras de sus canciones, aunque los principales han sido la muerte, el satanismo, lo paranormal, la guerra, la paranoia, la violencia y la destrucción. Originalmente, Max Cavalera traducía del inglés al portugués las canciones de sus bandas de heavy metal favoritas, sin embargo, al no dominar el idioma, el vocalista realizó varias traducciones erróneas, además el fuerte acento portugués de Max marcó a los primeros trabajos de la banda. La temática sobre la muerte, presente en «Necromancer», «Funeral Rites» o «R.I.P : Rest In Pain»; así como la temática sobre la guerra, en pistas como «War», «Troops of Doom» o «Warriors of Death», son de los más frecuentes en sus primeras obras, mientras que otras canciones muestran puntos de vista blasfemos, como «Crucifixion». De esta manera, el conjunto fue objeto de desprecio por parte de la sociedad brasileña, predominantemente católica. En los años siguientes, el grupo mantuvo sus temas favoritos, especialmente la guerra e incluyó otros nuevos como la violencia y la opresión, asimismo algunas canciones tienen letras denunciatorias como «Manifest», que trata sobre la masacre de Carandiru. Las imágenes de las portadas guardan relación con la música y las letras, y en ellas se hace uso de una estética monstruosa y representaciones de pesadillas, como por ejemplo la de Beneath the Remains, que muestra un cráneo rojo sobre un fondo negro. Sepultura también ha abordado en sus álbumes cuestiones políticas, algo novedoso en Brasil, una nación que acababa de salir de una dictadura militar de dos décadas y en sus primeros trabajos, canciones como «Anticop» o «C.I.U: Criminals In Uniform» reflejan un rechazo a la jerarquía establecida y un fuerte sentimiento contra las fuerzas del orden. Este compromiso con la rebelión llevó a que las personalidades conservadoras lo consideraran como una incitación a la violencia. Chaos A.D. fue el disco que marcó una evolución hacia el metalcore con unas letras más reivindicativas, sociales y denunciatorias, especialmente en relación con Brasil. Max Cavalera, consciente del peligro que ello conllevaba, declaró en 1991: «Sepultura abrió los ojos a la gente a través de sus letras, pero es peligroso hacer eso en Brasil, porque si a la gente no le gusta lo que dices te van a matar». En el tema «Murder», incluido en el álbum Arise, el grupo hace un retrato de la violencia, el racismo, la represión policial y de la inhumanidad de las detenciones en la sociedad brasileña. Por su parte, el vídeo musical de «Territory» muestra imágenes de enfrentamientos ciudadanos en Palestina, Irlanda del Norte y Brasil, y la canción «Kaiowas» está dedicada a una tribu de amerindios que se suicidaron en masa como protesta por la expropiación de sus tierras. La culminación del compromiso político de la banda fueron los discos Nation y Roorback, donde se aprecia cierta ideología de izquierdas en la línea de los grupos de hardcore punk. Estos dos trabajos abarcan en sus letras temas como la corrupción, la lucha política, el pacifismo y la no violencia, además en el folleto de Nation pueden apreciarse citas de la Madre Teresa de Calcuta, Albert Einstein y Gandhi. Su siguiente álbum de estudio, Dante XXI, fue una obra conceptual sobre el libro de Dante Alighieri La divina comedia, mientras que en su sucesor, A-Lex, el conjunto tomó como inspiración la novela de Anthony Burgess La naranja mecánica y su adaptación cinematográfica a cargo de Stanley Kubrick. Kairos tiene como concepto el tiempo, de hecho su título procede de un término griego que alude a un periodo de tiempo en el cual algo especial sucede, mientras que las letras de The Mediator Between Head and Hands Must Be the Heart están parcialmente influenciadas por la película muda Metrópolis de Fritz Lang. En Machine Messiah, Sepultura «explora la devoción religiosa de la sociedad al avance tecnológico con la idea de un Dios salvador que regresa, convertido en cyborg, para salvar a la humanidad». Por su parte, para el álbum Quadra, Andreas Kisser tomó inspiración del libro Quadrivium, que en sus propias palabras trata «sobre las cuatro artes liberales, que son la cosmología, la música, la geometría y las matemáticas. El número cuatro, de acuerdo con Quadrivium, es el número de manifestaciones donde todo sucede». En sus inicios, el grupo apenas pudo destacar con su heavy metal en un país donde la música popular brasileña era el género musical de moda desde mediados de la década de 1960. Por ese motivo, además de por su limitada distribución, sus dos primeras obras, Bestial Devastation y Morbid Visions, no llamaron la atención de los críticos. Sin embargo, las pocas reseñas no fueron positivas y criticaron la banalidad de los riffs, la falta de originalidad en sus letras y el carácter involuntariamente cómico de la voz de Max Cavalera. Posteriormente, ambos discos recibieron buenas críticas y el analista Garry Sharpe-Young señaló que el EP era prometedor: «El gruñido de apertura de «The Curse» habría tenido notoriedad si la banda se hubiera formado en Escandinavia o en el resto de Europa. Con una crudeza infernal, dictada por su juventud y falta de experiencia, Bestial Devastation ofrece un death metal primitivo y sin duda, uno de los primeros ejemplos de la hoy célebre técnica de blast beat en el tema “Antichrist”. A pesar de las restricciones de estudio, la reverberación de la voz gutural de Max Cavalera y la guitarra completamente desafinada, Bestial Devastation ha envejecido bien». Schizophrenia recibió los elogios de la prensa especializada brasileña y está considerado el álbum que forjó su estilo thrash con un sonido más denso y grave y una voz particularmente estridente. Eduardo Rivadavia del sitio web Allmusic le concedió una puntuación de 4 sobre 5 y lo calificó como «un increíble salto creativo». No obstante, fue con Beneath the Remains que el conjunto conoció su primer éxito de crítica por parte de importantes medios especializados contemporáneos. La revista Decibel lo posicionó en su salón de la fama y señaló que los temas del álbum «fueron producto de la voluntad de extender su salvaje híbrido de thrash-death más allá de las fronteras de la ciudad y el país al que llamaban hogar». Arise es a menudo considerado el disco en el que Sepultura llegó a su apogeo en cuanto a técnica y composición. A pesar de la censura del vídeo musical del tema «Dead Embryonic Cells», tuvo una buena recepción crítica y comercial: Alcanzó la posición 119 del Billboard 200 y vendió más de un millón de copias, algo poco común para un disco de una agrupación de heavy metal no estadounidense. El éxito de Arise fue superado por Chaos A.D., que llegó al puesto 32 de la lista estadounidense y logró una certificación de disco de oro de la Recording Industry Association of America. Steve Huey de Allmusic lo puntuó con un 4'5 sobre 5 y lo calificó como «uno de los mejores álbumes de heavy metal de todos los tiempos». Roots continuó la racha de buenas críticas y alcanzó la vigésimo séptima posición del Billboard 200 —el mejor puesto en la carrera de la banda— además de conseguir un disco de oro otorgado por la RIAA. Huey lo puntuó en Allmusic con un 4'5 sobre 5 y en su opinión «consolidó el status de Sepultura como quizás la más distintiva y original banda de heavy metal de la década de 1990». Los álbumes publicados tras la llegada de Derrick Green recibieron reseñas variadas y alcanzaron peores posiciones en las listas que los últimos tres trabajos grabados con Max Cavalera. Against alcanzó el puesto 82 del Billboard 200 pero obtuvo principalmente críticas negativas. El crítico Steve Huey destacó que «el problema es que parece carecer de una visión o una dirección clara» aunque señaló que el disco «es mucho mejor de lo que cabría esperar y hay suficientes destellos del antiguo brillo de Sepultura». Por su parte, Nation únicamente llegó a la posición 134 de la lista estadounidense aunque tuvo una recepción crítica mejor que la de su antecesor. Don Kaye de Blabbermouth remarcó que «Sepultura suena más como una banda que en Against» y escribió que «el estilo vocal y las líneas melódicas de Green desempeñan un papel integral en la composición». Roorback fue el primer álbum del conjunto en no posicionarse en el Billboard 200 desde Beneath the Remains y recibió tanto buenas como pésimas reseñas. Adrien Begrand de Popmatters lo calificó como «su más consistente y energético trabajo desde Roots» y señaló que los integrantes del grupo «demuestran que son más que capaces de proporcionar algunos momentos emocionantes». Por su parte, Don Kaye comentó que «desde la apertura de «Come Back Alive» a la outro, Roorback es la prueba concluyente de que Sepultura han perdido gran parte de su fuego». Las críticas de Dante XXI y A-Lex siguieron en la línea de sus tres antecesores. El crítico Greg Prato calificó al primero como «fácilmente uno de los lanzamiento más poderosos del conjunto con Green», mientras que Alex Henderson señaló que «los cambios de formación pueden tender un efecto muy negativo en una banda, pero Sepultura ha mantenido la vitalidad todos estos años y esa vitalidad está viva en el magnífico A-Lex». Kairos dividió a la crítica y cosechó tanto buenas reseñas como mediocres. Jason Heller de The A.V. Club comentó que a diferencia de su antecesor, «Kairos es solo un montón de canciones» y añadió que «la carne del disco es dura e insípida y ensartada por un repertorio de exhaustos riffs de Andreas Kisser», mientras que Dan Marsicano de About escribió que el álbum «es una celebración de todo lo que ha hecho el grupo en su carrera de 25 años. Es casi como una colección de grandes éxitos, donde hay algo para los aficionados de todas las épocas de Sepultura». Por su parte, The Mediator Between Head and Hands Must Be the Heart tuvo una mejor recepción crítica. Ray Van Horn de Blabbermouth señaló que lo mejor es que «suena adecuadamente como un álbum de Sepultura» y remarcó que «los riffs de Kisser son de confianza, como siempre». Machine Messiah y Quadra recibieron buenas reseñas y el redactor de Allmusic Thom Jurek consideró al primero como «ambicioso, furioso y hambriento» y al segundo como su primer trabajo «que se semeja en igualdad cualitativa a la trilogía clásica». Los álbumes de Sepultura han ejercido como influencia de varios grupos posteriores, en concreto con los discos Chaos A.D. y Roots, que sintetizaban thrash metal con ritmos tribales y que sirvieron como referencia de bandas de metal alternativo como Slipknot, Godsmack, System of a Down, Gojira, Between the Buried and Me, Vein, Code Orange, Toxic Holocaust y Nails. Además, entre los conjuntos que han versionado algunos de sus temas se encuentran Napalm Death, Aborted, God Forbid, Apocalyptica, Kalmah, Children of Bodom, Trivium, Havok, Dimension Zero, Ratos de Porão, Krisiun, Hatebreed, entre otras. Por su parte, los integrantes de Radiohead declararon estar influenciados por el conjunto: «Vimos a Sepultura hace algunos años en un festival holandés y nos encantaba su sombría música brasileña con un poco de vudú. Tocaban con instrumentos de los bosques tropicales a base de palmas y habas. Era bastante inquietante». Gus G., guitarrista de Ozzy Osbourne y Firewind, señaló que «Sepultura fue realmente importante para introducir nuevos estilos al heavy metal, especialmente Roots. Si lo piensas bien, de ahí viene el nu metal. Escuché a Slipknot y Coal Chamber, todos están fuertemente influenciadas por los poderosos riffs de Andreas con ese tipo de ritmo. Puedes escuchar su influencia en tantas bandas, sin mencionar lo que Sepultura hizo respecto al tema de la percusión». De acuerdo con la RIAA y la BPI, la agrupación ha conseguido dos discos de oro en los Estados Unidos y otros dos en el Reino Unido. Por otra parte, la banda ha vendido más de veinte millones de copias en todo el mundo hacia 2014.
This Classical Christian Education podcast is inspired by the book, A Guide to Understanding Classical Christian Education: 100 Common Questions and hosted by Dr. Timothy Dernlan for the purpose of advancing classical Christian education, community, and culture. FOR CHRIST AND OUR FUTURE MORE INFORMATION AT: www.TimDernlan.com Amazon Books
Chef David is a lifelong culinarian, entrepreneur, and highly sought-after consultant. He has experienced a notable career in everything from fine dining restaurants to product research and development. David has founded and partnered in the successful creation of large-scale startup ventures in public school food, social institution, wellness, and policy-related reform ventures as well as conscious food creation and hemp innovation enterprises. David is passionate about and recognized for his operational ability to create, lead and inspire large teams into exceptional organism cultures and empowered growth pathways. He currently runs Quadrivium Innovation – Consultation and Developments and Is Contracted by Foodom as the Chef Operations and Engagement manager. Learn more about David here!Learn more about Path to Podcast Success here!
Mesa 3 do VII Congresso de Artes Liberais promovido pelo instituto Hugo de São Vítor no ano de 2021. EDUARDO ROCHA E HIGOR MONTEIRO PAIVA Na terceira mesa, o assunto foi as matemáticas, os palestrantes, Eduardo Rocha, professor de Latim, aritmética e geometria do Instituto Hugo de São Vítor, e Higor Monteiro Paiva, diretor e fundador da Escola Palatina, presidente do Instituto Santa Hildegarda de Bingen e professor de matemática e literatura. Teremos aqui uma discussão ampla a respeito do Quadrivium em todos os seus aspectos e matérias. O Prof. Eduardo trata de nos dar uma visão abrangente sobre o impacto esperado desses estudos na vida e na alma do aluno que os cursa, bem como uma visão histórica da evolução deles e do seu ensino nas escolas antigas. O Prof. Higor fala, de modo mais específico, da teoria boeciana do número, mostrando como esse estudo, para os antigos, longe de ter apenas um viés técnico e aplicado, era também uma via que conduzia na direção da sabedoria, do conhecimento humano tanto do Cosmo como de Deus. Assim, ele explicou em detalhe os conceitos antigos de número, razão e proporção. Com este amplo escopo, esta mesa apontou as deficiências no tipo de estudo atual das matemáticas, bem como mitigar as dúvidas que pairam a respeito da concepção mais elevada dos números, que hoje jaz esquecida.
Mesa 3 do VII Congresso de Artes Liberais promovido pelo instituto Hugo de São Vítor no ano de 2021. EDUARDO ROCHA E HIGOR MONTEIRO PAIVA Na terceira mesa, o assunto foi as matemáticas, os palestrantes, Eduardo Rocha, professor de Latim, aritmética e geometria do Instituto Hugo de São Vítor, e Higor Monteiro Paiva, diretor e fundador da Escola Palatina, presidente do Instituto Santa Hildegarda de Bingen e professor de matemática e literatura. Teremos aqui uma discussão ampla a respeito do Quadrivium em todos os seus aspectos e matérias. O Prof. Eduardo trata de nos dar uma visão abrangente sobre o impacto esperado desses estudos na vida e na alma do aluno que os cursa, bem como uma visão histórica da evolução deles e do seu ensino nas escolas antigas. O Prof. Higor fala, de modo mais específico, da teoria boeciana do número, mostrando como esse estudo, para os antigos, longe de ter apenas um viés técnico e aplicado, era também uma via que conduzia na direção da sabedoria, do conhecimento humano tanto do Cosmo como de Deus. Assim, ele explicou em detalhe os conceitos antigos de número, razão e proporção. Com este amplo escopo, esta mesa apontou as deficiências no tipo de estudo atual das matemáticas, bem como mitigar as dúvidas que pairam a respeito da concepção mais elevada dos números, que hoje jaz esquecida.
The Landlords of House Episode EP302 EP302 - Silverfox QUADRIVIUM Thank you for tuning into The Landlords of House. We'll love to hear your feedback tag us, comment us! Spread the love! ✌
In this episode we continue our talk on the Liberal Arts with the second topic of the Quadrivium, that of geometry. Geometry is the study of number in space. Certain geometric forms found in nature have been known throughout the ages, cultures recognized repeating shapes and patterns, and in reverence idolized these forms in their arts and artifacts, and even to their megalithic structures which still stand today. These geometric forms, which make up the very fabric in which we exist, have since had symbolic value and meaning added to them, which in turn has lead them to be known as sacred.To comprehend the principles and qualitative side to this subject, we must take the journey from the single point, into the line, out to the plane, through the third dimension and beyond, returning to the point to see what we find along the way. Enjoy!Any questions, comments or simply would like to get in touch, reach out to us at esotericether@protonmail.com
Acompañame en este episodio a descubrir que son las 7 artes liberales, ¿Qué es el Trívium y Quadrivium? ¿Para qué nos sirven estas artes? estas y muchas respuestas más te esperan en este episodio.Sígueme en redes sociales
Recorded in 1995. A wonderful introduction to each of the seven classical liberal arts from the man who founded the famous “Program of Liberal Arts” at the University of Notre Dame. catholicthinkers.org https://youtu.be/-1yiVag3gNM
Recorded in 1995. A wonderful introduction to each of the seven classical liberal arts from the man who founded the famous “Program of Liberal Arts” at the University of Notre Dame. catholicthinkers.org https://youtu.be/OXxxvQDVUFE
Why do we work? How should we spend our leisure? Also, announcing the next biography subjects!
What is the Christian Classical Method of education and how can you teach it in your home? Yvette Hampton is joined by Amy Sloan, 2nd-generation classical homeschooler, podcaster, and blogger to get to the heart of classical homeschooling. Amy Sloan and her husband John are 2nd-generation homeschoolers to 5 children from 6 to 16 years old. The Sloan family adventures together in NC where they pursue a restfully-classical education. If you hang out with Amy for any length of time you'll quickly learn that she loves overflowing book stacks, giant mugs of coffee, beautiful memory work, and silly memes. At any moment she could break into song and dance from Hamilton, 90s country music, or Shakespeare. Amy writes at HumilityandDoxology.com and hosts the biweekly “Homeschool Conversations” podcast. WATCH THE MOVIE! Schoolhouse Rocked: The Homeschool Revolution is now available on DVD and HD streaming. Buy the film today or bring Schoolhouse Rocked to your church or homeschool co-op. Watch the Official Trailer for Schoolhouse Rocked: The Homeschool Revolution “Schoolhouse Rocked” will rock your educational world to the foundations and give you and your kids great hope for the future! The old-school paradigm has proven broken and a new way of learning is here. Don't miss this important film!” - Kirk Cameron "This is one of the most empowering tools I've seen for parents! I was honored to be interviewed in the film and am excited to see it come to fruition. It is amazing!" – Israel Wayne, Family Renewal Watch this full conversation on our YouTube channel. Support Schoolhouse Rocked Find Amy Sloan at Humility and Doxology: Instagram: https://www.instagram.com/humilityanddoxology/ YouTube: https://www.youtube.com/humilityanddoxology Facebook: https://www.facebook.com/HumilityAndDoxology/ Humility and Doxology resources: Textbook-Free History Masterclass – Use coupon code ROCKED to receive 30% off. https://humilityanddoxology.com/product/textbook-free-history-masterclass/ Why We Follow a Christian Classical Education in Our Homeschool (Video) History Book List on Amazon: https://amzn.to/3ue5go2 Amy has several themed posts with specific history themed book lists. For example: https://humilityanddoxology.com/ancient-greece-textbook-free-history/and https://humilityanddoxology.com/beginner-guide-church-history/ Check out Amy's FREE Year of Memory Work available with printables and recitation videos: https://humilityanddoxology.com/year-of-memory-work/ Recommended Resources (Classical Christian Education): The Liberal Arts Tradition, by Ravi Jain and Kevin Clark Consider This: Charlotte Mason and the Classical Tradition, by Karen Glass Abolition of Man, by C. S. Lewis Death Be Not Proud, by John Dunn Why We Pursue a Christian Classical Education in Our Homeschool (video) – Amy Sloan Genevieve Foster History Books Classical Academic Press The CiRCE Institute Classical Conversations Classical Education and Homeschooling High School - Leigh Bortins on the Schoolhouse Rocked Podcast Docendo Discimus, “By Teaching, We Learn” - Dr. Christopher Perrin, of Classical Academic Press on the Schoolhouse Rocked Podcast Podcasts: Homeschool Conversations Podcast Scholé Sisters Podcast Homeschool Conversations with Humility and Doxology (the podcast as a whole is not exclusively classical ed interviews, but here are a few of Amy's favorite episodes on the topic): Dr. George Grant: https://humilityanddoxology.com/george-grant-christian-education/ Kathy Weitz: https://humilityanddoxology.com/kathy-weitz-cottage-press-interview/ Wes Callihan: https://humilityanddoxology.com/wes-callihan-interview/ Karen Glass: https://humilityanddoxology.com/karen-glass/ Adrienne Freas: https://humilityanddoxology.com/adrienne-freas/ Chris Hall: https://humilityanddoxology.com/chris-hall/ Support Schoolhouse Rocked: Has Schoolhouse Rocked been a blessing to you? Please consider making a tax-deductible donation to support the ongoing ministry of Schoolhouse Rocked. Support from the homeschool community allows us provide resources and encouragement to homeschooling families around the world. Your support is making an ETERNAL impact! "If you are new to homeschooling check out this podcast!! I've been feeling like I should homeschool for a couple years but was worried I couldn't do it. Once the pandemic brought my kids home and I started seeing their emotional health and attitudes improve I decided to finally make the leap. This podcast has really encouraged me to make this a permanent change. Thank you for all your efforts in making this resource available!” - Autumn “I was tearing up at the end of this film being reminded that my children are GIFTS from the Lord. I never want to abdicate my role and responsibility as their Mama. I cannot wait to share this film with everyone once it is released!!” - Amber “We loved the movie and watched it with our children. It left us encouraged in our choice to homeschool, as well as gave us confidence that we are not "messing" up our children's education or socialization!!” - Danielle Whether or not you can donate, we ask that EVERY listener support the show by sharing it with your friends and family, by leaving a review on iTunes, and by praying for our team. If you are considering homeschooling or just need some great homeschooling encouragement, get your FREE Homeschool Survival Kit from the producers of Schoolhouse Rocked: The Homeschool Revolution and the Schoolhouse Rocked Podcast. This 60+ page guide includes helpful articles, videos, and audio, for every stage of homeschooling, from pre-school to graduation. It will give you the encouragement you need to start strong and finish well! The Homeschool Survival Kit also includes an extensive directory of must-have homeschooling resources. Please take a minute to visit our sponsors and thank them for helping to bring you The Schoolhouse Rocked Podcast. We ONLY work with companies we know and love! We happily recommend these companies and their products. Are you looking for a new Math Curriculum? CTCMath specializes in providing online video tutorials that take a multi-sensory approach to learning. Creative graphics and animation, synchronized with the friendly voice of internationally acclaimed teacher, Pat Murray, make learning math easy and effective. Visit CTCmath.com today to start your free trial today. BJU Press Homeschool provides complete curriculum for preschool through 12th grade with both traditional textbooks and video courses available. Education from a Christian worldview reshapes how children see the world. BJU Press materials teach Christ's power and lordship through the Big Story of creation. Patriot Academy - Inspiring Patriotism, Equipping Citizens, Educating A Nation. Patriot Academy has a Single, Bold Vision: To equip a new generation of leaders to champion the cause of freedom and truth in government, media, entertainment, education, as we help bring our nation back to the principles on which we were founded. The Institute for Excellence in Writing (IEW) equips teachers and teaching parents with methods and materials which will aid them in training their students to become confident and competent communicators and thinkers. Using the Structure and Style™ writing method, IEW will give you the ability to fill young minds with language-building skills, laying the groundwork for a lifetime of excellent writing. Podcast Topics: Amy Sloan, Classical Education, Classical Christian, Classical Method, Homeschool Graduate, Second Generation Homeschooler, Literature, Trivium, Quadrivium, Yvette Hampton, Interview, Schoolhouse Rocked: The Homeschool Revolution, Homeschool Movie, Homeschool Documentary, Homeschool Podcast, Christian, Parenting Podcast
What is the Christian Classical Method of education and how can you teach it in your home? Yvette Hampton is joined by Amy Sloan, 2nd-generation classical homeschooler, podcaster, and blogger to get to the heart of classical homeschooling. Amy Sloan and her husband John are 2nd-generation homeschoolers to 5 children from 6 to 16 years old. The Sloan family adventures together in NC where they pursue a restfully-classical education. If you hang out with Amy for any length of time you'll quickly learn that she loves overflowing book stacks, giant mugs of coffee, beautiful memory work, and silly memes. At any moment she could break into song and dance from Hamilton, 90s country music, or Shakespeare. Amy writes at HumilityandDoxology.com and hosts the biweekly “Homeschool Conversations” podcast. Come back tomorrow for the rest of this conversation. WATCH THE MOVIE! Schoolhouse Rocked: The Homeschool Revolution is now available on DVD and HD streaming. Buy the film today or bring Schoolhouse Rocked to your church or homeschool co-op. Watch the Official Trailer for Schoolhouse Rocked: The Homeschool Revolution “Schoolhouse Rocked” will rock your educational world to the foundations and give you and your kids great hope for the future! The old-school paradigm has proven broken and a new way of learning is here. Don't miss this important film!” - Kirk Cameron "This is one of the most empowering tools I've seen for parents! I was honored to be interviewed in the film and am excited to see it come to fruition. It is amazing!" – Israel Wayne, Family Renewal Watch this full conversation on our YouTube channel. Support Schoolhouse Rocked Find Amy Sloan at Humility and Doxology: Instagram: https://www.instagram.com/humilityanddoxology/ YouTube: https://www.youtube.com/humilityanddoxology Facebook: https://www.facebook.com/HumilityAndDoxology/ Humility and Doxology resources: Textbook-Free History Masterclass – Use coupon code ROCKED to receive 30% off. https://humilityanddoxology.com/product/textbook-free-history-masterclass/ Why We Follow a Christian Classical Education in Our Homeschool (Video) History Book List on Amazon: https://amzn.to/3ue5go2 Amy has several themed posts with specific history themed book lists. For example: https://humilityanddoxology.com/ancient-greece-textbook-free-history/and https://humilityanddoxology.com/beginner-guide-church-history/ Check out Amy's FREE Year of Memory Work available with printables and recitation videos: https://humilityanddoxology.com/year-of-memory-work/ Recommended Resources (Classical Christian Education): The Liberal Arts Tradition, by Ravi Jain and Kevin Clark Consider This: Charlotte Mason and the Classical Tradition, by Karen Glass Abolition of Man, by C. S. Lewis Death Be Not Proud, by John Dunn Why We Pursue a Christian Classical Education in Our Homeschool (video) – Amy Sloan Genevieve Foster History Books Classical Academic Press The CiRCE Institute Classical Conversations Classical Education and Homeschooling High School - Leigh Bortins on the Schoolhouse Rocked Podcast Docendo Discimus, “By Teaching, We Learn” - Dr. Christopher Perrin, of Classical Academic Press on the Schoolhouse Rocked Podcast Podcasts: Homeschool Conversations Podcast Scholé Sisters Podcast Homeschool Conversations with Humility and Doxology (the podcast as a whole is not exclusively classical ed interviews, but here are a few of Amy's favorite episodes on the topic): Dr. George Grant: https://humilityanddoxology.com/george-grant-christian-education/ Kathy Weitz: https://humilityanddoxology.com/kathy-weitz-cottage-press-interview/ Wes Callihan: https://humilityanddoxology.com/wes-callihan-interview/ Karen Glass: https://humilityanddoxology.com/karen-glass/ Adrienne Freas: https://humilityanddoxology.com/adrienne-freas/ Chris Hall: https://humilityanddoxology.com/chris-hall/ Support Schoolhouse Rocked: Has Schoolhouse Rocked been a blessing to you? Please consider making a tax-deductible donation to support the ongoing ministry of Schoolhouse Rocked. Support from the homeschool community allows us provide resources and encouragement to homeschooling families around the world. Your support is making an ETERNAL impact! "If you are new to homeschooling check out this podcast!! I've been feeling like I should homeschool for a couple years but was worried I couldn't do it. Once the pandemic brought my kids home and I started seeing their emotional health and attitudes improve I decided to finally make the leap. This podcast has really encouraged me to make this a permanent change. Thank you for all your efforts in making this resource available!” - Autumn “I was tearing up at the end of this film being reminded that my children are GIFTS from the Lord. I never want to abdicate my role and responsibility as their Mama. I cannot wait to share this film with everyone once it is released!!” - Amber “We loved the movie and watched it with our children. It left us encouraged in our choice to homeschool, as well as gave us confidence that we are not "messing" up our children's education or socialization!!” - Danielle Whether or not you can donate, we ask that EVERY listener support the show by sharing it with your friends and family, by leaving a review on iTunes, and by praying for our team. If you are considering homeschooling or just need some great homeschooling encouragement, get your FREE Homeschool Survival Kit from the producers of Schoolhouse Rocked: The Homeschool Revolution and the Schoolhouse Rocked Podcast. This 60+ page guide includes helpful articles, videos, and audio, for every stage of homeschooling, from pre-school to graduation. It will give you the encouragement you need to start strong and finish well! The Homeschool Survival Kit also includes an extensive directory of must-have homeschooling resources. Please take a minute to visit our sponsors and thank them for helping to bring you The Schoolhouse Rocked Podcast. We ONLY work with companies we know and love! We happily recommend these companies and their products. Are you looking for a new Math Curriculum? CTCMath specializes in providing online video tutorials that take a multi-sensory approach to learning. Creative graphics and animation, synchronized with the friendly voice of internationally acclaimed teacher, Pat Murray, make learning math easy and effective. Visit CTCmath.com today to start your free trial today. BJU Press Homeschool provides complete curriculum for preschool through 12th grade with both traditional textbooks and video courses available. Education from a Christian worldview reshapes how children see the world. BJU Press materials teach Christ's power and lordship through the Big Story of creation. Patriot Academy - Inspiring Patriotism, Equipping Citizens, Educating A Nation. Patriot Academy has a Single, Bold Vision: To equip a new generation of leaders to champion the cause of freedom and truth in government, media, entertainment, education, as we help bring our nation back to the principles on which we were founded. The Institute for Excellence in Writing (IEW) equips teachers and teaching parents with methods and materials which will aid them in training their students to become confident and competent communicators and thinkers. Using the Structure and Style™ writing method, IEW will give you the ability to fill young minds with language-building skills, laying the groundwork for a lifetime of excellent writing. Podcast Topics: Amy Sloan, Classical Education, Classical Christian, Classical Method, Homeschool Graduate, Second Generation Homeschooler, Literature, Trivium, Quadrivium, Yvette Hampton, Interview, Schoolhouse Rocked: The Homeschool Revolution, Homeschool Movie, Homeschool Documentary, Homeschool Podcast, Christian, Parenting Podcast
What is the Christian Classical Method of education and how can you teach it in your home? Yvette Hampton is joined by Amy Sloan, 2nd-generation classical homeschooler, podcaster, and blogger to get to the heart of classical homeschooling. Amy Sloan and her husband John are 2nd-generation homeschoolers to 5 children from 6 to 16 years old. The Sloan family adventures together in NC where they pursue a restfully-classical education. If you hang out with Amy for any length of time you'll quickly learn that she loves overflowing book stacks, giant mugs of coffee, beautiful memory work, and silly memes. At any moment she could break into song and dance from Hamilton, 90s country music, or Shakespeare. Amy writes at HumilityandDoxology.com and hosts the biweekly “Homeschool Conversations” podcast. Come back Wednesday and Thursday for the rest of this conversation. WATCH THE MOVIE! Schoolhouse Rocked: The Homeschool Revolution is now available on DVD and HD streaming. Buy the film today or bring Schoolhouse Rocked to your church or homeschool co-op. Watch the Official Trailer for Schoolhouse Rocked: The Homeschool Revolution “Schoolhouse Rocked” will rock your educational world to the foundations and give you and your kids great hope for the future! The old-school paradigm has proven broken and a new way of learning is here. Don't miss this important film!” - Kirk Cameron "This is one of the most empowering tools I've seen for parents! I was honored to be interviewed in the film and am excited to see it come to fruition. It is amazing!" – Israel Wayne, Family Renewal Watch this full conversation on our YouTube channel. Support Schoolhouse Rocked Find Amy Sloan at Humility and Doxology: Instagram: https://www.instagram.com/humilityanddoxology/ YouTube: https://www.youtube.com/humilityanddoxology Facebook: https://www.facebook.com/HumilityAndDoxology/ Humility and Doxology resources: Textbook-Free History Masterclass – Use coupon code ROCKED to receive 30% off. https://humilityanddoxology.com/product/textbook-free-history-masterclass/ Why We Follow a Christian Classical Education in Our Homeschool (Video) History Book List on Amazon: https://amzn.to/3ue5go2 Amy has several themed posts with specific history themed book lists. For example: https://humilityanddoxology.com/ancient-greece-textbook-free-history/and https://humilityanddoxology.com/beginner-guide-church-history/ Check out Amy's FREE Year of Memory Work available with printables and recitation videos: https://humilityanddoxology.com/year-of-memory-work/ Recommended Resources (Classical Christian Education): The Liberal Arts Tradition, by Ravi Jain and Kevin Clark Consider This: Charlotte Mason and the Classical Tradition, by Karen Glass Abolition of Man, by C. S. Lewis Death Be Not Proud, by John Dunn Why We Pursue a Christian Classical Education in Our Homeschool (video) – Amy Sloan Genevieve Foster History Books Classical Academic Press The CiRCE Institute Classical Conversations Classical Education and Homeschooling High School - Leigh Bortins on the Schoolhouse Rocked Podcast Docendo Discimus, “By Teaching, We Learn” - Dr. Christopher Perrin, of Classical Academic Press on the Schoolhouse Rocked Podcast Podcasts: Homeschool Conversations Podcast Scholé Sisters Podcast Homeschool Conversations with Humility and Doxology (the podcast as a whole is not exclusively classical ed interviews, but here are a few of Amy's favorite episodes on the topic): Dr. George Grant: https://humilityanddoxology.com/george-grant-christian-education/ Kathy Weitz: https://humilityanddoxology.com/kathy-weitz-cottage-press-interview/ Wes Callihan: https://humilityanddoxology.com/wes-callihan-interview/ Karen Glass: https://humilityanddoxology.com/karen-glass/ Adrienne Freas: https://humilityanddoxology.com/adrienne-freas/ Chris Hall: https://humilityanddoxology.com/chris-hall/ Support Schoolhouse Rocked: Has Schoolhouse Rocked been a blessing to you? Please consider making a tax-deductible donation to support the ongoing ministry of Schoolhouse Rocked. Support from the homeschool community allows us provide resources and encouragement to homeschooling families around the world. Your support is making an ETERNAL impact! "If you are new to homeschooling check out this podcast!! I've been feeling like I should homeschool for a couple years but was worried I couldn't do it. Once the pandemic brought my kids home and I started seeing their emotional health and attitudes improve I decided to finally make the leap. This podcast has really encouraged me to make this a permanent change. Thank you for all your efforts in making this resource available!” - Autumn “I was tearing up at the end of this film being reminded that my children are GIFTS from the Lord. I never want to abdicate my role and responsibility as their Mama. I cannot wait to share this film with everyone once it is released!!” - Amber “We loved the movie and watched it with our children. It left us encouraged in our choice to homeschool, as well as gave us confidence that we are not "messing" up our children's education or socialization!!” - Danielle Whether or not you can donate, we ask that EVERY listener support the show by sharing it with your friends and family, by leaving a review on iTunes, and by praying for our team. If you are considering homeschooling or just need some great homeschooling encouragement, get your FREE Homeschool Survival Kit from the producers of Schoolhouse Rocked: The Homeschool Revolution and the Schoolhouse Rocked Podcast. This 60+ page guide includes helpful articles, videos, and audio, for every stage of homeschooling, from pre-school to graduation. It will give you the encouragement you need to start strong and finish well! The Homeschool Survival Kit also includes an extensive directory of must-have homeschooling resources. Please take a minute to visit our sponsors and thank them for helping to bring you The Schoolhouse Rocked Podcast. We ONLY work with companies we know and love! We happily recommend these companies and their products. Are you looking for a new Math Curriculum? CTCMath specializes in providing online video tutorials that take a multi-sensory approach to learning. Creative graphics and animation, synchronized with the friendly voice of internationally acclaimed teacher, Pat Murray, make learning math easy and effective. Visit CTCmath.com today to start your free trial today. BJU Press Homeschool provides complete curriculum for preschool through 12th grade with both traditional textbooks and video courses available. Education from a Christian worldview reshapes how children see the world. BJU Press materials teach Christ's power and lordship through the Big Story of creation. Patriot Academy - Inspiring Patriotism, Equipping Citizens, Educating A Nation. Patriot Academy has a Single, Bold Vision: To equip a new generation of leaders to champion the cause of freedom and truth in government, media, entertainment, education, as we help bring our nation back to the principles on which we were founded. The Institute for Excellence in Writing (IEW) equips teachers and teaching parents with methods and materials which will aid them in training their students to become confident and competent communicators and thinkers. Using the Structure and Style™ writing method, IEW will give you the ability to fill young minds with language-building skills, laying the groundwork for a lifetime of excellent writing. Podcast Topics: Amy Sloan, Classical Education, Classical Christian, Classical Method, Homeschool Graduate, Second Generation Homeschooler, Literature, Trivium, Quadrivium, Yvette Hampton, Interview, Schoolhouse Rocked: The Homeschool Revolution, Homeschool Movie, Homeschool Documentary, Homeschool Podcast, Christian, Parenting Podcast
Go order John Mays' 'Teaching Science So That Students Learn Science' here to see the Twenty-One Basic Tools of Science!
Scholé Sisters: Camaraderie for the Classical Homeschooling Mama
Our special guest today is the one and only Gregory Wilbur! Greg is founder and president of New College Franklin—a Christian college that concentrates on the classics and the seven liberal arts with a discussion-based approach and spiritual formation. In addition to teaching and developing curriculum, his current academic focus is advancing the disciplines of the Quadrivium by bringing together leading voices in its renewal. An award-winning musician, Greg has released seven albums of his compositions of congregational psalms, hymns and service music as well as theatrical musicals and film scores, and his hymns can be found in more than ten hymnals. Having taught for almost thirty years, he is a frequent speaker on music, the Quadrivium, arts, liturgy, and worship and serves as Chief Musician and liturgist at Cornerstone Presbyterian Church in Franklin, TN. Greg, his wife, Sophia, and daughter, Eleanor, enjoy travel, reading, cooking, taking walks and life in middle Tennessee. In today's episode, Mystie and Brandy dig interrogate Greg about music. In The Liberal Arts Tradition, music appears twice: once as a sort of poetic mode of knowing, and later as a liberal art that looks suspiciously like math. We want to know where instruments come in. *** It's not too late to join the Excellent Marxmanship seminar going on now in the Sistership. Excellent Marxmanship is all about Marx with an X – and how he has made his marx (pun intended!) on the world around us. To join us as we read Plutarch, the Communist Manifesto, and more, go to scholesisters.com/marx *** Click here to access today's show notes. Click here to join the Sistership.
https://www.lightingthevoid.comLive Weeknights Mon-Fri 9 pm, PacificOn Fringe FMhttps://fringe.fmTonight we discuss the Trivium and Quadrivium with Owen Hunt and Thomas Gorence from Paranoid American.Owen Hunt is a producer, comedian, author, improviser, and student of the mysteries of the universe. In short, he is a voice whose work inspires people to question the nature of their reality through humor, love, and encouragement.Owen is the author of “Beyond Reality: Discovering the Hidden World Around Us”. He is very active on youtube where he shares insights through his sincere and informative videos and hilarious sketches.He also has his podcast Bootsy Greencast which consistently charts on iTunes in Spirituality, and is widely known for his calming and sincere delivery as an audiobook narrator.https://bootsygreenwood.com/Thomas Gorence from Paranoid American Established 2012, Paranoid American Inc was founded to create comics, graphic novels and interactive content exploring research into conspiracy theories and the occult.https://www.paranoidamerican.com/http://www.triviumeducation.com/DJ Steezy Stevie https://www.steezymusic.com/Music by Chronox at https://www.chronoxofficial.com
In this episode we continue our exploration of the Liberal Arts. To gain a better grasp of the Quadrivium, we must being with the study of number. We want to take a look at the qualitative side of number, the why, not so much the protocol side. To address this we must go back to the origins of the study of number by the Pythagoreans. What do numbers represent? What are the hidden qualities of number? And how does it relate to the other subjects of geometry, music and cosmology?These simple universal languages are as relevant today as that have always been, and may be found in all known sciences and cultures, without disagreement. This is because they are based in universal truth. Enjoy!Any questions, comments or simply would like to get in touch, reach out to us at esotericether@protonmail.com
In this episode we get into the 7 Liberal Arts & Sciences. The education system that the majority of the world has adopted has produced far too many drones, people that are perhaps smart enough to do their jobs, but clearly not smart enough to question why. How did we get to this point?For far too long we have been inhibited in our growth by only focusing on the protocol of something, the how, and not the rationale, the why we do something. How can we discover truth in a world full of theories? How can we truly manipulate reality? Enter the 7 Liberal Arts, the solution that lies in the ancient education of the Trivium and Quadrivium. It is the foundation of knowledge, and therefore freedom. A complete comprehension of anything requires we know these methods, and to learn not just the quantitative side, but also the qualitative side. Enjoy!Any questions, comments or simply would like to get in touch, reach out to us at esotericether@protonmail.com
On today's show we are sharing a section of a Youtube live stream where Danny and Maura discuss The (lost) 7 Liberal arts.Most of us never had much exposure to the liberal arts or this framework in our primary education, but I was was introduced to it as an undergraduate with Columbia's core corriculum.Liber means both book (knowledge) & free in Latin. Knowledge is freedom.Education is derived from educare, to lead out from. Education leads us away from the darkness of ignorance & into the light of knowledge. Modern “education” is really just indoctrination. Indoctrere means to speak into something. So instead of leading us away from ignorance, indoctrination speaks into us to shape our perception.The Trivium is derived from the ancient Latin tres, tria (three) & via, which is a way, path, or method. The trivium is a 3-fold discovery methodology for reaching the truth. It's a truth discovery methodology with 3 steps: grammar, logic & rhetoric.Truth discovery starts with the trivium, quadrivium, and the 5 senses. The ancient trivium was also divided into three: knowledge (grammar), understanding (logic) & wisdom (rhetoric). In modern times, we can classify this as input, processing & output.Knowledge (grammar) is the gathering of information—who, what, where, when, etc.Understanding (logic) refers to information processing. This is how we get to the “why”. What's the meaning of this information? This is where we weed out logical inconsistencies from our data set, and it has 3 sub-steps: filtration, correlation & analysis.Wisdom (rhetoric) is the output phase. This is knowledge & understanding in action. Wisdom is doing the right thing based upon what you've come to know & understand. Wisdom is right action. It's how we answer the last question: what am I going to do with this?The Quadrivium is the fourfold quantification tool set we use during the information processing phase of the trivium. It's how we use & apply logic. It's arithmetic, geometry, music & astronomy. The quadrivium is built into nature & provable in nature. Nothing is subjective in number (quantity), form (expression) & vibration (energy).Arithmetic (quantity) is basic mathematical processes of addition, subtraction, multiplication & division. It's pure abstraction through numbers. This is how we get to algebra, trigonometry, matrices, etc.Geometry (form) is the study of shape, size, proportion, position, etc. Geometry is the arithmetic of space. Physics would be an example.Music (vibration) is the study of vibratory energy, for example, thermodynamics. It's the arithmetic of time.Astronomy is the dynamics of the macro body of the heavens, or the arithmetic of time & space. Astronomy has been called the music of heavenly bodies.5th grade test from a little red schoolhouse in Salina, Kansas: https://newrepublic.com/article/79470/1895-8th-grade-final-exam-i-couldnt-pass-it-could-you Sources: Woodenbooks, the School Sucks Project, Crrow777 Low Carb Hustle podcast: www.lowcarbhustlepodcast.com Announcement Links:Protein pancakes: https://www.instagram.com/p/CKnRtPrgCGD/Protein: https://www.seacretdirect.com/300943591/en/us/item/3898/SHAKE-VANILLA-Shake-Vanilla/Recovery: https://www.seacretdirect.com/300943591/en/us/item/2020/Recovery-Buy-3-Get-1-FREE-Recovery-Promo-Pack-Qty-4/Molecular hydrogen studies: www.molecularhydrogenstudies.com Intro Song - https://soundcloud.com/freemusicforvlogs/kazura-back-to-you-free-music-for-vlogs This week's sponsor is keto brick, our favorite shelf-stable fat bomb. Keto bricks have great ingredients and there are both vegan and whey options. 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Is the discipline of physics the “Queen of the Sciences”? In this conversation with polymath and professor Jim Clarage, we discuss the ways in which the discipline of physics takes up all seven of the classical liberal arts. Along the way we consider other disciplines—music, mathematics, and theology—that also may fulfill this role and why Newman's “circle of the sciences” remains relevant today. With cameos by Darwin, Einstein, and Galileo, we sketch the place of advanced scientific thought within liberal learning and the humility that may be required for its study. Links of Potential Interest from Prof. Clarage: The Book of Nature (author: God! Go out and stare at moon phases for month, shoot a garden hose in the sun, watch a morning spider engineering a web) Stratford Caldecott. Beauty for Truth's Sake. (Quadrivium in education as way to enchantment) Maurice A. Finocchiaro. The Essential Galileo. (masterful use of mostly primary documents from the early 1600's) Werner Heisenberg. Physics and Philosophy. Any Physics textbook. John Stillwell. Any of the historical (but rigorous) texts by mathematician John Stillwell “translating” the great development of mathematics since Euclid (e.g, I'm reading his The Real Numbers now.) Advanced: Charles DeKoninck, Le Cosmos. (The Cosmos, in McInerny's Works of Charles DeKoninck )
En este episodio descubriremos cómo dos acontecimientos, la ópera y los toros, comparten elementos en común. Tenores aficionados al toreo, toreros cantantes de ópera y músicos que miraron al arte de la tauromaquia para encontrar su inspiración. Locutado por Victoria Collantes, ha contado con la participación de Rubén Amón (periodista y escritor), Raúl Asenjo (director adjunto del teatro de la Zarzuela), Karel Mark Chichon (director de orquesta), Domingo Delgado de la Cámara (abogado e historiador taurino), Alejandro Pizarroso (catedrático de periodismo en la Universidad Complutense de Madrid) y Victor Sánchez (profesor titular de historia de la música en la Universidad Complutense de Madrid). Este episodio ha sido impulsado por la Fundación del Toro de Lidia, con la colaboración del Ministerio de Cultura y Deporte. Guion: Luis López. Producción: Lidia Cossío de la Iglesia. Documentación: Guillermo Vellojín. Comité Editor: Robert Albiol, Alipio Pérez-Tabernero, David Jaramillo. Notas: Amón, Rubén, Ópera, toros y viceversa, Recóndita Armonía, El País, (https://elpais.com/cultura/2017/06/05/recondita_armonia/1496660018_300265.html). Becerra, Cristóbal, Ópera y arte taurino en Nimes, Revista El Ruedo nº887, Madrid 22/06/1961. Bergamín, José, La música callada del toreo, Ediciones Turner, Madrid, 1981. Eyre, Pilar, Pasión imperial, La esfera de los libros, Madrid, 2010. Hernández Girbal, Florentino, Julián Gayarre, Ediciones Lira, Madrid, 1970. Herrero Subirana, Marta, Julián Gayarre: un tenor histórico, un navarro universal, Madrid, 2003. Iriarte, Alfredo, Toros de Altamira y Lascaux a las arenas colombianas. Mitos, leyendas e historias, Amazonas, Bogotá, 1992. Lerena, Mario, De la plaza de toros al teatro de ópera: idiosincrasia y (socio)semiosis del pasodoble escénico, Quadrivium, 2015. Mériméé, Prosper, Carmen, Alianza Editorial, Madrid, 2006. Peña y Goñi, Antonio, Arte y patriotísmo: Gayarre y Masini, Manuel G. Hernández, Madrid, 1882. Peña y Goñi, Antonio, Contra la ópera española, Manuel G. Hernández, Madrid 1885. Peña y Goñi, Antonio, La ópera española y la música dramática en España en el siglo XIX: apuntes históricos, Madrid, Imprenta de El Liberal, 1881 y Madrid, ICCMU, 2004 [edición facsímil]. Pizarroso, Alejandro, Liturgia taurina , Espasa-Calpe, Madrid, 2000. Ruffo Titta Jr, La mia parabola, Staderini Editore, Roma, 1977. Sánchez Sánchez, Víctor, Verdi y España, Madrid, Akal, 2014. Sowman, Daniel, La ópera: una historia social, Siruela, Madrid, 2006. Tierno Galván, Enrique, Los toros como ancontecimiento nacional, Ediciones Turner, Madrid, 1988.
In this talk, Kelly Snook will provide a guided tour through the exquisite beauty of the Badí Calendar, which is followed by Baha'is around the world. She will explain in simple terms the daily, monthly, yearly, and even less frequent astronomical events that anchor the calendar to the physics of our local solar system. This Calendar, believed to be the first to be revealed by a Divine Messenger, was laid out by The Báb in the mid-19th Century and adopted fully by Baha'is worldwide in 2015. It is uniquely tied to both solar and lunar movements, such as the northern vernal equinox and new moon conjunction. Have you ever felt a little fuzzy on why the dates of the Gregorian calendar shift with respect to the dates of Baha'i Holy Days and other days of interest? Or what the equinox is and why it is a good marker of time? Or why the Lunar Calendar is so different from solar calendars like our modern standard calendar, which has leap years to stay aligned with the sun? Kelly hopes to make it all not just a little less confusing, but hopefully generate genuine appreciation for its beauty and perfection by bringing in the music of the spheres and demonstrating how the Calendar directly manifests God's principles of Oneness and Harmony. Dr Kelly Snook was trained in Aeronautics and Astronautics, as well as in music. She is now creating a new field of research, called "Investigative Music" that is partially a return to Johannes Kepler's time, when music was used as one of the four tools for exploring the world. Arithmetic, geometry, astronomy and music comprised the Quadrivium, the four modes of scientific inquiry. Before science as we knew it existed, these were the ways that the physical world was investigated. Arithmetic, the study of number; geometry, the study of number in space; music, the study of number in time; and astronomy, the study of number in space and time. When Johannes Kepler discovered his three laws of planetary motion, it was through the application of musical principles of harmony and spiritual principles of oneness that emerged the mathematical equations he will forever be famous for. Calendars are essentially the application of our astronomical understanding of space and time to the collective patterns of human activity. Kelly seeks to make audible and explorable these fundamental patterns in Nature.
Laughter brings escape from monotony.Sadness teaches us what is important to our heart.Commitment carries us through the dark hours, the dry places, the sad times.Enthusiasm, “God within,” opens our eyes to the possible.JP Engelbrecht says a business owner can learn a lot about managing groups of people by studying famous monarchs. “If you manage tight-to-loose” says JP, “your people will build statues of you in the parks.” I said, “What do you mean, tight-to-loose?” “Begin with a lot of strict rules and policies,” JP answered, “then loosen them up when people perform well; give them more freedom and autonomy. Monarchs that do the opposite – the ones who manage loose-to-tight – are the ones that get assassinated. It's dangerous to take away freedoms once they're given.” JP's advice triggered the memory of a delightful video by Daniel Pink (which you'll find on Page Four of Indiana Beagle's rabbit hole,) in which Pink says we need just 3 things to make us happy: 1. Autonomy, the freedom to do things our own way. 2. Mastery, the ability to get better and better at something. 3. Purpose, the knowledge that we're making a difference. JP's comment also reminded me of a statement shared with me by Eric Rhoads: “The best fertilizer is the gardener's shadow.” Eric's comment, in turn, triggered the memory of something Tom Grimes shared with me by email in the middle of the night exactly one year ago – July 29, 2014. Tom says the happiest companies are run by business owners who practice “Management by Walking Around.” You can read his fun and insightful email on Page One of Indy's rabbit hole. (Just click the trio of flying children over Indy's head at the top of this page.) As you can see, I connected these thoughts dot-to-dot-to-dot and realized once more that the combined insights of the people in our lives can be an incredibly powerful thing. If we could collect these experiences and organize them to bring forward the best of the past, that would be magic in a bottle. [This thought, wearing many different disguises, has been orbiting my brain like Halley's Comet, showing up periodically in the middle of the night ever since Mia Erichson sent the note about the Trivium and Quadrivium that became the Monday Morning Memo, http://mondaymemo.wpengine.com/newsletters/glenn-gould-played-piano/ (Glenn Gould Played Piano.) ] What this Means to the Future of Wizard AcademyWizard Academy was established 15 years ago in a Monday Morning Memo. The things you readers have built since then are remarkable! No, remarkable is the wrong word. What you've built is astonishing. You stepped forward and donated your time and wisdom and money to create: a worldwide group of alumni and adjunct faculty that are positively electric. a spectacular campus with zero debt. a network of thousands of business owners who claim the experiences they've had at Wizard Academy have made a huge difference in the success of their endeavors. The time has come for us to complete what we have started. The good news is that it doesn't take much money. The bad news is that it takes something far more precious. I need you to take inventory of your intellectual property – those techniques and shortcuts and special bits of wisdom you've gathered over the years – and send that list to Vice Chancellor Whittington. Wizard Academy is known for its ability to teach the “art” of running a business. The time has come for us to add the “science.” Until we have done this, our school will remain incomplete. What do you have – in your head – that you could give to The American Small Business Institute at Wizard Academy?The ASBI will collect and offer all the left-brain, sequential, step-by-step, mathematical and procedural genius of its faculty and alumni to create...
When Glenn Gould retired from playing the great concert halls of the world, he climbed aboard a Canadian train and rode it north to the end of the line. During this journey, Glenn recorded the conversations of his fellow passengers and mixed them into a strangely compelling audio presentation called The Idea of North (1967). It was the first installment in his Solitude Trilogy. Solitude is when you push the world away. Isolation is when the world pushes you away. A simple reversal of energy is all that separates the two. Energy must always have a direction. Glenn Gould knew this. Music is energy. Life is energy. Notes in a song can go North or South: up or down. Life has its ups and downs, too. The movement of music West to East – left to right – is tied to the passage of time. So we experience music all in one direction, exactly as we experience life. The speed of music is called its tempo. What is the tempo of your life? The line traced by the rising and falling of the notes as we move left to right is called musical contour: melody. If your emotions could be charted throughout the day, you would see that a day, a month, a season, a life has a melody, too.Does night follow day, or does day follow night, or does the earth just spin around a ball of light? Evidently, these are the things I think about when I'm on vacation. When I'm not on vacation I think about how to attract customers to your business. I'll bet you'll be glad when I get back from vacation, right? I look at what I've written so far and think, “It's good that I don't keep track of how many people subscribe and unsubscribe, because a Monday Morning Memo like this one is likely to set a new record for losing the largest number of readers in a single day.” That's as much as I had written when I received an email from Mia Erichson, the woman that caused Jeffrey Eisenberg to abandon Brooklyn. This is what she wrote:For no reason that matters to this discussion, this afternoon I was thinking about The Trivium.The Trivium is a systematic method of critical thinking used to derive factual certainty from information perceived with the traditional five senses: sight, sound, taste, touch, and smell.The Trivium – is the lower division of the Seven Thinking ArtsGrammar – the art of letters Logic – use and study of valid reasoning Rhetoric – the art of discourse, an art that aims to improve the capability of writers or speakers to inform, persuade, or motivate particular audiences in specific situations The Quadrivium – is the upper division of the Seven Thinking ArtsArithmetic (number) Geometry (number in space) Music (number in time) Astronomy (number in space and time) Mia then went on to describe – rather brilliantly and with details – how the curriculum of Wizard Academy might be organized in a similar way, thereby giving students a clear path of progression toward their goals. Mia's note was encouraging to me for a variety of reasons:It made my wandering thoughts feel a little less crazy and a lot less irrelevant. (I'd never heard of the Quadrivium, so I Googled it and learned that Plato and Pythagorus and the scholars who followed them thought of medicine and architecture as practical arts, but the Trivium and Quadrivium were the liberal or “thinking” arts. Wow. People have been pondering this idea of mapping things in space and time for more than two thousand years.) It reminded me that Wizard Academy is being built by many hands and minds. Now in its fifteenth year, the Academy is growing increasingly independent of Pennie and me with every passing month. This is a very, very good thing. Mia is the very successful Chief Marketing Officer of a large national company. Her 9 to 5 job is similar to my own and her idle thoughts are just as crazy as my own, so maybe there's nothing wrong with me after all. Perhaps
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