Podcast appearances and mentions of maurice ronet

À quelques jours de la date anniversaire du comédien Maurice Ronet, les éditions Séguier rééditent deux textes devenus introuvables : « Le Métier de comédien » longue interview passionnante de Ronet, précédée par « Les Vies du Feu follet » de Jean-Pierre Montal, auteur / éditeur vouant un culte au comédien d'Ascenseur pour l'échafaud, Plein soleil et La Piscine... Ecoutez RTL Pop Ciné avec Vincent Perrot du 26 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En el duodécimo episodio de Manderley —en el que contamos con la participación de Carlos Balbuena y Víctor Esquirol— hablamos de LA PISCINE (LA PISCINA) de Jacques Deray de 1969 y del remake libremente basado en ella que realizó Luca Guadagnino en 2015, A BIGGER SPLASH (CEGADOS POR EL SOL). En el primer bloque, dedicado a la película de Deray, hablamos de la importancia de su guionista Jean-Claude Carrière y su montaje. También del reparto (que incluye a Jane Birkin y Maurice Ronet) y en detalle del contexto de la relación de Alain Delon y Romy Schneider más allá de las imágenes de ficción del relato; de los vínculos de la cinta con el polar francés, el «thriller» erótico y el concepto de «huis-clos»; y por último, de las conexiones con otras «summer movies» como El nadador (Frank Perry, 1968), Muerte bajo el sol (Guy Hamilton, 1982), Swimming Pool (François Ozon, 2003) o Holiday (Isabella Eklöf, 2018). En la segunda parte, en la que abordamos la producción de Guadagnino, comentamos las diferencias fundamentales entre la aproximación dramática del cineasta italiano en su narrativa y la perspectiva psicológica de la original, así como en su planteamiento formal; también entre las distintas versiones de los personajes que encarnan en este caso Ralph Fiennes, Tilda Swinton, Dakota Johnson y Matthias Schoenaerts. Exploramos además las influencias del director italiano a través de su contenido temático relacionado con el hedonismo, la alienación y el (doble) triángulo amoroso presente, con las referencias al neorrealismo a través de otros títulos como los de la trilogía de la incomunicación de Michelangelo Antonioni (La aventura, La noche, El eclipse) o de Roberto Rossellini (Te querré siempre, Stromboli).

In this episode, we review our second-ranked film of 1963, Louis Malle's haunting drama, "The Fire Within,” starring Maurice Ronet. Support this project on Patreon!

Chronique de Plein Soleil, film culte de René Clément sorti en 1960, avec Alain Delon, Marie Laforêt et Maurice Ronet dans les rôles principaux. Ce film faisait l’ouverture de l’édition 2023 du festival des Cithémuses, dont le thème était “Sur le sable”. http://trensistor.fr/fichiers/emissions/2023/09/26/plein_soleil.mp3

Our "Summer Abroad" international film series continues with writer Jordan Morris (Bubble; Jordan, Jesse, Go!) joining to discuss the French thriller LA PISCINE (THE SWIMMING POOL) starring Alain Delon, Romy Schneider, Maurice Ronet and Jane Birkin. Jacques Deray directed this sexually-charged slow-burner in which a couple's vacation at a stylish Saint-Tropez villa is disturbed by the arrival of an ex-lover and his daughter. As unease builds within this tanned and toned quartet, sex and violence become the obvious outlets for their growing resentments. A box office hit and style landmark upon release, LA PISCINE experienced a resurgence in popularity with American audiences after its 2021 re-release. In this spoiler-filled discussion, we venture to the deep end of THE SWIMMING POOL, but not before a few diversions into school dances, pool noodles, Luca Guadagnino, David Hockney, boba, Boba Fett, the O.J. Simpson freeway chase and much, much more! Go to orphanbooksinc.com/shop for signed copies of Jordan's graphic novel BUBBLE, or attend AN AFTERNOON WITH AUTHORS at Dynasty Typewriter August 26th at 4pm. (Net proceeds go towards the Entertainment Community Fund) LA PISCINE is available to stream with subscription to The Criterion Channel.

Having already gotten to the end of the decade while playing Kiss Marry Kill, it was time for a change. Welcome to Top Ten, where Bart and Jenna each choose three movies – one they think they'll love, one they know they love, and one wildcard choice – in hopes of adding to their top ten ranking of the year in question. So… not terribly dissimilar to Kiss Marry Kill. In this episode, Bart and Jenna play Top Ten with the year 1960, focusing on foreign films they know and/or expect to love. From the most arthouse of arthouse choices, to some deeply cynical satires, all of their selections are worth your time – even if they didn't all make it into the final rankings.The following films are discussed:• Late Autumn (1960) 秋日和 Directed by Yasujirô Ozu Starring Setsuko Hara, Yôko Tsukasa, Mariko Okada• The Naked Isalnd (1960) 裸の島 Directed by Kaneto Shindô Starring Nobuko Otowa, Taiji Tonoyama, Shinji Tanaka• Purple Noon (1960) Plein soleil Directed by René Clément Starring Alain Delon, Maurice Ronet, Marie Laforêt• The Good Girls (1960) Les bonnes femmes Directed by Claude Chabrol Starring Bernadette Lafont, Clotilde Joano, Stéphane Audran• The Wheelchair (1960) El cochecito Directed by Marco Ferreri Starring José Isbert, Pedro Porcel, José Luis López Vázquez• The White Dove (1960) Holubice Directed by Frantisek Vlácil Starring Katerina Irmanovová, Karel Smyczek, Vjaceslav Irmanov

durée : 01:49:59 - Les Nuits de France Culture - par : Albane Penaranda - Par Michel Polac - Avec Louis Malle et Maurice Ronet - Réalisation Annie Coeurdevey

Partially due to his desire to not get typecast after his most famous role, as well an urge to escape the pressure put on him by the studios to not be so ‘out' about his homosexuality, Perkins ran away from Hollywood and ended up having one of the strangest careers of any major star in the 60s. Fortunately, his self-imposed exile in France resulted in a bunch of movies that are exactly the kind of thing that the hosts of this podcast are always looking for: lost treasures that every cinephile should know about but not enough do. Pretty much all of these film are worth seeking out, but tune in and find out about at least a couple that rank as all-timers for the Cinema60 crew.The following films are discussed:• Tall Story (1960) Directed by Joshua Logan Starring Anthony Perkins, Jane Fonda, Ray Walston• Psycho (1960) Directed by Alfred Hitchcock Starring Anthony Perkins, Janet Leigh, Vera Miles• Goodbye Again (1961) Aimez-vous Brahms? Directed by Anatole Litvak Starring Ingrid Bergman, Yves Montand, Anthony Perkins• Phaedra (1962) Directed by Jules Dassin Starring Melina Mercouri, Anthony Perkins, Raf Vallone• Five Miles To Midnight (1962) Le Couteau dans la plaie Directed by Anatole Litvak Starring Sophia Loren, Anthony Perkins, Gig Young• Two Are Guilty (1963) Le glaive et la balance Directed by André Cayatte Starring Anthony Perkins, Jean-Claude Brialy, Renato Salvatori• Agent 38-24-36 (1964) Une ravissante idiote Directed by Édouard Molinaro Starring Brigitte Bardot, Anthony Perkins, Grégoire Aslan• The Fool Killer (1965) Violent Journey Directed by Servando González Starring Anthony Perkins, Edward Albert, Henry Hull• The Champagne Murders (1967) Le scandale Directed by Claude Chabrol Starring Anthony Perkins, Maurice Ronet, Yvonne Furneaux• Pretty Poison (1968) Directed by Noel Black Starring Anthony Perkins, Tuesday Weld, Beverly GarlandAlso mentioned:• The Trial (1962) Le procès Directed by Orson Welles Starring Anthony Perkins, Jeanne Moreau, Romy Schneider• Is Paris Burning? (1966) Paris brûle-t-il? Directed by René Clément Starring Jean-Paul Belmondo, Charles Boyer, Leslie Caron

Steal a car and join the lads as they ride the French New Wave through one crazy evening in director Louis Malle's Elevator to the Gallows from 1958! Starring Jeanne Moreau, Maurice Ronet, Georges Poujouly and Yori Bertin with a legendary score from Miles Davis, this one is a MUST see so grab your tiny camera and finish the roll! Questions, comments or grappling hooks? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast TWEET TWEET: twitter.com/outofthecast

This week on Remainders, Darren and Patrick take a look at the 1969 French film La Piscine. A now pivotal piece of French cinema and neo-noir styling, the story focuses on betrayal and longing when rich people start behaving bad. Death just looks better when it's dressed in style and driving a Maserati. more: http://www.remainderspod.com

Hey everybody and welcome to another episode of The Wrinkled Rabbit Podcast! This week we're talking about Rene Clement's crime thriller, Purple Noon. The film is a talented mimic, moocher, forger, and criminal improviser kills his friend and takes over his identity. It stars Alain Delon, Maurice Ronet, Marie Laforet, Erno Crisa, Frank Latimore, and Billy Kearnes.   Next Episode: The Nice Guys YouTube: http://www.youtube.com/c/WrinkledRabbitProductions Twitter: https://twitter.com/WrinkledRabbit Instagram: https://www.instagram.com/wrinkledrabbit/

O belíssimo filme noir de 1958, dirigido por Louis Malle, é o tema do novo episódio do Cinefilia & Companhia. O que pode acontecer quando um homem mata o marido de sua amante e, neste percurso, acaba preso no elevador do prédio onde deixou o defunto? A partir desta premissa desconcertante, uma série de eventos ocorrerão. O detalhe precioso do filme é a trilha sonora, composta e tocada por ninguém menos que Miles Davis. O elenco principal conta com Jeanne Moureau e Maurice Ronet. Pela primeira vez, tivemos o prazer de receber um convidado especial. Trata-se de Alexandre Cataldo, do Podcast Filmes Clássicos, que enriqueceu muito o episódio. ------------------------------------------------- Entre em contato com o Cinefilia & Companhia, e deixe seus comentários, elogios e opiniões sobre os filmes tratados. E-mail: cinefilia.companhia@gmail.com Instagram: @cinefiliaecompanhia ------------------------------------------------- Pauta e Apresentação: Henrique Pires, Hugo Harris e Juliana Varella Convidado especial: Alexandre Cataldo Edição do episódio: Hugo Harris Edição de vídeos de divulgação: Gabriel Almeida Artes gráficas: Joe Borges Coordenação de Comunicação: Juliana Varella Coordenação de Edição e Artes: Henrique Pires Coordenação Geral: Hugo Harris

durée : 01:26:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Histoire sans images" une émission de Michel Polac avec le cinéaste Claude Chabrol et le comédien Maurice Ronet, (1ère diffusion : 29/04/1967). - réalisation : Virginie Mourthé - invités : Claude Chabrol réalisateur français (1930-2010)

Happy May the 4th! Head over to Patreon at patreon.com/classicmoviereviews and check out our two-part review of “Star Wars” available early for Patrons. We also have special bonus content and behind the scenes videos available for Patrons. Check it out and help support the show!May the 4th be with you!~~~~~~~~~~~~~~~~~~~~~~Now back to our regularly scheduled programming…"Elevator to the Gallows" 1958 is a French crime film directed by Louis Malle. The musical score by Miles Davisis improvised and creates a haunting mood that adds beautifully to the drama. The cinematography of Henri Decae is remarkable.Jeanne Moreau is Florence Carala the wife of wealthy Simon Carala played by Jean Wall. Florence has a lover Julien Tavernier played by Maurice Ronet and together they plot the perfect crime that goes horribly wrong. Georges Poujouly as Louis and Yori Bertin as Veronique are the young couple whose aimless lives lead them down the highway to eventual disaster. The film creates a nightscape that is realistic and inhabited by a beautiful woman surrounded by out of control events.Check us out on Patreon at www.patreon.com/classicmoviereviews for even more content and bonus shows.

We're back! But instead of our scheduled miniseries episode we are taking a a small detour to explore some other films of the 50s, while Ollie is busy with his new music video. Brandon Kahn is here and he has brought along a 1958 French Noir classic which can be seen as a precursor to the French New Wave, Elevator to the Gallows, where two lovers' seemingly perfect murder plan goes awry due to a broken elevator, which sets off a chain of events though one night in Paris. Directed by Louis Malle and stars Jeanne Moreau and Maurice Ronet but is probably best known for a ground-breaking haunting soundtrack which was improvised by Jazz legend Miles Davis.  All this and more on Adjust Your Tracking! Follow us on: Twitter: @adjustyrtrack & Instagram: @betterfeelingfilms  

In the eighth episode of Season 2, Noir Means Noir, Kyle is joined by film critic Tyler Harlow (of the After Credits Blog) and cinematographer Josh Carter to discuss the seminal pre-cursor to French New Wave and the extraordinary blend of noir style, mood, and existential pondering in Louis Malle's Elevator to the Gallows.

C'était le 22 novembre 2013 que Georges Lautner nous quittait.  Retrouvez dans troisième et dernière partie de sa longue interview, Georges Lautner y évoque principalement ses réalisations dont On aura tout vu avec Pierre Richard, Mort d'un pourri avec Alain Delon et Maurice Ronet, Flic ou voyou avec Jean-Paul Belmondo, Le Professionnel, son travail avec Ennio Morricone, Joyeuses Pâques avec Sophie Marceau, La cage aux folles 3 avec Michel Serrault, L'inconnu dans la maison avec Sandrine Kiberlain et Jean-Paul Belmondo. Un entretien conduit et réalisé par Jean-Luc Vandiste en 2010.  Un programme produit et proposé par Le Quotidien du Cinéma.  

Hanks gift to you : A list of 13 movies you really should see

Join Dani and Nick for the thirty-third episode of KINOTOMIC.Episode 33 is the third part in our month long Noirvember series.In this episode we discuss 'Elevator To The Gallows', directed by Louis Malle and starring Jeanne Moreau and Maurice Ronet; along with 'Nightcrawler', directed by Dan Gilroy and starring Jake Gyllenhaal and Rene Russo.We somehow talk about Jean Luc-Godard and Horcruxes, find room for a Stanley Kubrick story, and discuss morality, punishments and generational divides.'Elevator To The Gallows' article by Dani: https://kinojoan.co.uk/blog/lift-to-the-scaffold-fascinating-french-film-noir/Leave a rating and a review, and THANK YOU for listening!!Twitter: @kinotomicContact us: kinotomic@gmail.com

Today on the show I have a conversation with my friend the writer-actor Patrick McMillan about my Oscar Isaac fandom, some Marvel/Disney+ show anticipation, we discuss writing habits, breakdown novelist Patricia Highsmith’s RIPLIAD, and Anthony Minghella’s 1999 psychological thriller ‘The Talented Mr. Ripley’ starring Matt Damon, Jude Law, Gwyneth Paltrow, Phillip Seymour Hoffman, and Cate Blanchett, as well as Rene Clement’s 1960 French-language adaptation of Patricia Highsmith’s novel, ‘Purple Noon’ starring Alain Delon and Maurice Ronet. Host: Omer Afaq Guest: Patrick McMillan

durée : 01:26:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Histoire sans images" une émission de Michel Polac avec le cinéaste Claude Chabrol et le comédien Maurice Ronet, (1ère diffusion : 29/04/1967). - réalisation : Virginie Mourthé - invités : Claude Chabrol réalisateur français (1930-2010)

durée : 01:49:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Michel Polac - Avec Louis Malle et Maurice Ronet - Réalisation Annie Coeurdevey - réalisation : Virginie Mourthé

EPISODE 39: FILMSTRUCK'S FRIDAY NIGHT DOUBLE FEATURE - This week Audy is joined by co-host Andy Wolverton for a third episode in a row! They chose to review and discuss the double feature of Black Sun and Elevator to the Gallows. Both films have jazz music as their emotional chord. The fellas start off with Black Sun, a 1964 Japanese new wave film directed Koreyoshi Kurahara, film about two outsiders, one Japanese Tokyo drifter and how he helps a Black American G.I. who commits a murder thus becoming outlaws and depiction of their growing bond as an alternately absurd and tragic culture clash. Next Audy and Andy dive into the masterclass of french crime thrillers, Elevator in the Gallows, the 1958 Debut film of french director, Louis Malle, starring the legendary Jeanne Moreau as a mistress to a  wealthy businessman who tries to plan the perfect crime with her French Hitman boyfriend played by Maurice Ronet all set to the moody and haunting jazz score by the prolific jazz legend, Miles Davis. They end the podcast with their summary of themes/connections and motifs with the symbolic and cinematic relationship between both films.    This week's guest: Andy Wolverton Andy Wolverton is a librarian at the Severna Park Community Library in Severna Park, Maryland  (part of the Anne Arundel County Public Library system), where he co-hosts The Great Movies series the first Thursday of each month.  Andy also writes for The Dark Pages: The Newsletter for Film Noir Lovers as well as his blog, Journeys in Darkness and Light.  You can follow him on Twitter @awolverton77and on Letterboxd as awolverton.   Remember to listen, subscribe, rate, review and follow on social media and iTunes, Soundcloud or Stitcher. Audy Christianos  Twitter: @cinesamurairiff Instagram: @cinemasamurai  www.cinemasamurai.net

Lawrence de Arabia por César Bardés Cualquier hombre puede ser lo que quiera. En medio de las dunas, el sol puede acabar contigo, pero también es la pizarra del viento. Allí, en la arena, se puede dibujar la sangre de una batalla, el orgullo pisoteado, la rebelión enmascarada de manipulación, la matanza inútil, la crueldad que te conduce directamente a bordear el abismo de la locura y las huellas de un inglés que quiso la libertad de un pueblo que no era el suyo. Y la libertad, siempre la libertad, termina cuando la política hace su aparición. El-Orens, guerrero de valor inextinguible, el luchador de ojos azules que cree que nada está escrito, surge de la nada, como un sueño nacido de las páginas del Corán y se erige como un caudillo de discutible heroísmo. En medio de la sed de sangre, creerá que es el elegido, el libertador, el perfecto, el hombre de mirada que todo lo ve y nada le afecta. Orgía de desolación para alguien con voluntad de hierro y alma partida. Su desprecio hacia la diferencia de clases y de raza se revelará como algo inevitable en cualquier guerra. Y morir se antoja como el capricho de un destino que se ceba en su escondida predilección por acabar con la vida de los demás, y eso es lo que no soporta su espíritu torturado. Él es el elegido, sí…pero saberse el elegido le despoja de sabiduría para traspasar las fronteras de la bestialidad y de una gloria que acaba por destruir sus creencias. Ya sólo espera la muerte, agazapada en una curva. El-Orens era el nombre que los árabes daban al Comandante T.E. Lawrence, del Ejército Británico. Peter O´Toole dijo una vez: “Todos los días de mi vida doy las gracias por Lawrence de Arabia” aunque él no fuera, ni mucho menos, la primera opción para interpretarla. El personaje pasó de Marlon Brando a Albert Finney (que llegó a ser contratado) para terminar en un actor en el que David Lean, el director, se fijó a pesar de haber sido un secundario hasta ese momento, por su trayectoria teatral y por su inmensa capacidad para transmitir la tormenta interior de una personalidad en permanente conflicto. Junto a él, un Omar Sharif que borda el mejor papel de su carrera, profundo, intenso, algo enigmático, de mirada penetrante y que tampoco fue la primera opción pues llegaron a rodarse algunos planos con el francés Maurice Ronet; Alec Guinness que se revela fantástico como el Príncipe Feisal, manipulador de sentimientos y sublime en su sincero agradecimiento murmurado al Comandante Lawrence: “Mi deuda contigo no la podré pagar nunca”; Arthur Kennedy (que sustituyó en el último momento a Edmond O´Brien, que sufrió un infarto tres días después de comenzado el rodaje) que siempre aporta textura en su búsqueda de héroes inmortalizados en un papel de periodista más oscuro que el rojo sangre que logra retratar, capaz de ensalzar como aborrecer a la persona que ha encumbrado por puro interés; Jack Hawkins, duro y cruel, un coronel sin escrúpulos que hará cualquier cosa por alcanzar sus objetivos; Anthony Quinn, violento y mercenario, también lleno de matices y de ausencias que completan un personaje caprichoso y beligerante; Anthony Quayle, que admira el empuje de un soldado que él creyó que era uno más; Claude Rains, como siempre, grande, de finísima ironía y aguzado cinismo, agitador del polvo de las ideas para jugar en el terreno siempre traicionero de la política; José Ferrer, que inspira y transpira rechazo en su breve intervención…Todos ellos fueron hábiles intérpretes de una película que te deja con los labios secos y la amargura de una revolución justa solucionada de manera injusta. Detrás de las cámaras, Sam Spiegel y su enorme personalidad para producir y dotar de grandeza a una historia que merecía la leyenda que sólo otorga el cine; David Lean, dirigiendo con perfección imposible lo bello y lo siniestro; el hermoso y complejo guión de dos escritores de cine tan renombrados como Michael Wilson y el dialoguista Robert Bolt; la maravillosa banda sonora de Maurice Jarre en el que, quizá, sea el mejor trabajo de su carrera…Todos ellos consiguieron que, desde entonces, desde que se hizo esta película, el cine dejara su rostro espolvoreado en el lienzo abrasador de la arena del desierto…precioso en su desolación…en su castigo…y en su valor. Tracklist próximamente

This time it's droll British Eurospy versus French New Wave cum Film Noir. First, it's Hot Enough For June, Ralph Thomas' Eurospy comedy starring Dirk Bogarde and Sylva Koscina with a great supporting cast including Robert Morley and Leon McKern. Then we hit Louis Malle's French crime drama Elevator To The Gallows starring Jeanne Moreau and Maurice Ronet.   You can support the podcast by donating at patreon.com/paleocinema.

Story: Die US-amerikanischen Corporals Trower und Chase, Sergeant Craig sowie weitere US-Streitkräfte, die in England während des Zweiten Weltkriegs stationiert sind, werden für einen Kampfeinsatz nach Italien geschickt. Nachdem sie dort eine kleine Stadt eingenommen haben, findet GI Baker kurzzeitig Glück in den Armen der Einheimischen Maria, die seit mehreren Monaten keine Nachricht von ihrem im Krieg kämpfenden Ehemann erhalten hat. Daraufhin wird die Truppe nach Frankreich beordert, wo sich Craig nach der Landung in der Normandie auf eine Französin einlässt. Chase wird derweil von der wohlhabenden Magda umgarnt, die ihn dazu bringen möchte, die Armee zu verlassen, um ihr bei profitablen Schwarzmarktgeschäften zu helfen. Doch Chase kehrt an die Front zurück, wo er sich ein Bein verletzt, während sich in Belgien Trower in die opportunistische Violinistin Regine verliebt, die durch Nachtclubs tingelt, zeitweilig als Prostituierte arbeitet und Trower letztlich für einen anderen sitzen lässt. Weitere desillusionierende Kampfeinsätze und romantische Begegnungen folgen. Am Ende befindet sich Craig mit einer schweren Kopfverletzung im Krankenhaus, während Chase weiterhin an seiner Beinverletzung leidet. Trower lebt inzwischen in der Sowjetischen Besatzungszone Berlins, wo er mit der jungen Deutschen Helga zusammenlebt. Eines Abends gerät er dort mit einem betrunkenen sowjetischen Soldaten in Streit, der in einer Messerstecherei endet, bei der beide ums Leben kommen. DVD-Release: 18.03.2016 (Alive - Vertrieb und Marketing) The Victors Antikriesgfilm, Drama Land: USA/UK 1963 Laufzeit: ca. 146 min. FSK: 16 Regie: Carl Foreman Drehbuch: Carl Foreman Mit Eli Wallach, Geroge Hamilton, George Peppard, Vince Edwards, Albert Finney, James Mitchum, Peter Fonda, Romy Schneider, Senta Berger, Elke Sommer, Michael Callan, Rosanna Schiaffino, Jeanne Moreau, Melina Mercouri, Maurice Ronet, ... https://www.youtube.com/watch?v=FPv-Yw_Kbpg

Story: Die US-amerikanischen Corporals Trower und Chase, Sergeant Craig sowie weitere US-Streitkräfte, die in England während des Zweiten Weltkriegs stationiert sind, werden für einen Kampfeinsatz nach Italien geschickt. Nachdem sie dort eine kleine Stadt eingenommen haben, findet GI Baker kurzzeitig Glück in den Armen der Einheimischen Maria, die seit mehreren Monaten keine Nachricht von ihrem im Krieg kämpfenden Ehemann erhalten hat. Daraufhin wird die Truppe nach Frankreich beordert, wo sich Craig nach der Landung in der Normandie auf eine Französin einlässt. Chase wird derweil von der wohlhabenden Magda umgarnt, die ihn dazu bringen möchte, die Armee zu verlassen, um ihr bei profitablen Schwarzmarktgeschäften zu helfen. Doch Chase kehrt an die Front zurück, wo er sich ein Bein verletzt, während sich in Belgien Trower in die opportunistische Violinistin Regine verliebt, die durch Nachtclubs tingelt, zeitweilig als Prostituierte arbeitet und Trower letztlich für einen anderen sitzen lässt. Weitere desillusionierende Kampfeinsätze und romantische Begegnungen folgen. Am Ende befindet sich Craig mit einer schweren Kopfverletzung im Krankenhaus, während Chase weiterhin an seiner Beinverletzung leidet. Trower lebt inzwischen in der Sowjetischen Besatzungszone Berlins, wo er mit der jungen Deutschen Helga zusammenlebt. Eines Abends gerät er dort mit einem betrunkenen sowjetischen Soldaten in Streit, der in einer Messerstecherei endet, bei der beide ums Leben kommen. DVD-Release: 18.03.2016 (Alive - Vertrieb und Marketing) The Victors Antikriesgfilm, Drama Land: USA/UK 1963 Laufzeit: ca. 146 min. FSK: 16 Regie: Carl Foreman Drehbuch: Carl Foreman Mit Eli Wallach, Geroge Hamilton, George Peppard, Vince Edwards, Albert Finney, James Mitchum, Peter Fonda, Romy Schneider, Senta Berger, Elke Sommer, Michael Callan, Rosanna Schiaffino, Jeanne Moreau, Melina Mercouri, Maurice Ronet, ... https://www.youtube.com/watch?v=FPv-Yw_Kbpg

Noirvember continues as we consider Louis Malle's debut feature film, Elevator to the Gallows AKA Ascenseur pour l'échafaud, which stars Jeanne Moreau as Florence and Maurice Ronet as Julien.Learn more about your ad choices. Visit megaphone.fm/adchoices

Noirvember continues as we consider Louis Malle's debut feature film, Elevator to the Gallows AKA Ascenseur pour l'échafaud, which stars Jeanne Moreau as Florence and Maurice Ronet as Julien.

Maurice Ronet (1927-1983), dont Eric Neuhoff dit qu’il avait « des yeux à regarder les gouffres... » est une figure majeure du cinéma des années 1960. Il continue de hanter notre imaginaire, comme l’incarnation d’une figure masculine mystérieuse, troublante, insaisissable... Trente ans après sa mort, Maurice Ronet demeure une énigme. Maurice Ronet a marqué de son empreinte des films cultes du cinéma français : "Ascenseur pour l’échafaud" (Louis Malle, 1958), "Plein soleil" (René Clément, 1960), "La Piscine" (Jacques Deray, 1969), ou encore "Raphaël ou le débauché" (Michel Deville, 1971). Son plus grand rôle : "Le Feu follet" (Louis Malle, 1963). Ce seigneur de la nuit, adepte de virées somptueuses, a fréquenté de près les « Hussards » (Roger Nimier, Antoine Blondin) et fait chavirer le cœur des femmes : « Alain Delon avait des groupies, Maurice Ronet avait des admiratrices ». José-Alain Fralon a été grand reporter au Monde, où il a notamment couvert la guerre du Kosovo, le procès Papon, la chute de Ceausescu et plusieurs Tours de France. Il a fait paraître plusieurs biographies dont "Maurice Ronet, le splendide désenchanté "(octobre 2013, éditions Les Equateurs).