Podcast appearances and mentions of George Peppard

For Father's Day lets give an award to the craziest Sci-Fi Dads! We look at a gaggle of papas, both good and bad on Enjoy Stuff! Who had the most traumatizing parenting moment? Who should never use time travel? These are the important questions we answer during the Enjoy Stuff Sci-Fi Dad awards.    Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay has a problem and no one else can help, but don't worry, he found the A-Team! He's been watching the first season of the classic 80s series with Mr. T, George Peppard, Dirk Benedict, and Dwight Schultz. It's tons of nostalgic fun! Shua had a ton of nostalgic fun seeing Karate Kid: Legends, with Jackie Chan and Ralph Macchio. It was a smooth blending of the two franchises with that legendary karate tournament storyline. In theaters now.      Sci-Fi Saturdays This week on Sci-Fi Saturdays Jay links to a Jaeger to fight Kaiju in the 2012 monster story Pacific Rim. It was a good romp with giants, starring Idris Elba, Charlie Hunnam, and Rinko Kikuchi. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Dads!  We all came from somewhere, and one half that made that possible was your Dad, even in science fiction. We found dozens of Sci-Fi Fathers and chose the ones that deserve awards. During this award show we have fun seeing who struggled raising their l'il puddins, who wasn't around much, and even who's poor skills even spanned timelines.  Which Sci-Fi dads do you think deserve awards? What other awards could we pass out? First person that emails me with the subject line, “Come to Papa!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

On this week's episode we have a first-time guest! Jon Cross from the After Movie Diner, as well as the new PM Entertainment Podcast stops by to look at wild and crazy Australian film that was actually shot in New Zealand.  Join us as we discuss 1981's Race for the Yankee Zephyr. The film features Ken Wahl, Lesley Ann Warren, George Peppard, and a constantly half-drunk Donald Pleasance. We've also got our movie recommendations and our trivia game segment! Don't miss this one!

In this episode, Sean and James discuss the 1959 film Pork Chop Hill, which stars Gregory Peck, Woody Strode, Rip Torn, George Peppard, and many other future stars of the big and small screens. Based upon the 1956 book by U.S. military historian Brigadier General S. L. A. Marshall, Pork Chop Hill depicts the fierce First Battle of Pork Chop Hill between the U.S. Army's 7th Infantry Division and Chinese and North Korean forces in April 1953.See omnystudio.com/listener for privacy information.

Regresamos a nuestra infancia, a las tardes de sábado tirados en el suelo viendo El Equipo A. Repasamos la mítica serie de aquel comando compuesto por cuatro de los mejores hombres del ejército americano que fueron encarcelados por un delito que no habían cometido. Nos metemos de lleno en su producción, en sus problemas entre los actores, las peleas a puñetazos entre George Peppard y Mr. T, las mujeres que fueron saliendo despedidas y muchos más líos. También sus 5 temporadas con los mejores momentos. Se vienen a recordar viejos tiempos Javi Corrupto y Luis. Les pone unos bollos con tableta de chocolate dentro, Salva Vargas. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, José Percius, Diana, Josemaria1975, Francisco Javier Chacón, Kal-el__80, David, Cohaggen y Elena Gómez. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Pava y la Tetera

Eddie Velez | 353 Eddie Velez Shares Fascinating Journey from Stand-Up to Acting Join us in this captivating episode as actor Eddie Velez shares his incredible journey from stand-up comedy to a successful acting career! Hosted by Keith Reza, Eddie reflects on his early performances at The Improv in New York City during the late '70s, his childhood friendship with Keenan Wayans, and his experiences alongside comedy legends like Freddie Prinze. Discover how Eddie transitioned to acting and the impact of the New York theater scene on his career. He shares memorable stories from iconic sets like 'The A-Team', 'Traffic', and 'White Chicks', while also discussing his directorial debut inspired by Steven Soderbergh. Eddie opens up about overcoming audition nerves, staying true to oneself, and learning from fellow actors. This heartwarming conversation is filled with nostalgia, comic inspiration, and valuable insights into the entertainment industry. Don't miss this behind-the-scenes look at Eddie Velez's multi-faceted career! CHAPTERS 00:00 Introduction and Greetings 00:55 Discussing New Mexico and Roswell 01:41 Transition from Stand-Up to Acting 02:26 Early Comedy Days with Kenan Wayans 03:48 Freddie Prinze's Influence and Tragic End 04:44 Pursuing Acting and Broadway Shows 05:28 Norm Macdonald and White Chicks 11:07 First Acting Job and Scene Stealing 12:36 Joining the A-Team 14:02 Mr. T and George Peppard's Clash 16:22 Repo Man and Early Film Career 19:11 Boxing Background and Split Decisions 25:10 Getting Pummeled in Movies 25:45 Working with Gene Hackman 26:50 Impact of Traffic on Career 27:42 Directing and Filmmaking Inspiration 30:48 Winning Awards for Sound Design 31:45 Memories of Raul Julia 38:30 Auditioning for White Chicks 43:12 Stand-Up Comedy and Influences 44:34 Overcoming Audition Nerves 48:53 Future Projects and Farewell    Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!   #EddieVelez #StandUpComedy #ActingCareer #TheImprov #NewYorkTheater #BehindTheScenes #TheATeam #Traffic #WhiteChicks #ComedyLegends #KeenanWayans #FreddiePrinze #DirectorialDebut #StevenSoderbergh #AuditionTips #EntertainmentIndustry #ActorInterview #ComicInspiration #InspiringJourney #HollywoodStories

This is a fun episode, folks.  It's also a little depressing.  But depressing can be fun, right?  Well, fun or not, we're about to take a deep dive on three actors whose fall from grace left television as their only option in the 80s.  George Peppard, George C. Scott, and Jan-Michael Vincent were once stars of the silver screen, bur after years of drinking, financial woes, and poor behavior, found that TV was their last chance for any significant roles.  Like Richard Gere in An Officer and a Gentleman, they had nowhere else to go!!!  Enjoy!

EPISODE 60 - "THELMA RITTER: CLASSIC CINEMA STAR OF THE MONTH" - 11/04/2024 There's a scene in the classic 1950 film All About Eve where Eve Harrington (ANNE BAXTER), a star-struck fan who has infiltrated the life of Broadway star Margo Channing (BETTE DAVIS), is telling the tragic story of her past to Margo and her friends. While Margo and company are drawn into the sad circumstances of Eve's life, Margo's acerbic dresser Birdie, played to perfection by the great THELMA RITTER, is not buying her sob story. After Eve finishes, Birdie mutters, "What a story! Everything but the bloodhounds snappin' at her rear end." This is probably the moment I fell in love with Ritter. With her heavy New York accent, diminutive size, working-class charm, and sarcastic zingers, she made a career of stealing scenes from big stars and making the most of her time on screen. She played characters wiser than most, and her characters certainly didn't suffer fools gladly. She is a cinematic treasure, and we celebrate her as our Star of the Month. SHOW NOTES:  Sources: All About Eve: The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made (2001), by Sam Staggs; All About Thelma and Eve: Sidekicks and Third Wheels (2002), by Judith Roof; Actresses of a Certain Character (2007) by Axel Nissen; “Thelma Ritter, Versatile Actress with Raspy Voice Dies at 63,” February 5, 1969, New York Times; “Ten Women that Changed the Face of Film Forever,” March 8, 2019, by Harry Fletcher, The Standard; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Miracle on 34th Street (1947), starring Maureen O'Hara, Edmund Gwenn, John Payne, and Natalie Wood; Call Northside 777 (1948), starring James Stewart, Richard Conte, and Helen Walker; A Letter To Three Wives (1949), starring Jeanne Crain, Linda Darnell, Ann Sothern, Kirk Douglas, Paul Douglas, Jeffrey Lynn, Connie Gilchrist, and Barbara Lawrence; Father Was a Fullback (1949), starring Fred MacMurray and Maureen O'Hara; All About Eve (1950), starring Bette Davis, Ann Baxter, Gary Merrill, Celeste Holm, Hugh Marlowe, George Sanders, Marilyn Monroe, Gregory Ratoff, and Barbara Bates; The Mating Season (1951), starring John Lund and Gene Tierney; The Model and the Marriage Broker (1951), starring Jean Peters and Scott Brady; With a Song in My Heart (1952), starring Susan Hayward, Rory Calhoun, David Wayne, Robert Wagner, and Helen Westcott; Titanic (1953), starring Barbara Stanwyck, Clifton Webb, Robert Wagner, and Brian Aherne; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, and Richard Kiley; As Young As You Feel (1951), starring Monty Woolley, David Wayne, Jean Peters, Constance Bennett, Marilyn Monroe, Allen Joslyn, and Albert Dekker; Rear Window (1954), starring James Stewart, Grace Kelly, Wendel Corey, and Raymond Burr; Daddy Long Legs (1955), starring Fred Astaire and Leslie Caron; The Proud and Profane (1956), starring William Holden and Deborah Kerr; A Hole In The Head (1959), starring Frank Sinatra, Edward G. Robinson, and Eleanor Parker; Pillow Talk (1959), starring Doris Day and Rock Hudson The Misfits (1961), starring Clark Gable, Marilyn Monroe, Montgomery Clift, and Eli Wallach; Birdman of Alcatraz (1962), starring Burt Lancaster, Karl Malden, Neville Brand, Betty Field, Telly Savalas, Edmond O'Brien, and Hugh Marlowe; How The West Was Won (1962), starring James Stewart, Gregory Peck, John Wayne, Debbie Reynolds, Henry Fonda, Carroll Baker, Lee J. Cobb, Karl Malden, and Richard Widmark; Move Over Darling (1963), starring Doris Day, James Garner, and Polly Bergen; Boeing, Boeing (1965), starring Tony Curtis and Jerry Lewis; What's So Bad About Feeling Good? (1968), starring George Peppard and Mary Tyler Moore; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

National Hair day.  Entertainment from 1986.  Model T went on sale, Disney World opened, October begins.  Todays birthdays - Walter Mathau, Jimmy Carter, Tom Bosley, George Peppard, Julie Andrews, Herb Fame, Randy Quaid, Zach Galifianakis, Brie Larson.  Tom Clancy died.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/Hair from movie soundtrackStuck with you - Huey Lewis & the NewsAlways have always will - Janie FrickeBirthdays - In da club - 50 Cent    https://www.50cent.com/Sound of music - Julie AndrewsShake your groove thing - Peaches & HerbExit - In my dreams - Dokken    https://www.dokken.net/Follow Jeff Stampka at cooolmedia.com or on facebook

To celebrate the life of Roger Corman, Will, Bruce, John and I join Shad as he attempts to create the Seven Samurai in SPACE! We talk about Richard Thomas' half Luke half Spock performance, George Peppard's Redneck Han Solo, John Saxon's evilness and his Stellar Converter!!!

BREAKING: 80s TV Ladies has been nominated for a Webby Award! Help us win. VOTE HERE!  Back to our episode: Sharon and Susan burst into the Blue Moon Detective Agency and hire Maddie and David to help them answer ONE BURNING QUESTION: What are their Top 8 favorite episodes of the entire series?Maddie: “Eight? Eight? Why not ten?” David: “Can't do it. It would make them too tens.”  In the words of Miss Dipesto: “We're never late, we won't make you wait, but if you want favorite episodes -- you only get eight!”1) The Pilot (S1; EP 1)2) The Next Murder You Hear (S1; EP 4)3) The Dream Sequence Always Rings Twice (S2; EP 4)4) My Fair David (S2; EP 5)5) ‘Twas The Episode Before Christmas (S2; EP 10)6) Big Man on Mulberry Street (S3; EP 6)7) Atomic Shakespeare (but only for one of them!) (S3; EP 7)8) It's A Wonderful Job (but only for one of them!) (S3; EP 8)9) The Straight Poop (S3; EP 9)THE CONVERSATIONWHAT WAS HE THINKING? Glen Gordon Caron had a secret plan for what he wanted Moonlighting to do to network television: he wanted to kill the detective genre once and for all!Why were the seasons so short? Well, there was a little problem with getting episodes done on time...If Maddie was the “parent” and David was the “child” -- did David ever grow up?Is the show feminist? Or progressive? Susan and Sharon have thoughts!Why is the agency always broke? Maybe it's all those people in the office who don't do anything!That time when Susan got thrown off the set of The A-Team by George Peppard!Which Season of Moonlighting is the Moonlighting-est?What the hell happened with Season 4?? Warring stars, a missing showrunner -- and Die Hard!So join Susan and Sharon as they talk Dirk Benedict, Cybill Shepherd, Bruce Willis, Melissa's candy, The Princess Bride -- and the challenges of producing a show AND a baby at the same time!AUDIOGRAPHYWhat are YOUR favorite Moonlighting episodes?  Let us know!!Watch Moonlighting on Hulu. On Apple TV or at Amazon Prime Video. Check out Moonlighting: The Podcast.Read Moonlighting: An Episode Guide and Moonlighting: An Oral History. Both ON SALE at Tucker Press.  80s TV LADIES NEWSCatch 90s TV Baby Serita Fontanesi's “Not Ugly” podcast at Apple.80s TV Ladies is nominated for a Webby Award! Help us win. VOTE HERE!  CONNECTRead transcripts and more at 80sTVLadies.com.Tell us your fav Moonlighting episodes at 8TL Facebook or via 80sTVLadies.com.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.

Welcome back! On the menu this week: "Breakfast at Tiffany's, a classic novella by Truman Capote.It tells the story of a young writer who becomes infatuated with his eccentric neighbor, Holly Golightly, and their unconventional friendship in New York City in the 1940's. There is lots of singing and laughs this episode, you won't want to miss it!! Cheers! *Please be advised this episode is intended for adult audiences and contains adult language and content. We are not professionals and are expressing opinions on the show for entertainment purposes only.About Truman Capote:https://www.britannica.com/biography/Truman-CapoteAbout the Book 142 pages, Paperback ;First published October 28, 1958https://www.blinkist.com/en/books/breakfast-at-tiffanys-en?utm_source=gsn&utm_medium=paid&utm_campaign=20069458929&utm_content&utm_term=___c__CjwKCAiA6KWvBhAREiwAFPZM7khcKSd5LayMNypIXq2aFFI-7NMnG_w6jzTGqpyksOIPC9ABNbLATxoCVXkQAvD_BwE&gad_source=2&gclid=CjwKCAiA6KWvBhAREiwAFPZM7khcKSd5LayMNypIXq2aFFI-7NMnG_w6jzTGqpyksOIPC9ABNbLATxoCVXkQAvD_BwEAbout the film: Director: Blake Edwards Writers:Truman Capote/George Axelrod Stars:Audrey Hepburn ,George Peppard, Patricia Neal.  https://www.imdb.com/title/tt0054698/**Stranger than Fiction:

This week, we welcomed the George Peppard of his friends group, Chris Green, to the podcast! And there was so much moonshine talk it's shocking we weren't buzzing after the episode! Listen in as we discuss the many names of moonshine, Mr. T's literal uncoolness, more face bombing and so much more!Episode Title: Pure-Dee PoisonOriginal Airdate: January 31st, 1984Find the backlog of Chris's podcast, This Week Today, here: https://podfixnetwork.com/this-week-today/Find our Summer Series from Episodes 207 - 211Find The Airwolf Years from Episodes 96 - 189Find The Knight Rider Years from Episodes 1 - 95-----The 80's Years Opening & Closing Theme by: Steve Corning, http://thinkfishtank.comThe 80's Years Logo Design by: Luke LarssonFollow us on Facebook: https://www.facebook.com/ciampakleinInstagram: @the80syearsTwitter: @EightiesYearsTikTok: @the80syearsEmail us: letusblowyourmind@gmail.comCall our Hotline: (207) 835-1954-----The 80's Years is a proud member of The Podfix Network. Check us out and all the other amazing podcasts at www.podfixnetwork.com

Robert Vaughn is so bored! George Peppard is so sauced! Sybil Danning is PERFECT.

Welcome to the Instant Trivia podcast episode 1079, where we ask the best trivia on the Internet. Round 1. Category: Elemental Latin 1: Aurum. gold. 2: Ferrum. iron. 3: Plumbum. lead. 4: Argentum. silver. 5: Kalium. potassium. Round 2. Category: The Real Adams Family 1: Let's drink a beer to the memory of this man who died in Boston Oct. 2, 1803, aged 81. Sam Adams. 2: In 1900 Brooks Adams predicted that in 50 years these countries would be the world's 2 main powers. the United States and Russia. 3: On becoming president, he said he was "less possessed of your confidence... than any of my predecessors". John Quincy Adams. 4: Henry Adams lived in this city, and there's a memorial to his wife Clover in Rock Creek Cemetery there. Washington, D.C.. 5: In 1848 Charles Francis Adams was on the ticket of this 2-word party formed to oppose the extension of slavery. the Free Soil Party. Round 3. Category: Beantown Tv 1: We learned of 3 people who'd never been in Cliff Clavin's kitchen when he played "Jeopardy!" on this sitcom. Cheers. 2: Julie Bowen, Candice Bergen and Rene Auberjonois get lawyered up on this David E. Kelley drama. Boston Legal. 3: Bruce Greenwood, Ed Begley Jr. and Denzel Washington played doctors at St. Eligius on this drama. St. Elsewhere. 4: In the '70s he played Banacek, a suave Beacon Hill P.I.; in the '80s he led "The A-Team" and blew up a lot of stuff. (George) Peppard. 5: Sharon Leal, Jeri Ryan and Chi McBride educated us on this David E. Kelly drama. Boston Public. Round 4. Category: Consciousness Of Stream Writing 1: Mark Twain's memoir "Life on" it tells tales of one of America's great rivers. the Mississippi. 2: Jonathan Schneer's history of this river includes an account of the 1215 negotiation of the Magna Carta on its banks. the Thames. 3: Whistle a happy tune and name this Pierre Boulle World War II P.O.W. novel that was made into an Oscar-winning film. Bridge on the River Kwai. 4: Alan Moorehead published histories of these 2 main branches of the world's longest river. the Blue Nile and the White Nile. 5: 4 men on a canoe trip in this James Dickey novel fight to survive the wild Cahulawassee River and scary locals. Deliverance. Round 5. Category: Call Me Cat. With Cat in quotation marks 1: Something very appealing to people is likened to this "feline" herb of the mint family. catnip. 2: 19th c. consumers liked buying from folks they knew, so Mr. Montgomery Ward might send a personal note if you ordered from this. the catalog. 3: This No. 1 hit has haunted fathers since 1974 as they watch time pass all too quickly as their sons grow up. "Cat's In The Cradle". 4: Someone full of big talk without being able to back it up is said to be "all hat, no" this. cattle. 5: You're sitting in this idiomatic "seat" when you have a position of great advantage. the catbird seat. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Scott sings the praises of his new neighborhood Murray Hill, and its famed Park Avenue, and all he needs now is George Peppard's narrow lapeled 1960's navy suit from Breakfast at Tiffany's. Plus, our continuing Adventures in Obscurity, where we reference William Windom's short lived “My World and Welcome To It”. --- Support this podcast: https://podcasters.spotify.com/pod/show/tom-saunders9/support

informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El incendio de Tenerife, elevado a nivel 2 por la reactivación del fuego en la Corujera. Efectivos de la Unidad Militar de Emergencias (UME) desplegados sobre el terreno. Hay 2.600 personas evacuadas. Una inusual ola de calor deja en Canarias las máximas nacionales. El aeropuerto de Tenerife Sur registró la temperatura más alta de España, con 39,2ºC, seguida por Tasarte y Maspalomas, en Gran Canaria, con más de 38ºC, y en Pájara (Fuerteventura), con 37ºC. Sanidad amplía en Canarias los avisos por riesgo para la salud por calor extremo. El riesgo se extiende en municipios de Gran Canaria, Tenerife, Lanzarote, Fuerteventura, La Palma y La Gomera. Hoy se cumplen 589 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es jueves 5 de octubre de 2023. Buenos días Ucrania. Día Mundial de las y los Docentes. El 5 de octubre se celebra el Día Mundial de las y los Docentes. Es la fecha en que la Unesco y Organización Internacional del Trabajo (OIT), decidieron rendir homenaje a una de las profesiones más valiosas dentro de cualquier sociedad: la enseñanza, los docentes. Esas personas que tienen el deber y la pasión de formar a las generaciones futuras y así garantizar el desarrollo de los países. 1789.- Una multitud de parisinos, encabezada por cientos de mujeres, asaltan el palacio de Versalles. 1910.- Proclamación de la República Portuguesa. 1928.- La Academia General de Zaragoza abre sus puertas como centro de formación militar del Ejército de Tierra. 1961.- Estreno mundial en Nueva York de la película "Breakfast at Tiffany's", ("Desayuno con diamantes") protagonizada por Audrey Hepburn y George Peppard. 1989.- El Dalai Lama, Tenzin Gyatso, fue distinguido con el Premio Nobel de la Paz. 1999.- Tabacalera y la francesa Seita se fusionan y crean Altadis, con sede en Madrid. 2005.- El Constitucional dictamina que se pueden juzgar delitos de genocidio y crímenes cometidos contra la humanidad fuera de España, aún cuando no haya víctimas españolas. 2011.- Acuerdo para integrar la base de Rota en el escudo antimisiles de la OTAN. 2017.- El Banco Sabadell acuerda trasladar su sede social a Alicante. 2018.- Suiza pone fin al secreto bancario. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. Este 5 de octubre, la iglesia católica celebra la onomástica de San Froilán de León. María Faustina, Atilano, Caritina, Flora y Jerónimo. Los países de la UE acuerda nuevas normas para hacer frente a futuras crisis migratorias. Nagorno Karabaj | Pashinián sí estará en Granada pese al plantón de Alíev. Ya no podrán cobrarte por tu maleta de cabina: Europa reafirma el derecho de los pasajeros a llevar una pieza de mano gratis en el avión. La Eurocámara ha reclamado que pongan fin a esta práctica ilegal y abusiva para el consumidor. El Mundial de fútbol 2030 se jugará en tres continentes. Sánchez y Díaz acuerdan "acelerar" las negociaciones para que haya un acuerdo de coalición en octubre. Los dos aeropuertos tinerfeños serán ampliados: costará 600 millones de euros. Servirá para ampliar la capacidad de visitantes que pueda recibir la isla de Tenerife. Canarias cerrará 2023 con la mejor cifra de venta de casas de la década. Las Islas escapan a la desaceleración nacional gracias al mayor peso del comprador extranjero. Llegan tres cayucos a El Hierro con más de 200 migrantes a bordo. En apenas dos días, la isla ha recibido la llegada de siete embarcaciones irregulares con más de 700 personas. El PSOE exige la dimisión de Mansito: «No soy machista ni feminista, tengo a cuatro mujeres en casa». Ve «inaceptables» los «reiterados apoyos a Rubiales» del presidente de la Federación Tinerfeña de Fútbol y denuncia su «cuestionamiento del movimiento feminista». Para Nueva Canarias ni el puerto de Fonsalía ni la urbanización Cuna del Alma “tienen cabida”. El partido considera que la “megainfraestructura no está justificada desde el punto vista de la prestación del servicio público del transporte marítimo”. El servicio de cocina del Hospital Universitario de Canarias mantiene la huelga ante la “desidia” de Sanidad. Intersindical Canaria achaca esa “dejación” al “hecho de poner al frente de la gestión de los centros sanitarios a personas no profesionalizadas ni versadas en la materia”. Un marinero fallece dentro de un barco de Armas aplastado por una plancha. La naviera decidió mantener el viaje tal y como estaba previsto después de recibir el visto bueno del juez y el capitán marítimo, algo que indignó a la plantilla. Día Mundial de James Bond. Un 5 de octubre de 1962 se estrenó la primera película de James Bond: "Agente 007 contra el Dr. No".

Programa de actualidad con información, formación y entretenimiento conectando directamente con los oyentes en La Diez Capital radio. Dirigido y presentado por Miguel Ángel González Suárez. www.ladiez.es - informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El incendio de Tenerife, elevado a nivel 2 por la reactivación del fuego en la Corujera. Efectivos de la Unidad Militar de Emergencias (UME) desplegados sobre el terreno. Hay 2.600 personas evacuadas. Una inusual ola de calor deja en Canarias las máximas nacionales. El aeropuerto de Tenerife Sur registró la temperatura más alta de España, con 39,2ºC, seguida por Tasarte y Maspalomas, en Gran Canaria, con más de 38ºC, y en Pájara (Fuerteventura), con 37ºC. Sanidad amplía en Canarias los avisos por riesgo para la salud por calor extremo. El riesgo se extiende en municipios de Gran Canaria, Tenerife, Lanzarote, Fuerteventura, La Palma y La Gomera. Hoy se cumplen 589 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es jueves 5 de octubre de 2023. Buenos días Ucrania. Día Mundial de las y los Docentes. El 5 de octubre se celebra el Día Mundial de las y los Docentes. Es la fecha en que la Unesco y Organización Internacional del Trabajo (OIT), decidieron rendir homenaje a una de las profesiones más valiosas dentro de cualquier sociedad: la enseñanza, los docentes. Esas personas que tienen el deber y la pasión de formar a las generaciones futuras y así garantizar el desarrollo de los países. 1789.- Una multitud de parisinos, encabezada por cientos de mujeres, asaltan el palacio de Versalles. 1910.- Proclamación de la República Portuguesa. 1928.- La Academia General de Zaragoza abre sus puertas como centro de formación militar del Ejército de Tierra. 1961.- Estreno mundial en Nueva York de la película "Breakfast at Tiffany's", ("Desayuno con diamantes") protagonizada por Audrey Hepburn y George Peppard. 1989.- El Dalai Lama, Tenzin Gyatso, fue distinguido con el Premio Nobel de la Paz. 1999.- Tabacalera y la francesa Seita se fusionan y crean Altadis, con sede en Madrid. 2005.- El Constitucional dictamina que se pueden juzgar delitos de genocidio y crímenes cometidos contra la humanidad fuera de España, aún cuando no haya víctimas españolas. 2011.- Acuerdo para integrar la base de Rota en el escudo antimisiles de la OTAN. 2017.- El Banco Sabadell acuerda trasladar su sede social a Alicante. 2018.- Suiza pone fin al secreto bancario. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. Este 5 de octubre, la iglesia católica celebra la onomástica de San Froilán de León. María Faustina, Atilano, Caritina, Flora y Jerónimo. Los países de la UE acuerda nuevas normas para hacer frente a futuras crisis migratorias. Nagorno Karabaj | Pashinián sí estará en Granada pese al plantón de Alíev. Ya no podrán cobrarte por tu maleta de cabina: Europa reafirma el derecho de los pasajeros a llevar una pieza de mano gratis en el avión. La Eurocámara ha reclamado que pongan fin a esta práctica ilegal y abusiva para el consumidor. El Mundial de fútbol 2030 se jugará en tres continentes. Sánchez y Díaz acuerdan "acelerar" las negociaciones para que haya un acuerdo de coalición en octubre. Los dos aeropuertos tinerfeños serán ampliados: costará 600 millones de euros. Servirá para ampliar la capacidad de visitantes que pueda recibir la isla de Tenerife. Canarias cerrará 2023 con la mejor cifra de venta de casas de la década. Las Islas escapan a la desaceleración nacional gracias al mayor peso del comprador extranjero. Llegan tres cayucos a El Hierro con más de 200 migrantes a bordo. En apenas dos días, la isla ha recibido la llegada de siete embarcaciones irregulares con más de 700 personas. El PSOE exige la dimisión de Mansito: «No soy machista ni feminista, tengo a cuatro mujeres en casa». Ve «inaceptables» los «reiterados apoyos a Rubiales» del presidente de la Federación Tinerfeña de Fútbol y denuncia su «cuestionamiento del movimiento feminista». Para Nueva Canarias ni el puerto de Fonsalía ni la urbanización Cuna del Alma “tienen cabida”. El partido considera que la “megainfraestructura no está justificada desde el punto vista de la prestación del servicio público del transporte marítimo”. El servicio de cocina del Hospital Universitario de Canarias mantiene la huelga ante la “desidia” de Sanidad. Intersindical Canaria achaca esa “dejación” al “hecho de poner al frente de la gestión de los centros sanitarios a personas no profesionalizadas ni versadas en la materia”. Un marinero fallece dentro de un barco de Armas aplastado por una plancha. La naviera decidió mantener el viaje tal y como estaba previsto después de recibir el visto bueno del juez y el capitán marítimo, algo que indignó a la plantilla. Día Mundial de James Bond. Un 5 de octubre de 1962 se estrenó la primera película de James Bond: "Agente 007 contra el Dr. No". - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección en el programa El Remate de La Diez Capital radio al experto en el sector primario el Dr. Wladimiro Rodríguez Brito. Hoy hablamos del dichoso incendio. - Sección informativa de aquella manera… en el programa El Remate de La Diez Capital radio con el independentista, Alberto Díaz Jimenez.

We're getting back to our regular programming with a special request from one of our listeners! Following our episode on The Road, listener Jeff shared his  recommendation for another post-apocalyptic movie. According to Jeff, “It's an old one, but it still checks out.” Released in 1977, the same year as Star Wars, and two years before Mad Max, this “road movie” see a small group of survivors of World War 3 attempt to drive across the desolate wasteland to where they hope more survivors are living, facing freakish mutated insects and other dangers along the way. Starring Jan-Michael Vincent, George Peppard, Paul Winfield, and very young Jackie Earle Haley, based on the novel by Roger Zelazny, and directed by George Smight, the movie was, to put it kindly, a flop, despite being released in the new “Sound 360” surround format. But it has earned a cult following in the years since, with Jeff among its devotees, thanks in part to the true star of the film: the wasteland-crawling armored RV called The Landmaster, designed by Dean Jeffries. As Jeff writes, “One of my favorite movies growing up - for the vehicle alone - was Damnation Alley. I'd love to hear Legends take on it.” And take it on we shall! Donate to the Entertainment Community Fund here:https://entertainmentcommunity.org/    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can write to Rum Daddy directly: rumdaddylegends@gmail.com

In response to Star Wars, legendary cheap-ass creator of ultra-low budget films Roger Corman put together this film, using the Seven Samurai template. We went in skeptical and were pleasantly surprised — John Boy, George Peppard, Robert Vaughn (of Magnificent Seven!), surprisingly good special effects!Does it overshadow Seven Samurai? Only one way to find out! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit betterangels1.substack.com

Opinions That Don't Matter podcast ep. 169 @Roxytheadventurer updates…Effort = Results. Kati feels motivated Mario Bros. noises Professional Hobby Horse Video - Is this a joke?https://www.instagram.com/reel/CvplNwzAVJy/?igshid=MzRlODBiNWFlZA== Archeology news: Ancient Chinese Tomb may be booby trapped https://www.instagram.com/p/CvsdtrYpfQ0/?igshid=MzRlODBiNWFlZA== King Tut may be Canadian American accents of yore George Peppard was dreamy! Harrison Ford & Buzz Aldrin People used to look older Discussing the Kardashians. What are SKIMS? Taylor Swift - “Swifterature” https://apple.news/Ac8boWhG7Q0epZdH2JooxoQ Science talk - Math is the language of nerds… Microscopes LETTERS My Spa Experience - Isabel A. Terrible Tans - Mary W. Putin playing hockey https://www.youtube.com/watch?v=cgbI55HdqQs ***Support the OTDM Podcast by shopping with our affiliates**** INSTACART... Enjoy every moment of summer with free delivery on first 3 orders. Get cookout ingredients, picnic snacks, & more. Min $10+ req/order. Now - 9/10 ⁠https://instacart.pxf.io/c/2856585/1731530/7412 PURE SPECTRUM CBD... Sean finds PAIN RELIEF for his arthritis (hallux rigidus). Over the past year, the pain has become somewhat debilitating and in an effort to ease the pain, he is using CBD oil from Pure Spectrum. Sean's morning routine: I dropper of Pure Spectrum Black Label. Use the discount code OTDM for 15% Off All your CBD needs @ ⁠https://www.purespectrumcbd.com/⁠ AMAZON... Do you buy stuff from Amazon? Visit Amazon through our link and any purchases you make (even if it's not in our store) will count towards the Podcast. How cool is that? Simply use Amazon how you normally would but go to it through our link... ⁠https://www.amazon.com/shop/katimorton⁠ CONNECT • Discord community https://discord.gg/4gPTrGBM9z • OTDM census form https://forms.gle/qFZM3ywPzrpKMkKfA • Email OTDMpod@gmail.com • Speakpipe 90 second voice message: https://www.speakpipe.com/OTDM • Kati Morton TikTok @Katimorton Instagram @katimorton • Sean St. Louis TikTok @hatori_seanzo Instagram @seansaintlouis This description contains affiliate links, and we may be compensated if you make a purchase after clicking on my links. --- Send in a voice message: https://podcasters.spotify.com/pod/show/otdm/message Support this podcast: https://podcasters.spotify.com/pod/show/otdm/support

Todd is joined by James Wilson from Blogging by Cinema Light to look at a high-flying World War I epic. George Peppard, James Mason, and Ursula Andress star in 1966's The Blue Max.

Mike joins Matt & Todd once again for an apocalyptic road trip. Very loosely based on the novel by Roger Zelazny, this sci-fi adventure film bombed at the box office but has since become a cult classic. Starring Jan-Michael Vincent, George Peppard, Dominique Sanda & Jackie Earl Haley. This episode is dedicated to Dizzie & Finnegan. Our recently departed dogs.

During the first season of the hit TV series The A-Team, Melinda Culea portrayed reporter Amy Allen, affectionately known as "Triple A". She was let go early in the second season, as series lead George Peppard wasn't satisfied with a woman in the principal cast.

Orson Welles, Joan Collins, George Peppard and Margaret Lockwood. This latest episode is like your fantasy dinner party, as Mel Byron and the team of reviewers introduce all these stars and more. Also coming up on your favourite UK TV channel this month are rarities such as the Lone Wolf films and Ealing Studios' production set in The Wirral.

I dreamt of being a pilot as a child and grew up watching The A-Team and my favourite character was 'Howling Mad Murdock' played by Dwight Schultz. I was obsessed with aircraft so he was the one I wanted to be as his character could fly any plane or helicopter that he had to. Years later I saw him with Jamie Glazov and Anni Cyrus on 'The Glazov Gang' and was intrigued at his strong Conservative Christian stance while delivering common sense commentary. This is the first interview he has done for many years so it truly is an honour to have Dwight join Hearts of Oak on this audio only discussion. (he is the voice king) We talk about those early days treading the boards in the theatre and as a star in Hollywood, working on the biggest TV programme in the world and Dwight shares some stories of how his strong conservative stance got him into much hot water. He truly is a breath of fresh air in an increasingly demonic industry that opposes truth at every turn and mocks all who have a Christian Faith or Conservative Values. (*Peter takes to the skies regularly and has held a pilots licence for many years) A respected performer on Broadway, Dwight Schultz found everlasting fame by playing the certifiable "Howling Mad" Murdock on the action series "The A-Team" (1983-86). A living, breathing cartoon with a seemingly endless selection of voices and accents at his command, Murdock provided the air power for the A-Team's clandestine adventures, provided that his compatriots could break him out of the mental hospital where he resided. One of the show's most popular and memorable figures, Murdock ensured Schultz steady work on television and on the big screen playing Reginald Barclay in "Star Trek: The Next Generation" An accomplished voice actor, Dwight can be heard in numerous hit computer games and in countless animated shows. Interview recorded 21.3.23 *Special thanks to Bosch Fawstin for recording our intro/outro on this podcast. Check out his art https://theboschfawstinstore.blogspot.com/ and follow him on GETTR https://gettr.com/user/BoschFawstin and Twitter https://twitter.com/TheBoschFawstin?s=20  To sign up for our weekly email, find our social media, podcasts, video, livestreaming platforms and more... https://heartsofoak.org/connect/ Please subscribe, like and share! TRANSCRIPT [0:22] Hello Hearts of Oak, and welcome to another interview coming up with Dwight Schultz, Howling Mad Murdock from the A-Team. He came in on a audio. Dwight hasn't done interviews for years. I was absolutely delighted to have him on when you talk to one of your childhood heroes who you grew up watching him in A-Team. And he was my favourite simply because he was a pilot. And I always wanted to grow up and that's what I wanted to grow up to be. But I'm talking to him about being a conservative, being a Christian in the industry, in Hollywood, in the movie industry. And actually we delve more deeply into his Christian faith, Roman Catholic background, and what it means for him to be a Christian in that industry where you're pulled every way and where your faith is ridiculed, mocked, and everything stands against that. So great conversation about some of his experiences and what it is to be a Christian and to be a conservative in the industry. We talk about his voiceovers, I mean his voice is legendary. Talk about that and why he stepped away from doing kind of in front of a camera in 2001, why that was, and all the voiceover and then I think 100 video games, his voice is in a whole other world, a whole other industry. So, I know you will enjoy listening to Dwight as much as I enjoyed speaking with him. [1:48] It is wonderful to have Dwight Schultz with us today. Dwight, thank you so much for joining us. [1:54] Oh, it's my pleasure, Peter, for my reintroduction to the world of podcasting, radio, television.   Well, this is something I've only been doing three years, So I know you have much more experience back in the day, but we'll get into some of that. And obviously I... Remember you fondly growing up. I think I was six when The A Team first came out, which is now 40 years ago. I'm sure I didn't want it when I was six. But your role obviously is as Howling Mad Murdock. So we can take just a little bit memory lane before we go into and talk about actually being a conservative in the industry and what that is like. But I mean, it ran for five seasons, 83 to think 87. Do you just want to let us know how you actually ended up in that role? Well, actually, it actually only went four seasons, real seasons, so it's not technically considered a success. That's true. I ended up in that role because I made a comedy tape at the Williamstown Theatre Festival around 1979, 1980. [3:18] Somewhere in there. And the comedy tape, and for two years, I didn't hear anything. And then suddenly I started getting calls from my agent to audition and to go to Los Angeles to audition. and it was because of this comedy tape. And I found out it had been making the rounds for two years and eventually Steve Cannell and Frank Lupo, his co-writer saw it and requested me to come. Joel Thurm, who was the vice president of NBC at the time, however, he had different ideas about this character. And anyway, I went in and they flew me out to Los Angeles. [4:03] And my wife was out here. She wasn't my wife at the time, but I had been dating her since 79. And she was out here living in Los Angeles, which was difficult. I mean, I was glad to come out here for any reason. And I had never. It was a joy, but I came in and I auditioned and it was a total flop. It was a bomb. I mean, you walk into a small room with 25 people, 30 people, and there was not a single laugh. There was nothing. There was no... And then they sent me out and they sent the director, Rod Holcomb, out with me to talk to me. I came back in, I did the same audition, And everybody was laughing and I had no idea why they were laughing now. And they weren't laughing before, unless someone said laugh when he comes back. You know, that's the way it was. It was just an astonishing thing. And they said, you got the part. [5:02] And then, uh, and this is the, really, this is the nub, right? So, uh, I, they shoot in Mexico and I went down to Mexico. And when we were down there, I was fired. I was fired. I was fired. Rod Holcomb came into my little room and he said, I'm afraid it's not going to work out. And I said, oh, what? He said, it's not Steven. It's not Frank. It's the would-be's at NBC. They just don't think you're quite right for it. And so they took me out of my little room and they put me in with a stuntman who I loved. I just loved him. I mean, it was incredible to work with these guys. And so there I was with the stuntmen for the rest of the shoot down in Mexico. And when we came back to the States, they were editing it and putting it together as we were shooting it, right? [5:58] I got a call from my agent said your dials were great. I said, what are you talking about? I had no idea what they were talking about. This is 82, right? This is 1980. I don't know what you're talking about. He said the dials, the dials, the testing. The audience loved you. You're the best dials that anybody had. So I was written back in. I was rehired before I was fired. And so you can't make this stuff up in life. You can't. So it just turns out that they had a different view of what this character should be like. And I had another view. And Stephen Cannell and Frank Lupo were in my camp. And so they had to write me back into the first five episodes, which they had kind of written me out of. And that's the way it started. And I was, [7:04] as anybody would be, you know, I got to work with some of the finest old actors [7:12] that I had grown up with in the 50s and 60s. And it was a thrill. The four years were a thrill. I mean, it was an absolute thrill. And I got along beautifully with everybody. And Stephen J. Cannell [7:24] was a conservative. I mean, I'm lucky. I'm fortunate there. I was fortunate because some of my other experiences were not so fortunate, working with people who knew I was a conservative and weren't going to have a conservative on their show. That was the way it started back then. But anyway, so it was four years of, we didn't really have a studio. We were working on locations and I got along famously with everybody. And it was a joy. It was four, believe me, it changed my life completely and totally. I never thought I would end up in Los Angeles and never leave. Well, what was I mean, it's intense, I guess, that you're living and breathing it. And most people, I have no idea what that's like. Most people go to a job and they go home, but you're there nonstop. What's that kind of intensity, especially for years with it's the same people? It's the same people. But listen, as an actor, I mean, I've been working I've been working professionally since nineteen sixty nine. This gig, it's over 50 years. Right. So I had, I have before the 18, I never knew what my next job was ever. I never knew what I was doing next. And after the 18, I never have known [8:50] what I'm going to do next. I've never had a consistent job other than those four years. And I thank God for them every night. I hoped it would go longer, but this was not the intention, nor the background of Stephen J Cannell. His shows were two years, three years. And then they name of every single writer that we had in the first year moved on to their own series. They all became producers. And this is not the way you have a successful series for an, actor, which is selfish, right? You want to go at least five years, seven years. But they all, you have to have somebody there who is consistently behind it, pushing it, making sure everything is the way it's supposed to be. But that was not the way it was. But I did everything that you can possibly imagine, I think, on that show. And as the 14-hour days, 15-hour day, I loved it because I knew that there was going to be an ending. I knew the day I started that there was going to be a last day. And so and I think that's the way life is, actually. [10:02] And so take advantage of what you have and enjoy it and hope for the best. But I savour it every minute and I look back very fondly. When you say it wasn't a success, I remember thinking this is the biggest thing ever. This is phenomenal. I watched it as a kid growing up. So it did seem to be the kind of TV show that you would watch. I mean, the only other one I remember at the same time was I think Knight Rider at the same time, but they were the shows to watch.   Yes, they were. But you see, we were on NBC, Grant Tinker and Brandon Tartikoff, and their moniker was quality programming. And Grant Tinker, and well, Tartikoff gave an interview for the New York Times, right? This is not an example of our quality program, right? Really, this is it. That's what he said. You know, their ideas was Hill Street Blues, which they had on. This was their idea of quality programming, not this schlock that's number one. [11:12] This is not it. And I sent Grant Tinker a telegram and George Peppard said, don't do it, pal. Don't do it. Don't do it, Peppard said to me. I sent it to him and I said, this is third rate executive ship. I said, we do the best work we can and we're number one, why are you doing this to us? And then he sent me a telegram back, which I have kept, saying, well, you're assuming that that was true, what you read. And I said, well, I checked with the writer, the journalist, quote unquote, who he said, he talked to you and this is what you said. And indeed he did. And this is a tag to all of this. He, after the show was over, it was cancelled, several years afterwards, I have received a phone call from his assistant saying [12:13] Brandon wants to talk to you. And I said, sure, I'll talk to him. And I met with him in this basement office, 20th Century Fox. And I walked in and there was nobody there but Brandon Tartikoff sitting at a table and he apologized to me. [12:31] His daughter had been in a very serious accident and it changed his life. It was one of these things. And he apologized to me. I'll never forget it. And this does not happen in show business. It does not happen. And I said, thank you. Thank you so much for that. I said, and then I went into my spiel about being an actor. And that I, you know, you do the best job you can, whether you're doing Shakespeare, whether you're doing a show, or whether you're doing The A-Team. You do the best job you can. It is the same job if you're good and you love your work. It doesn't matter. You do the best thing, the best you put. You're not walking through it. I said, that's what we were doing. And we happened to be number one. And why did you rain on the parade? You know, I asked him and he gave me some explanations as to the the exigencies at the top of a TV network. And I, so at any rate, that that that's the experience. That's the beginning and end of that experience, really.[13:43] And I carry with me.   How did you cope with that fame? And you were what, 30, 32, so you weren't young, young. But still, when you're thrust into that level of publicity, how did that affect you personally and how did you cope with that? Well, you know, I was fortunate that I was working since I had been working since 69. I spent 13 years in regional theatre. I spent years in New York, three Broadway plays. I had a lot of experience. [14:17] Really, they walk in the boards, doing all the grunt work, getting there. And I, fame was not a, I was known and all my interests in theatre were to be, this is a joke actually, but never the same actor twice. I mean, that's it. You didn't want to do the same thing. And here I was, and I forced the idea that this actor, this character would be different in each episode, which the vice president of NBC said, that's the way you comb your hair differently. You should be the same. We want you to be polite on this. And I said, no, no, no, no, no, I don't wanna do that. I wanna be different in every show. And so I maintained, I think, because of the work that I had had. When you do the classics, when you're in, and I don't mean this, when you have the great opportunity to play a Shakespearean role. [15:22] You understand something about talent, about what goes into writing, brilliant writing, and then schlock writing. I mean, you see it all. And when you've been given that opportunity, There's a humility that hits you. So fame was never something that I wanted. I wanted to be able to – and I've had this ability. I've been able to go to a department store or take my daughter to a mall and not be recognized, which is – I'm telling you, I have worked with – I mean, I worked with Paul Newman and Paul Newman was, it was not a, he, he told me he couldn't go anywhere. He was a prisoner of his fame. [16:12] George Peppard was a prisoner of his fame. I mean, the closest I think I've ever gotten was somebody said, your voice sounds familiar, do you know my brother? I'll say, no, I don't know your brother. Then every once in a while, somebody recognizes you, but it's a curse. [16:33] It is a curse, really. If you have a family, if you want a family life, if you want privacy, which I think is necessary for survival in this business. I mean, I've seen a lot of actors drop to their knees and open cardboard tubes and pull drugs out. You know, and that's fame. And you ask them, that's it, it's driven. You know, you gotta have that fame, you gotta have that fame, you gotta. And it's not what I wanted. I really am a repertory actor, that's it. I'm a repertory actor. I spent one year in Houston, at the Alley Theatre in Houston, and it was one of the greatest years I've ever had. And I never wanted to leave. And someone told me, that's why you have to leave. I would have stayed there. I could have stayed there. But my agents all told me, you have to leave. You can't stay here, or your career will be over. And I said, but I love this. And they said, you won't love it when it dries up there. You know, you have to go to a bigger, a bigger yard in essence. But I'm really a repertory actor. That's it. [17:47] Your last I think your last TV role was 2001. I will get into the voice side later, but your last 2001. Why did, why did it end there? Was a personal experience? Was it just choice? Oh, yeah. No, it was a really a personal experience. It was CIA. 2001 was... [18:17] I went in for wardrobe fitting, and we were at the Memorial Cemetery, Veterans Cemetery down in Wilshire Boulevard, and that's where it was being shot. And I walked in, and this is nothing, I won't mention the name, I shouldn't have even said what the show was. Just someone in the wardrobe room. We were talking about 9-11. We were talking about what had happened in New York. I had a lot of friends in New York, of course, obviously. And she said, I don't have any connection to that. I don't know why everybody – I just don't have any connection to it, you know? She still connects? And she rubbed it off, you know? And I said, I mean, life was – rules were at that point not easy to come by, actually. And I said I can't do this, you know, I can't work. This to me was a sign, a sign from God. I'm not joking. You look for these things. This was a sign that this was the wave of the future. There was going to be a lot of denial and there was going to be, and it's complicated. I mean, I'm not judging anybody. [19:43] But for me, I had an opportunity to move into another direction, and I decided to do the other direction because I could be anybody, anything in voiceover work. Video games were just becoming big at the time, and the whole business was very big. And voice work was something that, as an actor in the theatre, I always did. If I couldn't find the voice of the character, I couldn't find the character. And so that was it. I mean, the fates came together at that time. And I was doing radio at the time on a fairly regular basis with a friend named Don Ecker. And I just moved in that direction. [20:36] I mean, there were opportunities there, but I knew things had changed at that point. Yeah, well, we'll get into that. I want to pick on being a conservative in the, the movie and TV industry, and that seems to be opposites. We've seen more and more, and I think it probably gets worse. And you're Roman Catholic, you're conservative. And what has been your experiences having a faith and also having a conservative belief? How does that fit into the showbiz industry? What has it been like for you? Well, going back, if you look at, [21:23] if you look at the world that we're in today, the Judeo-Christian world, which is, and I have to say if I have one criticism of modern Christianity prior to today, and I mean going back, because there's a lot of things I could say about today, which we will, I'm sure. But one of the things which always struck me me was about Christians, was their antipathy for the Old Testament, the Torah. It is Judeo-Christianity, and if a Christian doesn't understand that the Old Testament is their testament, there's, a problem. And they don't, indeed. In Bible study, the number of times that I heard Christians say oh, that's not my God. I want to get out of this. I want to get to my God. Well, that's two gods. [22:24] I mean, there is the Trinity, which is three gods in one, right? I mean, we do have that mystery, but we are monotheistic. And Christ's Old Testament was his Old Testament. He was here to fulfil the Old Testament. This is what he said, that it is the Father. You're speaking of your father. This is Christ's father and the Torah, the law as it was laid down is your law. It went on to the New Testament. [22:58] You know, and Catholics, I mean, I was raised a Catholic, and when I found out that it wasn't, thou shalt not kill, but thou shalt not murder, you know, the wheels begin to turn, and you try to think as best you can about these things. But there was a disconnect between the Old Testament in the New Testament. But that has to do with my criticism of my own faith. In motion pictures in the film industry, it was under attack, as it is today. Christianity is—and Judeo-Christian ethic, the West, everything that has been built through the Judeo-Christian ethic is under attack and they want to destroy it. [23:55] And basically at the very front of that is the communist wagon, and it always has been. And you can go back to 1918 or whatever and read about it, and they tried every which way from Sunday to do it, and they always failed, and now they've found another way of doing it. And they have succeeded by going after our children when we didn't know they were going after our children. But as Christians, we're pretending that it wasn't important to be mothers and fathers and the nuclear family really wasn't that important. Well, then why were they trying to destroy it? And why has it been number one? [24:35] Because and I'm going to say something else here in a second, which I'm pointing to, there's a quote. This is the technique that they have used, and you didn't know it, but you felt it all along. You felt this, but you didn't know it. [24:57] A quote by, it's attributed to Oscar Wilde. And I think it is his, I don't think, I don't think, I think it is his quote. And it is pithy and accurate and brilliant and beyond belief descriptive of everything. Everything in the world is about sex, except sex. Sex is about power. And boy, when I read that, I said, is this, did he really say this? Is it? And it hit me from every direction. The entertainment business in every which way is about sex. Novels, books, television, commercials, life itself, clothes, it's all about sex. And it goes back to God's edict to humanity. [25:56] Go forth and multiply. This is the power of procreation, is sharing in the power of creation. That power was given to all of us. We don't know, I mean, people have talked about it, but you don't, we don't know where that came from, except from God. And it is something to, what do we do with these gifts? Do we throw them away? Or do we say these are precious? [26:30] And you see by the people that you meet, those who recognize the gift and those who don't recognize the gift. And you are asked not to recognize it on a daily basis. And as a child, if you think back to your childhood when sexual urges, whether you're—and of course, I can't tell you what a woman goes through, but I can only tell you what a kid goes through—boy, when you're going through puberty, the whistles and gongs are going off, and you're you're having dreams at night and you can't stop it. [27:03] Everything is at the wrong moment and you're not purposefully thinking about it, but it's a force to be reckoned with. And you understand it as you grow older that this force is to bring you to someone else, to love, to have a family and to create the next generation and then everything changes after that. If you can contemplate that greatness, that extraordinary thing, and realize that the world seems to want to distort it, well, you realize the powers that are set up against Judeo-Christianity. And who say, we don't want the Ten Commandments, we don't want that Old Testament rag, we want freedom, free, and of course I went through that in the 60s and 70s in school, and I saw it. I mean, I was part of it in that it bounced off of me at every moment. And being a Christian, you stay in it. [28:10] I stayed in my Christianity. This is another tale. When I got to school, to college, I mean, I had 12 years of Christian education, right? I wanted to be an actor and I went to Towson University, which had a great theatre program. And it was the first time that I was in a purely secular environment. The thing that killed me was that everybody hated their parents. Everybody hated their parents. I mean, nobody wanted to, nobody had a good thing, I loved my parents. And I used to say, I used to have a long bus ride home and I used to sit in the bus looking out the window saying, why do I love my parents and I can't find somebody who loves their parents? What is that? Well, I can't say that I answered the question, but the answer was in the destruction of the family. [29:10] It was in the destruction, and it had started then. Not my mother and father. And then here's the next aspect, and I think that this plays a very big part in all the trouble we're having today. I never wanted to do something that shamed my parents, that they would be ashamed of. I felt shame. I still do. I feel shame. It was given to me by my mother and my father. Now, none of us are perfect. I know my mother wasn't perfect, my father wasn't perfect. I'm not perfect, but I feel shame and shame is rare. Now, look, I was listening to your podcast [29:58] with Father Calvin Robinson. Right.   Goodness, you make me blush. No, no. And no, but he said something. He said he said something about drag queens in the sanctuary. [30:19] I mean, we're talking about there's no shame if you do that. Before, shortly after, I guess we communicated, I went to here in Los Angeles, I went to the Church of the Nazarene in Pasadena, and I saw two, I don't know if you know these individuals, Dennis Prager, do you know Dennis Prager? Dennis is a Jewish scholar. I've been following him since since 1982, when I came to Los Angeles. He had a program called Religion on the Line, one of the great minds and thinkers of all time. In fact, many times after listening to him, I would say to myself, I'm a Jew. That's what I am, I'm a Jew. [31:05] And then there's Eric Metaxas, who is a Christian writer, thinker, and these two were in a program, an evening called ask a Gentile, Ask a Jew. And it was a great evening, two hours of just two brilliant people talking about the state of religion. What was the final outcome, sad outcome of the evening? Metaxas and Prager both came to the conclusion that we, organized religion, has failed us. It has failed us. The churches and the synagogues have failed us. They have not stepped up to defend their own dogma, their own beliefs. And we are left flailing, individuals almost. And we are struggling to connect, which is what you and I are doing right now. [32:08] I was dumbfounded by that, but at the same time, that's what I'm thinking. That's what I've been thinking for quite some time. And all of these things, you know, we are under attack from every direction. And in your own mind, what do you do? Do you throw it away? Do you say, well maybe I'm thinking the wrong thing. No, no, no, that is not the case. Because when you think about why our children, [32:47] and if you've seen this now, why our children are being told that they don't know what their sex is, Metaxas brought this up in the evening that this is one of those key cardinal points. You can see. This is a perversion of reality, because you know what the truth is. If you have a Supreme Court justice, as we do in the United States, who says, I can't define a woman, and that children, 10 year old children, 11 and 12 year old children, secretly, don't tell your parents the hallmark of a lie. Keep it secret. Don't tell anybody. Don't even tell yourself. [33:26] You know the hallmark of concealment, consciousness of guilt, everything that you know is, they are trying to tell you you know nothing and everything you know is not to be believed, but they are to be believed. That children, there are not boys and girls, that men can give birth, that there are, you know, these things that we, it's incomprehensible what's going on and it's all to destroy right from wrong. Well, that's because it's kind of, I look at it a different way. One is the difficulty of living in a society where evil is slightly different, where it's a slippery slope and it may be difficult to distinguish what you believe with something that's slightly different. But we see such a chasm now between what is true, what is right, and the collapse and degradation of society. So in theory, that means it is easier to be a Christian because it's easy to be distinct, because what you face is the opposite of what you believe. And and that's why it's curious and interesting to see churches going down this line whenever there's, [34:38] there's no question of what we see is the opposite of what is written in scripture. Oh, there's no question. You know what you're saying? You can be crushed. You know, you can be crushed at the same time. You have to deny so many things to accept what's going on. And yet you say to yourself, how do I stop it? The war that's going on in Europe at this moment. And this is why I love Bannon. I mean, I just, I adore him. I never got to, I would not, and I'll say this, Andrew Breitbart brought me out of the closet politically, really politically. I was doing a lot of things, but saying a lot of things that were in the basket, but he truly brought me out.   When was this? When was this? . This is a through also through Gary Sinise and friends of Abe. [35:48] Boy, this is this is in the, I have to say nine. I'd say 2000 to 2005, 2006. By 2008, yeah, I have to say around 2005, 2006. [36:09] I was like a Jew wandering in the desert alone and wondering where God was. And a friend of mine who I worked with on Fat Man and Little Boy, a film about making the atomic bomb, called me up, his wife was a casting director, and he said, you know there are conservatives just like yourself who get together on a regular basis. I said, no, I did not know that. He said, would you like to go to a meeting? I said, I would love to go to a meeting of other people. I went and it was Gary Sinise and Andrew Breitbart, and a lot of other extraordinary people who were all, and this is it, seeking, trying to make connections. And so Andrew said, you have to become public. He had big Hollywood and big, you know, all of, he had all of these big websites. And he asked me to write an article. [37:09] He heard me in private describe a situation that I was in, in which I was at the Williamstown Theatre Festival. I had just come back from working with Charlton Heston and I had a long discussion, which was just a wonderful discussion in the hallway at the Amundsen Theatre about Ronald Reagan becoming president, right? And this individual who was a big producer in Hollywood overheard me talking about Ronald Reagan, and he said, Oh, so you're a Reagan a-hole, you know? [37:58] And yeah, that's right. That's right. And I was, I got to tell you, I mean, this was a big guy at the theatre too, that I was working, and I went cold. I went cold. I said, yes. I said, you know, not as a, you know, and I pulled back. I was, you know, he was attacking me, obviously, with his language. And I was shocked. I was totally numbed. And I didn't want to continue with this discussion, because otherwise there would have been a blowout. But that was how in 78, 80, I understood that there was this chasm there. And [38:51] it only got worse as time went on. As I said, fortunate, it is not a zero-sum game. Fortunate there was for me, and I did have an audition for this producer. There was a writer there and a brilliant writer. We had a fallout, but he's just an extraordinary writer. His name is Tom Fontana. He wrote some very, it was St. Elsewhere, producer, writer for St. Elsewhere, The Wire, many wonderful programs. And he did not know about this problem that I had and invited me to read for a part called Fiscus in St. Elsewhere. And I walked in and there was this producer [39:37] who has passed away since now. And Breitbart wanted me to write about him. And I did, and I regretted it, but I don't regret it. But anyway, so I walked in and he was there and he said, oh, what are you doing here? And to this audition, and I said, I'm here to read for the part of Fiskars. He said, it's not gonna be a Reagan blank hole on my show. So you know what that audition was like, right? You know, I mean, and I walked out and I just, I said, God, is this going to be it? You know, is this the way it's gonna be? And at any rate, so, but I finally did write this article about him and I lost a lot of friends for writing it. And then at the same time, and I was one of the first actors for Breitbart to use my name. This was what he wanted because a lot of pseudonyms, writing for Big Hollywood, And which I understand, please, I did not do this, I did this [40:40] for personal reasons, but not because I'm brave or anything of that nature. I just was at the point where I was going to tell the truth. This is the way it's done. And you are excluded on a cocktail napkin. And that cocktail napkin is sent around to other producers and you're excluded. It is not a zero sum game because there was Stephen J Cannell and he hired me. [41:03] But the majority of people will not, unless, of course, you bring in 30 or 40 million dollars over a weekend. And then they'll hire you. But the attack on Judeo-Christianity, the attack on conservatism, which is a hallmark of Judeo-Christianity, is now at its height. It's never been greater than it is today. Well can I, you're obviously being a Christian, being a conservative within an industry within the workplace, but then you had your podcast, then you're doing, you mentioned Breitbart on the Glazov Gang, that's something different. You're stepping outside and actually you're much more public. I mean was that a conscious decision to actually begin to use radio, use the internet, use TV and speak of these issues as a Christian and conservative. Yes, absolutely. And the reason for that was I, you know, if you're, [42:13] make a point, like I would not, as Murdock from The A-Team, go out and evangelize. I wouldn't go out as Murdock from The A-Team, vote for. Right? [42:34] You're taking something that is not related and you're trying to use it to get somewhere. Where it's not as, to me, as honest as separating yourself out, creating a podcast, creating another world. This is where I talk politics. This is where I talk my personal life, my personal beliefs. This is where I do it. And so you come to me and then we go out from there. And I associate with people who talk about religion, and I associate with people who talk about politics, and I talk it there in that realm. [43:19] There's obviously a mixture. You can't divorce yourself from who you are and what you've done, and I don't. But I've never hidden my religion. I've never hidden my Christianity, as some people do. That's not the way to do it either. Yes, I am a Christian. I'm a Judeo-Christian. I believe in the Old Testament and the New Testament. And it's, for me, not a contradiction in terms. And so I express it that way. I express it here on my own podcast when I had it. And if ever anybody wanted to talk about it, I was willing to do it. And I attended every event, and with Jamie and [44:10] the lovely Anni Cyrus, that was just wonderful. That was absolutely wonderful. I went to a David Horowitz retreat, where I met Jamie. I had the great fortune, an opportunity to speak at a Freedom Concert event. Many of my public heroes were there from various political websites. And I got to meet them. And that's where I met Jamie. And he invited me on to engage with him on his program, the Glazov Gang. It's so funny. But, you know, and I met just so many fabulous people. And there are so many things right now, which I see things now and can talk about things that I couldn't prior to coming out with Andrew. And that, of course, is Bannon's big thing, Andrew. Andrew, I mean, he's – and Andrew changed – just brought the world together. I mean, his vision, his understanding of what was really going on was unique. And he was right into – he was dead on about everything. And I still don't agree with most of his friends. [45:38] I have very dark feelings about what happened to Andrew, even though I know he had a heart problem. But when the, I mean, you know what I'm talking about. I don't want to get into that aside, but I know the darkness that's out there and a voice like his had to be stopped. And they don't stop at anything. They don't. And we have now been witness to it in the United States for five or six years. Nothing stops them. Nothing. And they will lie to your face. They do not care because they are the voice of something that is dark. [46:20] That's not a knife you feel in your back. That's me scratching it. Oh, but I feel blood. No, that's not blood. You know, that's it. That's it. Can I finish off with your voice? Now, it is always wonderful to have a guest coming on and the sound is absolutely beautiful, crystal clear. You're coming through. Obviously, your voice is your how you make your your living now. And you've you've moved away from being kind of front of the camera to doing voice. Tell us what that is like, because it means you talked about fame and that means you're not recognized. It is your voice. And I remember watching, you were the one who, again, using your voice in all different ways, even back as in The A Team. But tell us about, how that works in the industry.   Well, in the industry, it doesn't. You have to be very fortunate. One of the first casting directors I ever met was Sylvia Gold, was her name. And she met with me, my first agent introduced me to her, and she said. [47:36] Oh, darling, she said, you don't understand. No one wants to hear that stuff. That's in the theatre. They want to hear you. They want to hear your voice. It's your voice that's important. And I said, no, it's not. I said, that's not what it's not. You know, I'm a vampire. I'm a thief. I listen to other people. I'm a mathematical idiot. And God gave me this ability to hear people's voices. And I said, I remember being seven years old. I was about seven years old, and I remember the first impression I ever did, which was, James Mason in 20,000 Leagues Under the Sea, he had a line, it was, I am dying now, and the Nautilus is dying with me, present as him. And I said this out loud to myself, I am dying now, and the Nautilus is dying with me. And the more I did it, the closer I got. And I would spend time, and I became an Anglophile, and I started listening to Richard Burton and Peter O'Toole, and I found that if I put headphones on, their voice came from the middle of my head, and I could steal from them. I could do impressions of their voice, and even if it wasn't perfect. [48:52] It became another voice, another character. And I began to identify with my relatives that way. I started doing impressions of my relatives and they did not like it. And I started doing impressions of my teachers at school and the kids liked it, but the teachers didn't like it if they heard it. And that's how it started. And I just had an ear for people's voices and dialects in the United States. And that's it. And in terms of, well, if I'm coming across crystal clear, That's because somebody recommended this microphone, the Heil PR-40, which is a dynamic microphone. Most people are wedded to very expensive condenser mics. But this is a rejection, it's a cardioid. People can open the door and come into the room and you won't hear it, you'll just hear me. Art Bell used this mic and he was always extolling the virtues of this mic, and I listened to him. And so, you know, and it's inexpensive, comparatively speaking, so it's available. [50:04] And so I, but I have spent years studying and recording people's voices and listening to them and trying to reproduce them. And one of the great thrills in my life was, I was, I knew somebody who was intimately involved with Laurence Olivier. [50:29] Peter Shaffer, and he wrote Amadeus, right? And he was just an absolutely spectacular man. And he gave me the play Amadeus to read before it was on Broadway and in Great Britain. And he was just a sweetheart of all sweethearts anyway. So I went into a bathroom and I did my impression of Olivier doing the Othello chamber scene. And I gave it to someone who was with Peter and asked them to listen to it to see if I caught any of it. And he said, this friend said, Shaffer listened to it and said, well, he said if Larry was very, very sick. But it was, you know, it was one of those, I, God, to have, you know, I, I, I think I listened, I don't know, I can't, I can't repeat anything that I've ever done myself, but I, I think I listened to the chamber scene from Othello, Olivier's Othello a thousand times. And that's how you learn when you're a young kid. That's how you learn. And you say, oh, my God, every comma. I followed it along, and he followed the text. [51:49] Amazingly, he followed the text and was dead on. And those are the kinds of things that I became very attuned to people's voices, and recorded them. And I have a lot of recordings and sometimes I still listen to Burton's Hamlet. And Gielgud, of course, directed it. [52:21] And it was considered a disaster on Broadway, but there's some great, there's just to capture, it is a miracle that I can sit here and listen to people who have passed away as if they're in my room. It is, it is a miracle, a technical miracle, but a miracle, or listening to the great choruses, motion picture choruses from 1958 and 60, and I listen to these grand voices, and I say, most of these people are not here now, But I'm listening to them and I get emotional about it. So anyway...   You've also embraced just finally about. I think I looked through and you've done the voice for like 100 video games. Well, yeah, I guess that's just if you're you're good at something, then that can be used across different, different industries. Oh, exactly. and video games are bigger than motion pictures now. And the hardest thing I was ever asked to do, and we were asked to do this periodically, you know, these great actors, right? [53:31] Sir Ian McKellen, Patrick Stewart, right? Those two individuals. Do impressions of both of them, to do them in the same thing. They were in X-Men, right? So I can't do them because they're so close. And you just do. You're asked to do it. They can't make it to do a pickup, right? So they ask an actor to come in and do a line, half a line. That's it. I can't do Ian McKellen and Patrick Stewart at the same time. But I can't. I can't do it because they're too close. And yet they're different. But I have not been able to. I mean, you know, you in Ian McKellen with Bilbo Baggins, you know, he's called the essence. [54:19] Patrick is done it. Patrick is down there, too. But I can't do them together. I cannot do them together. I have to do them separately. And Patrick is he was a delight, by the way. Very liberal, very liberal. But one of the great things about Star Trek is my greatest experience that I've had in Hollywood, because there was little to no politics on that set, and everybody was a delight to work with. Everyone, absolutely everyone. And walking around on the great Paramount lot was a thrill. Anyway, sorry, I'm getting side-lined. I loved all those people. I did. I really did. Dwight, I so appreciate you coming on. It's absolutely wonderful to speak with you and hear about your experiences in the industry. So we really do appreciate your time today.   Well, it's my pleasure and I am very grateful. It's been a long time since I've done anything like this.   Oh, maybe it'll become more regular. Well, thank you, Peter.   Thank you so much, Dwight. Thank you.   Bye-bye.

June 19-25, 1982 This week Ken welcomes author (buy his new Hilo book!), Real Worlder, and kindred spirit Judd Winick to the show.  Ken and Judd discuss Judd's fantastically cluttered office, their children's world, St. Elsewhere, death on TV, Brendon Tartikoff, how the A-Team could spin off from Hill Street Blues, Misfits of Science, comic books, the dessert of comic book properties in TV and movies when we were growing up, growing up as a New Yorker, Long Island, getting mugged, weird red eyes, shirtless TV, kids who smoke, big Tabacco, Judd's wife Pam, mobsters, The Mile High collection, Filmmation, Isis, Space Academy, Kids Super Power Hour, Mission Magic, One of the Boys, Mickey Rooney, Bill, Fantasy Island, Red Buttons: Super Hero, living in Boston, Robert Urich, Archie Bunker's Place, Stacey Keach in Wait Until Dark, odd Cruisin' inspired acting choices, Long Dry Season, George Peppard's directing career, Trapper John MD, Hilo, Encyclopedia sets, Continental Divide, Blair Brown, Altered States, Bob Balaban, WKRP, forgetting Gordon Jump's character's name, M*A*S*H, being team BJ, loving Alan Alda, anti-war media, Twin Peaks, Quincy ME, the magic of visiting Henson Productions, Bad Robot's Typewriter store, Happy Days, Three's Company, Welcome Back Kotter, Andy Griffith, John Ritter's Balls, Real People, That's Incredible!, haunted Toys R Us, asian characters on TV, how modern procedurals are sci-fi, how MASSIVE Fame was in Israel, Gimme a Break, how amazing Lara Jill Miller is, the incredible talent of voice over actors, the failure of Giant Salmon pictures, Beverly Hills Buntz, screwing on TV, Sweeney Todd's coffee shop, haunted security systems, rock star architects, Blade Runner, Benson, Pokerface, Saturday the 14th, performing Blow Out as a one man show, old ice, Phil Lamar's Mr. T stories and Pinky in Body Double.

[[New Improved edition – with restored Home From the Hill content!]]   It's March Minnelli Madness as we watch three melodramas directed by Vincente Minelli, plus one nightmarish comedy: The Long, Long Trailer (1954), starring Lucille Ball and Desi Arnaz; The Cobweb (1955), starring Richard Widmark and Lauren Bacall (among other big names); Some Came Running (1958), based on the novel by James Jones and starring Frank Sinatra, Dean Martin, and Shirley MacLaine; and Home from the Hill (1960), starring Robert Mitchum as an ironic patriarch and a curiously radiant George Peppard as his illegitimate son. We talk about Minnelli as a scrutinizer of masculinity and sexual mores, about certain auteurist concerns that we discover on the fly, and about Minnelli's version of 1950s consumer culture satire. Then, in Fear and Moviegoing in Toronto, we discuss the Minnelli melodrama-adjacent From Here to Eternity (1953), based on James Jones's first and less eccentric novel, with Frank Sinatra in a very different role.    Time Codes: 0h 0m 45s:        THE LONG, LONG TRAILER (1954) [dir. Vincente Minnelli] 0h 26m 52s:      THE COBWEB (1955) [dir. Vincente Minnelli] 0h 41m 29s:      SOME CAME RUNNING (1958) [dir. Vincente Minnelli] 1h 17m 08s:      HOME FROM THE HILL (1960) [dir. Vincente Minnelli]   1h 37m 50s:      Fear & Moviegoing In Toronto – FROM HERE TO ETERNITY (1953) by Fred Zinnemann   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

February 15-21, 1986 This week Ken travels across the Atlantic as he welcomes author and YouTube ninja, the man behind The Bad Movie Bible, Rob Hill. Ken and Rob discuss Ken's fandom, Rob's YouTube channel, lockdown driven creativity, Murder She Wrote, Rob's thinking around his issue, embracing nostalgia, context and intent, South Park, Michael McIntyre, loving American Culture, traveling to America once as a kid, Punky Brewster, how adult US action shows were children's show in the UK, The TV Times, BBC, M*A*S*H, Dallas, UK soaps vs US Nighttime soaps, how the TV Times had no cigarette ads, TV News revealing too many government secrets, taking digs at your star, Cheers, shows about alcoholics, Mr. T vs George Peppard, 2 Live Crew's Me So Horny, being the king of the UK, Ken always looking on the bright side, Benson, Soap's popularity in the UK, David Rappaport's week, Dave DeCoteau's filmography, TV guest stars, sexing up Buck Rogers, Battlestar Gallactica, US TV movies being theatrical movies in the UK and Europe, really trying to mine the concept of a dead porn star ghost despite it failing again and again, Amazing Stories, Joe Dante, The Last Days of Frank and Jesse James, Robert Guillaume in Phantom of the Opera, Johnny Cash, Charlie Daniels, your wife playing your mother, Operation Kid Brother, Robin Hood, George C. Scott talking about abortion on ABC, Kirk Cameron, Listen to Me, Knight Rider, shows where people are reincarnated as machines or animals, Metal Micky, Airwolf, M.A.N.T.I.S., satellite TV, watching six hours of Dallas a day, After the Fall of New York, Italian B movies, Ceefax, Highway to Heaven, Benny Hill, Blacke's Magic, The Captain American musical, Danger Mouse, All Creatures Great and Small, Chuck Norris, Matt Helm, Way of the Dragon, The Misfits of Science, Baywatch and the incredible, unbelievable nature of David Hassellhoff's autobiography. 

This week we journey through a post-apocalyptic landscape with only questionable judgement and poor character definition for company.  Join us in Damnation Alley.    We've launched a Patreon, so fans can now support the show and help keep the lights on at ISTYA towers. There are various benefits on offer, and we can assure you that Joe wearing his rubber dungarees isn't one of them. To sign up please visit https://www.patreon.com/istya If you want to contact the show, or simply have a chinwag with the chaps, then follow us on Twitter, join in the conversation on our Reddit page, or you can even contact us on good old email by sending your missives to - show@isawthatyearsago.com  

On the latest episode of the Video Junkyard Podcast, the guys to space! Ok...so we've been doing a lot of that lately. But this time it's with 1980's "Battle Beyond the Stars" directed by Jimmy T. Murakami and Roger Corman. Starring Richard Thomas, Robert Vaughn, John Saxon, George Peppard, and Sybil Danning, this space opera latches on to the heels of some other popular sci-fi epic that came out just a few years earlier, but also borrows heavily on a different Kurosawa film (this time it's "Seven Samurai"). With a star-studded cast and a unique production design, how does "Battle Beyond the Stars" hold up? Check out the latest episode to find out(and also check out our Patreon)!

Lethal Mullet Podcast: Episode #199: Battle Beyond The Stars As we near the 200th episode of the show I decided to reminisce one of the best Star Wars clones there is: BATTLE BEYOND THE STARS. A Roger Corman film in the wake of Star Wars was in the same style, a space western. This film is “Seven Samurai” & “The Magnificent Seven” in space. Starring Richard Thomas, Earl Boen, George Peppard, Robert Vaughn and on the set: James Cameron, Bill Paxton, Gale Ann-Hurd and James Horner. This is such a fun rewatch, and a big thanks to Scott from @whatwars for his words on the Intro!  Give Lethal Mullet a listen: Website https://bit.ly/3j9mvlG IHeartRadio https://ihr.fm/3lSxwJU Spotify https://spoti.fi/3BRg260 Amazon https://amzn.to/3phcsi7 For all Lethal merch: TeePublic: https://bit.ly/37QpbSc #lethalmulletpodcast  #battlebeyondthestars 

November is here and this year That Aged Well is tackling classic movies all month! We're leaving behind yesterday's pop culture and taking a swing at yesteryear's…and it's all kicking off with Audrey Hepburn's star turn in Breakfast At Tiffany's. Have you seen this movie? Then you know how it aged!

RetroBlasting's Michael French beams Battle Beyond the Stars (1980) out of the oubliette and forces Conrad and Dan to explore this sci-fi riff on The Seven Samurai (1954) starring Richard Thomas, Robert Vaughn, George Peppard, John Saxon, Sybil Danning and Darlanne Fleugel. It's exploitation entrepreneur Roger Corman's transparent attempt to cash-in on the Star Wars phenomenon, with a naive farm boy blasting into space to find mercenaries who will protect his peace loving, beige-wearing planet from the evil Sador and his planet-killing superweapon. But crucially, is it any good? And what does Michael make of it? Find out! Visit RetroBlasting on YouTube! Follow them on Twitter and Facebook! Follow us on Twitter, Facebook and Instagram Support us on Patreon to nominate future films and access exclusive bonus content

Hoy, sesión doble. Viajamos con Laura Hojman, directora de A todas las mujeres de España. María Lejárraga, recuperando la vida y la obra de esta escritora. E invitamos a un paseo por la película Desayuno con diamantes de Blake Edwards, con Audrey Hepburn y George Peppard, título que cumple 61 años. Escuchar audio

This week on It Was a Thing on TV we look at a show from UPN, a Canadian kids game show and a legendary rant by Hannibal Smith.   First, UPN tried throwing almost anything on their schedule in the late 90s.  Shasta McNasty is no exception.  It was so bad that the title was cut in half to just Shasta during the show's run.  Even cross-promotions with WWF Smackdown couldn't lure viewers. This was basically the most 1999 TV show that ever 1999'd.   Next, in honor of Susan St. James' birthday, we mark the occasion the only way we know how--by utilizing a running gag on this show.  Uh Oh! was a Canadian game show for kids, despite an antagonist who looks like he should be running a sex dungeon.  A kid's show with who appears to be a dungeon master ran for six seasons in Canada!   Finally, In 1979, early on in Password Plus' run, George Peppard made an appearance as a celebrity player.  On the first show, Peppard put his foot in his mouth, while ranting about forms NBC (and presumably other networks) had people sign.  As a result, Peppard never played another game.   Follow us through all of our social media pages via our Linktree page at linktr.ee/itwasathingontv   Timestamps 0:57 - Shasta McNasty 1:16:15 - Uh Oh! 1:51:34 - George Peppard's rant on Password Plus

In 1979, early on in Password Plus' run, George Peppard made an appearance as a celebrity player.  On the first show, Peppard put his foot in his mouth, while ranting about forms NBC (and presumably other networks) had people sign.  As a result, Peppard never played another game.

Blake Edward's direction of Truman Capote's novel  "Breakfast at Tiffany's" comes to the podcast and The Irish Critic is here to discuss ot all with Host and Corporate Comic Steve Mazan. Is this one of the great films? Does Rooney's portrayal ruin it? How great is Mancini? What's different from the book? Is she banging guys or not? All these questions and more get answered on this week's Mazan Movie Club Podcast.  "Breakfast at Tiffany's" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan

So...the story goes that Rick Dalton almost got the Steve McQueen part in The Great Escape.  He never had a meeting, never had an audition, but...the rumor is that for a little while he was on a short list with the three Georges.  Peppard, Maharis, and Chakiris.  Let's explore these guys and see what makes them so damn special.   Part is is a deep dive on George Peppard...or at least it starts that way.  We end up talking about Better Call Saul and menstruation, booze, Lena Dunham, Hulk Hogan, swingers, why I love "One Day At A Time, and cool movie posters.  But trust me, it all ties in with our Season One theme "Once Upon a Time in Hollywood".

After last week's Avedon/Rothrock stitch-up, there was only one thing for it. It's time to break glass for a low-budget sci-fi adventure, Battle Beyond the Stars! One of Roger Corman's most expensive movies, this came in a batch of Star Wars rip-offs in 1980 and was directed by Jimmy T. Murakami and stars Richard Thomas, Robert Vaughn, George Peppard, John Saxon, Sybil Danning, and Darlanne Fluegel. If you enjoy the show we have a Patreon, become a supporter. www.patreon.com/thevhsstrikesback Plot Summary: Shad, a young farmer, assembles a band of diverse mercenaries in outer space to defend his peaceful planet from the evil tyrant Sador and his armada of aggressors. Among the mercenaries are Space Cowboy, a spacegoing truck driver from Earth; Gelt, a wealthy but experienced assassin looking for a place to hide; and Saint-Exmin, a Valkyrie warrior looking to prove herself in battle. thevhsstrikesback@gmail.com https://linktr.ee/vhsstrikesback --- Support this podcast: https://anchor.fm/thevhsstrikesback/support

The MILF Next Door: Part 2The MILF's TutoringBy barry240646 - Listen to the Podcast at Steamy Stories.Tuesday saw me by the pool naked within minutes of Mum leaving. Julie came out naked and dived into the pool. “Only swimming today, no sex lessons. I have a lawyer coming round at 10 so I need to be showered and dressed and war-paint on by then. So we'll swim for half-an-hour, then you go home.”We swam, and then as the half-hour was up, she stood up and hugged me, kissed me and gave my cock a squeeze. “See you tomorrow.” Then she was gone into the house.After I was showered and dressed, I sat in Mum's room where I couldn't be seen behind her net curtains, and waited. Sure enough, at 10 a car pulled up and a guy in a suit with a big brief case got out and walked towards Julie's door. An hour later he left. I had to admit he did look more like a lawyer than a lover.On Wednesday, it rained. Just after Mum left, my phone buzzed.“Can't swim today, we might get wet!”“Lol”“Come to my bedroom, and be naked.”She likes men who follow instruction, so…..I stripped off in her kitchen and headed upstairs. I got to her bedroom door, and looked in. She was naked on the bed, over by the far side of it. Her bed had a brass bedframe, with two big horizontal tubes as the headboard, and a number of vertical narrower tubes, She pointed to where I should lay. I did.“Close your eyes and hold one of the upright bars in each hand.” I did, and within seconds found myself handcuffed to the bed, laying on my back. She stroked my cock gently, and amused herself watching it respond.“You young guys are great. We can do anything we want to you and you can't help yourselves from getting turned on.”By now I was hard. She straddled me just above my cock, and grabbed it from behind, held it upright, and lowered herself on to it until a couple of inches of me were inside her. She started playing with her clit and riding up and down on me as she got moister. Soon I could feel dribbles of her juices running down my erect, hard cock. And then she dropped on to me. Her pussy lips crashed down on my pubic bone, and I felt the tip of my cock deep, deep inside her, almost like I had found the end of her vaginal tunnel.“Is this your first fuck?”“Yes”“Like it?”“Oh, God, yes.”She kept riding me up and down, reaching behind her with one hand to dig her nails, her manicured longish nails, into my ball sac. Every time I was close to coming, she dug the nails in and killed off the climax. Moving me right to the edge then deflating the feeling, then bringing it back again. I was going crazy. It felt like she kept it up for hours, although in reality it was probably only 20 minutes. But it was long enough. Too long.“Please, please, let me come.”“Beg more”“Please, Julie, Please, Please.”She crashed down on me and stopped, then reached round and very gently caressed my balls. I spurted up into her several times.When I was calm again, she got off me and picked up her cell phone and took a picture of me laying there naked, cuffed to her headboard. She sent my picture to someone. With me still cuffed to the bed, she lay down with her back towards me, as if she were waiting for something. Then her bedside phone rang, and again she placed the handset between her head and the bed so I could only hear her side of the conversation. I heard her say “Oh, Yes, I did,” and then “For quite a while,” The other person obviously spoke for a while, before Julie said, “Yes, I think that would work. I'll arrange it.” She put the phone down, and uncuffed me.“So, you gave me your virginity. And you will fuck me again tomorrow, but without handcuffs. Now go, I have things to do.”I went downstairs and put on my clothes and went home. About half an hour later I heard her car leave.Thursday dawned dry and warm, and so as soon as Mum had left for work I was sitting naked by the side of the pool. Julie came out, naked, and dived in. I did the same, and we swam lengths for about 20 minutes. Then she climbed out of the pool and walked over to a lounger and pulled the long cushion off it on to the pool deck. I climbed out and followed her.She lay on the cushion and opened her legs.“Come fuck me, please,” she said, like she was asking a waitress for a glass of water.I knelt between her legs and she said “You don't just go for it and poke it in. Use your arms to lower yourself on to me where you can kiss me. Take your weight on your elbows, so as not to squeeze the life out of me. Now kiss me.”I did and as I did, I felt her sort of squirm under me, and then I felt my cock growing hard and long. and then we kind of shuffled, and I felt the tip of my cock brushing against her pubic hair. So I knew I needed to just edge down on her a bit, and sure enough, I felt my cock tip brushing her moist nether lips. She tilted her pelvis upwards slightly and sure enough, she caught the tip of my penis in her lips and I could use my elbows to move forward and - bingo - there I was entering her. Hands free and still kissing!Gradually by controlling my weight on my elbows and knees I was able to move my cock in and out of her pussy. Her legs clamped around me and her thighs gripped me like a vise so she could control just how far and how fast I moved. The forward thrusts felt marvelous as her vagina gripped me as I went deeper, and then begrudgingly released me as I moved backwards. All I could hear was Julie's voice saying “Oh God Yes, don't stop. Oh yes!” in between tongue-thrusting kisses. I remembered reading somewhere that if you thought of something else, it delayed how quickly you would come, and I started trying to do the 17 times table in my head. I got as far as 7 times 17 is 119 when I lost track. All I could think of was her manicured fingernails scratching my back and her thighs squeezing and her heels kicking my ass and thighs. And then she climaxed - loud and wet - and about 10 nanoseconds later so did I. We bounced and shuddered for a few moments, then started to come down from our orbit. It felt like we were descending back to earth after experiencing weightlessness. She flung her arms out wide and unwrapped her legs and straightened them. We locked eyes, and she gave me the most beautiful smile. She suddenly looked like a very young woman. Her face was glowing, her smile warm and loving and relaxed.“For only your second try, that was incredible,” she said and kissed me. “To get yourself into me hands free like that, and to hold out for so long so that we came together, that is the sign of an experienced lover. Are you sure I'm the only one you done this with?”I smiled back. “Yes, just you. I'm glad you approved of my……” What would be the right word?“Performance? Yes it was a very loving, and satisfying, performance. Well done.”I didn't tell her that 8 times 17 is 136.Friday, Mum announced she was not going into work. There would be no surgery that day as the doctor was going away to a conference over the weekend. She also said she was going to pop next door to Julie's for coffee. I went back up to my room. Disappointed was a totally inadequate word.Buzz.“You're Mum is going to ask you to come over tomorrow to tidy my attic.”“Okay, will do.”“The attic is already tidy.”Now that changed my state of mind immediately. When I heard Mum come in about two hours later, I went downstairs.“Before I forget,” she said, “but can you go round to Mrs. Thompson's tomorrow to help her do some tidying up in the attic?”“I suppose so.”“Good, she's expecting you around 9:30.”On the Saturday I was up and showered by 8:30. Mum stuck her head out of her room door and told me she had a migraine and I should make my own breakfast before I went. I prepared a gourmet bowl of cornflakes, with chopped strawberries and banana on top, wolfed it down, and went round to Julie's. I went through the back gate and Julie immediately opened the kitchen door. She was wearing a black lacy, see-through peignoir, and nothing else.“Come with me,” she ordered and so of course, I did. We went upstairs to her room and she told me to lay on the bed, naked, so I stripped off and laid down. She handcuffed me to the brass headboard, but this time the cuffs were different. They had a length of leather strap between two Velcro cuffs, with enough length that I could be rolled over on either my back or my tummy. Then she put a blindfold on me and asked if I could see anything. I answered “No,” because I really couldn't. Then she plugged earplugs in my ears, the cordless ones, and all I could hear was Sounds of Nature, like it was one of those relaxation tapes. If she was talking to me, I have no idea, the pods were that good.She lay down on top of me, and we kissed. Then she pulled out one of my ear pods, and asked, “Can you hear me?” and I said “Yes, now.”“You're in for a treat this morning. My girlfriend is coming round.”“Going to tell me who she is?”“No. At least, not today.”I heard the doorbell ring at the front door. Julie laughed, and said ‘Here she is.“ Then she plugged the earpiece back in.A few minutes later, I felt two people get on to the bed, one either side of me. Julie kissed me on the lips, and then another kissed me. The kiss felt different, plus this woman had much longer hair than Julie, and I could feel it on my face and shoulders as she came in for the kiss. She gave me a long kiss, and our tongues were playing with each other. She started to kiss down my body, very slowly. At the rate she was going, it was going to take quite a while to reach my cock, and that was so hard and straining it was almost painful. I could tell by the contact of her body against mine she was wearing something lacy, like a peignoir.I felt a hand grasp my cock gently and lift it upright, then the warmth of a woman's breath on it. And then, eventually, teasingly, a tongue licked the head of my cock, and then two tongues were okaying with it, one on either side. They kept that up for a while, until I needed to call out "I'm going to come!” and at that point a mouth descended down my cock almost to my pubic hair and I was completely enclosed. I could tell it wasn't Julie's mouth - I had experienced that quite a few times. The mouth stayed there and swallowed everything I produced. I had arched my back while I was coming, and when it was over I fell back on to the bed.I said, to whoever was there, “Thank you, that was wonderful.”Both women got off the bed. I wasn't certain if they were still in the room or had gone out. Several minutes seemed to pass. Then one got back on and started to play gently with my cock. After a few minutes, they got the response they were looking for. I got hard and upright again. The new woman, the girlfriend, straddled me one leg. I could tell it was not Julie. This woman was a little lighter and she felt like she didn't have any pubic hair as she rubbed her pussy on my thigh. I got really hard again, and then felt a hand grasp me. Now it was holding me. I suspected that it was Julie holding me, guiding me into the woman who was clearly lowering herself on to my cock. I could feel a hand playing with the woman's clit - her own hand or Julie's? I couldn't tell. The woman was now clearly riding me up and down and I could feel the climax building in me. I could also feel her vaginal muscles gripping me tighter, despite the moisture building in her pussy. Then she came, and juices flooded down my cock, and then I climaxed too. She collapsed on me, and I could feel the long hair land on my shoulders and some on my face, as she lay and got her breath back.After what seemed a couple of minutes she pulled herself up and off me, and I could tell I was alone on the bed. I was left there for quite a while, until Julie took off the blindfold. She was naked, and she was alone. She unplugged my ears and released my wrists.“My girlfriend really enjoyed that,” she said. “She'll be back for more another day soon.”“Will I ever know who she is?”“Probably, but not straight away. That's how she wants it. Let's go down for a coffee, but don't get dressed yet.”So I picked up my clothes and followed her downstairs. I suppose it was a mark of what had passed between Julie and I that we could sit and converse perfectly normally given a 30 year age gap and both of us stark naked! Although I must admit I was glad Mum was in bed with a migraine and not likely to walk in at any moment!.Nothing else happened after the coffee, Sunday was quiet. Mum was feeling better and decided we should go out for supper instead of her cooking. We went to a nice steak house and shared a bottle of wine with the meal. Somehow, she seemed to be treating me as a grown-up for once, and I couldn't help but wonder if my experiences with Julie had matured me in some way. I certainly felt more like an adult and less like a kid waiting to leave home in order to grow up. Anyway, whatever the reason, we had a pleasant meal.Monday, I was waiting naked by the pool when Julie came out, also naked. We swam for about half an hour, then laid on the lounger cushion and had a nice 69 until we both came. She told me she had heard from her girlfriend and that she had enjoyed our experience on Saturday. Every morning that week followed a similar pattern: swim, then either a 69 or we went full sex. I preferred what she called the Missionary position as I could see her face and kiss her. She liked the cowgirl where she could ride me.Saturday, Julie asked if I could go over to help her do some more 'tidying up' and of course I said “Yes”. Mum said that was fine as she had some paper work she had brought home from the Doctor's office to finish up, something to do with quarterly returns to the Ministry.Julie set me up the same way as before, handcuffed in the Velcro cuffs, blindfolded and ear plugged, listening to the sounds of nature. When the girlfriend arrived I could tell both of them were naked when they got on the bed. This time was different. Julie sat on my cock in her favorite cowgirl, and then I felt her girlfriend kneel by my shoulders and suddenly I could smell a pussy being lowered down towards my mouth. I felt it touch my lips, already moist, and I stuck my tongue out and licked it. As before, it was hairless. I felt both women come, the one sitting on my face came first, and I came immediately after and just before Julie.Then something strange happened. The bed started moving alongside of me, but I wasn't involved. Then the movement became a rhythm, and then someone removed the ear plugs and I could hear what was clearly the sound of two people having a 69. Julie and her girlfriend were clearly getting it on with each other. Neither spoke although there were lots of moans. Then the bed went still, and suddenly the ear plugs were reinserted. As soon as they were back in I felt both women get off the bed, and shortly after Julie released me, and we had another naked coffee downstairs. I asked if she and her girlfriend had had a 69 together and she calmly said, “Oh yes, you could tell?” And I said “I would have loved to have watched.”Julie smiled. “Soon, young man, soon.” Just then I heard the garage doors of my house open and Mum's car drove away. Julie came and knelt in front of me and gave me a deep throat like she had that first time, and then sucked me off and sent me home. At least I could relax knowing Mum was out.I went home after dressing, and was watching some cricket when Mum came back. She had returned the papers to the Doctor's office and then done some shopping to make a nice pasta supper with meatballs for us both. Later in the evening she started on the pasta, and I sat in the kitchen while she made it, and we started on the wine. Between the preparation of supper, the meal, and sitting at the table chatting, we finished two bottles, but it was over such a long period and with so much food that we weren't drunk, just very relaxed. There was still some wine left as she cleared the table, and we took it over to the couch to finish.Then something strange happened. As she put her empty glass down on the end table, she picked up her phone. Then she turned to me and said “I'm going upstairs.” She kissed me, full on the lips. It wasn't a peck, it was a kiss. No tongue, but our lips were definitely communicating. I was confused. Was my own Mum coming on to me? She broke the kiss, did something to her phone, handed it to me and said “Come upstairs when you've looked at this.” She left.I turned her phone towards me. It was showing a gallery of pictures. I looked at the first one. It was clearly Julie's bedroom, and her bed, and in the middle of the bed was my Mum, naked. I had never seen her naked - picture or for real - and my first reaction was how shapely she looked, and how happy. She looked like Julie did when we had good sex, and then it dawned on me that Mum could be Julie's girlfriend. The rest of the pics confirmed it. There were several of Mum naked, and Julie naked, and then the one of me tied to the bed that Julie had taken and sent to someone. Then pictures of Mum in a black peignoir and wearing a long black wig over her short, curly blond hair, and then of her naked sitting cowgirl on me. The last one was of her face sitting on me that morning. Not only was Mum Julie's girlfriend but she was one of my two lovers!I sat there somewhat stunned, and confused, and smiling, and horny and somehow pleased that I had pleased her so much physically. It was strange. She had clearly conspired with Julie for the pair of them to seduce me. She clearly had been in it from the beginning. Those phone calls when I was in Julie's bedroom had to have been between the two of them. My mother clearly wanted, no, wants, to be my lover and arranged it to happen. And now she wants it to be out in the open. Showing me the pictures like this and then to say “Come upstairs when you've looked at this” was clearly an invite. I stood up and stripped naked, then drank the last drop of my wine. If this is what Mum wants, I was more than willing to give her it. I went upstairs. Her bedroom door was open. The was a low light on in there. Was it candlelight?I walked to the door. In her dressing table mirror I could see her laying in a black peignoir, but otherwise naked. Naked, that is, except for a long black wig. I knelt at her feet and pulled the peignoir completely open, exposing her breasts, the smooth contour of her belly, and her completely bald pussy. I crawled my way up her kissing parts of her as my mouth advanced towards her. She went to say something and I just said “Shhh”. My face reached her face and we kissed. We wrapped arms and legs around each other and I rolled us over so she was on top, and between us we removed her peignoir. I left the wig. With the peignoir on the floor, I rolled her back on to her back and positioned myself so the tip of my cock was touching her nether lips, and them I very slowly started to enter her. Julie had done a good job of teaching me patience in love making and I estimate it took well over 5 minutes for my cock to completely bottom out in her. As I did, I remembered Julie telling me to stop calling her Mrs. Thompson if we were going to be lovers. So I looked at my Mum and I smiled. In the light of the half-dozen candles she looked gorgeous. She smiled back.“Barbara, I love you.”“I love you too, Mark.”Suddenly, a thought occurred to me. I lifted my head and asked, “Do we need to take precautions,” and she shook her head, and so I started to make love to her, as slowly as I could, as gently as I could, as lovingly as I could. We climaxed, her first. We stayed locked together, although slowly my cock withdrew itself. We rolled, still embracing, on to our sides. We just looked at each other and smiled, no need to explain anything, at least, not right now. One by one the candles went out, but we stayed embraced. Once we were in darkness we drifted off to sleep.We awoke in a spooning position, me behind Mum, Barbara, with a hand on a breast and my cock against her bum. We lay still for a while and I kissed her shoulder. As I did, a voice said “Good morning. I see a good night was had by all.” I turned to see Julie in a black peignoir sitting behind me on the bed. “I guess, Barbara, everything went to plan?” she said. Barbara turned her head and said, “Oh yes, Hannibal would have been proud!”That referenced had me wondering for a minute, then I remembered that Mum thought George Peppard had been very sexy and loved to watch reruns of “The A Team”.Cluing in, I said “So the plan came together?” and they both laughed. Julie shed the peignoir and climbed into bed behind me. we shuffled around to have me laying on my back and a sexy lady on each shoulder with one of my arms around them. “Okay” I said, “time to fill me in on the plan.”“Well,” said Julie, “It started when I saw you watch me swim that Monday morning. After I phoned you, I phoned your Mum and told I was planning to seduce you as a benefit to both me and you, Mark. She told me to go for it, and seduce you for her too. When I asked if she meant she wanted to fuck you too, she said…..”Mum cut her off. “I told her I was getting horny having a hunky guy in the house and no one to have sex with since your Dad died. He and I were good in bed, and I miss it.”'Your Mum and I have enjoyed sex together since my husband left, and occasionally your Dad joined in, so I thought up the plan to seduce you and then disguise your Mum so she could have you too. That plan worked great. You bought your Mum's invented migraine and the long wig put you on the wrong track.“Mum then said "I didn't want to go on misleading you. I wanted you to know it was me. I wasn't jealous of you and Julie, you both have my blessing there, but I wanted to be honest about who else you were making love to. I would be happy to be your lover if you want me - at least until you find someone serious.”I pulled my arm from behind Julie's shoulder and rolled over on Mum. I kissed her, full tongue and everything. I kissed her like I wanted to set a record for the longest lasting and most calorie consuming kiss in history. I could feel myself getting hard. I could feel Mum starting to writhe under me and her legs wrap around me. I slid down so my cock was clear of her hairless pussy, and reached down to place the tip of my cock in her entrance. Then I had both elbows alongside her, lifted myself up and bent my head so I could suck on her left breast. Feeling her moisture start to lubricate me, I began to push myself inside. She was moaning her pleasure, and that increased when Julie started to suck on her right breast. We both bit our breast, sucked the nipples in and teased them with our tongue. I felt Julie's hand start to caress my back and my bum. Whether it was from the love making with Mum the previous night, or the training I had been receiving from the two of them improving my personal skills, but that session was the longest I had ever taken to come while having sex.After we stopped cuddling following our climaxes, Mum got out of bed and sat at her dresser to remove the wig. She brushed her short curly hair to restore its shape after being compressed for so long. Then she lay on the bed, between Julie's legs and started to eat her. After a few seconds of doing that, she lifted her head and looked at me. “Is that what you wanted to watch?” I smiled and nodded. With that she crawled to turn herself around and she and Julie had a 69 like I had heard earlier the previous morning. I lay there, playing gently with myself, while they brought each other to a climax In both their cases, I loved seeing how their faces appeared to change after a good climax, with a sort of glow that I figured came from an internal relaxation and satisfaction. Julie suggest we get decent enough to pop next door and swim. “I've already put towels out in the kitchen,” she said. So the ladies put on their peignoirs and I put on my bath robe. Out of the gate to the pathway between our houses to Julie's gate was only about 8 feet, and with me peering out to check all clear, we made it without being seen.It was fun to swim around naked with these ladies. I began to realize exactly how attractive my Mum is. Her figure was usually obscured by looser fitting blouses and sweaters and loose pants and typically she would have minimal make-up at work. But seeing her curves when naked, and watching her cavort around in the pool as lithe and fit as she is, made me realize that she was definitely a MILF. Only it was not a case of an 'I'd Like To' Milf as an “I am” situation. And Julie, my mentor, as an added bonus. I could tell this was going to be a great summer.I could join Julie any morning I wanted, and we frequently had sex, although not always. And each night, I kissed my Mum good night and went to sleep spooning up to her and holding a breast. And sometimes, at weekends, we slept as a threesome, often in Julie's bed because that was better for a little BDSM with its brass headboard.And that's how the summer went. A wonderful summer of me growing in confidence. Looking into the curriculum for my first year university made me realize just how much the third year in the sixth form had prepared me. Getting my text books for the year and looking through them made me realize how little I had actually forgotten in my two years working, but also how much I had learned from being in a working environment about people and how to work alongside them. The end result was I was really looking forward to starting at university. It was only about 60 miles from home, so weekends home would not be a problem. And weekends at home would be fun when they occurred.And so eventually I left for Uni. My two lovers hugged and kissed me good bye and told me to work hard, and if I found a girlfriend to treat her with respect. And also, that if I found a girlfriend, I should bring her home. That seemed to open up some interesting possibilities, but first things first. Get there and find my way around.After a wonderfully educational summer of sex with my neighbor and my mother, who turned out to be my neighbor's girlfriend, I set off for university. I had definitely matured under the sexual tutelage of the two mature ladies, even if one was my mother, including developing an appreciation for all-lady sex and the pleasures it gave those participatingTo be continued…By barry240646 for Literotica

A New York icon of style and sophistication is back and wanted to talk about Breakfast at Tiffany's (1961). There is no denying the significant impact the movie had on young Polina. Diana comes with some lyrics of that song. A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way. Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam, Mickey Rooney, José Luis de Vilallonga, and Orangey. Directed by Blake Edwards, screenplay by George Axelrod, and based on a novella by Truman Capote. (from IMDb.com) Find other amazing podcasts by searching #ladypodsquad on Twitter, Instagram, Facebook, and all the social media platforms. Follow us on Twitter and Instagram @HEAMCast, like us on Facebook @HappilyEverAftermath, and e-mail us at contact@heamcast.com.

We're ending our classic classics month with one of the most blasé and glamorous movies to grace the silver screen...the iconic Breakfast at Tiffany's. This movie is very personal for us, so join us as we discuss the influence on fashion and pop culture, the differences between the film and the novella, and some of the scenes that require a more critical discussion in the twenty-first century. Starring Audrey Hepburn and George Peppard. Cheers! This week we made a gin and tonic with our Mixy Cocktail kit! If you are interested, head over to https://drinkmixy.com/ and use code HHH10 for a 10% discount on your order!

une longue robe noire, un chignon relevé, un long porte-cigarette, une taille de brindille et le regard pétillant, vous aurez tout de suite en tête la silhouette longiligne dʹAudrey Hepburn dans Diamants sur canapé, Breakfast at Tiffanyʹs, une des silhouettes les plus célèbres du cinéma créée par le couturier français Hubert de Givenchy. Elle se trouve dans le film de Blake Edwards sorti en 1961, adapté dʹune nouvelle de Truman Capote. Dans Diamants sur Canapé (Breakfast at Tiffanyʹs), on trouve évidemment Audrey Hepburn, splendide et mutine, mais aussi George Peppard, Mickey Rooney, Patricia Neal, et un chat, cabotin comme pas deux. Lʹhistoire est celle dʹune coureuse de millionnaires et dʹun écrivain gigolo qui vont, après bien des péripéties, tomber amoureux. Cette histoire nous allons vous la raconter évidemment. Car sous le vernis et la comédie se cache une vraie désespérance. Cʹest normal, cʹest du Blake Edwards et rien nʹest rose pour lui, à part peut-être sa panthère quʹil tournera juste après. Le film, par son propos, par sa comédienne principale, par sa musique, et par son iconographie entre dans la légende du cinéma et lance lʹère des femmes libérées. POUR LE NET La bande-annonce Audrey Hepburn du côté de chez Fred Moon River chanté par Audrey Hepburn WASSON Sam, 5e Avenue, % heures du matin, Sonatine, 2012

This week on INS, Indonesian crocodile has tire removed from its neck, San Francisco man cooks pancakes to try to make friends, Ohio mayor warns ice shanties will lead to prostitution, and the guys realize this is a lizard planet!   Hosts: Kevin Harrison, Mike Wiebe, Brian Camp Producer & Music: Mark Ryan Announcer: Nancy Walker Graphic Designer: Mike Tidwell

Battle Beyond the Stars Battle Beyond the Stars is a 1980 American space opera film produced by Roger Corman, directed by Jimmy T. Murakami, and starring Richard Thomas, Robert Vaughn, George Peppard, John Saxon, Sybil Danning and Darlanne Fluegel. Intended as a futuristic "Magnificent Seven in outer space", the screenplay was written by John Sayles with the score by James Horner and special effects designed by future filmmaker James Cameron. In this episode we discuss the history of space opera technology and film style with reference to Star Wars, the narrative structure and writing style. With an appearance in Battle Beyond the Stars of a “sonic tank”, we dive into the very real weapon with the same effect and technology as shown in the movie. To Hear the Episode: https://gravityundone.net/episode-74-battle-beyond-the-stars/ For all other Space Brains Episodes: https://gravityundone.net/space-brains/ https://spacebrains.com.au/ Contact us: Space Brains Podcast (@spacebrainspodcast) Space Brains Podcast - Home spacebrains@spacebrains.com.au Space Brains is recorded in Mandurah, Western Australia. Visit: https://gravityundone.net/ https://www.markregan.com.au/  https://spacebrains.com.au/

Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."Hang onto your slipcases because Alexei Toliopoulos (Finding Drago, Total Reboot) and Blake Howard (One Heat Minute) team up to unbox, unpack and unveil upcoming releases from Australia's brand new boutique Blu-Ray label Imprint Films. The first episode for the December batch features in-depth reviews of Lady in a Cage, House of Cards and Ida Lupino's Outrage. Lady In A CageWHAT HAPPENS IN THIS ELEVATOR IS NOT FOR THE WEAK – IT IS, PERHAPS, NOT EVEN FOR THE STRONG!Alone in her residence over a sweltering holiday weekend, a widow (de Havilland) is accidentally trapped in her home elevator during a power failure. Her meticulous, well-organized world is shattered as the elevator, stalled nine feet above the floor, becomes a claustrophobic torture chamber – a cage.Two-time Academy Award winner Olivia de Havilland stars in a suspenseful shocker that also features future Oscar nominee James Caan in his first major film role.Special Features and Technical Specs:1080p high-definition presentationNEW Audio commentary by film critics Kim Newman and Barry Forshaw (2021)NEW Audio commentary by film critic Kat Ellinger (2021)A Reprehensible Film – video essay by Chris O'Neill (2021)Theatrical TrailerAspect Ratio 1.78:1English DTS-HD 5.1 Surround / LPCM 2.0 MonoOptional English subtitlesLimited Edition slipcase on the first 2000 copies with unique artworkHouse Of CardsTHE BLOOD-HOT DIARY OF THE PEOPLE WHO FIGHT THE WAR OF INTRIGUE ACROSS THE FACE OF THE GLOBE!In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order.Directed by John Guillermin, starring George Peppard, Inger Stevens, and Orson Welles.Rarely seen since its original theatrical run, it marked the second time that Peppard and Guillermin worked together (they had previously collaborated on the 1966 film The Blue Max).“A Hitchcockian thriller.” – VarietySpecial Features and Technical Specs:1080p high-definition presentationNEW Audio commentary by film historian Scott Harrison (2021)Theatrical TrailerIsolated music & effects audio trackPhoto GalleryOriginal Aspect Ratio 2.35:1Audio English LPCM 2.0 MonoOptional English subtitlesLimited Edition slipcase on the first 2000 copies with unique artworkOutrageA young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.Directed by Ida Lupino, this controversial and remarkable film was one of the first post-Code Hollywood films dealing with the subject of rape.In 2020, the film was selected for preservation in the National Film Registry by the Library of Congress as being “culturally historically or aesthetically significant”.“A subdued behavioural study that captures the banality of evil in an ordinary small town” – Martin ScorseseSpecial Features and Technical Specs:NEW 2K scan from the original negative by Paramount PicturesNEW Audio commentary by film critic Alexandra Heller-Nicholas (2021)Original Aspect Ratio 1.37:1Audio English LPCM 2.0 MonoOptional English subtitlesBlake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & Total RebootVisit imprintfilms.com.au Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."Hang onto your slipcases because Alexei Toliopoulos (Finding Drago, Total Reboot) and Blake Howard (One Heat Minute) team up to unbox, unpack and unveil upcoming releases from Australia's brand new boutique Blu-Ray label Imprint Films. The first episode for the December batch features in-depth reviews of Lady in a Cage, House of Cards and Ida Lupino's Outrage. Lady In A CageWHAT HAPPENS IN THIS ELEVATOR IS NOT FOR THE WEAK – IT IS, PERHAPS, NOT EVEN FOR THE STRONG!Alone in her residence over a sweltering holiday weekend, a widow (de Havilland) is accidentally trapped in her home elevator during a power failure. Her meticulous, well-organized world is shattered as the elevator, stalled nine feet above the floor, becomes a claustrophobic torture chamber – a cage.Two-time Academy Award winner Olivia de Havilland stars in a suspenseful shocker that also features future Oscar nominee James Caan in his first major film role.Special Features and Technical Specs:1080p high-definition presentationNEW Audio commentary by film critics Kim Newman and Barry Forshaw (2021)NEW Audio commentary by film critic Kat Ellinger (2021)A Reprehensible Film – video essay by Chris O'Neill (2021)Theatrical TrailerAspect Ratio 1.78:1English DTS-HD 5.1 Surround / LPCM 2.0 MonoOptional English subtitlesLimited Edition slipcase on the first 2000 copies with unique artworkHouse Of CardsTHE BLOOD-HOT DIARY OF THE PEOPLE WHO FIGHT THE WAR OF INTRIGUE ACROSS THE FACE OF THE GLOBE!In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order.Directed by John Guillermin, starring George Peppard, Inger Stevens, and Orson Welles.Rarely seen since its original theatrical run, it marked the second time that Peppard and Guillermin worked together (they had previously collaborated on the 1966 film The Blue Max).“A Hitchcockian thriller.” – VarietySpecial Features and Technical Specs:1080p high-definition presentationNEW Audio commentary by film historian Scott Harrison (2021)Theatrical TrailerIsolated music & effects audio trackPhoto GalleryOriginal Aspect Ratio 2.35:1Audio English LPCM 2.0 MonoOptional English subtitlesLimited Edition slipcase on the first 2000 copies with unique artworkOutrageA young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.Directed by Ida Lupino, this controversial and remarkable film was one of the first post-Code Hollywood films dealing with the subject of rape.In 2020, the film was selected for preservation in the National Film Registry by the Library of Congress as being “culturally historically or aesthetically significant”.“A subdued behavioural study that captures the banality of evil in an ordinary small town” – Martin ScorseseSpecial Features and Technical Specs:NEW 2K scan from the original negative by Paramount PicturesNEW Audio commentary by film critic Alexandra Heller-Nicholas (2021)Original Aspect Ratio 1.37:1Audio English LPCM 2.0 MonoOptional English subtitlesBlake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & Total RebootVisit imprintfilms.com.au Support this podcast at — https://redcircle.com/imprint-companion/donations

If you are a Patron of the show, you will notice that this is our second film starring George Peppard and THIRD film scored by Jerry Goldsmith in a row! Is this just a coincidence, or some weird thing Liam has been doing with our film selection? Who knows! This week's episode brings us a very famous WWI aviation film from director John Guillermin. It has been simultaneously lauded as one of the most accurate depictions of combat flight in that era, and maligned by the author of the book the film is based on for its inaccuracy. Does it hold up? It's up to us to discuss, and for you listeners to decide. This was a highly requested episode, so we are looking forward to hearing what you all think! Next Episode: Gettysburg (1993) Feel free to contact us with any questions or comments! Our website: www.dangerclosepod.com Or join our Facebook group at: Danger Close - Podcast Discussion Group (https://www.facebook.com/groups/1442264899493646/) If you like the show, please leave us a review on Apple Podcasts or Spotify If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, go to our Patreon page at: www.dangerclosepod.com/support warmovies #warfilms #war #film #films #movies #history #cinema #WWI #worldwarone

Jan Michael Vincent and George Peppard struggle to survive in a post-apocalyptic landscape plagued by giant scorpions, massive storms, and a skyline of odd and shifting colors. Sounds like a normal day in modern Los Angeles. Also featuring the talents of Paul Winfield, Dominique Sanda, and Jackie Earle Haley. Directed by Jack Smight (Harper).

I've discovered that podcasting is a great way to make new friends. We begin miles apart (even thousands!) and very quickly find ourselves having the kind of intimate conversations that grow with close friendship. Sarah is no exception. We've been friends for a long time, though we've never met. When we first started our conversations, Sarah was the Chief Happiness Officer at a corporation. I'm not making this up! She and I have both traveled a long road with lots of lumps and bumps, and we've both decided that happiness is not an idea, it's like breathing – necessary and often not given thought. So join us for a no-holds-barred, rapid-paced journey exploring Spaces for Happiness: The Power of EnoughTo find Sarah: happinessiscourage.com,  linkedin.com/in/skratekin1Oh, it was not Dick van Dyke and Suzanne Pleschette, but George Peppard and Mary Tyler Moore. Mea culpa.