Podcasts about ornette

On this episode of the podcast, host Dr Pasquale Iannone is joined by Dr Karen Pearlman. Karen is Associate Professor at MacQuarie University in Sydney and an internationally-renowned scholar of creative practice, distributed cognition and feminist film histories. Her many projects as editor and/or director include, most recently, her short film Breaking Plates (2024) which has screened at various festivals this year, including Cinema Ritrovato in Bologna. Film historian Pamela Hutchinson has written of Breaking Plates that ‘it's rare to see such joyful feminist revolution on screen, or such deep, loving engagement with silent film style. […]' Karen's books include the groundbreaking 2009 textbook Cutting Rhythms: Intuitive Film Editing, which went into its third edition this year.Pasquale spoke to Karen down the line from Sydney to discuss her other big release of 2025, a monograph on the American independent filmmaker Shirley Clarke. Like Karen, Clarke was a dancer, editor and filmmaker. She was active between the early 1950s and mid-80s, making several influential shorts as well as four daring, often controversial features on the African-American experience including The Connection (1961), The Cool World (1963), Portrait of Jason (1967) and Ornette in America (1985). Karen tells Pasquale about her approach to Clarke's work and how it challenges and critiques traditional notions of film authorship. Clarke's work is placed in context, and the discussion also explores Clarke's links to her filmmaking contemporaries Jonas Mekas and Maya Deren.Karen and Pasquale then discuss some of Clarke's features, including a title which is now acknowledged as a landmark of LGBTQ+ cinema and which was once described by legendary Swedish auteur Ingmar Bergman as ‘the most extraordinary film I've seen in my life.'Shirley Clarke (2025) by Karen Pearlman is published by Edinburgh University Press and is part of the series Visionaries: The Work of Women Filmmakers (Series editors Lucy Bolton and Richard Rushton).

Ornette Coleman, one of our brightest lights, died in June of 2015.  Here is a Deep Focus from August of that year, with Eric Person as my guest, remembering Ornette.  This show features a beautiful live recording from 1978.  Officially, his band is listed as the Ornette Coleman Sextet, but his fans know them as Prime Time.

Ornette Coleman, one of our brightest lights, died in June of 2015.  Here is a Deep Focus from August of that year, with Eric Person as my guest, remembering Ornette.  This show features a beautiful live recording from 1978.  Officially, his band is listed as the Ornette Coleman Sextet, but his fans know them as Prime Time.

Ornette Coleman, one of our brightest lights, died in June of 2015.  Here is a Deep Focus from August of that year with Eric Person as my guest, remembering Ornette.  This show features a beautiful live recording from 1978.  Officially, his band is listed as the Ornette Coleman Sextet, but his fans know them as Prime Time.

Kiedy pojawia się u niego twórcza wena i jak powstają piosenki Ornette'a?

Co skłoniło Ornette'a do wydania płyty winylowej swego ostatniego albumu?

durée : 00:59:29 - Laisser aller - par : Nathalie Piolé - ❣️ Ce soir, on se laisser aller... à aimer !

URI CAINE “LIVE AT THE VILLAGE VANGUARD” New York, May 23-25, 2003Nefertiti, I thought about youUri Caine (p) Drew Gress (b) Ben Perowsky (d) FRANCISCO MELA “ANCESTROS” New York, September 14, 2017Duende, Ornette, AncestrosHery Paz (b-cl,saxes) Kris Davis (p) Gerald Cannon (b) Francisco Mela (d) URBIE GREEN: “BLUES & OTHER” – “SHADES OF GREEN” New York, October 12, 1955 Reminiscent blues, Thou swell, You are too beautiful, Am I blue ? Continue reading Puro Jazz 24 de febrero, 2025 at PuroJazz.

URI CAINE “LIVE AT THE VILLAGE VANGUARD” New York, May 23-25, 2003Nefertiti, I thought about youUri Caine (p) Drew Gress (b) Ben Perowsky (d) FRANCISCO MELA “ANCESTROS” New York, September 14, 2017Duende, Ornette, AncestrosHery Paz (b-cl,saxes) Kris Davis (p) Gerald Cannon (b) Francisco Mela (d) URBIE GREEN: “BLUES & OTHER” – “SHADES OF GREEN” New York, October 12, 1955 Reminiscent blues, Thou swell, You are too beautiful, Am I blue ? Continue reading Puro Jazz 24 de febrero, 2025 at PuroJazz.

Segunda y última parte del monográfico dedicado al gran Ornette Coleman, uno de los puntales del free jazz. En esta ocasión retomamos el programa tras la temporal retirada de Ornette de la vida pública, en 1962, algo cansado por trato recibido por managers y promotores, así como por la incomprensión hacia su música Tras su retorno un par de años después, analizamos discos tan interesantes como el "Chappaqua Suite" (1965), compuesto para una banda sonora que finalmente no fue o la incorporación a su banda como batería de su hijo Denardo, con solo diez años de edad, en el disco "The Empty Foxole" (1966). También descubriremos la participación en sus discos de otros saxofonistas tan míticos como Dewey Redman o Pharoah Sanders o sus experimentos con la música clásica y las orquestas sinfónicas en obras como "Skies of America" (1972). Llegamos también a sus primeras incursiones en el jazz eléctrico, con discos como "Science Fiction" (1971), que desembocaron en una electrificación más intensa tras la creación del grupo Prime Time, en discos como "Dancing in your head" (1977), "Body Meta"(1978) o "Of human feelings..." (1979). Acabamos con otro de sus grandes discos, ya metidos en la década de los 80, "In all languages" (1987) donde alterna su cuarteto clásico con su banda eléctrica. En definitiva, hemos dado un paseo por las etapas más rompedoras de este genio del jazz, que espero animen a los oyentes a rescatar su discografía posterior, también bastante interesante.

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Dedicamos un monográfico a uno de los fundadores del sub estilo más controvertido del jazz, el free. Ornette Coleman, el genial saxofonista de Texas fue uno de los revolucionarios que liberó al jazz de muchas de las ataduras heredadas de la música 'de los blancos'. El blues más visceral, la preeminencia del ritmo (herencia de sus antepasados africanos) y la casi constante improvisación, en ocasiones colectiva, son algunos de los principales signos de distinción del free jazz. Lo mejor para introducirse en una música tan compleja como fascinante es acompañar a Ornette Coleman desde sus inicios. En esta primera parte haremos eso, comenzando por su primer disco 'Something Else!' donde aún se encuentran muchos ecos del be bop, y caminando con él en sus descubrimientos musicales, junto a luminarias del jazz como Charlie Haden, Billy Higgings o Don Cherry. Escucharemos temas de su etapa en el sello Contemporary, así como sus trabajos en Atlantic, como 'The shape of jazz to come' (1959), 'Change of the century' (1959), 'This is our music' (1961) o 'Free Jazz' (1961). Finalizaremos el capítulo con su 'Live at Town Hall' (1962), momento en el que Ornette decidió retirarse temporalmente de la música.

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durée : 00:59:55 - invité : Pierrick Pédron "The Shape of Jazz to Come (Something Else)" - par : Nicolas Pommaret - Parution chez Continuo Jazz/Believe de “The Shape of Jazz to Come (Something Else)” du saxophoniste et compositeur Pierrick Pédron.

durée : 01:02:39 - Club Jazzafip - Après la sortie de son hommage à Ornette Coleman sur l'album "The Shape Of Jazz To Come (Something Else)", le saxophoniste français prend les rênes du Club Jazzafip avec ses coups de coeur.

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #OrnetteColeman #MilesDavis

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #OrnetteColeman 

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

durée : 00:59:13 - Banzzaï du jeudi 19 septembre 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Jackie McLean (May 17, 1931 - March 31, 2006) was one of the many jazz musicians to be deeply influenced in the generation coming up under the influence of Charlie Parker. He always had his own unique sound and approach though, recording with Miles Davis, Art Blakey, Charles Mingus and other leaders before leading his own groups, notably on Blue Note Records, for whom he recorded twenty-three sides. He was one of the early supporters of Ornette Coleman's innovations, recording with Ornette on his New and Old Gospel LP. He was a revered teacher as well, turning out many students during his long tenure as a professor at Hart School of Music who have gone on to their own careers.

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Matthew Herbert, Sasse & Mitte Housing Authority, Peter Vogelaar, Phoenix, Ornette, Ish D, Rose Rose, e mais.A Revolta do Vinyl, desde 2009.

The Beatles [00:29] "Lucy in the Sky with Diamonds" Sgt. Pepper's Lonely Hearts Club Band Apple Records SMAS-2563 1967 (1971 Los Angeles gatefold pressing) Enjoy the stereo separation! Billy Preston [03:58] "Get Back" Sgt. Pepper's Lonely Hearts Club Band RSO RS-2-4100 1978 So yeah. A soundtrack to a movie that is very much of it's time. Not only tdo we have The Bee Gees and Peter Framption as the titular band, we have Earth Wind & Fire doing "Got to Get You into My Life", George Burns doing "Fixing a Hole", Alice Cooper doing "Because", Aerosmith handling "Come Together", and my second favorite track: Steve Martin doing a wild and crazy version of "Maxwell's Silver Hammer" (https://youtu.be/F__uGshlbOo?si=qn4U4_ZIGttfns5E). This version of Get Back by the one and only Billy Preston still seals the deal for me. If you are inclined to check out this film, I can only say that it is very much of its time (https://youtu.be/oioCI1p6Y30?si=34PQo_XspuXmnRPc). Lord only knows how much white powder was used in the production. Love and Rockets [07:01] "Haunted when the Minutes Drag" Seventh Dream of Teenage Heaven Beggars Banquet BEGA66 1985 The debut outing from 3/4 of Bauhaus. Daniel Ash, David J, and Kevin Haskins do an excellent job of building an atmospheric experience to transition away from the darkness of their previous efforts. The Moody Blues [16:29] "You and Me" Seventh Soujourn Threshold THS 7 1972 Maybe it's me, but it seems like the intro could have been 8 bars or so shorter. True story: the first pair of concert tickets that I ever won from listening to the radio was for The Moody Blues on their Long Distance Voyager tour. For some reason my parents didn't think it would be appropriate for a 13 year old to go, so I got to keep the record (long since lost) and gave my tickets to the high school kids across the street. The Cars [20:46] "Since You're Gone" Shake It Up Elektra 5E-567 1981 Classic side one, track one. Dig the Frippian guitar solo. Ornette Coleman [24:18] "Focus on Sanity" The Shape of Jazz to Come Atlantic SD 1317 1959 (2010 Rhino reissue) You and me both, Ornette. The classic quartet rounded out by legends Charlie Haden on bass, Don Cherry on cornet, and Billy Higgins on drums. Hypnodrone Ensemble [32:36] "Eucldian/Dodecahedral" The Shape of Space Calostro Records CR01 2015 Hypnotic? Check. Drone? Check? Motorik? Check? Spaceous? Check? Nailed it. Shaun Cassidy [45:33] "That's Rock 'n' Roll" Shaun Cassidy Warner Bros Records/Curb Records BS 3067 1977 Originally a minor hit for Eric Carmen in Europe, teen idol and Hardy Boy Shaun Cassidy took this dopey number to the top of the US charts. Beastie Boys [48:19] "Slow and Low" She's on It Def Jam/Columbia 44-05292 1985 Flip side to the not-quite ready for primetime "She's on It". Fun fact: I lived in the New York Metropolitan area for twenty years and never understood the appeal of White Castle. Chelsea Wolfe [52:02] "Unseen World" She Reaches Out to She Reaches Out to She Loma Vista LVR03941 2024 It's not often that I get to play a new release on Vinyl-O-Matic, but Chelsea Wolfe's excellent new album arrived at a synchronous moment. Music behind the DJ: "Professor Fate" by Henry Mancini

Derek and Stacey answer fan questions and recap this episode's highlights, including a violent scuffle between Kinnard and Ornette. Plus, Billy pooped in Coach's mailbox?! Learn more about your ad choices. Visit megaphone.fm/adchoices

Orange juice with Ornette

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  You always think you have more time. That's what I thought when I hit a snag in scheduling an interview with David Ornette Cherry. I was shocked to learn he died on November 20th 2022 in London from … Read the rest The post David Ornette Cherry- Remembrance appeared first on Stage&Studio.

  You always think you have more time. That's what I thought when I hit a snag in scheduling an interview with David Ornette Cherry. I was shocked to learn he died on November 20th 2022 in London from … Read the rest The post David Ornette Cherry- Remembrance appeared first on Stage&Studio.

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Coleman, Ornette. “Lonely Woman.” The Shape of Jazz To Come. Atlantic Records, 1959. CD. LP. Zero Boys. “Civilization's Dying.” Vicious Circle. Nimrod Records, 1982. Vinyl. LP. Wonder Stuff, The. “Will the Circle be Unbroken.” Welcome to the Cheap Seats. Polydor Records. 1992. 2CD. EP. Circle Jerks. “World Up My Ass.” Group Sex. Porterhouse Records, 1980/2000. Vinyl. LP. Pearl Jam. “Spin the Black Circle.” Vitalogy. Epic Records, 1994. CD. LP. Dag Nasty. “Circles.” Can I Say? Dischord Records, 1986. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

In the wake of the recent publication of "New Standards", the collection of 101 compositions by women composers curated by Terri Lyne Carrington for Berklee Press, this week we feature some of the compositions featured in the new book, and a few more that we hope may appear in a future expanded edition. The playlist features Jaimie Branch [pictured]; Jenny Scheinman; Dinosaur; Bria Skonberg; Rita Marcotulli; Miho Hazama; Simone Baron & Arco Belo; Caroline Davis; Arcoiris Sandoval; Marilyn Crispell; Sylvie Courvoisier, and Mark Feldman. The detailed playlist is available at https://spinitron.com/RFB/pl/16445708/Mondo-Jazz (up to "Éclats for Ornette"). Happy listening!

Nel 1959 sul palco del Five Spot di Manhattan, uno storico locale di jazz nell'East Village, salì un tipo magro con un completo che gli stava un po' largo, imbracciando un sax di plastica da due soldi. Si chiamava Ornette Coleman.Con il suo quartetto, Coleman fece sentire al pubblico del Five Spot una musica nuova, che mandava all'aria gran parte delle regole del jazz conosciuto fino a quel momento. Negli anni successivi sarebbe diventato il protagonista di una delle più importanti innovazioni artistiche della seconda metà del Novecento: il free jazz.Testo e voce: Giulia MiniatiProgetto e montaggio a cura di Claudia MartoreTecnico di registrazione: Mattia MontiProduzione: Fondazione TRGAUDIO CREDITS:Free music for non-commercial use from Fesliyan Studios

durée : 00:54:55 - Côté club - par : Laurent Goumarre - Côté Club, le rendez-vous de toute la scène française et plus si affinités. Une heure pour faire le tour de l'actualité musicale et plus encore. Quand la musique rencontre les arts, du cinéma à la BD, du théâtre à la littérature. Bienvenue au Club !

durée : 00:54:55 - Côté club - par : Laurent Goumarre - Côté Club, le rendez-vous de toute la scène française et plus si affinités. Une heure pour faire le tour de l'actualité musicale et plus encore. Quand la musique rencontre les arts, du cinéma à la BD, du théâtre à la littérature. Bienvenue au Club !

durée : 00:05:48 - La chronique de Mélanie Bauer - par : Melanie BAUER - Le disque est sorti à Noël mais il semble qu'il se soit perdu dans les rayons des disquaires tant notre hiver fût anxiogène, il est donc simple justice de le célébrer de nouveau en ce premier jour du printemps : le nouvel album d'Ornette.

Free Jazz pionier en een van de meest invloedrijke saxofonisten aller tijden Ornette Coleman (1930-2015) zou deze week 92 jaar geworden zijn. Reden genoeg voor Benjamin om een spoedcursus Ornette in te blazen met plastic trompetten, schreeuwende Yoko en hardcore miniatuurtjes. Een show voor de liefhebbers...

Laisvasis džiazas – tai muzika, atspindinti daugelio dabarties emocijas. Įniršį, sumišimą, neviltį. Laisvasis džiazas – tai muzikinė emocinė abstrakcija be patogaus ir ramaus harmoninio pagrindo. Kovo 9 dieną prieš 92 metus gimė šios krypties pradininkas saksofonininkas Ornette‘as Colemanas. Laisvasis džiazas ir muzikinėse leidybinėse naujienose tarp smuikininkų, orkestrų, pianistų ir jaunų lietuvių kompozitorių.Ved. Domantas Razauskas

Subscribe on Spotify ∙ Stitcher ∙ Apple ∙ Pocket Casts ∙ Google ∙ TuneIn ∙ RSS A slow afternoon in the Interzone… We talked about A LOT of music on this episode…all of it is worth further investigation, but if you just need a place to start, here's a playlist.Ornette Coleman talks about sound as language.The Other's Language: Jacques Derrida interviews Ornette Coleman, 23 June 1997. In this fascinating conversation, Ornette Coleman asked Jacques Derrida “Do you ever ask yourself if the language that you speak now interferes with your actual thoughts? Can a language of origin influence your thoughts?”Just by the way, does Derrida here explain why the French can't do jazz?Revisiting the Master Musicians, a very interesting article on the blog On An Overgrown Path.Ornette Coleman and the Circle With a Hole in the Middle, by Robert Palmer, in The Atlantic 1972.Tom mentioned this 2xLP recorded in 1971 in the ep, finally got a copy and made a digital transfer available here…Beginnings…Howard Shore gets his first break…The first stirrings of Free Jazz?Does this explain anything?Brion Gysin's Dream Machine with the Master Musicians of JajoukaInterestingly, just as we were about to drop the episode, this happened...Brion Gysin doing scary Be-Bop with Steve Lacy. Everything is connected.In 2010 Ornette was a surprise guest at Sonny Rollins 80th birthday party concert in Now York, heard here in a 20-minute long workout of Rollin's Sonnymoon For Two.Ornette jams with The Greatful Dead in 1993 (The Internet Archive)…How this all started…This sparked off a search for alternatives..This is Buchla 200e synthesizer…Morton Subotnick made Silver Apples of the Moon in 1967 using the older Buchla 100 instrument. Sam Shepard made Promises in 2021 using Pharoah Sanders, the strings of the London Symphony Orchestra, a Piano, a Harpsichord, a Celesta, a Fender Rhodes, a Hammond B3, an Oberheim 4 voice, an Oberheim OB-Xa, a Solina String Ensemble, a Therevox ET-4.3, an EMS Synthi, an ARP 2600, and a Buchla 200e, ffs.This was one…Frank Zappa reads the man who taught his a*****e to talk, the very same that Bill Lee recites in the movie.Just for the Hell of it (!) here's Burroughs narrating a Swedish Movie with a great Jazz Soundtrack about witchcraft.The fascination for a particular author's typewriter is explored futher in this extremely imaginative and well crafted Hörspiel from the WDR...and here's a typewriter that could have kicked the s**t out of all the othersTom's specific Naked Lunch special interestSubscribe to Gas GiantsRSS https://api.substack.com/feed/podcast/311033.rss22 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

durée : 00:59:28 - Fête des voisins - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Ep 42: Whiteness and schools - Do our schools teach whiteness? What exactly should be taught in "Black History Month"? And does our educational system have a white supremacy problem...? To discuss this and more is a man who bridges the academic and activist world. Dr Ornette D. Clennon is a Professor at the Federal University of Amazon (UFAM) whose research focuses on themes of decolonial community and liberation psychology. His most recent book explores the 'invisible' impact whiteness has on the lived 'black' experience in the UK. He joins me to unpack how whiteness is being taught to our kids.

Want to discover more awesome tunes? Already 142 episodes to date presenting 1597 different tracks and counting…Just subscribe to get your weekly fix of fine selected electronic music. New show every Thursday Don't forget to share the good vibes by smashing that like button! Tracklist (Time – Title – Artist – Label): 00:00 – Psyche – Massive Attack – Virgin 03:31 – Grow – Art of Tones – Local Talk 09:10 – Sur le sable – Ornette feat. Mike Ladd...Lire la suite Lire la suite

Master drummer and soundscape artist talks about playing with Ornette.

Od ponad 20 lat gra i śpiewa wspierając czołówkę polskich muzyków rockowych, popowych i jazzowych. Przez wiele lat grał w grupie Oddział Zamknięty. Ten rozdział już jednak jest dla niego zamknięty. Obecnie związany z Ostrowcem Świętokrzyskim gitarzysta i wokalista oprócz kariery muzycznej planuje rozwijać inne swoje artystyczne pasje. Co lubi Ornette?

When Cecil Taylor, icon of the jazz avant garde asks if you'd like to tag along with him to The Garden to hear an iconic American rock band you say, "Yes!" Grateful Dead aficionado and Sirius/XM DJ Gary Lambert was with us that night (he invited Ornette Coleman), and Gary helps me tell the whole story, on this episode of The ProgCast GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0...​ APPLE PODCASTS: https://podcasts.apple.com/us/podcast...​ www.greggbendian.com https://open.spotify.com/artist/0HBmV2y5G7dXc0xDuY9EAt?si=6m8XTjwoSpy1G-nuJqiTqwwww.bottomlinearchive.com https://guides.library.yale.edu/oham/collectionsguidewww.mahavishnuproject.com https://www.wpunj.edu/coac/departments/music/faculty/faculty-pop.html

Violinist/composer Tom Chiu leads the Flux Quartet, a cutting edge quartet from NYC who've taken on the massive 6-hour, "String Qt No.2 by Morton Feldman. Tom has collaborated with Oliver Lake, Muhal Richard Abrams, and Henry Threadgill. Tom and I worked with Ornette Coleman in Ornette's Harmelodic Chamber Players. We chat about that wild project, Tom's composition, "RETROCON," and more.

Plot: A website makes an embarrassing revelation about the Lions players; Vince gets caught between Coach and Ornette; Billy mentors Luke. Email: freakinggeeksmedia@gmail.com Twitter: @freakgeeksmedia Facebook: www.facebook.com/freakinggeeksmedia All images and audio clips are copyright of their respective copyright owners. No infringement is intended.

This unique trio was together for a few years and represents an important period in Ornette Coleman's musical life. It is pure unadulterated Ornette! He plays his alto saxophone here on a series of compositions recorded at Sweden's "Golden Circle" club. Coleman is accompanied by the virtuoso bassist David Izenzon who came to Coleman from a classical background. Drummer Charles Moffett went to high school with Ornette when they were both teens in Fort Worth,Texas. These recordings stand as some of Mr. Coleman's most accessible music but they are not "Ornette lite"...they are as always, challenging but entirely worth it! Happy 85th Birthday to Maestro Ornette Coleman!