Podcast appearances and mentions of rudolph mat

Thanks to a listener's suggestion, Michael and Pax watch Glenn Ford, Barbara Stanwyck, Edward G Robinson, and Brian Keith in Rudolph Maté's The Violent Men. The movie also features Dianne Foster and Richard Jaeckel. It begins with a couple of classic Western tropes, but takes them in surprising and dark directions.

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖3️⃣1️⃣ | GILDA Dirigida por Charles Vidor, el cineasta húngaro que encontró en esta película su obra clave, cuenta la historia Johnny Farrell, un aventurero que vive de hacer trampas en el juego, recala en Buenos Aires. Allí lo saca de un apuro Ballin Mundson, el propietario de un lujoso casino, que acaba haciendo de él su hombre de confianza. Un día, Mundson le presenta a su esposa Gilda. Su sorpresa no tiene límites: fue ella precisamente quien lo convirtió en lo que es: un ser cínico y amargado. Protagonizada por Rita Hayworth y Glenn Ford, están también acompañados en el reparto de George Macready, Joseph Calleia o Steven Geray entre otros. La música fue trabajo de Hugo Friedhofer, mientras que la fotografía, en blanco y negro, vino de la mano de Rudolph Maté. Obra clásica y fundamental del cine negro, fue un hito de la década de los 40, fue nominada a la Palma de Oro en Cannes, siendo esta de los pocos reconocimientos que obtuvo a nivel de premios, a pesar de que crítica y público sí la recibieron muy bien. ¿Qué sabes del escándalo que supuso la película?. ¿Conoces todos los simbolismos que se ven a lo largo del metraje? ¿Qué legado nos ha dejado Gilda dentro y fuera del mundo del cine?. Y debatimos, ¿Se podría rodar a día de hoy? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Gilda. SECCIONES ▪️ Contexto ▪️ Rita Hayworth, polémica y escándalo ▪️ Amor y odio (simbología de la película) ▪️ El legado ▪️ ¿Se podría rodar a día de hoy? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x31-podcastwood-gilda/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga @Juanlu_Uno INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024

DOA (1949) ​ D.O.A. is a 1950 American film noir directed by Rudolph Maté, starring Edmond O'Brien and Pamela Britton. It is considered a classic of the genre. A fatally poisoned man tries to find out who has poisoned him and why. It was the film debuts of Beverly Garland (as Beverly Campbell) and Laurette Luez. ​ DOA (1988)   D.O.A. is a 1988 American neo-noir mystery thriller film and a remake of the 1950 film noir of the same name. While it shares the same premise, it has a different story and characters. The film was directed by Rocky Morton and Annabel Jankel, and scripted by Charles Edward Pogue. The writers of the original film, Russell Rouse and Clarence Greene, share story credit with Pogue. It stars Dennis Quaid, Meg Ryan and Charlotte Rampling, and was filmed in Austin, Texas and San Marcos, Texas.   Opening Credits; Introduction (.38); Background History (18.29); DOA (1950) Film Trailer (19.44); The Original (22.11); Let's Rate (39.27); Amazing Design Advertisement (52.24); Introducing a Remake (53.36); DOA (1988) Film Trailer (54.14); The Remake (55.47); How Many Stars (1:25.07); End Credits (1:29.47); Closing Credits (1:31.26)   Opening Credits– Epidemic Sound – copyright 2021. All rights reserved   Closing Credits:  Dead On Arrival by Fall Out Boy.  Taken from the album Take This To Your Grave.  Copyright 2003 Fueled by Ramen ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved. Used with Kind Permission.   All songs available through Amazon Music.

Buy Where Lies the Strangling Fruit:Theme Music by Prod. Riddiman:Films mentioned in this week's podcast:Annihilation (2018, dir. Alex Garland)The Beast from 20,000 Fathoms (1953, dir. Eugène Lourié)The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)Cannibal Holocaust (1980, dir. Ruggero Deodato)Creature from the Black Lagoon (1954, dir. Jack Arnold)The Day the Earth Stood Still (1951, dir. Robert Wise)Destination Moon (1950, dir. Irving Pichel)Fear & Desire (1953, dir. Stanley Kubrick)The Fly (1958, dir. Kurt Neumann)From Here to Eternity (1953, dir. Fred Zinnemann)Gentlemen Prefer Blondes (1953, dir. Howard Hawks)Godzilla Series (1954-current)The Greatest Show on Earth (1952, dir. Cecil B. DeMille)The House of Wax (1953, dir. André de Toth)The House on 92nd Street (1945, dir. Henry Hathaway)How to Marry a Millionaire (1953, dir. Jean Negulesco)Invasion of the Body Snatchers (1956, dir. Don Seigel)Jaws (1975, dir. Steven Spielberg)Mon Oncle (1958, dir. Jacques Tati)Mr. Hulot's Holiday (1953, dir. Jacques Tati)Niagara (1953, dir. Henry Hathaway)Peter Pan (1953, dir. Hamilton Luske, Wilfred Jackson, Clyde Geronimi)Plan 9 From Outer Space (1959, dir. Ed Wood)PlayTime (1967, dir. Jacques Tati)The Robe (1953, dir. Henry Koster)Roman Holiday (1953, dir. William Wyler)Sawdust & Tinsel (1953, dir. Ingmar Bergman)Shane (1953, dir. George Stevens)Stalag 17 (1953, dir. Billy Wilder)Stalker (1979, dir. Andrei Tarkovsky)Star Wars (1977, dir. George Lucas)Summer With Monika (1953, dir. Ingmar Bergman)The Ten Commandments (1923, dir. Cecil B. DeMille)Tokyo Story (1953, Yazujirō Ozu)Ugetsu (1953, dir. Kenji Mizoguchi)War of the Worlds (2005, dir. Steven Spielberg)When Worlds Collide (1951, dir. Rudolph Maté) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Based on a 1998 Frank Miller comic book which in turn was inspired by the 1962 Rudolph Maté sword and sandals epic THE 300 SPARTANS, 300 (2006) is Zack Snyder's very loose retelling of the events of the Battle of Thermopylae taking place circa 480 BC and I don't really think I can reasonably cram 1 more number into this sentence before it loses any semblance of aardvark.  Gerard Butler plays Leonidas, master chocolatier and King of the Spartans, the most feared and formidable of all forces in ancient Greece. Warned by a messenger that the God King Xerxes plans to invade their country and despite most males being raised from a young age to be brutal unthinking warriors obsessed with achieving an honourable death in battle, Leonidas is unable to convince the Spartan political hierarchy of the dangers that the Persians represent and so, leaving Queen Gorgo (Lena Headey) in charge to persuade the Spartan Council of the imminent threat, he gathers 300 of his best men armed only with chiselled abs and ferocious amounts of guyliner to fight the invading empire in a suicide mission at The Hot Gates, where the narrow cliffs and raging seas prevent the Greeks from being overwhelmed by the enemies superior numbers. Utterly po-faced and sincere despite the often ridiculous subject matter, the film has a distinct aesthetic brought to the screen straight from the graphic novel itself; colour desaturation, heavy use of CGI backgrounds and Zack Snyder's signature speed-ramping technique all combined to visceral effect in the many scenes of fighting, dismemberment and bloodletting against an ever escalating and inventive adversary. Of course you might think that this is all incredibly silly, boneheaded testosterone-fuelled fantasy nonsense with a cliched script and terrible acting, you might find yourself adverse to the troubling ableist aspects to Miller's narrative or just be plain confused as to how a movie can be both incredibly homoerotic and incredibly homophobic at the same time and I wouldn't particularly argue with you but I got a kick out of this when I saw it at the cinema and probably enjoyed it more when I watched it for this review. A triumph of style over substance then but not an opinion completely shared by all of us.

Neste episódio falaremos um pouco sobre a filme indicado à quatro categorias do Oscar 2022, Don't look up! Com a ajuda do nosso convidado Ivânio Azevedo (@ivanio.azevedo), vamos debater sobre as questões filosóficas tratadas no filme e a relação entre filosofia e ciência a partir de Ernst Cassirer. Além de negacionismo, divulgação científica, democratização da ciência, o lugar da mulher na produção e divulgação científica e muito mais! Financiamento coletivo: apoia.se/perdidosnafilosofia Indicações do episódio Filmes e séries: Bill Nye: Sciense Guy (2017) Bill Nye saves the world (2018) Cosmos, Carl Sagan (1980) Melancolia, Lars von Trier (2011) Armagedom, Michael Bay (1998) Meteoro, Ronald Neame (1979) Impacto, Rex Piano (2015) Destruição Final: O Último Refúgio, Ric Roman Waugh (2020) Filhos da Esperança, Alfonso Cuarón (2006) O Dia depois de Amanhã, Roland Emmerich (2004) Moonfall - Ameaça Lunar, Roland Emmerich (2022) Contágio, Steven Soderbergh (2011) Impacto Profundo, Mimi Leder (1998) Asteroide, Bradford May (1997) Alerta Total, Robert Iscove (1994) A morte vem do espaço, Paolo Heusch (1958) Rastros do espaço, John Sherwood (1957) Fim do mundo, Rudolph Maté (1951) La Fin du Monde [O fim do Mundo], Abel Gance (1931) Youtube: Canal Nerdologia Canal Xadrez Verbal Canal Física e Afins Livros e artigos: "Ensaio sobre o homem" - Ernst Cassirer "O universo elegante" - Brian Greene "O mundo assombrado pelos demônios" - Carl Sagan "A dança do universo" - Marcelo Gleiser "How decolonization could reshape South African science [Como a descolonização pode remodelar a ciência sul-africana]" - Linda Nordling (Link: https://www.nature.com/articles/d41586-018-01696-w) "Ciência, realidade e progresso do conhecimento: em torno do debate Realismo/Anti-realismo" - Ivânio Lopes de Azevedo Júnior (Link: https://scholar.google.com.br/scholar?oi=bibs&cluster=11124861635348026086&btnI=1&hl=pt-BR ) "Ciências da natureza, Ciências da cultura e a matematização do conhecimento em Ernst Cassirer" - Ivânio Lopes de Azevedo Júnior (Link: https://repositorio.unb.br/handle/10482/40732 ) Autores Citados: Karl Marx; Karl Popper; Ernst Cassirer; Susanne Langer; Carl Sagan; Bill Nye; Marcelo Gleiser; Brian Greene; Natalia Pasternak; Atila Iamarino; Bibi Bailas. Contatos: perdidosnaparalaxe@gmail.com twitter.com/ppparalaxe instagram.com/perdidosnaparalaxe

We bid Margaret Sullavan a sad farewell with her two final films, Cry 'Havoc' (1943), a very dark WWII propaganda film with an all-female main cast in which the Battle of Bataan meets Stage Door, and No Sad Songs for Me (1950), a peak-crazy woman's picture in the mode of The Shining Hour with a slyly progressive screenplay by Howard Koch. Sullavan manages to make having your man stolen from under your nose while dying and fighting fascists/propping up the empty shell-men of post-war America into a triumphant art form. Then: we give our Top 5 Sullavan performances. And in the Fear and Moviegoing in Toronto segment, we discuss and spoil Verhoeven's lesbian nuns/nympho mystic movie, Benedetta (2021), and Preminger's glorious film noir Fallen Angel (1945).   Time Codes: 0h 01m 00s:                CRY HAVOC (1943) [dir. Richard Thorpe]  0h 20m 16s:                NO SAD SONGS FOR ME (1950) [dir. Rudolph Maté] 0h 38m 54s:                Margaret SullavanTop Fives 0h 00m 00s:                Fear and Moviegoing in Toronto – BENEDETTA (2021) and FALLEN ANGEL (1945)                                                                                      +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com

The lads are BACK in the shadows as they watch one of the all time classic film noirs: D.O.A. from 1950, directed by Rudolph Maté and starring Edmond O'Brien and Pamela Britton. Join us as we sip luminous toxin and race our way against Death's clock throughout the streets of San Francisco - you won't regret it! Questions, comments or #justiceforchester? therealoutofthepodcast@gmail.com

Linkswww.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00http://www.screamingtoilet.com/dvd--blu-rayhttps://www.facebook.com/mrparkahttp://shutupbrandon.podbean.com/https://www.facebook.com/screamingpotty/https://itunes.apple.com/us/podcast/shut-up-brandon-podcast/id988229934?mt=2https://www.stitcher.com/podcast/podbean-70/shut-up-brandon-podcast​https://letterboxd.com/mrparka/​https://www.patreon.com/mrparka Time Stamps 0:00Top 10 of 2020 Coming – 0:12“Don’t Panic” Patreon Review – 1:32Survive 2005 “Dreams in a Witch House” Review– 6:20“Hunter Hunter” Review– 10:39“La Llorona” Review – 14:43 “Black Bear” Review – 17:02“Vampires Vs The Bronx” Review  – 19:51“Sputnik” Review – 21:35“Extra Ordinary” Review – 23:39“The Closet” Review– 26:37“The Rental” Review – 28:21“Spell” Review – 32:44“Promising Young Woman” Review with Jeremy– 35:35Blindspot “When Worlds Collide” Review with Jeremy– 50:48Questions/Answers/Question of the Week “What film will never have a blu-ray release?” – 1:03:58 / 1:06:24 / 1:22:31 Update – 1:22:37 22 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/ Video Version - https://youtu.be/Zh8idKaiyWk Links More Info – https://www.screamingtoilet.com/video/mrparkas-video-reviews-for-the-week-of-january-9th-episode-191-blindspot-week-35 Vinegar Syndrome – https://vinegarsyndrome.com/ “Don’t Panic” Blu-Ray – https://vinegarsyndrome.com/collections/frontpage/products/dont-panic “Dream in a Witch House” Tubi TV – https://tubitv.com/tv-shows/286420/s01-e02-dreams-in-the-witch-house?start=true “Hunter Hunter” Amazon Rental – https://www.amazon.com/Hunter-Camille-Sullivan/dp/B08QLZR9JM/ “La Llorona” Shudder – https://www.shudder.com/movies/watch/la-llorona/0bdaa1df0ad05cc0 “Black Bear” Amazon Rental – https://www.amazon.com/Black-Bear-Aubrey-Plaza/dp/B08NY24GKS/ “Vampires Vs the Bronx” Netflix – www.netflix.com/title/80998174 “Sputnik” Hulu – https://www.hulu.com/movie/sputnik-55f4b031-e419-4078-b475-4d114a4ac7db “Extra Ordinary” Amazon Rental – https://www.amazon.com/Extra-Ordinary-Maeve-Higgins/dp/B083CP88B2/ “The Closet” Amazon Rental – https://www.amazon.com/Closet-Ha-Jung-so/dp/B08NXGL1H2/ “The Rental” Amazon Streaming Purchase – https://www.amazon.com/Rental-Alison-Brie/dp/B08D9TF7YJ/  “Spell” Amazon Rental – https://www.amazon.com/Spell-4K-UHD-Omari-Hardwick/dp/B08L7HW36H/ “Promising Young Woman” Facebook – https://www.facebook.com/promisingyoungwoman “When Worlds Collide” DVD– https://www.amazon.com/When-Worlds-Collide-Richard-Derr/dp/B074PVD2MC/   Update Blu-Ray Massacre at Central High DVDS Alive Sukeban Deka 2: The Movie – Counter Attack of the Kazama Sisters Sukeban Deka: the Movie Eko Eko Azarak Misa the Dark Angel Eko Eko Azarak Birth of the Wizard Eko Eko Azarak Wizard of Darkness   Film Notes Don’t Panic – 1988 – Rubén Galindo Jr. Dreams in a Witch House – 2005 – Stuart Gordon Hunter Hunter – 2020 – Shawn Linden La Llorona – 2019 – Jayro Bustamante Black Bear – 2020 – Lawrence Michael Levine Vampires Vs the Bronx – 2020 – Oz Rodriguez Sputnik – 2020 – Egor Abramenko Extra Ordinary – 2019 – Mike Ahern/ Enda Loughman The Closet – 2020 – Kim Kwang-bin The Rental – 2020 – Dave Franco Spell – 2020 – Mark Tonderai Promising Young Woman – 2020 – Emerald Fennell When World Collide – 1951 – Rudolph Maté      

Details, credits, errata: This week Sam and Alissa talk about The Maltese Falcon, one of Sam’s favorite films, with our terrific guest Jamelle Bouie of the New York Times. It’s a great flick we recommend highly do you—one of the all-time great movies ever made by any standard, and a great introduction to film noir. The movie is available to stream on HBO Max and also to rent or buy through various outlets but Sam hates the degraded quality you get with streaming and recommends the Warner Archive blu-ray that came out a couple of years ago, which has very nice blacks and no noticeable artifacts on the print.Jamelle, Sam and Alissa talk a bit about developing a Noir Syllabus; here’s everything the three of us mentioned, plus a couple of others added in to fill in some gaps by Sam after the fact:Laura (1944, Otto Preminger)Double Indemnity (1944, Billy Wilder)Murder, My Sweet (1944, Edward Dmytryk)The Big Sleep (1946, Howard Hawks)T-Men (1947, Anthony Mann)Out of the Past (1947, Jacques Tourneur)The Lady From Shanghai (1947, Orson Welles)Blood on the Moon (1948, Robert Wise)Key Largo (1948, John Huston)Raw Deal (1948, Anthony Mann)Stray Dog (1949, Akira Kurosawa)DOA (1949, Rudolph Maté)The Asphalt Jungle (1950, John Huston)The Third Man (1950, Carol Reed)In a Lonely Place (1950, Nicholas Ray)The Big Heat (1953, Fritz Lang)Drive a Crooked Road (1954, Richard Quine)Killer’s Kiss (1955, Stanley Kubrick)Kiss Me Deadly (1955, Robert Aldrich)Rififi (1955, Jules Dassin)Night of the Hunter (1955, Charles Laughton)The Killing (1956, Stanley Kubrick)Sweet Smell of Success (1957, Alexander Mackendrick)Extra Credit: Raw Deal, Miami ViceSam said that The Killing is only about 65 minutes long; he was thinking of Killer’s Kiss, which is 67 minutes. The Killing isn’t a huge time commitment, either, at 85 minutes.Our episode art is Stanley Kubrick’s 1949 photo “Commuters in Train Station, Chicago,” a beautiful picture made freely available by the Library of Congress through Wikimedia.Our theme song is Louis Armstrong and His Hot 5’s Muskrat Ramble, made freely available by the Boston Public Library and audio engineering shop George Blood, LP through the Internet Archive. The Maltese Falcon is copyright 1941 Warner Bros. All other content is copyright 2020 Sam Thielman and Alissa Wilkinson.If you’re a subscriber, thank you! Feel free to email us with your thoughts, requests, and criticism! If not, subscribe now! This is a public episode. Get access to private episodes at yammpod.substack.com/subscribe

Con Paolo Zabeo, coordinatore dell'Ufficio studi CGIA di Mestre, sul fenomeno della sovraistruzione; Bellezza e bizzarria: "Quando i mondi si scontrano" di Rudolph Maté; la musica di Donix con l'album "N4BS"; il fotografo Sa...

Goffredo Fofi racconta "Quando i mondi si scontrano" (1951) di Rudolph Maté, film di fantascienza catastrofico-apocalittico che narra in chiave moderna la storia dell'Arca di Noe.

This week on The Spectator Film Podcast… Les Diabolique (1955) 3.15.19 Featuring: Austin, Maxx Commentary begins at 22:29 — Notes — We watched the Criterion Collection release of Les Diabolique this week. “Clouzot, Henri-Georges” by Fiona Watson on Senses of Cinema — The great director profile for Henri-Georges Clouzot on Senses of Cinema The Fantastic: A Structural Approach to Literary Genre by Tzvetan Todorov — Here’s a link to Todorov’s book on the fantastic, where he establishes the term. It’s an incredibly useful and frequently used term by scholars, particularly when working in the realm of genre criticism. If you’re interested in learning more about the fantastic you can also check this post on Owlcation and then this excerpted PDF chapter on the fantastic. Henri-Georges Clouzot by Christopher Lloyd — In the brief searching I did, this seems to be the best introduction to criticism on Clouzot’s work. It’s a solid book, and anyone interested in learning more about the history of Clouzot’s film productions, his life, and a few different critical perspectives on his work should look into it. — Corrections — The cinematographer of The Passion of Joan of Arc (1928) is Rudolph Maté. The cinematographer of Cat in the Hat (2003) is Emmanuel Lubezki.

Les cowboys de la Monument Valley, les héros du mythe américain. L’équipe de NoCiné consacre trois épisodes à l’histoire du western. Dans ce premier volet, retour sur les débuts du genre de ses balbutiements à son âge d’or dans les années 1950. A l’aube du XXe siècle, la Camargue a des airs de Far West. Le public américain se passionne alors pour des films de revolver français dit « western-camembert ». Peu après, dans l’entre-deux-guerres, Ringo Kid, Vienna et d’autres as de la gâchette venus de la côte Ouest débarquent à l’écran. Parmi les plus grandes stars de l’époque, le légendaire John Wayne qui joue un hors-la-loi dans La Chevauchée fantastique de John Ford, sans qui, autant le dire, l’Amérique ne serait pas l’Amérique.Podcast animé par Thomas Rozec avec Rafik Djoumi, Stéphane Moïssakis, David Honnorat et Perrine Quennesson.RÉFÉRENCES CITÉES DANS L’ÉMISSIONLe vol du grand rapide (Edwin Esporter, 1903), Butch Cassidy et le Kid, (George Roy Hill, 1969), Joë Hamman, Buffalo Bill et les indiens (Robert Altman, 1976), Geronimo (Arnold Laven, 1962), Alice Guy, Règlements de comptes à OK Corral (John Sturges, 1957), La poursuite infernale (John Ford, 1947), Le cheval de fer (John Ford, 1924), Trois sublimes canailles (John Ford, 1926), Le Bon, la brute et le truand (Sergio Leone, 1969), Horizons lointains (Rudolph Maté, 1955), Billy le Kid (King Vidor, 1930), The Big Trail (Raoul Walsh, Louis R. Loeffler, 1930), Le Brigand Bien aimé (Jesse James) (Henry King, Irving Cummings, 1939), Le signe de Zorro (Rouben Mamoulian, 1940), La piste de Santa Fé (Michael Curtiz, 1940), Pacific Express (Cecil B. DeMille, 1939), Le Grand Passage (King Vidor, 1940)La chevauchée fantastique (John Ford, 1939), Le massacre de Fort Apache (John Ford, 1948), La prisonnière du désert (John Ford, 1956), L’étrange incident (William A. Wellman, 1943), Duel au soleil (King Vidor, Otto Brower, 1948), Le Banni (Howard Hughes, Howard Hawks, 1943), La Rivière Rouge (Howard Hawks, Arthur Rosson, 1948), Coup de fouet en retour (Backlash) (John Sturges, 1956), La flèche brisée (Delmer Daves, 1950), Fritz Lang, Anthony Mann, Samuel Fuller, Robert Aldrich, Budd Boetticher, Randolph Scott, Rio Bravo (Howard Hawks, 1959), Le Vent (Victor Sjöström, 1928), Little Big Man (Arthur Penn, 1971), Un homme est passé (John Sturges, 1955), La Guerre des Rose (Danny DeVito, 1990), Le train sifflera trois fois (Fred Zinnemann, 1952), L’homme des vallées perdues (George Stevens, 1953), Les grands espaces (William Wyler, 1958), Johnny Guitare (Nicholas Ray, 1954), Le Gaucher (Arthur Penn, 1958), Quarante tueurs (Samuel Fuller, 1957)CRÉDITSEnregistré le 28 novembre 2018 à l’Antenne (Paris 11eme). Réalisation : Jules Jellaoui. Chargée de production : Juliette Livartowski. Chargée d’édition : Diane Jean. Direction de production : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Générique : « Soupir Articulé », Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Production : Binge Audio. See acast.com/privacy for privacy and opt-out information.

Episodio 115. Oggi Omar Serafini ci parlerà di Quando i mondi si scontrano di Rudolph Maté (1951). Per l'immagine di copertina: © Aventi diritto. All rights reserved.Support this podcast at — https://redcircle.com/fantascienticast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Double Feature Week continues on Monster Kid Radio with Scott Morris ( and ). The theme of the week is "Movies We Haven't Seen in a Long Time," and last episode, Scott picked 1951's When Worlds Collide (dir. Rudolph Maté). In this episode, they discuss Derek's pick - 1956's The Mole People (dir. Virgil W. Vogel). Also, Derek invites everyone along for the next Monster Kid Radio Crash happening 4/1 at the  in Tigard, Oregon. Be sure to visit our complete website at , and don't forget our Wiki Campaign! Voicemail: 503-479-5MKR (503-479-5657)Email: monsterkidradio@gmail.com (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Monster Kid Radio at the Rondo Awards - Support Monster Kid Radio on Patreon - The opening and closing song "It's Dark" (from the album It's Dark) appears by permission of Thee Imperial Royales - All original content of Monster Kid Radio by is licensed under a . John Agar Rules.

Scott Morris ( and ) joins Derek on this week's episodes of Monster Kid Radio for Double Feature Week! What's the theme? "Movies We Haven't Seen in a Long Time." Scott picked 1951's When Worlds Collide (dir. Rudolph Maté) and Derek picked 1956's The Mole People (dir. Virgil W. Vogel). (As a bonus, the theme for this Double Feature Week could have also been "Movies the Other One Hasn't Seen Yet!") In this episode, Derek catches up with Scott before diving into When Worlds Collide. Also, Derek invites everyone along for the next  happening 3/25 at the  in Tigard, Oregon. Be sure to visit our complete website at , and don't forget our Wiki Campaign! Voicemail: 503-479-5MKR (503-479-5657)Email: monsterkidradio@gmail.com (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Monster Kid Radio at the Rondo Awards - Support Monster Kid Radio on Patreon - The opening and closing song "The Path to Black Lodge" (from the album It's Dark) appears by permission of Thee Imperial Royales - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC. Congratulations to !

El equipo de Cowboys de Medianoche se marchan hasta la década de los 50 para recomendar el film dirigido por Rudolph Maté, 'La ley de los fuertes'.

In this episode, Roberto and Brandt are joined by Jump Point’s Bryce as they comment on Rudolph Maté’s D.O.A.. They discuss Bryce’s new album Mercury Counter, cultural microcosms of the ’50s, and whether or not this film stands the test … Continued

Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph Maté's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is Maté's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glasses—a "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.