1953 film
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Text us about this show.There's no shortage of talent when it comes to jazz in NE Wisconsin and The Chalk Down Trio is proof of that. Guitarist Alec Riegsecker, bassist Andrew Wilson, and drummer Ryan Thomas are three very talented young men that have jelled together to make music that bridges the jazz and funk realms. What makes them the musicians they are is their willingness to be open to what older, more seasoned jazzers in the area have to say and learn from them. It doesn't hurt that they also pick up bits and pieces from the other bands they play in and let that inform The Chalk Down Trio's style. This is one jazz combo you'll want to pay attention to."All Of Me*," "People Make The World Go Round†," and "Ugetsu‡" arranged and performed by The Chalk Down Trio℗ 2024 The Chalk Down Trio. Used with permission of The Chalk Down Trio*written by Gerald Marks & Seymour Simons†written by Thom Bell & Linda Creed‡written by Cedar WaltonSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...
Haunted desires, lakes of death, and agrarian utopias, oh my! Shaun Duke and Daniel Hauesser join forces to discuss Kenji Mizoguchi's Ugetsu monogatari (1953). Together, they discuss the film's tragic storyline, the nature of desire and its destructive force, Mizoguchi's women, the film's production, and much more! Thanks for listening. We hope you enjoy the episode! Show Notes: If you have a question you'd like us to answer, feel free to shoot us a message on our contact page. Our new intro and outro music comes from Holy Mole. You can support his work at patreon.com/holymole. See you later, navigator!
Jackie and Greg start torrid affairs with ghosts to prep for Kenji Mizoguchi's UGETSU from 1953. Topics of discussion include the film as a tapestry of several short stories, Mizoguchi's unrelenting dourness, and how it ranks among the other jidaigeki films on the list.#50 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#90 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
If you missed a number of recent films in theaters then this is really the Blu-ray week for you. Beyond those, Erik Childress and Peter Sobczynski still have some titles for you to consider if you can't get enough of Nicholas Hoult in vampire films or you really like those new digital shorts on SNL. There's also the tale of graverobbers that took their work a little too far, an obscure relationship melodrama from the 1940s and an influential ghost story set against the backdrop of the Japanese Civil Wars. 0:00 - Intro 1:50 - Criterion (Ugetsu 4K) 8:22 - Film Masters (Lighthouse) 16:38 - Kino (Burke and Hare (1972)) 22:07 - Shout (Renfield 4K, Please Don't Destroy: The Treasure of Foggy Mountain) 33:54 - TV (Superman and Lois: The Complete Series) 34:26 - NEW (Companion, A Complete Unknown, Mufasa: The Lion King, Dog Man, Flight Risk, Into the Deep, Love Me, Love Hurts, One of Them Days,) 49:36 – New Blu-ray Announcements CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST
This month Tim is joined by Amber T (News Editor for Fangoria) to discuss Kenji Mizoguchi's Ugetsu Monogatari (1953). –––––––––––––––––––––––––––––– Ugetsu Monogatari is =90 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can support the pod by joining Moving Pictures' Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos
After a spooky Halloween and an even scarier election, we're back to close out our SHOCKTOBER TOURNAMENT! By the end of this episode, only one film can survive!00:00:00 - Introduction, the election, and a Halloween catch-up00:15:33 - The Strangers: Chapter 1 (2024) vs. Imaginary (2024)00:25:08 - The Vourdalak (2023) vs. Satanic Hispanics (2022)00:32:37 - There's Nothing Out There (1991) vs. Let the Corpses Tan (2017)00:39:19 - Ugetsu (1953) vs. The Last Broadcast (1998)00:46:20 - Infested (2023) vs. The Coffee Table (2022)00:54:45 - The Devils (1971) vs. X-Ray (1981)01:05:40 - Swallowed (2022) vs. T-Blockers (2024)01:15:25 - Wax Mask (1997) vs. Riding the Bullet (2004)01:26:49 - Finalists & WinnersSupport the showClick support the show to support the show!And please give us a 5-star review on Apple Podcasts or on Spotify Mobile! Follow us on Twitter & Instagram! Email us your questions and concerns!Find Us On Social MediaTwitter: @TheRoomCastInstagram: @ScreamingRoomPod Email: screamingroompod@gmail.com
On this episode of What a Picture, Bryan and Hannah get protective spirit tattoos all over their bodies in preparation for podcasting about Ugetsu, the 1953 movie directed by Kenji Mizoguchi that ranks #90 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: https://whatapicturepod.com Bryan's Social Media: Bluesky | Letterboxd | Twitter | Instagram Music is "Phaser" by Static in Verona.
Talking About Kenji Mizoguchi's Ugetsu with our guest, production designer Yôhei TanedaIn this episode of Movies We Like, we are thrilled to have production designer Yôhei Taneda join us to discuss his fascinating career and one of his favorite films, Kenji Mizoguchi's 1953 classic, Ugetsu. Taneda shares his journey into the world of production design, from his early days as an art student to his experiences working on both Japanese and American films, such as Kill Bill: Volume 1, The Hateful Eight, the Monster Hunt films, The Flowers of War, and When Marnie Was There.Throughout the episode, Taneda offers unique insights into the art of production design, discussing the intricacies of creating immersive worlds for both live-action and animated films. He delves into the challenges of balancing the director's vision with his own artistic sensibilities, and the importance of collaborating with other departments to create a cohesive visual experience.As the conversation turns to Ugetsu, Taneda explores the film's haunting aesthetic and the ways in which Mizoguchi's use of space and design elements contribute to its ghostly atmosphere. He draws comparisons between Ugetsu and other Japanese films of the era, highlighting the symbolic significance of water and the influence of Noh theater on the film's visual style.Ugetsu remains a timeless masterpiece, a testament to Mizoguchi's artistic vision and the power of cinema to transport audiences to otherworldly realms. Taneda's passion for the film and his deep appreciation for its craft make for a captivating discussion that will leave listeners eager to revisit this haunting classic. We had a wonderful time delving into the artistry behind Ugetsu and exploring Taneda's remarkable career in production design.A very special thanks to Hiroshi Tominaga for being our translator for this episode!Film SundriesFind Yôhei on Instagram or visit his websiteYôhei on IMDbBuy our Akira Kurosawa T-shirt!Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxdMore About Yôhei TanedaFor the past two decades, Yôhei Taneda has collaborated with filmmakers from across the globe, amassing an impressive list of accolades and credits, including Kill Bill: Vol. I with Quentin Tarantino, Flowers of War with Zhang Yimou, and the animated Ghost in the Shell 2: Innocence with Mamoru Oshii. For The Flowers of War, an epic film about the Nanjing Massacre, Taneda recreated the period sets for the film in Nanjing. Released in 70 countries, the film was at the time one of the highest budgeted and most successful Chinese films ever made. Taneda's other international credits include the Keanu Reeves-directed Man of Tai Chi, Raman Hui's Monster Hunt, Tarantino's western The Hateful Eight, John Woo's Manhunt, and Wash Westmoreland's Netflix feature Earthquake Bird.Among Taneda's many notable non-English language productions are Swallowtail Butterfly, directed by Shunji Iwai; Sleepless Town, directed by Le Chi Ngai; The Wow–Choten Hotel and The Magic Hour, directed by Koki Mitani; and Hula Girls and Villain, directed by Sang-il Lee. Taneda's work helped foster the remarkable success of Koki Mitani's Ghost of a Chance (Suteki Na Kanashibari) and Wei Te-Sheng's Taiwanese film Warriors of the Rainbow, which earned the Best Film Award at the Tapei Golden Horse Festival.Taneda has also collaborated with Studio Ghibli on such animated films as the critically acclaimed When Marnie Was There, which earned among its many awards and nominations an Academy Award nomination for Best Animated Film. With Studio Ghibli, he also curated Karigurashi no Arietty x Yohei Taneda, an art exhibition giving the public an opportunity to view “film art” as a stand-alone presentation. Hosted by the Tokyo Museum of Contemporary Art, the event attracted more than 700,000 people during its tour.In addition to an Art Directors Guild Award nomination in the U.S. for his work on Kill Bill: Vol. 1, Taneda has been awarded the prestigious Purple Ribbon Medal in Japan and the Incentive Award from the Japanese Agency for Cultural Affairs.Beyond representing a substantial body of cinematic work, Taneda's artistic endeavors span art installations, stage art, special images, jacket designs for CDs and DVDs, and several books that he has authored. Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for
JAPANESE VERSION溝口健二監督の『雨月物語』について、ゲストの美術監督・種田陽平氏と語ります 「Movies We Like」今回のエピソードでは、美術監督の種田陽平氏にご参加いただき、彼 の魅力的な経歴と、彼のお気に入りの映画の 1 つである溝口健二監督の 1953 年の名作 『雨月物語』についてお話しいただきます。種田氏は、美術学生だったころから、キル・ ビル Vol. 1、ヘイトフル・エイト、モンスター・ハント シリーズ、金陵十三釵、思い出の マーニーなど、日本とアメリカの両方の映画で働いた経験まで、プロダクション・デザイ ンの世界への道のりを語ります。エピソード全体を通して、種田氏はプロダクション・デザインの世界について独自の洞察 を提供し、実写とアニメーションの両方の映画で没入感のある世界を作り出す複雑さにつ いて語ります。監督のビジョンと自身の芸術的感性とのバランスを取る難しさ、そして一 貫性のある視覚体験を生み出すために他の部門と協力することの重要性について掘り下げ ます。 会話が『雨月物語』に移ると、種田氏は映画の忘れがたい美学と、溝口監督の空間とデザ イン要素の使い方が幽霊のような雰囲気にどのように貢献しているかを探ります。彼は 『雨月物語』と当時の他の日本映画を比較し、水の象徴的な意味と映画のビジュアルスタ イルに対する能の影響を強調します。 『雨月物語』は時代を超えた傑作であり、溝口監督の芸術的ビジョンと観客を異世界に運 ぶ映画の力の証です。種田氏のこの映画への情熱とその作りに対する深い理解は、聴取者 のみなさんがこの忘れがたい古典をもう一度見たくなる魅力的な議論を生み出します。私 たちは『雨月物語』の芸術性を掘り下げ、種田氏の素晴らしい美術監督としてのキャリア を探る素晴らしい時間を過ごしました。 このエピソードの翻訳を担当してくれた冨永宏に心から感謝します! 関連リンク Find Yôhei on Instagram or visit his websiteYôhei on IMDbBuy our Akira Kurosawa T-shirt!Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxd種田陽平(たねだ・ようへい)について 過去 20 年間、種田陽平は世界中の映画製作者とコラボレーションし、クエンティン・タ ランティーノ監督との「キル・ビル Vol. I」、チャン・イーモウ監督との「金陵十三釵」、 押井守監督とのアニメ「イノセンス」など、数々の賞賛とクレジットを獲得してきまし た。南京大虐殺を描いた壮大な映画「金陵十三釵」では、種田は南京において映画の時代 背景をセットで再現しました。70 か国で公開されたこの映画は、当時、中国映画史上最 高額の予算で最も成功した作品の 1 つでした。種田のその他の海外作品には、キアヌ・ リーブス監督の『ファイティング・タイガー』、ラマン・ホイ監督の『モンスター・ハン ト』、タランティーノ監督の西部劇『ヘイトフル・エイト』、ジョン・ウー監督の『マン ハント』、ウォッシュ・ウェストモアランド監督のNetflix作品『アースクエイク バード』 などがある。 種田の多くの注目すべき非英語作品には、岩井俊二監督の『スワロウテイル』、リー・チー ガイ監督の『不夜城』、三谷幸喜監督の『THE 有頂天ホテル』と『ザ・マジックア ワー』、李相日監督の『フラガール』と『悪人』などがある。種田の仕事は、三谷幸喜監 督の『ステキな金縛り』と、台湾金馬奨で最優秀作品賞を受賞したウェイ・ダーション監 督の台湾映画『セディック・バレ』の驚異的な成功に貢献した。 種田はスタジオジブリともコラボレーションをしており、アカデミー賞最優秀アニメ映画 賞ノミネートなど多くの賞やノミネートで高く評価された『思い出のマーニー』などのア ニメ映画を制作。また、スタジオジブリと共同で「借りぐらしのアリエッティ×種田陽平 展」を監修。東京都現代美術館が主催したこのイベントは「映画美術」を独立したプレゼ ンテーションとして鑑賞する機会を一般の人々に提供し、巡回中に70万人以上を動員し た。 『キル・ビル Vol.1』で米国美術監督協会・最優秀美術賞にノミネートされたほか、日本 では名誉ある紫綬褒章を受章、文化庁からは芸術選奨文部科学大臣賞を受賞。 種田の芸術活動は、膨大な数の映画作品に代表されるだけでなく、アート インスタレー ション、舞台美術、特殊映像、CD や DVD のジャケット デザイン、そして自らが執筆し た数冊の本など多岐にわたります。 Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Jam Notes: Guillermo came into town for a few weeks from NYC- this was his featured set at the Garrison. Wednesday nights at the Garrison are currently a set by a local group followed by a jam session set.
Zach and Rashmi get entranced to an upper class home only to find the fantasy is the trance of aContinue readingKowai- Chapter 10: Ugetsu (1953)
Zach and Rashmi get entranced to an upper class home only to find the fantasy is the trance of a long gone soul as they take a closer look at Kenji Mizoguchi's ghostly 1953 tale, UGETSU. Join them as they unpack the meticulous methodology of Mizoguchi and how his subtle hand at terrifying moments blend beautifully into this tragic tale.
Welcome back to the Horror. Cult. Trash. Other. Podcast! This is the first of this year's Japanuary episodes where we'll be discussing Japanese cult and/or horror films throughout the rest of January! To kick things off, we're discussing Takashi Miike's masterpiece, The Happiness of the Katakuris, a high camp horror comedy that features incredible musical numbers, a demonic cherub who steals uvulas and a monologue about the death of Princess Diana. Alongside our main film discussion, we also discuss what we've been watching recently including Grave of the Fireflies, Ugetsu and Poor Things. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary's old band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!
This week, Charlie and Antonio tackle the first film on the list hailing from Japan! Specifically, Kenji Mizoguchi's 1953 ethereal folktale classic UGETSU. Never heard of it? Well, don't fret, because this is a first time watch for the Filmbabble boys. Hop in and get ready to try something new out! Intro/outro music: "Highway Star" by Deep Purple, cover composed by Tim Follin UGETSU (1953), Japan, written by Matsutaro Kawaguchi and Yoshikata Yoda, directed by Kenji Mizoguchi, cinematography by Kazuo Miyagawa, featuring Machiko Kyo, Mitsuko Mito, Kinuyo Tanaka, Masayuki Mori, and Eitaro Ozawa
Japanese novelist Haruki Murakami hosted a ghost story reading event in Tokyo amid growing attention before the announcement of this year's Nobel Prize in Literature, an award he is a perennial favorite to win. Murakami said at the September 28 reading that he enjoys scary stories and wants to write more of them. The event featured one from the 18th-century collection “Tales of Moonlight and Rain,” which intrigued Murakami since his childhood and is known to have inspired his work. The classic collection written by Akinari Ueda called “Ugetsu Monogatari” in Japanese explores a blurry borderline between the real and surreal, which Murakami said in a guide he contributed to a 2021 magazine made him wonder which side he was on. Borders and walls are important motifs in Murakami's writing. Protagonists in his stories often travel through walls or between two worlds and encounter mysterious, exotic characters. While Murakami has said he grew up mostly reading Western novels, some experts have also noted the influence of Ueda's stories in some of Murakami's work. Murakami has been a candidate for the Nobel Prize in Literature for more than a decade, and the winner of the 2023 prize was announced on October 5. If he had won, he would have been the first Japanese writer since Kenzaburo Oe in 1994 to be named a Nobel laureate. Japanese media also have mentioned novelists Yoko Ogawa and Yoko Tawada as possible contenders in recent years. The Nobel Prize did not come up at September 28's ghost story event. Kayoko Shiraishi, a veteran actress known for ghost tale monologues, performed Ugetsu's “The Kibitsu Cauldron," a story of an imprudent man who marries a priest's good daughter despite a cauldron's fortunetelling revealing a bad omen. The protagonist meets a horrendous end after betraying his wife, who becomes a vengeful spirit. Murakami wrote his first published novel, 1979's “Hear the Wind Sing,” after being inspired to write fiction while watching a baseball game at Meiji Jingu Stadium. This article was provided by The Associated Press.
Au menu cette semaine: Killers of the Flower Moon, Vampire humaniste cherche suicidaire consentant, Blood for Dracula, Les pas d'allure, In Cold Blood, L'homme sans passé, Leningrad Cowboys Go America, Midnight Run, Ugetsu et bien plus.
“And instead of oil coming up, it's genocide blood.” Halloween concludes with a dose of reality, or at least several very real threads of really amok imagination. Hey Zo's back! BTW I badmouth our horrendous Halloween podcasts from three years ago, but it was actually a pretty phenomenal year for us where we watched The Dead of Night, Ugetsu, Ouija: Origin of Evil, [REC], Lake Mungo, Hell House LLC, Friday the 13th: The Final Chapter, The Texas Chainsaw Massacre 2, and Slumber Party Massacre II. 0:00 -- Intro and Halloween catch-up9:14 -- The Imposter27:23 -- Room 2371.02:01 -- The Nightmare1.15:41 -- Awards and rankings2.03:03 -- Future business2.10:11 -- Outro, and outtakes Hey! Be sure to watch Annie Get Your Gun, Singin' in the Rain, and Seven Brides for Seven Brothers for next time! Hey! DON'T leave us a voicemail at (801) 896-4542! Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! View the Room 237 trailer! Hey! The Shining maps! Hey! Connie's YouTube confessional - Sleep Paralysis, Spiritual Warfare, and My Story Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list! Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!
For as long as fairy tales have been recorded there has been a debate about whether or not they should be modified for children, so today Alex and Jonathan take up the negative side of the discussion with a look at three films with fairy tale elements that are not Disney's idea of kid-friendly: Beauty and the Beast (1946), Ugetsu (1957), Donkey Skin (1970). We discuss the history of fairy tales being told to children, how tone can compensate for unsavory elements of fairy tales without expurgating them, and where the boundaries of fairy tales and ghost stories touch. Skip to: (14:47) – Beauty and the Beast (37:25) – Ugetsu (53:19) – Donkey Skin (1:12:34) – Overall (1:19:45) – Coming Attractions Coming Attractions: Shrek (2001) A.I. Artificial Intelligence (2001) Maleficent (2014) For more information, visit the blog: https://thefilmlings.wordpress.com/2023/09/23/not-for-kids/ Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF
This week, we discuss two classic Japanese films from the 1950s. The first is Tokyo Story (1953), a drama directed by Yasujirō Ozu, about an aging couple who travel to Tokyo to visit their adult children. Tokyo Story is widely regarded as Ozu's masterpiece and one of the greatest films in the history of cinema. It was voted the 3rd greatest film of all time in the 2012 edition of a poll of film directors by Sight and Sound magazine. The second is Sansho the Bailiff (1954), a period film directed by Kenji Mizoguchi. It follows two aristocratic children who are sold into slavery. Sansho the Bailiff bears many of Mizoguchi's hallmarks, such as portrayals of poverty and elaborately choreographed long takes. Today, the film is often ranked alongside Ugetsu (1953) as one of Mizoguchi's finest works. Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie Justwatch.com – streaming and rental links - https://www.justwatch.com
We're still over a week away from Scary Movie Month, but Ryan is here to monologue about a Japanese ghost story anyway. Kenji Mizoguchi's Ugetsu has long been ranked on many esteemed critics' lists of great films...including the Sight & Sound. And it should be. It's beautifully made and, while it isn't particularly frightening, it's eerie. Ugetsu's story is basically just a love of money & power versus a love of home & family. So get your priorities straight (and listen to your wife!) as the 537th edition of Have You Ever Seen breaks down Mizoguchi's 70-year-old spookfest. How about supporting our sponsor? It's as easy as using our "HYES' promo code on Sparkplug Coffee's website. So when you're ready, go to "sparkplug.coffee/hyes" and you will be rewarded with a savings of 20%. Contact us with a tweet (@moviefiend51 or @bevellisellis) or an email (haveyoueverseenpodcast@gmail.com). Also, our shows go up on YouTube. Take a look there, but also subscribe, rate, review and all those fun things. It's either "@hyesellis" in your browser or "Have You Ever Seen" in the search bar.
Since this 534th episode of Have You Ever Seen hits the airwaves on Labour Day, it felt right to talk about a character who has FOUR different jobs in one movie. Mrs. Doubtfire is a funny film that has...well, to be honest, lost a lot of its comedic zing 30 years on, although the serious scenes still have a lot of emotional sting. This might be the most-personal movie the lovable Robin Williams ever made. He went through not 1 but 2 divorces, he "did voices", he once lived in San Francisco and he probably enjoyed racking up in-character insults at the expense of Mister Perfect Pierce Brosnan. He likely didn't wear elaborate makeup and a body suit to make people believe that he's a stern 60-year-old Englishwoman though. Sally Field doesn't get to have the fun that her "short, furry and funny" co-star does, but she's excellent in the dramatic scenes. So, my dears, avoid a run-by fruiting as Ryan breaks down Chris Columbus' wicked, wicked blockbuster all on his own. For The Record: we've talked in the past about the fake trailers for "Shining" and "Brokeback To The Future". Well, the fake trailer that turns Mrs. Doubtfire into a horror movie is great too. Look for that here: https://www.youtube.com/watch?v=crjYYEC5drA Also, it wasn't made clear that the September 22nd episode will be Kenji Mizoguchi's Ugetsu. Your best choice to fulfill your java needs, really, is Sparkplug Coffee. Customers who use our "HYES" promo code will save 20% off the next order they make. Where do you go? Why, "sparkplug.coffee/hyes", of course. New episodes always go up on YouTube. Look for us in your browser (@hyesellis) or put "Have You Ever Seen" into the search bar on the 'Tube. Please give us a thumbs up, write a comment, share, subscribe, all that. And you can also do some of those same things by emailing us (haveyoueverseenpodcast@gmail.com) or Twitter (@moviefiend51 and @bevellisellis).
When it comes to fairy tales on film, the elephant in the room has a name: Disney. So today Alex and Jonathan go through the history of fairy tale films as told by the Walt Disney Animation Studios, starting with the first feature length animated film, Snow White and the Seven Dwarfs (1937), through the "Disney Renaissance" with Beauty and the Beast (1991), and up to the modern runaway hit Frozen (2013). We discuss Disney as a monolith in the modern fairy tale storytelling landscape, the evolution of animation techniques and technology over time, and how to effectively incorporate the element of eucatastrophe into storytelling. Skip to: (20:55) – Snow White and the Seven Dwarfs (44:12) – Beauty and the Beast (1:07:52) – Frozen (1:39:04) – Overall (1:50:44) – Coming Attractions Coming Attractions: Beauty and the Beast (1946) Ugetsu (1956) Donkey Skin (1970) For more information, visit the blog: https://thefilmlings.wordpress.com/2023/09/01/disney Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF
Ugetsu (1953) movie review for horror and tea fans alike! The unedited video version of this episode can be found at: https://youtu.be/9W6RnO7XGBo. For our tea sippers, brew a cup of tea, sit back, relax and we hope you enjoy the review! We would be honored if you liked and subscribed! Please comment on what you thought of the movie! If you'd like to recommend a movie, game or tea and keep up to date with our content, all of our platforms are listed below:
I guess you could always be a worse husband.
“Kinosaade” on taskuhääling, kus kino Artis programmijuht Ra Ragnar Novod, Forum Cinemas programmispetsialist Henryk Johan Novod ning kultuurikriitik Raiko Puust võtavad igal nädalal läbi uued filmid ja seriaalid ning ka olulisemad filmiuudised. Hakka meie toetajaks läbi Patreoni: www.patreon.com/kinosaade “Kinosaate” 191. saates arutavad Ragnar, Henryk ja Raiko nende filmide ja seriaalide üle, mida on nad vahepeal koduste vahendite (Amazon Prime Video, Netflix, Apple TV+ jne) abil vaadanud (Kuma Kuma Kuma Bear, Ant-Man, Infinity Pool, Barbarian, Ugetsu jpm!) Lisaks anname ülevaate ka uutest kinofilmidest: Sipelgamees ja Vapsik: kvantmaania ja Suvitajad, Vaata seda episoodi Youtube'is: https://www.youtube.com/watch?v=R3eQjOSuC9w&ab_channel=Kinosaade Sisukord 0:00 Sissejuhatus 07:13: Mis filme ja seriaale on Henryk ja Ragnar kodus vaadanud? Henryk: Ant-Man (2015), The Pentaverate (2022), Shetland (2013-...) Ragnar: Infinity Pool (2023), Ugetsu (1953), The Night House (2020), Barbarian (2022), Salem (2014–2017) 1:43:33 Mis filme ja seriaale on Raiko kodus vaadanud? Kuma Kuma Kuma Bear (2020), The Island with Bear Grylls (2014 - ) + Survival seriaalide rant 2:23:50 Anname ülevaate uutest kinofilmidest: Sipelgamees ja Vapsik: kvantmaania ja Suvitajad 3:13:17 Mida saab uuest nädalast kinodes näha? Kõik saated on leitavad ka Kinosaade.ee, Apple Podcasts, Spotify ja kõikides teistes podcasti rakendustes. Lisaks leiab meid veel Facebookist, YouTubest ja Twitchist Kinosaade nime alt. Facebook: www.facebook.com/kinosaade YouTube: www.youtube.com/channel/UCeBOcl_yALcrk-U7Ou5BQCw Twitch: www.twitch.tv/kinosaade Kodulehekülg: kinosaade.ee/ Discord: discord.gg/B2zbCWPCc3 Patreon: www.patreon.com/kinosaade
Buy Where Lies the Strangling Fruit:Theme Music by Prod. Riddiman:Films mentioned in this week's podcast:Annihilation (2018, dir. Alex Garland)The Beast from 20,000 Fathoms (1953, dir. Eugène Lourié)The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)Cannibal Holocaust (1980, dir. Ruggero Deodato)Creature from the Black Lagoon (1954, dir. Jack Arnold)The Day the Earth Stood Still (1951, dir. Robert Wise)Destination Moon (1950, dir. Irving Pichel)Fear & Desire (1953, dir. Stanley Kubrick)The Fly (1958, dir. Kurt Neumann)From Here to Eternity (1953, dir. Fred Zinnemann)Gentlemen Prefer Blondes (1953, dir. Howard Hawks)Godzilla Series (1954-current)The Greatest Show on Earth (1952, dir. Cecil B. DeMille)The House of Wax (1953, dir. André de Toth)The House on 92nd Street (1945, dir. Henry Hathaway)How to Marry a Millionaire (1953, dir. Jean Negulesco)Invasion of the Body Snatchers (1956, dir. Don Seigel)Jaws (1975, dir. Steven Spielberg)Mon Oncle (1958, dir. Jacques Tati)Mr. Hulot's Holiday (1953, dir. Jacques Tati)Niagara (1953, dir. Henry Hathaway)Peter Pan (1953, dir. Hamilton Luske, Wilfred Jackson, Clyde Geronimi)Plan 9 From Outer Space (1959, dir. Ed Wood)PlayTime (1967, dir. Jacques Tati)The Robe (1953, dir. Henry Koster)Roman Holiday (1953, dir. William Wyler)Sawdust & Tinsel (1953, dir. Ingmar Bergman)Shane (1953, dir. George Stevens)Stalag 17 (1953, dir. Billy Wilder)Stalker (1979, dir. Andrei Tarkovsky)Star Wars (1977, dir. George Lucas)Summer With Monika (1953, dir. Ingmar Bergman)The Ten Commandments (1923, dir. Cecil B. DeMille)Tokyo Story (1953, Yazujirō Ozu)Ugetsu (1953, dir. Kenji Mizoguchi)War of the Worlds (2005, dir. Steven Spielberg)When Worlds Collide (1951, dir. Rudolph Maté) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.
I höstas kom Sight and Sounds lista över tidernas bästa filmer. Det brittiska filmmagasinet bjuder vart tionde år in filmfolk från världen över för att rösta på sina favoritfilmer och sammanställer resultatet i den kanske mest ansedda filmlistan som finns. I 2022 års omröstning hamnade belgiska Chantal Akermans film Jeanne Dielman från 1975. Filmen kan liknas med Askungens bal; långtråkig, dötrist och alldeles underbar. Men är den värd förstaplatsen? Vi diskuterar även listan som sådan och andra filmer som tagit plats på den. Krille snackar konstnärlig prison break-film i form av Bressons En dödsdömd har rymt från 1956, Hille har kollat japansk folk-mystik i och med Mitzoguchis film Ugetsu från 1953 och Felix har spanat in den extremt stilbildande, experimentella och lekfulla Mannen med filmkamera från 1929 av Dziga Vertov. Dessutom hinner vi med Krilles egna lista över långa filmer samt lite uppsnack inför Göteborgs filmfestival i vårt kanske mest pretentiösa avsnitt så här långt.
This week- Japanuary 2023 kicks off with two films about restless dead people. As an opposing army approaches, Genjuro, a potter, is blinded with dreams of profit. His neighbor, Tobei, dreams of improving his status by joining the samurai class. Soon their actions will bring unintended consequences for themselves and those around them. A reflection on the militarism, arrogance, and greed. One of the three films that popularized Japanese film in the West 70 years ago and a long time resident on the Sight & Sound poll... Ugetsu. It is five months after the events of GANTZ. Kurono has dedicated himself to earning the 100 points needed to resurrect his friend, Kato. When GANTZ sets a normal human girl as the next target. The team finds themselves divided against each other with a new stronger enemy on their heels. Fast sword fights and slow philosophical questions come to a conclusion in GANTZ: Perfect Answer. All that and Dave learns the error of his Crisco hubris, Tyler goes trick or treating, Kevin tries to bring last year to a close, and Craig squeegees off enough grease to fry a turkey. Join us, won't you? Episode 291- Ugots Gantzed
Our Halloween 2022 subject is "The Haunted Mizoguchi," for which we looked at two films made by Kenji Mizoguchi toward the end of his life: the supernatural fantasy Ugetsu (1953) and a film we agree is a candidate for best movie ever made, Sansho the Bailiff (1954). We use Mizoguchi's explicit treatment of ghostly themes in Ugetsu as a springboard for discussing the haunting qualities of Sansho the Bailiff and the relationship between nature, the transcendent, and the miraculous in the film. We also consider the question of whether the film argues for political action or resignation as the best way of dealing with the systemic injustice from which we can't seem to escape and the threat of hopelessness. Time Codes: 0h 1m 00s: UGETSU (1953) [dir. Kenji Mizoguchi] 0h 34m 32s: SANSHO THE BAILIFF (1954) [dir. Kenji Mizoguchi] 1h 20m 29s: Listener Mail with Daves and Elise – on Capra, Comics & Noir City +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Welcome back to more horrific Samhain spookiness! Our doubling up of episodes for spooky season consists of four Japanese horror movies, as recommended by Jody. Earlier this week you heard us discuss Ugetsu and now it is time for Kuroneko from 1968! Pour a pint or maybe some sake and enjoy! Next week's episode is about the first of the Cornetto trilogy, Shaun of the Dead. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:
Welcome back to spooky season at the Manor! For this week's special episode, we talk about Ugetsu, the 1958 Japanese horror movie. You'll see this year that Jody wanted to get into some Japanese horror flicks and this is the first! Enjoy some spookiness from the land of the rising sun! Next week's episode is on Kuroneko, the Japanese horror film from 1968. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:
Welcome back to more spooky season shenanigans at the Manor! Pour a pint and enjoy our annual Hallowre'ad where we give some recommendations and reviews. This year we review: The Troop (Cutter), Dead Leaves (Burke), The Green Man (Amis), The Fiends in the Furrows II (editor Neal), and more! Plus we have a few more that we're going to read throughout the season. Enjoy this spooky bonus episode and let us know what you're reading for Halloween! Next week's episode is about the Japanese horror movie "Ugetsu." Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:
Welcome back to the Manor and welcome back to more spooky season spooky fun! In this episode we talk about the mysterious ghost ship The Flying Dutchman. From it's deal with the devil to the brave adventurers who discovered it's final resting place. Oooooooh! Next week's episode is Ugetsu, the 1958 Japanese horror movie. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:
After a triumphant return to the film festival, Chris sets out wandering the civil-war torn countryside of 17th Century Japan where he encounters two farmers looking to make some quick money and better their station in life… but at what cost? Support us on Patreon where you'll find bonus episodes, monthly commentary tracks and all sorts of fun stuff: patreon.com/TheCriterionQuest Send us an email at thecriterionquest@gmail.com We're on Instagram at instagram.com/thecriterionquest/ Chris is on Letterboxd and Twitter and Lee is on Letterboxd
Welcome back TWGTF faithful to another episode of the best darn movie show on the west coast! This week we dive into two classic films of the country of Japan! Starting off we take a look at what War both is and isn't good for with the 1953 classic adaptation of Ugetsu! Following that Ben and Tyler take a stroll through the reeds and examine exactly what happens when some and some do not come home from war with the wonderfully vicious Onibaba! 0:00:00 to 0:02:25 Preamble & Music: ... ! 0:02:26 to 0:15:22 Opening and the Best Thing We Saw This Week 0:15:23 to 0:18:34 The First Film and "I wish to work with my husband comfortably!" 0:18:35 to 0:49:34 The Conversation and Ratings 0:49:35 to 0:52:21 The Second Film and "I was wrong to meddle!" 0:52:22 to 1:16:23 The Conversation and Ratings 1:16:24 to 1:20:47 What is happening on the next TWGTF and Outro 1:20:48 to 1:24:18 Nas Life's a Bitch and Then you Die! Spoiler Alert: Running through the reeds is a new way of saying getting it on it started here!
It's Alicia's 4th pick: Hiroshima Mon Amour, the 1959 film directed by Alain Resnais. With ‘Hiroshima Mon Amour,' Resnais and screenwriter Marguerite Duras, explore the intersection where tragedy and trauma meet history and memory. The film was released on May 8, 1959 at the Cannes Film Festival, where it won the FIPRESCI International Critics' Prize. Among its other accolades was recognition by Cahiers du Cinéma on its list of the top 10 films of 1959, where it was ranked 2nd after Kenji Mizoguchi's ‘Ugetsu.' It opened in the United States in May of 1960 and went on to earn Marguerite Duras an Academy Award nomination for Best Screenplay Written Directly for the Screen. To give a sense of what was popular in the United States in the years ‘Hiroshima Mon Amour' was first released, then when it opened in the United States, the top grossing films in North America for 1959 and 1960 were Ben-Hur and Spartacus, respectively. Meanwhile, Ben-Hur was also the big winner at the Oscars for 1959, while The Apartment was the big winner for 1960. For our purposes, the film has never been in the top 10 of either the critics or directors polls done by Sight and Sound magazine to determine the greatest films ever made. It did, though, place, as a runner-up in both 1962 and 1972. Produced by Stereoactive Media --- Send in a voice message: https://anchor.fm/stereoactivemovieclub/message
Ghosts of the Pale & Shadowy Moon After the Rain: Kenji Mizoguchi's Ugetsu Monogotari This week Mr. Chavez & I have the pleasure of discussing one of the great films of Cinema, Kenji Mizoguchi's 1953 Masterpiece, Ugetsu Monogotari. A beautiful, touching, and awe-inspiring film that stands as one of the great examples of World Cinema and easily sits among the great films of The Art of Motion Pictures. Featuring a cast including Rashomon's Machiko Kyō and Masayuki Mori, Mizoguchi's tale of Ghostly Temptation, Upward Mobility, and Feudal Class Restraints is both a warning and a morality tale for human greed, desire, and frailty. It is a true pleasure to continue our exploration into the greatest films of the medium. If you have not seen this film you are walking into one of the great story-telling experiences. You're Welcome. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.
Llega Halloween y es posible que alguno estéis pensando en celebrarlo con una o varias películas para dar ambiente. No os olvidéis de invitar a unos cuantos amigos! Este año he decidido prepararos una buena lista de temática fantasmal para todos los gustos. Para que no os volváis locos cogiendo notas, aquí os dejo todas las películas del podcast! HAPPY HALLOWEEN! Conoce a RR López Web xhttps://historiasquenocontariaamimadre.com/libros/ RR Lopez: El podcast: https://www.ivoox.com/podcast-horror-cosmico-humor-terror-paranormal_sq_f1598081_1.html El episodio sobre La carreta fantasma: https://go.ivoox.com/rf/73282430 Las pelis del día FANTASMAS DE CELULOIDE LAS DEL CINE CLASICO - The Haunting - Robert Wise 1963 - The innocents / suspense -1961 Jack Clayton Deborah Kerr, UK Guion Truman Capote, William Archibald. Novela: Henry James - El Carnaval de las Almas / Carnival of souls - 1962 Herk Harvey USA - Terror en Amityville / The Amityville horror Stuart Rosenberg 1979 USA - El fantasma y la señora Muir/ The ghost and Mrs Muir 1947 Joseph L. Mankiewicz USA - Al Final de la Escalera / The Changeling 1980 Peter Medak CANADA - Los visitantes 1988 Jack Ersgard SUECIA - Los Intrusos / The Uninvited - 1944 Lewis Allen USa - La leyenda de la casa del infierno, John Hough, 1973. basada en en la novela de Richard Matheson LAS DE CLASICOS FANTASMAS - Lo que la verdad esconde / What Lies Beneath 2000 Robert Zemeckis Harrison Ford, Michelle Pfeiffer - Frágiles Jaume Balagueró 2005 - El espinazo del diablo - 2001 Guillermo del Toro - Winchester LAS DE MIEDO - La autopsia de Jane Do André Øvredal 2016 UK - El resplandor Stanley Kubrick 1980 UK LAS ROMÁNTICAS - Destello fugaz, Vif-Argent (Azogue, Mercurio) Burning ghost o Stéphane Batut 2019 - En la tiniebla, Half Light o Craig Rosenberg, 2006 uk, Demi Moore Destello fugaz, Burning ghost - 2019 Stéphane Batut FRANCIA Ojala fuera cierto 2005 Mark Waters USA MARK RUFFALO El Cielo puede esperar 1978 Warren Beatty, Buck Henry LAS TRISTES - El orfanato (no estoy segura de si quiero meter esta) - Lake Mungo Joel Anderson 2008 Australia - Lovely bones LAS CÓMICAS - Agarrame esos fantasmas / The Frighteners - 1996 Peter Jackson Nueva Zelanda Michael J. Fox Volare Joaquín Oristrell 2012 España LAS INTELECTUALES - The Lovely Bones 2009 Peter Jackson Nueva Zelanda Susan Sarandon - A Ghost Story 2017 David Lowery USA - Cuentos de la luna pálida / Ugetsu monogatari - 1953 Kenji Mizoguchi JAPON - Destello fugaz, Burning ghost - 2019 Stéphane Batut FRANCIA - La Carreta Fantasma - 1921 Kenji Mizoguchi SUECIA - The Haunted Castle 1897 George Albert Smith UK - El más allá (1964) / Kaidan - Masaki Kobayashi - Filme basado en cuatro historias del escritor Lafcadio Hearn FANTASMAS MODERNOS LAS QUE, PROBABLEMENTE, NO HAS VISTO - El último escalón / Stir of Echoes - David Koepp 1999 Kevin Bacon USA - Todos están muertos - 2014 Beatriz Sanchís ESPAÑA - We go on, 2016, de Jesse Holland y Andy Mitton - Una historia china de fantasmas / Sien nui yau wan (A Chinese Ghost Story) 1987 Ching Siu-Tung HONG KONG .Amenza en la sombra / Don't Look Now 1973 Nicolas Roeg UK - Finisterrae - 2010 Sergio Caballero ESPAÑA - La Casa del fin de los tiempos - Alejandro Hidalgo 2013 Venezuela Volare 2012 Joaquín Oristrell españa OTROS TÍTULOS no incluidos Under the shadow 2016, Babak Anvari Dark water. Burnt Offerings, Pesadilla diabólica 1976 Silent hill Grave Encounters Housbound 2014 Gerard Johnstone 13 fantasmas Crimson Peak
Spine #309, Kenji Mizoguchi's UGETSU from 1953, joined by Patreon Co-Host Dylan Früh! Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!
This week on The First Run, Chris and Matt discuss ‘Reminiscence'. Hugh Jackman stars in this sci-fi neo-noir as he looks for the missing wrong woman that captured his heart and then disappeared. Will he like what he finds? From the mind of Lisa Joy, one of the creators of HBO's Westworld. Chris then shares his thoughts about Rebecca Hall and the horror film that's not quite what you think it is, ‘The Night House'. The Samurai Marathon sort of continues with Kenji Mizoguchi's ‘Ugetsu'. The classic adaptation of Ueda Akinari's tales ‘The House in the Thicket' and ‘The Lust of the White Serpent'. There's some talk of the new ‘Spider-Man: Far From Home' trailer. Then the show closes with the guys' sharing their 5 Favorite Flashbacks in movies! You can save this episode and relive it over and over!00:00-11:39: Reminiscence11:40-14:12: The Night House14:13-22:58: Physical Media Picks22:59-29:02: Spider-Man: No Way Home Trailer29:03-34:49: Ugetsu34:50-53:42: 5 Favorite Flashbacks53:43-56:01: Wrap Up/OuttakeTheme music by Jamal Malachi Ford-BeyTwitterInstagramFacebook
Finn & Uther watch Ugetsu (1953), Kenji Mizoguchi's devastating supernatural story of love and horror. Our second film this week is Meet Joe Black (1998), 3 hours of Brad Pitt playing The Grim Reaper as an irritating houseguest. We discuss different film visions of the afterlife, Mizoguchi's skill at crafting films from folktales, and Brad Pitt's Jamaican accent. Uther conducts a seance while Finn gets in touch with his inner Shatner. See acast.com/privacy for privacy and opt-out information.
This week, Eric Hoffman leads Jason on a discussion of two classic Japanese films directed by the brilliant Kenji Mizoguchi. Sansho the Balliff is a tragic story of a wealthy family separated and the slavery they endure, while Ugetsu tells a very human war story set in the sixteenth century. Eric and Jason chat about the filmmaking style of Mizoguchi and team, their political stance in the post-War period, and the resonances that helped make these essential watches. It's a fascinating hor and fifteen minutes' listen and we hope you enjoy. If you did enjoy this show, please subscribe and leave feedback on iTunes. --- Send in a voice message: https://anchor.fm/jason-sacks/message
The 1950s is a great period for movies - but not so much for American movies, as the Red Scare is driving many great artists out of the business. European and Japanese filmmakers are thriving, though, so this year they dominate the spotlight. Will we have our first non-English-language winner since Bicycle Thieves in '48? There's a four-out-of-five chance... Join Rachel Schaevitz and Aaron Keck as they discuss the year in cinema, the Hollywood blacklist, the poor man's Cary Grant, the greatness of Audrey Hepburn, what makes a film "feminist" or "anti-war," Hitchcock's theory of suspense, the generation gap, the menace of bad titles, and what happens when the original gaslighter gets gaslit - and then we dig into the data and the numbers (and our expert panel votes) to identify the best picture of 1953. The nominees are The Earrings of Madame de..., Roman Holiday, Tokyo Story, Ugetsu, and The Wages of Fear. Who wins the Moonlight?
It's a jazz extravaganza on Before the Stream. Jason met pianist/singer/songwriter Claude Rosen (clauderosen.bandcamp.com) on one of his first days at jazz school in New York City and they have been friends ever since. They discuss the album Ugetsu, but also what drew Claude to jazz at a very young age, what music school was like, how the record sounds to them now that they aren't in school or pursuing careers in jazz, and so much more. Subscribe, rate and review wherever you listen to podcasts. Email: beforethestreampodcast@gmail.com Twitter: beforethestream Instagram: beforethestream
Ugetsu (1953) is up this time around. A classic of Japanese cinema, Kelly and Zack dive into this masterpiece to explore both the film and the circumstances surrounding it in depth.Show notes:This episode contains spoilers. Also, the books that Zack refers through are Masks in Horror Cinema: Eyes Without Faces by Alexandra Heller-Nicholas and Japanese Horror Films and Their Remakes by Valerie Wee.Reach your hosts at ZackLong@Scriptophobic.ca or KellyWarner@Scriptophobic.ca.Next week's movie: Onibaba (1964)
This week the topic of discussion is Kiyoshi Kurosawa's Pulse (2001, AKA Kairo), a movie that is equal parts about a ghost apocalypse and depression.Show notes:The red tape in Pulse is unique to the movie, though it has been copied later.Wes Craven did in fact co-write the Pulse remake.Kurosawa's film Loft is from 2005, not later.Next week's movie: Ugetsu (1953)Reach your hosts at ZackLong@Scriptophobic.ca or KellyWarner@Scriptophobic.ca
On the this episode, Steven and Andrew discuss the Kenji Mizoguchi classic "Ugetsu"
Barrett Fisher and Sam Mulberry meet up in the video store to talk about the 1953 film Ugetsu and to get Barrett's film recommendation for next week. For more information about Video Store or to find all of our episodes, check out our website: https://videostorepodcast.wordpress.com/
Turn down the lights, the Toho Gang have a ghost story for you! Will greed reign supreme or will Genjuro and Tobei come to their senses? It’s Episode 65: UGETSU! Directed by Kenji Mizoguchi, Starring Machiko Kyo, Masayuki Mori, Eitaro Ozawa, Mitsuko Mito, and Kinuyo Tanaka The One Piece Podcast · Toho Yaro #65, “Ugetsu” The post Toho Yaro #65, “Ugetsu” appeared first on Toho Yaro.
It's been over a year since we last hung out with the Given boys and demand for us to cover the movie once it was released has been ongoing ever since. Well, the film is now in the wild and thus it's time we fulfilled that promise! Shadon and The Subtle Doctor pick up their mics once again to talk shop about Given, covering topics such as the transition from show to movie format and what that entails, the focus on Akihiko and Haruki over Uenoyama and Mafuyu, Ugetsu possibly being a devourer of souls, cinematography and storyboarding, badly timed phone calls and more! This bonus podcast is free for everyone to enjoy. To those who have provided feedback, comments and support for our coverage of Given as a series both while it was airing and since, this one is for you.
"Ghost in the kitchen. Demon in bed."The Yours, Mine, & Theirs 2020 scarefest BEGINS with ghosts and their ghost stories! Zo's back to celebrate hard. Too hard maybe.Stick around after the credits! We go over this year's Halloween mixtape/CD/playlist in great detail!0:00 -- Intro (house report, scary movie report, kid trauma)32:53 -- The Dead of Night46:55 -- Ugetsu1.02:34 -- Ouija: Origin of Evil1.23:38 -- Awards and rankings2.01:41 -- Spooky future business2.04:55 -- Outro and 2020 Halloween CD/playlist revelationHey! The Halloween cramdown continues! Be sure to watch [REC], Lake Mungo, and Hell House LLC for next time!Hey! Also watch The Blair Thumb I guess!Hey! Hear the Patton Oswalt $5 routine!Hey! See that one Squirrel Nut Zippers video!Hey! Subscribe in iTunes!Hey! Check out the Facebook page and vote on the next category!Hey! Check out Jon's YM&T Letterboxd list!Hey! Check out Roy's YM&T Letterboxd list!Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!Download this episode right here!
"Most people were still alive; just the starfighters were dead."Strangely this is the only YM&T podcast where we don't mention The Last Jedi. Stay with us anyway while we talk about the final starfighters and dragons and also the previous summer. I suppose we should have defined the word "last" a bit better.0:00 -- Intro (zero initial guests, Robert Preston convention, housetalk, initial Halloween, Berry Gordy)19:07 -- Suddenly, Last Summer44:33 -- The Last Starfighter56:53 -- Surprise Zo call1.06:18 -- The Last Dragon1.25:06 -- Awards and rankings1.53:47 -- Spooky future business2.04:12 -- Outro and outtakesHey! The Halloween cramdown is upon us! Be sure to watch Dead of Night, Ugetsu, and Ouija: Origin of Evil for next time!Hey! Hear The Motels' song "Suddenly, Last Summer"!Hey! Subscribe in iTunes!Hey! Check out the Facebook page and vote on the next category!Hey! Check out Jon's YM&T Letterboxd list!Hey! Check out Roy's YM&T Letterboxd list!Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!Download this episode right here!
This episode we cover Ugetsu with our guest Tony. Next week will be World on a Wire parts 1 and 2.
Ugetsu (1953) is up this time around. A classic of Japanese cinema, Kelly and Zack dive into this masterpiece to explore both the film and the circumstances surrounding it in depth.
Greg screens Kenji Mizoguchi's 1953 historical spooker "Ugetsu."
This week we go to the Italians in the 70s, and they take us back to WWII, because why not… Enjoy our shenanigans in a much shorter format… Show Notes (00:03:52) Seven Beauties(00:25:19) Stockholm(00:30:51) Fighting With My Family(00:35:18) El Camino(00:40:51) Ugetsu(00:43:20) What We Do in the Shadows(00:47:02) Gemini Man(00:57:08) The Good Place(00:59:20) Deon Cole: Cole … Continue reading "TUMP [EP#327 – SEVEN BEAUTIES]"
Kenji Mizoguchi's masterpiece owes a great debt of gratitude to Kazuo Miyagawa's luminous, shimmering cinematography. The post 380. Ugetsu Monogatari appeared first on Steven Benedict.
Hot Date has reached episode 90 and that means hosts Dan and Vicky come up with another Top Ten movie list. This time, the topic is psychological thrillers and it's scary how many great films your hosts dig up. You'll hear about movies from classic thriller directors from Hitchcock to Polanski to Fincher and international white knucklers from France, Mexico and England. Movies guaranteed to send a chill up your spine and get your heartbeat racing. It's been almost two months since Dan and Vicky recorded last so there's plenty of catching up. Massachusetts is all over episode 90 as Dan tells us about his show on Nantucket and Vicky talks about visiting Boston. And there's two months of recently seen to discuss so stay tuned for thoughts on Fleabag, NOS4A2, Los Espookys, Booksmart, Godzilla, King of the Monsters, Brightburn, 1953's Ugetsu, Ma, and Knife + Heart among many others. Take a listen to Hot Date 90: Psychological Thrillers and leave us some feedback. Check out our website at hotdatepod.com
Andy Rankin and Jimmy Barnes watch Kenji Mizoguchi's 1953 film, "Ugetsu", considered to be one of the greatest Japanese movies of all time, and then immediately discuss. Check us out: Patreon: http://bit.do/eSgD8 Insta: @desperatelyseekingcinema Twitter: @desperatecinema Facebook: Desperately Seeking Cinema Jimmy: Insta @jimmydbarnes Twitter @jimmydbarnes
Jordan and Nic get into the big reveals of Ugetsu Monogatari, including their “Eye of the Duck” segment (the key scene of the movie, à la David Lynch). Feedback? Email us at filmshakepodcast@gmail.comSupport the show (https://www.patreon.com/filmshake)
Jordan and Nic introduce the show, talk spoiler-free about Kenji Mizoguchi's Ugetsu, and conduct their first trivia battle. Feedback? Email us at filmshakepodcast@gmail.com. Music by Broke For Free.Support the show (https://www.patreon.com/filmshake)
Ohne Kenji Mizoguchis UGETSU MONOGATARI kein Siegeszug des japanischen Kinos im Westen: neben Akira Kurosawa steht kaum ein anderer Filmemacher so sehr für das sogenannte goldene Zeitalter des japanischen Filmschaffens. Anfang der 50er Jahre ist Mizoguchi auch einer der ersten, die sich mit Japans Rolle im Zweiten Weltkrieg auseinander setzen. Vordergründig geht es in UGETSU um das Leid der Landbevölkerung während eines Kriegs zwischen Klans im 16. Jahrhundert. Tatsächlich aber gestaltet Mizoguchi seinen Film maximal anschlussfähig für eine Welt, der die Grauen des Krieges noch ganz unmittelbar sind. In UGETSU MONOGATARI werden Frauen entführt und zur Prostitution gezwungen – ein ganz bewusstes Echo des Umgangs japanischer Soldaten mit den sogenannten „comfort women“ während des Weltkriegs. Und brave Bauern verlieren den Verstand, weil sie glauben, Kriegsgewinnler werden zu können. Wir setzen uns kritisch damit auseinander, wie ernst man Mizoguchis ersten Versuch einer verantwortungsbewussten Erinnerungskultur heute noch nehmen kann. Und arbeiten uns an seinem betont japanischen Stil ab: Kamerafahrten wie Bildrollen, die sich vor unseren Augen entfalten.
Ugetsu is quite possibly the greatest film ever made.
On this episode, the group continues their Young Critics Watch Old Movies series with 1953's Ugetsu.★ Support this podcast on Patreon ★
Integrante conspicua de las listas de las mejores películas de la historia, esta cinta despliega con total frescura los elementos que suelen exhibir los clásicos. Sus historias están movidas por pasiones reconocibles, que involucran aquellos quiebres que unen y separan a las personas: vivos-muertos, hombres-mujeres, ricos-pobres, jóvenes-viejos, soldados-paisanos; todo con una fotografía al servicio de mostrar el enrarecido mundo donde conviven vivos y muertos, y con una cámara que se mueve al son de las sorpresas y las amenazas. De esto y más hablamos en el podcast.
On today's show, we're rounding out the Sight and Sound Top 50 with Kenji Mizoguchi's ghost story, Ugetsu Monogatari ('53). Notable for both its stunning long takes and its condemnation of the oppressive patriarchal values of Feudal Japan, Ugetsu has become the quintessential Mizoguchi text. Flixwise co-producer, Martin Kessler, and Eclipse Viewer host, David Blakeslee, join Lady P to discuss why they think Ugetsu's haunting tale of the destructive power of masculine pride managed to surpass both Sansho the Bailiff and Life of Oharu to become the highest ranking Mizoguchi film on the Sight and Sound list. For the second topic, the gang talks cinema's greatest ghost stories. The panelist surmise that part of Ugetsu's enduring popularity is its supernatural element. That said, not all movie specters are as haunting as Machiko Kyo's Lady Wakasa. The panel talks about what kinds of ghosts make for effective cinematic renderings (and they try to figure out why movie ghosts have a thing for pottery). Then each panelists takes a turn talking about their personal favorite spirits from the great beyond.
Mon, 26 Oct 2015 08:00:00 +0000 https://bahnhofskino.podigee.io/b17-bonus-17-ugetsu-monogatari-1953-prasentiert-von-wiederauffuhrung 5eacef5ad87afa1f7e2627c4bb9a4c87 Wir haben uns mit Max und Christian von WIEDERAUFFÜHRUNG im virtuellen Raum getroffen, um über UGETSU - ERZÄHLUNGEN UNTER DEM REGENMOND (1953) von Kenji Mizoguchi zu sprechen. Wir haben uns mit Max und Christian von WIEDERAUFFÜHRUNG im virtuellen Raum getroffen, um über UGETSU - ERZÄHLUNGEN UNTER DEM REGENMOND (1953) von Kenji Mizoguchi zu sprechen. Wir preisen das unheimliche Meisterwerk des japanischen Kinos, erlauben uns aber auch so manche Kritik. Happy #Horrorctober! Besucht Max und Christian unter www.wiederauffuehrung.de oder bei iTunes. Einer der schönsten und schlauesten Podcasts überhaupt zu Filmklassikern über alle Genregrenzen hinweg. Hörbefehl! https://images.podigee.com/0x,sLd-5hTwUQAHXg0nRg53LJpnpEjZpdRht7xD3AujQarc=/https://cdn.podigee.com/uploads/u2906/9d22ad71-c70d-42f2-a1f6-97844a409c03.jpg Bonus #17: Ugetsu Monogatari (1953) präsentiert von WIEDERAUFFÜHRUNG https://bahnhofskino.podigee.io/b17-bonus-17-ugetsu-monogatari-1953-prasentiert-von-wiederauffuhrung 17 bonus Wir haben uns mit Max und Christian von WIEDERAUFFÜHRUNG im virtuellen Raum getroffen, um über UGETSU - ERZÄHLUNGEN UNTER DEM REGENMOND (1953) von Kenji Mizoguchi zu sprechen. no Patrick Lohmeier
Nach zwei Horrorctober-Sonderfolgen gibt's nun wieder eine "reguläre" Folge - regulär in Anführungszeichen, weil wir wieder über Skype verbunden waren. Und zwar mit Patrick und Daniel vom hörenswerten Bahnhofskino-Podcast. Im Quartett setzen wir uns mit den Schicksalen der Protagonisten von "Ugetsu" auseinander, diskutieren über mögliche moralische Botschaften und äußern uns zur technischen Seite des Films. Und wir klären, ob der Film das Siegel "Horrorctober approved" überhaupt verdient.
This weeks film Ugetsu Monogatari
Jazz trumpeter Tatum Greenblatt knew what he wanted to do from the first moment he heard the sound of Freddie Hubbard playing on the “Ugetsu” album by Art Blakey’s Jazz Messengers, when he was just a boy. Here he talks about growing up in a jazz house, his early musical mentors, and his general philosophy about professionalism in music. I’ve said it before and I’ll probably say it a few more times: Tatum is one sharp dressed cat.
Arul Mishra of the University of Utah discusses "Ugetsu", perception and the science of Neuromarketing.
Arul Mishra of the University of Utah discusses "Ugetsu", perception and the science of Neuromarketing.
Arul Mishra of the University of Utah discusses "Ugetsu", perception and the science of Neuromarketing.