Podcast appearances and mentions of Abel Gance

This week, Hesse ( @ZeroSuitCamus ) from Seeking Derangements and Movie Mindset returns to the clip to talk about Abel Gance's 7 hour silent epic, La Roue. A great long talk about narrative, style, history, and a surprising amount of unrelated Udo Kier anecdotes. Make sure to sign up on patreon for an extra episode every week. Right now, the annual memberships are 50% off!!! https://www.patreon.com/c/Extended_Clip Email us at extendedclippodcast@gmail.com with questions to be answered on the podcast. Lastly, please rate/review the show on Spotify, Apple Podcasts, or wherever else you may be listening.

The Movies That Made Me: Season 2: Episode 2 - FIGHTING   The War of the Words, Motions Eleven, The Mild Bunch... not actual films but titles that conjur the feel of this week's movie debate as: Script Editor and former Curzon Magazine film critic Martha "The Mace" Julier squares up against Former Actress and Teacher of English Literature and Media Studies Katie "The Catapult" Purslow to make the case for their Favourite Movie Fight Scenes.   Refereed by Luke "The Long Sword"  Sorba, Fights not Battles means no to (Abel Gance's) Napoleon,  Saving Private Ryan or Avengers: Endgame. But yes to Enter the Dragon, Charlie's Angels (2000), Seven Brides for Seven Brothers, Aliens, The Raid and... Bridesmaids!   Download now, it's a knock out.   TMTMM is a Picard Production. Hosted by Luke Sorba. Produced and Edited by Andrew Paine   End Credits Luke Sorba: Host Twitter: LukeSorbaLabour Andrew Paine: Producer & Audio Engineer Twitter: ItPainesMe

Émission journalisme total, regards et communications. D'habitude c'est moi qui écoute, c'est moi qui cherche et qui traduis. Mais puisque tu es sur ma route, je vais chanter ce que je suis. Je suis le miroir de la vie, oui. J'observe, je note et puis j'écrie, je suis le miroir de la vie, oui, celui qu'on brise quand il ennuie. Enfin bref, il est 19h...Dispo également on da tube :Au programme cette semaine :* Riverboom, de Claude Baechtold. Formidable documentaire sur une bande de pieds nickelés suisse en Afghanistan en 2002. ça part dans le top et il n'est pas dernier.* John McTiernan - Cinéma Total. Livre consacré au cinéaste américain, édité chez Le Feu Sacré Editions.On avait causé McT là, il y a longtemps.______PUBLIC SERVICE ANNOUNCEMENT:  Le Film du Dimanche Soir,  le 20 octobre le jour du vin et de Rozier ! ______Coups de cœur:THOMAS: Napoléon vu par Abel Gance + The Appointment (Lindsey C. Vickers)THIBAUT: Gare centrale (Rebecca Zlotowski)DOC ERWAN: revoir El Reino (Sorogoyen) PLAYLISTPrégénérique / Extrait RiverboomExtrait / RiverboomExtrait Taranasaz - C'était l'afganisthan avant 1978 (Portrait d'un pays perdu / Une œuvre sonore d'André Velter)Jerry Goldsmith / Old Bagdad (13th Warrior OST)

Après 40 ans d'attente, Megalopolis est enfin sur les écrans, et le moins qu'on puisse dire, c'est que ça se passe couci-couça pour Francis...Mais nous on l'aime beaucoup ce film, et après avoir exploré la filmographie de Francis Ford Coppola durant nos deux précédentes émissions, on essaye de vous dire pourquoi dans cette troisième émission.PS : Achetez et lisez le FORMIDABLE livre de Sam Wasson, Le Chemin du Paradisédité chezCarlotta.A vos agendas !La prochaine séance MONUMENTAL au Cinéma Arvor sera consacrée au Napoléon d'Abel GanceLe prochain Film du Dimanche Soir sera Maine Océande Jacques Rozier!Nîmoises, nîmois, la moitié poilue de l'émission sera au Sémaphore le 10 octobre pour présenter Daniel de Sidney Lumet, sur l'invitation de Anima.Blind test à Quai des Bulles Saint Malo le 26 octobre ! Photo : Lindsay Birnes

A l'occasion de la parution du FORMIDABLE livre de Sam Wasson, Le Chemin du Paradischez Carlotta, et de la sortie imminente de Megalopolis, retour sur la filmographie du plus fascinant des cinéastes américains, Francis Ford Coppola.Deuxième partie.A vos agendas !Le prochain Film du Dimanche Soir sera Maine Océande Jacques Rozier!La prochaine séance MONUMENTAL au Cinéma Arvor sera consacrée au Napoléon d'Abel GanceBlind test à Quai des Bulles Saint Malo le 26 octobre !

A l'occasion de la parution du FORMIDABLE livre de Sam Wasson, Le Chemin du Paradischez Carlotta, et de la sortie imminente de Megalopolis, retour la filmographie du plus fascinant des cinéastes américains, Francis Ford Coppola.Première partie.A vos agendas !Le prochain Film du Dimanche Soir sera Maine Océande Jacques Rozier!La prochaine séance MONUMENTAL au Cinéma Arvor sera consacrée au Napoléon d'Abel GanceBlind test à Quai des Bulles Saint Malo le 26 octobre !

Rentrée de la classe avec un marathon quasi exhaustif (déso Trap, pourtant loin d'être le pire) des films vus cet été. Attention indigestion probable.On cause donc :de blockbusters : Twisters, Alien Romulus, Vice Versa 2, To the Moon.de film de pif-paf-pouf : City of Darkness, Raayan.de film documentaire : Year of Darkness. de films d'horreur : Longlegs, MaXXXine.et de film catastrophe : Emilia Perez.A vos agendas ! La moitié poilue de l'émission a concocté un cycle estival, ultime séance, Chinatown de Roman Polanski, venez manifester devant le cinéma Arvor mardi 3 septembre.La rentrée du Film du Dimanche Soir sera consacrée àLa Garçonnièrede Billy Wilderet on a très hâte !Les prochaines séances MONUMENTAL au Cinéma Arvor seront consacrées à L'Armée des ombres de Jean-Pierre Melville et au Napoléon d'Abel Gance

Emilio Occhialini ci racconta la sua esperienza all'ultima edizione del Cinema ritrovato un festival internazionale che si è tenuto nelle sale e nelle piazze di Bologna dal 22 al 30 giugno e che grazie alla Cineteca di Bologna ha riproposto il cinema d'autore per tutti, con un cartellone che comprende capolavori del passato e film sperimentali.Alcuni tra i tanti titoli citati:"Lo Squalo" di Spielberg (1975) (vintage edition)"Napoleon" di Abel Gance (1927) "Hellraiser" di Clive Barker (1987)"Lanterne Rosse" Zhang Ymou (1991)'I disperati di Sandor" di Miklos Jancsò (1964)"Sugarland Express " di Steven Spielberg (1974)'I compari" di Robert Altman (1971)"Tokyo Drifter - Il vagabondo di Tokyo" di Seijun Suzuki (1972)"Fase IV: Distruzione terra" di Saul Bass (1974)"Godzilla" Hishiro Honda (1954)"Bona" Lino Brocka (1980) "Camp de Thiaroye" di Ousmane Sembène (1988)

We take a look at some of the summer blockbusters filling air-conditioned movie theatres around the globe, as film critic Lisa Nesselson showcases some of the more enticing meteorological, extraterrestrial and fantastical pictures coming to the big screen. Jacque Audiard's award-winning “Emilia Perez” opens in French cinemas after a warm reception at the Cannes Film festival, and with Paris poised to welcome the Olympic Games, we check out a documentary following the city's preparations. A group screening French films with English subtitles means that movie fans can enjoy a rich selection of features with nothing getting “Lost in Frenchlation” and we learn why Abel Gance's 1927 “Napoléon” warrants its spectacular new release. 

durée : 02:19:59 - Les Nuits de France Culture - En 1982, Philippe Esnault proposait une émission consacrée à la personne et à l'œuvre d'Abel Gance. Un portrait du réalisateur, critique au meilleur sens du mot, qui éclairait la place singulière qu'occupe Abel Gance dans l'histoire du cinéma. - invités : Jean Dreville Réalisateur cinéma

durée : 00:54:59 - Les Nuits de France Culture - par : Philippe Garbit - Soubrette, concierge, mégère… elles ont été incarnées par Pauline Carton des années durant au cinéma ou sur les planches. En direct avec la phonothèque de l'ORTF elle racontait sa vie d'actrice notamment dans 22 films de Sacha Guitry (1ère diffusion : 26/02/1969).

Dans ce nouvel épisode la "Bobine Team" (Lou Bobin, Marcelle Ratafia et Julien Guimon) a le plaisir de recevoir Frédéric Sojcher, cinéaste, auteur et professeur à la Sorbonne 1.Ensemble, ils évoquent la carrière de Micheline Presle, doyenne du cinéma français, récemment disparue, mais surtout actrice à la carrière internationale qui n'a jamais cessé de tourner, notamment dans HH, Hitler à Hollywood réalisé par notre invité. Crédits des extraits :11'06 Bande annonce HH, Hitler à Hollywood, Frédéric Sojcher, 2011.15'32 Chanson interprétée par Micheline Presle dans Paradis perdu, Abel Gance, 1940.22'12 Bande annonce Le Diable au corps, Claude Autant-Lara, 1947.31'28 Micheline Presle : entretien pour l'émission Appelez-moi Lise, Radio Canada,1974.39'38 Les Saintes chéries, Saison 2, épisode 1, Nicole de Buron, 1968.48'00 Je te tiens, tu me tiens par la barbichette, Jean Yanne, 1979Si vous aimez ce podcast, parlez en autour de vous et likez notre page insta : https://www.instagram.com/lesbobines.podcast/Et surtout abonnez-vous sur votre plateforme favorite !Bonne écoute ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Angélica Hellish, Marcos Noriega, Douglas Fricke (Podtrash) e Filipe Pereira (Cinealerta) conversam sobre filmes com narrativas interessantes e muitas vezes não convencionais!   ACESSE AS ANOTAÇÕES DO DOUGLAS AQUI: Mencionados: “Napoleon”, de Abel Gance, 1927 / “Vampiros da Meia-Noite” 1927 / "Haxan" de 1922 / “Dollie Daisy in Hearts and Flowers” (Howard H. Moss, 1930) / “O Porco Dançarino” (1907, “Le Cochon Danseur”, Millard Mercury) / “L'Inferno” (1911, Francesco Bertolini / “A Queda da Casa de Usher” (1928. Jean Epstein) / “Three's a Crowd” (“Pai sem Selo”, 1927, Harry Langdon) / Alice no País das Maravilhas (1903) / George Méliès: "L'Éclipse du soleil en pleine lune" (Eclipse do sol na lua cheia) / L'Inumane (The Inhuman Woman), 1924 / “Dream of a Rarebit Fiend” (1906) / “The Red Spectre” (1907) / “The Thieving Hand” (1908) / “Princess Nicotine, or, the Smoke Fairy” (1909) / “Filmstudie” (Hans Richter, 1926) / “The Adventures of Prince Achmed” (“Die Abenteuer des Prinzen Achmed” no original alemão, da diretora Lotte Reiniger, de 1926) / “Braza Dormida” (1928, Brasil, do mineiro Humberto Mauro) / “The Cameraman's Revenge” (1911) / “Goroda i gody” (“Citites and Years”, 1930) / “Aelita” (1924, de Yakov Protazanov) / “O Caso dos 3 Milhões” (1926, direção Yakob Protazanov pela Companhia Mezrhapom-Rus) / “земля” (“Earth”, dir. Aleksander Dovzhenko, 1930) / “Ekstase” (“Ecstasy”, 1933, dir. Gustave Machaty) / “The Adventures of the Little Chinese” (1928) / “China In Flames” (1925) / A Queima do Templo do Lótus Vermelho (“The Burning of the Red Lotus Temple” 1928 e 1931 / “Laogong zhi aiqing” (“Laborer's Love” ou 勞工之愛情, 1922, dir. Zhang Shichuan / “Hong Xia” (Red Heroine, ou 红侠 no original, de 1929) / Entr'acte (1924) René Clair / Ballet Mécanique (1924) / Limite (1931) Mário Peixoto / Meia-Noite Levarei Sua Alma (1962) / Rien que les heures (1926) Alberto Cavalcanti /The Mystery of Picasso (1956) / La Jetée (1962) / Meshes of the Afternoon (1943) / Un Chien Andalou (1929) / The Blood of a Poet (1932) / A Page of Madness (1926) / Drácula: O Diário de Uma Virgem (2002) / Nós Que Aqui Estamos Por Vós Esperamos (1999) e 1,99 O Supermercado Que Vende Palavras (2003) https://masmorracine.wordpress.com/2013/07/14/masmorra-cast-44-trilogia-qatsi-baraka-e-samsara/ https://www.youtube.com/watch?v=lR-Ru1_EFFg   APOIE A GENTE, NOSSO PIX apoiomasmorra@gmail.com MEU PROJETO NOVO – TRUE CRIME! https://www.youtube.com/@voltaaomundonocrime⁠⁠⁠⁠⁠ JÁ SE INSCREVA E DEIXE SEU LIKE ACESSE CINECLUBE DA MASMORRA: ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6XO2tljzo8XHlFCe3exzCn⁠ ⁠⁠⁠⁠⁠ SeLIVES TODAS AS QUARTAS 21H NO ⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠, ⁠⁠⁠⁠TWICH⁠⁠⁠⁠ E ⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠ Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.comSIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ⁠⁠⁠⁠⁠https://www.twitch.tv/angelmasmorra⁠⁠⁠⁠⁠⁠ AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine quiser se inscrever e dar estrelas no podcast lá no Spotify, ⁠clique aqui⁠:  

Angélica Hellish, Marcos Noriega, Douglas Fricke (Podtrash) e Filipe Pereira (Cinealerta) conversam sobre filmes com narrativas interessantes e muitas vezes não convencionais!   ACESSE AS ANOTAÇÕES DO DOUGLAS AQUI: Mencionados: “Napoleon”, de Abel Gance, 1927 / “Vampiros da Meia-Noite” 1927 / "Haxan" de 1922 / “Dollie Daisy in Hearts and Flowers” (Howard H. Moss, 1930) / “O Porco Dançarino” (1907, “Le Cochon Danseur”, Millard Mercury) / “L'Inferno” (1911, Francesco Bertolini / “A Queda da Casa de Usher” (1928. Jean Epstein) / “Three's a Crowd” (“Pai sem Selo”, 1927, Harry Langdon) / Alice no País das Maravilhas (1903) / George Méliès: "L'Éclipse du soleil en pleine lune" (Eclipse do sol na lua cheia) / L'Inumane (The Inhuman Woman), 1924 / “Dream of a Rarebit Fiend” (1906) / “The Red Spectre” (1907) / “The Thieving Hand” (1908) / “Princess Nicotine, or, the Smoke Fairy” (1909) / “Filmstudie” (Hans Richter, 1926) / “The Adventures of Prince Achmed” (“Die Abenteuer des Prinzen Achmed” no original alemão, da diretora Lotte Reiniger, de 1926) / “Braza Dormida” (1928, Brasil, do mineiro Humberto Mauro) / “The Cameraman's Revenge” (1911) / “Goroda i gody” (“Citites and Years”, 1930) / “Aelita” (1924, de Yakov Protazanov) / “O Caso dos 3 Milhões” (1926, direção Yakob Protazanov pela Companhia Mezrhapom-Rus) / “земля” (“Earth”, dir. Aleksander Dovzhenko, 1930) / “Ekstase” (“Ecstasy”, 1933, dir. Gustave Machaty) / “The Adventures of the Little Chinese” (1928) / “China In Flames” (1925) / A Queima do Templo do Lótus Vermelho (“The Burning of the Red Lotus Temple” 1928 e 1931 / “Laogong zhi aiqing” (“Laborer's Love” ou 勞工之愛情, 1922, dir. Zhang Shichuan / “Hong Xia” (Red Heroine, ou 红侠 no original, de 1929) / Entr'acte (1924) René Clair / Ballet Mécanique (1924) / Limite (1931) Mário Peixoto / Meia-Noite Levarei Sua Alma (1962) / Rien que les heures (1926) Alberto Cavalcanti /The Mystery of Picasso (1956) / La Jetée (1962) / Meshes of the Afternoon (1943) / Un Chien Andalou (1929) / The Blood of a Poet (1932) / A Page of Madness (1926) / Drácula: O Diário de Uma Virgem (2002) / Nós Que Aqui Estamos Por Vós Esperamos (1999) e 1,99 O Supermercado Que Vende Palavras (2003) https://masmorracine.wordpress.com/2013/07/14/masmorra-cast-44-trilogia-qatsi-baraka-e-samsara/ https://www.youtube.com/watch?v=lR-Ru1_EFFg   APOIE A GENTE, NOSSO PIX apoiomasmorra@gmail.com MEU PROJETO NOVO – TRUE CRIME! https://www.youtube.com/@voltaaomundonocrime⁠⁠⁠⁠⁠ JÁ SE INSCREVA E DEIXE SEU LIKE ACESSE CINECLUBE DA MASMORRA: ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6XO2tljzo8XHlFCe3exzCn⁠ ⁠⁠⁠⁠⁠ SeLIVES TODAS AS QUARTAS 21H NO ⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠, ⁠⁠⁠⁠TWICH⁠⁠⁠⁠ E ⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠ Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.comSIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ⁠⁠⁠⁠⁠https://www.twitch.tv/angelmasmorra⁠⁠⁠⁠⁠⁠ AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine quiser se inscrever e dar estrelas no podcast lá no Spotify, ⁠clique aqui⁠:  

durée : 00:21:58 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - Quinze années de travail pour retrouver, pellicule par pellicule, les morceaux d'un film dans une version que personne n'avait vue depuis 1927. - invités : Georges Mourier Réalisateur et chercheur ; Simon Cloquet-Laffolye Compositeur

Ep. 243: Cannes 2024: Eric Hynes on Megalopolis, plus Napoleon and The Girl With the Needle Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival is officially underway, and no film was more highly anticipated than Francis Ford Coppola's Megalopolis. To get the very latest, I connected with Eric Hynes, curator of film at the Museum of the Moving Image, fresh from a press screening of the movie, which has loomed over Cannes' opening days this year. He shared his initial thoughts about Megalopolis, which stars Adam Driver as a would-be visionary city planner, and about another competition title, The Girl with the Needle (Magnus von Horn), and a Cannes Classics selection, Abel Gance's Napoleon. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. To kick things off, Film Comment Editor Devika Girish sat down with our contributor Beatrice Loayza (stay tuned for her dispatch next week) and Sight and Sound's Isabel Stevens. The three critics debated their differing reactions to the festival's opening night selection, Quentin Dupieux's The Second Act, as well as Sophie Fillières' This Life of Mine, Agathe Riedinger's Wild Diamond, and Abel Gance's newly-restored silent epic Napoléon (1927), before looking ahead to the films they're most excited to see as the festival continues. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: https://www.filmcomment.com/newsletter-sign-up/

durée : 00:19:58 - Les Nuits de France Culture - par : Philippe Garbit - Dans cet entretien de 1955, Abel Gance raconte la naissance du film 'La Roue', motivé par sa recherche d'un nouveau langage cinématographique. Ce film de 1923 réussissait par un montage d'images rapides à faire ressentir au public une impression physique de mouvement, renforçant l'effet dramatique. - invités : Abel Gance

L'actrice française Micheline Presle, qui a tourné plus de 150 films, dont quelques-uns à Hollywood, et côtoyé les figures du 7e art du XXème siècle de George Pabst à Alain Resnais en passant par Abel Gance, Jacques Demy ou Claude Autant-Lara, nous a quittés le 21 février dernier. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Les sorties BD de Xavier Vanbuggenhout : - « Retour à Lemberg », d'après le livre de Philippe Sands, par Jean Christophe Camus et Christophe Picaud (Delcourt) - « Nos rives partagées » de Zabus et Nicoby (Dargaud) L'actrice française Micheline Presle, qui a tourné plus de 150 films, dont quelques-uns à Hollywood, et côtoyé les figures du 7e art du XXème siècle de George Pabst à Alain Resnais en passant par Abel Gance, Jacques Demy ou Claude Autant-Lara, nous a quittés le 21 février dernier. Le mangaka japonais Akira Toriyama, créateur de Dragon Ball, nous a quittés le 1er mars dernier. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. La chronique de Josef Schovanec : Don Camillo, le curé de campagne créé en 1948 par l'écrivain italien Giovannino Guareschi. Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Wouter Post in gesprek met filmregisseur en scenarioschrijver Martin Koolhoven, bekend van 'Het schnitzelparadijs', 'Oorlogswinter' en 'Brimstone'. Bronnen en links bij deze uitzending: De officiële trailer van 'Napoleon': https://www.youtube.com/watch?v=OAZWXUkrjPc De film 'Waterloo', Sergej Bondartsjoek (1970): https://www.youtube.com/watch?v=3DcWJrzK0wU Trailer van 'Napoleon', Abel Gance (1927): https://www.youtube.com/watch?v=6504eRh5h6M Leo Tolstoy, War and Peace, in de vertaling van Aylmer and Louise Maude: https://gutenberg.org/ebooks/2600 Een deel van de film 'Citizen Kane', Orson Welles (1941): https://www.youtube.com/watch?v=74ol6mKC3aY Bart van Loo, 'Napoleon. De schaduw van de revolutie' (2014): https://www.bartvanloo.info/site/portfolio/napoleon/ 'Easy Riders, Raging Bulls', Peter-Biskind (1998): https://www.simonandschuster.com/books/Easy-Riders-Raging-Bulls/Peter-Biskind/9780684857084 De officiële trailer van '1917', Sam Mendes (2019): https://www.youtube.com/watch?v=YqNYrYUiMfg De officiële trailer van 'Titane', Julia Ducournau (2021): https://www.youtube.com/watch?v=R67Lt-4PYb4 Originele trailer van 'Easy Rider', Dennis Hopper (1969): https://www.youtube.com/watch?v=IlfpTppsR0U De officiële trailer van 'Taxidriver', Martin Scorsese (1976): https://www.youtube.com/watch?v=T5IligQP7Fo Binnenkort in première bij de VPRO, 'Koolhoven presenteert': https://www.vpro.nl/programmas/koolhoven-presenteert.html

Bonaparte is afraid. In the continuing saga of 2023's historical epics, Ridley Scott's Napoleon prompts Ryley, Cole and Zach to dig back 100 years and discuss Abel Gance's beloved but underseen silent era masterpiece, Napoleon, to determine which explosive film is the definitive take on France's national hero. In addition we also discuss some new releases, including Taika Waititi's disappointing Next Goal Wins, Beyoncé's latest concert smash, Renaissance, and Bradley Cooper's Oscar hopeful Maestro.

Não são poucos os cineastas que quiseram contar sua versão da riquíssima biografia de Napoleão Bonaparte, um dos personagens mais importantes de qualquer recorte histórico que você quiser fazer.::Um deles foi Stanley Kubrick, um dos maiores cineastas-entusiastas de Napoleão, que acabou batendo na trave por falta de verba, problemas com a MGM e outros motivos menores. Inclusive muita gente chamou essa tentativa frustrada de “o melhor filme nunca feito”.::E é bacana trazer aqui que já tivemos produções com o nosso Napô. Entre elas a cinebiografia de 1929 do grande Abel Gance, o romance “Desire, o amor de Napoleão” com Marlon Brando no papel principal e a minissérie em 4 episódios lá de 2002 “Napoleão”, que tem no elenco John Malkovich, Isabela Rossellini e Gerard Depardieu. ::Entrando na versão do experiente inglês Ridley Scott, famoso por feitos como “Alien”, “Blade Runner”, “Gladiador” e “Perdido em Marte”, temos um olhar bastante pessoal sobre as origens de Napoleão Bonaparte e sua rapidíssima e implacável ascensão a imperador, analisado através de grandes batalhas como Austerlitz e Waterloo e de seu relacionamento com sua esposa e grande amor, Josephine.::No elenco, além de Joaquin Phoenix no papel principal, temos Vanessa Kirby como Josephine e participações interessantes de nomes como Rupert Everett e Tahar Rahim.::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

For our discussion of Ridley Scott's new historical epic, Napoleon, we have the privilege of being joined by Paul Cuff, a film historian and expert on the Napoleonic era in cinema, including and especially Abel Gance's Napoléon from 1927, about which he wrote A Revolution for the Screen: Abel Gance's Napoleon. Together, we ask whether Scott's film has anything to say about the man whose life it depicts - and if so what? - whether its ahistoricity matters, and how substantially it fleshes out its characters and the events and relationships dramatised. Recorded on 26th November 2023.

Genie, generaal, dictator, tiran, maar ook minnaar,... een veelzijdig iemand als Napoleon Bonaparte is niet eenvoudig in een film te vatten. Regisseur Ridley Scott heeft het toch nog een keer geprobeerd met Joaquin Phoenix in de rol van Napoleon. Scott is natuurlijk lang niet de eerste. Zo was er de spektakelfilm van pionier Abel Gance en het nooit gerealiseerde Napoleonproject van Stanley Kubrick. Harold Polis keek naar de film van Scott en naar een aantal andere Napoleontische films.

Ep. 212: Restorations with James Vaughan: Abel Gance, Pressure, Man Ray, Abraham's Valley Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. Every year the New York Film Festival rolls out a selection of revivals and restorations, and for the latest edition, I welcomed filmmaker James Vaughan (Friends and Strangers) back to the podcast. We discussed a number of highlights, some of which will be making their way to cinemas: La Roue (Abel Gance), Pressure (Horace Ové), films by Man Ray (accompanied by Jim Jarmusch's band SQÜRL), and Abraham's Valley (Manoel de Oliveira). Plus a straggler from the premieres: Martin Rejtman's La Practica. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Since we started Criteria: The Catholic Film Podcast in May 2020, we've been hosting in-depth discussions of movies from the Vatican's 1995 list of important films. Now, after three years, we've finished discussing all 45 films - and in this episode, together with Catholic filmmaker Nathan Douglas, we're taking a look back at the list as a whole. After discussing how and why the Vatican film list (actually titled "Some Important Films") was made, and putting it in the context of several decades of concern from the highest levels of the Vatican about the social and moral influence of cinema, we talk about our favorite and least favorite films on the Vatican's list, as well as the movies we think should be added in a hypothetical future update of the list. Ultimately, watching through the entire Vatican film list is not only an education in the classics of world cinema, but also gives  important perspective on the strengths and weaknesses of past cinematic engagement with religion, allowing us to see both the potential fruit that could be borne and the dead ends that should be avoided in the Catholic cinema of the future. 0:00 Introduction 11:31 History behind the Vatican film list 43:34 What films should be removed from the list? 1:24:10 Our favorite films on the list 1:55:30 What films should have been included that weren't? 2:34:09 What post-1995 films would we add? 3:00:19 The most Catholic/edifying films on the list Links Pope St. John Paul II's address on the 100th birthday of cinema https://www.vatican.va/content/john-paul-ii/en/speeches/1995/march/documents/hf_jp-ii_spe_19950317_plen-pccs.html "100 Years of Cinema" document from the Pontifical Council of Social Communications with model curriculum https://www.vatican.va/roman_curia/pontifical_councils/pccs/documents/rc_pc_pccs_doc_19960101_100-cinema_en.html Below is the 1995 list by the Pontifical Council for Social Communications, "Some Important Films" (with links to our episode on each film): Religion Andrei Rublev, Andrei Tarkovsky (1969, USSR) The Mission, Roland Joffé (1986, UK) The Passion of Joan of Arc, Carl T. Dreyer (1928, France) Vie et passion du Christ (Life and Passion of Christ), Ferdinand Zecca and Lucien Nonguet (1905, France) The Flowers of St. Francis, Roberto Rossellini (1950, Italy) The Gospel According to Matthew, Pier Paolo Pasolini (1964, France/Italy) Thérèse, Alain Cavalier (1986, France) Ordet (The Word), Carl T. Dreyer (1955, Denmark) The Sacrifice, Andrei Tarkowsky (1986, Sweden/UK/France) Francesco, Liliana Cavani (1989, Italy/Germany) Ben-Hur, William Wyler (1959, USA) Babette's Feast, Gabriel Axel (1987, Denmark) Nazarín, Luis Buñuel (1958, Mexico) Monsieur Vincent, Maurice Cloche (1947, France) A Man for All Seasons, Fred Zinnemann (1966, UK) Values Gandhi, Richard Attenborough (1982, UK/USA/India) Intolerance, D. W. Griffith (1916, USA) Dekalog (The Decalogue), Krzysztof Kieslowski (1987, Poland) Au Revoir, Les Enfants (Goodbye, Children), Louis Malle (1987, France) Dersu Uzala, Akira Kurosawa (1974, Japan) The Tree of Wooden Clogs, Ermanno Olmi (1978, Italy/France) Rome, Open City, Roberto Rossellini (1946, Italy) Wild Strawberries, Ingmar Bergman (1957, Sweden) The Seventh Seal, Ingmar Bergman (1957, Sweden) Chariots of Fire, Hugh Hudson (1981, UK) Bicycle Thieves, Vittorio de Sica (1948, Italy) It's a Wonderful Life, Frank Capra (1946, USA) Schindler's List, Steven Spielberg (1993, USA) On the Waterfront, Elia Kazan (1954, USA) The Burmese Harp, Kon Ichikawa (1956, Japan) Art 2001: A Space Odyssey, Stanley Kubrick (1968, UK/USA) La Strada, Federico Fellini (1954, Italy) Citizen Kane, Orson Welles (1941, USA) Metropolis, Fritz Lang (1927, Germany) Modern Times, Charlie Chaplin (1936, USA) Napoléon, Abel Gance (1927, Italy) 8½, Federico Fellini (1963, Italy) La Grande Illusion, Jean Renoir (1937, France) Nosferatu, F. W. Murnau (1922, Germany) Stagecoach, John Ford (1939, USA) The Leopard, Luchino Visconti (1963, Italy/France) Fantasia (1940, USA) The Wizard of Oz, Victor Fleming (1939, USA) The Lavender Hill Mob, Charles Crichton (1951, UK) Little Women, George Cukor (1933, USA)

Surprise! Paul Cuff returns to discuss something completely different: Abel Gance's 1927 epic NAPOLEON! We discuss our shared love of the film, our first experiences watching it, Abel Gance's subsequent career, and the history of the film's restoration. Gloria Mercer was our dialogue editor for this episode. NEXT WEEK: Bram Ruiter and Will Ross rejoin us to discuss Lubitsch's 1921 expressionist comic extravaganza, THE WILDCAT. WORKS CITED: A REVOLUTION FOR THE SCREEN: ABEL GANCE'S NAPOLEON by Paul Buff Paul Cuff's Commentary on the BFI Napoleon Blu-Ray NAPOLEON by Kevin Brownlow

Pour ce nouvel épisode, nous accueillons la programmatrice et ancienne directrice du festival international du film d'Amiens, Annouchka de Andrade, également fille de la cinéaste Sarah Maldoror, pionnière du cinéma africain. Notre invitée plonge dans son enfance pour nous raconter ses premiers émois devant les films de Chaplin à la cinémathèque algérienne, son amitié avec le réalisateur Chris Marker, ou encore comment elle a découvert le fabuleux « Napoléon » d'Abel Gance en croyant voir le film d'Akira Kurosawa « Les 7 samouraïs ». Mêlant le cinéma et la Grande Histoire, Annouchka trace les contours d'une cinéphilie internationale, politique, et éminemment joyeuse et généreuse. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 2'33 Des disparitions au cinéma : celle dans Hyènes (Djibril Diop Mambety, 1992), celle de Pier Paolo Pasolini - 2'33 Ce que cela fait d'être "fille de cinéaste" - 5'33 Un lieu de cinéma : L'école de cinéma San Antonio de los Baños à Cuba - 9'35 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 13'00 La forte impression de découvrir un film jamais vu auparavant : Si j'avais quatre dromadaires (Chris Marker, 1966) - 13'00 Des projections de cinéma rêvées : Une projection au bord du fleuve Magdalena en Colombie / Un ciné-bal de Hair (Milos Forman, 1979) - 19'24 III. MÉMOIRE & SOMMEIL - 24'42 Des films qui se mélangent à la vie d'Annouchka De Andrade : les films de sa mère Sarah Maldoror : Sambizanga (1972) et Des fusils pour Banta CARTE BLANCHE - 34'11 Tosca (Benoît Jacquot, 2001) IV. CINÉMA & TRANSMISSION - 45'19 Des films transmis à Annouchka par sa mère : Napoléon (Abel Gance, 1927) - 45'19 Des héritières de cinéma reprenant les combats de Sarah Maldoror - 48'14 REFUGE - 51'45 Koi Mil Gaya (Rakesh Roshan, 2003) EXTRAITS : Si j'avais quatre dromadaires, Chris Marker Aquarius, Gil MacDermot, Top Pierson, SME (au nom de RCA Records Label) Tosca, Benoît Jacquot - Giacomo Puccini, dirigé par Antonio Pappano Koi Mil Gaya, Alka Yagnik, Udit Narayan, Sangeet Music Pvt. Ltd. CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

What happens when Peaky Blinders meets Ballet Rambert? This month Chris finds out about Jessica and Angus's trip to see Peaky Blinders: The Redemption of Thomas Shelby, otherwise known as Peaky Blinders: The Ballet. Along the way we discuss the narrative structure of ballet, the industrialisation of the body in wartime and whether we are still living in the era of the First World War. ReferencesCabaret (1966) Metropolis (1927/1984) Les Miserables (1985) Abel Gance, J'Accuse (1919) Paul Fussell, The Great War and Modern Memory (1975) Robert Gerwarth and John Horne (eds.), War in Peace: Paramilitarism in Europe after the Great War, 1917-1923 (2011) Rambert Dance in Peaky Blinders: The Redemption of Thomas Shelby Rehearsal Video New dance theatre version of Peaky Blinders by creator Steven Knight Peaky Blinders creator Steven Knight interview on Peaky Blinders: The Redemption of Thomas Shelby 'Peaky Blinders' writer Steven Knight on the cult of the show and season 6

What happens when you convert a seminal First World War novel into a big budget film? This month Angus, Jessica, and Chris discuss the 2022 Netflix version of All Quiet on the Western Front. Along the way they debate the importance of timeline changes, the film's use of violence, and pitch a few alternative films to any listeners from Hollywood. ReferencesLewis Millstone, All Quiet on the Wester Front (1930) Delbert Mann, All Quiet on the Western Front (1979) Abel Gance, J'accuse (1919) Saul Dibb, Journey's End (2017) 37 Days (2014) Sam Mendes, 1917 (1919) Erich Maria Remarque, All Quiet on the Western Front (1928) Frederic Manning, Her Privates We (1929) rottentomatoes.com, All Quiet on the Western Front 

The end of the 1910s goes out with a wild crop of films! Felix the Cat debuts, Lev Kuleshov invents reality TV, DW Griffith demands to be taken seriously, Mary Pickford starts a child labor protest, Abel Gance makes questionable statements about WW1, and Ernest Lubitsch makes a sex robot comedy. You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1919 Films Discussed playlist right here!   -- One Week, One Reel -- Feline Follies The Kuleshov Effect   -- Our Feature Presentation -- Broken Blossoms Daddy Long Legs J'Accuse The Doll   See you next year!

On this extra-long episode we present our Creaky Chair guide to the historical epic. We decided that 'historical' meant anything pre-20th century and had to have some basis in historical fact. Sam went for Abel Gance's 1927 silent classic 'Napoléon' (which, clocking in at some 5 hours, is the most epic of our choices in terms of length), as well as 'Ran' (1985), Akira Kurosawa's loose adaptation of 'King Lear' set in the time of warring Japanese feudal dynasties. Bill opted for sword-and-sandals Roman epics 'Ben-Hur' (1959) starring Charlton Heston, and Ridley Scott's 'Gladiator' (2000) starring Russell Crowe and Oliver Reed. Michael chose Andrei Tarkovsky's 1966 masterpiece 'Andrei Rublev' about the Russian icon painter, and Mel Gibson's divisive 'Braveheart' (1995) about the Scottish folk hero William Wallace. Before all the historical epics chat, we also find time to discuss the shock recent news about Warner Bros' decision to scrap 'Batgirl' entirely, and ponder what the implications for the film industry might be.

durée : 00:32:00 - Les Nuits de France Culture - En 1985, dans sa série "Le Roman du cinéma" consacré à l'année 1928, Claude-Jean Philippe s'intéresse à "La Passion de Jeanne d'Arc" du cinéaste Carl Theodor Dreyer qu'il compare au "Roi des rois" de Cecil B. DeMille et au "Napoléon" d'Abel Gance. Le Roman du cinéma, épisode 4/15.

durée : 00:32:30 - Les Nuits de France Culture - En 1985, Claude-Jean Philippe propose la série "Le roman du cinéma" en 15 épisodes. Dans le 9ème il évoque l'année 1930, le tournage des "Lumières de la ville" par Chaplin et celui de "La Fin du monde" par Abel Gance. - invités : Claude-Jean Philippe auteur, réalisateur et producteur de télévision et de radio

Emma Smith discusses with Ivan six things which should be better known. Emma Smith is Professor of Shakespeare Studies at Hertford College, Oxford: her most recent book is Portable Magic: A History of Books and their Readers. The plays of Thomas Middleton https://www.lrb.co.uk/the-paper/v30/n23/michael-neill/old-dad-dead New Lanark https://www.newlanark.org/ Abel Gance's film Napoleon https://www.theguardian.com/film/2016/nov/10/napoleon-review-silent-era-epic-more-thrilling-than-ever French 75s https://www.bbcgoodfood.com/recipes/french-75-cocktail The Scrivener app https://www.literatureandlatte.com/scrivener/overview The jazz pianist Jan Johannson https://en.wikipedia.org/wiki/Jan_Johansson_(jazz_musician) This podcast is powered by ZenCast.fm

durée : 00:32:00 - Le roman du cinéma - Claude-Jean Philippe 4/15 : Carl Dreyer et Abel Gance (1ère diffusion : 14/11/1985) - Par Claude-Jean Philippe - Raconté par Claude-Jean Philippe - Réalisation Jean-Christophe Averty

durée : 00:32:30 - Le roman du cinéma - Claude-Jean Philippe 9/15 : Charlie Chaplin et Abel Gance (1ère diffusion : 21/11/1985) - Par Claude-Jean Philippe - Raconté par Claude-Jean Philippe - Réalisation Jean-Christophe Averty

What happens if you combine the First World War with an action-adventure film?   This month we watch the 2021 film The King's Man and discuss its portrayal of an alternative vision of the war. Along the way we explore John Buchan novels, the absence of key historical events, and wonder about whatever happened to Wilfred Owen.   References: Guardian review Indiewire review   John Buchan, The Thirty-Nine Steps (1915) John Buchan, Greenmantle (1916) John Buchan, Mr Standfast (1919) John Buchan, The Three Hostages (1924)   Alfred Hitchcock, The Thirty-Nine Steps (1935) Patrick Barlow, The Thirty-Nine Steps (2005) James Hawes, The Thirty-Nine Steps (2008)   'Sapper' [H. C. McNeil], Bulldog Drummond (1920)   Arthur Conan Doyle, The Final Problem (1893)   37 Days (2014), OWALP episode 16    Blackadder, 'Goodbyeee' (1989)   James Joll, The Origins of the First World War (1984)   Wilfred Owen, 'Dulce et Decorum Est' (first published 1920)   Abel Gance, J'accuse (1919)   Paul Fussell, The Great War and Modern Memory (1975)   Lewis Millstone, All Quiet on the Western Front (1931)   Otto Dix, Der Krieg (1924)   Sam Mendes, 1917 (2019), OWALP episode 14    Jessica Meyer, 'Peaky Blinders and the Ubiquity of Poetry', 30/10/2013   Ben Schott, Jeeves and the King of Clubs (2018)   Sarah Moss, Night Waking (2011)   George Tomkyns Chesney, The Battle of Dorking (1871)   George MacDonald Fraser, Flashman (1969)   Brian Fee and John Lasseter, Cars (2006)   A. E. W. Mason, The Four Feathers (1902)   EA Dice Battlefield 1 (2016)

Neste episódio falaremos um pouco sobre a filme indicado à quatro categorias do Oscar 2022, Don't look up! Com a ajuda do nosso convidado Ivânio Azevedo (@ivanio.azevedo), vamos debater sobre as questões filosóficas tratadas no filme e a relação entre filosofia e ciência a partir de Ernst Cassirer. Além de negacionismo, divulgação científica, democratização da ciência, o lugar da mulher na produção e divulgação científica e muito mais! Financiamento coletivo: apoia.se/perdidosnafilosofia Indicações do episódio Filmes e séries: Bill Nye: Sciense Guy (2017) Bill Nye saves the world (2018) Cosmos, Carl Sagan (1980) Melancolia, Lars von Trier (2011) Armagedom, Michael Bay (1998) Meteoro, Ronald Neame (1979) Impacto, Rex Piano (2015) Destruição Final: O Último Refúgio, Ric Roman Waugh (2020) Filhos da Esperança, Alfonso Cuarón (2006) O Dia depois de Amanhã, Roland Emmerich (2004) Moonfall - Ameaça Lunar, Roland Emmerich (2022) Contágio, Steven Soderbergh (2011) Impacto Profundo, Mimi Leder (1998) Asteroide, Bradford May (1997) Alerta Total, Robert Iscove (1994) A morte vem do espaço, Paolo Heusch (1958) Rastros do espaço, John Sherwood (1957) Fim do mundo, Rudolph Maté (1951) La Fin du Monde [O fim do Mundo], Abel Gance (1931) Youtube: Canal Nerdologia Canal Xadrez Verbal Canal Física e Afins Livros e artigos: "Ensaio sobre o homem" - Ernst Cassirer "O universo elegante" - Brian Greene "O mundo assombrado pelos demônios" - Carl Sagan "A dança do universo" - Marcelo Gleiser "How decolonization could reshape South African science [Como a descolonização pode remodelar a ciência sul-africana]" - Linda Nordling (Link: https://www.nature.com/articles/d41586-018-01696-w) "Ciência, realidade e progresso do conhecimento: em torno do debate Realismo/Anti-realismo" - Ivânio Lopes de Azevedo Júnior (Link: https://scholar.google.com.br/scholar?oi=bibs&cluster=11124861635348026086&btnI=1&hl=pt-BR ) "Ciências da natureza, Ciências da cultura e a matematização do conhecimento em Ernst Cassirer" - Ivânio Lopes de Azevedo Júnior (Link: https://repositorio.unb.br/handle/10482/40732 ) Autores Citados: Karl Marx; Karl Popper; Ernst Cassirer; Susanne Langer; Carl Sagan; Bill Nye; Marcelo Gleiser; Brian Greene; Natalia Pasternak; Atila Iamarino; Bibi Bailas. Contatos: perdidosnaparalaxe@gmail.com twitter.com/ppparalaxe instagram.com/perdidosnaparalaxe

Hay trailers que son verdaderas obras de arte. Algunos son mejores que las propias películas que anuncian. En este podcast vamos a hablar (y ver) algunos de los más sorprendentes y creativos. 00:00 Introducción y frase secreta 03:17 El cuchitril de Manu 17:16 RETO 1001 PELÍCULAS: La rueda ( Abel Gance , 1923) 22:52 LOS MEJORES TRAILERS 1:27:41 La BricoPelícula: Secretos íntimos y el efecto de foley. 1:30:50 Resolución de la frase secreta. 1:34:09 Tema de la semana que viene y despedida. Si quieres que el canal continúe, hazte mecenas desde sólo 3€/mes en Patreon: https://www.patreon.com/bricocine Síguenos en: Facebook: https://www.facebook.com/bricocineCanal/ Instagram: https://www.instagram.com/bricocinech... Youtube: https://www.youtube.com/c/bricocinecanal Twitter: https://twitter.com/BricoCine Toda la info en: www.canalbricocine.com --- Send in a voice message: https://anchor.fm/bricocine/message

Alexandre e Fred estão juntos mais uma vez para receber o crítico Rafael Amaral (Blog "Palavras de Cinema" e Jornal de Jundiaí) e desta vez, debatemos um filme indicado pelo nosso convidado. A escolha para esta oportunidade foi um visionário filme feito por Abel Gance na França nos anos 20: "Napoleão" (Napoléon vu par Abel Gance, 1927). A obra-prima do cineasta antecipa alguns detalhes que seriam, no futuro, padrões a serem seguidos pela indústria cinematográfica no mundo todo, como por exemplo o uso de "câmera na mão" e a tela em formato retangular. Com o completo domínio da linguagem, Gance faz um dos clássicos mais importantes do período e a obra definitiva sobre o General Francês. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse o vídeo que complementa este episódio: https://youtu.be/sstdjwM3fLc Acesse nossa página no Facebook : https://www.facebook.com/podcastfilmesclassicos/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

durée : 03:00:00 - Les Nuits de France Culture - Dans ce montage d'entretiens accordés pour "Le Bon plaisir", Nelly Kaplan retraçait son parcours, son enfance en Argentine, son arrivée à Paris. Elle apportait quelques éclairages sur son ouvre littéraire et cinématographique ainsi que sur sa personnalité, parsemés de témoignages de ses proches. Avec son Bon Plaisir, que proposait Marie-Christine Navarro sur France Culture en 1992, on refaisait le parcours de celle qu'André Pieyre de Mandiargues avait surnommée "Lady N". Nelly Kaplan, son penchant surréaliste, ses rencontres : Henri Langlois, André Breton, Abel Gance, Picasso, André Pieyre de Mandiargues, mais aussi son grand ami Philippe Soupault avec qui elle partageait un goût prononcé pour la provocation, le jeu, l'humour, ainsi qu'un certain sens de la répartie. Ce goût pour la provocation, chez Soupault, c'était une règle de vie : tout était provocation. C'est quelque chose qui m'était tellement sympathique et tellement familier qu'on s'entendait comme des larrons en foire. Pendant des années j'ai vu pratiquement Soupault tous les jours. On se baladait dans Paris, on foutait le bordel souvent, lui se mettait à insulter des gens qu'il n'aimait pas. C'était un très bon maître mais j'étais une élève très douée aussi.Outre la littérature, elle exprimait sa fascination pour la peinture qui donna lieu à un premier court métrage sur Gustave Moreau, l'amena à rencontrer Picasso et à se lier d'amitié avec le peintre et poète Ernesto Sabato. Ernesto Sabato a fait une exposition au Centre Pompidou et là, ça a été l'éblouissement pictural, j'avais rarement été aussi frappée par des peintres comme je l'avais été par ses ouvres. C'était une peinture très abyssale, très expressionniste, tout ce que j'aime, et ça n'a fait que centupler l'admiration que j'avais déjà pour lui.Elle revenait sur son enfance en Argentine marquée par sa révolte "endémique", ses souvenirs familiaux conflictuels malgré un niveau de vie plutôt aisé qui lui permit de découvrir le cinéma, et notamment J'accuse d'Abel Gance qui, enfant, la terrorisait. Elle eut d'ailleurs l'occasion de collaborer plus tard avec ce dernier, peu après son arrivée en France particulièrement éprouvante. Dans ma tête j'avais un Paris très littéraire, le Paris de Rimbaud, de Baudelaire, de Lautréamont... Et je suis arrivée dans un Paris très, très dur ; les gens n'étaient vraiment pas plaisants. Si vous vous perdiez dans la rue et que vous demandiez votre chemin, on vous traitait comme un chien.Le cinéma donc, mais bien sûr aussi l'écriture - romans, scénario, critiques, essais, correspondances - sans oublier surtout ses ouvres, un peu plus nettement érotiques que les autres qu'elle signait du pseudonyme "Belen". De Buenos Aires à Paris, c'était l'itinéraire d'une femme libre qui était raconté, d'une femme qui pouvait revendiquer de n'être pas féministe en affirmant, avec véhémence_,_ "qu'une création digne de ce nom ne pouvait être qu'androgyne". "Le Bon plaisir" de Nelly Kaplan propose des archives avec les voix d'André Breton, Philippe Soupault et Abel Gance, il est illustré par des extraits de films de Nelly Kaplan et des lectures de ses textes par Nelly Borgeaud, Pierre Arditi et Roland Amstutz. Par Marie-Christine Navarro  Réalisation : Elyane Milhau Le Bon plaisir - Nelly Kaplan (1ère diffusion : 08/02/1992) Indexation web : Etienne Rouch, Documentation Sonore de Radio France Archive Ina-Radio France

Une correspondance riche publiée aux éditions Gallimard sous le titre "Abel Gance - Charles Pathé, Correspondance, 1918-1955" et annotée par Elodie Tamayo, responsable éditorial de la plateforme de streaming lacinetek.com ! Avec cette spécialiste du cinéma muet, Nicolas Buytaers revisite les débuts du cinéma, entre inventivité, amitié et Napoléon. À cette époque, dans les années 1920, il fallait tout inventer, tout imaginer. Charles Pathé et Abel Gance l'ont fait !

Invitée : Sarah Ohana Au programme de cette année 1919 :  Charlie Chaplin, D.W. Griffith, Douglas Fairbanks, Mary Pickford et la création de la United Artists Le Lys Brisé de D.W. Griffith J'accuse d'Abel Gance : l'acte de naissance du film de guerre ? La loi des montagnes (Blind Husbands), le premier film d'Erich von Stroheim Fritz Lang, Ernst Lubitsch, Robert Wiene... ou le nouveau cinéma allemand Recommandations : La Cigarette (Germaine Dulac), Les Araignées (Fritz Lang)

durée : 00:19:58 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Dans cet entretien de 1955, Abel Gance raconte la naissance du film 'La Roue', motivé par sa recherche d'un nouveau langage cinématographique. Ce film de 1923 réussissait par un montage d'images rapides à faire ressentir au public une impression physique de mouvement, renforçant l'effet dramatique. - réalisation : Virginie Mourthé - invités : Abel Gance

La Fin Du Monde (1931) / Yakuza Apocalypse (2015) This week it's the end of the world as we discuss the excessive and apocalyptic visions of Abel Gance and Takashi Miike

durée : 00:04:12 - La chronique de Thomas Croisière - En ce jour de bicentenaire de la mort de l’Empereur, la séance de ses deux grognards hier c’était…"Napoléon" d’Abel Gance dont il ouvrit le tournage en 1925 par ces mots : « Il faut que ce film nous permette d’entrer définitivement dans le Temple des Arts par la gigantesque porte de l’Histoire ».

Episode 47 - Napoleon Review On this episod, Steven is joined by Joshua Kennedy (Cowgirls vs Pterodactyls, House of the Gorgon) to discuss Abel Gance’s Napoleon(1927)! This movie is a silent film classic that many people have not seen, but should. This review is about the 5 1/2 hour version, of an originally 9 hour film! I have since heard that Netflix is in the process of restoring a 7 hour version! If you are interested purchasing in either of Joshua’s movies, then click on the link below to go to Gooey Films Store. https://store16974340.ecwid.com/

Invité : Renan Cros Au programme de cette année 1927 :  Le Chanteur de jazz et l'arrivée du cinéma parlant. Violence, sexe, libération des mœurs... Les débuts du cinéma Pré-Code. Metropolis de Fritz Lang : un "chef-d'œuvre" surestimé ? Lang, Murnau, Lubitsch... Ou la génération dorée du cinéma allemand. Napoléon vu par Abel Gance. Tour du monde : The Cat and the Canary (Paul Léni), The Lodger (Alfred Hitchcock).

Avec 6 films, la réalisatrice d'origine argentine a créé une œuvre à son image : libre, révolutionnaire, décalée et érotique. Ses héroïnes disent non aux hommes, aux diktats, aux lois et ne rentrent jamais dans le cadre bourgeois de la société. Retour sur le parcours de cette femme hors du commun, cinéaste, écrivaine, critique d'art, qui fut proche d'Abel Gance, de Picasso et des surréalistes.

Un portrait de l’écrivaine et cinéaste française Nelly Kaplan, disparue en novembre dernier. Elle avait 89 ans. On la connaît pour La fiancée du pirate (1969), avec une Bernadette Laffont flamboyante et provocante. Un film qui fut à la fois un succès et un scandale. Féministe avant l’heure, Nelly Kaplan quitte l’Argentine et arrive en France à 21 ans, en 1952. Elle travaillera avec Abel Gance et se rapprochera des surréalistes, dont André Breton et Philippe Soupault. Elle écrit, filme et croit en son étoile rebelle. Réalisation Laure Merlo, en collaboration avec la Sonuma

Duran and Nick are joined by special guest Ryan to discuss Michael Mann's 2004 film Collateral. We also discuss Netflix's partnership with the Cinémathèque Française in order to restore Abel Gance's Napoleon, and the state of the industry following the release of the King Kong vs. Godzilla trailer.

Pour commencer, Bruno Dequen et Mathieu Li-Goyette nous parle des ambitions patrimoniales de Netflix et de leurs implications. En deuxième partie d'émission, Mirion Malle vient nous parler du travail de la réalisatrice Anna Biller.

durée : 02:19:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - En 1982, Philippe Esnault proposait une émission consacrée à la personne et à l'œuvre d'Abel Gance. Un portrait du réalisateur, critique au meilleur sens du mot, qui éclairait la place singulière qu'occupe Abel Gance dans l'histoire du cinéma. - réalisation : Virginie Mourthé - invités : Jean Dreville Réalisateur cinéma

Micheline Presle, de son vrai nom Micheline Chassagne, débute sa carrière à 15 ans, avec « La Fessée » de Pierre Caron et enchaîne avec le rôle qui la révèle, celui de Jacqueline Presle dans « Jeunes Filles en détresse ». Elle enchaînera ensuite les rôles, sous la houlette de réalisateurs prestigieux : Abel Gance , Marc Allégret ou encore Jacques Becker. Après un détour par les États-Unis, elle revient en France et dans les années 60 tourne dans des films populaires et elle marquera les esprits, durant six ans, dans la série à succès « Les Saintes Chéries ».

durée : 00:54:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Soubrette, concierge, mégère… elles ont été incarnées par Pauline Carton des années durant au cinéma ou sur les planches. En direct avec la phonothèque de l'ORTF elle racontait sa vie d'actrice notamment dans 22 films de Sacha Guitry (1ère diffusion : 26/02/1969). - réalisation : Virginie Mourthé

Hello! And welcome to the first episode of Film Survey! Our first season is entitled Vive La Francé: French Filmmakers and the Story of France. This week, we explore Abel Gance's 1927 epic Napoléon. Please check out thefilmsurveypodcast.com for transcripts and links to sources. Also, make sure to explore more of TMK's content. Go to www.tmkpictures.com or search for the green clover on Youtube. Follow the show on Instagram and Facebook for updates! This show is researched, written, and narrated by J.G. Murphy For questions, comments, and concerns, please reach out to J.G. at jgmurphy@tmkpictures.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

durée : 00:19:58 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Dans cet entretien de 1955, Abel Gance raconte la naissance du film 'La Roue', motivé par sa recherche d’un nouveau langage cinématographique. Ce film de 1923 réussissait par un montage d’images rapides à faire ressentir au public une impression physique de mouvement, renforçant l'effet dramatique. - réalisation : Virginie Mourthé - invités : Abel Gance

Voltamos às trincheiras para fazer um episódio temático no PFC! Desta vez, Alexandre e Fred recebem o professor Fábio Rockenbach para um resenha sobre filmes clássicos que retrataram a "Primeira Grande Guerra" no cinema. Há muito de história sobre o conflito neste episódio e também, como não poderia deixar de ser, muito debate sobre a sétima arte. O episódio procura lembrar diversos filmes sobre a primeira guerra, mas se detém principalmente em quatro grandes longas do gênero: "Eu Acuso!" (J'accuse, 1919), filme mudo do francês Abel Gance, "O Grande Desfile" (The Big Parade, 1925), um dos filmes de maior bilheteria da MGM, "Nada de Novo no Front" (All Quiet on The Western Front, 1930), possivelmente um dos clássicos mais importantes do "subgênero" e "Pelo Rei e Pela Pátria"(King and Country, 1964), um filme inglês já tardio, que utiliza o confronto como pano de fundo. ----------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Hayden enlists two of his roommates and good friends to join the cause of watching very long and mostly obscure movies. This week it's the five and a half hour silent bio pic Napoleon where director Abel Gance advances film technology about a dozen different ways while barely skimming the surface of his subject's life story. Will fan favorite Sally Burtnick and history enthusiast Gabriel Barab remain friends and roommates with Hayden after this endeavor is over? The answer might surprise you.

Wade and Tim recap this year’s LAFCA awards, handicap the search for an Oscar host and run through last minute gift suggestions - including the first-ever Stanley Kubrick film on 4k UHD. DigiGods Podcast, 12/18/18 (MP3) — 52.18 MB right click to save Subscribe to the DigiGods Podcast In this episode, the Gods discuss: 2001: A Space Odyssey - 50th Anniversary 4k (4k UHD Blu-ray) The 2018 World Series Collector's Editions: Boston Red Sox (Blu-ray) The Adventures of Prince Achmed (Blu-ray) Age of Consent, Cactus Flower - Double Feature (Blu-ray) Bel Canto (Blu-ray) Bill & Ted’s Bogus Journey (Limited Edition Steelbook) (Blu-ray) Blindspotting (Blu-ray) Brewster McLoud (Blu-ray) Candyman Collector's Edition (Blu-ray) The Cat O' Nine Tails (Blu-ray) The Children Act (DVD) Christmas Blood (DVD) Christopher Robin (Blu-ray) Colette (Blu-ray) Crazy Rich Asians (Blu-ray/DVD) The Critters Collection (Blu-ray) Dances With Wolves - Collector's Edition Steelbook (Blu-ray) De Palma & De Niro: The Early Films (The Wedding Party, Greetings, Hi, Mom!) (Blu-ray) The Death of Superman (4k UHD Blu-ray) Dracula AD 1972 (Blu-ray) Dracula Prince of Darkness (Blu-ray) A Dry White Season (Blu-ray) Elliot: The Littlest Reindeer (Blu-ray) Evil Dead 2 (4k UHD Blu-ray) Fanchon the Cricket (Blu-ray/DVD) Forty Guns (Blu-ray) Galveston (4k UHD Blu-ray) Gas Food Lodging (Blu-ray) The Happytime Murders (Blu-ray/DVD) Her Kind of Man (DVD-R) J'Accuse: A Film by Abel Gance (1919) (Blu-ray) The Jerk - 40th Anniversary Edition (Blu-ray) Juliet, Naked (Blu-ray) Justice League: Throne of Atlantis – Commemorative Edition (Blu-ray/DVD) Kevin Smith: Silent But Deadly (Blu-ray) The Last House on the Left (Blu-ray) The Last Ride (DVD-R) Little Annie Rooney (Blu-ray/DVD) Mame (Blu-ray) Maniac (Blu-ray) Mile 22 (Blu-ray) Mission: Impossible - Fallout (4k UHD Blu-ray) Mozart - The Da Ponte Operas (Blu-ray) My Little Pony: 35th Anniversary Edition Collection (Blu-ray) My Neighbor Totoro (Blu-ray) The Nun (4k UHD Blu-ray) Nureyev: Tchaikovsky: Swan Lake - The Nutcracker (Blu-ray) Operation Finale (Blu-ray) Orgies of Edo (Blu-ray) Panique (Blu-ray) Papillon (2018) (Blu-ray) Peppermint (Blu-ray/DVD) Perry Como's Olde English Christmas (DVD) River Runs Red (4k UHD Blu-ray) The Satanic Rites of Dracula (Blu-ray) Sawdust and Tinsel (Blu-ray) The Serpent's Egg (Blu-ray) Sheryl Crow - Live At The Capitol Theater (Blu-ray) Silent Night Deadly Night Part 2 Collector's Edition (Blu-ray) Single White Female (Blu-ray) SIsters (Blu-ray) Smallfoot (Blu-ray 3D/DVD) Snowflake (Blu-ray) Starman Collector's Edition Blu-ray (Blu-ray) A Story from Chikamatsu (Blu-ray) Streets of Fire (35th Anniversary Edition Steelbook) (Blu-ray) Tarzan's Greatest Adventure (Blu-ray) Teen Titans GO! to the Movies (Blu-ray) Unbroken: Path to Redemptino (Blu-ray/DVD) Viking Destiny (Blu-ray) Wallflower (DVD-R) Westworld Season 2: The Door (4k UHD Blu-ray) The Wild Boys (Blu-ray) The Wizard of Gore (Blu-ray) Zombie - 40th Anniversary Limited Collection (Blu-ray) Please also visit CineGods.com. 

Much of the Western Front fighting in World War I took place in France, yet the cultural legacy of the war in France remains under-explored in the UK. This week, Juliet talks to Eric Robertson (Royal Holloway) and Peter Read (University of Kent) about how the experience of the war affected the Cubist and Surrealist movements and the development of French film, pushing some artists towards traditionalism, and others towards the avant-garde. SELECTED REFERENCES L’Affaire Dreyfus (dir. Georges Méliès, 1899) - https://www.youtube.com/watch?v=4_fbOIgvYsY NORMAN ANGELL, The Great Illusion (1909) GUILLAUME APOLLINAIRE, Calligrammes (1918) - https://ubutext.memoryoftheworld.org/Apollinaire_Calligrams.pdf GUILLAUME APOLLINAIRE, ‘Ocean of Earth’ - https://www.poetryfoundation.org/poetrymagazine/poems/58343/ocean-of-earth Louis Aragon - https://www.poetryfoundation.org/poets/louis-aragon Jean (Hans) Arp Antonin Artaud - https://en.wikipedia.org/wiki/Antonin_Artaud Hugo Ball HENRI BARBUSSE, Le Feu (1917) - https://www.theguardian.com/world/2008/nov/13/barbusse-feu-under-fire Maurice Barrès - http://www.dreyfus.culture.fr/en/bio/bio-html-maurice-barres.htm Charles Baudelaire The Birth of a Nation (dir. D. W. Griffith, 1915) Georges Braque André Breton - http://www.surrealists.co.uk/breton.php Cabiria (dir. Giovanni Pastrone, 1914) BLAISE CENDRARS, J’ai tué (I Have Killed, 1918) - https://literaryabsolute.files.wordpress.com/2016/01/3-0e28093bc-i_killed.pdf Salvador Dalí Sonia Delaunay André Derain Robert Desnos - https://en.wikipedia.org/wiki/Robert_Desnos Sergei Diaghilev Roland Dorgelès - https://encyclopedia.1914-1918-online.net/article/dorgeles_roland Georges Duhamel - https://en.wikipedia.org/wiki/Georges_Duhamel Paul Éluard - https://www.shmoop.com/surrealism/paul-eluard-author.html David Gascoyne (Surrealist poet) La Grande Illusion (dir. Jean Renoir, 1937) - https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/greatest-films-all-time/great-escape-la-grande-illusion Joris-Karl Huysmans Auguste & Louis Lumière J’Accuse (dir. Abel Gance, 1919) - http://sensesofcinema.com/2009/dvd/abel-gance-jaccuse-la-roue/ Max Jacob Jean Jaurès Fernand Léger - http://roadstothegreatwar-ww1.blogspot.com/2014/06/war-artist-fernand-leger.html René Magritte Stéphane Mallarmé Napoléon (dir. Abel Gance, 1927) - https://www.bfi.org.uk/news-opinion/news-bfi/features/napoleon-highlights-abel-gance-silent-film Ron Padgett Parade (ballet, 1917) - http://www.openculture.com/2017/05/the-1917-ballet-parade-created-by-erik-satie-pablo-picasso-jean-cocteau.html BENJAMIN PÉRET, ‘Little Song of the Maimed’ - https://movehimintothesun.wordpress.com/2011/02/15/little-song-of-the-maimed-benjamin-peret/ Pablo Picasso Arthur Rimbaud René Schickele - https://en.wikipedia.org/wiki/René_Schickele Gino Severini - https://en.wikipedia.org/wiki/Gino_Severini GEORGES SOREL, The Illusion of Progress (1908) - https://en.wikipedia.org/wiki/Georges_Sorel Philippe Soupault - https://lareviewofbooks.org/article/a-beautiful-space-that-slips-away-philippe-soupault-and-the-french-avant-garde/ Tristan Tzara - http://www.dramainthehood.net/2013/08/the-gas-heart/ PAUL VALÉRY, La Jeune Parque (1917) - https://www.tabletmag.com/jewish-arts-and-culture/books/251734/paul-valery-and-the-last-centennial-of-1917 Verdun: Visions d’histoire (dir. Léon Poirier, 1928) - https://www.youtube.com/watch?v=NDC1Z8Pj0e8 Die Weißen Blätter (German journal) - https://en.wikipedia.org/wiki/Die_Weißen_Blätter JAY WINTER, Sites of Memory, Sites of Mourning (1995) - https://www.history.ac.uk/reviews/review/25 Wooden Crosses (dir. Raymond Bernard, 1932) - https://www.theguardian.com/film/2015/apr/26/philip-french-classic-dvd-wooden-crosses-raymond-bernard ÉMILE ZOLA, Germinal (1885) and J’Accuse (1898) - https://www.marxists.org/archive/zola/1898/jaccuse.htm

In this episode, Hind Mezaina sits with Michelle Facey from Kennington Bioscope (http://www.kenningtonbioscope.com) who programmes regular screenings of silent films at The Cinema Museum in London (http://www.cinemamuseum.org.uk). Links to some of the references in the discussion: Kevin Brownlow - https://en.wikipedia.org/wiki/Kevin_Brownlow Napoleon by Abel Gance https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/abel-gance-s-napoleon-monumental-restoration Silent Film Accompanists http://www.kenningtonbioscope.com/accompanists/4579544071 Dawson City: Frozen Time directed by Bill Morrison - https://www.kinolorber.com/film/view/id/2630 Michelle Facey on Twitter https://twitter.com/best2vilmabanky Kennington Bioscope on Twitter https://twitter.com/kenbioscope and on Facebook https://www.facebook.com/kenbioscope/ The Cinema Museum on Twitter https://twitter.com/CinemaMuseum and on Instagram https://www.instagram.com/the_cinema_museum Petition to save The Cinema Museum http://www.cinemamuseum.org.uk/2017/petition-to-save-the-cinema-museum/ BFI https://www.bfi.org.uk Silent London https://silentlondon.co.uk

Georges Mourier describes Napoléon as “not just a masterpiece." The Cinémathèque Française restoration expert says the 1927 silent film "is also a monster piece.” Which is why, while working on a new restoration of the Abel Gance classic, Mourier never be alone with Napoléon. Instead, a collaborator will always be with him in the screening room as he grapples with the genius of Gance. In this episode of The Drunk Projectionist podcast, host Todd Melby and Mourier discuss the many versions of the movie, discuss the snowball fight scene, analyze the singing of the Marseillaise at the Club Des Cordeliers, and much more. Also here: https://bit.ly/2jQB3aw

Hay películas cuya realización las convierte en una epopeya que se empieza a parecer al tema que quieren abordar. Ya sea por la ambición artística de sus creadores, por las dificultades enfrentadas y por la urgencia del tema en cuestión, cintas como Napoleón adquieren una vida propia, que trasciende a sus autores y restauradores, prolongándose por décadas y en las que siempre aparece alguien que quiere presentarla con una nueva cara. De eso y más trata este podcast.

In this first of three related episodes, Philip begins a conversation on Improvisation. After checking in on recent adventures with the IFCM in Barcelona, Spain and Kaili, China, Philip dives in—discussing improv training, perspectives and experiences in the classical, church and operatic realms. He touches on French organist training, Handel’s oratorios, Baroque ornamentation and Bel Canto, as well as music theory and the importance of understanding Inventions, Sonata Form, Fugue form, etc. Philip talks about a legendary improvisation experience taking over the piano chair for Arthur Kleiner to support a five hour silent film - Abel Gance’s Napoleon - at the Walker Art Center. He digs into the preparation and live improvisations created for Minnesota Opera’s “Newest Opera in the World” as well as frequent and varied types of improvisations on A Prairie Home Companion with Garrison Keillor and his infamous weekly organ improvisations during Sunday services at Plymouth Congregational Church in Minneapolis.

Il était l’adversaire mythique de Napoléon et en même temps son cousin pauvre… Celui que Bonaparte défie dans le fameux film d’Abel Gance, au terme d’une folle poursuite à cheval. Lamartine disait de lui qu’ « il était doué de l’extérieur le plus noble, de l’élocution la plus pénétrante et la plus passionnée, des manières les plus simples et les plus élégantes, militaire, diplomate, publiciste , homme de plaisirs et d’affaire tout à la fois […] un de ces hommes dont le mérite et le charme éclatent aux yeux dès le premier regard. » De son côté Adolphe Thiers, estimait que « Dieu lui avait accordé une sorte de génie aussi admirable que celui des batailles… le génie de la politique. » Cet homme s’appelle Pozzo di Borgo. Avec une forme de détachement, il disait de lui-même : « Moi comme bien d ‘autres, nous serons des planètes secondaires, autour du grand soleil [Napoléon] ». Mais il ajoutait immédiatement après : « Soit qu’il ait vivifé ou brûlé tout le monde. » Storiavoce vous propose de partir à la découverte de ce personnage fascinant qui courra l’Europe de Paris à Saint-Saint-Pétersbourg, de Vienne à Londres avec l'historien Michel Vergé-Franceschi, interviewé par Christophe Dickès.

Since the beginning of film as a narrative and artistic medium, historical events and eras have been popular subjects for filmmakers. The decade of the 1810s, however, has not tended to show up in movies or on TV as frequently or consistently as other eras—but there are still plenty of examples of the second decade on film. Beginning in the 1920s with French filmmaker Abel Gance, depictions of the 1810s, many involving Napoleon or adaptations of popular and classic novels, have woven their way through the history of visual media with varying results. From Miriam Hopkins’s Technicolor turn as Becky Sharp in 1935 to Paul Dano as Pierre Bezhukov in the 2016 miniseries War and Peace, the analysis of the second decade in film covers a lot of fun and interesting ground. In this episode, a slight departure from the usual emphasis on factual events, historian Sean Munger takes you on a brief tour of the 1810s as they appear on the screen. Films and shows discussed include Ridley Scott’s The Duellists, the 2002 European-made Napoleon miniseries, the classic 1995 BBC adaptation of Pride and Prejudice, as well as lesser-known (and less historically serious) efforts like Woody Allen’s Love and Death or the whimsical sendup Lost in Austen. If you’re a fan of the period and you’d like to see it on screen, this episode may give you some new items to add to your Netflix list! At the website for this episode, you can view YouTube videos for trailers and/or scenes from all the films and shows discussed here. Correction: in the episode, actress Jennifer Ehle is incorrectly identified as “Elizabeth Ehle.” My apologies to Ms. Ehle. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spook-o-rama returns from our (extended) holiday break! In this ep, we've got two foreign films from the otherwise dead years of 1937 and 1938. The first is Song at Midnight (dir. Ma-Xu Weibang) from 1937, widely considered the first Chinese horror film. Next we take on J'accuse! (dir. Abel Gance) a French anti-war/incest film with some ghosts at the end. Next week we'll be back to start horror's second golden age in 1939 with Hound of the Baskervilles and Son of Frankenstein. If you like our podcast and want to help us continue to say spooky words at your ear holes, consider donating to our Patreon! www.patreon.com/spookorama

This week, we review Denis Villeneuve's sci-fi head-scratcher Arrival, in which humanity is thrown into a tizzy by the sudden appearance of twelve massive, featureless grey shells with aliens inside them. The film acts as a timely plea for global cooperation, although in light of recent events we spent most of it wishing the shells would spray some kind of deadly virus into our atmosphere and put us all out of our misery. Meanwhile, Danny recalls a time of classier would-be tyrants as he reviews Abel Gance's 1927 silent epic Napoleon. It charts the rise of a charismatic man of the people with an unwavering commitment to the revolution, all his own hair, and normal-sized hands over five and a half hours of pure utopian escapism. We also talk about Al Capone's nicknames, Michael Stipe's resemblance to a serial killer, Shia LaBeouf's rapping ability, and one of cinema's greatest elephant sex scenes. See acast.com/privacy for privacy and opt-out information.

Historian Kevin Brownlow tells Francine Stock about his 50 year quest to restore Abel Gance's silent masterpiece Napoleon to its five and half hour glory, and why the search for missing scenes still continues even though the film is about to be released on DVD for the very first time. Composer Carl Davis takes us through his score, which borrows freely from the work of Beethoven, who dedicated his 3rd Symphony to Napoleon, only to regret it later.

Edición nº109 de la gran evasión , 2/11/2016. Napoleón de Abel Gance, 1927. Confluencias múltiples en este testamento del mudo, obra maestra de la historia del cine. Por un lado la ÉPICA, un Napoleón que crece hasta la campaña de Italia, donde termina el primer de los tres episodios de que iba a constar la obra, y por otro un Gance cuyo alarde formal y estético: movimientos de cámara, subjetivismo, encadenados, transparencias y una brillante música que engarza y acuna los planos, con una elegancia que nunca conoció el cine. Por otro la TRAGEDIA, la de un megalómano y asesino que no dudo en traer la ilustración, el código civil, y la división de poderes de la mano de la muerte, conjunto a un director como Gance, que el año de EL CANTOR DE JAZZ intuía el inicio del sonoro y su propio declive. Miradas, cadencias, tristezas y soledad aúnan dos genios y dos amores en el justo momento de su decadencia. José Miguel Moreno A la moderación José Miguel Moreno, contertulios, Lazaro, Javier De La Puerta, y desde Madrid nuestro crítico Cesar Bardés.

How do you restore a silent film? Kevin Brownlow is in conversation with Matthew Sweet about his life's work documenting the early history of cinema and preserving many lost classics - including the culmination of a 50 year project which sees Abel Gance's 1927 epic Napoleon re-released in cinemas around the UK and on DVD. Described by Martin Scorsese as 'a giant among film historians', Brownlow received an Academy Honorary Award in 2010.As part of Southbank Centre's Film Scores Live, Carl Davis conducts the Philharmonia Orchestra in his score for Napoleon - the longest film score ever composed - alongside a screening of the new digital version of the BFI-Photoplay restoration which Kevin Brownlow has worked on. This event happens on Sunday November 6th.BBC Radio 3's Sound of Cinema broadcasts an interview with Carl Davis on Saturday October 29th.Producer: Craig Templeton Smith

In this week's episode of the Futility Closet podcast we'll take a tour through some oddities and unanswered questions from our research, including whether a spider saved Frederick the Great's life, a statue with the wrong face, and a spectacularly disaster-prone oil tanker. We'll also revisit the lost soldiers of World War I and puzzle over some curiously lethal ship cargo. Please consider becoming a patron of Futility Closet -- on our Patreon page you can pledge any amount per episode, and all contributions are greatly appreciated. You can change or cancel your pledge at any time, and we've set up some rewards to help thank you for your support. You can also make a one-time donation via the Donate button in the sidebar of the Futility Closet website. Sources for this week's feature: The story about Frederick the Great is from Ebenezer Cobham Brewer's The Reader's Handbook of Famous Names in Fiction, Allusions, References, Proverbs, Plots, Stories, and Poems, 1899. The footnote about spiders and flashlights accompanies J.D. Memory's poem "The Eightfold Way, Lie Algebra, and Spider Hunting in the Dark" in Mathematics Magazine 79:1 (February 2006), 74. The case of the self-abnegating heir is cited as Beamish v. Beamish, 9 H.L.C. 274, 11 Eng. Rep. 735 (1861) in Peter Suber's 1990 book The Paradox of Self-Amendment. John Waterhouse's 1899 proof of the Pythagorean theorem appears in Elisha Scott Loomis' 1940 book The Pythagorean Proposition. My notes say it's also in Scientific American, volume 82, page 356. The story of the ill-starred oil tanker Argo Merchant is taken from Stephen Pile's 1979 Book of Heroic Failures. For an exceptionally well-reported history of the ship, see Ron Winslow's 1978 book Hard Aground. Physicist Leonard Mlodinow recounts the story of Antoine Lavoisier's statue in The Upright Thinkers (2015). A contemporary description of the unveiling is here, but it mentions nothing amiss. Ross Eckler addresses accidental acrostics in Making the Alphabet Dance, 1997. F.R. Benson's iambic ponging is mentioned in Jonathan Law, ed., Methuen Drama Dictionary of the Theatre, 2013. William Kendal's accomplished blanching is described in Eric Johns' Dames of the Theatre, 1975. In The Book of the Harp (2005), John Marson notes that Luigi Ferrari Trecate's Improvviso da Concerto (1947), for the left hand, is dedicated to harpist Aida Ferretti Orsini, described as grande mutilata di guerre. Mable LaRose's 1897 auction is recounted in Pierre Berton's The Klondike Fever, 2003, and Douglas Fetherling's The Gold Crusades, 1997. Listener mail: Here's the scene in which the dead of World War I arise in Abel Gance's 1919 feature J'Accuse: This week's lateral thinking puzzle was contributed by listener Price Tipping. You can listen using the player above, download this episode directly, or subscribe on iTunes or via the RSS feed at http://feedpress.me/futilitycloset.Many thanks to Doug Ross for the music in this episode. Enter promo code CLOSET at Harry's and get $5 off your first order of high-quality razors. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

On this episode - 2015 IFFR Tiger Award winner - BFI restoration of Abel Gance's 1927 "Napoleon" - Where FRED will be next The post FREDMaG 07/02/2016 appeared first on Fred Entertainment Channel » FRED Entertainment Podcast. FREDMaG 07/02/2016 was first posted on February 7, 2016 at 10:36 am.©2015 "Fred Entertainment Channel ". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Abel Gance est un des très rares réalisateurs de l'histoire du cinéma à avoir directement inventé et créé les outils nécessaires à la matérialisation de ses visions. Cette conférence se propose d'éclairer d'un jour nouveau cet aspect technique et artistique méconnu de l'œuvre de Gance.

Kevin Brownlow is a film historian who focuses in particular on silent movies. He has written a number of books, including The Parade's Gone By (University of California Press, 1968), Hollywood – The Pioneers (Knopf, 1980). He started restoration of Napoleon by Abel Gance in 1968 and presented a third restored version of the film in 2000. In addition, he has made a number of documentaries on cinema and received an honorary Oscar in 2011 for his work.

Kevin Brownlow is a film historian who focuses in particular on silent movies. He has written a number of books, including The Parade's Gone By (University of California Press, 1968), Hollywood – The Pioneers (Knopf, 1980). He started restoration of Napoleon by Abel Gance in 1968 and presented a third restored version of the film in 2000. In addition, he has made a number of documentaries on cinema and received an honorary Oscar in 2011 for his work.

http://www.andystreasuretrove.com/andystreasuretrove.com/Media/Episode%2010%20-%20SF%20Silent%20Film%20Festival,%20Leonard%20Maltin,%20Guy%20Maddin,%20Theater%20Pipe%20Organ%20Wizzard%20Clark%20Wilson,%20and%20lots%20more....mp3 ()Episode 10 is dedicated to Andy's favorite film festival in San Francisco, the San Francisco Silent Film Festival. You'll hear his conversations with noted film critic and TV personality Leonard Maltin of Entertainment Tonight fame. There's a conversation with Suzanne Lloyd, the Granddaughter of cinematic genius Harold Lloyd. Andy chats and chews with Canadian director Guy Maddin, and talks to pipe organ wizards Edward Stout and Clark Wilson. You'll hear live performances of the musical scores from some of the films at the Festival, just as they were intended to be performed back in the late 1920's when the silent film era was at its zenith. You'll also hear lots of laughter from the 2,000 people at the festival. Add in a couple of impromptu lobby discussions with other festival-goers, and you've got a great podcast episode! Enjoy! Keywords and links for this episode: http://www.silentfilm.org/ (San Francisco Silent Film Festival), http://www.castrotheatre.com/ (Castro Theatre), silent films, live music, Wurlitzer theater pipe organs, Leonard Maltin, Suzanne Lloyd, Harold Lloyd, http://www.imdb.com/name/nm0534665/ (Guy Maddin), Todd Browning, "The Unknown" , Edward Stout, Clark Wilson, musical scores, "The Kid Brother" , the http://www.mont-alto.com/ (Mont Alto Motion Picture Orchestra), prosthetic hand, 3-D photography, camera movement, movies on television, Charlie Chaplin, Buster Keaton, http://www.tcm.com/index.jsp (Turner Classic Movies (TCM)), David Packard, Counterculture Era, "Casablanca," , "The Unknown" , Lon Chaney Sr., Winnipeg, http://www.noircity.com/ (San Francisco NoirFest), melodrama, Joan Crawford, Lon Chaney Jr. , "La Roue" , "The Last Laugh" , Abel Gance, "Days of Heaven", ice cream, "Two Timid Souls" , Odile Lavaux, http://baguettequartette.org/ (The Baguette Quartette), Patrick Hoctel, Natalja Vekic, Cary Grant, Samuel Beckett, Vera Ellen, Edward Stout, Clark Wilson, "The Patsy" , George Wright, San Francisco Fox Theater, Oakland Paramount Theater, Golden Gate Theater, Grace Cathedral, Dick Taylor, Taylor Family, Mel Novikoff, Stanford Theater, California Theater, San Jose, Grand Lake Theater, cue sheet, lead lines, music cue, ranks of organ pipes, "The Man Who Laughs"