Podcasts about Budd Boetticher

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Today we're talking about the 2005 documentary BUDD BOETTICHER: A MAN CAN DO THAT, which features both Clint Eastwood and Paul Schrader (among others) talking about the elemental western films of Budd Boetticher and his influence on their work. We also talk about some Boetticher films ourselves, and take this moment to go a little deeper on auteur theory - its usefulness, its problems, our relationship to it as a framework. You don't have to watch the doc to enjoy this episode, but it is kind of fun if you can track it down! Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

On this trailblazing episode, reporter and historian Robert Nott drops by to discuss Sam Peckinpah's Ride the High Country. Robert is the author of several acclaimed books on Western film history, including The Films of Randolph Scott, Last of the Cowboy Heroes, The Films of Budd Boetticher, and Goin' Crazy with Sam Peckinpah and All Our Friends. His latest book is titled Ride the High Country, and it's the first book to focus exclusively on Peckinpah's poignant 1962 classic. Robert Nott's book, Ride the High Country, is published by the University of New Mexico Press, and is part of the Reel West series, edited by Andrew Patrick Nelson.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 128 Sam is joined by film critic and historian Leonard Maltin. He co-hosts the Maltin on Movies podcast with his daughter Jessie Maltin.  Leonard has chosen Seven Men From Now (78 mins). Directed by Budd Boetticher, released in 1956, the film stars Randolph Scott, Gail Russell and Lee Marvin.  Sam and Leonard discuss runtime creep in contemporary cinema, John Wayne's Batjac Productions, and how Leonard ended up writing his famous Movie Guides.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a top at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest stars @leonardmaltin. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

Michael and Pax welcome back Evan Hanson (the Classic Film Jerks podcast) as we get back to Budd Boetticher and Randolph Scott's Ranown Westerns. This time Scott plays a Union officer tasked with transporting gold from California to Washington DC through Confederate-sympathizing territory. Westbound also features Karen Steele, Michael Dante, Andrew Duggan, Michael Pate, and Virginia Mayo.

Friday, July 19 marked the tenth anniversary of the passing of Emmy Award-winning actor and entertainment icon James Garner. TV Confidential marks this occasion by replaying our special program-length tribute to Jim that originally aired in August 2014. In this segment, we hear from Emmy winners Roy Huggins (creator of Maverick, co-creator of The Rockford Files) and Stephen J. Cannell (co-creator of The Rockford Files) and legendary film director Budd Boetticher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael and Pax continue exploring the Ranown Westerns with Budd Boetticher's Buchanan Rides Alone, starring Randolph Scott and also featuring one of our favorites, LQ Jones. And Pax reads a Western detective novel, Holmes on the Range.

It's officially 2024...Happy New Year? We're not getting our hopes up! While everyone nursed their hangovers and tried desperately to get back to "normal" everyday life, we decided to take a look back at all the things we watched in the past year and talk about some stuff that falls outside the usual scope of the show. Join us as we each count down our individual top five new-to-us watches of the past year, take time to reflect on your own highs and lows, and add some new recommendations to your watchlist.Lots of links to share from this episode: Check out The Carlee Canon (Carlee's Top 20 Films of the 1990s)Check out The Aaron Canon (Aaron's Top 20 Films of the 1990s)Read Carlee's piece, 'The Puritanical Eye: Hyper-Mediation, Sex on Film, and the Disavowal of Desire' at Lo Specchio ScuroRead benzostraydogs' Letterboxd Review of Sam Esmail's 'Leave the World Behind'Listen to Our Junk Filter Episode on Jim McBride's 1983 Remake of 'Breathless'Check Out Aaron's List of His Top 75 Non-2023 Watches of Last Year.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Michael and Pax resume their tour of the Ranown Westerns directed by Budd Boetticher and starring Randolph Scott. In Decision at Sundown, Scott comes to town gunning for vengeance against the community's most powerful citizen, but Scott's not saying exactly why. The movie also features John Carroll, Karen Steele, Valerie French, John Archer, and Noah Beery Jr. And in a special Christmas-themed edition of Whatchoo Been Westernin'? the fellas talk about Jack Palance as the title character in Ebenezer, a Western retelling of A Christmas Carol that also stars Ricky Schroeder.

Au sommaire de cette spéciale Film Noir : Retour sur quatre films noirs édités par Elephant Films : Détour d'Edgar G. Ulmer, Dans l'ombre de San Francisco de Norman Foster et La police était au rendez-vous de Joseph Pevney ; Évocation de deux sorties Rimini Editions, à savoir, La ville captive de Robert Wise et Le tueur s'est évadé de Budd Boetticher ; Chronique de Sables mortels de Roger Donaldson sorti chez ESC. Bonne écoute à toutes et tous !

Aujourd'hui marque pile poil, la première diffusion, le 10 octobre 2008 d'En Attendant Godard sur les ondes de Radio Campus Rennes, qui deviendra C-Lab.En Attendant Godard, 542 émissions au compteur à ce jour, 4 rédac chefs / animateurs successifs, des dizaines de camarades au micro, des réalisateurs plus ou moins fidèles mais toujours aguerris et quelques indécrottables. On se répète, mais tel Napalm Death, il n'y a plus de membres d'origines permanents de cette émission et pourtant ils restent toujours avec nous, et quand l'envie leur en prend, ils sortent de leur maison de retraite pour passer faire coucou.Sapristi, 15 ans. Et pour fêter ça, mixtake particulière, des classiques musicaux de l'émission mais pas seulement, et surtout ! nous avons creusé, fouillé et nous nous sommes perdus dans nos archives afin d'en faire ressortir la sève de nos bêtises.  Un best / worst of, avec que des extraits évidemment totalement hors contexte dans un joyeux bordel.Mixtake également dispo on da tube.Prégénérique - 10 ans, la création EAGO 5.26 Y'a un buffetIntro - Er Force Wan sur La Rafle (EAGO 3.02)Bob Dylan - Time Passes SlowlyEAGO 3.05 Simon D. sur un film visiblement nul sur JM BasquiatEAGO 3.03 Les Amours ImaginairesEAGO 3.05 Les putains de titres de films françaisEAGO 5.09 Bordel, Izia HigelinEAGO 5.10 Une suite à la Taupe ?Les Nouvelles des GensEnnio Morriconne - La resa dei contiEAGO 3.14 Le Dernier des TempliersEAGO 4.01 Des humains, des indiens...EAGO 11.06 Budd Boetticher, le cinéma playmobilRamones - CommandoGodziCarlaeago 3.21 Hell Driver, un film coolEAGO 4.27 Point t-shirtEAGO 4.01 La balance Michael BayEAGO 10.18 C'est quoi l'Avant-garde ?EAGO 9.21 Le Concours, un truc de fils de puteNeil Young & Crazy Horse - My My, Hey Hey (Out of the Blue)EAGO 3.09 Jean-Michel ApathieEAGO 5.01 Pascal Laugier, The Secret, un imbécileCarrément GolriEAGO 12.15 Bayhem de MunichEAGO Lil' Quinquin fest Part I.EAGO Lil' Quinquin fest Part II, truc de nazisDon Omar - Danza Kuduro, parasité ENORMEEAGO 7.03 La BM du Seigneur et point tunningUne pute endormieEAGO 8.35 Gary Cooper vs Gregory Peck 1EAGO 12.15 Bay, Godard, ArabieLes Nouvelles des Gens - Appel aux donsJunior BouneureEAGO 8.35 Gary Cooper vs Gregory Peck 2Bruce Springsteen -  FactoryEAGO 7.10 Interstellar, faquin, suceur du capitalJackass 15 years______PUBLIC SERVICE ANNOUNCEMENT: Le Film du Dimanche Soir, BLOODY SAM ! THE KING OF COOL ! DIMESTORE DOSTOEVSKY ! ______

Michael and Pax are in the mood for some Ranown Westerns, starting with The Tall T. Directed by Budd Boetticher and starring Randolph Scott, of course. Co-starring Maureen O'Sullivan and Richard Boone. And based on a story by Elmore Leonard. Also: Michael checks out a stage production of the classic Shane.

This month, Elric, Brian and Phil are joined by screenwriter Josh Miller (SONIC THE HEDGEHOG 1 &2/ VIOLENT NIGHT) and KJ Relth-Miller (from the Academy Museum in Los Angeles) to talk about the month's New Beverly Schedule! Throughout September the theater pays tribute to maverick film producer Edward R. Pressman, whose long-running and boldly original career was marked by creativity and eclecticism. While helping to entertain & inspire audiences for more than five decades, Pressman fostered the work of a wide range of inspired filmmakers. Plus - comedies written by Karen McCullah & Kirsten Smith, Hitchcock in I.B. Technicolor, classic Budd Boetticher westerns, a Harold Lloyd festival and more! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod

A film critic for publications such as LA Weekly, New York Magazine, Vulture, The New York Times, and formerly, The Village Voice, the brilliant Bilge Ebiri is one of my favorite journalists working today. Although we've discussed some of his favorite directors like Terrence Malick & Neil Jordan tangentially in the past, I was thrilled to bring him back to the podcast this time to focus on the filmmaker who helmed his favorite movie of all time Barry Lyndon. An engaging and insightful journey into Ebiri's own life & career exploring the work of Stanley Kubrick, which is one of his particular areas of expertise, over the course of two jam-packed hours of conversation, we explore the films Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb, A Clockwork Orange, Barry Lyndon, & The Shining. Unable to stop asking him questions about the rest of Kubrick's filmography, the result is a highly entertaining, story-filled exchange that's sure to be a new favorite among cinephiles. Moreover, following the podcast's three most recent installments covering French Crime Movies, the oeuvre of actor-producers Amy Robinson & Griffin Dunne, & the Ranown Westerns of Budd Boetticher, this episode is the perfect way to close out what has unofficially become Watch With Jen's Criterion Collection-centric July. Originally Posted on Patreon (7/22/23) here: https://www.patreon.com/posts/86458886 Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Logo: KateGabrielle.com

Peter Sobczynski joins Erik Childress on this week's physical media roundup. They include 4K releases from Godard, Scorsese and Boetticher. Are any of the stories from Four Rooms worth revisiting? Peter unveils an appreciation for one of the great endings in film while Erik discusses HBO's acclaimed video game adaptation. You also get Gena Rowlands in an Oscar-nominated performance, Roy Scheider fighting off sleazy blackmailers, a bizarre pre-Lethal Weapon partnering and one of the great William Friedkin movies getting the upgrade it deserves. 0:00 - Intro 1:08 - Criterion (Breathless (4K), The Ranown Westerns: Five Films Directed by Budd Boetticher (4K)) 8:34 - Arrow Films (Hugo (4K)) 13:33 - Imprint (Four Rooms, Wolf Creek (Ultimate Edition)) 30:56 - Sony (Love Again) 33:23 - Universal (Kandahar, Les Miserables (2012) (4K)) 40:52 - Warner Archive (Land of the Pharoahs) 48:39 - Warner Bros. (The Last of Us: The Complete First Season) 53:08 - Kino (52 Pick-Up, End of the World, Gloria (1980), Nevada Smith, Number One with a Bullet, The Cow Who Sang a Song Into the Future, To Live and Die in L.A. (4K)) 1:22:07 – New Blu-ray Announcements 1:24:17 - Outro

The director behind the hilarious LEGO BATMAN MOVIE, the popular series ROBOT CHICKEN, as well as the films THE TOMORROW WAR starring Chris Pratt for Prime, & the brand new RENFIELD with Nicholas Hoult & Nicolas Cage, this week, I was so pleased to welcome filmmaker Chris McKay to the podcast.A huge film buff who fell in love with the films of Alfred Hitchcock early, thanks to his cinephile mom, Chris McKay is such an enormous fan of B-movie director Budd Boetticher that his Twitter handle is even @BuddBoetticher in his honor. And with The Criterion Collection releasing a captivating new Ranown Westerns box set featuring jaw-dropping 4K restorations of a handful of the best films that Boetticher made with his most important collaborator & star Randolph Scott, it was the perfect time to team up with McKay to discuss a quartet of his favorites.Zeroing in on the outstanding SEVEN MEN FROM NOW (which is not included in the Criterion box), THE TALL T, COMANCHE STATION, & RIDE LONESOME, in this spirited, fast-moving episode, we set out for the wide open spaces of Boetticher's westerns with Scott. Along the way, we pay particular attention to not only the great supporting players who stole scenes from the leading man as antagonists but also the screenplays from Burt Kennedy for films that all seem to be in conversation with one another. Whether you're new to Boetticher's filmography, Westerns in general, or are a devotee of the genre, you're sure to find this installment a delight.Originally Posted on Patreon (7/17/23) here: https://www.patreon.com/posts/86244952Theme Music: Solo Acoustic Guitar by Jason Shaw, Free MusicLogo: KateGabrielle.com

Written by Burt Kennedy and directed by Budd Boetticher, the intense 1959 Western Ride Lonesome stars legendary actor Randolph Scott as a bounty hunter traveling across a desolate landscape on a secret quest for vengeance. Join us for a fascinating conversation with two-time Emmy-winning screenwriter and producer Kirk Ellis, whose new book - titled Ride Lonesome - offers uniquely personal insights about one of the most popular Westerns of the '50s.Kirk Ellis's book, Ride Lonesome, is published by the University of New Mexico Press, and is part of the Reel West series, edited by Andrew Patrick Nelson.

Without a doubt, “Ride Lonesome” is a classic Western. Starring the great Randolph Scott, the movie was filmed in 17 days. In his new book, award-winning screenplay writer Kirk Ellis takes a deep dive into what made this film so iconic. He saddles up to the ranch to talk with Russell and Alan about the movie, how it influenced future western flicks, and what it took to write his book “Ride Lonesome.”

Robert Towne writes and directs a glossy film about a heroic coke dealer and his best friends, an LA cop and a Mexican drug lord.Written & Directed by Robert Towne. Starring Mel Gibson, Kurt Russell, Michelle Pfeiffer, Raul Julia, J.T. Walsh, Arliss Howard, Arye Gross & Budd Boetticher How is the world wrong about “Tequila Sunrise”? From Andras: This whole enterprise is pretty wrong and yet, the performances (from Gibson, Julia & Pfieffer) and its amoral drives make it compelling in ways that few films can match. Kurt Russell in particular is in top form. This might be the performance that demands the most of him as an actor.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Director's Wall with Bryan Connolly & AJ Gonzalez&The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.

Welcome back to the GGtMC!!! This week we have some more Silva love in the form of our review of The Tall T (1957) directed by Budd Boetticher!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Películas: "The tin star" (Anthony Mann, 1957), "The bounty hunter" (André de Toth,1954) y "Ride lonesome" (Budd Boetticher, 1959). Conducción: Diego Cirulo, Fabio Villalba. ¿Son los cazarrecompensas los primeros trabajadores freelance de la historia moderna? ¿O serán, en realidad, la degradación de una estructura legal que nunca pudo entender la idea de orden? Estas preguntas y muchas más podrás encontrar en este nuevo "Al Oeste 2", en donde visitaremos tres grandes obras del western que intentan poner sobre la mesa cuestiones acerca de la legalidad, el individualismo, el liberalismo y la modernidad. Yipi kai yei! Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca

Iba para estrella del fútbol americano pero acabó convirtiéndose en torero en México. Luego se hizo director de cine dejando para la historia un buen puñado de westerns que han influido notablemente en otros muchos directores. Esta semana recordamos la carrera y la figura de Budd Boetticher. Y en el quinto aniversario de su fallecimiento repasamos la relación del cine con el líder cubano Fidel Castro. Charlamos con la actriz Loles León y en la sección de Jack Bourbon revisamos el que algunos consideran el mejor musical de la historia del cine: ‘Un americano en París'.

This week, Marten assigns Jacob a ton of homework as they explore the Ranown Cycle of Westerns that saw Budd Boetticher, Randolph Scott and Burt Kennedy churning out some of the best matinee gunfighter fare in the history of cinema.

Emission grandes chevauchées, vaudou et la terrible attente. Ne pleure pas mon aimé, dieu veille sur nous, nous chevaucherons bientôt vers Durango, rattrape moi, ma vie, bientôt le désert sera loin, bientôt tu danseras le fandango.Dispo tout pareil sur le tube.Au programme cette semaine:* la ressortie en salles du troisième long-métrage de notre gars Alex de la Iglesia, l'halluciné Perdita Durango.* la ressortie en bluray de La Chevauchée de la Vengeance (Ride Lonesome), sixième collaboration ouesternienne entre Budd Boetticher et Randolph Scott. Edité par Sidonis.* La Troisième guerre, premier film de Giovanni Aloi* Sans Signe particulier, de Fernanda ValadezLe 10 octobre, le plus grand polar des 30 dernières années sur grand écran, proposé par nous-mêmes et Le Cinéma est mort. Immanquable !El Comandante est passé chez les copains parler de cinéma québécois. Guest star de l'autre bout du monde en prime !Coups de cœur:THOMAS The Ballad of Little Jo (Maggie Greenwald)DOC ERWAN Le Vaisseau Fantôme (Michael Curtiz)SIMON (le jeune) The Mission (Johnnie To) + la trilogie du Milieu (Fernando Di Leo - Milan Calibre 9 - Le Boss - Passeport pour deux tueurs)PLAYLISTPrégénérique / Extrait Perdita DurangoHerp Albert and the Tijuana Brass Band / Spanish FleaScreamin' Jay Hawkins / I'm lonely

Hi there, listeners! For part 2 of our series on the evolution of the Western, we're taking a look at Howard Hawks 1959 classic, Rio Bravo. In the 1950s, the Western genre increasingly began to enter darker, less romanticized territory, with the nerve-jangling violence and psychological complexity of films by Anthony Mann, Budd Boetticher, and others. Even John Ford's work began to grow darker and more cynical. At the same time, though, the genre was becoming popular on television, with the low key charms and genial nature one associates with the small screen in full effect. Rio Bravo, despite its big screen pedigree and a world class filmmaker at the helm, is rooted firmly in the latter group. John Wayne, at his most John Wayne, plays a no-nonsense small-town sheriff tasked with a seemingly suicidal mission, aided only by a “drunk and a crippled old man” Asked if that's all he's got, Wayne corrects his friend - “That's… what I got.” And so proceeds a typically Hawksian study of professionalism and personal responsibility. But despite the gravity of the setup, the film's tone is largely light throughout, with the humor and warmth of the characters lingering in the mind much more strongly than the suspense of their predicament. Robin Wood, the celebrated film critic and academic, once said that if he had to pick a single film that justified the existence of Hollywood, he'd choose Rio Bravo. It's a film of enormous complexity, as he explicated in his book analyzing the film. But it's also a film of intense surface level charm, one that with every viewing evokes the joy of leisurely spending time in the company of old friends. 

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. First I chat with Christian Petzold, the delightful director of Transit, Phoenix, Barbara, and now Undine, which comes out June 4. Undine is about a Berlin historian(Paula Beer) who may be a figure from ancient myth. She gives regular lectures in tours of the municipal museum, and eventually she connects with an industrial diver (Franz Rogowski). This being a Petzold movie, there are layers of history and myth that haunt the main plot. I reached Petzold at his office in Berlin over Zoom, with the occasional help of a translator. Then I chat with writer and critic Bruce Bennett about the director Budd Boetticher and his tightly wound westerns. Bruce also shares insights about story mechanics from his current job: writing for a true crime TV show. Our conversation went long and was so much fun that I'm publishing it in two parts. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Though born in Chicago, Budd Boetticher was adopted and raised in Evansville, making him somewhat inarguably its most notable filmmaking resident. Ted Haycraft is back and joined by writer Robert Nott, author of The Films of Budd Boetticher, to discuss the director's movies with Randolph Scott, and more:- Boetticher's influence on filmmakers Clint Eastwood, Quentin Tarantino (who named a Kill Bill character after Budd), and Martin Scorsese (who highlighted The Tall T in his Personal Journey Through American Movies);- his high school (spoiler alert: he went to the same one as someone on this podcast);- if Boetticher was the first Western filmmaker to use terse dialogue or morally ambiguous antagonists;- and what his films presents to younger viewers now.Also:- His bullfighting exploits, performed and filmed, before and after the Ranown Cycle;- if the minimalism or violence of his Westerns is the bridging link between John Ford and Sergio Leone;- what Boetticher's career would have been like it his success had extended into the '60s or '70s;- and the mythologizing he did in the final 20 years of his life on the film festival circuit.Haycraft is film critic for Evansville's WFIE-14 and co-hosts Cinema Chat on its Midday show. He can also be found on Cinema Chat's Facebook page.Robert Nott has been a reporter for the Santa Fe New Mexican for more than fifteen years. Among his other books are The Films of Randolph Scott, He Ran All the Way: The Life of John Garfield, Last of the Cowboy Heroes: The Westerns of Randolph Scott, Joel McCrea, and Audie Murphy, and the short story collection The Squatters & Others.His book The Films of Budd Boetticher is available from McFarland & Company. A DVD boxset of the same name, containing the films The Tall T, Decision at Sundown, Buchanan Rides Alone, Ride Lonesome, and Comanche Station is available from Sony.

Anthony is joined by Daniel Epler of Cobwebs: A Gothic Cinema Podcast to discuss Budd Boetticher's THE TALL T (1957) followed by their recommendations for pairings with the film. Links: Cobwebs on Twitter and Instagram Daniel on Twitter Cult Movies Podcast on Twitter, and Instagram Anthony on Twitter, Instagram, and Letterboxd

Nueva edición de La Gran Evasión, esta oscura noche de Noviembre seguimos un rastro en busca de venganza y justicia, esta noche, de la mano de Budd Boetticher, vamos Tras la pista de los Asesinos (Seven Men From now), 1956 Tras la pista de los asesinos es pura esencia destilada del Western. Budd Boetticher es uno de los grandes del género, un contador de historias sencillas y al tiempo, profundas. Un director a reivindicar, que puede estar sentado tranquilamente en la mesa junto a Mann, Hawks, Wellman, Walsh…..o el maestro Ford. Siempre bien acompañado por su prolongación en la pantalla, por Randolph Scott, El Cowboy por excelencia. Tras la pista de los Asesinos es un gran Western, la serie B se difumina en esta película, donde convergen un trio magnifico, una historia escrita por Burtt Kennedy, la espléndida dirección de Boetticher, apoyada en la presencia física y moral de Randolph Scott. Una de las obras cumbre del director junto a Estación Comanche o Cabalgar en Solitario, obras que comparten un leitmotive: La obsesión, el dolor de un hombre para cumplir su misión, para cerrar una herida, de la que se siente responsable. Randolph Scott es Ben Stride, un Sheriff sin estrella que persigue a una banda que dio un golpe en Silver Springs, persigue a los asesinos de su mujer....Datos que nos va soltando Boetticher a través de elipsis, de diálogos cortados a cuchillo y a través de la cruda y seca acción. Es difícil plasmar la complejidad de un ser humano en imágenes, y Boetticher lo conseguía, cincelando todas esas ideas en el rostro pétreo de Randolph Scott. Un tipo con cara de palo, pero sus ojos eran capaces de transmitir anhelos, traumas pasados, temores, odio y amor... Un hombre con una misión, que en el camino encuentra a una pareja de colonos, el recuerdo de su mujer se materializa en la Señora Greer, la dulce Gail Russell, con pasajes de una hondura desbordante, la escena del río por ejemplo. En la caza se le unen dos tipos siniestros, con un villano inolvidable, la mirada de Lee Marvin atraviesa a los espectadores y devora a la Señora Greer. El deseo y la codicia, tomando forma en unos ojos azules demenciales. Boetticher arranca esta historia con una secuencia antológica, donde define el carácter de su protagonista y en apenas una hora y cuarto compartimos cacería y muerte, compartimos el latir de un amor. Cabalgamos con el recuerdo eterno de Señora Stride, con los ojos que se debaten entre el amor y la venganza, entre la justicia, el maldito orgullo y la muerte. En ese filo siempre andan los héroes del amigo Budd Boetticher. Otra noche más estamos a vueltas con el pasado, con las decisiones tomadas, con los actos que cometimos y las consecuencias de estos, otra noche mas nos topamos con la condición humana…. Refugiados en la carreta del Cine, compartimos una taza de café, sin dejar de mirar a los arrebatadores ojos a Gail Russell….Salvador Limón, Zacarías Cotán, Raúl Gallego y Gervi Navío.

Episode Nine of the Six-Gun Justice Podcast dives into the dynamic duo of Randolph Scott and Budd Boetticher and the brilliant films they made together...Just give Paul Bishop and Richard Prosch 36 minutes to fill you in on seven of the most iconic films of the 1950s. You’d do it for Randolph Scott. (Randolph Scott!!)01:36 — Paul shares the skinny on the Six-Gun Justice Book Club02:29 — Rich recommends Steve Hockensmith’s Fathers’ Day Essay at SixGunJustice.com03:10 — Paul shares Derrick Ferguson’s review of the 1951 film, Westward the Women.11:30 — Rich’s review of the new Ralph Campton novel, TIN STAR by Jackson Lowry plus13:50 — Paul and Rich visit about the legends: Randolph Scott and Budd Boetticher21:36 — Rich and Paul take a look at Randolph Scott’s career, beginning with his Zane Grey series25:32 — Scott and Boetticher live again — better, together with the Ranown Cycle29:35 — Rich tracks down Seven Men From Now31:45 — Paul targets Buchanan Rides Alone33:01 — Rich visits The Tall T34:48 — Paul expounds on Decision at Sundown35:44 — Rich rides along with Ride Lonesome36:54 — Paul finds Westbound never quite discovers its footing37:36 — Rich pulls into Comanche Station40:29 — Shoot-outs and Shout-outsThanks to Steve Hockensmith for “Dad’s in the Saddle Again,” at https://www.sixgunjustice.com/2020/06/dads-in-saddle-againa-fathers-day.htmlMuch gratitude to Robert Vardeman for his exclusive Q&A at https://www.sixgunjustice.com/2020/06/western-wordslingersrobert-vardeman.htmlShout-out to Michael Stradford for his tips on the Seven Men From Now paperback tie-in and Blu Ray set.Support us at Patreon: https://www.patreon.com/sixgunjusticePlease drop us an email at: sixgunjusticewesterns@gmail.comThanks to our sponsor, Wolfpack Publishing, and all our friends and listeners.Support the show (https://www.paypal.com/donate/?token=suROpN0f2hQhThddyTchkgR4CytqmFW705g1jNJV3rCDT8OLxSCXKbf8j0oyifmCvb3fAW&fromUL=true&country.x=US&locale.x=en_US)

https://www.lightingthevoid.comLive Weeknights Mon-Fri 9 pm, PacificOn The Fringe FMhttps://thefringe.fmJeff Harman has been an astrologer for 45 years, utilizing a variety of systems including Traditional or Classical Western Astrology, Vedic Astrology, Kabbalistic Astrology, and Astro-Location Astrology. Jeff spent many years in Beverly Hills and has a remarkable client base and data bank of thousands of case studies. He is currently located in West Hills, CA. Jeff has spoken for IONS, MUFON, the Joshua Tree Retreat Center and the Association of Celebrity Personal Assistants. He has been a guest on Coast to Coast AM with George Noory, Veritas Radio, Fade to Black, and numerous other radio, TV, and web shows. Besides being a life-long astrologer, Jeff owns Conjunction, LLC, a new motion picture company. Jeff has a diverse career in the entertainment industry and a technical background in the areas of audio forensics, audio engineering, electronic design consulting and acoustical consulting. Jeff taught physics of sound and acoustics, electronics, and advanced acoustical design, testing and audio engineering. He held classes at such places as the renowned Riverbank Acoustics Laboratory in Geneva, Illinois, which was involved in secret work for the military during WWI and WWII. Jeff has worked in production, filming and recording with such diverse people as George Carlin, Mother Teresa of Calcutta, Greg Morris from Mission Impossible, Budd Boetticher, and Bernard Girard. Jeff was once consulted as an analyst of the JFK assassination footage. He has also conducted forensics work in voice print analysis and other audio technical capabilities with many federal, state and local agencies. He also holds U.S. and international patents in technology: United States Patent Numbers 5,719,920 (dated Feb. 17, 1998) and 5,826,235 (dated Oct. 20, 1998). See Jeff's bio page on Conjunction Entertainment for his past entertainment industry client list. Jeff is married to actress Camille James Harman and is the father of actor Aidan Harman. They live in Los Angeles.GET 20% OFF BY SAYING YOU HEARD JEFF ON LIGHTING THE VOID.Music By: Chronox at https://chronoxofficial.comDj By Steezy Stevie

À propos du livre : « Amis américains : Entretiens avec les grands auteurs de Hollywood » Paru chez Actes Sud "C'est peu dire que cet ouvrage place le travail d'historien du cinéma à un niveau que l'on côtoie rarement. La recherche effectuée durant cinq décennies est considérable. " Le Monde, décembre 2008. Salué par l'ensemble de la critique, cinéphiles et passionnés de cinéma, le livre monumental de Bertrand Tavernier a connu un succès fulgurant tant par la densité de son contenu que par la ferveur avec laquelle Bertrand Tavernier s'entretient avec ces cinéastes américains mythiques, oubliés, adulés ou blacklistés. Ressorti augmenté de nouveaux entretiens en 2008, il ressort aujourd'hui dans une nouvelle édition en version paperback, préfacé par la poursuite des entretiens entre Bertrand Tavernier et Thierry Frémaux, qui est l'éditeur de cet ouvrage. Exploration passionnée au coeur même de la création, mais aussi reflet d'une manière de vivre la cinéphilie, Amis américains est un livre album qui offre l'autopsie méticuleuse et fragmentée du cinéma américain de 1945 à nos jours et le bilan des années cinéphiles du futur cinéaste Tavernier. "Etre attaché de presse était une manière de continuer un travail de critique et d'historien du cinéma. Nous ne choisissions que des films que nous aimions. " Avec plus de 400 photos, Amis Américains reprend des entretiens effectués pour le compte de différentes revues par Bertrand Tavernier, carnet de bord du critique et attaché de presse qu'il fut. Echanges fructueux avec quelques grands d'Hollywood : John Ford, pour un dernier voyage à Paris, William Wellman, Budd Boetticher, John Huston, Jacques Tourneur, John Berry, Elia Kazan, Robert Altman... mais aussi dialogues foisonnants et passionnants avec les grands cinéastes américains actuels : Quentin Tarantino, Joe Dante ou Alexander Payne. Au total, Bertrand Tavernier salue avec passion vingt-huit auteurs ayant marqué de leur griffe le cinéma mondial. Prix 1993 du meilleur livre français sur le cinéma attribué par le Syndicat français de la Critique. Bertrand Tavernier est un réalisateur, scénariste et producteur français, président de l'Institut lumière. Né à Lyon, le 25 avril 1941, il est le fils de l'écrivain et résistant René Tavernier. Après-guerre, il s'installe avec sa famille à Paris, et termine ses études secondaires au Lycée Henri IV où il se lie d'amitié avec Volker Schlöndorff. Ils découvrent ensemble la cinémathèque de la Rue d'Ulm. Cinéphile passionné, il commence pour gagner sa vie, par collaborer à des hebdomadaires et revues de cinéma, tels que Cinéma 60, Les Lettres françaises, Combat puis Positif. Il est le seul qui parvient à écrire aussi bien à Positif qu'aux Cahiers du cinéma d'Eric Rohmer. En 1960, il devient assistant de Jean-Pierre Melville sur le tournage de Léon Morin, prêtre, puis attaché de presse pour le producteur Georges de Beauregard dès 1961, travaillant avec Jean-Luc Godard, Claude Chabrol, Agnès Varda. Il réalise son premier long métrage en 1973, à Lyon. Intitulé L'Horloger de Saint-Paul et adapté de l'œuvre de Georges Simenon, le film est récompensé par le Prix Louis-Delluc et l'Ours d'argent à Berlin, et marque sa rencontre avec Philippe Noiret qui deviendra son acteur fétiche (Que la fête commence, Le Juge et l'assassin, Coup de torchon, La Vie et rien d'autre, La fille de d'Artagnan). Éclectique, il aborde plusieurs genres cinématographiques, de la comédie dramatique (Un dimanche à la campagne, Daddy Nostalgie) au film de guerre (Capitaine Conan) en passant par le film historique (La Vie et rien d'autre, Laissez-passer, La Princesse de Montpensier) ou le polar (L.627, L'appât, Dans la brume électrique). Il parle aussi bien du jazz (Autour de minuit) que des instituteurs en zones défavorisées (Ça commence aujourd'hui) et tourne de nombreux documentaires : La guerre sans nom, De l'autre côté du périph et le dernier, sorti à l'automne 2016, Voyage à travers le cinéma français, particulièrement salué par la critique. Il a déclaré à plusieurs reprises qu'il a fait tous ses films pour « apprendre », pour découvrir un monde, une époque qu'il ignorait. Passionné par l'écriture, il va redonner leur chance à de grands scénaristes et dialoguistes restés sur le bord du chemin comme Jean Aurenche et Pierre Bost. (« parce qu'ils avaient écrit en 1942 Impatience et Révolte »), faire débuter au cinéma Jean Cosmos mais aussi le policier Michel Alexandre, la comédienne Christine Pascal et Colo O'Hagan. Cinéaste engagé et profondément enraciné dans l'époque, il cristallise dans ses films son combat contre les travers de la société et son engagement contre l'injustice, la guerre, le racisme, la peine de mort. Nommé dix-neuf fois aux Césars, cinq lui sont décernés : deux Césars du meilleur réalisateur (1976 et 1997), deux du meilleur scénario original ou adaptation (1976 et 1977) et un pour la meilleur adaptation (1985). Il obtient le Prix de la mise en scène à Cannes pour Un dimanche à la campagne et le prix du meilleur film policier à Beaune pour Dans la brume électrique. En parallèle, il co-dirige depuis 1994, avec Thierry Frémaux, la collection d'ouvrages sur le cinéma coéditée par Actes Sud et l'Institut Lumière (Conversations avec Billy Wilder de Camerone Crowe, Conversation avec Claude Sautet de Michel Boujut, Hollywood, la cité des femmes d'Antoine Sire, Au travail avec Eustache de Luc Beraud, entre autres) ; il est lui-même l'auteur de plusieurs livres sur le cinéma dont le célèbre Amis Américains : Entretiens avec les grands Auteurs d'Hollywood. Chez Actes Sud, il dirige aussi la collection « L'Ouest le vrai » dans laquelle il fait redécouvrir les plus grands romans western qui ont, pour la plupart, fait l'objet d'adaptations au cinéma. Il fait traduire et découvrir, dans cette collection, de magnifiques romans inédits de WR Burnett, Ernest Haycox, Tom Lea , AB Guthrie.

In today's special episode, we speak to Martha Crawford Cantarini, a living legend in not only the horse industry, but the film industry as well. Martha has had a long career with horses and worked as a stunt woman in Hollywood movies such as Yellow Sky, Interrupted Melody, The Big Country, The Law and Jake Wade, Love Me Tender, My Friend Flicka and many, many others. She didn’t just do horse stunts either. She did all kinds of stunt work in movies and even starred in a few such as The Killer is Loose – a Budd Boetticher film. Martha has worked with such stars as Gregory Peck, Charleton Heston, Elvis Presley, Richard Widmark, Robert Taylor and Clark Gable. She has doubled for Eleanor Parker, Anne Baxter, Shirley Maclaine, Debra Paget, Claudette Colbert, Jean Simmons and Patricia Owens just to name few! Martha has always said of all the stars she has worked with, her favorites were her four-legged co-stars. We talk with her about her experiences in stunt work and in working with some of the best horses and horse trainers in the world. Martha has been inducted into the Hollywood Stuntman’s Hall of Fame and received the Golden Boot award for her achievements in Western Films. She has written several magazine articles over the years, including in the recent Equus Magazine 498, Autumn 2019! She is an outstanding horseman and a living legend. We are so honored to speak with her today. Get a copy of Martha Crawford Cantarini's book at: https://mcfarlandbooks.com/product/fall-girl/ If you would like to contact us with questions relating to your business, specific cases, general horse hoof care questions, or suggestions for future podcasts, please email us at farrierfocuspodcast@gmail.com. We might even feature your email in a future episode!

Take in a Western double feature of The Tall T and An Eye for An Eye, as Film Frontier covers their visit to the 2019 Lone Pine Film Festival in Lone Pine, California! Clarence and Felicity discuss these two films, both of which feature the glorious rocky landscapes of the Alabama Hills. First up is the classic B Western The Tall T (1957) from famed director/star pair Budd Boetticher and Randolph Scott. Join us as we take a glimpse at one shared Universe that Martin Scorsese believes in -- the Boetticher/Scott Universe. Take that, Marvel! Next we cover a rarer treat, An Eye for An Eye (1966), featuring Robert Lansing and Patrick Wayne alongside a villainous turn from Slim Pickens. Please rate, subscribe, and check out our other episodes. Also be sure to follow the show, Felicity, and Clarence on social media.

Puntata interamente dedicata all'ultima edizione del festival bolognese, svoltasi a giugno. Con l'ospite Edoardo Peretti (del sito Mediacritica) vi raccontiamo un po' di quanto abbiamo visto. Peretti si concentra soprattutto sui film della Germania ovest negli anni 1945-1949, tra originali commedie e sguardi a quel che era appena accaduto nel paese. Ma tocchiamo anche alcuni titoli con Jean Gabin, tornando sul suo commissario Maigret; film della Fox tra fine anni 20 e gli anni 30, con capolavori, mezze sorprese e curiosità come un lungometraggio in parte diretto da Erich von Stroheim; western americani anni 50 di Budd Boetticher e Henry King; il noir secondo Felix E. Feist... e altro.

con Bertrand Tavernier

Les cowboys de la Monument Valley, les héros du mythe américain. L’équipe de NoCiné consacre trois épisodes à l’histoire du western. Dans ce premier volet, retour sur les débuts du genre de ses balbutiements à son âge d’or dans les années 1950. A l’aube du XXe siècle, la Camargue a des airs de Far West. Le public américain se passionne alors pour des films de revolver français dit « western-camembert ». Peu après, dans l’entre-deux-guerres, Ringo Kid, Vienna et d’autres as de la gâchette venus de la côte Ouest débarquent à l’écran. Parmi les plus grandes stars de l’époque, le légendaire John Wayne qui joue un hors-la-loi dans La Chevauchée fantastique de John Ford, sans qui, autant le dire, l’Amérique ne serait pas l’Amérique.Podcast animé par Thomas Rozec avec Rafik Djoumi, Stéphane Moïssakis, David Honnorat et Perrine Quennesson.RÉFÉRENCES CITÉES DANS L’ÉMISSIONLe vol du grand rapide (Edwin Esporter, 1903), Butch Cassidy et le Kid, (George Roy Hill, 1969), Joë Hamman, Buffalo Bill et les indiens (Robert Altman, 1976), Geronimo (Arnold Laven, 1962), Alice Guy, Règlements de comptes à OK Corral (John Sturges, 1957), La poursuite infernale (John Ford, 1947), Le cheval de fer (John Ford, 1924), Trois sublimes canailles (John Ford, 1926), Le Bon, la brute et le truand (Sergio Leone, 1969), Horizons lointains (Rudolph Maté, 1955), Billy le Kid (King Vidor, 1930), The Big Trail (Raoul Walsh, Louis R. Loeffler, 1930), Le Brigand Bien aimé (Jesse James) (Henry King, Irving Cummings, 1939), Le signe de Zorro (Rouben Mamoulian, 1940), La piste de Santa Fé (Michael Curtiz, 1940), Pacific Express (Cecil B. DeMille, 1939), Le Grand Passage (King Vidor, 1940)La chevauchée fantastique (John Ford, 1939), Le massacre de Fort Apache (John Ford, 1948), La prisonnière du désert (John Ford, 1956), L’étrange incident (William A. Wellman, 1943), Duel au soleil (King Vidor, Otto Brower, 1948), Le Banni (Howard Hughes, Howard Hawks, 1943), La Rivière Rouge (Howard Hawks, Arthur Rosson, 1948), Coup de fouet en retour (Backlash) (John Sturges, 1956), La flèche brisée (Delmer Daves, 1950), Fritz Lang, Anthony Mann, Samuel Fuller, Robert Aldrich, Budd Boetticher, Randolph Scott, Rio Bravo (Howard Hawks, 1959), Le Vent (Victor Sjöström, 1928), Little Big Man (Arthur Penn, 1971), Un homme est passé (John Sturges, 1955), La Guerre des Rose (Danny DeVito, 1990), Le train sifflera trois fois (Fred Zinnemann, 1952), L’homme des vallées perdues (George Stevens, 1953), Les grands espaces (William Wyler, 1958), Johnny Guitare (Nicholas Ray, 1954), Le Gaucher (Arthur Penn, 1958), Quarante tueurs (Samuel Fuller, 1957)CRÉDITSEnregistré le 28 novembre 2018 à l’Antenne (Paris 11eme). Réalisation : Jules Jellaoui. Chargée de production : Juliette Livartowski. Chargée d’édition : Diane Jean. Direction de production : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Générique : « Soupir Articulé », Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Production : Binge Audio. See acast.com/privacy for privacy and opt-out information.

Budd Boetticher's 1959 Western "Ride Lonesome" is up for discussion this week, and the Randolph Scott vehicle is an absolute gem of a movie. Fast paced (this B movie is only 73 minutes long) and packing a heck of a punch, this is the sort of classic Sunday afternoon film you can find yourself swept up in. But will Ed appreciate the charm that the film has to offer?

Budd Boetticher ist einer der Regisseure, die man unter Filmemachern verehrt, deren Ruhm aber kaum die Filmfans erreicht hat. Anhand seines C-Westerns COMANCHE STATION erarbeiten wir uns, warum dieser Regisseur so wichtig wurde, der schon in den 50er Jahren mit seinem Team um Hauptdarsteller Randolph Scott, Produzenten Harry Joe Brown und Drehbuchautor Burt Kennedy eine Art Autorenkino erschuf, bei dem alle Filme im Western angesiedelt und ganz besondere Ambivalenz bei Bösewicht und Held aufgebaut wurden. Die Regie reduziert das Filmbild auf das Wichtigste und weiß ihre Mittel perfekt einzusetzen, sodass aus dem kleinen Budget etwas ganz Großes entsteht. Boetticher streckt die wichtigen Momente ins Unendliche und fasst sein Genre dezidiert als Filmreihe auf, wodurch er Freiheiten bei seiner Interpretation des Westerners Als Hauptfigur gewinnt. Zusammengedacht mit der Wortkargheit des Drehbuchs verstehen wir, warum gerade die Werke von Sergio Leone, Sam Peckinpah und Clint Eastwood ohne den Einfluss Boettichers nicht denkbar sind.

Brian Saur (Rupert Pupkin Speaks, Just the Discs Podcast, & co-host of Pure Cinema Pod) joins us to discuss Budd Boetticher and his legendary Ranown Cycle ('7 Men from Now', 'The Tall T', 'Decision at Sundown', 'Buchanan Rides Alone', 'Ride Lonesome', 'Westbound' and 'Comanche Station') starring Randolph Scott. Follow Brian Saur aka Rupert Pupkin: https://twitter.com/bobfreelander Follow Just the Discs Pod: https://twitter.com/justthediscspod Follow Pure Cinema Podcast: https://twitter.com/PureCinemaPod Follow James Hancock on Twitter: https://twitter.com/colebrax

We discuss the career of Western director Budd Boetticher and his films RIDE LONESOME, THE TALL T and DECISION AT SUNDOWN. Plus, a discussion of Canada's CINESPHERE and a very special screening of SPEED RACER. WWW.PATREON.COM/THEIMPORTANTCINEMACLUB On this week's Patreon episodes, we discuss Roger Corman's Filmgroup. If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com

It's a BEHIND THE LENS that's out of this world thanks to former astronaut and "Global Space Statesman" BUZZ ALDRIN, writer/director MICHAEL GRODNER, and writers/directors/actors DAVID ZELLNER and NATHAN ZELLNER as we look to the stars, the world of punk rock, and a wild western! First up we take a peek into the stars and space exploration with our pre-recorded interview with BUZZ ALDRIN. A sit-down exclusive that preceded film critic debbie elias moderating an intimate Q&A with Buzz on June 21 for the premiere of THE MAN WHO UNLOCKED THE UNIVERSE (a fascinating documentary on Ulugh Beg whose interest and work in astronomy pre-dated that of Galileo by 150 years and set the stage for much of what has come since in our journey to the stars), take a listen as Buzz talks about his latest endeavor, The Human SpaceFlight Institute, and his thoughts on our trajectory to Mars. Then writer/director MICHAEL GRODNER joins BTLRadioShow to talk about his feature directorial debut, THE ICARUS LINE MUST DIE. A renowned director of music videos and creator of DirectyLaundry.TV, Michael continues his longtime love of music and exploration of the visual medium with this narrative feature co-written and starring JOE CARDAMONE, longtime frontman of punk band The Icarus Line. From a true black and white visual palette to non-actors to the affability of Cardamone and the ease and relatability of the story, Michael goes in-depth into the making of ICARUS with a refreshing candor and energy. And then sit back and take a listen to our exclusive interview with filmmakers DAVID ZELLNER and NATHAN ZELLNER as hilarity ensues talking the wild, wacky, and wonderful revisionist western DAMSEL. Co-directors, co-writers and two of the film's stars, the brothers extraordinaire cover everything from their love of classic westerns (and Budd Boetticher) to location shooting to story to miniature horses, chickens, colors, rowboats and coastlines (in a western, yes!), to directing and acting at the same time, and more. The follow-up to their award-winning indie darling "Kumiko The Treasure Hunter", David and Nathan are an effervescent delight! http://behindthelensonline.net http://eliasentertainmentnetwork.com

Today's Flash Back Friday comes from Episode 131, originally published in March 2013. Astrologer Jeff Harman is a second-generation astrologer with over 36 years of experience consulting with people from around the world on personal and business needs. Jason Hartman and Jeff Harman engage in a discussion of the world's possible economic future, and Jeff forecasts several future events based on global cycles, including a global electronic, cashless society by 2020. He says the next major alignment that is coming into play is 2020 and there is a big disruptive cycle coming up between now and 2015 that could bring a lot of turmoil in the financial markets that will lead to this cashless society. Jeff also explains how astrology has been used throughout history for advice on wars and other events, and the validity of ancient astrology versus the sun sign astrology that came about in the ‘60s. As Jeff explains, just like with physics, if an event or phenomenon is repeatable, it becomes something that can be relied upon or something that works, and it does have a very high degree of accuracy. Jeff spent many years in Beverly Hills and has clients in all areas of the entertainment industry. He is a member of the Council on Vedic Astrology, the American Federation of Astrologers, and the National Center for Geocosmic Research. He utilizes Classical, Vedic, Kabbalistic, and Astro-location Astrology. Jeff has appeared on many radio shows including Veritas Radio with Mel Fabregas, Coast to Coast AM with George Noory, as well as many other shows. Besides being a life-long astrologer, Jeff Harman owns Conjunction Entertainment, a new motion picture company. Jeff has a diverse career in the entertainment industry and a technical background in the areas of audio forensics, audio engineering, electronic design consulting and acoustical consulting. Jeff has taught physics of sound and acoustics, electronics, and advanced acoustical design, testing and audio engineering. He has held classes at such places as the renowned Riverbank Acoustics Laboratory in Geneva, Illinois, which was involved in secret work for the military during WWI and WWII and Carthage College in Kenosha, WI. Jeff has worked in production, filming and recording with such diverse people as George Carlin, Mother Teresa of Calcutta, Greg Morris from Mission Impossible and one of Hollywood's directors of classic westerns, Budd Boetticher, as well as many others. Jeff was once consulted as an analyst of the JFK assassination footage. He has also conducted forensics work in voice print analysis and other audio technical capabilities with many federal, state and local agencies.  Website: www.JeffHarman.com  

An obscure but skillful 1948 noir, directed by Budd Boetticher, more widely known for his compelling B-Westerns.

Time for a new episode of Mousterpiece Cinema, friends! This week, Josh and Scott are going it alone again as they return to the scene of a very dastardly crime. Last month, the crime was that of a defenseless woman being abducted by two nefarious bank robbers; this month, the crime is that of a defenseless woman being abducted by two nefarious...people whose identities are obscured. That's right, we're talking about the 1997 remake of That Darn Cat on this episode of the show, and both Josh and Scott are amazed at how different so much of the film is aside from the title and very basic premise. Sure, there's a teenager (Christina Ricci) and an FBI agent (Doug E. Doug), but the original film didn't have warring mechanics, two nagging parents, a pair of doofus security guards, a wig-wearing butcher, and references to the films of Budd Boetticher! How much can be attributed to the film's writers, who also wrote Ed Wood and last year's American Crime Story: The People vs. O.J. Simpson? Is this film an improvement on the original? Is there a way for Josh to shoehorn in political references this week? Find out now!

Pax and Michael discuss one of Budd Boetticher and Randolph Scott's many collaborations. Ride Lonesome also stars James Best, Pernell Roberts, James Coburn, Karen Steele, and Lee Van Cleef. Plus: Season 1 of Westworld and Marvel's Apache Skies mini-series by John Ostrander and Leonardo Manco.

How does one reconcile the ideas of artistry in cinema, the kind of magic of cinephilia that we see each time we look up at the screen, with the business practices that often painted as limiting it? James Schamus has somehow made a career of toeing this (likely constructed) dichotomy, helping produce some of the early independent films of the 1990s before becoming the co-founder of Focus Features, which made films like The Pianist, Atonement, Brokeback Mountain, and Moonrise Kingdom, as well as a collaborator of Ang Lee, writing the screenplays for The Ice Storm, Ride With The Devil, and Crouching Tiger, Hidden Dragon. James discusses this work between the politics of making art for specialty audiences, as well as his interest in the very nature of art through his work as a theorist and professor at Columbia University. They then turn to his directorial debut, an adaptation of Philip Roth's Indignation, and what it means to modulate performance. Finally, the two discuss Budd Boetticher's 1957 hostage western The Tall T, and what a specialty art house producer can learn from watching Randolph Scott contemplate existence in this low budget western. 0:00-3:57 Opening 5:08-17:11 Establishing Shots — 4 Years of The Cinephiliacs 17:56-1:06:20 Deep Focus — James Schamus 1:07:21-1:11:32 Sponsorship Section 1:12:33-1:22:44 Double Exposure — The Tall T (Budd Boetticher) 1:22:50-1:27:00 Close // Outtake

Astrologer Jeff Harman is a second-generation astrologer with over 36 years of experience consulting with people from around the world on personal and business needs. Jason Hartman and Jeff Harman engage in a discussion of the world's possible economic future, and Jeff forecasts several future events based on global cycles, including a global electronic, cashless society by 2020. He says the next major alignment that is coming into play is 2020 and there is a big disruptive cycle coming up between now and 2015 that could bring a lot of turmoil in the financial markets that will lead to this cashless society. Jeff also explains how astrology has been used throughout history for advice on wars and other events, and the validity of ancient astrology versus the sun sign astrology that came about in the ‘60s. As Jeff explains, just like with physics, if an event or phenomenon is repeatable, it becomes something that can be relied upon or something that works, and it does have a very high degree of accuracy. Visit: www.HolisticSurvival.com for more information. Jeff spent many years in Beverly Hills and has clients in all areas of the entertainment industry. He is a member of the Council on Vedic Astrology, the American Federation of Astrologers, and the National Center for Geocosmic Research. He utilizes Classical, Vedic, Kabbalistic, and Astro-location Astrology. Jeff has appeared on many radio shows including Veritas Radio with Mel Fabregas, Coast to Coast AM with George Noory, as well as many other shows. Besides being a life-long astrologer, Jeff Harman owns Conjunction Entertainment, a new motion picture company. Jeff has a diverse career in the entertainment industry and a technical background in the areas of audio forensics, audio engineering, electronic design consulting and acoustical consulting. Jeff has taught physics of sound and acoustics, electronics, and advanced acoustical design, testing and audio engineering. He has held classes at such places as the renowned Riverbank Acoustics Laboratory in Geneva, Illinois, which was involved in secret work for the military during WWI and WWII and Carthage College in Kenosha, WI. Jeff has worked in production, filming and recording with such diverse people as George Carlin, Mother Teresa of Calcutta, Greg Morris from Mission Impossible and one of Hollywood's directors of classic westerns, Budd Boetticher, as well as many others. Jeff was once consulted as an analyst of the JFK assassination footage. He has also conducted forensics work in voice print analysis and other audio technical capabilities with many federal, state and local agencies. Jeff's website is http://www.jeffharman.com/.