2001 film
POPULARITY
17 episodes with My Sweet
3 episodes with My Sweet
2 episodes with My Sweet
2 episodes with My Sweet
2 episodes with My Sweet
2 episodes with My Sweet
2 episodes with My Sweet
Molly and Kate speak with the self described 'OG Food Creative' Victoria Granof about her vast and varied career in food media. With decades of experience cooking, catering, food styling, writing and directing she is filled with insights, stories and, like her newsletter, delicious tangents as she talks about what she loves about her work, lessons she's learned and a few wild celebrity encounters. She shares what her work looks like today, the origin stories behind both her Sicily books and the writing, research and art direction behind the new book's creation.Hosts: Kate Leahy + Molly Stevens + Kristin Donnelly + Andrea NguyenEditor: Abby Cerquitella MentionsVictoria GranofWebsiteInstagramSubstack Newsletter: Delicious TangentsCreative Coaching Smashbox Studios, LASweet Sicily, by Victoria Granof Visit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the showSicily, My Sweet, by Victoria GranofThe Ultimate College Cookbook, by Victoria Granof
⭐Pitfall (1948) - She Changed His Life, He Destroyed Her World ⭐
Will, Adam and Mike watched After Dark, My Sweet and debate the merits of the film. IMDb: https://www.imdb.com/title/tt0098994/ Trailer: https://www.youtube.com/watch?v=atwuYdjbLpg Discord Link: https://discord.gg/cs53RGGU
Joe MacBeth (1955) - A Noir Twist on Shakespeare's Classic Tale of Ambition and Betrayal! Step into the dark world of Joe MacBeth (1955), a unique film noir adaptation of Shakespeare's Macbeth. In this criminal reimagining, Joe MacBeth, a mob hitman, and his ambitious wife, Lily, plot to seize control by taking out the boss. But as they climb the power ladder, guilt and paranoia ensnare them in a web of betrayal and madness. Join us as we delve into this gritty, suspenseful classic that brilliantly merges Shakespearean drama with noir grit! **Reviews Mentioned** Panic in the Streets (1950) - https://youtu.be/xnZvpTf1wxc Chop Bard Podcast - https://chopbard.libsyn.com/ Dracula (1931) / Drácula (1931) - https://youtu.be/xLY0aWhC9Sg House of Frankenstein (1944) - https://youtu.be/cONzhRkKrD0 The Mummy (1932) - https://youtu.be/6AIqcq23t9w Sunset Blvd. (1950) - https://youtu.be/vnZjw1u0Otc Tower of London (1939) - https://youtu.be/i8t7vpu1iI0 Bride of Frankenstein (1935) - https://youtu.be/njWsXATCP30 Auntie Mame (1958) - https://youtu.be/FvD2afi20YY Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Grammar Checker Links - https://grammarly.go2cloud.org/SH1ax Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
30 Femme Fatales of Film Noir: Meet the Deadly Women Film noir is a genre that captivated audiences with its shadowy cinematography, morally ambiguous characters, and complex narratives. At the heart of the genre were not just the hardboiled detectives and brooding antiheroes. But the women who often stole the show. Femme Fatales, deadly women, morally gray figures, and survivors navigating the treacherous terrain of crime and betrayal. So here's to the ladies of film that would just as soon love ya as kill ya. Or visa-versa **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 Thieves' Highway (1949) - https://youtu.be/OK-4hPrFoj4 The Asphalt Jungle (1950) - https://youtu.be/fynIloiiVDY The Big Sleep (1946) - https://youtu.be/7kmLTwXeOZk Dark Passage (1947) - https://youtu.be/HBuZRbnyB4w **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Grammar Checker Links - https://grammarly.go2cloud.org/SH1ax Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Join Marc and Dan as they dive headfirst into the world of Raymond Chandler with Murder, My Sweet from 1944. Based on Chandler's 1940 novel Farewell, My Lovely, it features one of the most iconic private eyes in all of crime literature/film, Philip Marlowe. Murder, My Sweet was monumental for the role in played in film noir's "discovery" by French film critics in 1946, and it's a discussion you certainly won't want to miss.Shadows of Noir is also pleased to announce the noir book section of the website as well! There are source novels, reference books, and biographies for sale on the website, including several that relate to Murder, My Sweet directly. Check them out here!Farewell, My LovelyRaymond Chandler: A BiographyCreatures of Darkness: Raymond Chandler Detective Fiction and Film NoirDick Powell: A One-Person Play in Two ActsCaught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood
Conclusion - The Femme Fatales of Film Noir #Noirvember 2024. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - https://youtu.be/khvRUI37TGI Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 Thieves' Highway (1949) - https://youtu.be/OK-4hPrFoj4 The Asphalt Jungle (1950) - https://youtu.be/fynIloiiVDY The Big Sleep (1946) - https://youtu.be/7kmLTwXeOZk Dark Passage (1947) - https://youtu.be/HBuZRbnyB4w **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Lauren Bacall - The Femme Fatales of Film Noir #Noirvember 30, 2024. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 Thieves' Highway (1949) - https://youtu.be/OK-4hPrFoj4 The Asphalt Jungle (1950) - https://youtu.be/fynIloiiVDY The Big Sleep (1946) - https://youtu.be/7kmLTwXeOZk Dark Passage (1947) - https://youtu.be/HBuZRbnyB4w **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Marilyn Monroe - The Femme Fatales of Film Noir #Noirvember 29, 2024. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 Thieves' Highway (1949) - https://youtu.be/OK-4hPrFoj4 The Asphalt Jungle (1950) - https://youtu.be/fynIloiiVDY **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Ann Sheridan - The Femme Fatales of Film Noir #Noirvember 28, 2024. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 Thieves' Highway (1949) - https://youtu.be/OK-4hPrFoj4 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Valentina Cortese - The Femme Fatales of Film Noir #Noirvember 27, 2024. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 Thieves' Highway (1949) - https://youtu.be/OK-4hPrFoj4 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Hope Emerson - The Femme Fatales of Film Noir #Noirvember 26, 2024. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Ava Gardner - The Femme Fatales of Film Noir #Noirvember 25, 2024 - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
#Noirvember 24, 2024 Rita Hayworth - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
#Noirvember 23, 2024 Gene Tierney - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
#Noirvember 22, 2024 Barbara Stanwyck - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
#Noirvember 21, 2024 Yvonne DeCarlo - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
#Noirvember 20, 2024 Claire Trevor - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Goofballs at the gym, a solid new Clint Eastwood movie, some Jason Patric, a kinky Clint Eastwood movie, mindless obsessing, playing the tape forward, a completely dumb but watchable 90's film, people behaving badly, a butterfly effect, and hoping for a good ending. Stuff mentioned: House of Pain "Jump Around" (1992), Juror #2 (2024), Juno (2007), Little Miss Sunshine (2006), The Dead Pool (1988), After Dark, My Sweet (1990), Terrifier 3 (2024), River's Edge (1986), Tightrope (1984), Erika Andersen "I Was a Bringe Drinker. This is How I Stopped" (Wall Street Journal, October 11, 2024 https://www.wsj.com/health/wellness/i-was-a-binge-drinker-this-is-how-i-stopped-f1f27960), Excess Baggage (1997), Marco Brambilla Civilization (2008 https://www.youtube.com/watch?v=rZFK8Wv-HTk), Demolition Man (1993), Reptile (2023), and The Butterfly Effect (2004).
Tune in to Vintage Classic Radio this week on "Friday Night Noir" for a captivating double feature from "Hollywood Star Time". First up, "The Woman in the Window", initially aired on November 16th, 1946, and sponsored by Frigidaire, presents a gripping tale of suspense. Starring Herbert Marshall and Joan Bennett, the drama centers around a psychology professor whose encounter with a bewitching woman spirals into a complex murder mystery. Edward G. Robinson enhances the intrigue as the sharp detective delving into the depths of the crime. Herbert Marshall also serves as the host, adding a unique continuity to the evening's programming. Following that, "Murder, My Sweet", originally broadcast on June 8th, 1946, dives into the shadowy world of film noir. Dick Powell portrays the iconic private detective Philip Marlowe, who becomes entangled in a dense plot of deceit while searching for a missing woman. Mary Astor stars as the elusive and alluring Mrs. Grayle, with Mike Mazurki delivering a memorable performance as Moose Malloy. Join us for a night of mystery and classic drama, showcasing the best of vintage radio storytelling, perfect for noir enthusiasts and lovers of intricate, shadow-laden narratives.
Adrienne Janene Wehr is a multi-disciplinary artist, and story teller and the cisgender wife of former guest Jessika Janene. Included among Adrienne's myriad stories projects are: In the Company of Ghosts (a multi-disciplinary stage performance that she produced, co-created and co-performed), The Bread, My Sweet (an award winning indie film she produced/performed), Dog Bytes (award-winning web series she produced/performed). She was also the Associate Producer for the Emmy award-winning children's TV show MISTER ROGERS' NEIGHBORHOOD. She's currently sharing tales from her new multi-media publication and podcast titled The Golden Boat. ★ Support this podcast on Patreon ★
I Wake Up Screaming (1941) is considered one of the contenders for the first Film Noir. The film follows the murder of a fashion model and the investigation that ensues. The main characters include Frankie Christopher (Victor Mature), Jill Lynn (Betty Grable), and Detective Ed Cornell (Laird Cregar). Another Noir notable in this film is Elisha Cook, Jr. The film explores themes of obsession, love, and betrayal. Despite mixed reviews at the time of its release, I Wake Up Screaming is now recognized as a classic film noir and is considered the first by many. **Reviews Mentioned** The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg The Shanghai Gesture (1941) - https://youtu.be/cLUAQC_N4e4 Night Editor (1946) - https://youtu.be/EySTC5Uzlg0 Blood Money (1933) - https://youtu.be/9a4OwJwRfIo Earth vs. the Flying Saucers (1956) - https://youtu.be/bquMfkBA2AY Stalag 17 (1953) - https://youtu.be/cEFpoxCd-K4 Lured (1947) - https://youtu.be/9a4OwJwRfIo **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost. Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”. Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…
I was on the case. There I was sitting in a dive bar because some big lug with a face that could sour milk was paying me 25 bucks a day plus expenses. I was searching. Not for a dame. No, that would have been too easy. Instead he wanted me to find him a podcast that talked about Film Noir. None of this would have been necessary had he just listened to The Bricked Pit. Jason, Josh, Adam, and their special guest Patrick from Vintage Video already punched that ticket when they talked about such films as Murder, My Sweet, D.O.A., The Asphalt Jungle, and Double Indemnity. --- Send in a voice message: https://podcasters.spotify.com/pod/show/brickedpit/message
On today's episode of the Therapy Crouch, Abbey and Pete are giving advice on how to add a little bit of spice to your life!From trying new activities together, to enjoying a bit of Nurse on Viking role play - Abbey and Peter cover all bases with some surprising results……And it isn't all just bedroom antics, we discuss why laughter really is the best medicine, how there is more to being tactile than a cheeky shabba and what to do when your Nurse Nightingale becomes a Nurse NightMAREingaleIn the Agony Abs, we give advice on what to do when your parents decide they love Spain more than they love you - and why the humble border collie can be the perfect antidote to a clingy fella. All this and much more only on, The Therapy Crouch!00:00 Intro03:13 Nurse Nightingale10:34 My Sweet 13th14:13 Artificial Intelligence AKA AI19:24 Weekly Whines 26:31 Spice Up Your Life29:45 Role Play39:04 Two Conkers in a Hanky42:15 Laughter is the Best Medicine 51:39 Agony AbsTo contact us: Email: thetherapycrouch@gmail.com Instagram: https://www.instagram.com/ thetherapycrouchpodcast/ TikTok: https://www.tiktok.com/ @thetherapycrouch Website: https://thetherapycrouch.com/ For more from Peterhttps://twitter.com/petercrouchFor more from Abbeyhttps://www.instagram.com/abbeyclancyOur clips channelhttps://www.youtube.com/channel/UCZntcv96YhN8IvMAKsz4Dbg Hosted on Acast. See acast.com/privacy for more information.
Murder, My Sweet (1944) by Bob Sham & Friends
Plunge into the gripping world of 711 Ocean Drive (1950), a Film Noir crime thriller that takes you deep into the underbelly of the criminal underworld. Join us as we unravel the suspense, explore the plot twists, and analyze the cinematic brilliance that defines this classic film. **Reviews Mentioned** Birdman of Alcatraz (1962) - https://youtu.be/7Kd9h2v5MXE Red River (1948) - https://youtu.be/I2v_52JWaf0 Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg World in My Corner (1956) - https://youtu.be/hI3bnHHoUQY Billy Jack (1971) - https://youtu.be/61-aWd47LL8 The Racket (1951) - https://youtu.be/ux0JsuU6ft8 Rumble on the Docks (1956) - https://youtu.be/8ITf53YU_DI The Sting (1973) - https://youtu.be/xawOwN5CMJk **My Links** Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media - https://mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
For the second year in a row, I will celebrate NOIRvember by answering one question daily about Film Noir for the entire month. I have a list of about 70 questions that I add to regularly. I used a random number generator in Excel and selected 30 for November. Each video was a short and was less than one minute long. Celebrate Film Noir, Femme Fatales, and Flawed Private Investigator during NOIRvember 2023. This episode is a composite of 30 answers to questions about Film Noir. Let me know what you think about the choices by leaving a comment. **Reviews Mentioned** Sunset Blvd. (1950) - https://youtu.be/vnZjw1u0Otc Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg **Major Actors** **My Links** Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Grammar Checker Links - https://grammarly.go2cloud.org/SH1ax Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Mort Shuman hat hunderte Lieder wie "A Teenager In Love", "Sweets for My Sweet" oder "Save the Last Dance for Me" geschrieben. Zudem komponierte er mit seinem Partner Doc Pomus einige Hits für Elvis Presley wie "Viva Las Vegas" oder "Surrender" . Nun wäre der Künstler 85 Jahre alt geworden.
Mike Tyson eating a muffin and an ear, calling judges while drunk, my dad calling George Foreman in Africa, a possibly stupid comparison between Floyd Mayweather and David Fincher and Christopher Nolan, and...Stacy Keach. Stuff mentioned: Sonny Clapp's "Girl of My Dreams" (1927), Angel Heart (1987), Mike Tyson vs. Evander Holyfield II (1997), Antonio Margarito vs. Miguel Cotto I (2008), Antonio Margarito vs. Miguel Cotto II (2011), Buster Douglas vs. Mike Tyson (1990), The Set Up (1949), West Side Story (1961), Star Trek: The Motion Picture (1979), Requiem for A Heavyweight (1962), Fat City (1972), Pavement Slanted and Enchanted (1989), Winter Kills (1979), The Maltese Falcon (1941), Treasure of the Sierra Madre (1948), The Misfits (1961), Chinatown (1974), A Night in the Life of Jimmy Reardon (1988), My Own Private Idaho (1991), Snake Eyes (1998), After Dark, My Sweet (1990), Rush (1991), That Championship Season (1982), Paul Pfeiffer's The Long Count (2001), Muhammad Ali vs. George Foreman (1974), The Champ (1979), Raging Bull (1980), Ordinary People (1980), Taxi Driver (1976), Jackson Brown "Late for the Sky" (1974), Memento (2000), Inception (2010), The Fight Club (1999), Seven (1995), The Game (1995), Juan Manuel Marquez vs. Manny Pacquiao I (2012), Interstellar (2014), Innerspace (1987), The Social Network (2010), Network (1976), Sunset Boulevard (1950), and The Dead Pool (1998).
Peter Sobczynski returns for an epic round of catch-up on the latest and greatest in physical media. They include 4K upgrades of films from Orson Welles and Nicolas Roeg. The strange career of James Foley is discussed around one of his best films. Speaking of best, Lions Gate has one of the best comedies of the year and one of the year's best period. Right in time for Cassandro this week, the first two Santo films are released. There is excellent television, an all-timer from the late, great William Friedkin as well as the Ghoulies movies and a whole trove of titles from master of disaster, Irwin Allen. Something from all the decades including an ‘80s favorite getting a major upgrade and the directorial debut of Robert DeNiro celebrating its 30th anniversary in 4K. 0:00 - Intro 2:24 - Criterion (The Trial (4K), Walkabout (4K)) 14:33 - Music Box (L'Immensità) 17:56 - Indicator (Santo vs. Infernal Men, Santo vs. The Evil Brain) 21:32 - Kino (After Dark, My Sweet, The Beast, Final Cut) 42:37 - Lions Gate (Cobweb, Joy Ride, Past Lives) 50:59 - Walt Disney (The Little Mermaid (2023) (4K)) 55:10 - Paramount (Poker Face: Season One) 58:03 - Warner Bros. (Rick and Morty: The Complete Series 1-6, Succession: The Complete Series, Air, The Exorcist (4K)) 1:14:14 - Shout! Factory (The Pack, My Bloody Valentine (1981) (4K), The Lost City of Z (4K), Irwin Allen: Master of Disaster Collection) 1:37:11 - MVD (Ghoulies (4K) / Ghoulies II) 1:44:57 - Sony (Berry Gordy's The Last Dragon (4K Steelbook)) 1:50:12 - Tribeca (A Bronx Tale (4K)) 1:56:24 – New Blu-Ray Announcements 2:02:58 - Outro
Transcript included below…It isn't actually helpful to always be learning things on the guitar. Track with me as I walk you through some insights that could really bless you on your creative journey.I have a decent collection of guitar method books, DVDs, and yes, VHS tapes I've compiled from over the years. Most of them are ones I've meticulously studied in order to enhance my knowledge of the instrument. I've also earned a Bachelor's degree in music, taken lessons, attended masterclasses, workshops, symposia, and traveled far and wide to acquire guitar and music knowledge.I am a lifelong learner. But I'm also a doer. By this, I mean that I am always looking for knowledge that can be put to use, and then, I'm also looking for ways to use it.To that end, I've recorded four full-length albums to date of my original music, mostly on the guitar, using the skills and tools I've developed through my various methods of learning. I've also arranged songs by other people, and I've performed more concerts and led more times of worship all over North America than I can count. I've applied much of what I've learned, because I've learned a lot that can be applied.Believe it or not, though, there's such a thing as spending too much time learning things. How is this possible? The bottom line is that we spend too much time learning, and not enough time doing.Stu McLaren, an entrepreneur whose insights I have been blessed by in a membership I was a part of for several years, said something in one of his discussions. When the subject of knowledge versus action came up, he said something that really impacted me, and I have permission to share what he offered. These were his exact words:“Learning new things becomes a form of procrastination that stops people from doing the very thing that they need to do to in order to move themselves forward.”Wait, what? Learning becomes a form of procrastination? It sure does. For the purposes of illustrating this point, I've come up with a hypothetical guitarist by the name of Mortimer. Let's say Mortimer has been playing the guitar for a few years now. If Mortimer is hoping to write his own songs on the guitar, what happens when he subconsciously says to himself, “I don't know enough about the guitar yet to write songs”?Well, Mort will continue on his trajectory, learning guitar tools, but not applying those tools to making actual music. And that, in a word, can be…tragic.What if, after a significant period of time (and even a year can be significant) Mortimer is still taking in guitar knowledge in some way, but nothing artistic has been expressed through his fingers or his voice?To his dismay, a year has gone by, and although Mortimer may have learned some new guitar skills, he may have traded the acquisition of those new skills for time lost making application of those skills.Poor Mortimer…let's not be a Mortimer.In order to avoid Mort's fate, we need to have a balance between acquisition and application.In our discussion, Stu went on to say that “Ideally, our experience should be equal parts ‘learn' and equal parts ‘do.' Action is key. Implementation is the key.”I think it can be elusive to embark on a quest for knowledge without necessarily having a plan to implement that knowledge. So what can we do?Well, I recommend five things.1. Feel the Urgency.We don't have the luxury of unlimited time. None of us has any promise of tomorrow. Our health will not always be what it is. Our physical ability to play and sing will not always be with us.Having a sense of urgency gives us a bit of perspective when it comes to realizing that now is the time to make intentional progress in the areas of learning, but also applying what we know. If we subconsciously say, “Well, I'm sure I'll get to a point to where I can use this stuff…I'll just keep learning for now,” we may wake up one day when it's quite a bit later in our lives, and some options aren't there anymore.Even if you're not like Mort, you may still have some guitar-related goal that you haven't checked off. You may want to record an album. You may want to join the worship team. You may want to team up with someone else in your friends or family circles to make music locally, or share your music with a community – whether in a living room or in an auditorium.But you need to picture yourself living your God-given dreams, and have some goals written down, perhaps even forming a level of accountability with someone you know, so that the urgency can remain, and the progress can be made toward application.2. Be Vigilant.As you learn things, perhaps you have enough musical savvy to see where the application factor can come in. But if you don't have this awareness yet, do your best to find out whether the stuff you're learning can be applied to what you want to do.In GuitarSuccess4U, my online experience for beginning and intermediate guitar players, I conclude every month of our Success Path with a Relevance Lesson. Just as you may suspect, the focus of that Relevance Lesson is to show where all the tools I've been teaching you that month can be applied. I spend very little time in GuitarSuccess4U teaching topics or tools that don't have much use. Life is simply too short.Now here's the thing – some of the tools out there may be designed for the center of your wheelhouse. Others may not. Exempli gratia – I'm a rhythm guitarist, not a lead guitarist, so most of my time is spent strumming or fingerpicking chords that have beautiful embellishments. I support my voice with the guitar. So although I learn some scales to better understand melodies, modes, and even guitar position playing, you'll most likely find me as an accompanist to my own voice. Someone else may lean away from chord formulas and more toward developing fast melodic licks because – you guessed it, they are more of a lead guitarist who doesn't necessarily sing. Each approach is valid. But as you can see, certain topics and tools are more applicable to one guitarist than another.So I invite you to be vigilant, and to try to discern if what is being taught can be used by you in this season. And yet remain open to the fact that maybe, down the road, something that doesn't currently apply to you, may become useful.3. Apply What You Know Now.In GuitarSuccess4U, I wrote a song about the learning experience we all have as guitar players. It's called “My Sweet, Sweet Song.” It uses just one strumming pattern throughout, and it has five open chords that are very, very easy to play.This song is one of five instant bonuses that are made available to our members as soon as they join.Why would I make a song so simple available right away? Because I want to get my members playing real music as soon as possible. There's something very satisfying about playing an actual legit song.And if you're curious, the song comes with a deluxe PDF and 14 levels of play to allow literally anyone of any level to enjoy playing the song with the video lesson right away. It has waffle chord shapes, tablature, and even notation for those note-readers out there.And it has a lead sheet, but also a chord chart, and even a rhythm chart. All languages of music are considered and presented.“My Sweet, Sweet Song” is a perfect example of being able to play a song with just a handful of tools. If you know just a few chords and can keep time with a simple strumming pattern, you have enough to get started.Think about cooking for a moment. Pretend that you wanted to make a meal one evening, and you only had a handful of ingredients, because grocery shopping was happening later in the week.Could you creatively combine those ingredients you had to make a simple but tasty dinner? We all gotta eat. You'd probably find a way to improvise something, even if it wasn't a subtle gourmet dish.I doubt that if you had, for instance, bread, cheese, mayonnaise, and a can of tomato soup, you would choose not to eat because you didn't have all the necessary ingredients for a slow-roasted brisket with spring vegetables drizzled in balsamic vinegar.You'd probably make a grilled cheese sandwich with tomato soup, right?The tools we have on hand can be put to use, and then we can add more to those tools over time. Who says we can't write a song with four chords, and later discover a way to enhance that same song by weaving in some color chords, or even some additional chord substitutions? I've done it, to my utter delight, and the songs I've refreshed have taken on a whole new level of artistry.But here's the kicker – I didn't wait to write “the perfect song.” So make sure that you're placing yourself in a posture of being inspired to write, or perhaps arrange a song, based on what you currently know. Don't procrastinate and wait – there's a song within you that can come to life based on what you know right now.4. Use Your GutThis one's a bit subjective, but this is where you need to be your own advocate. Let's say you've acquired a lot of guitar resources, and you just don't seem to have the time to implement them all, let alone go through the content.I've met a lot of guitarists who are in this set of circumstances.Before they know it, another learning opportunity comes along, with a new course, a new video series, a new guitar workshop or a retreat. Are those opportunities detrimental? Of course not. They're designed to help you. They're also designed to help the person who wants to help you, and by that, I mean that they want you to purchase their product. It's how they make their living, and that helps them continue to help others. It's a significant part of how I make my living. Nothing bad about that. But the right thing at the wrong time can be the wrong thing.As good of a resource as something may be, those who offer it may not know where you are in your guitar journey, so you may need to assert your own needs. This is where you need to be able to say, “Actually, I've got a good amount that I'm working on right now. I'll set a reminder to check that out.”Or there may be an option for you to join a mailing list, to be kept in the loop to receive some free goodies, so that when the time is right for you to join, you can. That's exactly what we have laid out at GuitarSuccess4U.There is so much out there on the web in terms of guitar resources and educational materials. And a lot of it is excellent. GuitarSuccess4U is one of those resources, and it's amazing. But it's not for everyone, right now.It is for followers of Christ who are teachable, humble, willing to pay for value, learn at their own pace, and are all about glorifying the Lord with their gifts. Inside the portal are over 100 lessons, and each is there for a very specific reason.But it is designed to be used in the season of life where you need that content and that experience.Contrast this to websites and memberships that give you access to tens of thousands of lessons. To me, that can lead to overwhelm, quickly. If people who use those tools can find what they're looking for and apply it, they can experience progress.But I'd say that a simple, clear path with curated content, and access to a community, all of which we offer, provides a great recipe for success…provided that the person using that recipe is self-motivated and can apply themselves to what they're learning, and then use that information to make real music.So use your gut as to whether you want to take on more tools in the season in which you find yourself. You need to create the “grid” for your success, and if something doesn't fit through the grid, as attractive as it may be, it needs to wait.5. Learn, Do, Learn, DoSo as we wind down for today, I just want you to take hold of this rhythm. Learn, do, learn, do. Say that with me. Learn, do, learn, do.Are there seasons of more learning and less doing? Certainly. Are there seasons of more doing and less learning? Sure.But if we find ourselves just learning and not doing, something needs to change…otherwise we are ineffective, and we will find ourselves regretting our choices. And if there's one thing the devil always wants, it's to see followers of Christ become ineffective, or too busy to be effective.Wrap-UpWell, I hope today's discussion got you thinking about where you're at when it comes to your “learning” and your “doing.” Are you merely acquiring knowledge, or are you taking intentional time and approaches to putting it to use?Trust me, at the end of our lives, I think we'll wish we had taken more action towards fulfilling our God-given dreams, and less time learning how we might make them happen.Let's have some serious fun on the journey.So, if these words have resonated with you, it just might be time to take action. And that might mean that it's time, for now, to take a break from learning guitar and start applying what you've learned towards making actual music.But when the time comes for you to level up your playing on the “learning” side so that you can “play” and “do” more, we're here for you at GuitarSuccess4U.➡️Can I ask a favor? Would you share this episode with someone you know? We would love for more people to experience what we have to offer.Thanks for experience this episode, and I'll see you next time. Now go learn, do, learn, do, learn, do…Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com
Mystery: Lux Radio Theater “Murder, My Sweet” 6/11/45 CBS.
Michael, Rob, and Pax talk about what they've been watching and thinking, leading to conversations about New Girl, Shrinking, Star Trek: Picard, Shazam: Fury of the Gods, Dungeons and Dragons: Honor Among Thieves, John Wick, Chapter 4, The Private Life of Sherlock Holmes, Ted Lasso, The Mandalorian, Murder, My Sweet, Nope, The Center Seat: 55 Years of Star Trek, former fandoms we used to enjoy, Easter traditions, and dream RPG settings.
S6E10 kicked off live on Rebel Rock Radio at 19h00 on 9 Mar 2023. It was great to be back in Benoni after last week's sojourn to Clarens and we celebrated hard. First up was Motörhead and a track off Inferno called ‘In the Year of the Wolf'. From there some classic Led Zep and a track by Michael Monroe co-written by Lemmy called 'The Fine Art of Debauchery'. We had some Def Leppard and some Black Sabbath to keep the big names in the mix and then turned left into the world of Stoner Rock and Queens of the Stone Age. From there we hit some USA Punk with Ramones and The Distillers. This week's elevator speech came from a quick chat I had with Chris Kennedy of Punkfontein and he told us about the new track being released called ‘The Leviathan', we played it, and it's fully cool. We stayed in that zone with Blink 182 and The Killers with a track off Sam's Town called This River Is Wild. I vote The Killers the band most in need of a slap round the head. Such a good album and then nothing. From there it was back to ‘80s metal courtesy of W.A.S.P. and a track called ‘The Rock Rolls On'. This week's Immortals was a track by James Reyne featuring a wailing emotionally charged solo by Jef Scott and especially dedicated to my mate Fanie Marais who loved this album and would have been 72 this week. RIP buddy. From there we heard a brand new track from Bily Squier who, as far as I know, hasn't released anything for 25 years. The track is called ‘Harder On A Woman' and it sounds just like you would expect, well done Billy, welcome back. The Ultimate Challenge this week looked at 4 albums from 2005. Avenged Sevenfold – City of Evil, Foo Fighter – In Your Honor, System of a Down – Violent Pornography, and Audioslave - Out of Exile. Once again there was no clear winner and everyone changed their minds at least once. The brand new track by Deadline called 'My Sweet apocalypse' is really good, over 7 min long it is one of the best tracks these SA metal giants have released. We ended with Iron Maiden and The Halo Effect with tracks called 'Tears of a Clown' and 'Gateways'. Artists Featured: Motörhead, Led Zeppelin, Michael Monroe, Hell Fire, Def Leppard, Black Sabbath, Queens of the Stone Age, The Distillers, Ramones, Metallica, Crossbone Skully, David Bowie, The Rolling Stones, Ugly Kid Joe, Airbourne, Punkfontein (Feat Meel Vignetting), Blink 182, The Killers, W.A.S.P., Sebastian Bach, Sophie Lloyd (Feat Matthew K. Heafy), James Reyne, System of a Down, Foo Fighters, Audioslave, Avenged Sevenfold, Dave Hause, Bush, Anti-Nowhere League, Iggy Pop, Deadline, Iron Maiden, The Halo Effect. The Story of Rock and Roll. TSORR - Your one-stop shop for Rock
Hi guys and welcome back to the mystery and comedy Old Time radio podcast. Please welcome to the show to kick off women's month for the month of March Miss Claire Trevor. Miss Trevor started her career out in 1929 appearing in many theater productions in Broadway shows before getting her big break in Hollywood and the early 1930s. Miss Claire Trevor starred in many movies and television shows but what two movies she is best known for is her 1944 movie murder My Sweet. And her performance which one her and academy award in 1948 key largo. Miss Trevor also appeared in many TV shows and tell her final performance in 1987. In murder she wrote Miss Trevor enjoy her retirement until passing away in 2000 even though Miss Claire Trevor has been gone for 23 years her memory and legacy will live on her TV shows movies and especially in her old time radio shows. Today Ms Claire Trevor comes to the show to reenact three of her suspense performances. In this first episode she plays a woman who has set set a deadly trap for her husband and his mistress in the Mistresses apartment. And it is called light switch. In this next episode Miss Claire Trevor plays another woman who tries to conduct a plan with her husband to get him finally free. By doing the unthinkable and killing his brother and it is called the plan. In the spinal episode Ms Claire Trevor plays a older sister who has moved on with her life and has a family of her own. While unfortunately for her little sister named Adele she can't let go of the promise that they made to each other on their mother's death bed. It is called the tail of two sisters. I hope you guys enjoy Miss Claire Trevor and her performance on the show for today. Please stay tuned for this coming Friday as I bring back to the show Miss Marie Wilson and Ms Cathy Lewis in the CBS old time radio show my friend Irma. Also stay tuned for many other actresses as we celebrate the women of old time radio for the month of March. I want to once again thank everyone who's listening and subscribe and always remember guys to enjoy the show thanks. --- Support this podcast: https://podcasters.spotify.com/pod/show/mysterycomedypod1942/support
Rock & Roll Hall of Fame, Rhythm & Blues Foundation Inductee,Grammy® Award NomineeA Music Group BEFORE my Time that created Beautiful Music that is Classic & Treasured Today !! I LOVE MANY Genre's of Music, I Have a Special Place in my Heart for The Drifter's Music. This is my Tribute Show to a True Classy Gentleman, The last remaining Original Group Member who recorded the Music Hits, Charlie Thomas who just passed away this Week January 31st, 2023. This is Part 1 of my interview with him.Charlie actually Thanked Me for Interviewing HIM?!, the Honor was ALL Mine, What a Gentleman!Charles Thomas was an American singer best known for his work with The Drifters. Thomas was performing with The Five Crowns at the Apollo Theater in 1958 when George Treadwell fired his group, called The Drifters. Treadwell recruited the Five Crowns to become the new Drifters. Although the Five Crowns never made any impression on the national charts under their own name, they regularly charted locally in New York and were stars in Harlem.The new Drifters' first release was the 1959 hit "There Goes My Baby". This version of the group released the smash "There Goes My Baby," working for the first time with legendary songwriter/producers Jerry Leiber and Mike Stoller, and followed with a string of hits including the top 10 "Save The Last Dance For Me" and "This Magic Moment." Charlie was lead singer on two of the group's top 40 hits, "Sweets for My Sweet" and "When My Little Girl Is Smiling". Their late-'50s incarnation, featuring original members Doc Green, James Clark, Elsbeary Hobbs, Ben E. King, and Charles Thomas, became the post-1958 Drifters, responsible for "There Goes My Baby" and the core of the group that later recorded "Up on the Roof," "Under the Boardwalk," and "On Broadway."Most of The Drifters biggest hits featured different lead singers:Ben E. King “There Goes My Baby” “Dance With Me” “This Magic Moment” “Save the Last Dance for Me” “I Count the Tears” Charlie Thomas “Sweets for My Sweet” “Room Full of Tears” “When My Little Girl is Smiling” Rudy Lewis “Some Kind of Wonderful” “Up On the Roof” “Please Stay” “On Broadway” Clyde McPhatter “Money Honey” “Honey Love” Bill Pinkney“White Christmas” (with Clyde McPhatter)Johnny Moore “Adorable” “Fools Fall In Love” “Ruby Baby” “Under the Boardwalk” “I've Got Sand in My Shoes” “Saturday Night at the Movies” Bobby Hendricks“Drip Drop”© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
A few technical difficulties occur due to the recent storms in California. Hello once again everyone I'm your host Ray Shasho and welcome to another edition of Interviewing the Legends. Dennis Tufano is the original "voice" of “The Buckinghams”. the Chicago-based group that scored a string of five Top Ten hits in the late-sixties including, the #1 “Kind of A Drag”, “Don't You Care”, “Mercy, Mercy, Mercy”, “Hey Baby, They're Playing Our Song”, “Susan” and “Back In Love Again”. Following his success in the Buckinghams, Dennis was part of the song-writing duo "Tufano and Giammarese" and recorded three albums with Lou Adler's custom label, Ode Records. Back on the road, Dennis joined Olivia Newton-John on her hugely successful tour and was featured, with her on the HBO Special in two dramatically inspired duets. As an actor, Dennis has also worked in film, television, radio and commercials. Please welcome the legendary voice of the Buckinghams DENNIS TUFANO to Interviewing the Legends … FOR MORE INFORMATION ABOUT DENNIS TUFANO VISIT www.facebook.com/Dennistufanosings Facebook www.dtsings.com Dennis Tufano official website www.tufanofans.com/index.html Fan Site DENNIS TUFANO 2023 Shows Friday, January 20, 2023, 7:00 pm ET Original Hitmakers of Summer Tour Dennis Tufano, Brian Hyland, Chris Montez, Rock and the Rollers Circle Square Cultural Center, Ocala, FL. Tickets: $35-$60; Doors open 6 pm ET 'ROCKY'S ROCKIN CRUISES' ROCKIN IN THE CARRIBEAN February 12 – 19, 2023 Wonder of the Seas EASTERN CARIBBEAN CRUISE Rocky & The Rollers America's Premier Rock and Roll Band Jon “Bowzer” Bauman “Formerly of Sha Na Na – Born to Hand Jive” Johnny Contardo “Formerly of Sha Na Na – Those Magic Changes” Dennis Tufano “original lead singer of The Buckinghams – Kind of a Drag” Jay Siegel's Tokens “The Lion Sleeps Tonight – Portrait of My Love” La La Brooks “original lead singer of The Crystals – He's a Rebel” Brian Hyland “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini” Chris Montez “The More I See You – Let's Dance” Joey Dee “Peppermint Twist -Shout” Peggy March “I Will Follow Him” Port Canaveral, FL | CocoCay, Bahamas| Charlotte Amalie, St. Thomas | Basseterre, St. Kitts | Port Canaveral, FL Saturday, February 25, 2023, 8:00 pm PT Best of the '60s Dennis Tufano with Special Guests Cannibal and The Headhunters The Coach House, San Juan Capistrano, CA All ticket purchasers will be entered to win a guitar that will be autographed by the artists in the show. Tickets: $30; Doors open at 6 pm PT Saturday, March 11, 2023, 7 pm ET Rockin' Oldies Dance Party Dennis Tufano, The Vogues, Bobby Wilson, The Trammps The Grand Opera House, Copeland Hall, Wilmington, DE Saturday, April 29, 2023, 7 pm ET Sixties Spectacular Dennis Tufano, Herman's Hermits, Jay and the Americans, 1910 Fruitgum Company Proctor's Theater, Schenectady, NY 'MALT SHOP CRUISE' October 28th-November 4th 2023 The Temptations … Little Anthony …Jay And The Americans …The Lettermen… Al Jardine, Founding Member of The Beach Boys, & His Endless Summer Band… Darlene Love… The Bronx Wanderers… Peter Asher… Dennis Tufano the Original Lead Singer of The Buckinghams… The Vogues… The Skyliners… The Contours… The Elegants …The Reflections… Linda Gail Lewis (sister of Jerry Lee Lewis) … Bobby Wilson And more surprises to come! DISCOGRAPHY with THE BUCKINGHAMS Kind of a Drag (1967, USA Records) Time and Charges (1967, Columbia) Portraits (1967, Columbia) In One Ear and Gone Tomorrow (1968, Columbia) SINGLES 1965 "Sweets for My Sweet" b/w "Beginners Love" 1966 "I'll Go Crazy" b/w "Don't Want to Cry" "I Call Your Name" b/w "Makin' Up and Breakin' Up" "I've Been Wrong Before" b/w "Love Ain't Enough" "Kind of a Drag" b/w "You Make Me Feel So Good" 1967 "Lawdy Miss Clawdy" b/w "I Call Your Name" (first pressings) "Makin' Up and Breakin' Up" (later pressings) "Summertime" b/w "I Don't Want to Cry" "Don't You Care" b/w "Why Don't You Love Me" "Mercy, Mercy, Mercy" b/w "You Are Gone" "Hey Baby (They're Playing Our Song)" b/w "And Our Love" (from Time & Charges) "Susan" b/w "Foreign Policy" (from Time & Charges) 1968 "Back In Love Again" b/w "You Misunderstand Me" (Non-album track) In One Ear and Gone Tomorrow "Where Did You Come From" b/w "Song of the Breeze" (from In One Ear and Gone Tomorrow) 1969 "This Is How Much I Love You" b/w "Can't Find the Words" (from In One Ear and Gone Tomorrow) "It's a Beautiful Day (For Lovin')" b/w "Difference of Opinion" 1970 "I Got a Feelin'" b/w "It Took Forever" Support us!
Dead or alive, Slim is watching RoboCop. Cinephile: A Card Game creator, author and Letterboxd member Cory Everett joins Mitchell and Slim to tell us all about his new collection of children's board books, My First Movie, curating his four favorites around them: RoboCop; The Bird with the Crystal Plumage; Pierrot Le Fou and Murder, My Sweet. Plus: Cinephile as a lifeline for social engagement; Cory's unforgettable encounter with Spike Lee; seeing RoboCop at age five; the 6000 SUX and NUKEM family game; bring in the perverts; movies with that “la la la” score; Tubi ad breaks; is Suspiria considered Giallo?; keeping film culture alive; lovers on the run; nerding out over comics and Batman: The Animated Series; jaw-dropping film techniques of the old days and Cory's bonkers ratings histogram. Sponsor: You can try MUBI free for 90 days at https://mubi.com/letterboxd. With MUBI, each and every film is hand-selected. It's like your own personal film festival—streaming anytime, anywhere. Decision to Leave streaming exclusively on MUBI in the UK, US, and other countries starting December 9. Credits: This episode was recorded in Los Angeles, Delaware and Philadelphia, and edited by Slim. Facts by Jack. Booker: Brian Formo. Transcript by Sophie Shin. Art by Samm. Theme: ‘Vampiros Dancoteque' by Moniker. The Letterboxd Show is a TAPEDECK production. Lists & Links: The Letterboxd list of films mentioned in this episode; Cinephile's HQ Page; A is for Auteur; Letterboxd vs. The Film Stage at Cinephile Game Night; “Movies with whispery female “la-la” vocal soundtrack cues” by laird; “Top 200 Italian Giallo Films as Rated by the Letterboxd Community” by Paul D; Cinephile's lists for “My First Giallo Horror”, “'My First Film Noir” and “'My First French New Wave”; “movies where white hetero couples do wild shit” by anna Reviews of: RoboCop by Cory, brando and ScreeningNotes; Murder, My Sweet by Mitchell and Sally Jane Black; Emily the Criminal by Cory
Romain Cartier, agent immobilier, coach, formateur et membre du Jury du Palmares de l'immobilier présente l'édition 2022 au micro de Baptiste Julien Blandet pour Mon Podcast Immo. Le Palmarès de l'Immobilier sera dévoilé 5 décembre 2022 au Carrousel du Louvre, lors du congrès FNAIM et du Salon des professionnels de l'immobilier. Treize Prix régionaux, un Prix du Jury seront décernés parmi les agences sélectionnées, ainsi que le Prix féminin de l'Immobilier by My Sweet immo . Les agences immobilières peuvent déposer leurs dossiers d'ici 14 octobre. Pour déposer votre dossier c'est ici : Palmarès de l'Immobilier
Welcome to the Instant Trivia podcast episode 552, where we ask the best trivia on the Internet. Round 1. Category: Film Noir Lingo 1: When Dana Andrews used this term for women in "Laura", he didn't mean they'd been knighted. dame. 2: Change one letter in "champ" to get this word for a fool or patsy. a chump. 3: Slang name of Philip Marlowe's job in "Murder, My Sweet", or first name of actor Powell, who played him. dick. 4: You might "case" one of these to see if it's the "clip" type. joint. 5: Meaning small time con men, it's the title of a neo-noir film with Anjelica Huston and John Cusack. Grifters. Round 2. Category: It's A Drag (Movie) 1: 1993, starring Robin Williams. Mrs. Doubtfire. 2: 1960, starring Anthony Perkins. Psycho. 3: 1959, starring Lemmon and Curtis. Some Like It Hot. 4: 1982, starring Dustin Hoffman. Tootsie. 5: 1992, starring Jaye Davidson. The Crying Game. Round 3. Category: Good Thinking 1: With little wind resistance, these domes housed the radar equipment along the DEW line. Geodesic Domes. 2: Sales were slow for cellophane Scotch Tape until John Borden invented one of these for the roll. a dispenser. 3: After his 3-year-old was impatient to see the photo he'd taken, he set out to invent an "instant" camera. Edwin Land. 4: In 1892 Henry Perky invented a machine to shred this grain and form it into little pillow-shaped biscuits. wheat. 5: In 1949 he created a machine to shave an ice rink, scoop up debris and spread fresh water. Frank Zamboni. Round 4. Category: Back To The Hotel 1: In 1975, Lyn Weiner opened the Kennelworth, a hotel in New York City for these pets. dogs. 2: The Celtic Lodge and Kelly's Hotel are famous hotels in this world capital. Dublin. 3: This large ocean liner that's been docked in Long Beach since 1967 is a hotel and tourist attraction. Queen Mary. 4: With canals, piazzas, and St. Mark's Square, this Vegas hotel sits on the old Sands Hotel site. the Venetian. 5: This "presidential" hotel was elected to host the first Academy Awards ceremony. the Roosevelt. Round 5. Category: Film Comedies 1: This comic goes medieval as Jamal, who awakens to find himself in 14th century England in "Black Knight". Martin Lawrence. 2: Sandra Bullock got in touch with her feminine side in this 2000 comedy. Miss Congeniality. 3: (Hi, I'm Rob Schneider.) I played a fish tank cleaner who takes up a much older profession in this 1999 comedy. Deuce Bigalow: Male Gigolo. 4: In "A Day at the Races", he tells the eager Esther Muir, "If I hold you any closer, I'll be in back of you". Groucho Marx. 5: Mel Brooks played Moses and Torquemada in this 1981 film. History of the World, Part I. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/
It is that magical time in the Summer where Max Roberts and Logan Moore get together to predict E3/Summer Games Fest. You can download a copy of this episode's transcript here. Welcome The Other Podcast – Chapter Select E3 is Dead, Long Live E3 Nintendo Direct Wikipedia The Max Frequency Podcast, Episode 9: My Sweet, Sweet Baby Nintendo with Logan Moore PlayStation Predictions Sony Business Segment Briefing, May 26, 2022 – Page 32 Big Three Predictions 2022 E3 2022 – Xbox Predictions Logan's Xbox Predictions Starfield gets a trailer at Summer Games Fest then gameplay at Xbox showcase with no new date. Jedi Survivor gameplay is revealed. A Fable trailer with gameplay premieres. Wolfenstein 3 is officially announced and revealed. Three new first party games are announced. Max's Xbox Predictions Avatar: Frontiers of Pandora is shown on Xbox's stage. A Banjo-Kazooie game is announced. A Game Pass streaming stick device is revealed. The Indiana Jones game is shown off. The Last Night reemerges. E3 2022 – PlayStation Predictions Logan's PlayStation Predictions God of War: Ragnaök gets September 2022 launch date announced before June ends. The Last of Us Remake confirmed and Factions will be packaged with it. The game won't be announced until September. A new Sly Cooper game is announced. It is a reboot. A new Infamous game featuring Cole is revealed. Avatar: Frontiers of Pandora is shown on PlayStation's stage. Max's PlayStation Predictions Half-Life Alyx is coming to PS VR2. A major title gets a day and date launch on PC. Insomniac announces a PS VR2 game. Death Stranding 2 gets a whacky Kojima trailer. Sony announces local PS3 emulation on PS5. E3 2022 – Nintendo Predictions Logan's Nintendo Predictions The sequel to The Legend of Zelda: Breath of the Wild gameplay shown off, but still no official title. Bayonetta 3 is delayed to 2023. Shigeru Miyamoto reveals the first trailer for the Super Mario movie. A new Donkey Kong game finally revealed. Metroid Prime 4 is still nowhere to be found. Max's Nintendo Predictions Bayonetta 3 release date revealed: It is October 28, 2022. The next DLC pack for Mario Kart 8 Deluxe is out "today!" Game Boy games/systems are announced for NSO. Hollow Knight: Silk Song actually shows up. Metroid Prime 4 gets a trailer. Max Frequency Chapter Select Max's Twitter @MaxRoberts143 Logan's Twitter @MooreMan12
Jack, Jeff and Lothar get together to discuss Lux Radio Theater's production of Murder, My Sweet! Learn more about your ad choices. Visit megaphone.fm/adchoices
Jack, Jeff and Lothar get together to discuss Lux Radio Theater's production of Murder, My Sweet! Learn more about your ad choices. Visit megaphone.fm/adchoices
A favorite among my circle of crime writer friends, this week I was pleased to welcome Dennis Tafoya to the podcast. Author of the novels "Dope Thief," "Wolves of Fairmount Park," and "The Poor Boy's Game," Dennis Tafoya's work has not only been optioned for film and television but his short stories have appeared in magazines and anthologies, including "Philadelphia Noir" and "Best American Mystery Stories." Joining me to discuss the prolific '90s heyday of inventive crime movies, in this fast-paced hour-long episode, we take a closer look at the movies "Miami Blues," "After Dark, My Sweet," "Shallow Grave," and "Hard Eight."Originally Posted on Patreon (5/8/22) here: https://www.patreon.com/posts/66166995Logo: Kate Gabrielle (KateGabrielle.com)Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
The lads close out their first full year of the show with a big celebration from the shadows: it's 1944's Murder, My Sweet! Philip Marlowe is back and this time he's played by Dick Powell, also starring Claire Trevor, Anne Shirley, Otto Kruger, Miles Mander, Douglas Walton and Mike Mazurki. Directed by Edward Dmytryk and based on Raymond Chandler's 1940 novel Farewell, My Lovely - you won't want to miss this classic with its hard boiled plot, snappy dialogue and gorgeous femme fatales! Questions, comments or jade necklaces? therealoutofthepodcast@gmail.com
Programa 270 del 22 de diciembre trasmitiendo en España en Sol y Rabia, Revi Radio, TNT Radio Rock, Asalto Mata Radio Rock y CD Music Radio, en Argentina en Lado Salvaje Radio y en Puerto Rico en Heavy Metal Mansion. Escucharemos bandas clásicas y reconocidas como Lee Aaron, Stone Sour, David Reece y Living Colour junto a otras más frescas como Martin Hall, Inglorious, Threeing, The Murder of My Sweet, Stevie D featuring Corey Glover y Circus of Rock y de España tenemos a Tregua, Guadaña, Mosh, Redención y Mägo de Oz. Canciones que escucharemos hoy: 1.Lee Aaron - Vampin 2.Martin Hall - Stand the Test of Time 3.Tregua - Uña y Carne 4.Guadaña - Sangre de mi Sangre 5.Mosh - Heridas 6.Mosh - Tiembla el Destino 7.Redención - Derrota y Destino 8.Mägo de Oz - Nunca te Fallaré 9.Inglorious - Barracuda 10.David Reece - Utopia 11.Threeing - Eleven 12.The Murder of My Sweet - Brave Tin World 13.Stone Sour - Knievel has Landed 14.Stevie D featuring Corey Glover - Your Time has Run Out 15.Living Colour – Elvis is Dead 16.Circus of Rock - The Beat Te invitamos a que te subscribas a nuestro podcast Made in Metal. Estaras al tanto de las novedades discográficas y pasaras un rato agradable en compañía de Tony Gonzalez. https://www.ivoox.com/s_p2_266383_1.html https://www.ivoox.com/made-in-metal-262-vii-temporada-audios-mp3_rf_77233678_1.html
Three 90's movies, three stories about dumb dudes getting in over their heads in the American southwest. Hope you like sand, sex and stupidity! AFTER DARK, MY SWEET (1990, James Foley) WHITE SANDS (1992, Roger Donaldson) U TURN (1997, Oliver Stone)
Suave and silver-haired, Otto Kruger made a name for himself as debonair villains on screen. He memorably ran a deadly domestic spy ring in Alfred Hitchcock's Saboteur, menaced Philip Marlowe in Murder, My Sweet, and many more. We'll hear him in his only Suspense appearance - the Cornell Woolrich story "After Dinner Story" (originally aired on CBS on October 26, 1943). Then, he joins the cast of Laura in a recreation on The Lux Radio Theatre (originally aired on CBS on February 5, 1945).
For our 43rd episode, Austin goes solo to present a movie lesson about classic film noir. This installment covers nine noirs during America's involvement in WWII (1941-1945), including The Maltese Falcon (1941), This Gun For Hire (1942), The Glass Key (1942), The Seventh Victim (1943), Double Indemnity (1944), Ministry of Fear (1944), Laura (1944), The Woman in the Window (1944), and Murder, My Sweet (1944). All that and more on this episode of Medium Cool! Enjoy!0:00 - Introduction3:45 - Movie Lesson: WWII-Era Film Noir7:35 - The Maltese Falcon (1941)14:03 - This Gun For Hire (1942)19:57 - The Glass Key (1942)25:22 - The Seventh Victim (1943)33:06 - Double Indemnity (1944)47:24 - Ministry of Fear (1944)54:30 - Laura (1944)1:02:37 - The Woman in the Window (1944)1:11:25 - Murder, My Sweet (1944)1:21:50 - OutroPlease subscribe to Medium Cool: A Movie Podcast wherever you get your podcasts! Also, follow us on social media to get updates on all of the exciting things we have coming up!Facebook: www.Facebook.com/mediumcoolpodInstagram: MediumCoolPodTwitter: @MediumCoolPod / Host's Twitter: @AustinGliddenLetterboxd: www.letterboxd.com/AustinGliddenYouTube: https://www.youtube.com/channel/UCloDyC7c094vxCxUDlc0-XQEmail: MediumCoolPod@gmail.com
Director James Foley (GLENGARRY GLEN ROSS) rejoins the show to discuss his film Roger Ebert adored and Variety called “near-perfect”, the Jim Thompson noir adaptation AFTER DARK, MY SWEET, starring Jason Patric, Rachel Ward, and Bruce Dern. --- Support this podcast: https://anchor.fm/dan-benamor/support
Au sommaire de cette spéciale Film Noir et polar : -Chroniques de quatre titres sortis chez ELEPHANT FILMS, à savoir, LA CLE DE VERRE (1942) de Stuart Heisler, LES MAINS QUI TUENT (1944) de Robert Siodmak, LA GRANDE HORLOGE (1948) & LES YEUX DE LA NUIT (1948) de John Farrow ;-Evocation de MARCHE DE BRUTES (1948) d'Anthony Mann édité par RIMINI ;-Retour sur AFTER DARK, MY SWEET (1990) de James Foley paru chez CARLOTTA FILMS tout comme le livre THE BIG GOODBYE de Sam Wasson qui revient longuement sur un chef d'œuvre du film noir : CHINATOWN (1974) de Roman Polanski ;-Débat concernant HORS D'ATTEINTE (1998) de Steven Soderbergh disponible chez RIMINI. Bonne écoute à toutes et à tous !
主播：TAKO / 黄瓜 / 刘总嘉宾：鹊鹊MY SWEET 鹊 来杭州啦！抓住这只野生的鹊赶紧录节目！本期节目是姐妹茶话会之鹊的爆笑吊诡三段风流往事BGM：都合のいい日 - 藤澤慶昌
主播：TAKO / 黄瓜 / 刘总嘉宾：鹊鹊MY SWEET 鹊 来杭州啦！抓住这只野生的鹊赶紧录节目！本期节目是姐妹茶话会之鹊的爆笑吊诡三段风流往事BGM：都合のいい日 - 藤澤慶昌
A terrific Film Noir with the second-best Det. Philip Marlowe. Powell, Trevor, and Shirley are amazing in Murder, My Sweet (1944)
In which we discuss Raymond Chandler's Philip Marlowe. We were going to do it by looking at 1975's Farewell, My Lovely, but changed horses midstream and decided to look at 1944's Murder, My Sweet instead. It's based on the same book, but a much better ride.
This week on the show, in preparation for Zack Snyder's Justice League, Phillip and his cousin Chip dive into Superman The Movie from 1978. First Phillip talks about what he has been watching; Another 48 Hrs. (1990) (Amazon Prime), Logan (2017) (He owns it.), Murder, My Sweet (1944) (TCM), Chips (2017) (HBOMax), Brute Force (1947) (TCM), Spielberg (2017) (HBOMax), Coming 2 America (2021) (Amazon Prime), Trading Places (1983) (He owns it.), Allen v. Farrow (2021) (HBOMax), Fists of Fury (1972) (Paramount +), and Superman (1978) (HBOMax). Then Phillip and Chip then dive deep into Superman and give a bunch of facts to go with it. If you haven't seen this movie, please give it a watch. Come back on March 24th for World's Finest Pt. 2: Batman (1989).
This week on the show, in preparation for Zack Snyder's Justice League, Phillip and his cousin Chip dive into Superman The Movie from 1978. First Phillip talks about what he has been watching; Another 48 Hrs. (1990) (Amazon Prime), Logan (2017) (He owns it.), Murder, My Sweet (1944) (TCM), Chips (2017) (HBOMax), Brute Force (1947) (TCM), Spielberg (2017) (HBOMax), Coming 2 America (2021) (Amazon Prime), Trading Places (1983) (He owns it.), Allen v. Farrow (2021) (HBOMax), Fists of Fury (1972) (Paramount +), and Superman (1978) (HBOMax). Then Phillip and Chip then dive deep into Superman and give a bunch of facts to go with it. If you haven't seen this movie, please give it a watch. Come back on March 24th for World's Finest Pt. 2: Batman (1989).
Subtitle: Neo-noir, existentialism and Jim Thompson adaptations. In this second episode of Kill It With Fire, Ady, Peter and Paul discuss James Foley's 1990 neo-noir film After Dark, My Sweet. Topics covered include: 1980s/1990s neo-noir; the hardboiled crime fiction of Jim Thompson; existentialism in crime fiction; big screen adaptations of Jim Thompson's work; the production of the film; and the careers of the film's key personnel.
In the twenty-eighth episode of Season 2, Noir Means Noir, Kyle is joined by screenwriter David Gutierrez and stunt actor Danny Hernandez to discuss an overlooked neo-noir stunner about down-and-out misfits of society and how when the right variables fall into place amoral tragedy unfolds in James Foley's After Dark, My Sweet.
Best Old Time Radio Podcast with Bob Bro Wednesday, December 23, 2020 - OTR Mysteries Lux Radio Theatre - "Murder, My Sweet" Philip Marlowe is hired by Moose Malloy, a minor hood who has just spent the last eight years of his life in prison. Moose wants Marlowe to help him find Velma, his former girlfriend who he has not seen or heard from in more than six years. The case proves much more difficult than Marlowe anticipates as his investigation leads him into a complex web of deceit and criminal activity. What is most perplexing is that Phil can't figure out anyone's motive for making Velma disappear. Based on the novel "Farewell, My Lovely" by Raymond Chandler. Featuring: Dick Powell, Claire Trevor, Mike Mazurky, June Duprex, Cy Kendall, Gerald Mohr, Robert Regent, Norman Field, Eddie Marr, Doris Singleton Original Air Date: November 6, 1945 To hear more of the best old time radio programs, visit our website: https://bestoldtimeradio.com Contact: Bob@bestoldtimeradio.com
In the fifth episode of Season 2, Noir Means Noir, Kyle is joined by podcaster Zax Protzmann (of the West Coast Popcast) and YouTuber Patrick VanNevel (of Levi and Patrick Go to the Movies) to discuss the first of the Phillip Marlowe adaptations, the clever and convoluted detective mystery by Edward Dymytryk entitled Murder, My Sweet.
Dick Powell reinvented himself and embarked on a new phase of his career when he starred as Philip Marlowe in Murder, My Sweet. The noir drama broke Powell out of boyish leading roles in musicals and put him on the path to Rogue's Gallery and Richard Diamond, Private Detective. We'll hear him join co-stars Claire Trevor and Mike Mazurki in a Lux Radio Theatre creation of the film - a production that finds him facing off against future radio Marlowe Gerald Mohr (originally aired on CBS on June 11, 1945).
"I don't know which side anybody's on. I don't even know who's playing today." For our first episode of Noirvember, Brandon and Thomas discuss the first faithful adaptation of a Raymond Chandler. "Murder, My Sweet", released in 1944 and starring Dick Powell, is a landmark film in the noir genre but has since been overshadowed by several films of the era. Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod Medium: CineNation E-mail: cinenationpodcast@gmail.com
For the second part of our Halloween 2020 special, we delve into the heavier side of progressive tracks with spooky titles and themes. Listen to songs from the Fierce and the Dead, Within Temptation, Odd Logic, Braindance, the Murder of My Sweet, Voyager, To-Mera, Venturia, Hemina, and the Cyberiam. To hear interviews and features with many of these bands, go to the Archival Episodes tab at www.progtopia.com. If this episode is too scary for you, check out Part 1 for some "lighter" fare!
Colin talks for far too long, Zaq straight up falls asleep and the boys review the 1944 film noir classic, Murder, My Sweet starring Dick Powell.Go to www.https://instacart.oloiyb.net/mygut for free delivery on any order over $35. Thanks InstaCart!Music: Undone by Maddy SeitlesEmail music/questions to admin@mygutpodcast.com
Details, credits, errata: This week Sam and Alissa talk about The Maltese Falcon, one of Sam’s favorite films, with our terrific guest Jamelle Bouie of the New York Times. It’s a great flick we recommend highly do you—one of the all-time great movies ever made by any standard, and a great introduction to film noir. The movie is available to stream on HBO Max and also to rent or buy through various outlets but Sam hates the degraded quality you get with streaming and recommends the Warner Archive blu-ray that came out a couple of years ago, which has very nice blacks and no noticeable artifacts on the print.Jamelle, Sam and Alissa talk a bit about developing a Noir Syllabus; here’s everything the three of us mentioned, plus a couple of others added in to fill in some gaps by Sam after the fact:Laura (1944, Otto Preminger)Double Indemnity (1944, Billy Wilder)Murder, My Sweet (1944, Edward Dmytryk)The Big Sleep (1946, Howard Hawks)T-Men (1947, Anthony Mann)Out of the Past (1947, Jacques Tourneur)The Lady From Shanghai (1947, Orson Welles)Blood on the Moon (1948, Robert Wise)Key Largo (1948, John Huston)Raw Deal (1948, Anthony Mann)Stray Dog (1949, Akira Kurosawa)DOA (1949, Rudolph Maté)The Asphalt Jungle (1950, John Huston)The Third Man (1950, Carol Reed)In a Lonely Place (1950, Nicholas Ray)The Big Heat (1953, Fritz Lang)Drive a Crooked Road (1954, Richard Quine)Killer’s Kiss (1955, Stanley Kubrick)Kiss Me Deadly (1955, Robert Aldrich)Rififi (1955, Jules Dassin)Night of the Hunter (1955, Charles Laughton)The Killing (1956, Stanley Kubrick)Sweet Smell of Success (1957, Alexander Mackendrick)Extra Credit: Raw Deal, Miami ViceSam said that The Killing is only about 65 minutes long; he was thinking of Killer’s Kiss, which is 67 minutes. The Killing isn’t a huge time commitment, either, at 85 minutes.Our episode art is Stanley Kubrick’s 1949 photo “Commuters in Train Station, Chicago,” a beautiful picture made freely available by the Library of Congress through Wikimedia.Our theme song is Louis Armstrong and His Hot 5’s Muskrat Ramble, made freely available by the Boston Public Library and audio engineering shop George Blood, LP through the Internet Archive. The Maltese Falcon is copyright 1941 Warner Bros. All other content is copyright 2020 Sam Thielman and Alissa Wilkinson.If you’re a subscriber, thank you! Feel free to email us with your thoughts, requests, and criticism! If not, subscribe now! This is a public episode. Get access to private episodes at yammpod.substack.com/subscribe
New Movies: Tesla - A freewheeling take on visionary inventor Nikola Tesla, his interactions with Thomas Edison and J.P. Morgan's daughter Anne, and his breakthroughs in transmitting electrical power and light.The One and Only Ivan - A gorilla named Ivan tries to piece together his past with the help of an elephant named Stella as they hatch a plan to escape from captivity.The Prey - After years of tracking down international criminals, a trip to a remote jungle prison will force Chinese cop Xin to become human prey to fight for his freedom - and to save his own life. Undisputed ClassicTalk Radio - A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national. 1990 Pump Up the Volume - Mark runs a pirate radio station and causes an uproar when he speaks his mind and enthralls fellow teens.Men At Work - Two garbage men uncover a conspiracy involving illegal toxic waste dumping and decide to bring the whole operation down.Darkman - A brilliant scientist left for dead returns to exact revenge on the people who burned him alive.After Dark, My Sweet - .An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both into helping kidnap a rich boy for ransom money, and the ex-fighter must make decisions about his loyalties and what is right.Delta Force II: The Columbian Connection - When DEA agents are taken captive by a ruthless South American kingpin, the Delta Force is reunited to rescue them in this sequel to the 1986 film. Next Week - Bill and Ted Face the MusicUndisputed - Knock, Knock1990 - American Ninja 4: The Annihilation, The Lemon Sisters, Mirror Mirror
Click here to make a donation to support these daily prophetic words http://www.neilvermillion.com/donate/ When you feel stuck, when you feel tired, when you feel as though you cannot continue, open your heart and allow me to minister to you when you need it most. In your weakness I am made strong, and in your humility you will experience my favor and my grace. In your times of need call out to me, and we will share them together, and you will find I am so much more reliable than you thought I was. (1) You desire to make your own path. You desire to be independent, to make your own salvation, to blaze your own trail. You desire to do things the difficult, expensive, painful way rather than accept my yoke, for I have already made the way for you. I have already paid the price and already given you all you will ever need, but still you are inclined to follow your own way. So do not look to the right or to the left in search of an alternative answer that will preserve your own desires, idols, and methods, but embrace the truth of my love for you. Drink of the cup of my delight and you will experience my heart for you again and again, day after day without measure or end. (2) In this place of experience you will find me once again, the way you used to when your love was new, your light was bright, and your fire was hot. Your first love will be resurrected and you will have no one else before me, for in the closeness of my embrace you will find all your desires, wants, and needs are fulfilled. You will no longer look for dysfunctional and inadequate substitutes to answer you according to your folly, for you will taste of my goodness and will remember them no more. You will drink of my joy and will forget your sorrows. You will eat at my table and will be satisfied, nourished, and delighted. (3) Allow me to encourage you, My Sweet, for I will satisfy you intimately, thoroughly, and deeply as you forsake your alternative plans and follow what I have for you. You will find in your single-mindedness your joy will be multiplied, your satisfaction increased, and your happiness made full. As you divorce yourself from your double-minded ways you will walk in stability and progress forward in not only the purpose I have for you, but also in the depth of knowledge and experience of who I am. (4) (1) Hebrews 4:16, 2 Corinthians 12:9-10, Psalm 5:12, Ephesians 2:8-9, Hebrews 11:1, Hebrews 10:23 (2) Romans 6:23, Matthew 11:28-30, Proverbs 4:27, John 8:32 (3) 1 John 4:19, Revelation 2:4, 1 John 4:18, Isaiah 44:6, 1 Timothy 2:5, Psalm 23:6, Psalm 34:8 (4) Romans 5:5, John 8:12, James 1:22-25, Ephesians 4:22, James 1:8
In this episode, Hilliard, Lisa and Chris are joined by legit literary agent, Kiana Nguyen and Richard Scott makes an unsanctioned appearance! Get the Rant Room T-shirt HERE!!! We keep flogging the 2020 San Diego Comic-Con panel, the 2-hour live recording of the Rant Room! How does it come to pass? Support the show via the Patreon link. Remember support is love! We invest countless hours per week to deliver the actionable content that goes into this podcast. FILMS & TV SHOWS DISCUSSED IN THIS EPISODE Murder, My Sweet (trailer) Out of the Past (trailer) The Banker (movie) Controversy Book Recommendation: What Makes Sammy Run? Nickey Dreyden's The Prey of Gods Kate Alice Marshall's Rules for Vanishing Kiki's Email: query.knguyen@maasagency.com Writing and Entertainment podcasts we hope you enjoy! Alex and Nick's PaperTeam podcast Pilar Alessandra's On The Page podcast Shout out to the Micheaux Mission Podcast for keeping it on point with their discussion of Black films! Connect with Us on Social Media Chris Derrick on Twitter Lisa Bolekaja on Twitter Hilliard Guess on Twitter The Screenwriters Rant Room on Facebook The Screenwriters Rant Room on Twitter
Script Hi and welcome to Alternative Airwaves - I'm your host Steve, bringing you the best in Creative Commons music. This is the Weekly Airwave: one track with some information about the song or the artist. This week's track: My Sweet and Sour Room by Icicle. This is an instrumental track by Montreal artist Icicle; I found this by looking at similar artists to Lower Loveday from last week's episode. I don't normally pick out instrumental tracks, but I really liked the beat and instrument choice in this song. Icicle is actually Krassy Halatchev, and has Bulgarian origins. I think you can really hear some of his influences come through in this track. You can follow him on Jamendo or icicle dot club.Be sure to check out alternative airwaves dot com for more podcasts and music reviews. See you next time.Support Alternative Airwaves by donating to their Tip Jar: https://tips.pinecast.com/jar/alternative-airwaves
On the February 18, 2019 episode of /Film Daily, /Film editor in chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to discuss what they've been up to at the Water Cooler. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: Did anyone do anything interesting for Valentine's Day? At The Water Cooler: What we've been Doing:Jacob is stressing out about SXSW planning. Hoai-Tran has been KonMari-ing her room. Brad is dreading how much money he'll have to spend on stuff announced at the 2019 New York Toy Fair. What we've been Watching:Peter went to the theater to watch Wandering Earth (HT) and Isn't it Romantic, checked out the Hulu tv series Pen15 and the Amazon documentary series Lorena, saw Fighting With My Family, watched a documentary on Amazon Prime called Nintendo Quest, and watched the first few episodes of the Netflix series adaptation of Umbrella Academy. Jacob watched Alita: Battle Angel (brad), Happy Death Day 2U, Don't Knock Twice, and The Ruins. Brad watched Alita: Battle Angel and, Peter Rabbit, and Love, Rosie. Chris watched Leaving Neverland, Ralph Breaks the Internet, and The Little Mermaid. Ben watched Russian Doll, Q: The Winged Serpent, Murder, My Sweet, and White Heat. Hoai-Tran saw The Wandering Earth, Alfred Hitchcock's Rebecca at the Metrograph, watched Wolf Warrior 2 and a few episodes of Code Geass. What we've been Eating:Peter loves ChocZero's Coconut Chocolate Bark. Jacob tried ChocoRite peanut butter cups and made his own low-carb tortilla chips. Brad tried Strawberry Rice Krispies and Fruity Lucky Charms What we've been Playing:Jacob only wants to play XCOM 2 and do nothing else. All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.
RKO Radio Pictures released Murder, My Sweet on February 22, 1945. Edward Dmytryk directed the film which starred Dick Powell, Claire Trevor, and Anne Shirley. The post Murder, My Sweet (1944) appeared first on Movie House Memories.
“When you bond yourself to suffering you can’t live without causing suffering—this way of life can’t survive without torture, murder, terror, war and what that gets you is just TV time and candidacy for the torture chamber too. We stopped in this phoney California town and there was nobody here.” - Michael Cisco, Animal Money Serie Noire - 1979 - Alain Corneau After Dark, My Sweet - 1990 - James Foley Sponsor: peoplewatching.ca Email: allunitspodcast@gmail.com Subscribe on iTunes: https://itunes.apple.com/us/podcast/all-units/id1241776225?mt=2
Mentioned in this episode: Matt Ritter / California Plants - http://santabarbaraca.evanced.info/signup/EventDetails?EventId=17307 Fast & Curious Education Talks - http://santabarbaraca.evanced.info/signup/EventDetails?EventId=16284 Abe Lincoln: Log Cabin to White House @ Carpinteria Library - http://santabarbaraca.evanced.info/signup/EventDetails?EventId=17154 BYOBook Club @ Carpinteria Library - http://santabarbaraca.evanced.info/signup/EventDetails?EventId=17150 Community Baby Shower - http://santabarbaraca.evanced.info/signup/EventDetails?EventId=16588 Wonderland: How Play Made the Modern World - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=1099898 How We Got to Now - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=757421 Farsighted - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=1063198 March Violets - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=1057477 The Real Lolita - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=1071032 After Dark, My Sweet - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=720473 The Grim Sleeper: the Lost Women of South Central - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=993371 From Hell - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=494572 Jericho Brown - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=771878 Khadijah Queen - http://www.khadijahqueen.com/ Slam - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=730488 The WPA Guide to California - https://www.blackgold.org/polaris/search/title.aspx?ctx=1.1033.0.0.1&cn=148574 WPA Enki Link - https://bgcls.enkilibrary.org/EcontentRecord/11010 Find more SBPL Staff Picks Blog - http://sbplstaffpicks.blogspot.co
Drea joins me as we honor both Centennial star Anne Shirley AND the shadowy month of #Noirvember by discussing Dick Powell, the noir genre, and 1944's Murder, My Sweet. Want to support the podcast? Consider leaving an iTunes rating and review or becoming a Patron via Patreon. NEXT TIME: Samantha Ellis and I celebrate Thanksgiving by looking at how movies portrayed the first Thanksgiving in 1952's Plymouth Adventure. CREDITS: Creator and Host: Kristen Lopez (@Journeys_Film) Co-host: Drea Clark (@thedreaclark)
Dick Powell reinvented himself as a hardboiled hero with his performance as Philip Marlowe in Murder, My Sweet, and several films noir and radio detective shows followed. We'll hear Powell as gumshoe Richard Rogue in "Blood on the Sand" from Rogue's Gallery (originally aired on Mutual on December 13, 1945). Then he's Richard Diamond, Private Detective in "The Martin Hyer Case" (originally aired on NBC on July 23, 1949).
This episode kicks off a two part look into the film noir detective mystery genre. This week's episode will explore the classical myths, conventions, and iconography associated with this genre as seen in Murder, My Sweet (1944). Murder, My Sweet was directed by Edward Dmytryk and stars Dick Powell and Claire Trevor.
Robbie’s Royal Life: The Royal Wedding // Mobile Uni [SPONSOR] // Why It Won’t Work Out: Interview With Marriage Expert // Meghan’s Hen’s Night // Harry’s Buck’s Week // The Royal Wedding: Here’s A Complete Rundown Of What Will Happen On The Day Playlist: Big Burger - Short Black Met Gala - She’s My Sweet Tropical Fuck Storm - The Future of History Kody Nielson - Darien’s Birthday Black Moth Super Rainbow - Bottomless Face Unknown Mortal Orchestra - Major League Chemicals
For this special bonus episode, we did a random selection of Edgar Wright's Top 1,000 movies of all time list, and are joined by our friend Chris Davis! First, we discuss Spike Lee's important film DO THE RIGHT THING, and then we talk about the noir based on Raymond Chandler's Farewell My Lovely: MURDER, MY SWEET. Nick announces what the theme for December is, and we get into a little superhero talk. Please send any and all feedback to anotherlookpod@gmail.com. Check out our Facebook and YouTube pages, and rate/review/subscribe on iTunes!
Welcome to Episode 2! This episode we cover Dashiell Hammett's Red Harvest. 5 Round Burst Books: The Cartel by Don Winslow Savage Season by Joe R Lansdale After Dark, My Sweet by Jim Thompson Seattle Noir Akashic Books The Invention of Murder: How the Victorian's Created Modern Crime by Judith Flanders For full show notes visit us at www.pointblankpodcast.com Find us on Facebook at: www.facebook.com/pointblankpodcast/
Known as "the queen of film noir," Claire Trevor was amazing on screen as tough dames and gun molls (including Murder, My Sweet and her Oscar-winning turn in Key Largo). But the actress could play more than noir as she demonstrated over long career in movies like Stagecoach and The High and the Mighty. We'll hear two of her visits to Suspense - a series where she got to put her talent at playing tough women to good use: "The Plan" (originally aired on CBS on May 16, 1946) and "The Blue Hour" (originally aired on CBS on September 25, 1947).
This week, we watch Dick Powell (!) play Philip Marlowe (!!!) in Murder, My Sweet! We highly recommend you watch the film before listening to the episode, because Dick Powell is a delight to behold. This film can be found for streaming rental from iTunes, Amazon, Vudu, and several other services. Please join us again on February 21st, when … Continue reading The post Episode 42: Murder, My Sweet appeared first on A Reel Education: Noir.
"My Sweet lord" del álbum "All Things Must Pass". Y una versión del año 2000.
"My Sweet lord" del álbum "All Things Must Pass". Y una versión del año 2000.
The Immortals are back and things are looking rather black and white…again. They return to the world of film noir for the second week in a row as they tackle the Raymond Chandler adaptation, Murder My Sweet. They also listen to Scott Walker sing about a black and white film, we drink a yellow weed, we listen to people probably on weed, examine the grayness of ducklings and Austin fails to review German comedy…again. Also a new reason to hate Gotham! Intro 0:00 – 3:42 Murder, My Sweet 3:42 – 25:01 Scott 4 25:01 – 33:25 Dandelion 33:25 – 42:15 California Dreamin' 42:15 – 53:20 The Ugly Duckling 53:20 – 1:06:49 Rio das Mortes 1:06:49 – 1:11:48 Outro 1:11:48 – 1:18:48 --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air. Email Twitter iTunes YouTube Join us Thursday next as we discuss more things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!) Artwork by Ray Martindale Opening tune by Adam Lord
Dick Powell retired his image as a boyish crooner with his acclaimed portrayal of Philip Marlowe in Murder, My Sweet. The big screen adaptation of Raymond Chandler’s Farewell, My Lovely was and is a critically acclaimed hit – thanks in no small part to Powell’s performance. Murder, My Sweet recast Powell as a cinematic tough guy and it paved the way for future gumshoe roles on screen and radio. We’ll hear Dick Powell recreate the film, along with Mary Astor and Mike Mazurki, in Hollywood Star Time (originally aired on CBS on June 8, 1946).
“What You Do Comes Out of Who You Really Are” Hello My Friend! Welcome Back to another edition of the Brand You Economy podcast. This happens to be “My Sweet 16 Episode” and I’m so happy to be celebrating it with you. Let me tell you, you are in for a treat because this episode […] The post BYE 016: Being Real Risky & Raw with Nicole Welch appeared first on Brand YOU Economy Podcast.
Please click on the POD button to listen to the latest Atlanta Business Radio show podcast broadcasting live each Wednesday at 10am EDT from Atlanta, GA, USA. Here's how to listen to the podcast of our show. First click on the title of the show you are interested in. Then there should be a player in the upper right hand corner of the screen. Now just press play and the show you chose should start playing. You can also download the show to listen on your mp3 player. We are now available on iTunes, click this link and you can find all our past shows. Press SUBSCRIBE and you will automatically get the latest show when you sync your iPod to your computer.We opened the show with Trey Humphreys, one of the founders of the Fur Bus. The Fur Bus is a lounge-like setting full of magical lights, a thundering sound system and of course, fantastic fur. They provide transportation for all occasions including business outings, staff parties, sporting events, concerts, birthdays, weddings, proms, children’s parties, bachelor and bachelorette parties. The Fur Bus has been featured on MTV, Blind Date, Howard Stern Show, Nickelodeon, Elimindate and My Sweet 16. The busses are rented by the hour and are available 24 hours a day, 7 days a week. The atmosphere and interior of the Fur Bus is designed to bring people together to have an incredible time. Take the ordinary out of your transportation and ride The Fur Bus for an extraordinary experience. You've probably seen one of the Fur Buses rolling around 285. It is the bus with the kids dancing, singing as they ride in style to their event. They have buses that hold parties of 14-30 passengers. Remember to book early because once you've rode the Fur Bus you can't stop. Trey explained that he has grown his business exclusively through word of mouth referrals and stellar customer service and he has grand plans on expanding his Fur Bus empire. To learn more please check out Trey's website www.furbus.com Next we had on Bob Littell with Littell Consulting Services, Second Opinion Insurance Services, and The Enrichment Company where he carries the title of Chief NetWeaver. Although he wears a number of hats within the financial services industry ranging from broker and second opinion fee-paid advisor to business owners and high net worth individuals, as well to insurance companies and financial institutions, Bob's primary passion these days revolves around a word and concept he created almost a decade ago - "NetWeaving”. Bob"s 2nd book, “The Heart and Art of NetWeaving”, picks up where the first book, “Power NetWeaving”, left off and covers many of the practical appli-cations of NetWeaving - being a connector OF others, and a 'no-strings-attached’ resource provider TO others – simply with the belief that, what goes around, does come back around. The “Heart and Art of NetWeaving” book also explains how those who become NetWeaving Ambassadors, and who spread the word about this ‘win-win’ form of networking, find it not only elevates their own image in the eyes of others, but they also derive a form of energy which pours over into everything else they do. Thanks to a generous contribution from Xerox Global Services who covered the cost of printing “The Heart and Art of NetWeaving”, Bob donates 100% of the $20 per book sales price either to the Pay It Forward Foundation, created by Catherine Ryan Hyde – author of the book on which the popular movie was based, or to any non-profit who wishes to use the book for fund-raising purposes. Bob also serves on the Board of the Pay It Forward Foundation and co-chairs the steering committee.Bob’s latest book, “Raising Your R&R Factor – How Referable & Recommendable Are You?” introduces the ‘irrefutable’ “NetWeaver’s Law of Referral Reciprocity”. It helps explain why those who genuinely NetWeave for others, and yet don’t see much if anything come back around, need to look in the mirror to analyze how others actually perceive them – since referrals and recommendations represent a ‘risk’ on the part of the person making them. To help persons deal with this, Bob also conducts “WOW Workshops” to help people discover ways to be more creative and innovative, as well as to differentiate themselves and make themselves more remarkable. To learn more please go to Bob's website www.netweaving.comAlso if you know of a business in Atlanta that we should know about please email Amy Otto at Amy @ atlantabusinessradio.com and we will try and get them on the show
The planet is going down the tubes. Want some very disturbing television to watch? My Sweet 16 or Engaged or Underaged Music from "Life Has Teeth" from the Podsafe Music Network http://music.podshow.com
clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up Richard Diamond, Private Detective was a detective drama which was on radio from 1949 to 1953 and on television from 1957 to 1960. Dick Powell starred in the Richard Diamond, Private Detective radio series as a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. It began on NBC April 24, 1949, picked up Rexall as a sponsor April 5, 1950, and continued until December 6, 1950. The shows were written by Blake Edwards. With Camel as a sponsor, it moved to ABC from January 5, 1951, to June 29, 1951, with Rexall returning for a run from October 5, 1951, until June 27, 1952. Substituting for Amos 'n' Andy, it aired Sunday evenings on CBS from May 31, 1953 until September 20, 1953. Because Dick Powell was known for musical comedies prior to his appearance as Philip Marlowe in Raymond Chandler's Murder, My Sweet (1944) and because he was a detective who sang in Richard Diamond, Private Eye, some regard this radio series as an influence on the character of Philip E. Marlow (Michael Gambon) in Dennis Potter's Chandleresque The Singing Detective (1986).
This week - a return to hardboiled detective fiction writer, Raymond Chandler. In 1944, the film Murder, My Sweet was released based on Chandler's book Farewell, My Lovely. In 1945 the Lux Radio Theater produced an adaptation of the film starring much of the original cast including Dick Powell and Claire Trevor (right). Some interesting Chandler tidbits about the production.Music under is "Evan's Essence" by Anne Farnsworth on the Podshow Music Network.I'll be taking a week off attending the Mid-Atlantic Nostalgia Convention in Maryland.
This week - a return to hardboiled detective fiction writer, Raymond Chandler. In 1944, the film Murder, My Sweet was released based on Chandler's book Farewell, My Lovely. In 1945 the Lux Radio Theater produced an adaptation of the film starring much of the original cast including Dick Powell and Claire Trevor (right). Some interesting Chandler tidbits about the production.Music under is "Evan's Essence" by Anne Farnsworth on the Podshow Music Network.I'll be taking a week off attending the Mid-Atlantic Nostalgia Convention in Maryland.
Richard Diamond, Private Detective proved to be the perfect radio vehicle for actor-singer Dick Powell, combining his tough-guy image, showcased in the 1944 film ÃïïMurder, My SweetÃïï and the 1945-46 radio series ÃïïRogueÃïïs Gallery,Ãïï with his tremendous talent for a song, as all those 1930s Warner Brothers/Fox musicals will bear out. The detective series, created by an aspiring screenwriter named Blake Edwards, featured a hard-boiled detective who rarely took himself too seriously; Edwards, the future director of the ÃïïPink PantherÃïï film series, conceived the Diamond character as an ex-cop who had decided to hang out his own shingle in the investigation business.
Dick Powell was cast as Philip Marlowe in the 1945 film "Murder, My Sweet." Was it a stroke of genius to allow a song and dance man to reinvent himself in this role, or the desecration of a literary icon? Clute and Edwards are deeply divided on this issue, but find many topics on which they agree: whether the viewer considers Powell's performance a triumph or a tragedy, it is evident that the tension between the two strong female leads (Claire Trevor, Anne Shirley) is a fundamental driving force of the film; with numerous deft touches director Edward Dymytrk pulls the audience into Marlowe's point of view, and demonstrates the investigator's inner turmoil; Chandler is the fulcrum on which post-war film and literature teeter because Philip Marlowe is the perfect embodiment of the psychologically-scarred modern Everyman. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.
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