Mexican cinematographer
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Josh and Andrew thought they could just roll and tumble… live from song to song… kiss to kiss… until filmmaker Stephen Tronicek twirled them around with Terrence Malick's musical love-quadrangle drama Song to Song! Picking into a film made in the experimental late-stage of the arthouse icon's career, the trio quickly get into their love (and some qualms) of one of Malick's most divisive movies. Featuring a dissection of exactly how many cameos are in this, all the Christian undertones, its depiction of the 2010s Austin music scene, the spinning Emmanuel Lubezki camera, twirling, whispered Rooney Mara monologues, and the magic of Natalie Portman's abs.Next, Josh and Andrew have One More Thing, recommending Beast, starring a breakthrough performance from Academy Award Winner Jessie Buckley (Producer Ethan: oh, it feels good to write that), and genre-defying 60s British TV show The Prisoner.Next week, our hosts reveal they have one more Oscar movie up their sleeve, Oliver Laxe's desert rave thriller Sirāt. Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.
We're in 2027 with Alfonso Cuarón to talk a dystopian classic. John, Westy, and Matt dive into the story of how Cuarón created one of cinema's most visually stunning achievements - a film that turned a difficult-to-adapt novel into a breathtaking technical marvel. From those legendary long takes (yes, including that car scene) to Clive Owen's career-best performance (YMMV), we explore how Cuarón and cinematographer Emmanuel Lubezki revolutionised action filmmaking. How did they pull off shots that shouldn't be possible? Why does the world-building feel so unnervingly real? And can humanity ever truly find hope in hopelessness?Telling the story of Hollywood, one film at a time.Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:Join the ATRM Community We're available on any podcast platform:Listen on Apple PodcastsListen on SpotifyYouTube: Subscribe to our channelWe're across all major social channels too:Twitter: @ATRightMoviesInstagram: @allthe_rightmovies Facebook: Join our movie groupBluesky: @alltherightmovies.comTikTok: @alltherightmoviesWebsite: alltherightmovies.com
Jason Fraley celebrates Oscar Week with a special 10th anniversary flashback to his first trip to cover the Academy Awards at the Dolby Theater in Hollywood as a live contributor for CBS News Radio in 2016. Each day this week, you'll hear the audio Jason recorded backstage as the winners left the stage and entered the press room holding their Oscars, continuing today with Alejandro González Iñárritu, who won Best Director for "The Revenant," as well as his Oscar-winning cinematographer Emmanuel Lubezki. (Theme Music: Scott Buckley's "Clarion ")
Join our hosts for a more thematic discussion on the 87th Best Picture winner, BİRDMAN or (The Unexpected Virtue of Ignorance). While interesting fodder for discussion and a fascinating look into the earlier stages of social media, virality, and its impact on relevance, some of the characters left more to be desired
En más notas, Morena propone quitar visa a extranjeros que discriminen a mexicanos, por otra parte, policías de Zapopan involucrados en asesinato de una familia, en otras cosas, México analiza denuncia por muerte de mexicano en redadas de ICE, y en los espectáculos, Emmanuel Lubezki nominado al Emmy por trabajo con Alfonso Cuarón. Hosted on Acast. See acast.com/privacy for more information.
In this episode, we dive deep into The Revenant, analyzing the powerful character themes, breathtaking cinematography, and the intensity behind key scenes. We discuss the visual storytelling techniques used to convey survival, vengeance, and humanity, breaking down the intentions behind Alejandro González Iñárritu's direction and Emmanuel Lubezki's stunning camera work. Get ready for an in-depth look at how these elements combine to create a truly visceral cinematic experience.Chapters:00:00:00 Post movie discussion: Why did we not like this movie in 2015?00:04:53 This movie is nothing without DiCaprio00:15:24 The story behind the terrible production experience00:23:57 The great choice that makes the bear scene as brutal as possible00:31:43 The real story of Hugh Glass is crazy00:39:14 The intention of Fitzgerald v.s. Hugh Glass00:48:14 The beautiful use of symbolism00:50:33 How they let nature tell the story00:56:05 The perfect cinematography embedding you into the brutality + the first attack01:04:15 The awards that this movie deserved01:07:22 Our ratings & review01:10:32 Final thoughts: A cool connection to Inglourious Basterds01:16:31 Cue the music
Ebben az izgalmas thrillerben egy átlagember elhatározza, hogy bosszút áll felesége gyilkosain Player 2024-11-14 04:24:03 Film Mozi Titkosszolgálat CIA A The Amateur című mozi főhősében egyetlen különleges dolog a munkája, ugyanis a Cia-nek dolgozik kódfejtőként, ezt leszámítva azonban egy igazi átlagemberről van szó. Stephen King egyetlen mozivetítésről sétált ki életében – egy hollywoodi blockbusterről van szó Hamu és Gyémánt 2024-11-13 18:04:02 Film Mozi Hollywood Stephen King A népszerű regényeiről ismert Stephen King mostanában gyakran fejti ki a véleményét egy-egy filmről, legutóbb például elárulta, melyik horrorfilmet tartja a leghátborzongatóbbnak. Egy bejegyzésében azt is elmondta, melyik az egyetlen film, amit egész egyszerűen nem volt képes végignézni a moziban. Lady Gagával jön a Netflix egyik legsikeresebb sorozatának 2. évada Mafab 2024-11-14 06:41:02 Film Netflix Lady Gaga Wednesday Az Entertainment Weekly forrása szerint Lady Gaga (cikkünk galériájában) egy meg nem nevezett szerepet vállalt a Netflix Wednesday című sorozatának második évadában. A modern orvostudomány felkent papjai a gyógyszergyárak kutatóorvosai Márkamonitor 2024-11-14 07:36:05 Színpad Színház Anglia Gyógyszer December 6-án mutatja be a budapesti Centrál Színház a kiemelkedő tehetségű kortárs angol drámaíró, Lucy Prebble 2012-ben a legjobb drámának járó kritikusok díjával elismert Mellékhatás című darabját. Horgas Ádám rendezésében Botos Évát, Fehér Tibort, valamint két remek vendégművészt, Gáspárfalvi Dorkát és Mertz Tibort láthatjuk majd a színpadon. Kisebbségben lenni egyszerre szerencse és szerencsétlenség kultura.hu 2024-11-13 17:48:01 Zene Koncert Horvátország Zágráb Gyerekprogram Kaláka A zágrábi Interliber Nemzetközi Könyvvásáron kedd este és szerdán is folytatódtak a magyar vonatkozású programok a díszvendégségünk részeként: könyvbemutatók és horvát–magyar irodalmi kerekasztal-beszélgetés, Kaláka-koncert és interaktív Szabó Magda-gyermekprogram is belefért a napba. Tudósításunk mellett pedig Keresztes Balázs, a díszvendégség mag Bridget Jones Mark Darcy nélkül folytatja NLC 2024-11-13 19:37:59 Film Azt már egy ideje tudni lehet, hogy gőzerőkkel forgatják a Bridget Jones negyedik részét, most pedig előzetest is kaptunk a történethez. 24 év után újra kiadják a Nobel-díjas Jon Fosse művét Librarius 2024-11-13 17:59:45 Könyv Nobel-díj Jon Fosse különös érzékkel bánik a bánat halk rezdüléseivel; ebben a rövid regényben hatalmas mélységek és fájdalmak rejlenek. Cuarón Apple-sorozata szép, de fárasztó lett 24.hu 2024-11-13 19:01:32 Film Apple Cate Blanchett Papíron minden adott volt, hogy a Cáfolat nagyot üssön, elég csak néhány nevet sorolni: Alfonso Cuarón, Cate Blanchett és az operatőr Emmanuel Lubezki. Új részek a Babzsák-könyvek, Zseblámpás, Abszolút-könyvek sorozatában port.hu 2024-11-14 08:40:00 Könyv Humor Újabb kötettel bővült a Pagony kiadó nemrég indult Babzsák-könyvek sorozata Szabó Borbála fergeteges humorú történetével. A Zseblámpás Könyvek sorozatába Wéber Anikó új kötete mellett újabb izgalmas nyomozások várnak az olvasókra. Az Abszolút-könyvek sorozatában pedig egy kis angyal kalandjait követhetjük végig. Minden kötet izgalmas, szívet meleng Céline Dion orvosa elérte a lehetetlent: "Reménnyel váltotta fel a félelmemet" Story 2024-11-14 09:00:44 Bulvár Celine Dion Egy orvoson a világ szeme: hamarosan talán gyógyítható lesz az énekesnő rendkívül ritka neurológiai betegsége. A brit Samantha Harvey nyerte el a Booker-díjat Fidelio 2024-11-14 10:15:00 Könyv Világűr Elismerés Az író Orbital című regényével érdemelte ki a rangos irodalmi elismerést. Kötetében hat asztronauta egy napján keresztül mesél természetről, az emberi sorsról és összetartozásról. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Ebben az izgalmas thrillerben egy átlagember elhatározza, hogy bosszút áll felesége gyilkosain Player 2024-11-14 04:24:03 Film Mozi Titkosszolgálat CIA A The Amateur című mozi főhősében egyetlen különleges dolog a munkája, ugyanis a Cia-nek dolgozik kódfejtőként, ezt leszámítva azonban egy igazi átlagemberről van szó. Stephen King egyetlen mozivetítésről sétált ki életében – egy hollywoodi blockbusterről van szó Hamu és Gyémánt 2024-11-13 18:04:02 Film Mozi Hollywood Stephen King A népszerű regényeiről ismert Stephen King mostanában gyakran fejti ki a véleményét egy-egy filmről, legutóbb például elárulta, melyik horrorfilmet tartja a leghátborzongatóbbnak. Egy bejegyzésében azt is elmondta, melyik az egyetlen film, amit egész egyszerűen nem volt képes végignézni a moziban. Lady Gagával jön a Netflix egyik legsikeresebb sorozatának 2. évada Mafab 2024-11-14 06:41:02 Film Netflix Lady Gaga Wednesday Az Entertainment Weekly forrása szerint Lady Gaga (cikkünk galériájában) egy meg nem nevezett szerepet vállalt a Netflix Wednesday című sorozatának második évadában. A modern orvostudomány felkent papjai a gyógyszergyárak kutatóorvosai Márkamonitor 2024-11-14 07:36:05 Színpad Színház Anglia Gyógyszer December 6-án mutatja be a budapesti Centrál Színház a kiemelkedő tehetségű kortárs angol drámaíró, Lucy Prebble 2012-ben a legjobb drámának járó kritikusok díjával elismert Mellékhatás című darabját. Horgas Ádám rendezésében Botos Évát, Fehér Tibort, valamint két remek vendégművészt, Gáspárfalvi Dorkát és Mertz Tibort láthatjuk majd a színpadon. Kisebbségben lenni egyszerre szerencse és szerencsétlenség kultura.hu 2024-11-13 17:48:01 Zene Koncert Horvátország Zágráb Gyerekprogram Kaláka A zágrábi Interliber Nemzetközi Könyvvásáron kedd este és szerdán is folytatódtak a magyar vonatkozású programok a díszvendégségünk részeként: könyvbemutatók és horvát–magyar irodalmi kerekasztal-beszélgetés, Kaláka-koncert és interaktív Szabó Magda-gyermekprogram is belefért a napba. Tudósításunk mellett pedig Keresztes Balázs, a díszvendégség mag Bridget Jones Mark Darcy nélkül folytatja NLC 2024-11-13 19:37:59 Film Azt már egy ideje tudni lehet, hogy gőzerőkkel forgatják a Bridget Jones negyedik részét, most pedig előzetest is kaptunk a történethez. 24 év után újra kiadják a Nobel-díjas Jon Fosse művét Librarius 2024-11-13 17:59:45 Könyv Nobel-díj Jon Fosse különös érzékkel bánik a bánat halk rezdüléseivel; ebben a rövid regényben hatalmas mélységek és fájdalmak rejlenek. Cuarón Apple-sorozata szép, de fárasztó lett 24.hu 2024-11-13 19:01:32 Film Apple Cate Blanchett Papíron minden adott volt, hogy a Cáfolat nagyot üssön, elég csak néhány nevet sorolni: Alfonso Cuarón, Cate Blanchett és az operatőr Emmanuel Lubezki. Új részek a Babzsák-könyvek, Zseblámpás, Abszolút-könyvek sorozatában port.hu 2024-11-14 08:40:00 Könyv Humor Újabb kötettel bővült a Pagony kiadó nemrég indult Babzsák-könyvek sorozata Szabó Borbála fergeteges humorú történetével. A Zseblámpás Könyvek sorozatába Wéber Anikó új kötete mellett újabb izgalmas nyomozások várnak az olvasókra. Az Abszolút-könyvek sorozatában pedig egy kis angyal kalandjait követhetjük végig. Minden kötet izgalmas, szívet meleng Céline Dion orvosa elérte a lehetetlent: "Reménnyel váltotta fel a félelmemet" Story 2024-11-14 09:00:44 Bulvár Celine Dion Egy orvoson a világ szeme: hamarosan talán gyógyítható lesz az énekesnő rendkívül ritka neurológiai betegsége. A brit Samantha Harvey nyerte el a Booker-díjat Fidelio 2024-11-14 10:15:00 Könyv Világűr Elismerés Az író Orbital című regényével érdemelte ki a rangos irodalmi elismerést. Kötetében hat asztronauta egy napján keresztül mesél természetről, az emberi sorsról és összetartozásról. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 63 of the Director Watch Podcast, the boys are joined by Editor-In-Chief Erik Anderson to discuss the next film in their Terrence Malick series, The Tree of Life (2011). We've come to the midpoint mark of the Malick series and have hit the most important film in the filmography of the director, not just in terms of accolades and being known as one of the most important films of the 2010s, but it is also the film Jay claims as his favorite film of all time. A very personal episode of Director Watch is in store as the guys, alongside Erik, break down Malick's most personal film to date about a journey through time, our place in the universe, what our stamp on history is, and what the meaning of life is through the eyes of a family living in a small Texas town. Ryan, Jay, and Erik talk about their relationship with The Tree of Life, how well the film has aged from when they first saw it due to growth and experience in their lives, the masterful imagery conveyed by cinematographer Emmanuel Lubezki, the work of Brad Pitt and Jessica Chastain as not just parents to the boys in the film but as the personification of nature vs. nurture, the dinosaur sequence, the glorious ending mixed into the fascinating scenes feature Sean Penn as a grown up version of Jack, how Malick is able to evoke the viewer's memories of their past and juxtapose it to what he is showing on screen through his characters and setting, and of course, talk about the wild Oscar season that covered the films of 2011. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h17m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, To the Wonder. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 62 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Karen Peterson to discuss the next film in their Terrence Malick series, The New World (2005). Entering a new millennium, Malick embarked on a mission to create a vision of timeless story that he had been trying to make since the 1970s. After finally getting the financing to create The New World, he sent out to create a definitive take on the story of historical figures Captain John Smith (Colin Farrell), Pocahontas of the Powhatan tribe (Q'orianka Kilcher), and Englishman John Rolfe, without having to hold true to being one hundred percent accurate to their history. He uses this love story to breakdown our human relationship with exploration and nature, and how when these worlds collide, it provides change that irreversible, beautiful, and tragic. In short, he created another masterpiece. Ryan, Jay, and Karen give their reaction and relationship to the film, speak about how hot Colin Farrell was during this era of his career, Emmanuel Lubezki luscious cinematography, Q'orianka Kilcher's transformational performance, the movie's connection with the past, present, future via water and boats, the poor animated Disney version of this story, and how the freedom, if the extended version of this film is worth it, and how the experimental filmmaking of this movie set a path for the modern Malick we've come to know. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h02m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, The Tree of Life. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Freestyle rap is back in a BIG way this week on FBOY Island AU - plus, some well-timed Olympic synergy, unnecessary waxing, and some last-minute string cheese (in that it was kind of cheesy when D'art played the cello, which is a string instrument, you get it?)Also - we salute the work of cinematographer Emmanuel Lubezki, we're visited by some famous Seths, and we hash out the great BDE vs. Rizz debate of 2024.
The Criteria crew continue their journey through the works of today's most significant Christian filmmaker, Terrence Malick. The New World is an underrated masterpiece about Pocahontas and the founding of Jamestown in 1607. Starring the 14-year-old Q'orianka Kilcher as Pocahontas, Colin Farrell as John Smith, and Christian Bale as John Rolfe, Malick's retelling of the story remarkably combines realism and historical accuracy with poetry and romance, as all three protagonists explore not just one but multiple new worlds, geographical and interior. With The New World, Malick definitively entered a new stage in his career, particularly in his unforgettable collaboration with cinematographer Emmanuel Lubezki. The result is an aesthetic that is humble and receptive rather than magisterial. Rather than dominating reality, the camera seems to enter into it, so that we can contemplate something the camera cannot exhaust. James, Thomas, and Nathan discuss Malick's style extensively in this episode, and make the case for why Catholics studying or making art should not focus only on "themes" to the neglect of form, because style itself conveys a vision of reality. Note: make sure you watch the extended cut or the 150-minute "first cut", not the theatrical cut. This film contains brief ethnographic nudity. DONATE to make this show possible! http://catholicculture.org/donate/audio SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com
La tradición de los cinefotógrafos mexicanos Habrá quien diga que le gusta la fotografía de cine y que elija a Emmanuel Lubezki como uno de sus representantes más internacionales. Y no dirá una mentira. Lubezki es efectivamente uno de los cinefotógrafos mexicanos que más trabajan en el mundo, que innova y que tiene en su currículum colaboraciones con cineastas de enorme nivel. Pero en realidad la tradición de buena fotografía cinematográfica en México es larga y nos lleva a los orígenes mismos del cine. Desde esos años, hombres y mujeres han hecho de la fotografía para el cine algo realmente prodigioso y, no exageramos, han construido una firma que le da la vuelta al mundo. Por si eso fuera poco, varios de los fotógrafos para cine que han salido de la industria mexicana han conseguido premios internacionales, el Oscar por ejemplo, para mencionar al más popular de todos. ¿Este año habrá nuevo Oscar para un cinefotógrafo mexicano? Para eso habrá que esperar un poco pero no queremos dejar pasar la oportunidad de dedicar este episodio a la enorme tradición de la fotografía para cine en México. Para realizar este conteo y quizá predecir si ganaremos un Oscar más, invité al crítico de cine, investigador y profesor Leonardo García Tsao. Hablemos de la tradición de la fotografía para cine en México. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Instant Trivia podcast episode 1069, where we ask the best trivia on the Internet. Round 1. Category: A Trip To The Islands 1: This 2,200-square-mile Canadian island was named for a son of George III. Prince Edward Island. 2: The "Big Island" of the Tierra del Fuego archipelago is shared between Argentina and this country. Chile. 3: The migration of the red crabs is an annual spectacle on this Indian Ocean island named for a holiday. Christmas Island. 4: An island called the Phantom Ship rises from the water inside a volcanic caldera in this Oregon national park. Crater Lake. 5: On this Greek island you can soak up the sun on Elafonisi Beach or tour the ruins of the ancient palace of Knossos. Crete. Round 2. Category: The Name Of The Board Game 1: Rhinoplasty or appendectomy, for example. Operation. 2: The USS Missouri is an Iowa-class one. Battleship. 3: The Sherman Act of 1890 was meant to combat this type of business. Monopoly. 4: Slang for a tornado. Twister. 5: Nixon's spaniel. Checkers. Round 3. Category: My Name Is Earl Warren 1: In Reynolds v. Sims I said that representation in legislatures must be based mostly on population: one man, one this. vote. 2: I am interred at this national cemetery. Arlington. 3: I was a 3-term governor of this state, 1943-1953. California. 4: On June 23, 1969 I swore in this man as Chief Justice of the U.S.. Warren Burger. 5: I ruled that public school segregation was unconstitutional in this landmark 1954 case. Brown v. Board of Education. Round 4. Category: Make Light Work 1: Around noon on some days, Germany gets close to half its power from this source. solar power. 2: The light type of this is a basic tool of cell biology, magnifying specimens hundreds of times. a microscope. 3: Take a mind-expanding journey at the live show called Paramount's Laser Spectacular, with the music of this "Dark Side" band. Pink Floyd. 4: 10 projectors show astronomical wonders in the USA's largest of these facilities, at a Jersey City science center. a planetarium. 5: John Alcott and Emmanuel Lubezki, people in this profession, are noted for creative use of natural light. cinematographers. Round 5. Category: Inca Hoots? 1: When in Peru, don't forget to check out the cute pygmy owls named for these mountains. the Andes. 2: The name of this city taken by Pizarro in 1533 is derived from Quechuan words meaning "rock of the owl". Cuzco. 3: After listening to its piercing cry, you'll know why this west Peruvian owl is so named. the screech-owl. 4: Peru's ferruginous pygmy owls are the color of this, which is formed by oxidation. rust. 5: A long-whiskered owlet was seen in Peru in 2007; it's so rare it has its own genus, Xenoglaux, meaning this "owl". foreign (or strange). Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
It's our 100th episode!! To celebrate, we welcome back one of our earliest guests, the great Kate Duffy, to discuss a film that has been our number one requested comfort film over the course of the show. We talk about the incredible Nathan Lane and his unforgettable breakout role as Albert/Starina, how the film deals with irony around conservative family values, the restrained hysteria of Robin Williams's Armand and how it relates to male anxiety, the advancements (and sometimes, lack thereof) with LGBTQ+ rights, the director/writer dream team of Mike Nichols and Elaine May, Gene Hackman's surprising improv background, Dan Futterman's Val as the villain of the film, the masterful opening shot by the great cinematographer Emmanuel Lubezki, the major changes in the journalism economy since the mid-90s, and Kate's memories of watching the movie over and over with her dad. We also have a quick talk about our now-extensive back catalog and which episodes stand out to us most. Grab your "pirin" tablets, relax, and join us for the episode that takes us into triple digits!
El cierre de esta espectacular entrevista con la productora que le diera oportunidad a estos tres grandes mexicanos, figuras del cine global. ¿Cómo adaptaría Carmen al mundo de hoy la legendaria Hora Marcada? (pero una buena, no como la que hicieron en... ya saben).
#LosDioses117 entrevistan a una leyenda televisiva: ¡Carmen Armendariz! Productora y creadora de programas como Ventaneando y Hoy; telenovelas, como La Usurpadora… y la mítica Hora Marcada. ¡Conéctese a la #RadioReal o a su plataforma de podcasting favorita! Imagínense tener a alguien como Carmen para contarnos: ¿Qué hace una productora? Va desde la generación de una idea, o la adaptación de una existente, hasta la realización. Se dice fácil, pero se trata de llevar todo a realidad. ¿Cómo se elige una buena idea para producir? Nos dice Carmen: eso se trae. No se puede estudiar. Los datos ayudan, pero la intuición es indispensable. Entramos a materia: producción de morning shows. Es tan inmediata como la tele en vivo. Si una sección no funciona, se cambia. A los tres días. En cambio, contar una historia es completamente distinto. ¿Y cuánto tarda hacer una telenovela? Meses. Aun con dos unidades de producción simultáneas. ¿La gente se refleja en los personajes de la televisión? Carmen y La Casa de los Famosos. ¿La televisión influye en la sociedad, o viceversa? ¿Carmen Armendariz, legendaria productora de televisión, usa las redes sociales como influencia? No. Ya, pasamos a otra pregunta. La creación del formato Ventaneando. De dónde vino y los cambios que generó… aunque ya no cambió en las siguientes décadas. La publicidad en la televisión. Para el productor, debe integrarse a la historia. ¿Quiénes ven los programas matutinos, de acuerdo con el productor? No sólo mujeres. Tómenla. Y no sólo ven noticieros, o quieren noticias. Ahora sí, la historia de Hora Marcada. ¿Cuál era el secreto? Hacer televisión como cine. Con fotógrafo de cine. La primera vez que se usaban un dolly en Televisa. Totalmente diferente a la producción switcheada típica de la televisión nacional. Y la nueva Hora Marcada (¿ya la vieron? En efecto… nadie). ¿Por qué no la hizo Carmen? Entérese. La pregunta que todos queremos hacer: ¿cómo logró reunir a Alfonso Cuarón, Emmanuel Lubezki y Guillermo del Toro como directores en una sola producción? Las puras ganas. El cómo sí. ¿Qué los distingue como generación? La disciplina. ¡Lo nuevo de Carmen Armendáriz! Nos cuenta algunos detalles y cómo es el proceso. El momento estelar de la lectura de guión. Para cerrar: ¿qué habilidades requiere un joven para convertirse en productor? ¿Y para convertirse en conductor? ¡No se lo pierdan!
Dana and Tom discuss the Sci-Fi Thriller, Gravity (2013): written and directed by Alfonso Cuaron, co-written with Jonas Cuaron, music by Steven Price, starring Sandra Bullock and George Clooney.Plot Summary: "Gravity" is a cinematic tour de force that plunges audiences into the relentless, unforgiving expanse of outer space. Directed by visionary filmmaker Alfonso Cuarón, this space odyssey is a heart-pounding, visually stunning masterpiece that redefines the limits of human survival and the art of filmmaking.The story unfolds high above the Earth's surface, where Dr. Ryan Stone (Sandra Bullock) and veteran astronaut Matt Kowalski (George Clooney) are on a routine spacewalk to repair the Hubble Space Telescope. However, their mission takes a catastrophic turn when debris from a destroyed satellite hurtles toward them, leaving their shuttle destroyed and the two astronauts stranded in the vast, merciless void of space.Cuarón's genius lies in his ability to create an immersive experience that captures the terrifying isolation of space. The film's breathtaking cinematography, led by Emmanuel Lubezki, pulls viewers into the weightlessness and disorienting chaos of the cosmos. Through seemingly unbroken, mesmerizing long takes, Cuarón allows us to witness the beauty and terror of space, emphasizing the fragility of human life in the face of the universe's sheer indifference. "Gravity" is more than just a technical marvel; it's a meditation on the human spirit's resilience in the face of insurmountable odds. Driven by Stone's determination and guided by Kowalski's wisdom, the film explores themes of survival, rebirth, and the indomitable will to overcome adversity. It's a gripping tale of human vulnerability and the quest for home and meaning amidst the vastness of space.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/gravity-2013For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios
En el episodio de hoy los llevaremos de recorrido por la magia del cine a través de la lente de renombrados cinematógrafos mexicanos como Emmanuel Lubezki y Rodrigo Prieto. Descubre cómo Guillermo Arriaga y Gabriel Figueroa, entre otros, han plasmado la esencia de México en la pantalla grande. ¡Acompáñanos en este viaje visual y celebremos juntos la riqueza de la cinematografía mexicana! Producción: Amper Radio Amper es una estación de la Universidad Latinoamericana Los comentarios y opiniones vertidos en este programa, son de exclusiva responsabilidad de quien los emite, y puede no reflejar la opinión de la institución.
Director William J. Stribling saw THE BIRDCAGE as a 7 or 8 year old, and it instantly became his favorite, watched on repeat. At its center is director and drag club owner Armand Goldman (or is it Coleman?), played by the incomparable Robin Williams. Decades later, Will is a comedy director himself, whose latest film (full disclosure: it was written by this show's producer, Marissa) is THE MIRROR GAME.After this conversation, Jordan has one quick thing about another director: past guest Christopher Landon!Watch THE MIRROR GAME on Tubi, Amazon, or YouTube.***With Jordan Crucchiola and William J. Stribling
Vendégünk Erdély Mátyás, az Oscar-díjas Saul fia Kossuth-díjas operatőre, aki az utóbbi pár évben olyan embereket fényképezett, mint Jude Law, Carrie Coon, Paul Mescal, Saoirse Ronan, Zac Efron, Cate Blanchett, Jeremy Allen White, Billie Eilish, Harris Dickinson, Lily James és Holt McCallany. Matyival legutóbb 2016 januárjában, pár hónappal a Saul fia Oscar-győzelme előtt beszélgettünk, így először arról a fantasztikus estéről számolt be, majd mesélt az azt követő kevésbé fantasztikus pár évről, amikor nem jöttek az izgalmas megkeresések, hiába vált olyan szinten hivatkozási alappá a Saul fia vizuális megközelítése, hogy még a Trónok harca egyik részének a forgatókönyvében is emlegették. Milyen tanulságokat vont le ebből az időszakból? Melyik később nagyon sikeressé vált filmet nem vállalta el akkoriban? Később befutottak csodás feladatok: Jude Law-val és Carrie Coonnal Angliában (The Nest), Paul Mescallal és Saoirse Ronannan az ausztrál préri közepén (Foe), illetve forgatott New Orleans mellett egy pankrátoros filmet Zac Efronnal és A mackóból ismert Jeremy Allen White-tal (The Iron Claw). Nemrég beszállt tartalékos operatőrként a háromszoros Oscar-díjas istenség, Emmanuel Lubezki mellé a Disclaimer című sorozatban, amit Alfonso Cuarón rendezett. Itt volt, amikor egy poharat kellett fényképezni, de volt, amikor Cate Blanchettet. Beszélgetünk az operatőrök alkotói válságáról és a színészek hiúságáról is, illetve arról, hogy hogyan élte meg, hogy nem készülhetett el Nemes Jeles László harmadik filmje, Az árva (ami körül a podcast felvétele óta eltelt időszakban újra mozgolódás van). Filmek/sorozatok, amikről szó esik az adásban: Saul fia (Nemes Jeles László, 2015) Call Me by Your Name (Luca Guadagnino, 2017) Napszállta (Nemes Jeles László, 2018) The Nest (Sean Durkin, 2020) The Iron Claw (Sean Durkin, 2023) Foe (Garth Davis, 2024) Disclaimer (Alfonso Cuarón, 2024) Jó szórakozást hozzá, és ha tetszik az adás, kérlek támogasd a Filmklub podcastot a Patreonon, ahol beállíthatod, hogy havonta hány dollárt szeretnél erre szánni. Nagyon köszi előre is!
Carey Russell is a naturalist, photographer, and filmmaker. He founded The Dendro Lab, a platform to foster a broader public awareness of dendrology, and is the author of the soon-to-be-published Tree Identification for Everyone (And Why It Matters). As a photographer, he is the author of The New Arcadians: Photographs from Scout Camp and the upcoming photobook The Winter Forest. While as a filmmaker, he has worked with director, Terrence Malick, as an associate producer and editor of The New World; assisted cinematographer Emmanuel Lubezki on The Tree of Life; and directed and photographed the 10-part documentary series Tibetan Stories. Carey holds a master's degree in forestry and is a member of the International Dendrology Society. He's a certified Interpretive Guide through the National Association for Interpretation and a certified Master Naturalist in New York State where he is also a licensed trail guide. --- Send in a voice message: https://podcasters.spotify.com/pod/show/plantatrilliontrees/message Support this podcast: https://podcasters.spotify.com/pod/show/plantatrilliontrees/support
Pak je Terrence Malick-bingokaart, want deze keer gaan we even lekker aan de slag met The Tree of Life (2011). Zweverige cameravoering, spirituele thematiek, bomenporno en zo goed als geen plot, ze passeren allemaal de revue. Maar deze film springt er ook uit binnen het oeuvre van de mooifilmer. Vooral dankzij het segment waarin het dramatische familieverhaal wordt gepauzeerd om even te kijken hoe het complete universum is ontstaan. Laten we het zo stellen: dit is een van de weinige arthousefilms met dinosauriërs erin. Dit ronduit bizarre uitstapje was genoeg reden voor podgast Thom Aalmoes (redacteur bij Dag en Nacht Media) om de film tijdens zijn eerste kijkbeurt uit te zetten. Thom is medepresentator van de podcasts Geeky Dingen en de Alle Geschiedenis Ooit. Maar ondanks laatstgenoemde, zitten er grenzen aan hoeveel verleden hij in een willekeurige film hoeft te zien. Voor Duimpjeworstelen wilde hij The Tree of Life best eens helemaal uitzitten, om positief verrast te worden. Gelukkig donderde de boel aan het einde van de film voor hem genoeg in elkaar, om zijn duim neerwaarts te houden. Malick brengt zo zijn thema's aan: de brute natuur versus hemelse gratie. Hij liet zich inspireren door zijn eigen jeugdherinneringen, en toont vooral beelden van een jong gezin in de jaren vijftig. Hoofdpersoon Jack o'Brien heeft een moeizame relatie met zijn strenge pa (Brad Pitt) en idealiseert zijn engelachtige moeder (Jessica Chastain). Saillant detail: de acteur die een volwassen, mijmerende Jack speelt, Sean Penn, heeft sinds het uitkomen van de film wel wat kritiek geuit op The Tree of Life. Want wat nu het nut is van zijn rol? Verder gaat het ook over respect voor van de pot gerukte regisseurs, hoe verschillende filmmakers hun eigen versie maakten van het Bijbelse Boek van Job en het merkwaardige begin van de filmcarrière van Jessica Chastain. En de uitspraak van eerdere duimpjeworstelaar Chris Abbenhuis: "In 2023 kijkt niemand meer naar The Tree of Life." Steun Duimpjeworstelen op Patreon! En ontvang leuke extraatjes ^_^ Links: Alle Geschiedenis Ooit: https://dagennacht.nl/serie/alle-geschiedenis-ooit/ Geeky Dingen: https://geekydingen.nl/ Ruud te gast in Geeky Dingen om te praten over Taika Waititi: https://open.spotify.com/episode/7I8CSj5a47J2xsKepU3A5S Medepresentator van Geeky Dingen Linda Duits duimpjeworstelt over Adaptation.: https://www.cinimma.nl/post/linda-duits-vs-adaptation Duimpjeworstelen met Chris Abbenhuis over The Tree of Life, het geschreven interview uit 2013: https://decinemaki.wordpress.com/2013/03/18/duimpjeworstelen-met-chris-abbenhuis/ Extra links: Patrick (H) Willems, What happened to Terrence Malick?: https://www.youtube.com/watch?v=lAw9MJeeGdA The Tree of Life | Crafting an Existential Masterpiece van Like Stories of Old: https://www.youtube.com/watch?v=zxnGHhEWXbc Why Do Terrence Malick's Movies Look Like That? van Thomas Flight: https://www.youtube.com/watch?v=waA3RXy13aA Under the Influence: Chloé Zhao on 'The New World' van Criterion: https://www.youtube.com/watch?v=7Ces4ZqX75o
CHILDREN OF MEN (2006) is Director Alfonso Cuarón's gloomy sci-fi masterpiece set 18 years after all women have suddenly and inexplicably become infertile. Whilst the rest of the planet is shaken by the death of the youngest person on Earth, Theo (Clive Owen) finds himself reluctantly drawn into escorting Kee (Claire-Hope Ashitey) who might be carrying humanity's last flicker of hope through an England divided by a refugee crisis and an austere authoritarian government. Gripping and grim in equal measure, Cuarón and cinematographer Emmanuel Lubezki conjure up a rich and textured world as a backdrop to a plot ripe with biblical allegory and commentary about our relationship to communities in crisis. Never less than captivating from the first frame until the bleak and barely optimistic ending and featuring several virtuoso sequences of incredible action film making, the verisimilitude of the world-building and its authenticity makes this one of my favourite movies of the noughties. As Cris puts it, if you haven't seen it this you should rectify that immediately and if you have, you need to watch it again.We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
This Episode guest stars "Paul De Lumen". You might ask, who is Paul?"Born to Filipino immigrants in Oakland, California, Paul is an award-winning director of photography who works internationally in both scripted and documentary. After working at Lucasfilm, he earned his MFA in Cinematography from UCLA, learning from then cinematographer in residence, Roger Deakins, and afterwards working as an electrician for Emmanuel Lubezki.In 2009, he was awarded the ‘Colón de Plata' for Best Cinematography at the Huelva Latin-American Film Festival in Spain for his work on the Bolivian feature ZONA SUR, in which every scene was covered in a one-shot rotating master. ZONA SUR won Best International Feature at Sundance 2010 and garnered praise in American Cinematographer magazine.His 2nd feature, LAND WITHOUT EVIL (IVY MARAEY), shot on 35mm film earned him honors at CamerImage 2014, Berlinale 2015 and the NY MOMA.His 4th narrative feature, 88, a political thriller, shot on anamorphic, premiered at 2022 Tribeca Film Festival and will be distributed in theaters early 2023. Recently, TAB TIME Season 1-2, a children's show hosted by Tabitha Brown was nominated for 2 Emmy's, for Outstanding Preschool Series and Outstanding Host. The visuals of TAB TIME were inspired by the soft lighting of Chivo in CAT IN THE HAT and the playful colors of PEE WEE'S PLAYHOUSE. On the documentary front, Paul recently lensed the visuals for a Netflix documentary directed by Sam Pollard on the late basketball great, Bill Russell, and his impact on the modern athlete using their platform for activism and change, and is currently collaborating with PJ Raval on an Untitled Philippines documentary addressing indigenous land rights in the mountain provinces.Paul's visuals are unique to each piece, fully supporting the story. When not on set, Paul can be found playing tennis or soccer, or in the islands with his family. "IATSE 600 member - cinematographerInternational Cinematographers Guild member"Join us as we take a behind the scenes look at the filmmaking journey through insightful conversations with industry professionals. We'll discover everything about the film making process, from script writing to distribution and everything in-between, and we'll find out for sure, do we really have what it takes to make it in Hollywood?"Presented by Lot1 ProductionsBiography sourced from www.pauldelumen.com Hosted on Acast. See acast.com/privacy for more information.
The sandwich is one of humanities greatest discoveries, along with the wheel and RollBot, the robotic toilet paper valet, so we sat down to chat about them. Perhaps it's the sheer variety of fillings that you can put in between two pieces of bread which inspired us but there's a real assortment of unusual choices this week; once we get on a roll, it becomes difficult to wrap things up. Ever since my youngest discovered Paddington I've been quietly chuckling about pairing Alejandro González Iñárritu's THE REVENANT with it for one of our reviews, due to the bear content which binds them both together, however I've yet to find anybody who thinks this is as funny as I do. Happily though the 2015 revenge drama and multiple Academy Award winner stands on its own right without my futile attempts at humour. When frontiersman Hugh Glass (Leonardo DiCaprio) sustains horrific injuries in a brutal bear attack and is left for dead by his hunting team in the Alaskan wilderness of the 1820's, the grief stricken trapper must use his survival skills to find his way home, fuelled by a single thought: vengeance. A superb arthouse thriller with a refreshing lack of tedious discussions about the morality of revenge until the very end, it features a strong and often revolting lead performance from DiCaprio which finally snagged him a Best Actor Oscar opposite a terrific mumbly-mouthed Tom Hardy as the ruthless Fitzgerald, and fellow brits Domhnall Gleeson and Will Poulter particularly strong amongst the supporting cast. Iñárritu's collaborations with Emmanuel Lubezki often dazzle in a technical sense and this is no exception, but this really has one of the qualities of great cinema: that sense of transporting you to another time and place, and though plot wise it's all fairly simple stuff, the film has the confidence to plunge you into its world without holding your hand. THE ADVENTURES OF PADDINGTON is a 2020 CGI continuation of the Paddington Cinematic Universe (PCU), set between the events of the first and second Paddington movies but closely mimicking the visual style and thoughtful morality of the original 1976 stop motion animation. You'll never f*cking guess what Paddington finds in Season 1, Episode 1's “Paddington Finds a Pigeon”. Sidey relives terrible memories and Paddington is almost universally panned, with Reegs a sole voice of reason against the braying moaning of the rest of the dads. Gary Barlow wrote the theme tune though so if you were on the fence before that might just sway your vote.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
Sandra Bullock vs. de ruimte. Dat is de kortste manier om de plot van Gravity samen te vatten. Met deze film uit 2013 harkte de Mexicaanse regisseur Alfonso Cuarón zijn eerste Oscars binnen. Het staat nog steeds bekend om het zeldzaam goede gebruik van 3D-technologie, maar op wetenschappelijk vlak wordt er al van meet af aan een beetje de draak mee gestoken. En dat is nog maar het tipje van de ijsberg voor Lies Bruines, die al op meerdere halfronden filmfestivals heeft gecoördineerd en haar eigen videoprductiebedrijf heeft. Zij hoopte in de bios op een feministisch astronautenepos, maar kreeg een zeurderig prinsesje in een eindeloze leegte. En dan heeft ook nog George Clooney een grotere schaduw over deze film geworpen dan strikt noodzakelijk is. We hebben het ook over de incompetentie van de astronauten in Gravity, hoe Sandra Bullock een Oscar en een Razzie won in één jaar en over waarom The Net meer feminisme bevat dan deze film. Steun Duimpjeworstelen op Patreon! En ontvang leuke extraatjes ^_^ Links: FirefLies Productions: http://liesbruines.com/ Extra links: Aningaaq: https://www.youtube.com/watch?v=qrm2fv_zXoU The Business Insider – 'Neil deGrasse Tyson: 'Gravity' Is Great, But Here's What It Got Wrong': https://www.youtube.com/watch?v=6Di8hFlDx2U Honest Trailers: 'Gravity': https://www.youtube.com/watch?v=VzzLngXfCcI
Willkommen zur aktuellen Episode! Wir beschäftigen uns diesmal mit einem modernen Klassiker. Unser Gast ist DoP Pat Aldinger und er hat den Film „The Revenant“ mitgebracht. Aldinger hat sich den Angriff der Ree gleich zu Beginn des Films ausgesucht und beleuchtet genau, wie DoP Emmanuel Lubezki seine visuellen Mittel einsetzt.
"2019: Muchas Gracias, Mexico" ―This episode will look at the success of Mexican film artists at the Oscars―Alfonso Cuarón, Alejandro Gonzalez lfiarritu, Guillermo del Toro, and Emmanuel Lubezki and why US Latinx filmmakers and films are far less prevalent in the industry overall. Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.
April Stinkers Day hacks up its hairball a little early this year as Alex, Rocco, and Matt relax their USUALLY strict #NoStinkers policy to let this mangey stray onto the pod. And we couldn't possibly celebrate another April Stinkers Day without our filmmaker friend Giovanni Iacobucci (modmythmedia.com, donut.media), who we must apologize to once more for making him watch...THE CAT IN THE HAT! A film that Mike Myers was court-ordered to make. One that also nearly spiraled his career highs had it not been for the cash cow of SHREK. Also the movie that made Dr. Seuss's widow forbid Hollywood from ever making another live-action adaptation. And somehow, one that most people have not seen... but within five minutes of watching it for this podcast, we know exactly why not!Also starring Alec Baldwin, Kelly Preston, Dakota Fanning, Spencer Breslin, Sean Hayes (in two insufferable roles), Paris Hilton, and Amy Hill; directed by Bo Welch (Tim Burton's production designer & Mr. Catherine O'Hara); written by Alec Berg, David Mandel, and Jeff Schaffer (three titans of one-word shows like Barry, Seinfeld, Veep, and Clerks), plus by whatever nonsense came out of Myers's mouth that day; shot by Emmanuel Lubezki (Sleepy Hollow, Gravity, Birdman); and produced under Steven Spielberg's Dreamworks banner! This is a stink that'll make ya think... What the hell happened here? Well, we're trying to figure that out, too.The NeverEnding Movie Marathon is a weekly podcastic celebration of cinema. Dive deep into fan-favorite films (#NoStinkers!), thematically curated to enhance your movie viewing by hosts Matt Detisch, Alex Logan, and Michael Rocco.Find us on Twitter, Instagram, Facebook or at neverendingmoviemarathon.com
In the season finale of Season 5 (Dystopia Myopia) Kyle is joined by a panel of guests, script supervisor Katy Baldwin, fellow podcaster Ben Thelen, and cinematographer Josh Carter, to discuss Alfonso Cuarón's ode to the everlasting light of hope in humanity in the melancholic but heartening nativity story of Children of Men.
Бидний ажилд дэмжлэг үзүүлэхийг хүсвэл дараах дансуудад илгээх боломжтой шүү: ХААН Банк: 5041159885 ХХБанк: 417058037 Голомт Банк: 1105166362 Discord URL: https://discord.gg/jpEQbMNA Christopher Nolan's Oppenheimer starring Cillian Murphy to be released on July 21, 2023 https://www.indiewire.com/2021/10/christopher-nolan-atomic-bomb-film-oppenheimer-cillian-murphy-1234670456/ Alfonso Cuarón reunites with Emmanuel Lubezki on a TV Series starring Cate Blanchett https://www.indiewire.com/2021/12/alfonso-cuaron-disclaimer-tv-series-cate-blanchett-1234682713/ DiCaprio to play cult leader Jim Jones https://www.hollywoodreporter.com/movies/movie-news/leonardo-dicaprio-jim-jones-mgm-film-1235044421/ Mel Gibson cast in John Wick prequel limited series “The Continental” https://collider.com/mel-gibson-cast-john-wick-tv-series-the-continental/ Hayden Christensen returning as Anakin/Darth Vader in Ahsoka series https://www.hollywoodreporter.com/tv/tv-news/star-wars-hayden-christensen-ahsoka-show-1235035459/ Taika Waititi's next film https://variety.com/2021/film/news/taika-waititi-directing-movie-version-incal-alejandro-jodorowsky-moebius-1235104763/ Nicolas Cage to play Dracula in Renfield https://www.hollywoodreporter.com/movies/movie-news/nicolas-cage-dracula-movie-universal-renfield-1235055003/ https://www.hollywoodreporter.com/movies/movie-news/awkwafina-nicolas-cage-universal-dracula-movie-renfield-1235055615/ Gal Gadot playing the Evil Queen in Snow White live-action remake https://variety.com/2021/film/news/gal-gadot-snow-white-evil-queen-disney-1235104404/ Brendan Fraser cast in Batgirl https://variety.com/2021/film/news/brendan-fraser-batgirl-movie-1235097056/ https://www.hollywoodreporter.com/movies/movie-news/dave-bautista-m-night-shyamalans-knock-at-the-cabin-1235057937/ https://variety.com/2021/tv/news/colin-farrell-pengui-the-batman-spinoff-series-hbo-max-1235127412/ https://variety.com/2021/film/news/tom-holland-fred-astaire-biopic-sony-amy-pascal-1235126701/ Magic Mike 3 in works with Channing Tatum and Steven Soderbergh back https://variety.com/2021/film/news/magic-mike-3-steven-soderbergh-channing-tatum-1235121273/amp/
"Si ce film est le plus connu, c'est pour ces plans-séquences de maboul !" nous rappelle Nathan dans cet épisode. Après l'immense succès de Harry Potter et le Prisonnier d'Azkaban qui propulsera Alfonso Cuarón dans la liste des réalisateurs les plus plebiscités d'Hollywood, ce dernier décide de revenir sur un scénario sur lequel il était associé depuis 2001. Bien que n'ayant même pas lu le roman eponyme de P.D. James, le cinéaste mexicain se sent prêt à s'attaquer à ce thriller d'anticipation sur le sol britannique. Les Fils de l'Homme d'Alfonso Cuarón peut paraître être un choix surprenant quand on sait qu'aujourd'hui il est considéré comme culte et tout simplement l'un des meilleurs films d'anticipation. Mais ça n'a pas été le cas à sa sortie malgré les critiques dithyrambiques et la fascination technique que provoque le film. Nathan revient sur cette réception publique mitigée et nous parle surtout des personnes incontournables à l'inventivité et la réussite de ce film. On en parle dans l'épisode, il y a un making-of IN-CON-TOUR-NA-BLES d'un plan-séquence du film sur Youtube : La scène du film en question ici et son making-of là Bonne écoute ! CRÉDITS : Retake est un podcast animé par Kev et Nathan. Montage effectué par Kev. Logo crée par Barthélémy Fourtet. Générique : © Le Cinéma - Claude Nougaro / © Caravan - Duke Ellington et Juan Tizol Extrait bande annonce : © Universal - Children of Men official 2006 trailer Extrait musical de clôture : Fragments of a Prayer - John Taverner, from the motion picture Children of Men ( ℗ 2006 Varese Sarabande Records) Date d'enregistrement : 24/10/2021
Darin: Sofortbildgeschichte, LomoGraflok 4×5 Instant Back, 99pi: Bone Music (Wikipedia), Bilderschau (auch als Video): Ausgang, Walkie Talkie, Tempelhofer Feld Fragen: Underdog-Kamerahersteller (Pixii), Fine Art, Nach der Pandemie, Digital Backs, Untolle Kameras (Dynax, Epoca, Sony Q), Lernen, KI, ISO manuell, Datum einblenden (Find My Shadow, TPE), Starfotografen, Waschmaschinen, Bleibende Blilder, Wunschpersonen, Emmanuel Lubezki, Farbentwicklung, Photo-Zines, Followings, […]
Darin: Sofortbildgeschichte, LomoGraflok 4×5 Instant Back, 99pi: Bone Music (Wikipedia), Bilderschau (auch als Video): Ausgang, Walkie Talkie, Tempelhofer Feld Fragen: Underdog-Kamerahersteller (Pixii), Fine Art, Nach der Pandemie, Digital Backs, Untolle Kameras (Dynax, Epoca, Sony Q), Lernen, KI, ISO manuell, Datum einblenden (Find My Shadow, TPE), Starfotografen, Waschmaschinen, Bleibende Blilder, Wunschpersonen, Emmanuel Lubezki, Farbentwicklung, Photo-Zines, Followings, […]
Darin: Sofortbildgeschichte, LomoGraflok 4×5 Instant Back, 99pi: Bone Music (Wikipedia), Bilderschau (auch als Video): Ausgang, Walkie Talkie, Tempelhofer Feld Fragen: Underdog-Kamerahersteller (Pixii), Fine Art, Nach der Pandemie, Digital Backs, Untolle Kameras (Dynax, Epoca, Sony Q), Lernen, KI, ISO manuell, Datum einblenden (Find My Shadow, TPE), Starfotografen, Waschmaschinen, Bleibende Blilder, Wunschpersonen, Emmanuel Lubezki, Farbentwicklung, Photo-Zines, Followings, […]
Bob introduces brad to one of his favorite films of the 21st century, Alfonso Cuaron's Children of Men. Of course, in true Brad fashion, he's cooler on it than Bob, but our hosts can at least bond over some incredible Emmanuel Lubezki cinematography. Meanwhile, they sip on Elijah Craig 18, one of the few well-aged bourbons not offered by Buffalo Trace, and wonder aloud how long is too long in the barrel for a bourbon. Film & Whiskey Podcast. New episodes every Monday. Film & Whiskey Instagram Film & Whiskey Facebook Film & Whiskey Twitter Call-in Line: (216) 800-5923 Email us! Join our Discord channel! Theme music: "New Shoes" by Blue Wednesday Transition music: Sagittarius by NK Music --- Send in a voice message: https://anchor.fm/filmwhiskey/message Support this podcast: https://anchor.fm/filmwhiskey/support
In this episode, Rosa and Cat discuss the Mexican cinematographer Emmanuel Lubezki and three of his films: THE BIRDCAGE (1996) A gay cabaret owner and his drag queen companion agree to put up a false straight front so that their son can introduce them to his fiancée's right-wing moralistic parents. THE TREE OF LIFE (2011) The story of a family in Waco, Texas in 1956. The eldest son witnesses the loss of innocence and struggles with his parents' conflicting teachings. SLEEPY HOLLOW (1999) Ichabod Crane is sent to Sleepy Hollow to investigate the decapitations of three people, with the culprit being the legendary apparition, The Headless Horseman. Latinx Lens Recommend film is IDENTIFYING FEATURES (2020) by Mexican director/producer/writer Fernanda Valadez. It's about a woman tries to find her son's whereabouts after he leaves Mexico to find work in the United States. Please Rate, Review & Subscribe wherever you listen to podcasts! And make sure to follow us on Twitter and Instagram @latinxlens Follow Catherine on Twitter @thingscatloves & @shuffleonline Follow Rosa on Twitter and Instagram @rosasreviews Latinx Lens is part of the ShuffleOnline.net Podcast network Theme Music by David Rosen
**Trigger Warning/Content Warning - Discussion of Suicide and AIDS**0:00-Intro and Movie Summary2:00-Movie Discussion41:00-Cast and Crew43:00-Awards44:40-Trailer46:20-Pop Culture49:40-TV58:00-Music1:00:00-Rankings and Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!
When people talk about movies based on books, the often say the book is better than the movie. But what if it wasn't. Is it okay to admit that the movie is better than the book? And what could cause this to happen? Listen as Lacy and Shellie discuss this topic while bringing up their favorite examples. Books and Films Mentioned The Children of Men by P. D. James (1992 book) Children of Men directed by Alfonso Cuarón (2006 film) The Cider House Rules by John Irving (1985 book) The Cider House Rules directed by Lasse Hallström (1999 film) Dracula by Bram Stoker (1897 book) Bram Stoker's Dracula directed by Francis Ford Coppola (1992 film) Nosferatu directed by F. W. Murnau (1922 film) Great Expectations by Charles Dickens (1861 book) Great Expectations directed by Alfonso Cuarón and cinematography by Emmanuel Lubezki (1998 film) Maid: Hard Work, Low Pay, and a Mother's Will to Survive by Stephanie Land (2019 book) Maid (upcoming 2021 Netflix tv series) Moxie by Jennifer Mathieu (2015 book) Moxie directed by Amy Poehler (2021 film) Rum Punch by Elmore Leonard (1992 book) Jackie Brown directed by Quentin Tarantino (1997 film) Wuthering Heights by Emily Brontë (1847 book) Wuthering Heights directed by Peter Kosminsky (1992 film) Bonus Books or Film Mentions Girl in a Band: A Memoir by Kim Gordon (2015 book) Hunger Makes Me a Modern Girl: A Memoir by Carrie Brownstein (2016 book) L7: Pretend We're Dead directed by Sarah Price (2016 documentary) The Punk Singer directed by Sini Anderson (2013 documentary)
Episode 259: The Crew's discussing Mike Nichols' fabulously funny, The Birdcage. The film is a take on the Guess Who's Coming to Dinner story; this time a conservative couple meets a gay couple. This film makes fun of gay men, conservatives, and straight men; but it's never mean spirited. The main characters are multidimensional and you can't help but like them. Robin Williams and Nathan Lane steal the show! The Crew discusses. If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com
Connor & Jon decide to take the plunge into Malick's magnum opus and bring on their good friend Clayton Lyon to join in this celebration of life. Connor reminisces over this film's influence on his thesis film, Clayton gawks over Lubezki's cinematography, and Jon just can't get enough of those sweet space shots.WARNING: Major spoilers for The Tree of LifeLink to Rehearsing the Unexpected: https://www.amazon.com/Terrence-Malick-Daniele-Villa-author/dp/0571334709/ref=sr_1_1?crid=3JEVO1A6UMYAH&dchild=1&keywords=terrence+malick+rehearsing+the+unexpected&qid=1621173575&sprefix=rehearsing+the+u%2Caps%2C152&sr=8-1Follow us:Facebook: https://www.facebook.com/rulesoftheframe/ Instagram: https://www.instagram.com/rulesoftheframe Twitter: https://twitter.com/RulesOfTheFrame YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featuredFilms mentioned in this episode:---------------------------------The Tree of Life (2011) | Dir. Terrence MalickKnight of Cups (2015) | Dir. Terrence MalickThe Lighthouse (2019) | Dir. Robert EggersBoyhood (2014) | Dir. Richard LinklaterBadlands (1973) | Dir. Terrence MalickDays of Heaven (1978) | Dir. Terrence MalickThe New World (2005) | Dir. Terrence MalickSalome (2013) | Dir. Al PacinoInception (2010) | Dir. Christopher NolanDinosaur (2000) | Dir. Eric Leighton & Ralph ZondagThe Thin Red Line (1998) | Dir. Terrence MalickSong to Song (2017) | Dir. Terrence Malick2001: A Space Odyssey (1968) | Dir. Stanley KubrickVoyage of Time (2016) | Dir. Terrence Malick
Connor & Jon fly in Clare Warrington to discuss Alfonso Cuaron's deeply personal blockbuster: Gravity. Clare lends her expertise in the field of grief and loss to evaluate Ryan Stone's emotional journey. Jon gushes about this being the best filmgoing experience he's ever had. And Connor can't stop obsessing about the technical achievements this film accomplishes.WARNING: Major spoilers for Gravity, Ad Astra, & InterstellarFollow us:Facebook: https://www.facebook.com/rulesoftheframe/ Instagram: https://www.instagram.com/rulesoftheframe Twitter: https://twitter.com/RulesOfTheFrame YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featuredFilms mentioned in this episode:---------------------------------Gravity (2013) | Dir. Alfonso CuaronAvengers: Endgame (2019) | Dir. Joe & Anthony RussoOrdinary People (1980) | Dir. Robert RedfordSilence (2016) | Dir. Martin ScorseseRoma (2018) | Dir. Alfonso CuaronArmageddon (1998) | Dir. Michael BayGreat Expectations (1998) | Dir. Alfonso CuaronA Little Princess (1995) | Dir. Alfonso CuaronY Tu Mama Tambien (2001) | Dir. Alfonso CuaronHarry Potter and the Prisoner of Azkaban (2004) | Dir. Alfonso CuaronChildren of Men (2006) | Dir. Alfonso Cuaron12 Years a Slave (2013) | Dir. Steve McQueenAvatar (2009) | Dir. James CameronCharlie and the Chocolate Factory (2005) | Dir. Tim BurtonZack Snyder's Justice League (2021) | Dir. Zack SnyderThor: Ragnarok (2017) | Dir. Taika Waititi2001: A Space Odyssey (1968) | Dir. Stanley KubrickSolaris (1972) | Dir. Andrei TarkovskyFirst Man (2018) | Dir. Damien ChazelleApollo 13 (1995) | Dir. Ron HowardInception (2010) | Dir. Christopher NolanStar Wars: Episode I - The Phantom Menace (1999) | Dir. George LucasThe Hobbit: An Unexpected Journey (2012) | Dir. Peter JacksonMiss Congeniality (2000) | Dir. Donald PetrieWhile You Were Sleeping (1995) | Dir. Jon TurtletaubO Brother, Where Art Thou? (2000) | Dir. Joel & Ethan CoenMoon (2009) | Dir. Duncan JonesTwo Weeks Notice (2002) | Dir. Marc LawrenceRope (1948) | Dir. Alfred Hitchcock1917 (2019) | Dir. Sam MendesAd Astra (2019) | Dir. James GrayInterstellar (2014) | Dir. Christopher NolanWALL-E (2008) | Dir. Andrew StantonContact (1997) | Dir. Robert Zemeckis
In this episode we discuss the top movies (and our favorites) from 2010-2020. We ask and answer: how does this decade compare to previous ones? are any of our all time favorites in this decade? what are our alternates? we also briefly go through a couple top movies lists and see if we agree at all with the rankings. movies discussed in this episode: Boyhood, Once Upon a Time... In Hollywood, Parasite, Lady Bird, Roma, Black Panther, Moonlight, Blade Runner 2049, The Social Network, Death of Stalin, Secret Life of Walter Mitty, Looper, Dunkirk, Interstellar, La La Land, Phantom Thread, Steve Jobs (2015), and The Master. *Correction note: Wes mentions that the cinematographer of ‘Roma’ was Emmanuel Lubezki, however the cinematographer was actually the films director, Alfonso Cuarón.
Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing.This career path allowed him to light films and learn from some of the most talented DP's in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”.In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts.Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively.In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.W: http://robbybaumgartner.com/about/Like to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby
In this weeks show Tom and Greg sit down and introduce themselves to the audience, revealing their backstories and the journeys through photography, there's also a little bit of kit geekery, and they reveal their desert island photobooks and cameras. The clip Tom mentioned in the piece showing the work off cinematographer Emmanuel Lubezki aka ‘Chivo' can be seen here: THE REVENANT Behind-The-Scenes Featurettes The flash modifier Tom mentions in the show is the Profoto OCF Magnum The Larry Burrows photo mentioned in the piece Desert Island Books: Larry Burrows: Vietnam Requiem: By the Photographers who died in Vietnam Things as They Are: Photojournalism in context since 1955Magnum Stories Weegee: Murder is my Business Annie Leibovitz - Big book Howard L Bingham - black panthers 1968 Andrew Shaylor - Hells Angels Desert Island Camera Greg's choice = Widelux Tom's Choice = Leica Q2
This week, how digital technology helped Emmanuel Lubezki shape the natural light on The Revenant. Also, we discuss the often cryptic presentation of online tutorials and ask: “How do you learn something new?” Plus, letting what you know affect what do and how far you're willing to push outside your comfort zone. Check the show notes for teases of next week's show. Ernesto Bazan is our Photographer of the Week.
We've finally seen the new Star Wars film, so we discuss (with minimal spoilers!) whether it lived up to the hype, and what its Oscar potential might be. From there we talk to Jennifer Jason Leigh, a Golden Globe nominee for her role in Quentin Tarantino's The Hateful Eight and one of the three voice actors in Charlie Kaufman's Anomalisa. Finally we make our predictions for who will win best cinematography— and can Emmanuel Lubezki make history?
Birdman writer/director Alejandro Gonzalez Iñárritu and cinematographer Emmanuel Lubezki talk to Elvis in front of a live audience.
We're on a trip to space with Sandra Bullock and George Clooney in this month's Film Board review of Cuarón & Son's astro-tacular, Gravity. Join Steve Sarmento, Tommy Metz III, Andy Nelson, and Pete Wright as we pull apart a film miraculously greater than the sum of its pretty good parts. We pull apart the film, the performance(s), the writing, but most of all (spoiler) we lavish unheard of praise on Emmanuel Lubezki and the stunning digital filmmaking pouring from his hands. It's a great conversation with some interesting twists, a whole lot of love, and just a bit of shame. Tune in! Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at AUDIBLE! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!We spend hours every week putting our shows together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?BECOME A MEMBER HERE: $5 monthly or $55 annuallyJoin the conversation with movie lovers from around the world on The Next Reel's DISCORD channel!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.