Podcasts about henri georges clouzot

This week on Peanuts and Popcorn, the peanuts are downright rotten as both the Cubs and Tigers continue to spiral, though Pete Crow‑Armstrong at least supplied a few sparks along the way.In Popcorn, we've got two terrific films on deck. We start with Tom's pick, Henri‑Georges Clouzot's The Wages of Fear (1953), the white‑knuckle thriller that became the blueprint for decades of action cinema. Then we pivot to Leo's choice, the Coen Brothers' first commercial feature, the lean, moody neo‑noir Blood Simple (1984).Next Show's Films:Tom's Pick: Carnal Knowledge (1971)Leo's Pick: The Battle of Algiers (1966)

Original Release Date: Monday 18 May 2026    Description:   On this second episode of Year 20 (“the year we get it right!”), Dean and Phil have crime on their minds! They start with an appreciation of director Jules Dassin's classic film noir Night and the City. Then a Hitchcockian thriller, Mirage, by Edward Dmytryk, the man largely responsible for Jules Dassin getting blacklisted gets analyzed. Both films show telltale signs of having been directed by men with quite different experiences of the Hollywood blacklist. A neo-noir that never disappoints is Robert Altman's Philip Marlowe adaptation The Long Goodbye. Dean and Phil discuss the film as a “satire of melancholy” and share many stories about the filmmakers and actors' remarkable approaches to telling the story. Another 1970s mystery film, the ill-fated Agatha about the real-life disappearance of the great mystery novelist Agatha Christie for 11 days in 1926 gets reviewed. The final suspense picture on the Chillpak crime blotter this week is Henri-Georges Clouzot's masterful The Wages Fear. Dean reviewed it several weeks back, and now it's Phil's turn to compare and contrast it with William Friedkin's 1977 adaptation of the same source material, Sorcerer. Finally, one new blockbuster, the crowd-pleasing The Devil Wears Prada 2 gets analyzed both as a legacy sequel and as a very hopeful harbinger for the summer movie season.

In the eighth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Mario Ruiz to discuss the existentialist brooding and colonialist critique that is Henri-Georges Clouzot's adaptation of Georges Arnaud's personally inspired assessment of the human condition in one of the greatest film thrillers of all time, The Wages of Fear (1953).

This week I'm reviewing Henri-Georges Clouzot's "The Wages of Fear". This is an adaptation of a novel of the same name and is about four men on a mission to drive two trucks filled with nitro glycerin across the south american jungle. This is a must see movie. It would later be remade as "Sorecerer" directed by William Friedkin. I highly recommend both films and must say that the less you know the btter. Go watch this and/or Sorcerer blind and then come back and listen to this podcast.

Dans la Tourtel, à St Tropez ou encore à Moscou, il est là, il est partout! Il vous retourne une situation, remet en doute vos certitudes et bouscule la cohérence du scénario : le TWIST est un gimmick inévitable dans le paysage cinématographique.Un motif tellement foisonnant que le tirage au sort du mot aura donné quelques maux de têtes à votre équipe de podcasteurs favoris, qui a donc fait le choix de replonger aux sources même du Twist cinématographique, ou pour le moins à ses premières œuvres les plus cultes. Alors oui, ne vous attendez pas à l'évidence du personnage mort depuis le début, à la révélation d'une double personnalité ou encore d'un interrogatoire complètement mensonger mais explorez plutôt ce qu'il s'est fait de plus grand en matière de réalisation. Vous verrez, vous risquez de vous régaler.Références de l'épisode : • Citizen Kane d'Orson Welles (1941) • Les Diaboliques de Henri-Georges Clouzot (1955) • Sueurs froides d'Alfred Hitchcock (1958)Il est temps à présent de faire twister vos oreilles et nos statistiques en nous écoutant, en vous abonnant, en commentant, en ajoutant 5 étoiles grâce à tous les liens disponibles juste ici : linkr.bio/LEFILMLEPLUSOn vous donne rendez-vous dans 3 semaines, pour un nouveau mot qui promet pas mal d'amusement...#LeFilmLePlus #PodcastCinema #Twist #CitizenKane #LesDiaboliques #SueurFroide #Hitchcock #Clouzot #OrsonWelles #CinémaClassique #Suspense #vertigo Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pour ce nouvel épisode de la saison 3 des Bobines le Podcast, la "Bobine Team" (Lou Bobin, Marcelle Ratafia et Julien Guimon) vous parle de l'inoubliable Jenny Lamour de Quai des Orfèvres : Suzy Delair.A cette occasion nous avons le plaisir de recevoir la grande spécialiste du cinéma pendant l'occupation : Christine Leteux, autrice des ouvrages cinéma Maurice Tourneur, réalisateur sans frontières (éditions Actes Sud) et l'incontournable Continental films : Cinéma français sous contrôle allemand (éditions La Tour verte).Ensemble, nous évoquons la carrière foisonnante de la Lady Paname de Jeanson en parlant des films de Henri Georges Clouzot comme L'assassin habite au 21 ou Quai des Orfèvres, mais aussi du cinéma sous l'occupation, de Laurel et Hardy et de la Madame Pivert de Rabbi Jacob.Restez bien à l'écoute à la fin de cet épisode car les Bobines ont une grande nouvelle à vous annoncer!Crédits des extraits :11'10 Extrait du film Le Dernier des six, réalisé par Georges Lacombe, 1941.17'58 Chanson Tu n'peux pas t'figurer tiré du film Atoll K réalisé par Léo Joannon, 1951.32'40 Extrait du film Quai des Orfèvres, réalisé par Henri-Georges Clouzot, 1947.37'34 Extrait du film Lady Paname réalisé par Henri Jeanson, 1950.48'20 Extrait du film Les Aventures de Rabbi Jacob réalisé par Gérard Oury, 1973.Si vous aimez Les Bobines le Podcast, parlez en autour de vous et likez notre page insta : https://www.instagram.com/lesbobines.podcast/Et surtout abonnez-vous sur votre plateforme favorite !Bonne écoute !Les Bobines le Podcast Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Introducción por Darío Lavia 00:00Acto I: "Nuevo cine francés de Ocupación" por Darío Lavia 02:00Interludio I: "En un set con Marcel Carné" de Michelangelo Antonioni 05:53Acto II: "Cine fantástico francés de Ocupación" por Darío Lavia 09:54Escena clave: "Le Corbeau" (1942) de Henri-Georges Clouzot 14:16Acto III: Conclusión 17:44Fuentes:Colin Crisp, "The Classic French Cinema: 1930-1960" (Indiana University Press, 1993)Michelangelo Antonioni, "Fare un film è per me vivere" (Marsilio Editori, 1994)Ilustraciones: Konstantin KorovinImdbhttps://www.imdb.com/title/tt41159604/⁠Web de Cineficción⁠http://www.cinefania.com/cineficcion⁠Fan Page de Cineficciónhttps://www.facebook.com/revista.cineficcion

In which the Mister and Kid 2 join me in reviewing LES DIABOLIQUES (1955) from the novel, "Celle qui n'était plus" by writers,Pierre Boileau and Thomas Narcejaca and a screenplay by Henri-Georges Clouzot and Jérôme Géronimi.      In director Henri-Georges Clouzot's 1955 suspense classic LES DIABOLIQUES, the frail Christina (Véra Clouzot) and the steely Nicole (Simone Signoret) — the wife and mistress of a cruel boarding school headmaster (Paul Meurisse) — conspire to murder their shared tormentor to escape his abuse.  After drowning him and dumping his body into the school's neglected swimming pool, the women are paralyzed by dread when the corpse mysteriously vanishes after the pool is eventually drained.  Their guilt-ridden reality soon dissolves into a paranoid nightmare as strange occurrences and sightings suggest that their victim may not be as dead as they intended.  The film clocks in at 1 h and 57 m, is unrated and you can find it on HBO Max, Plex, Roku Channel and to buy/rent on Prime Video. Please note there are SPOILERS in this review.#CelleQuiN'étaitPlus #PierreBoileau #ThomasNarcejaca #HenriGeorgesClouzot #JérômeGéronimi #LesDiaboliques #VéraClouzot #Christina #SimoneSignoret #Nicole #PaulMeurisse #Michel #French #Drama #PsychologicalThriller #Crime #Mystery #Thriller #WomensHistoryMonth  @HBOMax  @PlexTV  @RokuChannel  @PrimeVideo  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Original Release Date: Monday 16 March 2026    Description:   This week's show begins with Dean and Phil discussing the World Baseball Classic and sharing (and answering) an email from a loyal listener who wanted to celebrate the recent 25th Anniversary of Dean's series “The Lone Gunmen”. Recorded on Sunday morning before the Oscars (and before the big “Firefly” announcement), the bulk of the discussion surrounds what Dean and Phil are looking for at Hollywood's big night. They discuss how talented filmmaker and entertaining video host Ryan Casselman might just have devised scientific formulae for “decoding” Oscar voting. The controversy surrounding Timothée Hal Chalamet's comments regarding ballet and opera get full analysis. Then, five films go under the microscope, including two by classic thriller director Henri-Georges Clouzot, two tales of nuclear paranoia from Oscar-winner Kathryn Bigelow, and the multi-Oscar-winning 1983 classic Tender Mercies

This episode explores Manon as both a tragic love story and a sharp portrait of postwar France. We examine how Henri-Georges Clouzot adapts an 18th-century novel into a study of moral ambiguity in the shadow of Liberation and the trial of Philippe Pétain.The discussion focuses on Manon as a socially marked woman shaped by poverty, sexuality, and public judgment, and on Robert as a dislocated Resistance fighter whose devotion masks instability rather than heroism. We consider how Clouzot crafts a distinctly unsentimental “woman's picture,” how his visual style reflects a climate of suspicion and exhaustion, and how the film anticipates the psychological pressure of later works like The Wages of Fear and Les Diaboliques.Subscribe here

durée : 00:14:55 - Les Nuits de France Culture - par : Philippe Garbit - "Plein feu sur les spectacles du monde" l'émission donnait la parole à Pierre Boileau et Henri-Georges Clouzot à propos de adaptation du roman de Boileau-Narcejac "Celle qui n'était plus" sous le titre "Les diaboliques". (1ère diffusion : 05/08/1955 Chaîne Nationale). - réalisation : Virginie Mourthé - invités : Henri-Georges Clouzot Cinéaste (1907-1977); Thomas Narcejac Écrivain français, auteur de romans policiers

L'Affaire du corbeau de Tulle, qui a inspiré le cinéaste Henri-Georges Clouzot, date en réalité de la Première guerre mondiale. Une jeune femme, Angèle Laval, et son collègue, monsieur Moury, reçoivent chacun une lettre anonyme en 1917. Ces missives seront les premières d'une très longue série. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Adam's Paternity Leave continues, so why not cross the finish line of the three-part bonanza that put Captain Don Cragen in more existential peril more than any Captain should be. Patreon payments are frozen for the time being. A few resourceful new Munchies have figured out a work-around where you can join as a free member and upgrade from there to a paid account which charges you for one month and unlocks the back catalog behind the respective tier of the paywall. After that first payment, you won't be charged again until we're dropping new content (which we'll warn everyone is coming), so if you want more of this it can be had, along with access to the fully uncut episodes from 100 to present and Movie Club episodes.In Part 2 of our deconstruction of the epic two-parter, "Lost Reputation/Above Suspicion" (S14E01), Josh and Adam get deep into the nitty gritty of the pressing questions that energize Munchheads the world over: Which French noir director had a better grasp of mise en scene, Jean-Pierre Melville or Henri-Georges Clouzot? Is consensual knife play more GGG than paying escorts to talk to pathetic old men? Is Dean Winters actually, after all these years, a good actor? Find out the answers to these important questions plus a breakdown of the massive amount of plot in this mega episode of Law & Order: SVU.Music:Divorcio Suave - "Munchy Business"Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Amy Z, Diana R, Tony B, Barry W, Drew D, Nicky R, Stuart, Jacqi B, Natalie T, Robyn S, Amy A, Sean M, Jay S, Briley O, Asteria K, Suzanne B, Tim Y, John P, John W, Elia S, Rebecca B, Lily, Sarah L, Melsa A, Alyssa C, Johnathon M, Tiffany C, Brian B, Kate K, Whitney C, Alex, Jannicke HS, Roni C, Nourhane B, Erin M, Florina C, Melissa H, and Olivia - y'all are the best!Be a Munchie, too! Support us on Patreon: patreon.com/munchmybensonBe sure to check out our other podcast diving into long unseen films of our guests' youth: Unkind Rewind at our website or on YouTube, Apple Podcasts, or wherever you listen to podcastsFollow us on: BlueSky, Facebook, Instagram, Threads, and Reddit (Adam's Twitter/BlueSky and Josh's BlueSky/Letterboxd/Substack)Join our Discord: Munch Casts ServerCheck out Munch Merch: Munch Merch at ZazzleCheck out our guest appearances:Both of us on: FMWL Pod (1st Time & 2nd Time), Storytellers from Ratchet Book Club, Chick-Lit at the Movies talking about The Thin Man, and last but not least on the seminal L&O podcast …These Are Their Stories (Adam and Josh).Josh discussing Jackie Brown with the fine folks at Movie Night Extravaganza, debating the Greatest Detectives in TV History on The Great Pop Culture Debate Podcast, and talking SVU/OC and Psych (five eps in all) on Jacked Up Review Show.Visit Our Website: Munch My BensonEmail the podcast: munchmybenson@gmail.comThe Next New Episode Once We're Back from Adam's Paternity Leave Will Be: Season 16, Episode 14 "Intimidation Game"Become a supporter of this podcast: https://www.spreaker.com/podcast/munch-my-benson-a-law-order-svu-podcast--5685940/support.

Welcome to It's A Wonderful Podcast!A celebration of the best of French film all May long on the main show as Morgan and Jeannine explore a variety of some of the most revered and respected French movies of all time!A grand, suspenseful thriller with incredible influence, gloriously grimy cinematography and a visceral, desperate attitude that exudes off the screen on this week's main show as Morgan and Jeannine talk Henri-Georges Clouzot's THE WAGES OF FEAR starring Yves Montand, Charles Vanel, Peter van Eyck, Vera Clouzot & Folco Lulli!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

durée : 01:31:04 - Les Nuits de France Culture - par : Albane Penaranda - - réalisation : Virginie Mourthé

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es The Wages of Fear, es una película de suspenso de 1953 dirigida y coescrita por Henri-Georges Clouzot. Plot: En un decrépito pueblo sudamericano, cuatro hombres son contratados para transportar un envío urgente de nitroglicerina sin el equipo que lo haría seguro. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

durée : 01:05:02 - Les Nuits de France Culture - par : Philippe Garbit - Par Maurice Cazeneuve et Pierre Viallet - Avec Serge Reggiani et Danièle Delorme - Réalisation Jean-Wilfrid Garrett - réalisation : Virginie Mourthé

Dos parejas de hombres, en dos camiones, deben transportar una carga a lo largo de cientos de kilómetros de caminos angostos, desfiladeros vertiginosos y carreteras mal asfaltadas. Por si fuera poco, la carga que transportan es nada menos que nitroglicerina altamente inestable: un movimiento más brusco de la cuenta, y estos hombres desaparecerán en una explosión fulminante. ¿Quién iba a ser tan suicida para ponerse en esta situación? Un puñado de expatriados, desesperados por conseguir dinero y salir del rincón de Centroamérica al que han ido a parar huyendo de la justicia en sus países de origen. La versión más reverenciada de esta historia la firmó Henri-Georges Clouzot en 1953: «El salario del miedo» (Le salaire de la peur, 1953) sigue siendo un clásico del cine de aventuras, además de una visión demoledora de las dinámicas neocolonialistas que arrastra la extracción del petróleo. Menos conocido es el material original. Tres años antes, en 1950, Georges Arnaud había publicado su primera novela con el mismo título. Arnaud se basó en sus propias experiencias en los años en los que erró por Centroamérica buscándose la vida con trabajos arriesgados. Dos décadas después, conocimos una nueva versión de la mano de William Friedkin: «Carga maldita» (Sorcerer, 1977) resultó un fracaso de taquilla y de crítica en su momento, pero el paso de los años ha visto su reivindicación como una de las obras maestras que nos dejó el director de «El exorcista». En este episodio, comparamos y analizamos sendas películas y el libro de Arnaud. Al volante de este viaje al infierno se turnan Miguel Muñoz Garnica y José Luis Forte junto a un nuevo invitado a EAM Podcast: Julio Bernad, conductor en los podcasts «Silba y acudiremos» y «Dragones y replicantes».

It may not get as much discussion as it did seventy years ago when it first premiered, but 'Les Diaboliques' (or as it was known in America, 'Diabolique') is one of the most profoundly influential thrillers in cinematic history. So let's dig in for a discussion of the plot twist you've probably seen a dozen times the way it was done originally, by Hitchcock's French rival Henri-Georges Clouzot, and discuss a classic tale of the perfect crime gone wrong.

Joku & Rosa discuss 'A Complete Unknown' a 2024 American biographical musical drama film directed by James Mangold, who co-wrote the screenplay with Jay Cocks, about American singer-songwriter Bob Dylan. Based on the 2015 book Dylan Goes Electric! by Elijah Wald, the film portrays Dylan through his earliest folk music success until the momentous controversy over his use of electric instruments at the 1965 Newport Folk Festival. We also discuss 'Memoir of a Snail' a 2024 Australian adult stop-motion animated tragicomedy film written, produced and directed by Adam Elliot. It stars the voices of Sarah Snook, Kodi Smit-McPhee, Eric Bana, Magda Szubanski, Dominique Pinon, Tony Armstrong, Paul Capsis, Nick Cave, and Jacki Weaver. Lastly, we review 'The Wages of Fear' a 1953 thriller film directed and co-written by Henri-Georges Clouzot, and starring Yves Montand, Charles Vanel, Peter van Eyck and Véra Clouzot. The film centres on a group of four down-on-their-luck European men who are hired by an American oil company to drive two trucks over mountain dirt roads, loaded with nitroglycerin needed to extinguish an oil well fire. Support us on Patreon: https://www.patreon.com/CumpostingPodcastOur Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioTwitch: http://www.twitch.tv/cmpostingThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Donate: https://throne.com/cumpostingSend Us a Voice Message: https://www.speakpipe.com/cumpostingReddit (Cringe): https://www.reddit.com/r/cumpostingpod/Follow Rosa: https://www.youtube.com/@ReddestRosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wIrish Shorts Editor Rosaburgs: https://x.com/marxlsmusFeaturing music from @newjazzunderground Outro guitar solo performed by @djangoklumppguitarImage of the Week: https://imgur.com/a/fMyZYO5#ACompleteUnknown #BobDylan #MemoirofaSnail #WagesofFearChapters:0:00 Intro9:44 'A Complete Unknown' (2024) Review & Analysis23:03 Scoring & Ranking 'A Complete Unknown'24:02 'Memoir of a Snail' (2024) Review & Analysis38:40 Scoring & Ranking 'Memoir of a Snail'39:32 'The Wages of Fear' (1953) Review & Analysis56:45 Scoring & Ranking 'The Wages of Fear'57:59 Q&ATags:movie podcast, movie review podcast, leftist podcast, marxist podcast, communist podcast, socialist podcast, progressive podcast, film podcast, film review podcast, lesbian podcast, trans podcast, lesbian film critics, transgender movie review, lesbian movie review, left communism, leftcom, leftist film review, leftist movie review, communist film review, communist movie review, socialist movie review, socialist film review, woke movies, woke film, queer film review, queer movie review, best podcast, a complete unknown, monica barbaro, suze rotolo, a complete unknown movie, bob dylan, a complete unknown bob dylan, a complete unknown teaser trailer, a complete unknown full movie, a complete unknown trailer bob dylan, edward norton, a complete unknown full movie in english, folk singers, a complete unknown bob dylan movie, a complete unknown trailer, a complete unknown timothée chalamet as bob dylan, a complete unknown teaser, a complete unknown timothee chalamet, a complete unknown making of, a complete unknown searchlight pictures, a complete unknown official trailer, james mangold, timothée chalamet, timothee chalamet, bob neuwirth, a complete unknown blowin in the wind scene, a complete unknown full movie explain in english, a complete unknown review, a complete unknown soundtrack, a complete unknown behind the scenes, joan baez, dylan biography, newport folk festival, a complete unknown movie in english, a complete...

Boileau-Narcejac , sous ce double nom se cachent deux auteurs, Pierre Boileau (1906-1989) et Thomas Narcejac (1908-1998). Passionnées par la littérature policière et auteurs de romans d'aventures, ils se rencontrent et s'associent en 1948.. Certains de leurs romans policiers, ont été adaptés au cinéma notamment par On les écoute au micro Martine de Barsy en 1965 Sujets traités : Pierre Boileau, Thomas Narcejac, diaboliques, polar, , littérature , aventure, romans, policiers, Henri-Georges Clouzot , Alfred Hitchcock, Martine de Barsy Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:54:59 - Les Nuits de France Culture - par : Philippe Garbit - Soubrette, concierge, mégère… elles ont été incarnées par Pauline Carton des années durant au cinéma ou sur les planches. En direct avec la phonothèque de l'ORTF elle racontait sa vie d'actrice notamment dans 22 films de Sacha Guitry (1ère diffusion : 26/02/1969).

     This week- a pair of films about high emotional responses.      Paul and Nelly run a successful hotel, have a beautiful child, and live what appears to be an idyllic life together. Until Paul begins to have suspicions about Nelly's fidelity. Paul soon finds himself sinking into a quagmire of jealous fantasies and anger. Will Paul get the help he needs? Are his fears secretly justified? Will society at large ever stop being misogynistic asshats that enable cycles of abuse? Claude Charbol's take on a 30 year old unfinished film by Henri-Georges Clouzot- L'Enfer (aka Torment aka Hell).     Oscar is on the run from home after a violent incident involving his best friend's father, he finds himself fallen in with a gang of child pickpockets. Oscar soon forms a deep bond with fellow preteen thief Peaches. 15 years later, Oscar finds himself running the gang and his childhood friend knocking at his door. Will Oscar be able to put his past to rest? Is there a future for any of them that doesn't include decades behind bars? How can someone sleep at night wasting this much on screen talent? Can Oscar really... Run with the Hunted.      Join us, won't you?    Episode 366- Lifted Jealousy

A French village doctor becomes the target of poison-pen letters sent to village leaders, accusing him of affairs and practicing abortion. Directed by Henri-Georges Clouzot Written by Louis Chavance & Henri-Georges Clouzot @thedeadlightspod

Angélica Hellish, Marcos Noriega e Samir Saif conversam sobre remakes vagabundos, com foco ao remake de "O Salário do Medo" (Le Salaire de la peur) de Henri-Georges Clouzot de 1953 cujo péssimo "The Wages of Fear" de 2024, disponível na Netflix com direção de Julien Leclercq. Basicamento um exemplo típico de remake caça níquel. Por favor assista ao filme original e também a ótima versão ( Sorcerer) do diretor William Friedkin. E escute nosso podcast com o Dr. Giovanni Alves que leciona na Unesp MEU PROJETO NOVOOOO – TRUE CRIME! ⁠https://www.youtube.com/@voltaaomundonocrime⁠ JÁ SE INSCREVA E DEIXE SEU LIKE

Welcome back, movie enthusiasts, to another thrilling episode of WN Movie Talk, where we dive deep into the world of cinema. Today I embark on an exhilarating adventure as I explore two cinematic masterpieces: Henri-Georges Clouzot's 1953 classic Wages of Fear and its gripping 1970's counterpart, Sorcerer, directed by Exorcist director William Friedkin two films based on the novel Le Salaire de la peur, examining how each film approaches similar themes and plot points while maintaining its own distinct identity."Wages of Fear." A groundbreaking film of its era, immerses us in the treacherous world of four desperate men tasked with transporting nitro-glycerine across perilous terrain. We delve into the tense atmosphere, the intricate character dynamics, and the raw intensity that make this film a timeless masterpiece.But our journey doesn't stop there. We shift gears to explore William Friedkin's 1977 remake, "Sorcerer." starring Roy Schieder. A bold reinterpretation of Clouzot's original, "Sorcerer" thrusts us into a world of political unrest and moral ambiguity as four men from different walks of life are brought together by fate to undertake a harrowing mission. We analyze Friedkin's stylistic choices, the thematic layers woven throughout the narrative, and the ways in which "Sorcerer" both honours its predecessor and carves its own path.Thank you for tuning in to WN Movie Talk. Be sure to subscribe for more insightful discussions, reviews, and deep dives into the world of cinema. Until next time, keep watching, keep exploring, and keep the magic of movies alive. Hosted on Acast. See acast.com/privacy for more information.

Happy almost Spring everyone! This week we cover 1955's LES DIABOLIQUES, written and directed by Henri-Georges Clouzot, based on the book SHE WHO WAS NO MORE by Boileau-Narcejac. Also, a woman who claims her husband faked his death to be with his mistress, and a quick wind down featuring some X-Men and upcoming horror films. You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! If you like what we do, you can rate, review, and subscribe to us on Spotify, Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!

In this episode, we talk with film expert Andy Wolverton about the 1955 psychological thriller, Diablique. We discuss the production, the cast, characters, and impact of the film.  We also talk about the director l, Henri-Georges Clouzot and his career. Listen for a bit at the end of small discussion about the remake in 1996 that starred Sharon Stone. Click and listen!

Make/Remake examines how two films that share the same story. Not to say what film was better or worse, but how they are similar and different while following the same arcs. This time we are looking at the 1953 Henri-Georges Clouzot film The Wages of Fear and the 1977 William Friedkin film Sorcerer. Check out our past Make/Remake‘s for more great comparison episodes and see the Letterboxd list. Listen to Drink In The Movies and visit their website to read Taylor's reviews. Follow Taylor on Twitter and Letterboxd. Read Jay Stryker's review of Napoleon and Brodie Cotnam's review of Total Trust over on Contra Zoom. Follow our new critics group, the Cascadian Film and Television Critics Association on Instagram, Twitter and see our nominees for Best Cascadian Film. Support the show on ⁠⁠⁠⁠Ko-fi by sending us a tip⁠⁠⁠⁠! Follow Contra Zoom on ⁠Twitter⁠ and ⁠Instagram⁠. Check out more great Contra Zoom content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠That Shelf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! For more information, visit ⁠⁠⁠contrazoompod.com⁠⁠⁠. Thank you Eric and Kevin Smale for the original theme songs, Jimere for the interlude music and Stephanie Prior for designing the logo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/contrazoompod/message

This week, we're getting sweaty and clenching our buttocks tightly, because we've got two renowned movies filled with tight-fisted, white-knuckled tension. The Wages of Fear (AKA Le Salaire de la Peur), from director Henri-Georges Clouzot, is a proto-action thriller from the 1950s, which takes a while getting to its set-pieces and then doesn't let up until the final frame. Twenty-some years later, William Friedkin (The French Connection, The Exorcist) decided to (not) remake it as the poorly-titled Sorcerer, updating those incredible action scenes with a massive budget and a more socio-politicial undercurrent. As always, we're here to weigh up the pros and cons of both approaches, before pitting them against one another. Subscribe, follow and get in touch in these places: If you're interested in the team's views on non-remake properties, you can follow us on Letterboxd: Neal's profile - ⁠⁠https://boxd.it/1EHhT⁠⁠ Ben's profile - ⁠⁠https://boxd.it/1lH3J⁠⁠ We want your feedback, 3-word reviews and suggestions for any other films that have been remade, so find us in these places: Follow us on Facebook: https://www.facebook.com/Goodbadremake/ and on Twitter: twitter.com/GoodBadRemake And get in touch here: goodbadremake@gmail.com Music is 'Bring Me the West' by phlaala

Hosts Josh and Jamie and special returning guest Spencer Rider (of Those Good Old Fashioned Values + Get Cynical) discuss two impeccably crafted, process-based French thriller classics with a double feature of Henri-Georges Clouzot's white knuckle depiction of precarious, expendable labor in THE WAGES OF FEAR (1953) and Jacques Becker's authentic, biographical prison break movie LE TROU (1960). Next week's episode is a patron-exclusive bonus episode on more prison escape films: A MAN ESCAPED (1956) and ESCAPE FROM ALCATRAZ (1979), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-18:27 WAGES OF FEAR // 18:27-1:42:03 LE TROU //1:42:03-2:45:45 Outro // 2:45:45-2:50:38 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Depuis l'affaire Grégory, on parle beaucoup des lettres et des coups de fil des corbeaux qui dressent les habitants d'une ville ou d'un village les uns contre les autres et provoquent souvent des drames. Retour sur la toute première histoire de corbeau du XXème siècle. Ça s'est passé dans la ville de Tulle en Corrèze pendant trois longues années. Entre 1917 et 1922, 110 lettres anonymes, signées "l'œil du Tigre" ont révélé publiquement les turpitudes supposées de notables, de commerçants, de prêtres, de fonctionnaires honorables. Ces lettres anonymes ont causé la mort de deux personnes, et le cinéaste Henri-Georges Clouzot s'en est inspiré 20 ans plus tard pour son film Le Corbeau, avec Pierre Fresnay, Ginette Leclerc et Noël Roquevert dans les rôles principaux.

This week's Sunscream takes us to THE template for psychological horror: Henri-Georges Clouzot's DIABOLIQUE!Just as Clouzot was obsessed with his wife, we're obsessed with this movie: It's got cartoonishly awful husbands with wives and mistresses scheming against him, rundown boarding schools, French Columbo, creative hauntings, and suspense by the barrelful! We're discussing it all, including how Clouzot's craft really makes this special.Plus, find out about the origins of the twist ending and how this movie created a spitewar that changed cinema forever in in the return of Hooray for Hollywood!

Scary Summer, now known as Sunscream, continues with Jordan Peele's summer blockbuster spectacle creature feature: NOPE!It's a spoiler-full discussion about this high noon horror as we go super deep on creature design, its themes of exploitation and dehumanization, how NOPE rates as a western, and just how they made the sky look like that.Plus, Erin has a new segment drilling down into what, exactly, spectacle means and how perception defines this movie.Next time we're going to a classic of French cinema: Henri-Georges Clouzot's LES DIABOLIQUES!

Boa noite, ouvintes… No episódio do Camera Obscura de hoje vamos falar sobre o filme austríaco de terror “Ich Seh, Ich Seh” (conhecido internacionalmente como “Goodnight Mommy” e como “Boa Noite, Mamãe” no Brasil). Os limites da identidade, relações entre pais e filhos, como as crianças lidam com traumas, Síndrome de Capgras… É tanto conteúdo que tivemos que chamar novamente o nosso querido Diego Nunes para participar da conversa. Ao longo do episódio comentamos detalhes e revelações da trama então fica o SPOILER ALERT! — Ficha do filme: Boa Noite, Mamãe (Ich Seh, Ich Seh), 2014. Dirigido por Veronika Franz e Severin Fiala. Elenco: Susanne Wuest, Elias Schwarz e Lukas Schwarz. 100 minutos. Áustria. — Outros filmes mencionados no episódio: Boa Noite, Mamãe! (Goodnight Mommy), 2022. Dirigido por Matt Sobel. Refilmagem do filme sobre o qual conversamos no episódio, só recomendamos caso seja impossível encontrar a versão original. Deixe Ela Entrar (Låt Den Rätte Komma In), 2008, dirigido por Tomas Alfredson. Também recomendamos sua refilmagem Deixe-me Entrar (Let Me In) 2010, dirigido por Matt Reeves. Círculo do Medo (Cape Fear) 1962, dirigido por J. Lee Thompson. Também recomendamos sua refilmagem Cabo do Medo (Cape Fear), 1991, dirigido por Martin Scorsese. O Salário do Medo (Le Salaire de la Peur), 1953, dirigido por Henri-Georges Clouzot. Também recomendamos sua refilmagem O Comboio do Medo (Sorcerer), 1977, dirigido por William Friedkin. Asas do Desejo (Der Himmel über Berlin), 1987, dirigido por Wim Wenders. A Fita Branca (Das weiße Band), 2009, dirigido por Michael Haneke. Spider - Desafie sua Mente (Spider), 2002. Dirigido por David Cronenberg. Recomendamos. — Livros recomendados ARNOLD, Sara. Maternal Horror Film: Melodrama and Motherhood. 2013. JELINEK, Elfriede. The Piano Teacher. 1983. — Ilustração: Igor de Campos Edição e Identidade Visual: Thiago Vergara Músicas usadas no episódio: "Quite Disaster 2” e “Idyll and Credits” de Olga Neuwirth. Música de Introdução: https://www.bensound.com

Cannabis comic and activist Ngaio Bealum joins us for our SEASON TWO PREMIERE, and he's selected two movies that are real gateway drugs to classic cinema. Both films are tense AF depictions of desperate men trying to pull off that one last score. Both movies were also made by domineering filmmakers, so, as Ngaio says, this could have been our asshole director episode. First up, is THE KILLING (1956), a cutting-edge noir from a young Stanley Kubrick making his first Hollywood studio film. Made on a shoestring budget, Kubrick still shows more than mere glimpses of his future promise with overlapping timelines, a camera that appears to move through walls and furniture, and brutal violence that is still shocking today. Backing Kubrick is a noir who's who with Sterling Hayden putting together an intricate racetrack heist, Timothy Carey AKA God Hilliard as a deranged hitman, Elisha Cook, Jr. as the weak link in the chain, and Marie Windsor as Elisha's conniving wife. There's also a hairy wrestler airplane spinning cops! What more can you ask for? How about a bunch of sweaty dudes driving truckloads of nitro across treacherous South American terrain where any bump in the road--and there are loads of bumps--could send them all sky high? Well, that's what we've got in Ngaio's second pick, Henri-Georges Clouzot's THE WAGES OF FEAR from 1953. This movie is more of a gateway drug to French cinema that classic film as a whole, but the last hour or so of it is a real white-knuckler so you'll really want to heed the weed recommendations for this one to get you through all that suspense. "Don't smoke a sativa with this one," Ngaio warns. The Killing is streaming for free with ads on Pluto The Wages of Fear is streaming on HBOMax, Criterion Channel & Kanopy You can follow Ngaio on Twitter and Instagram at @ngaio420. We hope to have him back on the show soon. Hosts: Bob Calhoun, Philena Franklin & Greg Franklin Theme song and closing theme: Chaki the Funk Wizard Cory Sklar is on assignment but he will be back for our Psychedelic Kaiju episode in February. The movies will be WAR OF THE GARGANTUAS (1966) & MATANGO (1963).

L'un des plus grands réalisateurs du cinéma français, Henri-Georges Clouzot, a gardé la réputation d'un tyran sur les plateaux ; le tournage de certains de ses chefs-d'œuvre aurait même viré au cauchemar… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

The fourth episode of our season on the awesome movie year of 1953 features the Cannes Film Festival Palme d'Or winner, Henri-Georges Clouzot's The Wages of Fear. Directed and co-written by Henri-Georges Clouzot, based on the novel by Georges Arnaud, and starring Yves Montand, Charles Vanel, Folco Lulli and Peter van Eyck, The Wages of Fear won the top prizes at both Cannes and the Berlin Film Festival in 1953.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1955/02/17/archives/wages-of-fear-has-premiere-at-paris.html), Richard L. Coe in The Washington Post, and Philip K. Scheuer in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1953 installment, featuring our documentary pick, Disney's The Living Desert.

The third episode of our season on the awesome movie year of 1953 features the year's biggest flop, Dr. Seuss' The 5,000 Fingers of Dr. T. Directed by Roy Rowland from a concept and a screenplay co-written by Dr. Seuss and starring Tommy Rettig, Hans Conried, Peter Lind Hayes and Mary Healy, The 5,000 Fingers of Dr. T was such a disappointment to Dr. Seuss that he vowed never to work in Hollywood again.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1953/06/20/archives/the-screen-in-review-5000-fingers-of-dr-t-with-hayes-mary-healy.html), Roy Ringer in the Los Angeles Daily News, and Jay Carmody in The Washington Evening Star.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1953 installment, featuring the Cannes Film Festival Palme d'Or winner, Henri-Georges Clouzot's The Wages of Fear.

Hosts Josh and Jamie and special returning guest Steve Carlson continue Noirvember with some grim 1940s Nazi occupation paranoia noirs and the power of writing letters: Henri-Georges Clouzot's LE CORBEAU (1943) and William Cameron Menzies' ADDRESS UNKNOWN (1944). Next week's episode is a patron-exclusive bonus episode on noirs in and around the vicinity of fixed boxing matches: Robert Wise's THE SET-UP (1949) + Brian De Palma's SNAKE EYES (1998), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-11:11 LE CORBEAU // 11:11-1:02:00 ADDRESS UNKNOWN //1:02:00-1:52:12 Outro // 1:52:12-1:57:18 Steve's Letterboxd: https://letterboxd.com/lcosgrove/ Steve's Patreon: https://www.patreon.com/lcosgrove/ MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Information on the National Network of Abortion Funds here. *See end of description for content warnings. This week we're speaking French again with Henri-Georges Clouzot's DIABOLIQUE from the year 1955! Get ready for some giggles as your two hosts have a knee-slapper of a time exploring this fantastic film which includes our 49th scariest movie moment of all time and REAL lesbians! Kinda. We'll leave that up to your interpretation. Follow us on Instagram and Twitter @FrightYourLife Individual Twitter Accts: @RileyCassidy1 @TaraEllwood *CW: Sexual assault, mentions of suicide

“The chaste woman loves to contemplate dawn.” Hosts John Cribbs and Christopher Funderburg sit down to discuss Henri-Georges Clouzot's masterpiece of suspense, Les Diaboliques. The film follows a pair of abused women seeking revenge on their tormentor as it builds to one of cinema's greatest (and most diabolical) twist endings. The conversation covers Clouzot's controversial past and working methods, why the comparisons to Hitchcock are reductive, the artistic influence of his wife Vera, why Clouzot's Le Corbeau made both furious the Nazis and French resistance furious, and the balance of power between Clouzot's twins masterpieces Diaboliques and The Wages of Fear. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Jenny discusses the classic 1955 French horror thriller directed by Henri-Georges Clouzot, and also known as Les Diaboliques. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. And check out our cool merch at our Zazzle store, and some board and card games … Continue reading Flickers Of Fear: Diabolique (1955)

Access this entire 81 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron: https://www.patreon.com/posts/72332422 Filmmaker Peter Fishbeast returns to the podcast from Belper, England to discuss the great director William Friedkin and his 1977 thriller Sorcerer. Hot off two of the biggest hits of the seventies (The French Connection and The Exorcist), Friedkin decided to do his own version of one of the most acclaimed international films of all time, Henri-Georges Clouzot's The Wages of Fear, the tale of four desperate fugitives who are paid by an avaricious oil company to drive trucks full of nitroglycerine hundreds of miles to put out a raging fire at their refinery. It was an expensive and troubled production and had the bad timing of opening the same weekend that Star Wars was released widely across North America, heralding a cultural sea change in Hollywood that swept up his fellow auteurs in the New American Cinema of the seventies. Peter and I compare Sorcerer and The Wages of Fear, the two different ways these films criticize U.S. imperialism, and how Friedkin's misbegotten film eventually got a proper restoration in the 2010s and found a new audience. We also discuss the notorious international cut of Sorcerer, re-titled Wages of Fear and heavily tampered with by the worldwide distributor against the director's wishes. Plus: Peter tells us about the mood in the UK in the wake of the passing of Her Majesty. Patrons of the Junk Filter podcast can access additional exclusive episodes every month: some of our notable previous guests include Jared Yates Sexton, David Roth, Will Sloan, Bryan Quinby and Sooz Kempner. More to come! Sign up at https://www.patreon.com/junkfilter Follow Peter Fishbeast on Twitter and visit his website. Trailer for Le Salaire de la peur (Clouzot, 1953) Trailer for Sorcerer (Friedkin, 1977)

The “Cinephile Cuties” are ready to drive through the jungle. That's because they're chatting about the 1953 film by Henri-Georges Clouzot - ‘The Wages of Fear.' If you like this show, join our Patreon!Follow Farthouse on Twitter and InstagramFollow Patrick and Casey on TwitterAnd follow Patrick and Casey on Letterboxd

This week on S&A Lindsay is joined by Good Times Great Movies Host Doug McCambridge.  And this episode is concluding our series of movie induced heart attacks, and tricky marital relationships with a Double Feature of Harold Becker's Malice (1993) & Henri-Georges Clouzot's Les Diaboliques (1955). This is a Double of Femme Fatales, love triangles, and so many plot twists.   Listen to Good Times Great Movies Here Follow Good Times Great Movies on Twitter @GTGMcast Follow Good Times Great Movies on Instagram @goodtimesgreatmoviespodcast/   Follow Schlock & Awe on Instagram @schlockandawe1/ Follow Schlock & Awe on Twitter @schlockandawe1 Follow Lindsay on Twitter @readandgeek   Say Hi schlockandawemovies@gmail.com  Please Rate & Review Schlock & Awe on Apple Podcasts and Spotify   Original Music Composed and Performed by Anthony King

We're back with our second running feature on Movies For Life - remakes! And you'll definitely have to strap in for this discussion, because these two movies are probably some of the most stressful ones that have ever been made! First up is another movie from Henri-Georges Clouzot, the incredible 1953 thriller THE WAGES OF FEAR. Then we're heading to 1977 for the remake (or another adaptation of the original novel, either one) directed by William Friedkin, we're talking about SORCERER! While these are both fantastic movies with some heart-stopping moments of tension, the two of us are kind of each a champion of one film at the start of the discussion. As we go through comparing and contrasting how each one handles certain plot points and situations, do we still have the same opinion at the end? You'll have to listen to find out!   Follow the hosts and show on Twitter: Movies For Life podcast: @MovieLifePod Brian Keiper: @BrianDKeiper Michele Eggen: @micheleneggen

Il y a 35 ans disparaissait Henri Girard, sous le pseudonyme de Georges Arnaud. Ecrivain devenu célèbre grâce à son livre « Le salaire de la peur », qui fut adapté en cinéma par Henri-Georges Clouzot qui reçu la Palme d'Or au Festival de Cannes. Mais Henri Girard est aussi le seul survivant d'un triple meurtre particulièrement odieux commis à coups de serpe une nuit d'octobre 1941 dans leur château en Dordogne. Seul rescapé du massacre, on le soupçonne d'être l'assassin de son père, de sa tante et de la bonne. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 21 avril 2022

Like art itself, "Hitchcockian" can't be easily defined—but you know it when you see it. Sinister plotting, mistaken identity, dangerous obsession; a blonde, some mommy issues, a little gallows humor. That's Hitchcock more or less. This week, Adam and Josh share their TOP 5 HITCHCOCKIAN MOVIES, with picks that range from Hitch contemporaries like Henri-Georges Clouzot to current masters like Bong Joon-ho, Spike Lee, and Pedro Almodovar. Also, Adam's conversation with director Charlie McDowell ("The One I Love"), whose new thriller WINDFALL--starring Jason Segal, Lily Collins, and Jesse Plemons--has a few Hitchcockian tricks up its sleeve. Plus Filmspotting Madness—Best of the 70s Elite 8 matchups. 0:00 - Billboard 1:12 - Top 5: Hitchcockian Movies Bernard Herrmann, "Vertigo Suite: Prelude" 33:21 - Interview: Charlie McDowell ("Windfall") 1:06:42 - Next Week / Notes 1:12:28 - Filmspotting Madness—Best of the 70s, Elite 8 1:26:47 - Top 5: Hitchcockian Movies, cont. 1:46:05 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices