Podcasts about tsar saltan

Nikolai Rimsky-Korsakov's 'Flight of the Bumblebee' stands as one of the most recognisable and enduring compositions in classical music. This frenetic and virtuosic piece, originally part of his opera "The Tale of Tsar Saltan," has captured the imagination of both musicians and audiences for over a century. Its rapid tempo, intricate melodies, and technical demands showcase the composer's ingenuity while offering a captivating musical experience that transcends time and genre. In this short podcast Jean-Paul briefly delves into the nuances of "Flight of the Bumblebee," exploring its historical context, musical structure, technical challenges, and enduring legacy.  'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company.  For more information visit www.tjflutes.com 

Flight of the Bumblebee from Nikolai Rimsky-Korsakov's opera  "The Tale of Tsar Saltan"--is at the heart of a fantastical tale which includes a large cast of characters including a king and a queen, a magical swan, and a prince turned bumblebee. It's a dazzling colorful encore piece, instantly recognizable and adopted by all kinds of instrumentalists, from string players, to pianists and of course flutists. The buzzier and the faster, the better!Georg Philip Telemann, Fantaisie No. 12  for solo flute by Karen Kevra Nikolai Rimsky-Korsakov, Flight of the Bumblebee by the Russian National OrchestraNikolai Rimsky-Korsakov, Scheherazade, Op. 35 - I. The Sea and Sinbad's Ship,  André Previn · Rainer Küchl · Wiener Philharmoniker Nikolai Rimsky-Korsakov, Flight of the Bumblebee by Karen Kevra photo credit: Karen KevraSupport the show

Pour clore cette série, place aux histoires les plus émouvantes mais aussi les plus drôles ! Des traditions des premières aux blagues des dernières, en compagnie d'un serpent, d'un bourdon et de quelques crocodiles… ce podcast se conclut en éclat par une sélection de quelques meilleurs souvenirs musicaux. Consultez également la page dédiée à notre programmation anniversaire. Extraits musicaux – Pinocchio, P. Boesmans – L'Arlésienne, suite n°2, G. Bizet, – Symphonisch gedicht voor fluit en orkest, op. 43a, P. Benoît, – Symphonie n°5, G. Mahler – Julie, P. Boesmans – Der fliegende Holländer, R. Wagner – Don Giovanni, W. A. Mozart – Don Pasquale, G. Donizetti – Les Contes du Tsar Saltan, N. Rimski-Korsakov – Parsifal, R. Wagner – Ein Heldenleben, Tondichtung für grosses Orchester, op.40, R. Strauss – Tosca, G. Puccini – L'Arlésienne, suite n°2, G. Bizet Script, réalisation et édition : La Monnaie / De Munt Voix : Xavier Falques Enregistrement, montage et mixage : La Monnaie / De Munt Co-production : La Monnaie / De Munt & Musiq3 Producteur exécutif : Musiq3 Merci à Carlos Bruneel, Céline di Fabio, Delphine Lacombe, Felipe Devincenzi, Luk Artois, Paolo Poma , Rudy Moercant et Stephan Vanaenrode, à Alain Altinoglu et à Serge Ouvrard pour le partage généreux de leurs histoires d'orchestre. Merci à tous ceux qui ont de près ou de loin collaboré à la réalisation de ce podcast, particulièrement à Philippe Paque pour le montage et à Xavier Falques pour la voix.

CPR Recomenda hoje A Lenda do Rei Saltan (The Tale of Tsar Saltan), filme soviético de 1967

TSO Music Director Alain Trudel (pictured) joins us by phone along with panelist Felecia Kanney to discuss the many different ways that composers (including Alain) can add color to a piece of music. Our point of departure is the upcoming WGTE Presents: TSO in HD program which features Rimsky-Korsakov's Tale of Tsar Saltan suite; Smetana's The Moldau; selections by Mendelssohn, Tchaikovsky, Grieg, and Mahler – plus Alain Trudel's own Greek mythology-related fanfare for orchestra, Rhea. As an added bonus: we take the Color Personality Test! What's your favorite color?

Acero y vida 5x13. Música : Judas Priest - Living after midnight. Nikolai Rimsky Korsakov "the Tsar Saltan tale/Saltan tsar's farewell". Noticias : Covid desatado en Camp de Morvedre. DFM Lavaderos inaugura sus nuevas instalaciones en Parc Sagunt. Nuevo proyecto paseo marítimo. La Pérgola reformada. Noticia de la semana : Xenia Rambla: «Hasta la mayor bazofia cultural sirve para aprender algo» (Se referirá a nosotros?) Old Style : Heladería la Jijonenca. Bar Europa. Píldoras de cienca : Ernest Arnau. Las estaciones Entrevista : Maria Hebenstreir ¿ Xavias que? : VolksWagen Factory Town

durée : 01:58:01 - Relax ! du lundi 29 novembre 2021 - par : Lionel Esparza - Aujourd'hui dans Relax!, découverte en musique de l'année 1900, avec notamment Tosca de Puccini, les deux premiers nocturnes de Debussy : Nuage et Fête, Le rêve de Géronte d'Elgar, Louise de Charpentier, la Symphonie n°1 de Sibelius et La légende du Tsar Saltan de Rimski-Korsakov. - réalisé par : Antoine Courtin

Cinquième épisode consacré aux contes d'Alexandre Pouchkine (1799-1837) : le Conte du Tsar Saltan. Un poème épique très connu en Russie, de nombreux russophones en connaissent des vers par cœur. Ce conte a été monté sur l'Opéra éponyme de Rimski-Korsakov. Le texte est une traduction de E. Vivier-Kousnetzoff, Paris, R. Kieffer réalisée en 1925. Un grand merci aux personnes qui me suivent et m'encouragent ! N'hésitez pas à m'aider sur Patreon : https://www.patreon.com/lescontesdusoir Les Contes du soir est à écouter sur les principales plateformes de podcast : iTunes : http://apple.co/36pTf4B Spotify : http://spoti.fi/3kY5k4T Deezer : http://bit.ly/2LK3PLz Et à suivre sur les réseaux sociaux : YouTube : https://bit.ly/325dUau Instagram https://bit.ly/3n3DrKz Facebook : https://bit.ly/31cOyHJ

Synopsis The Russian composer Nikolai Rimsky-Korsakov might be described as an operatic dynamo: he composed fifteen of them himself and had a hand in editing, orchestrating, and promoting important operas by his fellow countrymen: Mussorgsky's “Boris Godunov” and “Khovantschina,” Borodin's “Prince Igor,” and Dargomïzhsky's “The Stone Guest.” Rimsky-Korsakov's fifteen operas are rarely staged with any regularity outside Russia, although instrumental suites and excerpts from them have proven immensely popular as concert pieces. The familiar “Flight of the Bumble-Bee” is from a Rimsky-Korsakov opera that premiered in Moscow on today's date in 1900, and, like most of his operas, is based on Russian fairytales. The opera's full title is: “The Tale of Tsar Saltan, of his Son the Renowned and Mighty Bogatïr Prince Guidon Saltanovich, and of the Beautiful Swan-Princess.” If you think the title is a bit long, consider the required cast of performers, which in addition to thirteen main characters calls for Boyars and their wives, courtiers, nursemaids, sentries, troops, boatmen, astrologers, footmen, singers, scribes, servants and maids, dancers of both sexes, 33 knights of the sea with their leader Chernomor, a squirrel, and – oh yes – a bumblebee. Music Played in Today's Program Nikolai Rimsky-Korsakov (1844 – 1908) — Flight of the Bumble Bee, from Tsar Saltan (Philharmonia Orchestra; Vladimir Ashkenazy, cond.) London 460 250 Rimsky-Korsakov — Flight of the Bumble Bee (Budapest Clarinet Quintet) Naxos 8.553427 Rimsky-Korsakov — Flight of the Bumble Bee (Itzhak Perlman, violin; Samuel Sanders, piano) EMI 54882

Synopsis Let's face it. Brevity and wit are not always qualities one associates with new music. But today we offer a sample: this comic overture is less than 5 minutes long, and opens, as you just heard, with a Fellini-esque duet for piccolo and contrabassoon. The overture is entitled “Quantum Quirks of a Quick Quaint Quark,” and is a rather burlesque celebration of modern theoretical physics. Its alliterative title evokes those subatomic particles known as “quarks” that, we're told, make up our universe. And, since this music changes time signature so often, perhaps Heisenberg's “uncertainty principle” is thrown in for good measure. The music is by Marga Richter, who was born on this date in 1926 in Reedsburg, Wisconsin. Richter received her early music training in Minneapolis, and then moved to New York's Juilliard School. By the time of her death in 2020, she had composed over 75 works including an opera and two ballets, as well as two piano concertos and a variety of solo, chamber and symphonic works. "Composing,” said Richter,” is my response to a constant desire to transform my perceptions and emotions into music … Music is the way I speak to the silence of the universe." Music Played in Today's Program Marga Richter (b. 1926) — Quantum Quirks of a Quick Quaint Quark (Czech Radio Orchestra; Gerard Schwarz) MMC 2006 On This Day Births 1879 - French composer, pianist, and writer Joseph Canteloube, in Annonay (near Tournon); 1885 - Austrian composer and musicologist Egon Wellesz, in Vienna; 1921 - English composer (Sir) Malcolm Arnold, in Northampton; 1926 - American composer Marga Richter, in Reedsburg, Wisconsin; 1949 - Israeli composer Shulamit Ran, in Tel Aviv; Deaths 1662 - English composer Henry Lawes, age 66, in London; Premieres 1784 - Gretry: opera, "Richard Coeur de Lion" (Richard the Lionhearted), in Paris; 1858 - Offenbach: comic opera, "Orphée aux enfers" (Orpheus in the Underworld), in Paris; 1900 - Rimsky-Korsakov: opera "The Tale of Tsar Saltan," at the Solodovnikov Theatre in Moscow, with Mikhail Ippolitov-Ivanov conducting (Gregorian date: Nov. 3); 1921 - Third (and final) version of Sibelius: Symphony No. 5, in Helsinki under the composer's direction; Sibelius conducted the first performances of two earlier versions of this symphony in Helsinki on Dec. 8, 1915 and Dec. 14, 1916; 1926 - Nielsen: Flute Concerto (first version), in Paris, conducted by Emil Telmányi (the composer's son-in-law), with Holger Gilbert-Jespersen the soloist; Nielsen revised this score and premiered the final version in Oslo on November 9, 1926, again with Gilbert-Jespersen as the soloist; 1933 - Gershwin: musical "Let 'Em Eat Cake," at the Imperial Theater in New York City; 1941 - Copland: Piano Sonata, in Buenos Aires, by the composer; 1956 - Menotti: madrigal-fable "The Unicorn, the Gordon and the Manticore," at the Library of Congress in Washington, D.C.; 1984 - Ellen Taaffe Zwilich: Double Quartet for strings, at a concert of the Chamber Music Society of Lincoln Center, by the Emerson Quartet and friends. 2004 - Danielpour: "Songs of Solitude" (to texts of W.B. Yeats), at the Kimmel Center's Verizon Hall in Philadelphia, by baritone Thomas Hampson and the Philadelphia Orchestra, with Daniel Robertson conducting; Others 1739 - Handel completes in London his Concerto Grosso in D, Op. 6, no. 5 and possibly his Concerto Grosso in F, Op. 6, no. 9 as well (see Julian date: Oct. 10). Links and Resources On Marga Richter An interview with Richter

你聽過多少個版本的大黃蜂的飛行呢?那你又知不知道大黃蜂的飛行原來是寫給什麼樂器的? 古典音樂史中，改編一直都是非常重要的一塊市場，只是可能因為改編的太成功，大家常常忽略了改編/原版的曲子。 本集提到的改編曲子: Brahms, Symphony No.2 in D Major, Op.73 (Brahms自己改編了雙鋼琴的版本) Satie, Gymnopedie (Debussy改編成管弦樂版本) [bgm (opening)] Rimsky-Korsakov, The Flight of Bumblebee from The Tale of Tsar Saltan [bgm] Satie, Gymnopedie No.1,2,3 Powered by Firstory Hosting

This comes from "The Tale of Tsar Saltan", an opera composed in 1899-1900. It's a popular piece that closes Act II, Tableau 1, where the magic Swan-Bird changes the prince into an insect so that he can fly away to visit his father. In the opera, the swan actually sings during the first part of the flight, but this is removed for most arrangements. I still enjoy playing this piece, but my fingers don't work like they used to in my youth. Hopefully you enjoy it.

Full Moon in Virgo - today's a real bean counter of a day... transcripts, as always, are available at: http://kristo.com/ (kristo.com) and please take a listen to my other podcasts at:  https://kristo.art/ (kristo.art) and The Hansel and Gretel Code @ https://betweenthelines.xyz/hgcode-podcast (betweenthelines.xyz) Music and Sound credits: https://freesound.org/people/Nighteller/sounds/196262/ ("ciao") courtesy of https://freesound.org/people/Nighteller/ (Nighteller) and https://freesound.org/ (freesound.org) - http://creativecommons.org/publicdomain/zero/1.0/ (This work is licensed under the Creative Commons 0 License) Chopin - https://musopen.org/music/611-etudes-op-25/ (Etude Op. 25 no. 5 in E minor) (Wrong Note) courtesy of https://musopen.org/music/performer/european-archive/ (European Archive) and http://musopen.org (musopen.org) Chopin - https://my.captivate.fm/Etude%20Op.%2010,%20no.%2012%20in%20C%20minor%20-%20'Revolutionary' (Etude Op. 10, no. 12 in C minor)  - (Revolutionary) - performed by Edward Neeman - courtesy of http://musopen.org (musopen.org) Rimsky-Korsakov - https://musopen.org/music/1318-tale-of-tsar-saltan/ (Flight of the Bumblebee) (from his Tale of Tsar Saltan) - performed by the https://musopen.org/music/performer/us-army-band/ (US Army Band) - courtesy of http://musopen.org/ (musopen.org) https://freesound.org/people/Nighteller/sounds/196263/ ("ciao ciao") courtesy of https://freesound.org/people/Nighteller/ (Nighteller) and https://freesound.org/ (freesound.org) - http://creativecommons.org/publicdomain/zero/1.0/ (This work is licensed under the Creative Commons 0 License) "https://freesound.org/people/unfa/sounds/165539/ (blah, blah, blah)" courtesy of https://freesound.org/people/unfa/ (unfa) and https://freesound.org (freesound.org) - This work is licensed under the https://creativecommons.org/licenses/by/3.0/ (Creative Commons Attribution License)

Luna's in Virgo - today is all about the busywork... transcripts, as always, are available at: http://kristo.com/ (kristo.com) and please take a listen to my other podcasts at:  https://kristo.art/ (kristo.art) and The Hansel and Gretel Code @ https://betweenthelines.xyz/hgcode-podcast (betweenthelines.xyz) Music and Sound credits: Saint-Saëns: https://musopen.org/music/1454-the-carnival-of-the-animals/ (Carnival of the Animals) - VI. Kangaroos, performed by https://musopen.org/music/performer/seattle-youth-symphony/ (Seattle Youth Symphony) - licensed under https://creativecommons.org/licenses/by/4.0/ (Creative Commons Attribution 4.0) and courtesy of http://musopen.org (musopen.org) Rimsky-Korsakov - https://musopen.org/music/1318-tale-of-tsar-saltan/ (Flight of the Bumblebee) (from his Tale of Tsar Saltan) - performed by the https://musopen.org/music/performer/us-army-band/ (US Army Band) - courtesy of http://musopen.org (musopen.org) Chopin - https://musopen.org/music/82-preludes-op-28/ (Preludes, Op. 28) - No. 12 ‘The Duel' - performed by Ivan Ilic and courtesy of http://musopen.org (musopen.org) https://freesound.org/people/emirdemirel/sounds/424893/ (Saxophone Improvisation Performance in Bb Harmonic Altered Scale by Toprak Barut.) - courtesy of https://freesound.org/people/emirdemirel/ (emirdemirel) and http://freesound.org (freesound.org) - licensed under https://creativecommons.org/licenses/by/3.0/ (Creative Commons Attribution 3.0) https://freesound.org/people/Nighteller/sounds/196263/ ("ciao ciao") courtesy of https://freesound.org/people/Nighteller/ (Nighteller) and https://freesound.org/ (freesound.org) - http://creativecommons.org/publicdomain/zero/1.0/ (This work is licensed under the Creative Commons 0 License)

There's a Full Moon in Cancer - today's a game of blitz chess... transcripts, as always, are available at: http://kristo.com/ (kristo.com) and please take a listen to my other podcasts at:  https://kristo.art/ (kristo.art) and The Hansel and Gretel Code @ https://betweenthelines.xyz/hgcode-podcast (betweenthelines.xyz) Music and Sound credits: Rimsky-Korsakov - https://musopen.org/music/1318-tale-of-tsar-saltan/ (Flight of the Bumblebee) (from his Tale of Tsar Saltan) - performed by the https://musopen.org/music/performer/us-army-band/ (US Army Band) - courtesy of http://musopen.org/ (musopen.org) Chopin - https://musopen.org/music/610-etudes-op-10/ (Etude Op. 10, no. 2 in A minor )(Chromatique) - performed by Chiara Bertoglio, licensed under https://creativecommons.org/licenses/by/3.0/ (Creative Commons Attribution 3.0) courtesy of http://musopen.org (musopen.org) Chopin - https://musopen.org/music/611-etudes-op-25/ (Etude Op. 25 no. 4 in A minor) - (Paganini) courtesy of https://musopen.org/music/performer/european-archive/ (European Archive) and http://museopen.org (museopen.org) https://freesound.org/people/Nighteller/sounds/196263/ ("ciao ciao") courtesy of https://freesound.org/people/Nighteller/ (Nighteller) and https://freesound.org/ (freesound.org) - http://creativecommons.org/publicdomain/zero/1.0/ (This work is licensed under the Creative Commons 0 License)

It is Tuesday and I am in need of some ENERGY!!! Lets get after it friends. Today I am asked for my thought on four things...thanks to my Journal... and I share those with you! Music: "Flight of the Bumble-Bee," from The Tale of Tsar Saltan, Nikolai Rimsky-Korsakov, performed by the London Symphony Orchestra, The London Sympony Orchestra: The Top 100 of Classical Music, Impuls International, 2010. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Más de 3,5 horas de las grabaciones de música clásica más famosas y reconocibles. ¡Lo mejor de la música clásica para estudiar, leer, relajarse y (sobre todo) disfrutar! Temas: 0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato) 02:42 Edvard Grieg – Morning Mood 06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor) 08:51 Frederic Chopin - Nocturne in C-sharp minor 12:56 Georges Bizet - Habanera ("L'amour est un oiseau rebelle") 14:58 W.A. Mozart - Rondo alla Turca ("Turkish March") 18:33 Ludwig van Beethoven - Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2) 23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto) 26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy 28:10 Federic Chopin – Prelude Op.28, no.4 30:44 Gioachino Rossini – Overture to “The Barber of Seville” 36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment) 37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major) 42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068) 45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro) 51:44 Erik Satie – Gymnopedie no.1 54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 ("Voices of Spring") 1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1 1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance 1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie) 1:09:07 Gioachino Rossini – William Tell Overture 1:14:55 Antonin Dvorak – Symphony no. 9 in E minor ("From the New world": IV. Allegro con fuoco) 1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers 1:31:47 Richard Wagner – Ride of the Valkyries 1:37:08 Ludwig van Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile) 1:42:08 Johann Strauss II – "An der schönen blauen Donau" (The Blue Danube),Op.314 1:49:19 Erik Satie – Gnossienne No.1 1:52:42 Edvard Grieg – In the Hall of the Mountain King 1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2 1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro) 2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major 2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement) 2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment) 2:20:10 Claude Debussy – Clair de lune (from "Suite bergamasque") 2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan) 2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March) 2:28:25 Edvard Grieg - Notturno, Op.54, No.4 2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”) 2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen” 2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro) 2:43:36 Erik Satie – Gnossienne No.3 2:46:17 Johann Strauss II – Künstlerleben ("Artist's Life"), op.316 2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12) 2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275) 2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor) 2:57:53 Richard Strauss – Also sprach Zarathustra 2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 ("Minute Waltz") 3:01:00 Tomaso Albinoni - Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto). 3:04:29 Modest Mussorgsky – Night on Bald Mountain 3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354 3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565 3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section) 3:18:14 Leo Delibes – Pizzicato (from “Sylvia”) 3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre) 3:29:33 W.A. Mozart – Requiem in D minor 3:33:01 J.S.Bach – Prelude in C major

TSO Music Director Alain Trudel (pictured) joins us by phone along with panelist Felecia Kanney to discuss the many different ways that composers (including Alain) can add color to a piece of music. Our point of departure is the upcoming WGTE Presents: TSO in HD program which features Rimsky-Korsakov's Tale of Tsar Saltan suite; Smetana's The Moldau; selections by Mendelssohn, Tchaikovsky, Grieg, and Mahler – plus Alain Trudel's own Greek mythology-related fanfare for orchestra, Rhea. As an added bonus: we take the Color Personality Test! What's your favorite color?

The Flight of the Bumblebee comes from an opera called The Tale of Tsar Saltan, which is based on a story by the famous Russian poet Alexander Pushkin. In the opera's complicated plot, Prince Gvidon is separated from his father, Tsar Saltan, and ends up ruling an island full of enchanted objects and animals -- including an enchanted swan, whom the prince marries once she gets turned back into a princess.

The Flight of the Bumblebee comes from an opera called The Tale of Tsar Saltan, which is based on a story by the famous Russian poet Alexander Pushkin. In the opera's complicated plot, Prince Gvidon is separated from his father, Tsar Saltan, and ends up ruling an island full of enchanted objects and animals -- including an enchanted swan, whom the prince marries once she gets turned back into a princess.

Les contes de fées à la russe avaient de la gueule dans le cinéma soviétique de la fin des années 60. Grâce entre autres à Aleksandr Ptouchko,  homme à tout faire ( du dessin à la sculpture, des… See acast.com/privacy for privacy and opt-out information.

Körverk tillägnat Pussy Riot. Äggen är slut, ett klimakterie-projekt för damkör. Nytt Damkapell letar fram kvinnliga tonsättare, som varken fått vår kärlek eller blivit spelade eller lyssnade till. Kvinnors musik på väg! vill undersöka hur det står till med kvinnor och konstmusik tio år efter det att P2 2006 sände den legendariska programserien Konsten att humla. Idag möter vi tre musikkvinnor som, istället för att sitta i sitt elfenbenstorn och komponera verk för evigheten, valt att samarbeta med andra konstnärer och att vara omgivna av fler personer i den kreativa processen. Multikonstnären Paula af Malmborg Ward - tonsättare, arrangör, dirigent, sångerska, pianist, sitter visserligen i ett torn och komponerar, men det är ett renoverat kokstorn vid inloppet till Göteborgs hamn där fiskmåsar, trutar och Stena Lines hornstötar delar på det akustiska utrymmet utanför fönstret. Paula af Malmborg Ward har skrivit operor, radiohörspel, orkesterverk och har tidigare fått ta emot gliringar och goda råd som manliga tonsättare slipper. - Man behöver lyfta blicken och se vad vi får för pengarna. Vad representerar de, de här extremt pengaslukande, resursslukande institutionerna som de statsunderstödda orkestrarna och operahusen är? Och det är ju faktiskt så att många av dem har anledning att skämmas av flera anledningar. Rapporter visar nämligen att döda utländska män fortsätter att dominera repertoaren på de statsunderstödda svenska musikinstitutionerna. Andelen kvinnliga tonsättare är fortfarande försvinnande liten. Paula af Malmborg Ward arbetar nu med två operor. Kärlekskriget, utifrån Ebba Witt-Brattströms punktroman Århundradets kärlekskrig, har bl a alten Anna Larsson i rollistan. Kärlekskriget får urpremiär i Vattnäs Konsertlada den 6 juli 2017 och produceras i samarbete med Västmanlands Länsteater. Dansa min Docka har som tema kvinnlig aneroxi och visar skrämmande fakta från två whistleblowers från psykvården. Librettot är skrivet av Paula af Malmborg Ward och Pernilla Holmgren Larsson. För kören YMNA, dirigerade av Johanna Thür, komponerar Paula af Malmborg Ward Äggen är slut om klimakteriet. Sångtexterna är skrivna av Lina Ekdahl. Föreställningen har premiär den 21 januari 2017 i Röda Stens konsthall i Göteborg. Till föreställningen Från Iran till Djursholm via Småland och Linköping kallas de fyras gäng PAMP utifrån sina förnamn: Pernilla Holmgren Larsson - journalist, Arghavan Agida - sångerska, författare, ambassadör för UN Women, Mirre Sennehed - DJ, projektledare, klubbarrangör, festivaldirektör och Paula af Malmborg Ward, tonsättare.   Altviolinisten Mika Persdotter Svensson pluggar sista året på masternivån på det kungliga musikkonservatoriet i Köpenhamn. Hennes examensarbete är att starta ett Damkapell i Köpenhamn och för de musikerna leta fram kvinnliga tonsättare ur både historisk tid och nutid. Damkapellet kommer att premiärspela i Konsertkyrkan i Köpenhamn den 8 mars 2017, Internationella Kvinnodagen. Damkapellet består då av en stråkorkester på 15 musiker, en cembalist och en pianist. De spelar fem kompositioner från 1100-talet fram till idag: av Hildergard av Bingen, Wilhelmina av Preussen, Elfrida Andrée, Frangis Ali Zade och Ellen Lindquist. - Det är så sorgligt att tänka på hur litet kärlek kvinnliga tonsättare har fått genom historien. De har inte alls fått samma uppmärksamhet, de har inte blivit spelade och lyssnade till. Det är ju först när musik får gå igenom andra som den kan växa och utvecklas och bli nåt större än tonsättaren själv och de noter hen skrivit på papperet. Musiken blir då en del av universum, säger Mika i programmet. Mika är frustrerad över hur få timmar som ägnades åt kvinnliga tonsättare under alla hennes utbildningar i Göteborg, Prag och Köpenhamn. Hon har spelat viola i orkestrar sedan hon var tio år. - Det finns tydliga och plågsamma maktsystem och hierarkier inom symfoniorkesterkulturen. Det handlar om vem som skall bestämma över repertoaren. Oftast väljs musik av män. Den som dirigerar musiken och bestämmer hur den skall spelas är nästan alltid en man. Det finns även hierakiska system i stämmorna. Vem bestämmer hur stämman skall spelas? Ja, det finns tydliga maktroller i hela orkestern, berättar Mika Persdotter Svensson i programmet.   Norska tonsättaren Cecilie Ore studerade piano vid Norges Musikhögskola  och i Paris och därefter komposition i Utrecht och hos Ton de Leeuw Amsterdam. Hon vann International Rostrum for Electro-Acoustic Music och är intresserad av tidsaspekter i musik. På 2000-talet har hon mer och mer arbetat med textbaserad och samhällskritisk musik. När tonsättaren Xenakis avled 2001 stod den norske poeten Paal-Helge Haugen utan tonsättare till sin skuggopera A. Cecile Ore fick ta över uppgiften efter Xenakis. Hennes verk har framförts av BBC Symphony Orchestra, Ensemble Modern, BBC Singers samt en rad norska och nordiska ensembler. Så här sa Cecilie Ore i Konsten att humla 2006:  -Det är mycket svårare att vara medelmåttig kvinnlig tonsättare än  att vara medelmåttig manlig komponist. Och det går inte alls an att vara en dålig kvinnlig tonsättare. De kvinnliga tonsättare som godkänns har en mycket hög konstnärlig nivå. Cecilie Ores opera Adam & Eve A Divine Comedy handlar om religioners våld mot kvinnor, med citat ur Bibeln och Koranen, utdrag ur Förklaringen om de mänskliga rättigheterna och poesi ur Dantes Divina Commedia. I operan, med libretto av dramaturgen Bibbi Moslet, beskrivs de sju dödssynderna: Lust, förintelse av kvinnors lust genom omskärelse. Vrede, våld mot och mord på kvinnor. Girighet - män äger 99% av världens rikedomar. Kvinnor endast 1 %. Frosseri - män frossar i sexuella övergrepp och våldtäkter. Avund - män är svartsjuka och täcker kvinnor i burka, niqab och liknande. Lättja - prostitution och trafficking, där män låter kvinnor arbeta för sig och tar profiten. Högmod/Stolthet representeras av hedersmord på kvinnor Körverket Come to the Edge är tillägnat "de modiga medlemmarna i Pussy Riot". BBC Singers framför stycket som handlar om yttrandefrihet och innehåller citat från bl a George Washington, Abraham Lincoln, Katarina av Siena, Lenny Bruce, Che Guevara, William Shakespeare, Harry Belafonte och Pussy Riot. Who do you think you are är skrivet för kvinnoröster och BBC Singers famför denna ironiska standup anti-romans om hur kvinnor blir trakasserade, hotade och mobbade på internet. Manus, regi och produktion: Birgitta Tollan.   Musiklista: Forest food Corinne Von Dardel, Stensöta Karin Wiberg, Violin   The Flight of the Bumblebee (from The Tale of Tsar Saltan)[encore, arr JosephStirmer] Rimsky-Korsakov, Nikolai David Geringas (Cello),Yasha Nemtsov (Piano) At Klosterkirche, Traunstein As Part Of The 2013 Traunstein Summer Concerts   Selfie Mika Persdotter Svensson, Mika Persdotter Svensson   QUASI HOQUETUS(VERSION FOR VIOLA,KONTRABAS & PIANO) Sofia Gubajdulina, Ulrich Knörzer/ MartinHeinze/ Heike Gneiting NEOSPRODUCTIONS29354, NEOS   GILA ROME Sylvie Bodorova, Jitka Hosprova ARCO DIVA27907, UP 0043   RELEASE Carin Malmlöf-Forssling, Karl-Ove Mannberg/Dalecarlian Chamber Orchestra BLUEBELL006591, ABCD 069   MUGAM SAJAHI Frangiz Ali-Zade, The Xenia Ensemble FELMAY 23716, FY 7022   MUGAM SAJAHI Frangiz Ali-Zade, The Xenia Ensemble Felmay 23716, FY 7022   Vidder I. Hör Du Livets Ljud Paula Af Malmborg Ward, Erik Westbergs Vokalensemble, Daniel Saur, Slagverk STUDIO ACUSTICUM, SA12   Vidder II. Dagfågel Nattfågel Paula Af Malmborg Ward, Erik Westbergs Vokalensemble, Daniel Saur, Slagverk STUDIO ACUSTICUM, SA12   Vidder III. Dimma. Varm Paula Af Malmborg Ward, Erik Westbergs Vokalensemble, Daniel Saur, Slagverk STUDIO ACUSTICUM, SA12   Vidder III. Dimma. Varm Paula Af Malmborg Ward, Erik Westbergs Vokalensemble, Daniel Saur, Slagverk STUDIO ACUSTICUM, SA12   Interlude 1 Adam & Eve Cecilie Ore, Kathrine Winnes, Dirigent Tora Augestad, Sopran/Mezzosopran Eir Inderhaug, Sopran   Toil and Trouble Cecilie Ore, BBC Singers   Come to the Edge - for Pussy Riot Cecilie Ore, BBC Singers   Who do you think you are Cecilie Ore, Eir Inderhaug, Sopran   Adam & Eve A Divine Comedy Cecilie Ore, Bibbi Moslet Div.   Paradiso Adam & Eve A Divine Comedy Cecilie Ore, Bibbi Moslet Div.

Maestro 008: feat. Impressionistic Piano Works, Part 1 1. Anthony Goldstone "The Bumble Bee" (mp3) from "A Night at the Opera - Liszt, Gluck, Chopin, et al." (Divine Art) Buy at iTunes Music Store Buy at Rhapsody Buy at Napster Buy at appliedSB / Groupietunes Buy at Puretracks Buy at mTraks More On This Album "Flight of the Bumblebee" is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. The piece closes Act III, Tableau 1, right after the magic Swan-Bird gives Prince Gvidon Saltanovich (the Tsar's son) instructions on how to change into an insect so that he can fly away to visit his father (who does not know that he is alive). Although in the opera the Swan-Bird sings during the first part of the "Flight", her vocal line is melodically uninvolved and easily omitted; this feature, combined with the fact that the number decisively closes the scene, made easy extraction as an orchestral concert piece possible. Nicolas Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as "The Five." Noted particularly for a predilection for folk and fairy-tale subjects as well as his extraordinary skill in orchestration, his best known orchestral compositions—Capriccio espagnol, Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. 2. Marzia Ragazzoni, Fabiana Ragazzoni "Dalle Sei Burlesken, Op. 58 per pianoforte a quattro mani" (mp3) from "Cuore Ragione Ironia" (Materiali Sonori) Buy at iTunes Music Store Stream from Rhapsody More On This Album Max Reger was a German composer, conductor, pianist, organist, and teacher. During a composing life of little more than 25 years, Reger produced an enormous output in all genres, nearly always in abstract forms, although few of his compositions are well known today. Many of his works are fugues or in variation form, including what is probably his best known orchestral work, the Variations and Fugue on a Theme by Mozart (based on the opening theme of Wolfgang Amadeus Mozart's Piano Sonata, K. 331). He also wrote a large amount of music for organ, including the Fantasy and Fugue on BACH (this piece, based on the BACH motif, is considered one of the most difficult and demanding in organ literature). He was particularly attracted to the fugal form his entire life, once remarking: "Other people write fugues - I live inside them". He composed music in virtually every genre—opera being a notable exception.