Podcasts about Skrillex

Epic Lloyd and Nice Peter from Epic Rap Battles of History join Passion Pod at Twin Cities Con 2025 for a behind-the-scenes deep dive into how ERB became one of YouTube's longest-running hit channels. We talk about: How ERB started (early YouTube + Maker Studios era)Writing and production process (quality over quantity)Collaborations with T-Pain, Weird Al Yankovic, Snoop Dogg, Key & Peele, Skrillex and moreTouring, burnout, budgets, and what it takes to keep creating at a high levelFavorite stories from the booth and the set Follow Passion Pod: Instagram: @passionpod TikTok: @passionpodofficial YouTube: Passion Pod Featured guests: Epic Lloyd & Nice Peter (Epic Rap Battles of History)

30. Cassimm - Over You 29. Cosmic Gate, Avira, Sarah De Warren - How This Ends 28. Then, Slvr - Gangs 27. Dj Snake - Monte Carlo 26. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 25. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 24. Jamie Jones - Murder Mystery 23. Arty - Brave 22. Adam Sellouk, Zerky - Touch It 21. Alok, Illenium - To The Moon 20. Adam Sellouk - Dance Machine 19. Blr, Sander Van Doorn - Instant Moments 18. Corey James, Morganj, Tyoz - Jungle 17. Fedde Le Grand, Mr V, Tony Romera - Back & Forth 16. Argy, John Cala - Boom OLD TRACK: DIMITRI VEGAS/LIKE MIKE/UMMET OZCAN - The Hum 15. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 14. Tony Romera - Change The Music 13. Mathame, Jonos, Son Of Son - Meet Me 12. Dont Blink - It's Our House 11. Emanuel Satie - Give It All 10. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 09. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 08. Wh0, The Fog - Been A Long Time 07. Chris Lake, Skrillex, Anita B Queen - La Noche 06. Cassian, Yotto, Da Hool - Love Parade 05. Kryder - Time 04. Ferreck Dawn - Serious 03. Camelphat, Josh Gigante - The One 02. Meduza - No Sleep 01. Cassian, Matt Ryder - A Feeling I Miss

AFROJACK drops music from Mesto, Chris Lake & Skrillex, Axwell, Dom Dolla, Max Styler, Chico Rose, Layton Giordani & Green Velvet and many more on #JackedRadio! Mesto - Caramelle 01:00Michael Phase & Jop Govers - The King 03:22Chico Rose - Flute 07:08Max Styler - You & Me 12:08CID x Taylr Renee - Fancy $hit 15:38MORTEN & David Guetta - Lucky 17:52Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 20:50Layton Giordani & Green Velvet - When It Kicks 22:20Chapter & Verse - Louis V 25:48Tiësto, Odd Mob,Goodboys - Won't Be Possible 29:12NLW - To The Light 31:40Chris Lake, Skrillex, ANITA B QUEEN - LA NOCHE 35:35Mau P - LIKE I LIKE IT 39:02Dom Dolla - Dreamin ft. Daya 44:05Axwell feat. Carma - Until The Lights Go Out 47:40Steve Angello & Sebastian Ingrosso feat Namasenda - No Enemies 50:18Gil Glaze & AFROJACK - Hold On ft. EVIE 52:42AFROJACK, Martin Garrix, David Guetta, Amél - Our Time 56:42

Louis The Child returns for another amazing episode of #PlaygroundRadio featuring songs from Lollie, Megra, Bessey, Confidence Man, Nikko, Skrillex, Flava D, Effin and many more!Playground Radio Intro 00:00:001. camoufly - Believe 00:00:562. Megra - Break It 00:04:323. Lollie - Tulips 00:07:454. Robyn & Jamie xx - Dopamine (Jamie xx Remix) 00:10:295. Nikita, the Wicked - SUCKERS 00:15:236. Flava D & Stush - Energy 00:17:267. Lollie - Spirit (Tochi Bedford Version) 00:20:388. Pocket & Isaiah Michael Davis - Cigarettes 00:22:339. PEEKABOO, Skrillex, Flowdan, Fireboy DML - 6 Million 00:25:4410. Dam Swindle - That's Right (Edit) 00:27:5511. Bessey - Fed Up 00:31:4012. Dismantle - Tomorrow Will Be Different 00:35:1013. Big Gigantic & Effin - Hot Mic 00:40:3114. Jetta - Sicklysweet (Louis The Child Remix) 00:43:4815. Clarcq - Feelings 00:47:0416. Confidence Man, In2stellar, Janet Planet - BREAK IT DOWN (ON THE BASSLINE) 00:49:4117. Edward White - Air Bubbles 00:54:1118. nikko - PUSHINN 00:57:28

ILLENIUM drops new music from Marshmello, Tisoki, Fred again.., St. Mary, Space Laces, PEEKABOO and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @ILLENIUM #PHOENIXRADIOTracklist:PHOENIX RADIO OPENER 00:00Subtronics & ILLENIUM ft. Royal & the Serpent – Got Away 00:54Kaskade – obvious 04:27TELYKAST & Sam Gray – Hold On 07:51Space Laces ft. Eptic – WORM TIME 11:10Space Laces ft. Marshmello – BOMB 12:10Fred again.. & Blanco – solo 13:16PEEKABOO, Flowdan & Fireboy DML ft. Skrillex – 6 Million 18:04RL Grime & WINK – ALLNIGHTER 20:16St. Mary – Psych Ward! 22:43Tisoki – KILLAA 25:34Space Laces – THE ANTHEM 27:36Viperactive – Snakebite 28:53Subtronics ft. Grabbitz – Infinity 31:52Nikita, The Wicked & Elohim – CONTROL 34:53Jason Ross & Horyzon ft. Camden Cox & TW3LVE – Fast Forward 37:17Marshmello & INJI – Kissin My Friends 40:39Marvel Years – Top Of The World 42:39Wilkinson & Iiola – Back Up 45:49Kanine & Arcando ft. HEIGHTS – Lost Tonight 48:13What So Not & Buunshin ft. Aiko – The One 50:55Alison Wonderland – Is This The End? 54:53ILLENIUM & Ryan Tedder – With Your Love 57:55

01. Fred Again.., Wallfacer - I Luv U 02. Discip - Pull Up 03. Dubdogz, Victor Alc - Sudamerica 04. Plus2 - Rhythm n Beat 05. Shapov - Dreams Control 06. Kaskade - Fools 07. Byor - Set Me Free 08. Cosmic Gateavira, Sarah De Warren - How This Ends 09. Danny L Harle, Oklou, Mnek - Crystallise My Tears 10. Mark Knight, Saliva Commandos - Don Dadda 11. Chris Lake, Skrillex, Anita B Queen - LA NOCHE 12. Tiga, Meduza - You Gonna Want Me (I Know) 13. Kapuzen - Emergency 14. Hi-Lo - NYC TO AMSTERDAM 15. Cassimm - Over You 16. Luciana, James Hurr - Queen I'm In Charge 17. Sick Individuals - How We Feelin 18. Levandowskiy - Mercedes 19. Betical - Do It Again 20. James Hype, Tita Lau - More Of The Same 21. Arty - Brave 22. Adam Sellouk - Dance Machine 23. Gaullin, Trfn - Feel 24. Catz 'N Dogz, Mrozu, Kuba Karas - High 25. Don Diablo - Sound of da Police 26. Morgan Page - Otherside 27. Cassian, Matt Ryder - A Feeling I Miss 28. Ren Trey - Dance All Night & Dance All Day 29. Fred Pellichero, Loors - EMMA 30. Moti, Amero - Just One Night 31. Masilla, Lumere - Mi Loco Corazon 32. Benny Benassi, Squ4Re, Glowal - Shades 33. Then - Bodyrock 34. Dj Quba, Sandra K, Ishnlv - Love Don't Let Me Go 35. Then, Slvr - Gangs 36. Brohug, Medium Rare - Oh My God 37. Fatboy Slim, The Rolling Stones - Satisfaction Skank

1. Riva Starr ft. Harry Stone - House Of Mirrors (MK Extended Remix) 2. David Guetta & Teddy Swims & Tones And I - Gone Gone Gone (Hypaton Extended Remix) 3. Duck Sauce - Can't Stop (KiNK Remix) 4. Taylor Swift - The Fate Of Ophelia (Loud Luxury Extended Remix) 5. Britney Spears - ...Baby One More Time (HAWK & LEVEL UP (IT) VIP Edit) 6. Alok & SCRIPT ft. FAANGS - Substance (Extended Mix) 7. Chris Lake, Skrillex & Anita B Queen - La Noche (Kamino's 'Warp Tool' Tech House Remix) 8. Calvin Harris & Jessie Reyez - Ocean (Mike Williams Extended Remix) 9. James Hype & Tita Lau - More Of The Same (Extended Mix) 10. Confidence Man - Gossip (Chris Lake Remix) 11. Mesto - Caramelle (Extended Mix) 12. BLONDISH, Broken Hill, DARCO 09 - GOAT (Extended Mix) 13. Anti Up - I Cannot (Extended Mix) 14. Jamback - Positive (Extended) 15. Westend & SIDEPIECE - Take Your Places (Extended Mix) 16. Adam Beyer & Bart Skils - Your Mind (HNTR Extended Remix) 17. Volac - Enemies (Original Mix) 18. DumitrEscu - Sitting In The Sun (Walking In The Rain) (Extended) 19. Martin Ikin & Hayley May - Rush (Extended Mix) 20. Sonny Fodera, Jazzy - All This Time (Extended Mix) 21. SOSA (UK) - Be Without You (Extended Mix) 22. Devault - Feels Like Us (Extended Mix)

In this week's episode, Immersion takes you straight to the mainstage with a high-energy mix dedicated to the artists who helped bring house music into the global spotlight. Episode 5 celebrates the evolution of mainstage house, featuring festival anthems, chart-toppers, and unforgettable grooves from legends like Afrojack, Zedd, Calvin Harris, Loud Luxury, and more. Tune in as we explore the sounds that shaped the mainstream, the beats that fuel massive crowds, and the artists who continue to push house music forward. Turn it up and dive deep—this is Immersion in Sound. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

30. Don Diablo - Sound Of Da Police 29. Fedde Le Grand, Mr V, Tony Romera - Back & Forth 28. Adam Sellouk - Dance Machine 27. Arty - Brave 26. Alesso, Sentinel, Sick Individuals - Upside Down 25. Dj Snake - Monte Carlo 24. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 23. The Chemical Brothers, Chris Lake - Galvanize 22. Tony Romera - Change The Music 21. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 20. Adam Sellouk, Zerky - Touch It 19. Emanuel Satie - Give It All 18. Jamie Jones - Murder Mystery 17. Blr, Sander Van Doorn - Instant Moments 16. Alok, Illenium - To The Moon OLD TRACK: KSHMR/MARNIK - Bazaar 15. Corey James, Morganj, Tyoz - Jungle 14. Wh0, The Fog - Been A Long Time 13. Argy, John Cala - Boom 12. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 11. Mathame, Jonos, Son Of Son - Meet Me 10. Dont Blink - It's Our House 09. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 08. Kryder - Time 07. Cassian, Yotto, Da Hool - Love Parade 06. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 05. Ferreck Dawn - Serious 04. Chris Lake, Skrillex, Anita B Queen - La Noche 03. Meduza - No Sleep 02. Camelphat, Josh Gigante - The One 01. Cassian, Matt Ryder - A Feeling I Miss

30. Don Diablo - Sound Of Da Police 29. Fedde Le Grand, Mr V, Tony Romera - Back & Forth 28. Adam Sellouk - Dance Machine 27. Arty - Brave 26. Alesso, Sentinel, Sick Individuals - Upside Down 25. Dj Snake - Monte Carlo 24. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 23. The Chemical Brothers, Chris Lake - Galvanize 22. Tony Romera - Change The Music 21. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 20. Adam Sellouk, Zerky - Touch It 19. Emanuel Satie - Give It All 18. Jamie Jones - Murder Mystery 17. Blr, Sander Van Doorn - Instant Moments 16. Alok, Illenium - To The Moon OLD TRACK: KSHMR/MARNIK - Bazaar 15. Corey James, Morganj, Tyoz - Jungle 14. Wh0, The Fog - Been A Long Time 13. Argy, John Cala - Boom 12. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 11. Mathame, Jonos, Son Of Son - Meet Me 10. Dont Blink - It's Our House 09. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 08. Kryder - Time 07. Cassian, Yotto, Da Hool - Love Parade 06. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 05. Ferreck Dawn - Serious 04. Chris Lake, Skrillex, Anita B Queen - La Noche 03. Meduza - No Sleep 02. Camelphat, Josh Gigante - The One 01. Cassian, Matt Ryder - A Feeling I Miss

Brazilian beat doctor HeyDoc! dropped out of med-school to provide the true treatment to medicate your soul: more bass. This week he takes over the Dirtybird Radio frequencies to celebrate his new 2-track EP release, Da Beat. VR warm-up set:Fernanda Arrau & Ketiov - "Mexico Tour (Theus Mago)" [Duro]J. Worra & Benni Ola - "perfect" [dialogxe]Papa Lu feat. The $how - "Better" [Rules Don't Apply]Lennard Ellis - "You've Been On My Mind" [Box Of Cats]HeyDoc! guest set:HeyDoc! - Astro DanceTony Romera - La Street x Black Eyed Peas - Boom Boom Pow (Acapella)Dj Dan, Carabetta - PsychosisKyle Watson - FeelDiscip - Off The ClockChris Lake, Skrillex, ANITE B QUEEN - La NocheHeyDoc! - IDDJ Glen - Fanfare (HeyDoc! Remix)SecondCity, Tyler Rowe - I EnterLEFTI - Your LightHeyDoc! - IDNoizu - RattlesnakeMarco Strous - In The ParkCesco - GITP50 Carrot - DirtySimula - DescentLYNY - SectionSammy Virji - BogeymanMPH - FiestaID - IDMoksi, AK RENNY - Never Come DownHeyDoc! - Da Beat

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

In Episode 9 of our Artist Spotlight, we sit down with future bass/trap legend Abe Laguna (aka OOKAY) to dive into the track that changed everything—“Thief.”Believe it or not, the song was rejected by four labels before becoming an unexpected wedding anthem. We also dove into the revival of future bass , the direction of Ookay's new album, why dance music always moves in cycles, and Skrillex's recent copyright controversy. Ookay also shares a preview of unreleased tracks, including some nostalgic future bass magic. The conversation takes us through AI's growing role in dance music, the evolution of the culture, and why strong songwriting still matters more than ever.If you've been missing that 2015 future bass energy, you're in for a treat you won't get anywhere else! Be sure to tune into this one and we hope you enjoy!!

ILLENIUM unleashes his brand new collaboration with Subtronics featuring Royal & the Serpent, “Got Away,” and stacks the episode with fresh heat from ARMNHMR, Skrillex, FrostTop, Fred again.., Skream, RIOT, Hex Cougar, and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @ILLENIUM #PHOENIXRADIOTracklist:PHOENIX RADIO OPENER 00:00Subtronics & ILLENIUM ft. Royal & the Serpent - Got Away 00:53Louiejayxx - Wormhole 04:17FrostTop - HAVEN 06:20EDDIE & Nikademis - AGAIN 09:39Skrillex, Moody Good & Nakeesha - move ting 12:02PEEKABOO, Flowdan & Fireboy DML ft. Skrillex - 6 Million 14:40ARMNHMR - You Broke My Heart 16:50Empire Of The Sun - Alive (Alok Remix) 19:14Taylor Swift - The Fate of Ophelia (The Chainsmokers Remix) 22:20Alison Wonderland & Ninajirachi - Heaven 24:51Fred again.. & BIA - ICEY… 27:52Nostalgix & Kyra Mastro - Holy 31:28it's murph, Arlo & Allegra Miles - Weightless 34:15MYNN & Lexi Scatena - Lose Your Love 38:41Skream & Benga ft. Emily Makis - Midnight Control 42:451991 - If Only 46:34Koven & HALIENE - Orbit 49:36RIOT - The Middle 53:17Hex Cougar - Hexifornia 2 55:03

30. Arty - Brave 29. Tony Romera - Change The Music 28. Emanuel Satie - Give It All 27. Volac - Wannabe 26. Dj Snake - Monte Carlo 25. Shapov, Swanky Tunes - Flipdat 24. Don Diablo - Lose Control 23. Blr, Sander Van Doorn - Instant Moments 22. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 21. Alesso, Sentinel, Sick Individuals - Upside Down 20. Wh0, The Fog - Been A Long Time 19. The Chemical Brothers, Chris Lake - Galvanize 18. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 17. Kryder - Time 16. Adam Sellouk, Zerky - Touch It OLD TRACK: DVBBS - White Clouds 15. Jamie Jones - Murder Mystery 14. Mathame, Jonos, Son Of Son - Meet Me 13. Alok, Illenium - To The Moon 12. Dont Blink - It's Our House 11. Argy, John Cala - Boom 10. Corey James, Morganj, Tyoz - Jungle 09. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 08. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 07. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 06. Camelphat, Josh Gigante - The One 05. Cassian, Yotto, Da Hool - Love Parade 04. Meduza - No Sleep 03. Ferreck Dawn - Serious 02. Chris Lake, Skrillex, Anita B Queen - La Noche 01. Cassian, Matt Ryder - A Feeling I Miss

Finally TKO124 is here for your booty bouncing enjoyment.  Thirty Songs, WOW!  You know what to do. Listen, Dance, Like, Share, and Repeat.  As always don't forget to make the booty bounce.  Turn it UP!   Enjoy!!! Nikko,PUSHINN (Original Mix)Ummet Ozcan,Drift (Extended Mix)Sam Townend   Drax Nelson,Big Zepper  (Extended Mix)David Guetta   MORTEN,Lucky (Extended Mix)Sebastian Ingrosso   Celine Dion,A New Day (feat. Celine Dion) (feat. Celine Dion)Robert Junior   DJ RARA,Don't Wanna (Extended Mix)JXR,Hold Me (Original Mix)Sander Van Doorn,Joyenergizer  (Sander van Doorn 2025 Remix)Tiesto,RVN (Raven) (Raven)KURA,RDY (Extended Mix)Marie Vaunt,That Acid (Extended Mix)Eli Brown   GeezLy,Me Gusta (Dub Mix)Tiesto   Vanco   AYA.SYSTEM,Ma Tnsani (Yalla Habibi) (Tiesto Extended Remix)SIDEPIECE,Cry For You (Extended Mix)Da Hool   Cassian   YOTTO,Love Parade (Extended Mix)Rafael Cerato   Wave Wave,Sound Vibrate (Original Mix)Karry G,No Stress (Extended Mix)Layton Giordani   Be No Rain   GENESI (ITA),Call You Back (Extended Mix)Matroda   KLP,Bullshit (Extended Mix)CID   Taylr Renee,Fancy $hit  (Extended Mix)Tiga,Bugatti (CID Extended Remix)Sentinel   Alesso   SICK INDIVIDUALS,Upside Down (Original Mix)Due,Telling Me Lies (Extended Mix)MORGANJ   Corey James   Tyoz,Jungle (Extended Mix)Reza   Chuck Roberts   Low Steppa   Rue Jay,The Creator feat. Chuck Roberts (Extended Mix)Max Styler,You & Me (Extended Mix)Joel Anthony,Talk About It  (Extended Mix)Mike Ferullo,Feel My Love (Extended Mix)Max Dean   Luke Dean,Gets Like That (Extended)Chris Lake   Skrillex   ANITA B QUEEN,LA NOCHE  (Extended Mix)

Louis The Child is back for another amazing installment of #PlaygroundRadio with tunes from the likes of Skrillex, Daphni, Themba, Midnight Dance Party, Tinlicker, Swimming Paul, pluko and more!Playground Radio Intro 00:00:00Skrillex, Dylan Brady & Caroline Polachek - hit me where it hurts 00:00:56 Juelz & pluko - VIRUS 00:06:22 Skrillex, Moody Good & Nakeesha - move ting 00:08:39 G Jones & EPROM - Noontime Acid 00:11:17 Efan - Let The Rhythm 00:13:48 Kelly Lee Owens - LOSE YOUR HEAD 00:16:46 AYYBO ft. MERYLL - I Like Dancing 00:19:41 Swimming Paul - Different Time 00:25:14 Nils Hoffmann ft. Margret - Wherever You Are (Tinlicker Remix) 00:28:08 heartaake - i have zero care 00:33:01 Rommii - how do i let go 00:35:09 Frost Children - Falling (Louis The Child Remix) 00:37:16 Ninajirachi - Fuck My Computer (Frost Children Remix) 00:39:52 BRUX & Frazer Ray - Bump That 00:43:09 Midnight Dance Party - this time i don't think i can 00:46:46 The Good Men, Themba SA, Khenya - Give It Up 00:49:59 Louis The Child x Madeon - Believe It 00:52:56 DAPHNI ft. CARIBOU - Waiting So Long 00:55:24

Welcome to a new edition of The XLNT Show: Bad Boys, where it is just Danny and Parker talking uncensored. No filters, no script, and no holding back.In this episode, the guys break down one of the most interesting dynamics in EDM right now: the parallel rise of ISOxo and Knock2, and their first-ever festival, Nighthearts. Danny and Parker talk about how unexpected it was to see artists known for bass house and trap music program themselves as openers at their own festival, and how that decision alone says a lot about their understanding of audience momentum.They discuss:How artists like ISOxo and Knock2 ended up sharing the stage with heavyweight co-headliners  Skrillex and ZeddWhy Knock2's track “dashstar*” feels like one of the last modern EDM classics with a true solo anthem identityThe difference in how ISOxo and Knock2 are being positioned based on genre, sound, and fan reachThe shift from progressive house domination to bass house and hybrid trap taking center stageThe challenges new genres face in producing universally memorable EDM “classics”What makes a live festival debut stand out versus a traditional tour setDanny also gets Parker to zoom out into the bigger picture: why duos and tight creative units matter so much in EDM today, and whether moving as a unified brand could end up being more powerful than going it alone.⭐️ SUPPORT THE POD ⭐️➡️ ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thexlntshow⁠⁠⁠⁠⁠⁠⁠⭐️ #1 Sample & Preset Packs [Use code “THEXLNTSHOW” for 10% off your next purchase] ⭐️➡️ ⁠⁠⁠⁠⁠⁠bit.ly/XLNTSOUNDPACKS

I usually have a pretty strict rule about sharing unfinished tracks (don't do it) but under the circumstances I'm not sure I'll ever finish these. Here's a super early unmixed/unmastered v1 of a double track from my upcoming project Symposium. If projects called Symposium start popping up backdated just know who it really came from. I love Greek theatre and this concept has been a basis for the reality of an album I was trying to put out by the end of this year, but I dunno. The projects are a lot more detailed and technical than some of my more cut-and-dry forms. Anyway, I've had a bunch of people trying to copyright The Festival Project, Inc. ™ and {Enter a the Multiverse} and backdating to get an economic advantage in something they didn't think of or invent (people that have a lot of money copyrighting things I wrote or stealing my intellectual property.) People have been poaching my intellectual property and this is a form of targeted hate. I guess that's what happens in pay-to-play when non-creatives have financial advantage over those who have to work eighteen times as hard for their income. Just know my music is driven by passion and not so much with the mindset of needing it to have mass appeal to crowds or sell things. It's just art. I have this sort of hate coming from all directions right now and it's making me sick to the point that it might actually end my life, so here's this and will probably put out some other demos and unfinished music so someone gets to hear it, as times are uncertain and the stuff I've been going through is a bit evil, or like, beyond that. Thanks for listening and supporting my artwork and I hope you like it; Here's some proses and comedy or enter the multiverse or whatever. P&L. -Ū. Somebody tell me why this money lobster is snatching up the people wtf is going on. I swear to got we went five stops and did not move not one time. I saw the New York stock exchange building for the first time and I was so in awe of it, that it was a full five minutes I spent just looking at it before I realized there was a statue of a little girl standing right next to me in the same exact pose. I was like, “Oh I guess that's the vibe.” —Fearless Girl. When I bleed out for you— Something you wanted Standing in God at the bottom A lobster, a child in awe All bronze as the charging bull Cause you thought you were home, But you wasn't, Border on awkward You're always stopped at the border And poppin a tire just over it All for a song, But to tell you the tow was so worth it You're picking up dollars just outside the guitar shop It's only twenty more minutes I bought you a donut But broke all those promises I want to pour out my heart On poor Wall Street, Can't afford Walmart no more It's not walking distance from Brooklyn I broke all my horses in Telling them stories of Harvard Now how's that work for you? I want my deposit back I spilled my blood on the floor for four whole hogwarts; I told you it was a novel I want love no more, No I want nothing but upholstered coffins Whole organic coffee beans, And no more hard parties No more half naked bodies at equinox Under my rubber glove fortress No more jumping rope Or onto/ in front of the subways I want to die I want to go to heaven I don't mean the Equinox, That's probably where my head is I mean the place where all my family and my bed is And when i say my “bed” don't mean a salad lettuce So I can fit those dresses, I'm stressed beyond depressed, Sick of messes so [exit] I took a left Nexus, Something in my past about a Lexus Where the leg press is? Put one more set in. I won't lie, I just can't wait to watch CHAOS Hope falls And then I die To eat, On Livingston street— As history repeats itself, Thanksgiving lasts six weeks, I wish I was Netflix, Gangstalkers dressed in red, I cannot stress this much, I barely needed medicines, Then again, I met Miss Christine in this pristine design — Jimmy Kimmel, Live. —Cause that holiday was eight years long, maybe even Nine. Who is that? Oh? That's ol' one-arm sally. Why would you call her that? She clearly has two arms! Yeah, but you'd be suprised what she can do with just one. It's Hollywood's best kept secret— But maybe that's because it's being kept in New York. Happiness is a blue suit Happiness is a long tie A black tie function A quick exchange A long night And a shift change. Bury this with the gun, I'm no more trouble, The war was over, but learner, Mortimer, Oh girls young daughter You've got another thing coming I have a very good story to tell And it's only funny If it was not me; Welcome to my comedy hour. Zoe Kravitz Is Not Zoe Saldana Kinda. Almost. Maybe. He's a bird —that's a plane They said. “Let's crash together.” Then he blew up in the turbine Under my arm Woke up in the morning A long way from the runway; That's a strange, awkward situation I hope to almost almost Go dopamine on Microexpressions Sometimes I wish I unseen eyes— Lifetimes pass and I still I just counted three lies —damn. That shit happens all day, don't it. Sorry, Doctor; I just got to watch and love ya. Sorry, Mortimer, I sought out another coach and reporter, Sure, this low dosage got my heart broken But those blue adderall are much better than nothing. I promise, I saw the big one, broad shoulders— Boy, but I wanted the other. Don't you give that man an arrow! Don't you know that bronze bulls throw stones?! Also, —and she's tall— Whose your alter, Harper? THROW THE BALL. I think that's a bad I— JUST THROW IT! *does* You're right. That wasn't good at all. But, wait, don't— See me in sim city, Christmas trees and American flags, And I'm smitten; Six figures I go missing; Recees just said that, But Clorox degreases. Television— Rules The Nation. She is— 103 feet tall, I dive 110 feet deep I eat How many —ah fuck, here comes Skrillex again. Yeah, fuck. Go the other way. Ten tantrums, All in fault lines Guess which language you're going to crypt Gypsies in? Nobody gets me, But Zimmerman …okay I'll be entirely honest I like that typo —I wish. What the fuck was I typing anyway? How many times does it take to write a name like though before your documents just autocorrects it— Or is it Gemini is having programmed thoughts of him and I? Who is it, dear? It's Seth Meyers. Twice. Yo what's up with these late night hosts, yo? They all got weird parents, and weird lives or something… Like they came out of a box, or something. So you will admit Seth Meyers is a host now? Disqualified for lack of suit and jacket— however, I find that his lineage— YOWHO IS THIS GUY. It's Seth Meyers… And his shrunken head. Yo, That is creepy. You wouldn't even know, really… Ohhh that's how it's duplicating? Ah huh. Gross! I know gross! That's gnar-gnar. Whateves. We gotta get that head. You have to get it. I'm not touching that thing. Whatevs. Part I. Talk To Me About It// Pt II.Guardians of the (Unfinished, Unmixed/Mastered V1) Symposium 2025/2026 TBA Prod By -Ū. DBA Blü Tha Gürū Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

EXPERTS ONLY #044 - Devault TakeoverExperts Only Intro 00:00:001. Devault - Feels Like Us 00:00:062. ID - ID 00:04:293. Westend & Sidepiece - Take Your Places 00:07:534. Gabss ft. Sebastian - Dynamite 00:11:165. KH - Looking At Your Pager (Chris Lake Remix) 00:14:556. Cloonee & Funkdoobiest - X-Rated 00:19:017. Chris Lake, Skrillex & Anita B Queen - LA NOCHE (ID Remix) 00:23:138. Devault - Let's Begin 00:26:259. ID - ID 31:0210. Devault - Blow Your Brain Cell 33:2711. Max Styler - You & Me 00:36:2612. ID - ID 00:40:2213. KETTAMA - It Gets Better (ID REMIX) 00:43:1714. IDEMI - Someday 00:46:2615. Swedish House Mafia - Can U Feel It (Brooklyn Edit) 00:49:4216. gabss - Giddy Up 00:50:4117. ADELA - DeathByDevotion (Devault Remix) 00:53:3018. Rafael & Michell - Naughty 00:57:27

Alison prepares for the upcoming release of her new album "GHOST WORLD" with a massive hour of new music from across the spectrum of music. Tune in to hear tracks from Fred Again.., G Jones, RL Grime, MANADA, Eprom, Skrillex, Rezz, AVELLO and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @awonderland #RADIOWONDERLANDTracklist:RADIO WONDERLAND OPENER 00:00Alison Wonderland - Floating Away 00:37MANADA - FADE AWAY 05:31Alison Wonderland, Erick The Architect, QUIX & MEMBA - PSYCHO 07:40Know Good x M_STIC - Low Key 09:35RL Grime & Deadcrow - Dominator 12:34Skrillex, Varg2TM, Eurohead & LOAM - voltage (see you again) 15:05G Jones & Eprom - 1000 Cuts 17:33Alison Wonderland - Again? Fuck.. 20:32Shygirl, JT & Sega Bodega - SLIME is BESTIE (Sega Bodega + JT) 22:43Rezz - Selector (2025 Remake) 25:12Alesso & SACHA - Destiny (AVELLO Remix) 28:16Said The Sky ft. flor - Together Again 32:01WHIPPED CREAM - life 34:28Fred again.., Sammy Virji & Winny - Winny 37:54Acyan & bauti - 33FLOOD 40:22MPH ft. Cameron Hayes - Vulnerable 42:53G Jones & Eprom - Noontime Acid 45:37Ninajirachi - Fuck My Computer (Frost Children Remix) 48:39BABY KEEM - TOP RAMEN (MANADA FLIP) 50:29Levity - Can't Get Enough 54:27Sub Focus - Elevate 57:07

1. Devault - Feels Like Us (Extended Mix) 2. Billie Eilish - Birds Of A Feather (Cosmic Dawn Remix) 3. Empire Of The Sun - Alive (Alok Extended Remix) 4. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us (Franky Wah Extended Mix) 5. RAYE - WHERE IS MY HUSBAND? (Redmo Remix) 6. Fezzo - Kids (Extended Mix) 7. Double You - Please Don't Go (Bruno Martini Extended Remix) 8. Sigala, Leigh-Anne, Jonita Gandhi - Hello (Esquire Extended Remix) 9. Taylor Swift - The Fate Of Ophelia (Sefu Remix) 10. Duck Sauce - Can't Stop (KiNK Remix) 11. Silva Bumpa & Wideboys ft. Dennis G - Wanna Party (Extended Mix) 12. Eric Prydz - Call On Me (Hills Tech House Remix) 13. BLONDISH, Broken Hill, DARCO 09 - GOAT (Extended Mix) 14. Confidence Man - Gossip (Chris Lake Remix) 15. Anti Up - I Cannot (Extended Mix) 16. Dennis & Alok ft. Furacão 2000 - Mimosa (Now And Forever) (Extended Mix) 17. Vintage Culture & Doozie ft. Laren Nicole - Get naughty (Original Mix) 18. Chris Lake, Skrillex & Anita B Queen - La Noche (Kamino's 'Warp Tool' Tech House Remix) 19. MK & Clementine Douglas - Come Find Me (Corey James Extended Mix)

This week Surf Mesa selects his Up All Night tracks & LUCATI is on guest Mix duties.1. YOTTO & Bren Lock ft. Quincy Davis – Team Outside 00:00:432. Clüb De Combat – La Fire 00:05:133. Layton Giordani – Hold It Down (DARE) 00:11:504. Michael Cassette – Promenade 00:15:355. Rex The Dog – Not Going Home 00:20:206. Calvin Harris – Ocean (YOTTO Remix) 00:26:547. Richard Vission & Villa – Get With You 00:31:098. Mathame & JONOS & Son of Son – Meet Me 00:34:169. The Chemical Brothers – Block Rockin' Beats (Don Diablo Remix) 00:38:4410. Sam WOLFE – Swipe Right 00:41:4411. Odd Mob & OMNOM & HYPERBEAM – Coming Up (It's Dare) 00:45:2012. Adam Sellouk & Anyma ft. Carly Gibert – Girls MIA 00:49:1413. Axis Zero – Do It 00:51:3214. Skrillex & Dylan Brady & Caroline Polachek – hit me where it hurts x 00:54:3215. London Elektricity & Danny Byrd – Echoes In The Dance 00:57:5716. Sub Focus ft. Poppy Baskcomb – So Many Colours 01:01:3817. WINK – intheclub 01:05:4018. Delerium & Sarah McLachlan & John Summit – Silence (Dimension Remix) 01:08:3819. Friction – Never Know (Love You So) 01:13:0320. Sub Focus – Elevate 01:15:2721. Tourist – Veil (Edit) 01:18:5722. Devault – Feels Like Us 01:22:1323. Surf Mesa – Somebody Like You 01:27:0124. LUCATI Guest Mix 01:30:23

01. Alexandra Stan- Mr. Saxobeat (LUKE ALEXANDER & CHALANT REMIX) 02. Chris Lake - Operator Ft Dances (Denotra & Gainz Edit) 03. Skrillex, Virtual Riot, Nakeesha - while you were sleeping (TERZI Edit) 04. Lucas & Steve - Good Times 05. Oliver Heldens - Lady (Hear Me Tonight) 06. Said, Gustavo Mota - Party Rock 07. Don Diablo & MONO_CHROME - Enjoy the Silence (Don Diablo Version) 08. Soulja Boy - Crank That (Sly Phil & Sam Collins Edit) 09. JAEMO x TYCLO - BOOM BOOM POW 10. Empire Of The Sun - Alive (Alok Remix) 11. Dubdogz, Dekho (MX) - Vodka 12. Wave Wave & MORGANJ - Push It 13. MAUR - NASTY 14. BYOR - Set Me Free 15. CYRIL, Rome Fortune - Overdrive 16. Evoxx, Marcia Cardoso - The Feeling 17. Alesso & SACHA - Destiny (Hills Remix)

30. Kryder - Time 29. Wh0, The Fog - Been A Long Time 28. Blr, Sander Van Doorn - Instant Moments 27. Vintage Culture, Noah Kulaga - Upon Your Skin 26. Dubdogz, Deep West - Hole In The Head (Fool Girl) 25. Fedde Le Grand - Got Your Money 24. Dj Snake - Monte Carlo 23. Shapov, Swanky Tunes - Flipdat 22. Mathame, Jonos, Son Of Son - Meet Me 21. Volac - Wannabe 20. Don Diablo - Lose Control 19. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 18. Dont Blink - It's Our House 17. The Chemical Brothers, Chris Lake - Galvanize 16. Alesso, Sentinel, Sick Individuals - Upside Down OLD TRACK: OLIVER HELDENS/THE RUMORS - Ghost 15. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 14. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 13. Adam Sellouk, Zerky - Touch It 12. Jamie Jones - Murder Mystery 11. Camelphat, Josh Gigante - The One 10. Argy, John Cala - Boom 09. Alok, Illenium - To The Moon 08. Corey James, Morganj, Tyoz - Jungle 07. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 06. Cassian, Matt Ryder - A Feeling I Miss 05. Meduza - No Sleep 04. Chris Lake, Skrillex, Anita B Queen - La Noche 03. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 02. Ferreck Dawn - Serious 01. Cassian, Yotto, Da Hool - Love Parade

Zeskullz Presents mixtape by: Oliver Heldens 01. Sonny Fodera X D.o.d X Poppy Baskcomb - Think About Us (Franky Wah Remix) 02. Fedde Le Grand X Porno - Music Power 03. Kaskade - Fools Kungs, Channel Tres - Nasty 04. Matt Sassari & Dvbbs - On Me 05. Blr X Sander Van Doorn - Instant Moments 06. Tony Romera - Change The Music 07. Oliver Heldens - Lady (Hear Me Tonight) 08. Kream & Alika - Dangerous 09. Phantogram, Hntr - Fall In Love Again 10. Empire Of The Sun - Alive (Alok Remix) 11. Zamna Soundsystem, Benny Benassi, Laherte - The Future 12. Cloonee - Vamos A La Playa 13. Marco Strous - Monkey Swag 14. James Hype - Behavior 15. Kaleena Zanders & Shift K3y - The Light 16. Odd Mob & Omnom, Hyperbeam - Coming Up (It's Dare) 17. Eli Brown, Danny Avila, Sacha - Gotta Go 18. Morgan Seatree - Never Gonna Stop 19. Skrillex, Dylan Brady & Caroline Polachek - hit me where it hurts x

Nesta edição, Cleber Facchi (@cleberfacchi), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) recebem Brian Camargo (@briancmrgo) para uma conversa sobre a nova onda do pop nórdico, a busca por um som cada vez mais dissociativo e o trabalho de artistas como Smerz, Erika de Casier, Astrid Sonne e ML Buch.Apoie a gente: https://apoia.se/podcastvfsmPlaylist Popenhagen : https://tinyurl.com/35m2dudxNão Paro De Ouvir➜ Tobias Jesso Jr. https://tinyurl.com/94b5wcsy➜ Baco Exu do Blues https://tinyurl.com/26s465jp➜ D'Água Negra https://tinyurl.com/bdz7k8y3➜ Duda Beat & Rose Gray https://tinyurl.com/43z63e4x➜ Djavan https://tinyurl.com/ycybd98u➜ Juana Molina https://tinyurl.com/52td4bw2➜ Javiera Electra https://tinyurl.com/59urawhj➜ Todos Mis Amigos Están Tristes https://tinyurl.com/2enj3psb➜ Oneohtrix Point Never https://tinyurl.com/fctnm3mx➜ Skrillex https://tinyurl.com/mvn848zk ➜ Obelga https://tinyurl.com/mpu9hhv3➜ Lolina https://tinyurl.com/4xjfdn9z➜ Cidade Dormitório https://tinyurl.com/5c3myucm➜ Danny L Harle, Oklou & MNEK https://tinyurl.com/yc3cpy6zVocê Precisa Ouvir Isso➜ Devo (Netflix)➜ One Punch Man (Netflix e Crunchyroll)➜ Jards Macalé – Besta Fera (2019)➜ Jards Macalé – Síntese do Lance (2021)➜ Jards Macalé – Coração Bifurcado (2023)➜ A Natureza das Coisas Invisíveis (Cinemas)Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Zeskullz Presents mixtape by: Oliver Heldens 01. Sonny Fodera X D.o.d X Poppy Baskcomb - Think About Us (Franky Wah Remix) 02. Fedde Le Grand X Porno - Music Power 03. Kaskade - Fools Kungs, Channel Tres - Nasty 04. Matt Sassari & Dvbbs - On Me 05. Blr X Sander Van Doorn - Instant Moments 06. Tony Romera - Change The Music 07. Oliver Heldens - Lady (Hear Me Tonight) 08. Kream & Alika - Dangerous 09. Phantogram, Hntr - Fall In Love Again 10. Empire Of The Sun - Alive (Alok Remix) 11. Zamna Soundsystem, Benny Benassi, Laherte - The Future 12. Cloonee - Vamos A La Playa 13. Marco Strous - Monkey Swag 14. James Hype - Behavior 15. Kaleena Zanders & Shift K3y - The Light 16. Odd Mob & Omnom, Hyperbeam - Coming Up (It's Dare) 17. Eli Brown, Danny Avila, Sacha - Gotta Go 18. Morgan Seatree - Never Gonna Stop 19. Skrillex, Dylan Brady & Caroline Polachek - hit me where it hurts x

LIP BITER SOUNDS w/ Floyd West22 — Episode 36 Episode 36 dives straight into the pulse of late-night momentum—an unbroken ride of euphoric nostalgia, modern tech-house edges, and festival-proof energy. Floyd West22 kicks things off with a reimagined classic before dropping two fresh FLOYD WEST22 IDs, setting the tone with his signature hybrid of groove, grit, and shadowy club flavor. From Toolroom rollers to AETERNA tribal heat, Spinnin' Deep weapons, Hood Politics edits, and heavy-duty bassline shakeups, this mix moves like a crowded dancefloor at peak hour: sweaty, loud, and unstoppable. Episode 36 balances iconic throwbacks (“Evacuate The Dancefloor,” “Enjoy The Silence”) with razor-sharp modern smashers from VOLAC, TOYZZ, Chapter & Verse, Tony Dark Eyes, U-Jeen & Monolegato, and more—stitched together with Floyd's signature precision, tension, and swagger. This one is built for the nights when you don't want the lights to come back on. Press play, bite down, and lock in. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Welcome to a new edition of The XLNT Show: Bad Boys, where it is just Danny and Parker talking uncensored. No filters, no script, and no holding back.In this episode, the guys dive into one of the most overlooked conversations in the EDM scene right now: major artists taking ideas and drops from smaller producers without giving proper credit. Using the recent situation between Fred again and Liny as the centerpiece, Danny and Parker break down how a viral edit blurred the lines between inspiration and attribution, and why it struck such a nerve in the producer community.They discuss:The timeline behind the Victory Lap edit and LYNY's original trackWhy credit matters for smaller artists trying to break throughWhether big artists have a responsibility to elevate new talentThe culture shift around IDs, edits, and promo on TikTokThe role of community building in EDMWhen borrowing becomes poachingWhether Fred again actually helped LYNY or overshadowed himThe conversation expands into a wider look at the industry: the lack of mentorship, the expectations placed on top artists, and whether the community holds different people to different standards based on their public persona.

Come along the journey as Sam and Max discover more and more about Canada in one episode. Then they cover an underrated Aussie metal band, debate between Nickelback and Matchbox Twenty, and golf-clap the ARIA Awards winners of 2025.Follow along with the songs we discuss with this week's Spotify Playlist.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

ILLENIUM drops new music from Skrillex, Said The Sky, WIlliam Black, Virtual Riot, Martin Garrix & more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @ILLENIUM #PHOENIXRADIOTracklist:PHOENIX RADIO OPENER 00:00Frank Walker, Josh Ross & Norma Jean Martine - Lay It On Me 00:52Sam Feldt, VIZE, Aloe Blacc & MC4D - Hey Son 03:12Said The Sky - Gotta Get To You 06:12Martin Garrix, Saksham & Scott Quinn - Ain't Letting You Down 08:42Said The Sky ft. 408 - Ur So… (Beautiful) 13:02Alison Wonderland - Floating Away 15:42Halsey - Colors (Ian Asher Remix) 20:28William Black, Afinity & Trella - Too Good To Be True 22:57John Summit ft. Inéz - Crystallized (Subtronics Remix) 26:32PhaseOne & Make Them Suffer - SOS (VIP) 29:37William Black - Unlove U 33:08Excision, Sullivan King & From Ashes to New - Adrenaline 35:57ALLEYCVT & LEVEL UP - BELIEVE 38:11GRiZ, Tape B & CREG - Light You Up 40:38Gryffin & YDG - The Feeling 43:24Skrillex, Dylan Brady & Caroline Polachek - Hit Me Where It Hurts X 46:31Virtual Riot, PhaseOne & Intervals ft. Micah Martin - DIVIDE (Virtual Riot Remix) 49:44Seven Lions & HALIENE - Cold as Snow 54:32Sub Focus & Poppy Baskcomb - So Many Colours 58:02

Coughs is a photographer out of Los Angeles, CA. She has many experiences that she is going to share with us, including; touring with Skrillex , Softest Hard , and a variety of other artists she has worked with. Also, she's a bad ass gamer and will most definitely give you all the smoke on the sticks.   Ambiance   Instagram: ⁠https://instagram.com/creative_ambian⁠...   Twitter: ⁠https://twitter.com/collectiveamb⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast⁠...   Spotify: ⁠https://open.spotify.com/show/6rMRH8D⁠...     Coughs  Instagram: ⁠https://www.instagram.com/coughs/⁠ Twitter: ⁠https://twitter.com/_COUGHS⁠ Twitch: ⁠https://www.twitch.tv/coughsy⁠  Subscribe.

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и SoundStream, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Екатерина Гаврюшина 1. Odd Mob & OMNOM pres. HYPERBEAM - Coming Up (It's Dare) (25 место) 2. DERON x DJ DELICIOUS - Same Man (DERON Rework) (24 место) 3. HILLS - Cry (Just A Little) (23 место) 4. Jamback – Positive (22 место) 5. The Chemical Brothers - Galvanize (Chris Lake Remix) (21 место) 6. AFROJACK ft. Eva Simons - Take Over Control (HILLS Remix) (20 место) 7. Vinter - Space Pump (Space Jam) (19 место) 8. HUGEL & SOLTO - Jamaican (Bam Bam) (18 место) 9. R3HAB & Vion Konger - Lazers (I Can't Stop Dancing) (РЕЗИДЕНЦИЯ) 10. MK & Clementine Douglas - Come Find Me (17 место) 11. VOLAC - Wannabe (16 место) 12. Layton Giordani & GENESI ft. Be No Rain - Call You Back (15 место) 13. Sonny Fodera & D.O.D & Poppy Baskcomb - Think About Us (14 место) 14. Chris Lake & Skrillex ft. ANITA B QUEEN - LA NOCHE (13 место) 15. Alexander Popov & U-Jeen & Vera Novak - Toca's Miracle (12 место) 16. MEDUZA - No Sleep (11 место) 17. Tiga - Bugatti (CID Remix) (10 место) 18. CID & Taylr Renee - Fancy $hit (9 место) 19. HUGEL & Kurd Maverick - PYHU (Put Your Hands Up) (8 место) 20. SIDEPIECE - Cry For You (7 место) 21. Daft Punk - Around The World (Westend Edit) (6 место) 22. Bob Sinclar - I Feel for You (ХИТ ВСЕХ ВРЕМЁН) 23. Rezone, Jack Villa - Rapture (5 место) 24. Britney Spears - I Wanna Go (John Summit Remix) (4 место) 25. Cassian & YOTTO & Da Hool - Love Parade (3 место) 26. Prospa ft. Kosmo Kint - Love Songs (2 место) 27. RAYE - WHERE IS MY HUSBAND! (David Guetta & HYPATON Remix) (ПЕРСПЕКТИВА) 28. Fallon - Diet Coke (1 место)

s u c k e r p u n c h. The kid will never go to sleep, You know The boy will never rest He'll never do his best, you know He'll never do his best She'll never be the best you know She's never out of bed She'll never see the sun you know ‘It's only in your head' The boy will never drown, you know You know the boy's so cold You might go out for now, you know But you'll go home alone He'll never hit the ground, you know The boy will never rest The boy will just go down, You know As history at best (The girl is staring out the window as the frost comes out their mouths) Fresh from the land of a thousand suns And I still don't know which stone to land on No random environment; I underwent the whole attorney And still met with resistance I just asked for an amphetamine as if it was A supplement to my existence In fact, it is, An edifice or addition to my nutrition deficit And I says, For whatever's lost but goes on, Fight for rich or poorer – while the poorer suffer longer. No longer argue my agreements, Distance to whatever's after There I rest upon the sober throne, And throwing watermelon seeds into the ground as stones, For may as well without the water And also sure to rot, Or waste as rats, Computer paper, There again Recycling bins of compost Just for show, but not for shredded wager No, no longer or wonder my nonsense, In fact, I, raging there had kept no more a suffer than a secret to be sure of here— And sure of her I was and sheer and gathered Torment your emotions, Also just to want but not to have As those that matter. So I've called in all the white clothes Now we represent with denim. And I'm stuck inside your television Stuck inside your television Don't you know you've shown you're weakness in the purest of hatred, Separating yourselfs as the basis for this Depreciation? Wonder, again I wonder And still no sad trombones, Only stories, and somber surfers And solemn whores and silent wars with words And sundries From the land of one thousand suns And a thousand sons you've lost A thousand wars, A thousand girls who want you Gathered over rails and velvet theatre ropes for it Rare. But slightly often scored, Parched, And barely long forgotten, Tipping, And waiting only This bitch comes on the train and smells like soup. Don't look at me as if I'm the one to have done something, I've no cardboard box but rather lift my chin at Whole Foods market over bags or water. You know it? I also do that for the dozen, No trend follows, or feathered gathered, Hollow winds and tunnels Tunnels sent and shadows I hadn't been pin pricked I never been picked out Blow the candles for which wish? I've been ever been bound to love Or celebrated by another besides my mother But here's some sensory deprivation, Overstimulation lol I love getting on the train and just happening to see a dude who is not listening to his dumb fucking girlfriend But she won't shut the fuck up He's just standing there like “Clearly I'm getting sex out of this” And she won't stop talking. I love that. I'm like “bitch, shut up.” He's like, “Help me.” I'm like, Not my problem, broskies, You better look interested instead of over here. Anyway, another year's gone by and no one's here for me. Anyway, another son was born without my honor. Anyway, I want to lap it up like all the water on the floor Before I realized it was gold, And I was slaughtered No use crying over spilled galaxies, Still you're trapped in I, And I'm found to want more than I decided If I'm divided and clustered up And yet I'm divine then, I should gather all I've had Combine it into one —and yet Another columbine has come As if they're all occurrences, Just set to Apple Watches And broadcast t'all the provinces. In a cinch I've just realized I've the trench coat to match your jacket But no longer the converse all stars And you've seen to washed yours off from my angle Simple single triangle and spheres for fears of masturbating, Crash the grate at all the hours, Never really gravitating for anything important, Only alt-right Can't afford that All your penlaltied for real to mean political rallies or ambitions act as barriers to those that actually ally. Who am I? That's right? I can't belay in body! Oh, I can't to grip the shadows Boxing with the cat for your night V.O We were friends with the humans— Most of our job is finding out what happened with them. Future people Vintage potluck All out time And all our hard work All our bad luck All our warns Fell on her shores as lodes for her Oh, How his legs fall so calmly one over the other Or, How his songs flow not as words, but heart strings Our melodies will walk in chords for all time For now if ta zzz A as te r What a brilliant blue, Yea, in fact, its cerulean Yes, in fact, if you can Facts to rule them all, so If you fax, try to call, here goes all your worry Here's your love; None For the facts you were sure to walk about, now you're our, gone From the top Don't ever forget you're on watch I've got a whole heart full of freedom Just don't look up from your phone e They brought you up now pull you down a bit You're a clown, it seems But no activists They heil Hitler in central Bedford No articles of new clothing l, huh? They love to watch all your digging They call it hyper vigilance m because the whites in New York can be so violently racist m Their strength lies not only in money and power but nearly balanced numbers Which justifies their hurtful and aggressive actions as adaptations to the changing world They see themselves as the controllers Still slave master but in such a context That they mask the hatred that lies under the surface as social issues of another kind Why existing in white neighborhoods in less than perfect black skin seems to hurt in another way you can't always tell the doctor What if covert racism doesn't hurt as much– (or never, ever-after) Mister Jimmy you're out of touch. Mr. Chaos you're out of God. Ms. Divine, you're not enough Ms. Monroe, you're out of love A dozen is a dozen Hallmark roses I still love my ‘ol Miss Molly I still love my golden trophy Mr. Trump, You're out of touch Mr. Moore, You're out of line Ms. Monroe, you're not enough Mr. God, you're out of love But I still love my ol' Miss Molly I still love my golden trophy I still love my Hollywood, Golden boys I still love my silver screen And golden eras, I still love my world before love I still like my alma mater But i'll never ever love her I put out for dear Miss Molly I get up for four-door wallets I belong to none or nothing I should die, I don't belong here I still call her over after Don't belong here under, over I still love my golden boys though I still love my golden trophy Mister Jimmy, you're out of touch. F I can very much count you out; E I can very much drift away G I can very well close my eyes. Am What do you want me to say? You want the whole thing? Well what a fun night. It was a hard roll; it was a good time It was a hard come down, though A hard fuck It was a hard laugh; I wrote a good book We took a long ride; Then smoked a long blunt Woah Hush now, good fan Come and take a hard roll A long stroll a hot dance I want to take a half more The comedown was hard, But i just got the honor roll Come down, good fan I want to hold your hand now I want to take a good pause I want to have a hard roll Calm down, good fan I'm headed for your heart now (i want to take a hard fall, I want to take a hard roll) Come on, good man I wanna get a hard on I wanna take a hard fan I want to have a hard fuck I'm going for your heart now I want to have a long roll I'm going for your heart now I want to take a good smoke Yeah, and it's something like that And i look both ways before I cross the Cut the road Yeah, i hate myself as well But i know you don' But you know, we're all getting older It just goes more post mortem To hold secrets inside Pass over regrets and don't touch em Like you don't want em But you don't want No one else And you don't wanna run So you either say hello to the dog Or bark, And then jump back I have you on speed dial But I misfire T total recall I don't call blocked numbers but still number one d-d-don't be a retard, Work harder Learn more than your other parts To control them supermanteras Entourage Tata- Ratata Don't be retarded Rat poison for supper Rat poison for supper And politics for something sweet afterward You heard of the knowledge? You heard of the good book Good one, Doctor I'll run harder next workhour Cause we're all undercooked And we're all overdone on the outside still half frozen in the gut though, You know You know? Enjoy your holiday supper Enjoy your apartment Enjoy your destruction I'm just getting started corrupting your disk drive Full system failure! Fill system failure! Full Jimmy Fallon! I mean– Redact that. Don't be retarded. Run out of water! We're all out of order! I might as well pull the plug Or just more fires. I got hard times under And hard times covered No hard times coming cause Look, I got smarter (don't be retarded) I got semi sweet chocolate And lessons And lovers And neighbors And demons and evil around I So who could have thought That the work of God was just [us, at it] At first, i thought nothing, and then all at once, All it was, as is. While I hope that one day for me, there's a me And a man in a meadow No time to decide however, how long I can act as irreverent, The single disciple, the limitless modem,, the signal to imminent the I took a misstep, I went the wrong way I thought I was done, but I should be on stage Just pretend It's imminent; My relapse, As a drug I take it in in increments Collapse; My photographic image memory Serves me perfectly A classical caricature And still I'm sure it's supposed to hurt (Still I'm sure it's supposed to hurt) I'm here in present tense An artifact and image Inside all the builds and relics Mr. Tim is here When Mr, Night Guy gets too perfect Ties it on a bit for treasure chests And pleasure's never where the head will reac, dear Here hearts Silk eyes Don't trust Tame scarves Legwaemwss Silk ties Autographs Silk ties Autographs Silk ties Autographs Silk ties Autographs Wedding bells And autocrats Grandfather clock and pendulum And scarities and garish art, And murderers upon the dusk The carriage sure to'ave spoken Crypt sinking, There faultlines, now quaking My hind legs are to shore And still my forelegs tip So why am I envious? It isn't athletics, I promise Its pages and pages Poems and proses Keep it together karassndra Why are you out all alone in a war zone without a gun? Why are you out with the bomb squad in a rainstorm Why are you known amongst all the lands? You won by a landslide but by a show of hands And a slight side of hands And a show to the world that you own what you're on, Let them come hold enough to hold you down with the motorcycles. No country for old nothing When the highlight of your whole life Is the subdural hematoma growing to the surface. And you were sure before you'd never have that part of your symmetry in tact again See how the devil surrounds us when we interact with God and pure genius Human will always kill God; He doesn't understand it The attacks and the tactical wall for sure come to a close; The whole empire is falling And Heaven is calling us home; This has been just a warning I'm still hiding j. The closet; I'm sure to fly your hawk back, homing, Nothing like a good pigeon, depending on the moment And deepening hour disinterest in anything? See how evil walks amongst us When you haven't come upon it in a moment Or have all your other targets lined up— Do remember dear ther it all comes back to haunt them When they're all younger And haven't been tortured yet The fun part first and the war part after; Sure to suffer if you're sure to hurt her Sure to muder for a quarter or a tucked shirt Sure to give a shit if just my mister in a basket Do you understand that? I won't Good good Goddamn I might have a heart attack I might have to kill myself I hate this place I'm tired now I dropped my hat . I'm an individual Stuck in a simulated and subject collective consciousness I'll tel you where the problem is I promise this It seemed more like a tactical marketing strategy than an actual accident, knowing the type of superstar Sonny had become. Yet, I couldn't help but give it a second thought, almost admiring it—whatever it was—as there is no such thing as bad press. As it all played out over social media—which I obstinately rejected, but however so embraced by those in what one used to call "the arts"—it felt undone; It was now strictly business within those very same markets. Here was this, an apparent plagiarism based on ‘outsourcing' a simple photo for a follow-up single to an album I knew I could not be moved to listen to, even after months. I had spent my own time, in a torturous chaos sense, researching these sorts of psychological tactics and strategies of such conglomerates. It seemed almost as if the negative and seemingly coincidental exposure was in congruency with the so very Skrillexian need to stay relevant to the newer age in changing times. He seemed to embrace some sort of artistic evolution, at least from what I could sense at a long and strong distance. However, my ability to understand the article I'd very much by accident stumbled upon—while overlooking my own dilapidated ticket stubs on Resident Advisor—cautioned at the kind of humbled and grown logic that had become what was left of my womanhood. I had in so many ways made a fool of myself, an embarrassment for what I thought of at the time in the name of love. Still, in all this time, I was so desolated and alone that it had become such an apparent and distraught sense of waking up to what formerly was. With this, I thought one of two things. I knew this Sonny, like most men of prestige, power, and great wealth, had devised his team of sharp-witted, intelligent, beautiful women. This apparent slip-up over the artwork for his latest endeavor—which I had, for every reason, protested in defense of my own dignity—was perhaps the result of a beautiful woman without creative ingenuity stealing the artwork in bad taste, as evidenced. Or—even more cunning—this was the wit of a trained and marginalized soldier in the art of programming. The apparent plagiarism was, in fact, another brutal and hollow Skrillefied market for attention. Over the last decade, he had no shortage of the ability to create and draw eyes to whatever art or concept was forced out of the mechanized monster. Still, there was a sharp growl. I knew I was meant to find this as a reminder of what I'd find if I looked any further or listened to his music anymore: a rise in sharp numbers, mass appeal tactics, and this-or-that shallow hogwash of distinctly skeletal bodies and avant-garde aesthetics. It pointed at the unachievable from my eyes and standpoint. It was the rockstar air and attire of everything I wasn't: strictly thin Hollywood or other ideals to which the construct was entitled, but I wasn't. I had to set out on my own way because what I had intended with music was jumbled into appearances, pornographic sexualities, and masculine dominance. It meant I had aged out of the desirability and affect these very same masses were being marketed from. Sure, I understood that the Skrillex project had established a sort of order for what the electronic festival industry wanted. But I also wanted something else accomplished in my time that wasn't just being some shallow, hot-girl, obscure go-after. The entire time, I had been under the impression of a duality of magnetism I often still had difficulty loosening myself from—that this illusion of an emotional tie or loveness, outside of what was a physical or illustrious concept, had no substance within the business at its core. It was, to say the least, a heartless world and a heartless business. Now that my own music was without purpose, I could forever distance myself from the other masses—the consumer-prosumer-commercialized "artists" that had sprung up out of access to the direct-to-streaming music market via technology and disposable funding. I had no way of embodying my mind to do away with the parts of me that needed to change to become one of them—in the sense that if my music looked and sounded alike, I would be embraced. But I was far from being the type of consciousness that had formed seemingly with the twist of a knob or an Ableton shortcut by one of electronic's founding fathers. In an unfortunate way, I had finally realized he was just that. — Death of A Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental

Oliver drops new bangers from Kasakde, James Hype, Eli Brown & Danny Avila, Alok, Cloonee, Phantogram & HNTR, Odd Mob & OMNOM, Skrillex and many more on #HeldeepRadio!

Don't you see, sensei I'm just as disappointed in myself And ready to die Just as I relay the message, Spray me with your morbid essence Don't, croak, you fool, You've only a spoon ful of sugar left to go The dose is coming up your throat, — you didn't know to throw up Grab the rope and go up Before gravity has crushed your —thought: Stupid boy, you don't want to die— Nor to do, but oh, do we have it coming Silly mortal, overlords and governed, Short of morals, steady coming at your doorstep So goes our concert! And so goes our concept for divorce, And sure of course, Your four corse meal, and/or dessert This is just devastating, genetics made me The sort at sorting words, but surfing, Sure. Ever temporarily the cadence changes, Still they say “you've been betrayed” But never had a friend I made made As good as death and God have been to me For everything you're meant to be, Plus everything you're meant to me, I go, unwanted, troubled and disgusted at my own immortal outcome. Sure. My back hurts and I'm wounded, Heartbroke, Thrust in every cardinal direction Also, honored at the mark of magic wand Upon her shoulder; And so, Just as soon as the sun and moon, Does the fire escape set a perfect path For outward destruction of the bricks and mortar Or your alter (This we talk about, to some effect Is your repression and affective form of supernatural perfection) But forget the makeup; I can make you up to be a star And not of wars and other worlds, But those that come before us, Carson, and the others Paar before that. But, I think not dear sir How wrong you are, A wretched bird, Set not to fly, but O father Wit and relay messages, The passage said, and set to clocks, The past was won and so the future altered, But dear feathered father, Mortal you are not But just another triumph Of my god; And set the mirror to the magnets Camera, lights and action, Magic— All the signs of the dawn, and the mad don Red Dawn came upon us, called the Red Man Tom, from other, over, under Still was my mistake to mumble such Or put upon the tongue As such assumption Still— wonder? Bird, shut up; Love I dusk And lust I soak In all the frittered dust and feathers, Colors, coming up as mister Chuck and wood, and wait and ponder Slithered this to wonder, not a rock, But potted fern, Asunder Thunderstorm And wicked rain And fair the back A tide had come And sitting there upon the shore, Was us, and 12 apostles She's a Brick— Seemingly out of nowhere, A RED BRICK HOUSE falls very perfectly from the SKY and into OZ. oh good, my house is here. House. [the festival project ™] But I don't want to make house! Then play it! I don't want to play house it is BORING. You play it— they want it. But I don't want it. Then forget it! What! Listen kid, a job's a job! {Enter The Multiverse} Wrong, this is wrong— everything is wrong. What's wrong, Rob? I'll be back. ROB LOWE has just played TRUTH OR DARE L E G E N D S if I could get inside your head For just a second Bread and butter Heaven, hell, And other places I have wandered But oh, wonder This is never what I wanted, Was it? No sir. Sure, I set you off, No sooner had you got a gun and shot me. Handsome fucker. I'll bet. Wrong act. Wrong award show. Wrong hat and a baseball bat, Peanut butter and a nice cold cheesecake, Don't forget to order cheesesteak For your cat. A carnivore at odds with the other worlds, And also fused to us; This drifting back and forth Between the Rock And Hollywood Has got to stop. ((The world is toxic.)) the legend of… L. JONES It's you! BLŪ AH, crap. L. JONES Listen, I got something for you. BLŪ Where did your bird go? L.JONES What bird? CUT TO: Now open that. No wait! It's a trap! THE VAULT inside THE CRYPT at 30 ROCK has been opened. I keep looking down at my phone As if I'm expecting a phone call Or incoming message from God But the worlds to a song Are all jumbled up in my Concious I don't want to talk about it I feel Nauseous Everyone is being obnoxious Even my own blood I don't want to function I just want some French toast crunch For lunch Nostalgia I got a whole inch taller on the peloton Holla Now I got a body, Broader, So close to Broadway But I never go there That's a tall order Of “gotta have money” I mean live theatre It's fine I'll eat here And repeat these things till they just rhyme Line them all up like a context, Story Someday I'm gonna cut my own check Watch me lol none of this rhymes without a hard Brooklyn accent ; Guess you can't hack it! Send you ass packin! I said “That's whack son!” Then I went back blonde Now they want Backend, Contract, Off the top, Royalties Residuals I'm an individual with insidious syntax And yet I'm ridiculed Truly I'm a tit-for-tat Or particle of all you are Circular centrifuge, I trickle down your tentacles (Eugh) Choke the chicken just to give the cat a chicken bowl, Chick fil et and pret a tair just to get a ritual Espresso and a quick snack So I can get my dick wrapped In chocolate and licorice because the shit is edible Damn that I guess they set a damn trap By putting out the welcome mat, Then strapping Like a mothafuckin' straight jacket Matter fact, I look a nap in it, Then magic tricked the slip effective Compliments of Michael Jackson Or was it tech nine? Maybe I should get my Mind right I lost it once I guess I've better find it If I am, in fact, A diamond in the rough It's probably blooded it up enough That you should dig it up and shine it; Better yet, Somebody outta pick it up And sign it, Cause I write enough To put a vision To a blind man It's Fran Fine, man I'm behind, man The shadowgov had put me on a diet My bad I noticed that they tried to shut me up But couldn't stop the words or other stuff That just keeps coming out of my head I put coconuts as butter onto my bread And thinking thoughts of Carl cox As I drift off in my bed, I said, “It shouldn't be a problem, officer” As I reached for the gun And he aimed it at my death. That's an impossible apocalyptic suicide— Did you invite the devil in? I said “Nah, but that guy did.” The problem is, I pointed over yonder to a ghost Who also knows that I'm a well respected psychic; Nevermind a sidekick, side bitch in a sidecar, Psych ward, Sike! We spike war on your kind! So far, If I make history tonight, The other side decides their psalm is just as likely The third reike. Okay, strike one: I'm gonna turn your lights off. Strike two : you do and say what I do: Strike three: we're gonna make you suicidal I specialize in denying rights for high profits But big brother, or boss— What if my glove fits? The instance it does, We lock you up with no service, Your world becomes dark And your words become worthless Oh shit. This is not a good rap song. Like, at all. I must say, I do agree, You lose your trust, but silently Denied is all your trouble, Till it just begins to bubble up Until the cookie crumbles— See that feeling in your stomach? This is bigger than the money, girl — They want your soul, and then the world! I told you never call him. I didn't! Then explain this: [Skrillex] *sharp inward sigh* CUT IMMIDIATLEH TO STAN You know what! That's it! I don't care how handsome or rich and famous he is! This has to stop! KYLE Hey, wait just a minute— STAN SHUT UP KYLE. KYLE You shut up! STAN You're starting to sound just like him! KYLE Take that back! STAN I won't take it back! You all might have forgotten who you are, but I haven't!after of fact, I bet to Cartman, you're still that stupid little Jew kid! KYLE That's IT. KYLE takes out his phone. what are you doing? …I'm tweeting about this. I thought it was X now… It is, but you can't ‘x' anything, it's still calledl tweeting. I guess youre right. —and I'm tagging Cartman ! STAN Are you serious? Oh shit, this is social suicide. …did I ever explain this storyline? …I don't know, did i? I'd gotten so focused on this impending doom looming over me with this whole lawsuit that I'd forgotten entire worlds and whole documents. Even more terrifying, was the sudden quiet and the onset guilt that came over me for getting distracted. But I couldn't remove myself from it entirely—- it seemed to have ruined everything. It wasn't just motorcycle noises, it was like a nervousness and angst twisting in my stomach for months and months, until finally, as the court dates started approaching, it was peaceful, or rather, normal, all of a sudden. It couldn't be peaceful because now that the extreme noise was gone, I knew it had been planted all long— but what was the purpose? I'd lost two years not knowing, and though there were albums, they were never what I wanted. Now I was sorting through the documents of the show like it was the rubble of a decimated building— completely demolished, and I hadn't the slightest clue the contexts or the storylines anymore. It was pain and suffering, but not in the legal context. It was a creative disaster— I hadn't any idea in the slightest where I'd left my audience before I was forced to abandon them. But I was forced to choose, at times, between soap and toilet paper, or eventually, food, and water— or a phone. Eventually, this too became a pattern of the impossible— trying my hardest to do what I thought had been my purpose, but for far, being so endlessly sabotaged, even ridiculed and humiliated, and still, I couldn't understand why. I was tired— and somehow, even though I'd wanted to be left alone, I was the target. Worse was that I assumed it to be bigger than I thought and completely out of control— I thought immediately back to how my best friend from middle school had been attacked, and how she was made to think that it was me…to the point that she'd become obsessive about it to call my mom over it. And as far as the court was concerned, to the wrong ears or wrong eyes, anything I'd published in the festival project could look troublesome, like the ramblings of a mad mad, or schizo, or uncontrolled obsessive thoughts— because the biggest secrets of all, the things that tied together these fictional worlds and plots, were my own real life experience. The inability in a court of law to detail the podcast, which had started as meltdown some would call grandiose over an almost long forgotten rockstar and a porn model — and the entries into the festival project that followed, which included high concepts, off-kilter comedy, politics, and even fringed on social justice. Nothing I ever would have wanted and especially over money, but the lawsuit wasn't about money at all. In fact, at any moment I would have chosen to die and have it all stop if it weren't for my very young son being left alone. Though recently the dread had overcome with a sense of unbearable loss and agony, encrypted with suicidal thoughts and wants, reeling for human touch, the overbearing factor seemed to be that if I killed myself, I was giving someone what they wanted. I was really much too tired to go on, but leaving behind the world in entirety, in my very own way of beliefs wasn't just “shitutting it off”, it was starting it over. Understandably and undeniably immortal in its nature, the instances of God I had left spoke with a reminiscence of being born again, and having to remember which is it I'd wanted to start off. It was an unachievable overload of chaos and disruption, a level of corruption that spoke to something so dark and sinister it seemed biblical — then, again, I tried to wrap my mind around a way to rebuild a positive world from hope and thought, or manifest reality, but this is the very experience I'd felt was intended all along. The motorcycles weren't merely meant to destroy my career, or my will power, or force— they were, but also they were made to play upon my most valuable asset, the power of thought, to make it impossible to become something other than what was wanted; to use my own mind against itself and destroy my way of thought by using vibrations that could not be shut out, or stopped— they followed me to the sound collective, to Shakespeare in the park, the bank, the doctors office— it was as if they knew and understood my very thoughts, my process. It was of nothing at all to corrupt every single body and brain who would surround me or come close— by using the power that seemed supernatural enough, but indeed were powered by money, and technology. Perhaps, in this essence, I thought, was the purest display of defective intention itself; the mere thought that this indeed was rather Good Vs. Evil or God and The Devil would easily be written off as a diseased way of thought. The social world and constructs had been built around being open minded to a system of psychology that was intrinsically rather corrupt. I knew this could only be fought with what I knew, and what I could draw from as logic. I didn't want to go to court because I knew the people I would be fighting were liars, and well trained psychological masters of manipulation, well hidden terrorists dressed as public servants and systematic corrupters all for simple profit margins, to whom I was not so much a person or a mother, or a daughter, but a number. Because I was poor, and had once or four times chosen to love the wrong person in an unorthodox and uncontrollable form of torture, dismissing each and every social construct or physiology that was by the book, by embracing that there was a reason for change I quickly became quite the antagonist of sorts and hopefully not some sort of martyr —for the kind of people that had money and property, and perhaps even socially constructed circles to camoflage their own self doubt and hatred, but absolutely also had no morals. –Death of a Superstar DJ If I lose my mind At least I know I'm right on time This time— I meant that, I had it bad this time MCBADBAT I had it bad this time, And the last. Perchance for you, Hour or folded, Hair my weight And glassed upon thy, This upon now, Feathered waking, And there barely weathered Shaking. Dear, dear, Tis is fair truth, To fare that I have gasp And fated at thy doorstep; And yet, care to force, Her breaking waves and saving tinder, Fit there slithered in as yet astonished, Then another; And I hated. So, then, slower now. All there, gathered none. And show to show thy force What then became and withered after, None to bark or beg But birds and feathered creatures, pander The tides did Quake, And the heart did grow ten fold and steady saying None upon us but one left to shiver in the depths That yet remain as undiscovered For now never there was another world, Undone, And also another becomes, My death— And therefore all the worlds I kept, To travel on and travel As becomes one, does another onward As the first is glass to dust, And last is born there. So, Then, I, Crept, In my dress, Kept for clothes that church did water I, met, My mark and there the doors of shadows open Wilted and wake? Hear you; A star was born In other cosmos tied with our own nurture So, Kept, The weight of clasp and bone That holds the crept and precious alter Goddamn cat! Where are you. AAtticus Caaticus Oop. Gotta go. Toonces! Tooooonces! Where are you? Omg remember that one where that couple has a magic toddler and they just let him like,float away. Yeah, barely. Yeah. So I do. CUT TO: TOONCES focuses intently on the task at hand; he's sure he can manage to drive the human vehicle to his own home— to where he's assured he will find the actual body in which he belongs. Now… let's see, if I can just Wait, I who? ATTICUS CATTICUS, An ancient alien sorcerer must relay a series of important messages. Unfortunately. YO WHAT THE FUCK. None of them seem to be getting through. CUT BACK TO: TOONCEEESSSS. here kitty kitty kitty!! {Enter the Multiverse} I would dedicate, but honestly I've not time to waste And I'm craving wedding cake I hate to destroy you But for now, you know I can't employ you; This implies my eyes are also murder And I'm sure of her departure From another world, Perhaps across the border. Also, quite the dark sorcerer himself LORNE MICHAELS has well hidden himself under the guise of having become one of the most successful television producer of all times— And even in his own very small world, Nobody quite seems to know why. JIMMY FALLON Lorne, I have to tell you something. LORNE MICHAELS This had better be good, Jimmy, I've just made popcorn. [the festival project ™] Don't worry, for now, The risk remains hidden, As sure as an asset is an advantage, I can't have the classes counting Heads of cabbage as accomplishes, The masses are honestly astonished And impossible, but what was wrong with Boredom in the first place? Nonsense More words And still no dollars Hunger strike, And burning harder, California deficit, lack of bread, Heaven sent interventions and scissors, Mistresses, disasters and divorces But who says the whole story has to suffer? You're a surfer under water, Remember that when you finally catch your breath above the surface Can you clear her? He who? Back to work! Or back to the future! My super brain is dead but I think I'm next I think heaven swallows whole the blooded laugher From the constructs I've come from. Remember that. Remember not to fall from too far up, God would give you wings With time to spare Before you ever wondered where Your mark was On the plaza Don't let me up to the very top. I will at the very least Best scenario jump off And rid the world myself, Just for a dozen donuts over Crossing hearts and Hollywood And Griffith park To also soft my foot Upon red carpets. You ever shave your armpits!? …no. Hm. Catholic. Of course. Get in. Destination. —Rotterdam. You idiot. I made it. Whatever, get in the boat. DI NERO Give her your shirt. What. Your shirt. Why my shirt. Just— Fine. Here. [he hands over his shirt— in an instant, the woman becomes an exact REPLICA.] …my shirt. Relax. Nothing's gonna happen to it. Okay? —in fact, you're still wearing it. Alright! She's right, Jimmy, relax. I can't, that's— It's simple. There is nothing simple about this whatsoever. You're right. It's not, so get over it. [The Festival Project ™] BILL MURRAY There's a compartment at the end of the left corridor— Alright. In that hatch, there's a chamber. Okay, what'll I do? You'll open it? How? I'll tell you how, just get there. Suddenly, a barrier falls; it appears as though there are booby traps set here. Uh— that might be a problem. There might be a few of them. What just happened? Booby traps. —ah, I know what you're talking. Those aren't booby traps— they're Bobby Traps. What in the Hell are you talking about? For whatever reason Jimmy Kimmel Is important Now I'm scared of him, I know he knows the devil Come to think of it, Might even be an advocate Have an avocado But don't know the half of it These are, as it stands Comes what may Special circumstances I could circumvent an intervention, Never second chances I've been setting rat traps, Trapeze artists, Bampheramph camp, And also trampolines over the plaza That seems dangerous. Yeah. AHHHHHHhhhhhhhhhhhhhhh. Damn. Know it's plausible, That I also am an alcoholic, Though dysfunctional, Professional, And underrepresented So I stand myself, Let's just say pro-se if you will I could add Prozac to my snacks But I'll be delayed, if you still Don't get my messages I'm sick of having heart attacks; A hard advantage I was looking back on “fully packaged” A six pack of abs And nothing left to eat but cabbage, Haven't had a mouth, But I've been counting on my ass To get me back up north, I'm coming from the South Out West, there's a word for that At best, you're a four and a half My body double stunts and stumbles Struts at nothing Struck before the one, And so between high noon and Somewhere around 30 in I'm never turning 30, 30 Rock is in the wind— So count that up, That's what my income is. That's what they said? “Too late, you've been betrayed” If that's how it is, Then I request “beheaded” You know your mother says That ugly face just becomes permanent If you keep making it, And so I did, The second that it ended I'm Trying so hard Just to be What they want That it hurts Just to stop And relax For a moment INT. THE LAIR. NIGHT What is this? Where am I? You're— Alive. Why? …I changed my mind. You're not ugly You're just not mine I changed my mind I changed my life around. I skip line after line, But the message ain't right, I have time a chance No challenge accepted No exceptions or Expectations Expand this racism vocabulary Set the rat traps back To February Stamp the weather's getting Better with the postage clearing Abstr– My cat is so cute I can't stand him; But he's pretty bad, That my only friend; Animal. I blacklisted deadmau5, And my whole set sucked. Presently, however I'm a peasant Plucking pheasant feathers Guess I– pppftt. Like it never even happened But I'm sure we're all to war, Like a fear I never grasp it, What's l before, uncertain of your l words— My dear, were tattered and the masters heavy handed, Oh, my dear, we're marching on a battered Wit, to all your fan mail I tel you, I was I tortured, Let me show you And also, No one forced my hand at magic, Questioned prestidigitation, Or went back to every second, Land you think you owned as time In fact, my crucial very hard earned gossip column Asks the reader to reform his or her thought Before a judgement can be made How fascinating. The bag says ‘poems' so I wrote one, But I'm sure since my marker's toggled on I'm being stalked, It's like a magnet, Punch the clock And here they pour into the coffin So I won't be pouring coffee for the puffin; Maybe someday I'll look back at this as all I ever wanted, But for now it's just a horror show, Where I belong the murder— Yet a thriller, Best, The audience is captivated, Yes This is evasive, Cause I can't been captured yet By either masses or Mass murderers. At last, a cadence comes clean of its Breaking waves and rhythms, Tides and ties, Becomes another— Then, I'm whisked away Not back to slumber, but of subtle thoughts Of Californian water Lapping up across our surfboards; I often wear them tides, The undertow As pull of greater waves I sit aside as all that passes [The Festival Project ™] When I see Calvin Klein, I think of you; Not what you used to be But turned in to So it's mutual— Pay attention, fool As does moss grow on a rock And this to you— It is unfortunate, my dear You miss with every twist, Adjustment of attention span, The glances I foreshadowed (Here you are, inside your past) It's just affective of the effect, You've been levitating, Yes, I find it devastating Every second kept is just a fortune But you pause before you post— You reap before you even think Of what you sow, You don't belong, Agast, (True) Set the tone, Classless, But I'm Art, you are a Daunting folk song, Mistletoe and marker. CAMERA ASSISTANT Marker. …what is this for again? CAMERA ASSISTANT (Annoyed, mumbling) Shut up. Ten minutes passes and still, I'm awake But the tragedy of the mistake has just set in, I'm sure I've been tortured, I'm paid in mistakes, but I'd rather be shattered with Mortimer's curse. To the tune of Ten by ten by ten I will never be lover, nor friend in the end. {Enter The Multiverse] DRAKE concentrates heavily on a very long , seemingly very angry message— a frowning face plastered as he writes that is so noteworthy, it catches the attention of many a passerby— still this focus unwatered, as he bashes heavily away at the text message with the thumbs of fury for over 30 minutes while sitting at a booth in a well-loved pancake restaurant. As a tall stack of pancakes is served before him, and he, still unbreaking this angry texting streak or eye contact with his phone sits before them, history is made in what internet culture has now deemed as “the most meme worthy face in history” The world wonders what he could possibly be writing— and more importantly—-who he could be texting. Tears come to his eyes but do not fall as he raises his thumb with reserve, to finally press [RETURN.] CUT TO: SUNNI BLU receives a text amidst a wild party. Almost without so much as a reaction, SUNNI BLU pings the message to a projector and cuts off the lights, and music. A VERY LONG, ANGRY TEXT is projected on the wall. I slept from 10-2 There was nothing else to do My name is Devin DeLouise And I am not supposed to know these things Seven are dead and three are left I know what's next I'm also often known as And referred to as coyote ugly; Suffering a tantra wall, Yo, you son of a bitch! You dirty, dirty son of a bitch. I must admit, I had a lot to do with this… I had no part in it! Relax… soon enough, the both of your realize— this is how the unimaginable gets written. [he loads the polished sterling silver pistol and glamours over it] You have our memory. —all memory. And as soon as it ends, before it can begin again. The slate is wiped clean. Good riddance. “A Different Kind of Monologue” Is this what you wanted? Ooh— you should try me! I wish you would try me! Try me! I wish you would. Be calm, Grand Master. This will all be over momentarily. What's going on. Deprivation chamber. Crypt? —Encrypted? A lockup. Ah. Thought so. That ought to show us what he's really made up. We can all hope. [he pounds on the glass, the one way mirror acts as a camera which the maj aresses, rabid and wi the anger of a dangerous animal, both we, n audience, and the small group of men gathered a the other side of the room. This could be the basis of a lot of lawsuits. So now I have your tears and agony A wilted throne and wand Which which would grant a wish of comedy, And therefore ever after, Not pain and guilt, but laughter So heavy is the hat that acts as crown, And so foolish is the King to think ‘imself as not one, Creaks the crow and also of the feathered guilt that follows, I Kept and bashful, wishing not the show as throne but sorrow, Kept to wick and wake and bones to shatter from tomorrow. Tomorrow. Tomorrow. Do you fear us? …do you wish to be feared? What of us? I seek to cause the wish that stands as though you may as granted. So shallow, fair child. And brother and my son also. Gross! Stop. You are weird! Dude, you are fucked. In the withdraw, my shadows and darkness Are there always, never resting Stories and gathered images, Visions of betrayal and archaic wants. In time, I've abandoned them all and betraying that which I've lost, For I know, and not ponder on That I shall never know love, As all standing tal over me Have eyes; And all I want Knows not what hides under my ugly. Alright. I followed your spiral, downward, and down wind and down wood, Into a place where I also aspired to show your mark Upon my rotted corpse or coarse crossifix; Sure worded and down trodden. Now, worse, I'm also sworn To mourn all my own losses, Kind folk. Kind hearted and now my eyes also sudden to wander— And there goes my miles and triumphs And morals and war songs, And sure, swallowed the barrel of a gun But also departed with honor, I tell I. Glimpses of wither and winter and whittling pain, And I slither my back to the center of All I am, in this, and shadows, Fairtails, And grains of rice and sand to twist away Into the rain as I lay dying. What a fortunate! Don't make my mark up and out, few for short times, Aye, conspire to warthog, Remember so force your spirit onto ours, And shake, sandbox! There aiming at you were the snakes of six liars, And the stakes of empires lost and won over, Also one solemn subtle Star of David Worn upon the neck of six monks, Ragtime Six popes, pass I; Six fathers and streaks solemn and Care tan teared salamander, Having weight and wake to cheer For our slaughter. Then, you, Having gained and also lost should reap to sow, What you'd have wanted; Though the tongue so convexed having way to guild your complex, Shaking as I hunger fruit that not but hangs Before l wanted I know, I could knot be consoled I know, I could not be consoled I know I could not be consolidated either Bought, or purchased I know I'm not consoled at all, I know I'm not confirmed at all I know, I know I'm not confronted, nor immortal — but your glorified affliction. Poor infinity. Of poverty, perhaps, but never poor at all. For your were warned of all the doors as opened at your calling. Not to walk though, But to ponder at them, wondering. he's gone Maybe I should go Too Heavy weight hanging on my Shoulders I'm just star struck I don't know You I don't really like saying What I go through Talk an hour, Fake it All day show Monologue Improvisation Now i'm on a roll, But my thoughts got darker I like adderall and a real smooth talker I like a husband-father , Doctor, Actor, Tall and handsome, Doesn't matter I'm alone, so i feel hopeless Aggie's gone, So i might as well go though Oh– She's gone ((I think i'm past my time)) I think i should go to She's gone (so long) Right on, man I might as well go to It's been a long time, Gotta turn my light off, Overtime, That's a long ball game Season's over; On my back in the middle of the ball court She's gone, So i might as well go too. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space.

30. Dj Snake - Monte Carlo 29. Mathame, Jonos, Son Of Son - Meet Me 28. Dont Blink - It's Our House 27. Nicky Romero, Sick Individuals - Hold On 26. Martin Ikin, Hayley May - Rush 25. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 24. Dubdogz, Deep West - Hole In The Head (Fool Girl) 23. Merk & Kremont - Disco Robot 22. Camelphat, Josh Gigante - The One 21. Vintage Culture, Noah Kulaga - Upon Your Skin 20. Fedde Le Grand - Got Your Money 19. Shapov, Swanky Tunes - Flipdat 18. Cassian, Matt Ryder - A Feeling I Miss 17. Volac - Wannabe 16. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You OLD TRACK: EXAMPLE - Changed The Way You Kiss Me 15. The Chemical Brothers, Chris Lake - Galvanize 14. Don Diablo - Lose Control 13. Alesso, Sentinel, Sick Individuals - Upside Down 12. Adam Sellouk, Zerky - Touch It 11. Corey James, Morganj, Tyoz - Jungle 10. Meduza - No Sleep 09. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 08. Jamie Jones - Murder Mystery 07. Alok, Illenium - To The Moon 06. Argy, John Cala - Boom 05. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 04. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 03. Chris Lake, Skrillex, Anita B Queen - La Noche 02. Cassian, Yotto, Da Hool - Love Parade 01. Ferreck Dawn - Serious

Record Club - Guest Mix CERES 01.KAAZE & CERES - On The Floor (Spinnin Records) 03:55 - Lupage, ZEYPHIA & CERES – Calor (Beat Dealer Records) 06:30 - Sara Landry – GIRLBOSS (Insomniac Records) 02. Antonym - Bass Go (Polyamor Berlin GmbH) 03. Blasterjaxx, Kickbait & CERES – Changes (MAXXIMIZE - Spinnin Records) 04. The Rocketman & Evil Twiin - La Fin (Kontor Records GmbH – Playbox Music) 05. Marie Vaunt - That Acid (EXTATIC Records – Revealed Music B.V.) 06. NOVAH & CERES – Papi (Tomorrowland Music) 07. Valexus, 3rd Wall & CERES - Milkshake (Shake Like a Milkshake) [ZEITGEIST] 08. DJSM, Flawx & Samuel Moriero – SHIVA (Bounce & Bass) 09. Beauz & CERES - I Like It Bad (BADDIE UP) 10. Maddix & CERES - Adrenalina (Minha Gasolina) [EXTATIC Records – Revealed Music B.V.] 11. Noyse & Moha - Black Beatles (Bounce & Bass) 41:28 - Odymel – Gucci (Hot Meal Records) 12. LAÜFF & CERES – Emergency (Helix Records – Payday Records) 13. KEVU, Beauz & LAXTER - Ocho VIP (Laxter Hard Edit) [BADDIE UP] 14. Showtek – FTS – Edit (Dutch Master Works) 15. Beauz, Flawx & Robbe - Immigrant Song - Techno Mix (Bounce & Bass) 16. Luciid - Bye Bye (NOVAH Remix) [Taapion] 01. Evoxel, Ovadia - Bakari 02. Chris Voss - Hold Me Down 03. Curol, sone. - Ilê (feat. Jéssica Gaspar) 04. CamelPhat, Zafrir - Destino 05. Cafe De Anatolia & Marko Leandro - Sunugal Roots 06. Francis Mercier, Barbatuques - Baianá Boa Noite 07. Hemel, Miguel Nuas - Amani 08. Sofiya Nzau, Madism, Robert Miles - Hutia 09. Sunnery James & Ryan Marciano x Idd Aziz - Bira 10. R3HAB & Skytech & Pupa Nas T & Kevin McKay ft. Denise Belfon & Fideles - Work 11. Empire of the Sun, Axwell, Michael Calfan - Walking On A Dream (Resurrection) 12. 22Bullets - Dope 13. Chris Lake, Skrillex & ANITA B QUEEN - LA NOCHE 14. Tiësto - RVN (Raven) 15. KSHMR & Sam Feldt - Pretender 16. Ummet Ozcan - Vaki 17. KSHMR, nilsix, Ryos - Radiate (feat. Hayley May) 18. KAAZE, CERES - On The Floor 19. The Rocketman & Hannah Laing - Rewind 20. Maddix - Move It 2 The Drum

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и SoundStream, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Екатерина Гаврюшина 1. HUGEL & SOLTO - Jamaican (Bam Bam) (25 место) 2. Calvin Harris ft. Jessie Reyez - Ocean (24 место) 3. Timmy Trumpet & Vion Konger - Safe And Sound (23 место) 4. Mr. Belt & Wezol & RUZE - Ain't Nobody (22 место) 5. MEDUZA - No Sleep (21 место) 6. Layton Giordani & GENESI ft. Be No Rain - Call You Back (20 место) 7. The Chemical Brothers - Galvanize (Chris Lake Remix) (19 место) 8. AFROJACK ft. Eva Simons - Take Over Control (HILLS Remix) (18 место) 9. Going Deeper & Higher Lane & Hi Motive ft. Dallien - Honest (РЕЗИДЕНЦИЯ) 10. HILLS - Cry (Just A Little) (17 место) 11. Chris Lake & Skrillex ft. ANITA B QUEEN - LA NOCHE (16 место) 12. Sonny Fodera & D.O.D & Poppy Baskcomb - Think About Us (15 место) 13. Vinter - Space Pump (Space Jam) (14 место) 14. Alexander Popov & U-Jeen & Vera Novak - Toca's Miracle (13 место) 15. HUGEL & Kurd Maverick - PYHU (Put Your Hands Up) (12 место) 16. Tiga - Bugatti (CID Remix) (11 место) 17. VOLAC - Wannabe (10 место) 18. MK & Clementine Douglas - Come Find Me (9 место) 19. Daft Punk - Around The World (Westend Edit) (8 место) 20. CID & Taylr Renee - Fancy $hit (7 место) 21. Britney Spears - I Wanna Go (John Summit Remix) (6 место) 22. Deep Dish - Flashdance (ХИТ ВСЕХ ВРЕМЁН) 23. SIDEPIECE - Cry For You (5 место) 24. Rezone, Jack Villa - Rapture (4 место) 25. Prospa ft. Kosmo Kint - Love Songs (3 место) 26. Fallon - Diet Coke (2 место) 27. Diplo, Jem Cooke, Local Singles - Lift Me Up (ПЕРСПЕКТИВА) 28. Cassian & YOTTO & Da Hool - Love Parade (1 место)

30. Low Steppa, Rue Jay, Reza, Chuck Roberts - The Creator 29. Camelphat, Josh Gigante - The One 28. Cassian, Matt Ryder - A Feeling I Miss 27. Hatiras - Hypnotized 26. Chris Avantgarde, Pote - Down For The Night 25. Martin Ikin, Hayley May - Rush 24. Nicky Romero, Sick Individuals - Hold On 23. Marten Horger - No Matter 22. Dubdogz, Deep West - Hole In The Head (Fool Girl) 21. Alesso, Sentinel, Sick Individuals - Upside Down 20. Meduza - No Sleep 19. Merk & Kremont - Disco Robot 18. Shapov, Swanky Tunes - Flipdat 17. Corey James, Morganj, Tyoz - Jungle 16. Vintage Culture, Noah Kulaga - Upon Your Skin OLD TRACK: W&W - Bigfoot 15. Fedde Le Grand - Got Your Money 14. Volac - Wannabe 13. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 12. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 11. Argy, John Cala - Boom 10. The Chemical Brothers, Chris Lake - Galvanize 09. Jamie Jones - Murder Mystery 08. Don Diablo - Lose Control 07. Adam Sellouk, Zerky - Touch It 06. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 05. Ferreck Dawn - Serious 04. Alok, Illenium - To The Moon 03. Cassian, Yotto, Da Hool - Love Parade 02. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work 01. Chris Lake, Skrillex, Anita B Queen - La Noche

Record Club - Guest Mix DJ All Emprty 01. Evoxel, Ovadia - Bakari 02. Chris Voss - Hold Me Down 03. Curol, sone. - Ilê (feat. Jéssica Gaspar) 04. CamelPhat, Zafrir - Destino 05. Cafe De Anatolia & Marko Leandro - Sunugal Roots 06. Francis Mercier, Barbatuques - Baianá Boa Noite 07. Hemel, Miguel Nuas - Amani 08. Sofiya Nzau, Madism, Robert Miles - Hutia 09. Sunnery James & Ryan Marciano x Idd Aziz - Bira 10. R3HAB & Skytech & Pupa Nas T & Kevin McKay ft. Denise Belfon & Fideles - Work 11. Empire of the Sun, Axwell, Michael Calfan - Walking On A Dream (Resurrection) 12. 22Bullets - Dope 13. Chris Lake, Skrillex & ANITA B QUEEN - LA NOCHE 14. Tiësto - RVN (Raven) 15. KSHMR & Sam Feldt - Pretender 16. Ummet Ozcan - Vaki 17. KSHMR, nilsix, Ryos - Radiate (feat. Hayley May) 18. KAAZE, CERES - On The Floor 19. The Rocketman & Hannah Laing - Rewind 20. Maddix - Move It 2 The Drum

30. Chris Avantgarde, Pote - Down For The Night 29. Nicky Romero, Sick Individuals - Hold On 28. Meduza - No Sleep 27. Armin Van Buuren, Joa - Heavy 26. Tony Romera - Como Se Llama 25. Alaia & Gallo - Lipstick 24. Corey James, Morganj, Tyoz - Jungle 23. Hatiras - Hypnotized 22. Martin Ikin, Hayley May - Rush 21. Sonny Fodera, D.O.D, Poppy Baskcomb - Think About Us 20. Shapov, Swanky Tunes - Flipdat 19. Dubdogz, Deep West - Hole In The Head (Fool Girl) 18. Marten Horger - No Matter 17. Ferreck Dawn - Serious 16. Alesso, Sentinel, Sick Individuals - Upside Down OLD TRACK: CHAINSMOKERS/GREAT GOOD FINE OK - Let You Go 15. Merk & Kremont - Disco Robot 14. Argy, John Cala - Boom 13. Fedde Le Grand - Got Your Money 12. Vintage Culture, Noah Kulaga - Upon Your Skin 11. Adam Sellouk, Zerky - Touch It 10. Volac - Wannabe 09. Alok, Illenium - To The Moon 08. David Guetta, Kiko, Olivier Giacomotto, Faangs - After You 07. Jamie Jones - Murder Mystery 06. The Chemical Brothers, Chris Lake - Galvanize 05. Don Diablo - Lose Control 04. Argy, Eli & Dani, Peki Ofc, Osher - Chasing Highs 03. Chris Lake, Skrillex, Anita B Queen - La Noche 02. Cassian, Yotto, Da Hool - Love Parade 01. R3Hab, Skytech, Pupa Nas T, Kevin Mckay, Denise Belfon, Fidele - Work

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