Podcasts about sunni

EXT. CONCERT. DAY SUNNI BLU converses with CHARLES over a musical break STAGE LEFT of the MAINSTAGE. SUNNI BLU Thems the two prettiest girls right there. CHARLES yeah . ok. SUNNI BLU Grab em up. CHARLES What? SUNNI BLU Snatch em up. CHARLES Do you mean. SUNNI BLU Micheal Jackson style munich on that bitch. CHARLES What—? SUNNI BLU Them bitchez. CHARLES Are you saying—? SUNNI BLU They wont mind. CHARLES Uhhhh… SUNNI BLU I promise. watch . BOUNCER SUNNI's bodyguard BOUNCER crosses to center stage. SUNNI whispers into BOUNCER'S ear and he nods once and smirks; he then walks out into the crowd and picks up the two girls SUNNI aforementioned, tossing each of them over his shoulders, planting them on stage next to SUNNI; they scream and cry hysterically. SUNNI nods and smiles in self admiration and throws BOUNCER and CHARLES a thumbs up; CHARLES shakes his head slowly in disapproval, the GIRLS scream and cry hysterically; SUNNI grins and carries on about the show. CUT IMMEDIATELY TO: SUNNI BLU YO! I got mad lawsuits. MORGAN Plural? SUNNI BLU Like multiple! MORGAN well what were you expecting, sunni? Its 202#--? SUNNI BLU But michael is timeless! MORGAN And youre not michael jackson! SUNNI BLU You're right! I sold more records already than him! MORGAN ugh! PUBLICIST *does* {Enter The Multiverse} Hi, i'm Russell Brand. No, get out. I'm sorry,I— ? Get out, get out! Are we trading kings for whistle! Sacred things and torturers? Lill bitz I started talking to this guy from tinder Then I quickly realized he only texted me at like 3 in the morning, like “come over” So I started texting him really weird shit— Like really weird. Like, I would make sure before I sent it, I would re-read it and be like “Ya, that's weird.” “That's really weird.” Every time, just read it to myself and be like “Ya that's giving “you're psycho” Right off the bat. Kate Winslet is so good at late night. She talks mad slow and answers every open ended question with a paragraph of thoughtless nonsense— finally, at the end of the paragraph, she answers the question in yes or no fashion; in this sense, you've completely forgotten the question through redirection. This has taken nearly five minutes. Genius. Amidst a story, she begins to slowly decrechendo until she's murmuring in a near whisper so you really have to try to pay attention to what she's saying, which is almost nothing. So considerably nothing, that you lose thought in trying to grasp and accept the words— this is excellent banter, because of course, she isn't really saying anything. This has taken another five minutes. Captivating. INT. DENTISTS OFFICE. DAY. Who is Claude Von Wastvermaan? KIMMEL Doctor Claude Von Wastverman. Okay. Who is that? KIMMEL It's me. I'm Claude Von Wastverman. Dr.— KIMMEL Yeah. It's me. KIMMEL Why are you— what? KIMMEL This is my office. …why? Because— I use specific research and target demographics to seek out people who have no interest in whatsoever watching my show and do not recognize me in any way actively seeking a dental practitioner— Why? KIMMEL Because! My audience loves me. They want to see me— they have to like me! So? KIMMEL These people don't know who I am. They don't want to see me—and there's a good chance, they won't like me at all. …this is how you spend your free time? KIMMEL —and some of my vacation days! Jesus. KIMMEL Yeah. I'm not alright! How much does this office space cost? KIMMEL You wouldn't like it. And—I take very limited insurance. Did you…study dentistry, at all, at any point? KIMMEL Not at all— Oh, Jesus. KIMMEL But Claude might have for a short time— online. These degrees look legitimate. KIMMEL He was a really good guy. Wait. What. [a rubber glove snaps] KIMMEL If you'll excuse me, I have an appointment coming in at 2:30. …you're kidding me. KIMMEL I'm not—and she's always early. Get out. Gladly. He opens the door and leads him out of the office, looking startled startled and shaking his head. KIMMEL Good afternoon, Mrs. Evanston. Perhaps I was just looking for something and my brain saw what it wanted to— but it kept coming around in ways that were stranger and stranger, and I couldn't explain the thought of it, like I was connected to something. Jimmy Slithered. But it's okay, Cause I hate to see him prosper. Wait a minute? Did it enter for a second in your head to what had happened? Very obviously is it just exactly as you'd imagined. Wait a moment; Give a little gift for winter's entrance— Suddenly you're hating Christmas, Just infected with this sort of hatred That's been creeping up on them for centuries. Very well, then Skrillex. Very well, played ventriloquist act at the Rock And how hardened are you, the heart of all non immortal and broken? Are you succumbed to never wonder either? Cratered. Disrespect and spills of want, Spools and spills and towers of yarn, You're getting broker every warrant. You're the dark and hadn't opened, Oh to be so charmed and wanted. Jimmy Slitheted, But I caught him creeping in the forest, Well, done, Harper— Now you've got yourself a story Jimmy Slithered, but that's good— I had him at the fortress, And all our audience would want Is fourth wall being broken. So here fals the house of cards! The house of cards The house of cards. And here folds the broken hand— The broken hand. The broken hand. And here calls the shattered wand, The crypted want, The shadowed trumpet horn, there! And there upon the hill, There did I grasp and fall to follow, Though the crown had not the king, The ground was sure to've caught him! And so I clasped with all my might and grip, The humble role of which that is This, Unrolled and uttered: Feast of kings, Be you what may of Prince and time and also my own brotherhood and making, There is, shadowed in my own dear marker, Yet another coming death upon us! How now, my ritual, of that and thy and they and I, To this my mark, And so I sang as this does not a number— My posture does find comfort here and tie my breath to grass from under, Striped and torn my cloth, as does in this my fortune gathers; There my fate and here to all, as wind becomes her mother, And though I call to all, but one I am, And then another. LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space. REBEL1. I am hypnotized; I am pain I am cryptonite I am in pain I am penalized; I am pinned l I am pinstripes on wide ties; I am Him. Pinterest, pintrest, pinholes And disinterest Centered sentiments And immigrants And ministrations, Images and insolence (And indulgences, patronages) Eclipses and rip titles, Paris Tiptons, And temptation Missing wages Push to shove and What are you doing, motherfucker?! To say the least, I'm a bit unconventional. Unexplainable joy And invisible ties and invincible triads Unimatatable charm, And prehensile times And forefathers before us Unpolished Well dressed hampers on leather and fortunes And doing and donuts and do this and don't-touches Mumbles of soft till and lunches and subtle distraction And coming construction Wages Ions I afford you To die now Like I want He's better at the body code Than old Colbert, He's one for one now Could this corrupt you— I didn't destroy her, I offered a suffix No longer for your number No longer for your hard times No longer for your warrants No longer No longer No four times Don't pan to the audience I'm a hole slow meltdown Don't man your own So wait, am I also telepathic? Yeah, that. Oh my! Is it like a two-way broadcast type— thing? Yeah, that part… Oh no, I'm so sorry. No you're not. You're right. I told you not to go looking into my thoughts. Check it all out, I bought prototypes Check it all out, I undug libraries Check it out, You're all alone at Walmart No longer working part time, The doors are closed and locked now, They're bound to stage a lock out You're better off on hard times You're better off on Lala Land No— Don't deport I want my art back No, don't deport; It's just a cake walk to apartheid, Remember mine now? Cheers to the world's longest monologues. Kudos to your picking up cabbage Remember the back for the wartimes The bagpipes have sounded; You're back to astonish us. No! I must have you a lesson; I'm back with my old will and testament No more Old Testament wanted I bought your sticks in Leviticus And so, Again– CUT TO: WILD PARTY. INT.EXT./WHENEVER HOW SICK IS THIS? NO! NOT THAT! I raised the dead from a half pipe I shoot the crowd out in foreign I can't remember my own Sam But I found one– For a dollar, For a wrong word And a hard song And a larger Go look, Now remember a rock star. Now that you're so stolen, Go back! You're unorthodox! Clear cut: you're a tragic Magic act– Now I'm back with a bag of tricks with my back out Learn your lessons. CUT BACK TO. INT./EXT. YO I'M SAYING A WIIIILD PARTY. WHENEVER YO, WHO DOES THIS?! What a party! I WANT TO GO HOME NOW! —I'M CALLING THE COPS! THIS IS YOUR HOUSE!!! {Enter The Multiverse} …And it's all house music all night. No, to that. Beg your pardon? I won't come. [The Festival Project ™ ] Now articulate your face muscles. My wat. Now you're bar banned. I had this at a festival once. What is it? A “whore salad” … All with a side of oxygen. Now you're in a tunnel. (A tunnel, a scone and a croissant) Now you're worse, warthog, immortal (Call your dad back, You're a bad son.) Now I'm out in the canyon With Chester McBadBat I got chest hair, And a straight out of the badlands Yes, I did mention this to my cousin Evan, But why ask that? So you heard everything I thought? Mmhmm. Hard times. —and everyone else? What is it like to have love man? I been locked out I'm a rock addict, But I'm damned now How's that fountain coming along? SUNNI BLU …it's just water. ARCHITECHT …yeah it's water. It's a fountain. SUNNI BLU —I WANT CHOCOLATE. Whose here? Not that guy! Four more beers? I just realized I never ever bought mine; I always had a tough guy. Box. What? Fight! I'm Eurovision And a hard remix— Ten minutes in and I realize I've already heard this. Oh yea, This Golden band of art, love and protection Perfection. Ohshea, shit! Who invited you? I got a 311 from Questlove!! Is that a beeper?! CUBE Since when are we on a first name basis? It would be weird to call you “ICE CUBE” Why's that? You. know? [the beeper goes off three more times] CUBE oh shit! What?! CUBE Nothin! Where the yard at?! sometimes it doesn't really matter Who the dialogue comes out of The whole point Is to put the art back into art projects Cause we all know it's been constructed And commercialized To the point of destruction And almost no promise For independent artists at all. So who is it with CUBE? Could be me. Could be you. Could be U— If it's not, It was all just a long lost passion project A collective God Complex. Give myself a hug Cause nobody else will God gave my case a Grace Cause somebody lost Will. Oh, Karen. Come, heart attack. Come karma, Come hot dogs Come Christmas time at the Plaza Come on, hard death. Come on. Hard Rock Hotel? Nah, Equinox. Alright. Hudson. Yards. Now you're in a tunnel Does your heart hurt? (You should clutch it.) Put your patchwork in a hard drive This is hard times, You can't come back. O! But they do take dear DRATCH and run with it! I go run along to Corrections, And ginger snaps for crosswords On hard workers So fax the whole document! Do you know what? Horcruxes! Hot lunches, yuck. Hockey! I want off this planet so bad I cross cross my fingers at crosswalks And oncoming trains but– Don't look either way before I walk. So pull a shotgun at all that I was one strong donkey before I got one address. Now I just redress the cause All I want is my bundle back. Yuck! Care for it at all? Yeah, yours, but she's a danger to humanity. Yeah, mine but I'm an honest hybrid horrid hunter. On time? I just got it at Sephora. On time, Like I never even got that. I want to be loved just to be looked at But since in this life I can't turn the clock back I've discovered it's hell that my body was born as. — I discovered it's hell that my body was born as. Such a problem when you know That even the great Rosie O'Donnell once wanted blue eyes. Now I forget where I trailed off… What a drawback. I'm all out of patience. Crypto, I tip toe now over eggshells No home for her Hard times And hard times. No code offered, No I don't fall for that'd But where's the snowfall over all the rot out back? Hard times. Hard times. Hard times. As the bell tolls And the well swells whole And the umpire does rack them Up; Nobody works harder than Hard times Hard times Hard times. Yeah, that's four Aces Up, Diamond. Run for your forks and your knives And your daughters and mothers and father And home family comfort And cufflinks and loafers, And sport coats and Your life. Your life. Your life. [The Festival Project ™] —-Chroma111. THE IMPENATRABLE TEN is INEVITABLY DISBANDED. Inevitably??? Inevitably! but not indefinitely. Oh, I guess. Alright. SILENCE. {Enter The Multiverse.} I don't want to be here. No one does. You are sending mixed messages. Imm not sending any messages… — with your brain. L E G E N D S Of course. Electromagnetic signaling Of course. I told you this had gone strange. Severely. Now how do I explain from this time how to get back to our time If there's no direct translation between our language and that one? Maybe you can't explain it. These are hard facts. So I suggest the use of highly trained telepaths. That far back? These things are possibly connected even in this time, theoretically using our past; I might suggest Telesynthesis— considering these planetary electromagnetics to which this entire planet is hardwired. …hardwired. That's right. Ascension. Hard times. Madame President? Get lost. [Secret President] I get it. You're a whistleblower. I'm not that. A shadow government official. Also wrong. Why else would you run for office? I'm trying to get shot at. They told me you were funny. But they didn't say anything about my gauntlet? Your—what? You know. My conquests—professional accomplishments? Your God complex? I know all about that. Perhaps it's not a complex. But a ‘gauntlet'? You're a journalist aren't you? I'm giving you some high art concepts. (Because for the sake of the rhyme, And please, for God's sakes, Gemini, In prose form Without the use of tables. ) I R O N I C —Deathwish. [The Festival Project ™] Season 12, Episode 01. REBEL1. Prod. By Blū Tha Gürū I would think it psychosomatic, but in less than 24 hours of restarting my vitamin regimen, my mood was so improved that I could not for a second overlook that without taking vitamins, I was missing something. Even if my newly concocted super-juice recipes were putting a curb in my abdominal muscles that even I was sure didn't entirely belong there, pairing this development with the Peloton, it was a long and diagonal, out-of-sorts thing that stuck out as if it was on somebody else's body and not mine. Still, I had to deal with the heavy weight of the drooping skin and belly that hung as if it very much did belong to me but wasn't budging, despite my attempts at a flat stomach and having been so well overstretched at one point by medical obesity and double occupancy that it was, at the very least to say, insurgically impossible. However, my brain went on having ways of wrapping my mind around this—that the rest of my body was quite slim, and even on some days seeming petite, were it not for my massive thighs, which also seemed to have sported a curve to them which was almost attractive, especially well-dressed. But the fun of it was, I wasn't exceptionally well-dressed, because I hadn't wanted to be. In fact, I was under obligation always to be about in the men's clothes I'd found because they were designer, and it was even something like a fashion statement that I dressed this grotesquely and in overlarge articles because of the astounding amount of weight I'd lost and the strange way my body seemed to be taking an athletic shape. Still, there was this factor that I was actually always somehow in an excruciating amount of pain, especially waking up, and though some of that I would have applied to being psychosomatic—in just that it was the pure stress of the disembodied torture I was undergoing in one way or another—whether anybody would have admitted it or not, or whether or not the unknown parties in question were going to be justified for it, I still hadn't an idea or thought as to what my unstructured purpose was. And though I sat beautifully controlled into doing music as a default, I was looking at the numbers, and the massive amount of people doing remarkably well because they could afford to do so, or were lucky, or were unbearably beautiful and so could do anything they wanted, and I too much so was not that. In fact, it was almost by design my failure and my constant struggle that even the universe seemed to look down upon me in such a way that it pitied me in a harrowing attempt at karmic justice done for the seeming evil and harsh things being done. It was true that someone had set out to torture me, and this might have once been the way of the illuminated artist and tortured soul; however, having taken so metaphorically into my own boat such heavy water of grief and loss, and drowning, I was sinking into the natural ocean of monstrous storms my body was saying in so many ways it could do no more. My mind was strong—and I could take the torture for innumerable amounts of time without becoming so much more frustrated than to just stop, or start heavy breathing, or even compulsively masturbate until one world faded deeply into another and I just didn't care. But realistically, the things that were being done pointed at a strategic and tactical, military-trained psychological governing of my own autonomy. And because I knew this, I also knew whoever was responsible was more than capable of covering their tracks to the point of disappearance—an inescapable hell of unseen trauma. The basis of it was that if I raised my concerns with any law enforcement or police, I was just as often ignored, ridiculed, or worse—thought of as symptomatic of some psychological condition I well knew and understood I did not have, all because what I did seem to possess—this undying force of color and creative ingenuity that could not quite be captured or marketed to improve the bankbook of others with a sudden onset—was unacceptable in such a way that I could become some sort of object that was in no way useful besides to experiment and then observe what I might become next, all the while knowing I would not and could not stay in one form or another too long without becoming such an obvious target. —Death of a Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

EXT. CONCERT. DAY SUNNI BLU converses with CHARLES over a musical break STAGE LEFT of the MAINSTAGE. SUNNI BLU Thems the two prettiest girls right there. CHARLES yeah . ok. SUNNI BLU Grab em up. CHARLES What? SUNNI BLU Snatch em up. CHARLES Do you mean. SUNNI BLU Micheal Jackson style munich on that bitch. CHARLES What—? SUNNI BLU Them bitchez. CHARLES Are you saying—? SUNNI BLU They wont mind. CHARLES Uhhhh… SUNNI BLU I promise. watch . BOUNCER SUNNI's bodyguard BOUNCER crosses to center stage. SUNNI whispers into BOUNCER'S ear and he nods once and smirks; he then walks out into the crowd and picks up the two girls SUNNI aforementioned, tossing each of them over his shoulders, planting them on stage next to SUNNI; they scream and cry hysterically. SUNNI nods and smiles in self admiration and throws BOUNCER and CHARLES a thumbs up; CHARLES shakes his head slowly in disapproval, the GIRLS scream and cry hysterically; SUNNI grins and carries on about the show. CUT IMMEDIATELY TO: SUNNI BLU YO! I got mad lawsuits. MORGAN Plural? SUNNI BLU Like multiple! MORGAN well what were you expecting, sunni? Its 202#--? SUNNI BLU But michael is timeless! MORGAN And youre not michael jackson! SUNNI BLU You're right! I sold more records already than him! MORGAN ugh! PUBLICIST *does* {Enter The Multiverse} Hi, i'm Russell Brand. No, get out. I'm sorry,I— ? Get out, get out! Are we trading kings for whistle! Sacred things and torturers? Lill bitz I started talking to this guy from tinder Then I quickly realized he only texted me at like 3 in the morning, like “come over” So I started texting him really weird shit— Like really weird. Like, I would make sure before I sent it, I would re-read it and be like “Ya, that's weird.” “That's really weird.” Every time, just read it to myself and be like “Ya that's giving “you're psycho” Right off the bat. Kate Winslet is so good at late night. She talks mad slow and answers every open ended question with a paragraph of thoughtless nonsense— finally, at the end of the paragraph, she answers the question in yes or no fashion; in this sense, you've completely forgotten the question through redirection. This has taken nearly five minutes. Genius. Amidst a story, she begins to slowly decrechendo until she's murmuring in a near whisper so you really have to try to pay attention to what she's saying, which is almost nothing. So considerably nothing, that you lose thought in trying to grasp and accept the words— this is excellent banter, because of course, she isn't really saying anything. This has taken another five minutes. Captivating. INT. DENTISTS OFFICE. DAY. Who is Claude Von Wastvermaan? KIMMEL Doctor Claude Von Wastverman. Okay. Who is that? KIMMEL It's me. I'm Claude Von Wastverman. Dr.— KIMMEL Yeah. It's me. KIMMEL Why are you— what? KIMMEL This is my office. …why? Because— I use specific research and target demographics to seek out people who have no interest in whatsoever watching my show and do not recognize me in any way actively seeking a dental practitioner— Why? KIMMEL Because! My audience loves me. They want to see me— they have to like me! So? KIMMEL These people don't know who I am. They don't want to see me—and there's a good chance, they won't like me at all. …this is how you spend your free time? KIMMEL —and some of my vacation days! Jesus. KIMMEL Yeah. I'm not alright! How much does this office space cost? KIMMEL You wouldn't like it. And—I take very limited insurance. Did you…study dentistry, at all, at any point? KIMMEL Not at all— Oh, Jesus. KIMMEL But Claude might have for a short time— online. These degrees look legitimate. KIMMEL He was a really good guy. Wait. What. [a rubber glove snaps] KIMMEL If you'll excuse me, I have an appointment coming in at 2:30. …you're kidding me. KIMMEL I'm not—and she's always early. Get out. Gladly. He opens the door and leads him out of the office, looking startled startled and shaking his head. KIMMEL Good afternoon, Mrs. Evanston. Perhaps I was just looking for something and my brain saw what it wanted to— but it kept coming around in ways that were stranger and stranger, and I couldn't explain the thought of it, like I was connected to something. Jimmy Slithered. But it's okay, Cause I hate to see him prosper. Wait a minute? Did it enter for a second in your head to what had happened? Very obviously is it just exactly as you'd imagined. Wait a moment; Give a little gift for winter's entrance— Suddenly you're hating Christmas, Just infected with this sort of hatred That's been creeping up on them for centuries. Very well, then Skrillex. Very well, played ventriloquist act at the Rock And how hardened are you, the heart of all non immortal and broken? Are you succumbed to never wonder either? Cratered. Disrespect and spills of want, Spools and spills and towers of yarn, You're getting broker every warrant. You're the dark and hadn't opened, Oh to be so charmed and wanted. Jimmy Slitheted, But I caught him creeping in the forest, Well, done, Harper— Now you've got yourself a story Jimmy Slithered, but that's good— I had him at the fortress, And all our audience would want Is fourth wall being broken. So here fals the house of cards! The house of cards The house of cards. And here folds the broken hand— The broken hand. The broken hand. And here calls the shattered wand, The crypted want, The shadowed trumpet horn, there! And there upon the hill, There did I grasp and fall to follow, Though the crown had not the king, The ground was sure to've caught him! And so I clasped with all my might and grip, The humble role of which that is This, Unrolled and uttered: Feast of kings, Be you what may of Prince and time and also my own brotherhood and making, There is, shadowed in my own dear marker, Yet another coming death upon us! How now, my ritual, of that and thy and they and I, To this my mark, And so I sang as this does not a number— My posture does find comfort here and tie my breath to grass from under, Striped and torn my cloth, as does in this my fortune gathers; There my fate and here to all, as wind becomes her mother, And though I call to all, but one I am, And then another. LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space. REBEL1. I am hypnotized; I am pain I am cryptonite I am in pain I am penalized; I am pinned l I am pinstripes on wide ties; I am Him. Pinterest, pintrest, pinholes And disinterest Centered sentiments And immigrants And ministrations, Images and insolence (And indulgences, patronages) Eclipses and rip titles, Paris Tiptons, And temptation Missing wages Push to shove and What are you doing, motherfucker?! To say the least, I'm a bit unconventional. Unexplainable joy And invisible ties and invincible triads Unimatatable charm, And prehensile times And forefathers before us Unpolished Well dressed hampers on leather and fortunes And doing and donuts and do this and don't-touches Mumbles of soft till and lunches and subtle distraction And coming construction Wages Ions I afford you To die now Like I want He's better at the body code Than old Colbert, He's one for one now Could this corrupt you— I didn't destroy her, I offered a suffix No longer for your number No longer for your hard times No longer for your warrants No longer No longer No four times Don't pan to the audience I'm a hole slow meltdown Don't man your own So wait, am I also telepathic? Yeah, that. Oh my! Is it like a two-way broadcast type— thing? Yeah, that part… Oh no, I'm so sorry. No you're not. You're right. I told you not to go looking into my thoughts. Check it all out, I bought prototypes Check it all out, I undug libraries Check it out, You're all alone at Walmart No longer working part time, The doors are closed and locked now, They're bound to stage a lock out You're better off on hard times You're better off on Lala Land No— Don't deport I want my art back No, don't deport; It's just a cake walk to apartheid, Remember mine now? Cheers to the world's longest monologues. Kudos to your picking up cabbage Remember the back for the wartimes The bagpipes have sounded; You're back to astonish us. No! I must have you a lesson; I'm back with my old will and testament No more Old Testament wanted I bought your sticks in Leviticus And so, Again– CUT TO: WILD PARTY. INT.EXT./WHENEVER HOW SICK IS THIS? NO! NOT THAT! I raised the dead from a half pipe I shoot the crowd out in foreign I can't remember my own Sam But I found one– For a dollar, For a wrong word And a hard song And a larger Go look, Now remember a rock star. Now that you're so stolen, Go back! You're unorthodox! Clear cut: you're a tragic Magic act– Now I'm back with a bag of tricks with my back out Learn your lessons. CUT BACK TO. INT./EXT. YO I'M SAYING A WIIIILD PARTY. WHENEVER YO, WHO DOES THIS?! What a party! I WANT TO GO HOME NOW! —I'M CALLING THE COPS! THIS IS YOUR HOUSE!!! {Enter The Multiverse} …And it's all house music all night. No, to that. Beg your pardon? I won't come. [The Festival Project ™ ] Now articulate your face muscles. My wat. Now you're bar banned. I had this at a festival once. What is it? A “whore salad” … All with a side of oxygen. Now you're in a tunnel. (A tunnel, a scone and a croissant) Now you're worse, warthog, immortal (Call your dad back, You're a bad son.) Now I'm out in the canyon With Chester McBadBat I got chest hair, And a straight out of the badlands Yes, I did mention this to my cousin Evan, But why ask that? So you heard everything I thought? Mmhmm. Hard times. —and everyone else? What is it like to have love man? I been locked out I'm a rock addict, But I'm damned now How's that fountain coming along? SUNNI BLU …it's just water. ARCHITECHT …yeah it's water. It's a fountain. SUNNI BLU —I WANT CHOCOLATE. Whose here? Not that guy! Four more beers? I just realized I never ever bought mine; I always had a tough guy. Box. What? Fight! I'm Eurovision And a hard remix— Ten minutes in and I realize I've already heard this. Oh yea, This Golden band of art, love and protection Perfection. Ohshea, shit! Who invited you? I got a 311 from Questlove!! Is that a beeper?! CUBE Since when are we on a first name basis? It would be weird to call you “ICE CUBE” Why's that? You. know? [the beeper goes off three more times] CUBE oh shit! What?! CUBE Nothin! Where the yard at?! sometimes it doesn't really matter Who the dialogue comes out of The whole point Is to put the art back into art projects Cause we all know it's been constructed And commercialized To the point of destruction And almost no promise For independent artists at all. So who is it with CUBE? Could be me. Could be you. Could be U— If it's not, It was all just a long lost passion project A collective God Complex. Give myself a hug Cause nobody else will God gave my case a Grace Cause somebody lost Will. Oh, Karen. Come, heart attack. Come karma, Come hot dogs Come Christmas time at the Plaza Come on, hard death. Come on. Hard Rock Hotel? Nah, Equinox. Alright. Hudson. Yards. Now you're in a tunnel Does your heart hurt? (You should clutch it.) Put your patchwork in a hard drive This is hard times, You can't come back. O! But they do take dear DRATCH and run with it! I go run along to Corrections, And ginger snaps for crosswords On hard workers So fax the whole document! Do you know what? Horcruxes! Hot lunches, yuck. Hockey! I want off this planet so bad I cross cross my fingers at crosswalks And oncoming trains but– Don't look either way before I walk. So pull a shotgun at all that I was one strong donkey before I got one address. Now I just redress the cause All I want is my bundle back. Yuck! Care for it at all? Yeah, yours, but she's a danger to humanity. Yeah, mine but I'm an honest hybrid horrid hunter. On time? I just got it at Sephora. On time, Like I never even got that. I want to be loved just to be looked at But since in this life I can't turn the clock back I've discovered it's hell that my body was born as. — I discovered it's hell that my body was born as. Such a problem when you know That even the great Rosie O'Donnell once wanted blue eyes. Now I forget where I trailed off… What a drawback. I'm all out of patience. Crypto, I tip toe now over eggshells No home for her Hard times And hard times. No code offered, No I don't fall for that'd But where's the snowfall over all the rot out back? Hard times. Hard times. Hard times. As the bell tolls And the well swells whole And the umpire does rack them Up; Nobody works harder than Hard times Hard times Hard times. Yeah, that's four Aces Up, Diamond. Run for your forks and your knives And your daughters and mothers and father And home family comfort And cufflinks and loafers, And sport coats and Your life. Your life. Your life. [The Festival Project ™] —-Chroma111. THE IMPENATRABLE TEN is INEVITABLY DISBANDED. Inevitably??? Inevitably! but not indefinitely. Oh, I guess. Alright. SILENCE. {Enter The Multiverse.} I don't want to be here. No one does. You are sending mixed messages. Imm not sending any messages… — with your brain. L E G E N D S Of course. Electromagnetic signaling Of course. I told you this had gone strange. Severely. Now how do I explain from this time how to get back to our time If there's no direct translation between our language and that one? Maybe you can't explain it. These are hard facts. So I suggest the use of highly trained telepaths. That far back? These things are possibly connected even in this time, theoretically using our past; I might suggest Telesynthesis— considering these planetary electromagnetics to which this entire planet is hardwired. …hardwired. That's right. Ascension. Hard times. Madame President? Get lost. [Secret President] I get it. You're a whistleblower. I'm not that. A shadow government official. Also wrong. Why else would you run for office? I'm trying to get shot at. They told me you were funny. But they didn't say anything about my gauntlet? Your—what? You know. My conquests—professional accomplishments? Your God complex? I know all about that. Perhaps it's not a complex. But a ‘gauntlet'? You're a journalist aren't you? I'm giving you some high art concepts. (Because for the sake of the rhyme, And please, for God's sakes, Gemini, In prose form Without the use of tables. ) I R O N I C —Deathwish. [The Festival Project ™] Season 12, Episode 01. REBEL1. Prod. By Blū Tha Gürū I would think it psychosomatic, but in less than 24 hours of restarting my vitamin regimen, my mood was so improved that I could not for a second overlook that without taking vitamins, I was missing something. Even if my newly concocted super-juice recipes were putting a curb in my abdominal muscles that even I was sure didn't entirely belong there, pairing this development with the Peloton, it was a long and diagonal, out-of-sorts thing that stuck out as if it was on somebody else's body and not mine. Still, I had to deal with the heavy weight of the drooping skin and belly that hung as if it very much did belong to me but wasn't budging, despite my attempts at a flat stomach and having been so well overstretched at one point by medical obesity and double occupancy that it was, at the very least to say, insurgically impossible. However, my brain went on having ways of wrapping my mind around this—that the rest of my body was quite slim, and even on some days seeming petite, were it not for my massive thighs, which also seemed to have sported a curve to them which was almost attractive, especially well-dressed. But the fun of it was, I wasn't exceptionally well-dressed, because I hadn't wanted to be. In fact, I was under obligation always to be about in the men's clothes I'd found because they were designer, and it was even something like a fashion statement that I dressed this grotesquely and in overlarge articles because of the astounding amount of weight I'd lost and the strange way my body seemed to be taking an athletic shape. Still, there was this factor that I was actually always somehow in an excruciating amount of pain, especially waking up, and though some of that I would have applied to being psychosomatic—in just that it was the pure stress of the disembodied torture I was undergoing in one way or another—whether anybody would have admitted it or not, or whether or not the unknown parties in question were going to be justified for it, I still hadn't an idea or thought as to what my unstructured purpose was. And though I sat beautifully controlled into doing music as a default, I was looking at the numbers, and the massive amount of people doing remarkably well because they could afford to do so, or were lucky, or were unbearably beautiful and so could do anything they wanted, and I too much so was not that. In fact, it was almost by design my failure and my constant struggle that even the universe seemed to look down upon me in such a way that it pitied me in a harrowing attempt at karmic justice done for the seeming evil and harsh things being done. It was true that someone had set out to torture me, and this might have once been the way of the illuminated artist and tortured soul; however, having taken so metaphorically into my own boat such heavy water of grief and loss, and drowning, I was sinking into the natural ocean of monstrous storms my body was saying in so many ways it could do no more. My mind was strong—and I could take the torture for innumerable amounts of time without becoming so much more frustrated than to just stop, or start heavy breathing, or even compulsively masturbate until one world faded deeply into another and I just didn't care. But realistically, the things that were being done pointed at a strategic and tactical, military-trained psychological governing of my own autonomy. And because I knew this, I also knew whoever was responsible was more than capable of covering their tracks to the point of disappearance—an inescapable hell of unseen trauma. The basis of it was that if I raised my concerns with any law enforcement or police, I was just as often ignored, ridiculed, or worse—thought of as symptomatic of some psychological condition I well knew and understood I did not have, all because what I did seem to possess—this undying force of color and creative ingenuity that could not quite be captured or marketed to improve the bankbook of others with a sudden onset—was unacceptable in such a way that I could become some sort of object that was in no way useful besides to experiment and then observe what I might become next, all the while knowing I would not and could not stay in one form or another too long without becoming such an obvious target. —Death of a Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

EXT. CONCERT. DAY SUNNI BLU converses with CHARLES over a musical break STAGE LEFT of the MAINSTAGE. SUNNI BLU Thems the two prettiest girls right there. CHARLES yeah . ok. SUNNI BLU Grab em up. CHARLES What? SUNNI BLU Snatch em up. CHARLES Do you mean. SUNNI BLU Micheal Jackson style munich on that bitch. CHARLES What—? SUNNI BLU Them bitchez. CHARLES Are you saying—? SUNNI BLU They wont mind. CHARLES Uhhhh… SUNNI BLU I promise. watch . BOUNCER SUNNI's bodyguard BOUNCER crosses to center stage. SUNNI whispers into BOUNCER'S ear and he nods once and smirks; he then walks out into the crowd and picks up the two girls SUNNI aforementioned, tossing each of them over his shoulders, planting them on stage next to SUNNI; they scream and cry hysterically. SUNNI nods and smiles in self admiration and throws BOUNCER and CHARLES a thumbs up; CHARLES shakes his head slowly in disapproval, the GIRLS scream and cry hysterically; SUNNI grins and carries on about the show. CUT IMMEDIATELY TO: SUNNI BLU YO! I got mad lawsuits. MORGAN Plural? SUNNI BLU Like multiple! MORGAN well what were you expecting, sunni? Its 202#--? SUNNI BLU But michael is timeless! MORGAN And youre not michael jackson! SUNNI BLU You're right! I sold more records already than him! MORGAN ugh! PUBLICIST *does* {Enter The Multiverse} Hi, i'm Russell Brand. No, get out. I'm sorry,I— ? Get out, get out! Are we trading kings for whistle! Sacred things and torturers? Lill bitz I started talking to this guy from tinder Then I quickly realized he only texted me at like 3 in the morning, like “come over” So I started texting him really weird shit— Like really weird. Like, I would make sure before I sent it, I would re-read it and be like “Ya, that's weird.” “That's really weird.” Every time, just read it to myself and be like “Ya that's giving “you're psycho” Right off the bat. Kate Winslet is so good at late night. She talks mad slow and answers every open ended question with a paragraph of thoughtless nonsense— finally, at the end of the paragraph, she answers the question in yes or no fashion; in this sense, you've completely forgotten the question through redirection. This has taken nearly five minutes. Genius. Amidst a story, she begins to slowly decrechendo until she's murmuring in a near whisper so you really have to try to pay attention to what she's saying, which is almost nothing. So considerably nothing, that you lose thought in trying to grasp and accept the words— this is excellent banter, because of course, she isn't really saying anything. This has taken another five minutes. Captivating. INT. DENTISTS OFFICE. DAY. Who is Claude Von Wastvermaan? KIMMEL Doctor Claude Von Wastverman. Okay. Who is that? KIMMEL It's me. I'm Claude Von Wastverman. Dr.— KIMMEL Yeah. It's me. KIMMEL Why are you— what? KIMMEL This is my office. …why? Because— I use specific research and target demographics to seek out people who have no interest in whatsoever watching my show and do not recognize me in any way actively seeking a dental practitioner— Why? KIMMEL Because! My audience loves me. They want to see me— they have to like me! So? KIMMEL These people don't know who I am. They don't want to see me—and there's a good chance, they won't like me at all. …this is how you spend your free time? KIMMEL —and some of my vacation days! Jesus. KIMMEL Yeah. I'm not alright! How much does this office space cost? KIMMEL You wouldn't like it. And—I take very limited insurance. Did you…study dentistry, at all, at any point? KIMMEL Not at all— Oh, Jesus. KIMMEL But Claude might have for a short time— online. These degrees look legitimate. KIMMEL He was a really good guy. Wait. What. [a rubber glove snaps] KIMMEL If you'll excuse me, I have an appointment coming in at 2:30. …you're kidding me. KIMMEL I'm not—and she's always early. Get out. Gladly. He opens the door and leads him out of the office, looking startled startled and shaking his head. KIMMEL Good afternoon, Mrs. Evanston. Perhaps I was just looking for something and my brain saw what it wanted to— but it kept coming around in ways that were stranger and stranger, and I couldn't explain the thought of it, like I was connected to something. Jimmy Slithered. But it's okay, Cause I hate to see him prosper. Wait a minute? Did it enter for a second in your head to what had happened? Very obviously is it just exactly as you'd imagined. Wait a moment; Give a little gift for winter's entrance— Suddenly you're hating Christmas, Just infected with this sort of hatred That's been creeping up on them for centuries. Very well, then Skrillex. Very well, played ventriloquist act at the Rock And how hardened are you, the heart of all non immortal and broken? Are you succumbed to never wonder either? Cratered. Disrespect and spills of want, Spools and spills and towers of yarn, You're getting broker every warrant. You're the dark and hadn't opened, Oh to be so charmed and wanted. Jimmy Slitheted, But I caught him creeping in the forest, Well, done, Harper— Now you've got yourself a story Jimmy Slithered, but that's good— I had him at the fortress, And all our audience would want Is fourth wall being broken. So here fals the house of cards! The house of cards The house of cards. And here folds the broken hand— The broken hand. The broken hand. And here calls the shattered wand, The crypted want, The shadowed trumpet horn, there! And there upon the hill, There did I grasp and fall to follow, Though the crown had not the king, The ground was sure to've caught him! And so I clasped with all my might and grip, The humble role of which that is This, Unrolled and uttered: Feast of kings, Be you what may of Prince and time and also my own brotherhood and making, There is, shadowed in my own dear marker, Yet another coming death upon us! How now, my ritual, of that and thy and they and I, To this my mark, And so I sang as this does not a number— My posture does find comfort here and tie my breath to grass from under, Striped and torn my cloth, as does in this my fortune gathers; There my fate and here to all, as wind becomes her mother, And though I call to all, but one I am, And then another. LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space. REBEL1. I am hypnotized; I am pain I am cryptonite I am in pain I am penalized; I am pinned l I am pinstripes on wide ties; I am Him. Pinterest, pintrest, pinholes And disinterest Centered sentiments And immigrants And ministrations, Images and insolence (And indulgences, patronages) Eclipses and rip titles, Paris Tiptons, And temptation Missing wages Push to shove and What are you doing, motherfucker?! To say the least, I'm a bit unconventional. Unexplainable joy And invisible ties and invincible triads Unimatatable charm, And prehensile times And forefathers before us Unpolished Well dressed hampers on leather and fortunes And doing and donuts and do this and don't-touches Mumbles of soft till and lunches and subtle distraction And coming construction Wages Ions I afford you To die now Like I want He's better at the body code Than old Colbert, He's one for one now Could this corrupt you— I didn't destroy her, I offered a suffix No longer for your number No longer for your hard times No longer for your warrants No longer No longer No four times Don't pan to the audience I'm a hole slow meltdown Don't man your own So wait, am I also telepathic? Yeah, that. Oh my! Is it like a two-way broadcast type— thing? Yeah, that part… Oh no, I'm so sorry. No you're not. You're right. I told you not to go looking into my thoughts. Check it all out, I bought prototypes Check it all out, I undug libraries Check it out, You're all alone at Walmart No longer working part time, The doors are closed and locked now, They're bound to stage a lock out You're better off on hard times You're better off on Lala Land No— Don't deport I want my art back No, don't deport; It's just a cake walk to apartheid, Remember mine now? Cheers to the world's longest monologues. Kudos to your picking up cabbage Remember the back for the wartimes The bagpipes have sounded; You're back to astonish us. No! I must have you a lesson; I'm back with my old will and testament No more Old Testament wanted I bought your sticks in Leviticus And so, Again– CUT TO: WILD PARTY. INT.EXT./WHENEVER HOW SICK IS THIS? NO! NOT THAT! I raised the dead from a half pipe I shoot the crowd out in foreign I can't remember my own Sam But I found one– For a dollar, For a wrong word And a hard song And a larger Go look, Now remember a rock star. Now that you're so stolen, Go back! You're unorthodox! Clear cut: you're a tragic Magic act– Now I'm back with a bag of tricks with my back out Learn your lessons. CUT BACK TO. INT./EXT. YO I'M SAYING A WIIIILD PARTY. WHENEVER YO, WHO DOES THIS?! What a party! I WANT TO GO HOME NOW! —I'M CALLING THE COPS! THIS IS YOUR HOUSE!!! {Enter The Multiverse} …And it's all house music all night. No, to that. Beg your pardon? I won't come. [The Festival Project ™ ] Now articulate your face muscles. My wat. Now you're bar banned. I had this at a festival once. What is it? A “whore salad” … All with a side of oxygen. Now you're in a tunnel. (A tunnel, a scone and a croissant) Now you're worse, warthog, immortal (Call your dad back, You're a bad son.) Now I'm out in the canyon With Chester McBadBat I got chest hair, And a straight out of the badlands Yes, I did mention this to my cousin Evan, But why ask that? So you heard everything I thought? Mmhmm. Hard times. —and everyone else? What is it like to have love man? I been locked out I'm a rock addict, But I'm damned now How's that fountain coming along? SUNNI BLU …it's just water. ARCHITECHT …yeah it's water. It's a fountain. SUNNI BLU —I WANT CHOCOLATE. Whose here? Not that guy! Four more beers? I just realized I never ever bought mine; I always had a tough guy. Box. What? Fight! I'm Eurovision And a hard remix— Ten minutes in and I realize I've already heard this. Oh yea, This Golden band of art, love and protection Perfection. Ohshea, shit! Who invited you? I got a 311 from Questlove!! Is that a beeper?! CUBE Since when are we on a first name basis? It would be weird to call you “ICE CUBE” Why's that? You. know? [the beeper goes off three more times] CUBE oh shit! What?! CUBE Nothin! Where the yard at?! sometimes it doesn't really matter Who the dialogue comes out of The whole point Is to put the art back into art projects Cause we all know it's been constructed And commercialized To the point of destruction And almost no promise For independent artists at all. So who is it with CUBE? Could be me. Could be you. Could be U— If it's not, It was all just a long lost passion project A collective God Complex. Give myself a hug Cause nobody else will God gave my case a Grace Cause somebody lost Will. Oh, Karen. Come, heart attack. Come karma, Come hot dogs Come Christmas time at the Plaza Come on, hard death. Come on. Hard Rock Hotel? Nah, Equinox. Alright. Hudson. Yards. Now you're in a tunnel Does your heart hurt? (You should clutch it.) Put your patchwork in a hard drive This is hard times, You can't come back. O! But they do take dear DRATCH and run with it! I go run along to Corrections, And ginger snaps for crosswords On hard workers So fax the whole document! Do you know what? Horcruxes! Hot lunches, yuck. Hockey! I want off this planet so bad I cross cross my fingers at crosswalks And oncoming trains but– Don't look either way before I walk. So pull a shotgun at all that I was one strong donkey before I got one address. Now I just redress the cause All I want is my bundle back. Yuck! Care for it at all? Yeah, yours, but she's a danger to humanity. Yeah, mine but I'm an honest hybrid horrid hunter. On time? I just got it at Sephora. On time, Like I never even got that. I want to be loved just to be looked at But since in this life I can't turn the clock back I've discovered it's hell that my body was born as. — I discovered it's hell that my body was born as. Such a problem when you know That even the great Rosie O'Donnell once wanted blue eyes. Now I forget where I trailed off… What a drawback. I'm all out of patience. Crypto, I tip toe now over eggshells No home for her Hard times And hard times. No code offered, No I don't fall for that'd But where's the snowfall over all the rot out back? Hard times. Hard times. Hard times. As the bell tolls And the well swells whole And the umpire does rack them Up; Nobody works harder than Hard times Hard times Hard times. Yeah, that's four Aces Up, Diamond. Run for your forks and your knives And your daughters and mothers and father And home family comfort And cufflinks and loafers, And sport coats and Your life. Your life. Your life. [The Festival Project ™] —-Chroma111. THE IMPENATRABLE TEN is INEVITABLY DISBANDED. Inevitably??? Inevitably! but not indefinitely. Oh, I guess. Alright. SILENCE. {Enter The Multiverse.} I don't want to be here. No one does. You are sending mixed messages. Imm not sending any messages… — with your brain. L E G E N D S Of course. Electromagnetic signaling Of course. I told you this had gone strange. Severely. Now how do I explain from this time how to get back to our time If there's no direct translation between our language and that one? Maybe you can't explain it. These are hard facts. So I suggest the use of highly trained telepaths. That far back? These things are possibly connected even in this time, theoretically using our past; I might suggest Telesynthesis— considering these planetary electromagnetics to which this entire planet is hardwired. …hardwired. That's right. Ascension. Hard times. Madame President? Get lost. [Secret President] I get it. You're a whistleblower. I'm not that. A shadow government official. Also wrong. Why else would you run for office? I'm trying to get shot at. They told me you were funny. But they didn't say anything about my gauntlet? Your—what? You know. My conquests—professional accomplishments? Your God complex? I know all about that. Perhaps it's not a complex. But a ‘gauntlet'? You're a journalist aren't you? I'm giving you some high art concepts. (Because for the sake of the rhyme, And please, for God's sakes, Gemini, In prose form Without the use of tables. ) I R O N I C —Deathwish. [The Festival Project ™] Season 12, Episode 01. REBEL1. Prod. By Blū Tha Gürū I would think it psychosomatic, but in less than 24 hours of restarting my vitamin regimen, my mood was so improved that I could not for a second overlook that without taking vitamins, I was missing something. Even if my newly concocted super-juice recipes were putting a curb in my abdominal muscles that even I was sure didn't entirely belong there, pairing this development with the Peloton, it was a long and diagonal, out-of-sorts thing that stuck out as if it was on somebody else's body and not mine. Still, I had to deal with the heavy weight of the drooping skin and belly that hung as if it very much did belong to me but wasn't budging, despite my attempts at a flat stomach and having been so well overstretched at one point by medical obesity and double occupancy that it was, at the very least to say, insurgically impossible. However, my brain went on having ways of wrapping my mind around this—that the rest of my body was quite slim, and even on some days seeming petite, were it not for my massive thighs, which also seemed to have sported a curve to them which was almost attractive, especially well-dressed. But the fun of it was, I wasn't exceptionally well-dressed, because I hadn't wanted to be. In fact, I was under obligation always to be about in the men's clothes I'd found because they were designer, and it was even something like a fashion statement that I dressed this grotesquely and in overlarge articles because of the astounding amount of weight I'd lost and the strange way my body seemed to be taking an athletic shape. Still, there was this factor that I was actually always somehow in an excruciating amount of pain, especially waking up, and though some of that I would have applied to being psychosomatic—in just that it was the pure stress of the disembodied torture I was undergoing in one way or another—whether anybody would have admitted it or not, or whether or not the unknown parties in question were going to be justified for it, I still hadn't an idea or thought as to what my unstructured purpose was. And though I sat beautifully controlled into doing music as a default, I was looking at the numbers, and the massive amount of people doing remarkably well because they could afford to do so, or were lucky, or were unbearably beautiful and so could do anything they wanted, and I too much so was not that. In fact, it was almost by design my failure and my constant struggle that even the universe seemed to look down upon me in such a way that it pitied me in a harrowing attempt at karmic justice done for the seeming evil and harsh things being done. It was true that someone had set out to torture me, and this might have once been the way of the illuminated artist and tortured soul; however, having taken so metaphorically into my own boat such heavy water of grief and loss, and drowning, I was sinking into the natural ocean of monstrous storms my body was saying in so many ways it could do no more. My mind was strong—and I could take the torture for innumerable amounts of time without becoming so much more frustrated than to just stop, or start heavy breathing, or even compulsively masturbate until one world faded deeply into another and I just didn't care. But realistically, the things that were being done pointed at a strategic and tactical, military-trained psychological governing of my own autonomy. And because I knew this, I also knew whoever was responsible was more than capable of covering their tracks to the point of disappearance—an inescapable hell of unseen trauma. The basis of it was that if I raised my concerns with any law enforcement or police, I was just as often ignored, ridiculed, or worse—thought of as symptomatic of some psychological condition I well knew and understood I did not have, all because what I did seem to possess—this undying force of color and creative ingenuity that could not quite be captured or marketed to improve the bankbook of others with a sudden onset—was unacceptable in such a way that I could become some sort of object that was in no way useful besides to experiment and then observe what I might become next, all the while knowing I would not and could not stay in one form or another too long without becoming such an obvious target. —Death of a Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Join us for this episode of the Academy i3 Podcast as we welcome Sunni Dominguez, Tribal Stars Program Manager and member of the Ipay Nation of Santa Isabel. Sunni shares her expertise on the Indian Child Welfare Act (ICWA), discussing its history, why it matters, and how it impacts Native American families and child welfare professionals.In this conversation, we cover:The origins and purpose of ICWAKey provisions and compliance challengesThe importance of cultural connection and community leadershipBest practices for social workers and agenciesReal stories and lived experiences from Native communitiesWhether you're a child welfare professional, student, or someone interested in social justice and Native American issues, this episode offers valuable insights and actionable steps for making a positive impact.Sunni Dominguez is Iipay/Kumeyaay from the Ipay Nation of Santa Ysabel. She served as an elected tribal official for 14 years and currently sits on the Tribal Advisory Committee for the CDSS Office of Tribal Affairs. With over 20 years of experience in tribal family advocacy, early childhood education, and cultural preservation, she now serves as Program Manager for the Academy for Professional Excellence Tribal STAR program. As a trainer for ICWA: Working with Native American Families and Tribes, Sunni draws on her experiences as a mother, grandmother, foster parent, and Indian custodian to support better outcomes for Native American children and families. Her work focuses on spiritual healing and protecting past, present, and future generations.

Dr. Kurt Olding discusses a new process to get back pain patients to the right provider via a "primary spine care specialist". Dr. Kurt Olding has been in practice for over 35 years, opening Minster Chiropractic Center in 1986 after graduating from National College of Chiropractic in Lombard, IL in 1984. Through the years Dr. Kurt has enjoyed treating all age groups, from infants to athletes and parents to grandparents. He took special interest in sports medicine during his early years in practice, completing 300 hours of continuing education through the Certified Chiropractic Sports Physician program. Dr. Kurt earned Cox® Technic certification in 2009. In 2012 he began co-instructing the technique, and since 2015 has been a full-time instructor alongside Dr. James Cox, Dr. Ralph Kruse, and Dr. George Joachim. Through his work with Cox® Technic, Dr. Kurt has had several exciting opportunities. In March of 2016, he taught Cox® Technic in Bern, Switzerland as part of the Swiss Chiropractic Academy's "technique series" program. Later that month, he presented research on Cox® Technic with his mentor Dr. James Cox at the annual Association of Chiropractic Colleges Research Agenda Conference. Dr. Kurt co-authored a paper published in the June 2016 edition of the Journal of Chiropractic Medicine titled Chiropractic Distraction Spinal Manipulation on Post-surgical Continued Low Back and Radicular Pain patients: A Retrospective Case Series. In 2015, Dr. Kurt became board certified as a Chiropractic Orthopedist, and a Fellow of the Academy of Chiropractic Orthopedists (FACO). He is also a board member of the Academy of Chiropractic Orthopedists, serving since early 2016. Dr. Kurt and his wife Jackie are Minster natives. They have three children: Sunni, Kregg, and Jack. Sunni and her husband Tyler joined the practice in 2014. Resources: Minster Chiropractic Center kurt.olding@gmail.com Find a Back Doctor thebackdoctorspodcast.com The Cox 8 Table by Haven Medical

In honor of Veterans Day and National Military Appreciation Month, Big Blend Radio's "Way Back When" History segment welcomes acclaimed documentary filmmaker Michael Pack to discuss his powerful Iraq War film, "The Last 600 Meters: The Battles of Najaf and Fallujah" airing November 10, 2025, on PBS nationwide. This documentary chronicles the two deadliest battles of the Iraq War—Najaf against the Shiite Mahdi militia and Fallujah against Sunni insurgents—told entirely through the raw, firsthand testimony of the Marines and soldiers who fought there. Pack explains his choice to remove narration, allowing the veterans to deliver the "ground truth" of urban combat, dramatic moments like the "Hell House" rescue, and the personal cost of war. The conversation delves into the brutal realities, the significant theme of PTSD, and how decisions made in Washington ripple down to those delivering the final 600 meters of foreign policy. Tune in to better understand modern warfare and the enduring importance of honoring the sacrifices and complexities of our veterans' experiences. Watch "The Last 600 Meters" on PBS on November 10, 2025, stream it on the PBS app, and catch it later on Amazon and other platforms. Learn more: https://manifoldproductions.com/films/the-last-600-meters/ 

November 4th, 2025Jamaada Al Ula 13th, 1447Shahadat of Bibi Fatima (SA)* Bibi Fāṭimah is not only the daughter of the Prophet but an essential part of his mission, and Sunni narrations affirm her elevated status and closeness to the Prophet.* Multiple Sunni scholars confirm that Fāṭimah being “part of the Prophet” means that hurting or angering her is equivalent to hurting or angering the Prophet himself.* Hadith from Abu Lubābah's story highlights the Prophet saying, “Fāṭimah is my flesh,” showing her sacred status and the seriousness of offending her.* Sunni sources narrate that Fāṭimah is the Chief of the Women of Paradise, alongside Maryam, Khadījah, and Āsiyā, and that al-Ḥasan and al-Ḥusayn are the leaders of the youth in Paradise.* ‘Ā'isha narrates that Fāṭimah is the most truthful person after the Prophet and that her speech was unmatched in sincerity and honesty.* The Prophet emphasized that Allah is pleased when Fāṭimah is pleased and angered when she is angered, indicating her spiritual purity and infallibility (ma‘ṣūmiyyah).* The Prophet showed immense respect to Fāṭimah—standing up for her, kissing her, seating her beside him, and making her the last person he met before traveling and the first upon returning.* Narrations describe Fāṭimah as a heavenly being, created from the fruit of Paradise, and a source of the Prophet's spiritual comfort and fragrance of Jannah.* Saḥīḥ Muslim records that Fāṭimah remained displeased with Abu Bakr for refusing her inheritance, and she did not speak to him until her death.* Her final days included suffering, martyrdom in grief, a secret burial at night, and a will excluding certain figures from attending her funeral, showing her ongoing pain and protest against injustice.Donate towards our programs today: https://jaffari.org/donate/Jaffari Community Centre (JCC Live)

Professor Seyed Mohammad Ghari S. Fatemi examines the very being of reason within Islamic legal theory. Engaging classical Sunni and Shīʿī perspectives, he asks: Is reason a substance, an accident, or a kind of knowledge? This discussion unpacks how uṣūlī scholars understood the nature, scope, and variability of rational faculties, illuminating how metaphysics, epistemology, and theology converge in defining ʿaql.

In scarcely a century, Salafism has transformed Sunni Islam. Claiming to be a revival of the purest form of Islam, this movement promotes ultraconservative social and religious norms and rejects all non-Sunni reli gious groups. In Egypt, its influence has grown to the point of reshaping mainstream conceptions of the faith. How did such a deep religious transformation sweep through Egypt so rapidly? What is the significance of Salafism for the country's political scene, both before and after Hosni Mubarak fell from power in 2011? Twilight of the Saints examines the history of Salafism in Egypt from its 1920s emergence in Cairo's scholarly circles through the present day, shedding new light on the movement's shifting relationship to politics. Drawing on extensive fieldwork and interviews, Stéphane Lacroix illustrates how Salafism redefined what it means to be Muslim for Egyptians. He emphasizes the factors that distinguish the Salafis from the Muslim Brotherhood, despite their parallel trajectories. Lacroix explores how Salafism influenced the dynamics of the 2011 revolution and the democratic transition that ended with the army's takeover of the country, as well as how it has fared since. In this context, MEI will host a book talk with Stephane Lacroix to present the book and reflect on our understanding of the relationship of Salafism, politics, and authoritarianism in Egypt, and its significant implications for the wider Muslim world.

6. Ramadi's Infighting and ISIS Infiltration Ramadi saw tragic infighting among Sunni tribal elders utilizing outside powers to increase influence, unable to form coherent political project while US treated them monolithically. Market scenes devolved into chaos with 14 factions fighting simultaneously. After Al-Qaeda's defeat, no one expected jihadis' return, but Maliki's sectarianism and security forces' corruption created societal crack that disciplined ISIS forces infiltrated, while Iran's influence existed since Americans entered Baghdad.

3. Return of Exiles and Rise of Sectarian War American blunders included disbanding the army and Ba'ath party while returning exiles "frozen in time" whom Iraqis distrusted but Americans relied upon. Resistance began with nationalists like Hamid fighting to restore honor, recognizing danger from foreign jihadis flooding borders seeking Islamic state rather than preserving Iraq. Zarqawi facilitated sectarian quagmire but conditions were created by Americans, exiles, and jihadis, with Mahdi Army becoming death squads dumping hundreds of Sunni bodies at Sada dam.

4. Saddam's Trial and Maliki's Revenge Abdullahad saw Saddam twice—as powerful youth icon then frail defendant in a trial that became "parody of justice," allowing Saddam to re-dignify himself in Arab consciousness. After December 2006 execution, Saddam's body went to Maliki's house, revealing "petty sectarian mentality." Civil war ended with Sunni defeat, former resistance figures like Hamid who opposed Al-Qaeda disappeared, and hundreds of thousands of educated Iraqis fled.

5. Maliki's Corruption and Road to ISIS During 2011-2013, Baghdad was unrecognizable, divided by concrete walls into sectarian neighborhoods, with Maliki pursuing sectarian policies targeting Sunni figures while building government on corruption and patronage. Military became money-making machine with "ghost soldiers," weakening army before ISIS emerged. Al-Qaeda resurrected amid Syrian chaos while Sunni leaders aligning with jihadis during 2012 "Friday of Anger" demonstrations proved disastrous as Maliki's forces collapsed, allowing ISIS to present as "liberator."

Pastor Ken Ortize explores how today's peace efforts could fulfill prophecies written thousands of years ago in Ezekiel 38–39.In this episode, Ken traces the roots of the Arab–Israeli conflict, examines the divide between Sunni and Shia Islam, and reveals why nations like Iran and Turkey play a central role in end-times events.Listen as Ken connects biblical prophecy to current headlines — and reminds believers that no matter how chaotic the world becomes, God's plan is unfolding exactly as He promised.

Trump's Gaza Deal may look like a diplomatic victory on paper for Israel with the hopeful return of all the remaining hostages, but in reality, it hands the Sunni and Shia jihadis exactly what they want - legitimacy, survival, and time. Qatar, Turkey, and Egypt agreed to sacrifice Hamas to regroup and attack Israel in the future in some other constellation. Instead of a deal that deals a crushing blow to the Qatari-led jihad that financed the Oct. 7th massacre, it rewards it, signaling to every Islamist movement that terror and kidnapping Israelis pays. It is about time that the Western world understands the Islamic jihad enemy we are up against and what motivates them, not their lives or their homes or cities.With it all, this is the best agreement Netanyahu was able to achieve under the circumstances.Join Our Whatsapp Channel: https://chat.whatsapp.com/GkavRznXy731nxxRyptCMvFollow us on Twitter: https://x.com/AviAbelowJoin our Telegram Channel: https://t.me/aviabelowpulseFollow us on Instagram: https://www.instagram.com/pulse_of_israel/?hl=enPulse of Israel on Facebook: https://www.facebook.com/IsraelVideoNetworkVisit Our Website - https://pulseofisrael.com/Donate to Pulse of Israel: https://pulseofisrael.com/boost-this-video/

Good afternoon, I'm _____ with today's episode of EZ News. Tai-Ex opening The Tai-Ex opened up 268-points this morning from last Friday's close, at 27,029 on turnover of 17-billion N-T The market smashed recent records during Friday's session - ending at a high of 26,761 - after Taiwan Semiconductor Manufacturing hit a fresh closing high on the back of enthusiasm toward artificial intelligence development. Influencer Holger Chen under investigation for alleged Lai comments The Criminal Investigation Bureau says it's investigating internet personality Holger Chen after he called for the decapitation of President Lai Ching-te during a recent livestream. According to the bureau, the investigation is focusing on whether Chen's comments may constitute incitement (煽動) to commit a crime and threatening bodily harm under the Criminal Code. The bureau says it has been collecting evidence related to the comments and has asked the New Taipei District Prosecutors' Office to summon Chen for questioning. Chen made the alleged comments during a portion of his livestream on Sunday focusing on politics and cross-strait issues. Survey team reaches Matai'an Creek barrier lake site: Forestry agency One of two teams deployed by the Forestry and Nature Conservation Agency to survey potential routes to the Ma-Tai-An Creek barrier lake are reporting widespread devastation. The agency's Hualien branch deployed a task force consisting of two teams to visit the site on September 30. The teams were tasked with surveying the remnants of the lake and looking for prospective (預期的，盼望中的，未來的) routes for construction equipment to enter the area to rebuild. Officials say data collected by the teams will be used to help ensure safety during future efforts to rebuild the area and set up disaster prevention and detection infrastructure. US Supreme Court begins new term The US Supreme Court began its new nine-month term today - and it promises to be consequential (有影響力的，重要的) — with major cases focused on how much power the constitution gives the President. Charlotte North reports from Washington Iraq Prisoners Released Under Amnesty Iraq has released over 35,000 people from prisons under an amnesty law passed earlier this year. The law, aimed at reducing prison overcrowding, makes nearly 144,000 more people eligible for relief. The country's Supreme Judicial Council said courts recovered over $34 million in restitution (賠償) from those convicted of theft and corruption. The amnesty covers crimes like corruption, theft and some terrorism-related offenses, though not those involving killings. Sunni lawmakers pushed for the law, arguing their community faced unfair terrorism charges. The law also allows retrials for some terrorism convictions and halts executions. SAmerican Trade Bloc Rules Peru Failing to Curb Illegal Mining A South American trade bloc has ruled that Peru is failing to curb illegal gold mining and mercury (汞) trafficking. The Andean Community, which includes Peru, Colombia, Ecuador, and Bolivia, made the decision on Monday. They have ordered Peru to reform its laws and seize illegal mining equipment. Indigenous groups say mercury from mining is poisoning rivers and food in the Amazon. Peru has 20 working days to comply or face potential (潛在的) trade sanctions. The case could set a precedent for other countries. Peru has made some efforts to crack down on illegal mercury, but enforcement remains inconsistent. That was the I.C.R.T. EZ News, I'm _____. －－－－以下為 SoundOn 動態廣告－－－－ 在這個人人都想賺錢的時代， 我們聊的不只是「怎麼賺」，更是「為什麼要這樣賺」。 《賺錢這檔事》由冒牌生、致淮、驚驚共同主持， 帶你從個人品牌、自媒體經營、創業心法，到自由工作者的真實掙扎， 一起拆解「賺錢的底層邏輯」。 每週四更新｜陪你一起成長、一起賺。 Apple / Spotify / Youtube 搜尋《賺錢這檔事》， 或點擊下方連結，讓耳朵開始替你賺錢。 ↓↓↓點擊下方連結，手機隨時收聽

Books on Ummahat-ul-Momineen & Hazrat Fatima (RA) — Sahil AdeemShia or Sunni sources? Sahil answers which books to trust — clear and unapologetic. Hosted on Acast. See acast.com/privacy for more information.

******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Michael Cook is Class of 1943 University Professor of Near Eastern Studies at Princeton University. He is the author of several books, with the latest one being A History of the Muslim World: From Its Origins to the Dawn of Modernity. In this episode, we start by talking about the Caliphate from the 7th to the 9th century, and how it spread across the Middle East, Iran, North Africa and Spain. We also talk about Muslims in China, and the Muslim world in the Middle Ages compared to Europe. We then discuss the Ottoman empire, Muslims in India and Southeast Asia, and Muslims in Africa. Finally, we talk about the Muslim world in the present day, the impact of Western countries on the Middle East, and the divide between Sunni and Shia Muslims.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, VALENTIN STEINMANN, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, 航 豊川, TONY BARRETT, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, TED FARRIS, KEITH RICHARDSON, HUGO B., JAMES, JORDAN MANSFIELD, AND CHARLOTTE ALLEN!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, NICK GOLDEN, CHRISTINE GLASS, IGOR NIKIFOROVSKI, AND PER KRAULIS!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, ROSEY, AND GREGORY HASTINGS!

Ebony McMorris talks with Sunni about her viral exchange when President Donald Trump called her "obnoxious." For more #WhiteHouseWednesday, check out https://listen.aurn.com/OTR Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textCoaching supervision and social justice might seem like separate domains, but they share a powerful intersection that can transform coaching practice. DeBorah "Sunni" Smith reveals how these complementary frameworks create space for deeper awareness, innovation, and meaningful change.Supervision offers coaches a reflective container—often called a "safe space"—though Sunni challenges us to recognize that safety is inherently subjective. What feels safe for one person may feel threatening to another based on their lived experience. This recognition aligns perfectly with social justice principles focused on equity and equal rights. Both domains honor diverse perspectives and seek to create environments where authentic dialogue can flourish.What's particularly fascinating is how these principles appear in everyday coaching. When Sunni asks coaches to share cases where social justice doesn't apply, she finds they can't—because elements of power, communication, and equity appear in virtually every coaching conversation. Our bodies signal discomfort before our conscious minds register it, giving us valuable information about potential conflicts or misunderstandings. As coaches, we're trained to notice these subtle shifts, the same awareness that helps navigate social justice conversations."We bring so much as individuals to situations," Sunni explains. "Coaching supervision provides structure and process, whereas social justice brings purpose and passion." Together, they adjust how we see the world—like corrective lenses for our professional vision. This integration helps coaches recognize that while global issues may seem overwhelming, we can impact the conversations at our dinner tables, in our organizations, and communities. By facilitating win-win discussions rather than win-lose debates, coaches contribute to a more equitable society—one conversation at a time.Ready to explore this intersection further? Join organizations like Coaching for Social Justice for their free bi-monthly dialogues, or connect directly with Sunni to continue this important conversation. The growth happens in the discomfort—are you ready to lean in?Watch the full interview by clicking here. Find the full article here.Learn more about DeBorah "Sunni" Smith here.Receive a 30-minute Complimentary Discovery Coaching Session with Sunni via scheduling at enegaged@cassavacoaching.com. Please indicate Choice Comp Session in the subject line and Ana will schedule a time. Grab your free issue of choice Magazine here - https://choice-online.com/

In this episode, Claudia-Sam and special guest Sunni (and her higher Self, Lovely) explore how to reclaim your experience from the ego, choose moments of spiritual connection, and play your way through life's challenges. When you find yourself overthinking or feeling weighed down by “doing it right,” this episode is for you.We cover:* How to recognize the difference between your ego and your Higher Self * What it means to balance the physical and spiritual sides of life * Simple ways to invite more play and joy into your daily experience * How to listen for your intuition—even when your mind is busy * Why your purpose is to experience creativity, not just follow the rulesYou'll hear practical tips, soulful wisdom, and real-life stories to help you tune in to your inner guidance and live with more lightness and authenticity.This is for the driven dreamer who wants to lead from the heart, who knows she's here for a bigger reason, and who's ready to stop taking life so seriously and start playing with possibility.Give yourself permission to choose joy, trust your intuition, and remember: you are here to create, experience, and play.Get in touch with Sunni by going to her website: http://sunniandlovely.com/Join Claudia-Sam's “What Do I Do Next” 2-Hour Intuitive Clarity Experience for Women at a Crossroads: Listen to Your Heart and Know for Sure, in October 2025. Get 67% OFF for a limited time. Sign up at claudiasamsoulcoaching.com/intuition CONNECT WITH CLAUDIA-SAM

Chris White, with Bible Prophecy Talk Podcast, presents Part 9 of his 11-part series on “The Islamic Antichrist Theory”. Chris is discussing, from the biblical text, why he believes the Islamic Antichrist theory is inaccurate. Today, in Part 9, Chris addresses the emphasis of Islamic eschatological belief in views developed by authors such as Joel Richardson in the book “Islamic Antichrist”. Chris offers a helpful overview of eschatology in Islam, as believed by both Sunni and Shiites, and compares varous similarities & differences betweeen those beliefs, Christian biblical beliefs and other extra-biblical sources.He concludes by presenting the problems Islamic eschatology presents for Richardson's view of  an “Islamic” antichrist that aligns with the Bible.Vine Abiders Links:Substack: https://substack.com/@vineabidersApple: https://podcasts.apple.com/us/podcast/vine-abiders-podcast/id1836542893Spotify: https://open.spotify.com/show/08zwN9adiROSwLvZeg4VxhYoutube: https://www.youtube.com/@OSASfilmFacebook: https://www.facebook.com/profile.php?id=61558469721149

The National Security Hour with LTC Sargis Sangari – LTC Sangari and Clare discuss Benghazi and the assassination of Charlie Kirk and its effects on our nation's future. Twenty-four years after the terrorist attacks that killed thousands of Americans on our soil, we will examine the collaboration of Shia and Sunni groups and governments in planning and executing 9/11 and the Havlish 9/11 legal case for...

The National Security Hour with LTC Sargis Sangari – LTC Sangari and Clare discuss Benghazi and the assassination of Charlie Kirk and its effects on our nation's future. Twenty-four years after the terrorist attacks that killed thousands of Americans on our soil, we will examine the collaboration of Shia and Sunni groups and governments in planning and executing 9/11 and the Havlish 9/11 legal case for...

On this edition of Free City Radio we hear from Razan Ghazzawi, a Syrian writer and long time progressive voice on Syria speaking from the ground in Damascus. Razan speaks on the key challenges that progressive activists face today in Syria, looking at the importance of voices which are addressing the politics of Sunni victimization that the current government, lead by Ahmed al-Sharaa, has legitimized in some points of political discourse. Particularly Razan speaks about the importance of speaking to realities like the March 2025 massacres that targeted Alawite majority areas along the western coastal regions of the country. Also the lack of systemic action to address wild fires in the hot season of 2025 is addressed by Razan. Critically Razan speaks about new contemporary political autonomous efforts of social justice activists working today in Syria. This interview program is supported in 2025 by the Social Justice Centre at Concordia University. The music track is Passage by Anarchist Mountains. Free City Radio is hosted and produced by Stefan Christoff and broadcasts on: CKUT 90.3 FM in Montreal - Wednesdays at 11am CJLO 1690 AM in Montreal - Wednesdays 8am CKUW 95.9 FM in Winnipeg - Tuesdays 8am CFRC 101.9 FM in Kingston - Wednesdays 11:30am CFUV 101.9 FM in Victoria - Saturdays 7am Met Radio 1280 AM in Toronto - Fridays at 5:30am CKCU 93.1 FM in Ottawa - Tuesdays at 2pm CJSF 90.1 FM in Vancouver - Thursdays at 4:30pm CHMA 106.9 FM in Sackville, New Brunswick - Tuesdays at 10am

Nearly two years ago, Hamas participated in an unprecedented attack on Israel, and since that day, Israel has refused to back down. What does an end to this war look like? Is peace in the Middle East ever possible? Political analyst and senior fellow for research and diplomacy at the Jerusalem Center for Security and Foreign Affairs Dalia Ziada joins Washington Times Commentary Editor Kelly Sadler on Politically Unstable to discuss.

Reports coming from Lebanon are, in many ways, encouraging – the Lebanese government, it seems, is done with Hezbollah and the wreckage of a once-beautiful and prosperous country. The question is, can the government carry out the mandate to remove Hezbollah, its weapons and its influence and create peaceful relations with Israel? Hussain Abdul-Hussain, research fellow at the Foundation for Defense of Democracies, walks us through the disparate threads of Lebanese politics – from the comforting and hopeful to the skeptical, cynical, and despairing. A Crumbling but Shifting Status Quo Hussein Abdel-Hussain cautiously celebrated what he called one of the most consequential developments in Lebanon's modern history: the weakening of Hezbollah following the reported assassination of its leader, Hassan Nasrallah, and what he described as Israel's “crushing” of Hezbollah's operational capabilities. This surprising turn of events has opened what he characterizes as a “window of opportunity” for the Lebanese state to reclaim sovereignty and redefine itself as more neutral and nationally focused. Although Hezbollah and its Shia political partner Amal initially agreed to a cessation of hostilities in late November 2024, they have since moved the goalposts. Specifically, Hezbollah now demands Israeli withdrawal from strategic hilltops before it will even consider discussions on disarmament, thus reverting back to old patterns of negotiation delay and defiance—strategies previously employed by figures like Yasser Arafat. Legal and Political Breakthroughs Despite Hezbollah's resistance, the Lebanese government has achieved a historic milestone. For the first time since 1969, the Cabinet passed a resolution asserting that only state institutions are authorized to bear arms inside Lebanon. This directly challenges Hezbollah's decades-long extralegal military presence. Even more remarkably, the decision was made with Hezbollah-affiliated ministers still in the temporary caretaker government, giving the resolution additional political weight. The Lebanese Armed Forces (LAF) have been officially tasked with drafting a plan to disarm Hezbollah—a move that underscores a shift from rhetorical opposition to potential enforcement. A meeting to review the military's disarmament plan is set, though the LAF has indicated that a full disarmament could take 15 months, well beyond the end-of-the-year deadline set by the Cabinet. The Struggle of the Lebanese Armed Forces The Lebanese military, although increasingly seen as the backbone of national unity and sovereignty, faces severe logistical, operational, and financial challenges. Salaries have plunged to poverty levels due to the economic collapse, and the rank-and-file soldiers struggle with basic needs—including fuel and clean drinking water. Many soldiers hold second jobs to survive, and troop numbers are insufficient to handle complex disarmament tasks. While the United States once provided $144 million annually to support the LAF, this aid has intermittently lapsed due to political friction and has recently been replaced by funding from Qatar, which raises concerns about foreign influence. Qatar and Turkey: External Influences and Islamist Ambitions Abdel-Hussain expressed discomfort with growing Qatari—and increasingly Turkish—influence in Lebanon, particularly within the Sunni community in the north and in Beirut. These nations, he warned, are promoting Islamist factions aligned with the Muslim Brotherhood. This power vacuum, created by Saudi Arabia's retreat from Lebanon since 2017, has allowed pro-Qatar and pro-Turkey candidates to gain municipal influence. Worse yet, Turkey is replicating strategies previously demonstrated by Iran—investing in loyalist militias and seeking political hegemony in Syria and Lebanon alike. Abdel-Hussain emphasized that Turkey's intelligence chief-turned-foreign minister Hakan Fidan could become the “new Qassem Soleimani” in terms of aspiring for regional dominance. The Role of the United States: Mixed Messaging, Diplomatic Fumbles The conversation took a critical turn when examining America's diplomacy. Abdel-Hussain strongly criticized US Ambassador to Turkey Thomas Barak for bypassing Israel while presenting a policy paper outlining the roadmap to disarm Hezbollah. That paper was approved by the Lebanese cabinet and included commitments from Israel—commitments that Israel had never actually seen or endorsed. This misstep wasted valuable diplomatic capital, undermined credibility, and gave Hezbollah a new talking point. High-level U.S. diplomacy in the region, Abdel-Hussain argued, has become imbalanced and bureaucratically overloaded—with the same officials covering Turkey, Syria, and Lebanon. He emphasized the importance of restoring proper diplomatic structure and cautioning against over-centralized decision-making. Hezbollah's Deep Systemic Risk While there are Shia soldiers in the Lebanese army, there is scant evidence of systemic Hezbollah infiltration in the senior ranks, according to Abdel-Hussain. He cited funerals of Shia Lebanese soldiers killed in ammunition depot incidents potentially connected to Hezbollah, emphasizing that the community—especially its younger members—showed signs of divergence from militant loyalty. He dismissed the idea that Hezbollah's weapons are essential for Shia security, explaining that Lebanon's Shia are one-third of the population and not an embattled minority like the Syrian Alawites. The rationale for armed militancy, he said, is increasingly seen as a cover for political control, not existential protection. UNIFIL: An Expired Mandate UNIFIL, the UN force stationed in southern Lebanon since 1978, received sharp criticism. Abdel-Hussain blasted it as ineffective, politically unwieldy, and financially wasteful. He accused the French of prolonging its life to maintain influence and jobs, describing it as a “sacred cow” that enables Hezbollah by acting as a passive buffer while spending over $500 million annually. The recent decision to terminate UNIFIL's mandate was hailed as long overdue, with a final 16-month extension granted as a political compromise with France.  Iran's Declining Influence—But Stay Vigilant While not declaring Iran fully out of the picture, Abdel-Hussain argued that its effectiveness is waning. Much of the infrastructure and political capital Iran built in Lebanon and Syria through Hezbollah and the Assad regime is significantly diminished. However, vigilance is required, lest Hezbollah regroups or Iran seeks to finance a resurgence. Currently, he sees Iran's threat limited mostly to missile capabilities from within its borders or via Yemeni Houthis. France: Their Influence Viewed as Destructive Hussein Abdel-Hussain sharply criticized French involvement in Lebanon, alleging that it has become a source of obstruction and incoherence. The French approach, he argued, is economically motivated, opportunistic, and inconsistent with the best interests of the Lebanese people or with stability in the region. The Final Question: Can Lebanon Become Unitary and Neutral Again? Wrapping up on a cautiously optimistic note, Abdel-Hussain argued that history provides the answer: from 1943 to 1975, Lebanon was a neutral, largely self-governed and pluralistic society that emphasized commerce, leisure, and coexistence. The key to its rehabilitation lies in a return to a small, libertarian-minded state that stays out of regional power struggles. He asserted that, if left alone, the Lebanese people would opt for peace and prosperity. However, foreign intervention—especially from Iran, Turkey, and Qatar—must be firmly resisted, and Hezbollah's grip must weaken to restore national unity. Conclusion There's no hiding the uphill nature of Lebanon's path forward, but for the first time in decades, there may exist a genuine foundation for change. If internal unity can hold—and external pressure can be strategically curtailed—following through on disarming Hezbollah could pave the way for constitutional stability and regional reintegration. Is peace possible? Perhaps not yet—but for Lebanon, neutrality might just be the first great victory. Summary prepared by a LLM. 

Turkey's President Recep Tayyip Erdogan has warned of military action against the Syrian Democratic Forces over its failure to honour an agreement to merge its military with the new regime in Damascus. In a move steeped in symbolism, Turkey's leader chose recent celebrations marking the Ottoman Turks' defeat of the Byzantine Christians at the Battle of Malazgirt in 1071 to issue an ultimatum to the Syrian Democratic Forces (SDF). "Those who turn to Ankara and Damascus will win," Erdogan bellowed to thousands of supporters on 26 August. "If the sword is unsheathed, there will be no room left for pens and words." Turkey, a strong ally of Syria, has a military presence in the country and the two governments recently signed a defence training agreement. But Turkey is unhappy with the presence of the SDF, a coalition of Kurdish and Arab forces, which controls a large swathe of Syria bordering Turkey's own predominantly Kurdish region. Peace or politics? Turkey's fragile path to ending a decades-long conflict Buying time The SDF is affiliated with the Kurdistan Workers Party (PKK), which has for years been fighting Turkey for greater Kurdish minority rights. The PKK is listed as a terrorist organisation by Turkey, the European Union and the United States. But Ankara is engaged in a peace process with the Kurdish militants, who have committed to disbanding. However, Kurdish analyst Mesut Yegen, of the TIM think tank in Istanbul, says the disarmament process would be limited to Kurds from Turkey, and doesn't include SDF forces in Syria. Erdogan is now ramping up pressure on the SDF to honour an agreement its leader Mazloum Abdi signed in March with Syria's new President, Ahmed Al Sharaa, to merge his military forces with the new regime in Damascus. The deal is backed by the US, which has a military force in the SDF-controlled region as part of its war against the Islamic State. But, according to Fabrice Balanche from Lyon University: "The SDF has no intention of implementing the agreement made in March. Mazloum just wanted to gain time." Balanche points out that Abdi's SDF is a staunchly secular organisation and remains deeply suspicious of Sharaa's jihadist connections. Recent attacks on Syria's Druze minority by forces linked to Sharaa appear to confirm the SDF's fears over merging with the Damascus regime, says Balanche. Syria's interim president vows justice for Druze after deadly clashes 'Israel would like a weak Syria' At the same time, Erdogan is aware that the emergence of an autonomous Kurdish state on its border could be exploited by its rival Israel, which is looking for non-Arab allies in the region. Aydin Selcen, a former senior Turkish diplomat and an analyst for Turkey's Mediyascope news outlet, said: "Strategically, Israel would like a weak Syria, a weak Damascus, a weak Beirut and a weak Tehran." Turkey has carried out military incursions against the SDF, and its forces remain massed on the border. But Balanche says American presence there will likely deter any new Turkish military action. However, he warns that Ankara could seek to fuel Kurdish Arab rivalries within the SDF, with the fall of former ruler Bashar al-Assad last December. Turkey walks a fine line as conflict between Israel and Iran cools "It is different now, you have a Sunni leader in Damascus, and many [Arab] tribes, many people, prefer to join Damascus," he explained. "So the risk is a proxy war. Of course, for the new regime, it would be a disaster. If you have no peace, you have no investment, you have no trust." The dilemma facing Ankara is that any new conflict against the SDF would likely weaken the Sharaa regime – a key ally.

Today, we'll discuss what Shia and Sunni means, The Split of Islam, Conflict After The Death of The Prophet Muhammad, The Major Difference In Shia and Sunni, Geography of Islam's Split, the Islamic Civil War and other interesting topics… WELCOME TO Religion CAMP!

What is going on everyone and welcome back to TT! This week, I am joined by old pal to the show Sunni Combs.On this episode, we briefly touch on the ZR1 and ZR1X runs around the 'Ring, S197 and Terminator Cobra market values, are Jack Harlow and Mark Zuzkerberg long lost twins and Sunni tells me why she isn't driving her GT3 at the moment?Huge thanks to Sunni for hopping on and as always, huge thanks to Sheffield for being the official watch partner for the show. Make sure you follow them on IG @sheffield_allsport_watches and find them online at www.sheffieldwatches.com.Enthusiasts never die!

It's no Z-Ro this week. It's Sunni Tha Rapper. We speak with the Mo City MC about her being signed to Matthew Knowles with the group Blush, her eventually going solo, her becoming a cast member of the reality show Chadd Black's House of Influence, why you shouldn't cut in front of her in line at a showcase, and more.

According to Imam Salima El Musalima, a Sufi Muslim and the Netherlands' first female Imam, the Koran supports Israel as the Jewish homeland. During the interview, she cited the Koran, Surah Al-Isra (Qur'an 17:104) "And We said after Pharaoh to the Children of Israel, 'Dwell in the land, and when the promise of the Hereafter comes to pass, We shall bring you forth in a mixed crowd.'" The literal interpretation gives us a direct command of Allah for the Jews to live in the land. During the interview, Imam Salima El Musalima – a strong admirer of the Lubavitcher Rebbe – said that “traditional Islam is very inclusive.” Up until the 15th century the majority faith in the Middle east was Christian, and that Judaism played a prominent and essential role in Moroccan culture. Islam in Morocco was founded by the Idrasids, who were direct descendants of the prophet Muhammed. This sect of Islam continues today in Morocco, and Sufi Islam is the foundation of the Idrasids. Imam Salima stated that today's radical Islamists in the Shia, Sunni, and Wahhabi sects, originated in Sufiism, but perverted the Koran to justify violence against Jews, Christians, and the West. The Imam describes herself as an avant-garde Islamic artist who uses her art to bring her closer to Allah. She described her struggle to understand the war in Gaza by creating two fictional characters in her mind; a settler she calls Shlomo, and a Hamas supporter named Salim. She plays both their arguments justifying their actions, and in the end, Settler Shlomo's position wins. Alan Skorski Reports 24JULY2025 - PODCAST

Haian Dukhan, a leading expert on Syria's tribal dynamics, unpacks the stakes in the latest surge of violence between Sunni Bedouin tribes and the Druze minority in Suwayda.Retaining tribal support is essential for the country's post-Assad regime. The government's failure to quell clashes that have left more than 1,000 people dead has ignited Sunni anger and emboldened the Kurdish minority, which has forged its own Sunni tribal alliances.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

While global attention remains locked on Gaza, another atrocity is unfolding across the border in Syria - and almost no one is talking about it.  In this episode of The Jewish Road Podcast, Matt and Ron Davis speak with Mansor Ashkar, a prominent Israeli Druze leader, to expose the silent ethnic cleansing of the Druze people by radical Sunni factions. These are Israel's allies - men who serve in the IDF, who have bled and died protecting Jewish lives - now watching their extended families be slaughtered just across the border.  Some have taken matters into their own hands, crossing illegally into Syria in an attempt to rescue their relatives.  This episode is not only a wake-up call - it's a moral reckoning. Why is the world silent? And what does this mean for Christians and Jews who claim to care about justice? Key Takeaways: The Druze community is facing targeted violence in Syria, yet global media coverage is virtually nonexistent. Mansor Ashkar sheds light on the history, loyalty, and sacrifice of the Druze people, and their deep connection to Israel. Some Israeli Druze soldiers are risking everything to save family across the border. This isn't just a military story - it's a humanitarian crisis happening in real time. Matt and Ron call on listeners to see the spiritual and moral dimensions of this moment. Chapter Markers:   00:00 – Intro and why this episode matters   01:10 – The crisis facing the Druze in Syria   05:45 – Why the silence from global media?   10:20 – The history and heart of the Druze community   14:50 – Israeli Druze crossing borders to save family   18:15 – The stakes for Israel - and the Church   23:00 – How we should respond   27:30 – Final reflections and next steps Learn more, share the truth, and stand with Israel and her allies at thejewishroad.com. This is a moment for prayer, courage, and clarity. To hear more from Mansor, check out his YouTube and Instagram pages.

#SecurityCode For centuries, the Druze—a liminal community, whose faith incorporates elements of Islam, Christianity and older religions—have fought to retain their autonomy, allying with Israel against the Palestinians, the Lebanese Leftists against Hizbollah, and President Bashar Al-Asad's Alevi-led regime against Sunni jihadists and tribes. Now, though, a bloody showdown is looming.

The former editor of a newspaper linked to the regime in Iran told his 150,000 followers on X last week that Israel's success in the recent Twelve-Day War was due to its deployment of “the occult and supernatural forces.”  This isn't the first time Israel's enemies have accused it of secret weapons. In 2015 and again in 2022, Hamas accused Israel of using dolphins as spies and assassins to counter Palestinian frogmen off the coast of Gaza. On a more serious note, we discuss deadly clashes this past week between Druze and Bedouin tribesmen in Suweida, a majority Druze region in southern Syria. The Druze asked Israel for help defending themselves against attacks by the Sunni Bedouins, who may have been aided by the Islamist government in Damascus. Israel responded with airstrikes on regime forces headed south towards Suweida. Sorting truth from propaganda is difficult as both sides, Sunni and Druze, accuse the other of atrocities. With many Druze on Israel's side of the border, who are respected and valued members of Israeli society, the IDF won't be giving up the buffer zone it's established inside Syria anytime soon. We also discuss the anger of President Trump's base over the non-release of the Epstein files, and how two events this week have flipped the narrative: Trump's directive to AG Pam Bondi to petition the court to release grand jury transcripts related to the Epstein investigation, and the Wall Street Journal article this week reporting, without evidence, that Trump sent Epstein a crude, salacious birthday letter years ago. The court won't release the transcripts because grand jury testimony is always secret (and for good reason), but it takes the onus off Bondi for promising to do something she doesn't have the power to do, and the latest example of the legacy media attacking Trump with fake news reminded his base who the true enemies of democracy are. Also: Elon Musk announces that new Teslas will feature a Grok-powered AI companion. Just what we need—more distracted drivers (and more people interfacing artificial humans instead of family members). NOTE: If you'e going to Israel with us in October, you'll need to apply for a visa online before you travel. The cost is 25 NIS (about $7.50). Log on here: https://www.gov.il/en/departments/topics/eta-il/govil-landing-page Our new book The Gates of Hell is now available in paperback, Kindle, and as an audiobook at Audible! Derek's new book Destination: Earth, co-authored with Donna Howell and Allie Anderson, is now available in paperback, Kindle, and as an audiobook at Audible! Sharon's niece, Sarah Sachleben, was recently diagnosed with stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. ——————Follow us!• X (formerly Twitter): @pidradio | @sharonkgilbert | @derekgilbert• Telegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunker • Substack: gilberthouse.substack.com• YouTube: @GilbertHouse | @UnravelingRevelation• Facebook.com/pidradio ——————Thank you for making our Build Barn Better project a reality! f you are so led, you can help out at www.GilbertHouse.org/donate. Get our free app! It connects you to this podcast, our weekly Bible studies, and our weekly video programs Unraveling Revelation and A View from the Bunker. The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at pidradio.com/app. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site: gilberthouse.org/video! ——————JOIN US AND SPECIAL GUEST CARL TEICHRIB IN ISRAEL! We will tour the Holy Land October 19–30, 2025. For more information, log on to GilbertHouse.org/travel.——————Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store/.

The former editor of a newspaper linked to the regime in Iran told his 150,000 followers on X last week that Israel's success in the recent Twelve-Day War was due to its deployment of “the occult and supernatural forces.”  This isn't the first time Israel's enemies have accused it of secret weapons. In 2015 and again in 2022, Hamas accused Israel of using dolphins as spies and assassins to counter Palestinian frogmen off the coast of Gaza. On a more serious note, we discuss deadly clashes this past week between Druze and Bedouin tribesmen in Suweida, a majority Druze region in southern Syria. The Druze asked Israel for help defending themselves against attacks by the Sunni Bedouins, who may have been aided by the Islamist government in Damascus. Israel responded with airstrikes on regime forces headed south towards Suweida. Sorting truth from propaganda is difficult as both sides, Sunni and Druze, accuse the other of atrocities. With many Druze on Israel's side of the border, who are respected and valued members of Israeli society, the IDF won't be giving up the buffer zone it's established inside Syria anytime soon. We also discuss the anger of President Trump's base over the non-release of the Epstein files, and how two events this week have flipped the narrative: Trump's directive to AG Pam Bondi to petition the court to release grand jury transcripts related to the Epstein investigation, and the Wall Street Journal article this week reporting, without evidence, that Trump sent Epstein a crude, salacious birthday letter years ago. The court won't release the transcripts because grand jury testimony is always secret (and for good reason), but it takes the onus off Bondi for promising to do something she doesn't have the power to do, and the latest example of the legacy media attacking Trump with fake news reminded his base who the true enemies of democracy are. Also: Elon Musk announces that new Teslas will feature a Grok-powered AI companion. Just what we need—more distracted drivers (and more people interfacing artificial humans instead of family members). NOTE: If you'e going to Israel with us in October, you'll need to apply for a visa online before you travel. The cost is 25 NIS (about $7.50). Log on here: https://www.gov.il/en/departments/topics/eta-il/govil-landing-page Our new book The Gates of Hell is now available in paperback, Kindle, and as an audiobook at Audible! Derek's new book Destination: Earth, co-authored with Donna Howell and Allie Anderson, is now available in paperback, Kindle, and as an audiobook at Audible! Sharon's niece, Sarah Sachleben, was recently diagnosed with stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Follow us! X (formerly Twitter): @pidradio | @sharonkgilbert | @derekgilbert | @gilberthouse_tvTelegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunkerSubstack: gilberthouse.substack.comYouTube: @GilbertHouse | @UnravelingRevelationFacebook.com/pidradio —————— JOIN US IN ISRAEL! We will tour the Holy Land October 19–30, 2025. For more information, log on to GilbertHouse.org/travel. Thank you for making our Build Barn Better project a reality! Our 1,200 square foot pole barn has a new HVAC system, epoxy floor, 100-amp electric service, new windows, insulation, lights, and ceiling fans! If you are so led, you can help out by clicking here: gilberthouse.org/donate. Get our free app! It connects you to this podcast, our weekly Bible studies, and our weekly video programs Unraveling Revelation and A View from the Bunker. The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at pidradio.com/app. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site: gilberthouse.org/video! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store/.

In this insightful and timely lecture, Dr. Mufti Abdur-Rahman ibn Yusuf Mangera explores the topic of “Dealing with Differences” within the Islamic scholarly tradition. With clarity and balance, he addresses the historical development of the four Sunni madhabs—Hanafi, Maliki, Shafi'i, and Hanbali—and explains how these schools emerged through rigorous scholarship, sincere ijtihad (independent reasoning), and mutual respect among scholars. Dr. Mangera emphasizes that these madhabs, though differing in certain rulings, are all rooted in the Qur'an and Sunnah and represent a mercy and richness in Islamic jurisprudence. He highlights how the classical scholars maintained unity and adab (etiquette) despite their disagreements, promoting tolerance and harmony within the ummah. The lecture also examines the more recent emergence of the Salafi movement, its emphasis on direct textual interpretation, and how it has challenged traditional madhab adherence. Dr. Mangera respectfully critiques certain Salafi approaches, especially those that promote exclusivity or reject the legitimacy of traditional scholarship. He calls for intellectual humility, scholarly responsibility, and contextual awareness when engaging with different viewpoints. Ultimately, the lecture is a call to unity, understanding, and proper etiquette when navigating intra-Muslim differences. Dr. Mangera reminds the audience that diversity in legal opinion is not a weakness but a strength, and that dealing with differences requires knowledge, patience, and sincere intention.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he breaks down today's biggest stories shaping America and the world. Epstein Case Reignites as Trump Calls for Transparency President Trump reverses course and says credible Epstein files should be released. This comes amid new analysis showing missing jail footage from the night Epstein died, raising fresh suspicions about foul play. House Democrats demand full disclosure, while Bryan calls out AG Pam Bondi for mishandling the case. Trump's Economic Agenda Delivers Wins on Minerals, Trade, and Energy The Pentagon and private firms like Apple ramp up investment in U.S. rare earth minerals to cut dependence on China. Trump signs a new trade deal with Indonesia requiring $20 billion in U.S. imports and cooperation to stop Chinese transshipment. Meanwhile, tech giants pledge $56 billion for new AI centers in Pennsylvania, driving demand for nuclear, hydro, and grid expansion. Inflation Holds at 2.7% Amid Questions Over Federal Data Accuracy June's CPI report shows mild inflation, suggesting tariffs aren't yet hitting consumers. But 35% of prices were estimated, not observed. Fueling concerns the Fed may be basing decisions on faulty data. Bryan warns this could keep interest rates unnecessarily high. Trump Tactics with Russia: Escalate to De-Escalate Trump reportedly encouraged Ukraine to consider striking Moscow to push Putin toward a ceasefire. Though he walked it back publicly, Bryan explains this could be a calculated bluff to pressure the Kremlin as the 50-day ceasefire deadline nears. Syrian Massacre Tests Trump and U.S. Intelligence Syrian troops allied with radical Sunni tribes slaughter over 160 Druze civilians, contradicting assurances that President al-Sharaa was a reformed Islamic leader. Israel launched airstrikes to halt the killings, but Trump asks them to hold off. Bryan questions whether U.S. intel got it wrong—or if al-Sharaa has lost control. Anti-Nausea Drug May Cut Breast Cancer Deaths A Norwegian study finds aprepitant, a common nausea medication, reduces cancer relapse and mortality, especially in aggressive triple-negative cases. Researchers are unsure why, but the drug shows potential as a powerful new ally in chemo treatment. "And you shall know the truth, and the truth shall make you free." – John 8:32

In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight. Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad's in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities. In this illuminating and concise survey, Charles Glass shows how Assad's misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes. Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region. In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring. About the Author: Charles Glass was ABC News Chief Middle East Correspondent from 1983 to 1993. Since 1973, he has covered wars in the Middle East, Africa and the Balkans. He is the author of Syria Burning, Tribes with Flags, The Tribes Triumphant, Money for Old Rope, The Northern Front, Americans in Paris, The Deserters, They Fought Alone and Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War. His website is www.charlesglass.net. About the Host: Stuti Roy is a recent graduate with an MPhil in Modern South Asian Studies from the University of Oxford, and a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight. Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad's in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities. In this illuminating and concise survey, Charles Glass shows how Assad's misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes. Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region. In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring. About the Author: Charles Glass was ABC News Chief Middle East Correspondent from 1983 to 1993. Since 1973, he has covered wars in the Middle East, Africa and the Balkans. He is the author of Syria Burning, Tribes with Flags, The Tribes Triumphant, Money for Old Rope, The Northern Front, Americans in Paris, The Deserters, They Fought Alone and Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War. His website is www.charlesglass.net. About the Host: Stuti Roy is a recent graduate with an MPhil in Modern South Asian Studies from the University of Oxford, and a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight. Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad's in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities. In this illuminating and concise survey, Charles Glass shows how Assad's misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes. Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region. In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring. About the Author: Charles Glass was ABC News Chief Middle East Correspondent from 1983 to 1993. Since 1973, he has covered wars in the Middle East, Africa and the Balkans. He is the author of Syria Burning, Tribes with Flags, The Tribes Triumphant, Money for Old Rope, The Northern Front, Americans in Paris, The Deserters, They Fought Alone and Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War. His website is www.charlesglass.net. About the Host: Stuti Roy is a recent graduate with an MPhil in Modern South Asian Studies from the University of Oxford, and a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Juwayriya bint al-Harith (RA) was a noblewoman from the Banu Mustaliq tribe and later became one of the wives of the Prophet Muhammad (ﷺ). Her birth name was Barrah, which the Prophet (ﷺ) later changed to Juwayriya, meaning “little girl” or “young woman.” She was the daughter of al-Harith ibn Abi Dirar, the chief of the Banu Mustaliq tribe. In 5 AH (627 CE), during the expedition against Banu Mustaliq, her tribe was defeated by the Muslims, and Juwayriya (RA) was taken captive. She fell into the share of Thabit ibn Qays, a companion of the Prophet (ﷺ). Desiring freedom, Juwayriya (RA) negotiated a mukataba (contract of emancipation) with Thabit. She then approached the Prophet Muhammad (ﷺ) to help her fulfill it. The Prophet (ﷺ) not only agreed to help her but also offered to marry her, to which she consented. Upon their marriage, the companions of the Prophet (ﷺ), out of respect for the new marital bond, freed around 100 of her tribespeople, saying, “These are the in-laws of the Messenger of Allah.” This act led to a great reconciliation between her tribe and the Muslims. Juwayriya (RA) was known for her devotion to worship and piety. One authentic hadith mentions that the Prophet (ﷺ) found her engaged in dhikr (remembrance of Allah) from after Fajr until mid-morning, highlighting her spiritual commitment. (Sahih Muslim 2726) She remained married to the Prophet (ﷺ) until his passing and lived on for many years afterward. According to Sunni sources, she passed away around 50 AH (670 CE) during the caliphate of Mu'awiyah ibn Abi Sufyan, and she was buried in Al-Baqi' cemetery in Medina.

In this episode of Crossing Faiths, John Pinna speaks with Sumbul Ali-Karamali about transgender identity, emphasizing its nature as a medical condition rather than a choice. She explains gender dysphoria as a debilitating psychological state with potential biological roots, highlighting the high suicide rates among transgender youth. Ali-Karamali asserts that, from an Islamic perspective, being transgender is not forbidden; she points to the absence of prohibitions in the Quran and Hadith, and the historical acceptance and approval of gender reassignment surgery by many Sunni and Shia scholars. She argues that Islamic legal principles, such as Maqasid al-Sharia (objectives of Islamic law) and ethical concepts like Tajassus (not seeking out transgressions), advocate for human dignity and non-persecution, directly supporting transgender rights. Ali-Karamali contrasts this inherent inclusivity with the restrictive anti-trans laws prevalent in some modern nations, suggesting these are often inherited from colonial impositions rather than Islamic tradition itself. She urges listeners to reject prejudice and embrace Islam's historically compassionate and adaptable approach to human diversity. Sumbul Ali-Karamali is a Muslim American who grew up in California, answering questions on Islam ever since she can remember. After becoming a corporate lawyer, she earned an additional degree in Islamic law. She specializes in synthesizing academic material for general audiences and is the author of The Muslim Next Door and Growing Up Muslim. A popular speaker on topics related to Islam and Muslims, she hopes to promote intercultural understanding with her work, at least when she's not watching Star Trek reruns, listening to opera, or (reluctantly) white-water rafting with her husband. Connect with Sumbul on her website: www.sumbulalikaramali.com.

Today's Guests the always lovely and completely unhinged duo of Diet Sweets Sunni and Hunter. The band has been going through some changes and we talk about that, babies, weird candy and a solid Reeses ring proposal and not one single point was made in the filming of this episode. We love these guys and you will too go check out all the things.   Links down below for all the goods. If you want behind the scenes and episodes 2 days early sign up for our Patreon it helps support the show in many ways.   As always thank you for listening.     Patreon  https://www.patreon.com/crashcast   YouTube https://www.youtube.com/c/crashcast      Instagram https://www.instagram.com/crashcastpod/   Facebook https://www.facebook.com/crashcastpod   Twitter https://twitter.com/crashcastpod1   Tik Tok https://www.tiktok.com/@crash.cast   YouTube Episode https://youtu.be/ZAzKiY3sCHs

In a music industry that never stops moving, how do you stay grounded, intentional, and actually enjoy the journey?This week I'm joined by Dr. Sunni, a licensed psychologist and coach for DJs and creatives, whose work sits at the intersection of mental health and the electronic music industry. We dive into the deep end of artist mindset — from burnout and comparison to self-worth, imposter syndrome, and the hustle culture that keeps so many artists stuck.We get into:How to stay connected to your purpose when social media takes overThe trap of chasing external validation (and how to break free from it)The common challenge of imposter syndrome Simple tools to rewire your brain and create lasting mindset shiftsWhy mindfulness is the antidote to burnout — and how to actually practice itWhether you're trying to grow your brand, build momentum, or just keep your sanity intact, this one's full of grounded wisdom and real talk.

Ridvan Aydemir, known online as Apostate Prophet, is a Turkish-born former Muslim who grew up in a devout Sunni household and later became a prominent critic of Islam. After a period of intense religious study and ideological shifts—including atheism, secular communism, and Judaism—he became an Orthodox Christian catechumen. Ridvan launched his YouTube channel in 2017 to document his deconversion and critique Islamic teachings, gaining notoriety for controversial videos and public debates with Muslim apologists. A staunch advocate of free speech, he has been critical of both Islamic doctrine and Western institutions that, in his view, suppress legitimate criticism of Islam. Ridvan regularly collaborates with both atheist and Christian thinkers and has debated numerous Muslim figures on theology, human rights, and religious history.

How did a small offshoot of Al Qaeda overthrow a major country in the Middle East and establish a diplomatic dialogue with the United States? Dr. Aaron Zelin is one of the foremost experts on jihadist movements past and present. He joined Rep. Crenshaw to discuss the fall of the Assad regime in Syria and the rise of its vanquisher – the jihadist group known as Hay'at Tahrir al-Sham (HTS). Dr. Zelin analyzes the conditions that led to the shocking revolution in Syria, its geopolitical implications, and the “pragmatic” jihadism of HTS. A comprehensive overview of Sunni extremism, the complex motives of HTS leadership, and how it all fits on the global chessboard.   Dr. Aaron Zelin is the Gloria and Ken Levy Fellow at the Washington Institute for Near East Policy, where he also directs the Islamic State Worldwide Activity Map project. He is the founder of jihadology.net, where you can find translations and analysis of jihadi source materials. Follow him on X at @azelin.