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39 episodes with Alicia Florrick
2 episodes with Alicia Florrick
2 episodes with Alicia Florrick
2 episodes with Alicia Florrick
Julianna Margulies joins us for a bonus conversation this week on You Are What You Read to talk about her memoir, Sunshine Girl. You can see Julianna now as Delia Ephron in Left on Tenth on Broadway, based on Delia's bestselling memoir. Julianna is an Emmy, Golden Globe, and Screen Actors Guild award winner. She starred as Alicia Florrick on the long-running hit CBS show The Good Wife, which she also produced, and is also well known for her role as one of the original cast members of ER. In this conversation, Julianna tells us about her rise to stardom…Her complicated relationships, difficult choices, and overwhelming rejections. But also about the moments where fate, faith, and talent aligned, leading to unforgettable roles, both professionally and personally. We'd like to thank our sponsor, Book of the Month. Head over to bookofthemonth.com and use Promo Code ADRI to get your first book for just $9.99. Thank you for listening, and thank you for reading. Learn more about your ad choices. Visit megaphone.fm/adchoices
Julianna Margulies is an Emmy, Golden Globe, and Screen Actors Guild Award winner currently starring as Laura Peterson on Apple TV+'s The Morning Show. She previously starred as Alicia Florrick on the long-running hit CBS show The Good Wife, which she also produced, and was one of the original cast members of ER. More recently, Julianna's starred on critically acclaimed series including Billions and The Hot Zone...and is the author of her memoir, Sunshine Girl: An Unexpected Life. She's been involved with Project ALS, Erin's Law, is also a board member of the New York City-based MCC Theater company, and is the founder of the The Holocaust Educator School Partnership at the Museum of Jewish Heritage. After a brief chat about this Season's The Morning Show, Julianna and I have a brutally honest in-depth conversation about the barbaric October 7 attack on Israel by terrorist organization Hamas; the ensuing war; the outbreak of rabid antisemitism; the mis/disinformation being spread; and the frustration and anger felt by Jews that too few are standing up for us here and abroad. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Music by Andrew Hollander Design by Cricket Lengyel
The famous Barbhiemer weekend and we got all the moves for you. For once, #Barbie and #Oppenheimer show us why going to the movies is such a treat. The reason we go to movies is to watch magnificent stories being told.Hotstar Special, The Trial, an adaptation of Alicia Florrick's The Good Wife was not quite where it needed to hit. Streams on HuluWhen it comes to Bawaal, the less we say the better about this Varun Dhawan and Janhvi Kapoor the better. Skip it.That's it for the week. We will see you rocking next week again.Till then.LoveTeam Desis.Desislive podcast delivers the latest movie and show reviews to your devices. Wherever in the world you are, tune in to desislive.
Julianna Margulies is an Emmy, Golden Globe, and Screen Actors Guild Award winner currently starring as Laura Peterson on Apple TV+'s The Morning Show. She previously starred as Alicia Florrick on the long-running hit CBS show The Good Wife, which she also produced, and was one of the original cast members of ER. More recently, Julianna's starred on critically acclaimed series including Billions and The Hot Zone..and has added author to her list of credits with the recent release of her memoir, Sunshine Girl: An Unexpected Life. She's been involved with Project ALS and Erin's Law and is also a board member of the New York City-based MCC Theater company. Julianna joins me for an intimate, riveting, in-depth conversation about her dysfunctional, chaotic childhood; her early acting journey; her incredible work in television and film; Judaism, anti-Semitism and her Holocaust remembrance advocacy; her fight against child sexual-abuse; and her thoughts on Roe v Wade, politics and Trump. There's also a surprise reveal that her father wrote one of the most famous jingles in advertising history. This is a chat you don't want to miss! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy and Matty Rosenberg @ Radio Free Rhiniecliff Associate producer Jennifer Hammoud Music by Andrew Hollander Design by Cricket Lengyel
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
Con "L'Unico Occhio dell'Uomo" tenterò di esporre, in modo più o meno interessante, le serie TV che considero meritevoli di attenzione e di una visione meno superficiale. O almeno posso provarci. Sotto il cielo di una grigia Chicago, c'è un mondo tutto da scoprire. Un Mondo popolato da uomini, donne e avvocati. Dopo il grande successo di "The Good Wife", i colleghi e coniugi Michelle e Robert King tornano nel mondo di Alicia Florrick con uno spin-off temeraria, ancora più critico rispetto alla serie madre e deliziosamente grottesco. Uno show deciso a raccontare tutte le contraddizioni, le ipocrisie e i mali dell'America contemporanea (se non del mondo). E i King decidono di narrare ciò attraverso gli occhi di Diane Lockhart, donna decisa a lottare con le unghie e con i denti per una giusta causa. Ecco a voi "The Good Fight". Potete trovare "The Good Fight" qui: https://amzn.to/44uWi7d https://amzn.to/3AFljie https://amzn.to/41RDr4t https://amzn.to/3Lobr14 https://amzn.to/3VofWxy https://amzn.to/3VnRoEw https://amzn.to/3NnpeaZ Link per iscriversi ai servizi di Amazon: http://www.amazon.it/amazonprime?tag=pendente90-21 https://www.amazon.it/music/unlimited?tag=pendente90-21 https://www.primevideo.com/offers/ref=atv_nb_lcl_it_IT?tag=pendente90-21 https://www.amazon.it/kindle-dbs/hz/signup?tag=pendente90-21 http://www.amazon.it/joinstudent?tag=pendente90-21 https://www.primevideo.com/offers/nonprimehomepage/ref=atv_nb_lcl_it_IT?_encoding=UTF8&tag=exampleAssociateStoreID-21?tag=pendente90-21 https://www.amazon.it/tbyb/huc?pf=1&tag=AssociateTrackingID?tag=pendente90-21
In part two of the episode covering the CBS drama, THE GOOD WIFE, Heaven continues to unpack the anti-heroine character trajectory of Alicia Florrick by analyzing her relationships with other main characters in the show, with emphasis on her relationship with her old law school flame, Will Gardner.Support Me:https://linktr.ee/FromMyLipsPod
In the first part of a two-part episode, Heaven discusses the CBS drama, THE GOOD WIFE. For the first part of the episode, Heaven goes over the show's competition with the emergence of the preigious cable dramas coming onto the scene, how the series premiered early in the Obama administration, leaning into the liberal politics of the time, as well as be critical of the some of the administration's missteps, and how Kant's Categorical Imperative and Nietszche's view of nihilism play into two separate arcs in the character trajectory of the protagonist, Alicia Florrick, and how she becomes an anti-heroine over the course of the series.Support Me:https://linktr.ee/FromMyLipsPod
Saga Noren'den, Peggy Olson'a, Fleabag'den, Buffy'e, Alicia Florrick'den Phoebe Buffay'e, Bihter Ziyagil'den Şehnaz Tango'ya ekranın hakkını alan, ıvır zıvıra tamah etmeyen, cesur, komik ve içten kadınları.Televizyon çocuklarına ulaşmak için: televizyoncocuklaripodcast@gmail.comTelevizyon Çocuklarını sosyal medyada takip etmeyi unutmayın! Instagram Hesabımız: @televizyoncocuklaripodcast Deniz Tokgöz Instagram @bugunnelerizledimDefne Akman Instagram @defnettinReklam ve İş Birlikleri için: aysegul.kuyumcu@gmail.com
Premise. A year after the series finale of The Good Wife, an enormous financial scam destroys the reputation of young lawyer Maia Rindell and wipes out the savings of her mentor, Diane Lockhart. The Good Fight is an American legal drama produced for CBS's streaming service CBS All Access. It is the platform's first original scripted series. The series, created by Robert King, Michelle King, and Phil Alden Robinson, is a spin-off and standalone sequel to The Good Wife, which was created by the Kings. On July 20, 2021, Paramount+ renewed the series for a sixth season. On May 27, 2022, it was announced that the sixth season will be the series' last; it premiered on September 8, 2022. As of September 15, 2022, 52 episodes of The Good Fight have been released. The Good Fight: Julianna Margulies Won't Return as Alicia Florrick. The Good Fight is set to return for its sixth season on Paramount+ sometime in the summer of 2022. You can see new photos of Braugher in the upcoming season of the popular series as well as read its official description down below. As it were, The Good Fight films in Brooklyn, in the borough's northernmost neighborhood of Greenpoint. Filming takes place at Broadway Stages, according to The Cinemaholic, which notes that giant posters of the Chicago skyline and other such props help The Good Fight pass off Greenpoint for Chicago. The Good Fight, a law series starring Christine Baranski, Audra McDonald, and Cush Jumbo is available to stream now. Watch it on Prime Video, Paramount Plus or The Roku Channel on your Roku device. The Good Fight season 6 will be the show's last. The series is a spinoff of The Good Wife, which was created by Robert and Michelle King for CBS in 2009 and proceeded to run for seven seasons through 2016. Fighting the good fight of faith involves running from sin and pursing things such as righteousness, godliness, faith, love, endurance and gentleness. Fighting the good fight of faith is about making a choice – a choice to pursue God's will and a life of faith on a daily basis. --- Send in a voice message: https://anchor.fm/chrisabraham/message
Per Kelly, this episode is a Good One, much like Alicia Florrick. We watched the first and last episode of The Good Wife during the awakening of Covid-19. Our last time capsule episode! Listen to the ep and then email us at Botepod@gmail.com to let us know if you'd stand by your man in the midst of his sex scandal!
Over the course of her impressive career, Julianna Margulies has starred on some wildly popular television shows. She played Nurse Carol Haloway on the definitive medica drama, ER. She starred as the disgraced politician's wife, Alicia Florrick, in The Good Wife. And coming this September she'll be joining the stellar cast of “The Morning Show.” The award-winning actress, and producer, is going behind the scenes of some of those shows and taking a look at the impact of her nomadic childhood and upbringing in her memoir: “Sunshine Girl: An unexpected life.” On this episode of Next Question with Katie Couric, Katie and Julianna dive into all of that — Julianna's cross-continental childhood, her complicated hippie mom, the backlash she experienced leaving ER (and turning down a $27 million contract), why she just couldn't shake Alicia Florrick and so much more. Find out more about Julianna's memoir, “Sunshine Girl: An unexpected Life,” and where to get your copy at Penguin Random House. Katie and Julianna's conversation was recorded by the Wilbur Theater in Boston, on behalf of Brookline Booksmith, as part of Julianna's virtual book tour. And if you're interested in seeing Katie when she goes on her book tour (“Going There” is out Oct. 26) you can go to Ticketmaster.com/goingthere to find out when and where she's headed and get your tickets. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
Cristina Yang, Issa, Alicia Florrick, Blanca Evangelista, Monica Geller, Meredith Grey, Olivia Benson, Vani... Olha, daria pra essa descrição do episódio ficar gigante só com a quantidade de personagens MARAVILHOSAS que aparecem nas comédias e dramas que a gente acompanha. Já que nosso papo sobre filmes rendeu à beça, decidimos falar das nossas maratonas de streaming partindo do seguinte ponto de vista: se a gente fosse Manoel Carlos, quem seria nossa Helena das séries?
The Good Wife is a series that delivered quality for seven spectacular seasons! On this episode, #GBB dives into seasons 5-7 on this immaculate drama. Our protagonist, Alicia Florrick made a series of questionable decisions for the series duration, decisions that did very little to bring her closer to happiness, but did keep viewers on the edge of their seats. So what did we think of The Good Wife, its cast of characters, and Alicia's lace front wig so intriguing? Stay tuned!
Host James Lott Jr. chats with Ed Asner about his autobiography SON OF A JUNKMAN. About the Book: Emmy Award-winning actor, Ed Asner, recounts tales from his amazing life in this charming and hilarious memoir. From his colorful childhood as the son of a junkman growing up in the West Bottoms of Kansas City all the way through his spectacular acting career during the golden age of film and television, Ed recounts warm memories that are anything but ordinary. Son of a Junkman makes the reader feel as if they've pulled up a chair in Ed's home just in time to catch the lovable Hollywood grump tell a story or two. Foreword by Paul Rudd. About Ed: Ed is primarily known for his role as Lou Grant during the 1970s and early 1980s, on both The Mary Tyler Moore Show and its spin-off series Lou Grant, making him one of the few television actors to portray the same character in both a comedy and a drama. He is the most honored male performer in the history of the Primetime Emmy Awards, having won seven, five for portraying Lou Grant (three as Supporting Actor in a Comedy Television Series and two as Lead Actor in a Dramatic Television Series). His other Emmys were for performances in two of the most significant mini-television series of the 1970s: Rich Man, Poor Man (1976), where he won for Outstanding Lead Actor for a Single Performance in a TV series, and Roots (1977), for which he won for Outstanding Single Performance by a Supporting Actor in a TV series. He played John Wayne's adversary Bart Jason in the 1966 Western El Dorado. He has played Santa Claus in several films, notably in 2003's Elf. In 2009, he starred as the voice of Carl Fredricksen in Pixar's animated film Up, and made a guest appearance on CSI: NY in the episode "Yahrzeit". In early 2011, Asner returned to television as butcher Hank Greziak in Working Class, the first original sitcom on cable channel CMT. He starred in the Canadian television series Michael, Tuesdays and Thursdays, on CBC Television and has appeared in the 2013 television series The Glades. Asner guest-starred as Guy Redmayne, a homophobic billionaire who supports Alicia Florrick's campaign, in the sixth season of The Good Wife.
This week we talked about the impossibly attractive, overly dramatic, radioactive (radioactive) teens on the CW hit show The 100 and where their newest season has taken us. We also binged watched The Good Wife because why the hell not! It's one of the 4 shows Hillary has seen and now I am well versed in Alicia Florrick and the many names of her law firm. Am I a Peter or a Will? Eli or a Cary? Definitely not a Kalinda, because she was all over the place and I could never be a Diane because she was a beast. What was I talking about? Anyways to top it all off I played Spider-man on PS4 finally and I cried pretty much the whole damn time.All that and more here on Why Did Not You Warn Me!?Download and listen to this brand new episode wherever you get podcasts!Music: http://www.hooksounds.comComposed by: Alvaro AngeloroLyrics by: TheDoctorDanko
I have to confess: I am obsessed with Alicia Florrick, the successful attorney on The Good Wife, and Olivia Pope, the high-powered Washington D.C. “fixer” on Scandal. In this episode, I’m going to share with you my secret obsession with the wine drinking habits of these women on television and what I believe that says about our cultural relationship with wine. To learn more about the resources mentioned in this episode, visit the show notes.
Seven morally ambiguous seasons concluded on May 8, 2016 as Peter Florrick comes to terms with reality and Alicia Florrick decides if she should be a power player or play Bachelorette with every guy that’s ever been on the show. Just kidding, just her husband and the biker with a heart of gold. And the lingering spirit of Will Gardner (RIP). It’s a good show! Learn more about your ad choices. Visit megaphone.fm/adchoices
In episode 7, I hit up Leda Kay to see if she finally saw the CBS series "The Good Fight", a continuation of a TV favorite "The Good Wife". The series pick up after Alicia Florrick leaves her firm, Diane is leaving too and she joins Chicago's most successful black owned and led firm. Luca, Elsbeth, Diane, and a lot of our favorites are back too. Our special guest today is our Mama Sylvia. We give a decent background if you never watched, and do our best to capture it all in one episode. The story, plot and characters was really dope and connect to whats happening today. Listen in, and feel free to give us your two cents on what we captured, what you think we missed. Looking forward to hearing from you!
"The Good Wife" star Julianna Margulies, who makes her return to series TV with "Dietland," opens up about why the show is relevant to the #MeToo movement. the advice she gave Joy Nash, and why she won't revisit Alicia Florrick.
Julianna Margulies has been lighting up the small screen for over two decades, with standout roles on TV shows like ER and The Good Wife. She joins Katie and Brian to discuss everything from the big impact George Clooney had on her career to what she loved about playing Alicia Florrick. She also explains what makes her latest character on AMC's Dietland such a delicious role. Plus, Julianna opens up about her own experiences with harassment as a young actress. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
Talk to Jess: Conversations with Today's Thinkers, Movers, and Shapers
This special edition episode is powered by Dove Real Beauty Productions. To celebrate its 60th Anniversary at the Mom 2.0 Summit, we are creating conversations with inspiring women around the evolution of self-discovery and the definition of real beauty. Julianna Margulies is an Emmy and Golden Globe award-winning actress. In addition to spending many years playing the feisty head nurse Carol Hathaway on ER and the gorgeously flawed Alicia Florrick on The Good Wife, Julianna is also the proud mother of a little boy. In this episode, Jess and Julianna discuss her honest insights from working in Hollywood, investing in your passions, ignoring tired stereotypes, and raising confident feminist men.
Es hora de hacer balance de lo mejor de 2016 y, cómo no, aquí tenemos un programa especial para recordarlo. Aprovechamos para hablar de las series que denuncian el racismo de USA, de las voces más interesantes del panorama, las mejores series de animación, la resurrección de Ryan Murphy y el adiós de Alicia Florrick, entre muchas, muchas otras series que valen la pena o que, por la razón que sea, consideramos imprescindibles de este 2016.
@ellesep (Danielle Sepulveres) Author. Words for @brooklynmag, @HelloGiggles, @latimes, @femsplain, @washingtonpost, @smrtgirls and my mom. I followed in Alicia Florrick's footsteps. Literally. Life in the dugout Vampire shift The Good Wife finale Wheelchair fashion Technically one of the characters
Apoie o podcast do Spoilers no Patreon! Saiba mais em: http://www.patreon.com/spoilerstv?ty=h No Spoilers no Intervalo dessa semana, os colunistas Denis Pacheco, Leticia Arcoverde e Sylvia Ferrari se reuniram para falar do fim de uma das últimas grandes séries da TV aberta americana. Depois de sete anos de muitos julgamentos, The Good Wife encerrou a educação de Alicia Florrick com um tapa na cara. Quais foram os pontos altos e baixos da jornada dessa protagonista? O que nos fez assistir até o final? O que nos desanimou no meio do caminho? O que vamos guardar para sempre? Atenção: O podcast contém spoilers sobre a série inteira! Leia mais em http://spoilers.tv.br/
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson and Kenny Harrison discuss episode 22. ABOUT THE GOOD WIFE: The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson and Kenny Harrison discuss episodes 19, 20, and 21. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson and Kenny Harrison discuss episode 18. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
Nicole Roderick plays the role of ‘Nora' on the CBS Emmy Award winning television show THE GOOD WIFE. Nora's character is extremely well received and continues to spark conversation around the show.Nicole recently completed filming an episode of HBO's newest show “Vinyl”. Other television appearances include ABC's hit comedy “Ugly Betty” and ABC's “All My Children.”Her film break came when she co-starred in the psychological horror indie feature film “Nightmare”. The film was picked up by IFC and has become an underground cult sensation. Her performance landed her a Best Actress award and was named Jury Winner at both Austin's Fantastic Fest and the New York Horror Film Festival.Nicole began as a model which lead to national commercial campaigns for multiple high profile brands including Bevel eyewear, Uniqlo, Speck, Colgate, TJ Maxx, Kate Spade and Hallmark, to name a few. Nicole is an animal lover adopting dogs from shelters and has two rescues of her own.ABOUT THE GOOD WIFE:FINAL SEASON - SUNDAYS 9/8 CENTRALDon't miss the season finale on Sunday, May 10th at 9/8c on CBS.The Good Wife is an American television legal and political drama television series set in Chicago that premiered on CBS on September 22, 2009. The series was created by Robert King and Michelle King. It stars Julianna Margulies, Christine Baranski, Matt Czuchry, and Alan Cumming, and features Chris Noth in a recurring role. The current executive producers are Ridley Scott, Charles McDougall, and David W. Zucker. It is a heavily serialized show with many story arcs that carry over several episodes and also features stand-alone procedural story lines that are resolved or concluded by the end of each episode. The serial plots have been especially showcased in its highly praised fifth and sixth seasons. This is a rarity among The Good Wife's broadcaster CBS, as most of their shows are procedural.The series has received critical acclaim. The Good Wife has won numerous prestigious awards, including five Emmys and the 2014 Television Critics Association award for Outstanding Achievement in Drama. The performances of the show's cast have been particularly recognized, with Julianna Margulies' role as Alicia Florrick receiving significant praise. The show has especially received wide acclaim for its insight on social media and the internet in society, politics and law. A seventh season of The Good Wifewas announced on May 11, 2015 and premiered on October 4, 2015 on CBS. CBS announced in a promo aired during Super Bowl 50, on February 7, 2016, that the show is ending with its final episode to air May 8, 2016.WWW.NICOLERODERICK.COM
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson and Zoe Hewitt discuss episode 17. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson and Zoe Hewitt discuss episode 16. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson and Alison Law discuss episodes 14 & 15. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Courtney Henderson discusses episode 13. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. We'll be back next week. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson, Bobby DeMuro, and Alison Law discuss episode 10. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro and Alison Law discuss episode 9. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson, and Bobby DeMuro discuss episode 8. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson, and Alison Law discuss episode 7. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson, and Alison Law discuss episode 6. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson and Alison Law discuss episode 5. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Tara Johnson discusses episode 4. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro and Alison Law discuss episode 2. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson, and Bobby DeMuro discuss episode 1. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
After a couple of weeks away, Melanie and I finally found a good time to sit down and podcast and talk about all the things. We rehash our magical Thursday with Christy Nockels, we discuss Piper and Mabel's new doggie daycare possibility, and Melanie shares a frankincense update along with a new and exciting skincare product. On top of all that excitement, we catch up on the latest with Martha, our continuing efforts to develop an organizational method for writing books, my complete inability to write fiction, and our mutual fascination with Alicia Florrick's eye make-up. Alicia Florrick is not in fact a real person, but her smoky eye is fantastic. Enjoy y'all!
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson, and Alison Law discuss episode 22. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson discusses episode 21. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro and Tara Johnson discuss episode 20. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Tara Johnson and Alison Law discuss episode 19. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 18. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro and Tara Johnson discuss episode 17. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 16. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 15. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro and Tara Johnson discuss episode 14. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 13. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
Este es el podcast en el que las estrellas más grandes del mundo son acostadas en el diván de Gus Casals y Mercedes Monserrat y deconstruídas. En este episodio, analizan a Alicia Florrick, el emblemático personaje interpretado por Julianna Margulies en The Good Wife. Además: consultorio existencial. Enviá tu consulta a psiqueycupido@posta.fm.
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 12. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 11. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Bobby DeMuro and Alison Law discuss episode 10. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 9. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Tara Johnson and Alison Law discuss episode 8. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Bobby DeMuro, Tara Johnson, and Alison Law discuss episode 7. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Courtney Henderson and Tara Johnson discuss episode 6. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Courtney Henderson and Bobby DeMuro discuss episode 5. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode hosts Courtney Henderson, Bobby DeMuro, and Tara Johnson discuss episode 4. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Courtney Henderson, Bobby DeMuro, and Tara Johnson discuss episode 3. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Courtney Henderson discusses episode 2. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
AFTERBUZZ TV -- The Good Wife edition, is a weekly "after show" for fans of The Good Wife. In this episode host Courtney Henderson and special guest Mike Colter (Lemond Bishop) discuss episode 1. The Good Wife stars Julianna Margulies as Alicia Florrick, a woman whose husband, a Chicago district attorney, is sent to prison, forcing her to go to work as a junior associate in a law firm to support her two children. As her career starts to progress, her husband is exonerated, and Alicia must wrestle with her allegiance to her husband, and new romance and career opportunities. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com
American comedy-drama series Orange Is the New Black. FoxtelOver the past decade we have witnessed the rise and rise of long form television – from The Sopranos to The Wire, Game of Thrones to Orange Is the New Black – and no one has been watching this transformation more keenly than the television critic for The New Yorker, Emily Nussbaum. Here, media researcher Lisa French talks with Nussbaum about bingeing on DVD sets, live-tweeting and delighting in reruns of Sex and The City. Nussbaum appeared at the 2014 Melbourne Writers’ Festival on Friday August 22 for Seminar: Writing About TV and Castaway with Emily Nussbaum, Talking Points: How TV Got Great on Saturday August 23 and then at the Sydney Opera House Festival of Dangerous Ideas for Television Has Replaced the Novel on Sunday August 31. Read more coverage of the Melbourne Writers’ Festival. Listen to other podcast episodes here. Full transcript: Lisa French (LF): My name is Lisa French and welcome to The Conversation podcast. I am speaking with Emily Nussbaum, TV critic for The New Yorker, who is in Australia this month for the Melbourne Writers’ Festival. Emily, welcome. Let me start by asking how you became a television critic? Emily Nussbaum (EM): Well, honestly the reason I got into television in the first place, I always chalk up straightforwardly to Buffy the Vampire Slayer, because around 1999 I was watching Buffy, and this was a time that TV was exploding a bit. The Sopranos was out and Sex and The City and a lot of other shows, and I’ve always been interested in TV, but Buffy was the first show where I was just transformed by becoming a super-fan in a slightly insane way. One of the things that was going on was a lot of people were talking about The Sopranos, and I loved The Sopranos, but I also loved Buffy. I would go to parties and I would want to talk to people about Buffy and what a brilliant show it was, how operatic it was, how it had this fantastic mixture of genres and these incredible performances – and it was a very easily put-down show. It was a show about a teenage girl who was a vampire slayer, it was on this tiny cable network that nobody had really heard of (that was for teenagers) and honestly it kind of lit this flame in me and put a chip on my shoulder. I’m an argumentative person and it made me interested in the larger debate about what TV was capable of. Also, it just felt like an exciting period. So, I feel very lucky to be writing about TV during a time of great transformation. That was also a period when people were starting to talk about TV online, and the other origins of me ending up writing about TV were honestly things like television without pity, and anonymous websites where people would passionately discuss television. I read a lot of critics, but my inspirations as far as a critic [goes] were often online digital conversation about TV, which I found wildly stimulating and also global; in a way to talk with an audience of television viewers that otherwise I wouldn’t have had access to. Since TV was always considered a very isolated experience, I think it really changed the way that people thought about it. You could actually treat it as a text, and it was as though the world was a graduate school in which everyone was just constantly persevering about particular shows that they loved or hated. As for becoming a television writer, that’s a different situation. I feel like I have a dream job. I’m very, very lucky to be writing for The New Yorker, which is a place where I can write seriously about television and I can write at a pace where I can write longer essays. It’s thrilling and I feel like I’m constantly trying to push myself forward with this. As anyone knows journalism is collapsing [laughs] and it’s very difficult to write arts criticism, so I never know what advice to give people who want to write about TV. I have to hope that there will be models for doing it, but there’s no way that I could give any kind of meaningful advice given that I feel like I came of age during a period of transformation not only for TV but for journalism. And, a lot of people I know are writing at very fast paces online and writing recaps and things like that. I think that can be very brutal, I mean, ideally I hope we’re working toward a stage where people actually will get compensated for writing thoughtfully about TV, and essentially every year I’m just hoping that the bottom doesn’t drop out on the possibility of doing that. LF: You just touched on something that I wanted to ask you about, which is: how technology has changed your work, how it’s changed whether a television critic might have a social media strategy, how to keep up with your field and [if] technology has changed everything that you do? EN: Well, for one thing, I feel like the changes in technology are indistinguishable from the changes in TV itself. You wouldn’t have a show like The Wire unless you had two things that supported it. One of them is DVDs and DVRs that enabled people to pause, rewind, save, revisit and basically treat television shows as texts that they could analyse. And, the other thing is the internet, which allows people to decode more dense kinds of art. Previously, television was just something that poured into people’s living rooms. They saw it once and then they just had to react to it as it happened – they couldn’t treat it the way that you would a song, a movie, a book or a variety of other art forms. I think that changed it a lot. But, as for my own experience with it, as I said I was a very online kind of television viewer and I still am, and you know every year the whole thing changes in terms of how people talk about TV. Twitter was invented a few years ago and I’m very active on Twitter, and for me, everybody uses these things different ways. I don’t think of it as a strategy, I think of it more as writing is isolating, and there’s something wonderful about the social world of being able to trade ideas back and forth with other people. With TV specifically, I feel like it’s such an audience-driven art form, not to say that the shows don’t exist separate from the audience, but unlike a lot of other art forms, and this is sort of [an] ongoing thing with me is the question of: how do you distinguish the critical conversation about television from these anxious historical comparisons where they say “it’s become as good as movies! It’s as good as books!” To me, I feel like people need to drop those comparisons and celebrate TV on its own terms. One of the things that happens with TV is it takes place over time, episodically, and in a kind of loop with the audience, and because of the way TV is made, often it reacts to the audience’s reactions to it. So, this is a long way of saying I feel like for me, when I’m talking about a television show, I’m often writing about it part way through the series. It hasn’t necessarily ended, and being able to hear other people’s responses to the show is very valuable to me – because it does make me feel like I’m part of a live audience reacting to things, and being able to talk to people globally who have different reactions. It often makes me question my own responses and think about different perspectives on TV. For me it’s great, but on the other hand, everybody has a different personality about this kind of thing, and I know a lot of people find online TV conversation overwhelming and it kind of drowns out their own responses. So, I think you can see it [in] all sorts of different ways. LF: One of the things I’ve noticed is, the television’s gained this whole new life that seems to be connected to, so I’m thinking True Detective, you know the kind of actors that are going and the kind of directors. Do you have any view on what might be causing that? EN: For one thing, I’m not going to make major judgements on what’s going on in Hollywood, but universally, people seem to find that it is more difficult to make idiosyncratic, independent films in Hollywood. I mean there’s opportunity that’s clearly available, especially on cable television, that there isn’t necessarily in Hollywood as far as funding something [goes]. So, there’s been this inflow that’s very exciting to me and challenging to me also, especially movie directors. As far as the big name stars that are going on TV [go], I think that’s been happening for a while, because it used to be an area where it was a condescended kind of acting and that had to do with the kinds of shows that were on television. It was something that potentially could destroy somebody’s career because they had stepped down and they had gone from, you know, Hollywood and movies to TV. I just think that distinction doesn’t hold anymore. But, as exciting as it is to me to see big name directors and big name actors go to television shows, to me it’s important to distinguish between the excitement of status names and the excitement of great, breakthrough and actually original work. I’m not a huge fan of True Detective, I wrote a critical piece about it – I mean, I think it was a visually exciting and chaotic show, and it does stick with you, but I thought the praise for it was overblown. And, I think part of the reason it happened was because it fit in to all of these categories that people just tend to throw praise at, which are the kind of antihero dramas, big name actors and things like that. However, I do think that when Jane Campion made Top of The Lake that was a lot more exciting to me. Because, I felt like what she was doing with the format of the experimental procedural by making [it] into something far more visually ambitious, strange, quiet, eerie and poetic than a lot of TV murder mysteries are – to me that was a much more exciting thing that was happening. So, essentially, I’m just cautious about having a hierarchy in which things that come from Hollywood are better than things that are native to TV. And, similarly, you know this goes with sort of a larger feeling that I have where I really get excited when the conversation expands so that its not all about dark and gritty dramas, but it’s about sitcoms, it’s about all different kinds of TV and how TV is changing. I mean in a lot of ways I’m more interested in comedy than drama. But, it’s harder to talk about why a comedy is great. LF: If you think about Top of The Lake and Buffy, one of the things I’m wondering about is there seems to be, certainly in Australia, a lot more shows about women with women-centred characters, way more than there actually [are] I think in Hollywood, and what we’ve noticed in Australia is there are a lot more women creators and they’re creating a lot more interesting roles for women. Do you think there’s more going on in relation to good roles for women? EN: Yeah, I think it’s incredibly exciting and it’s not just exciting for, you know, identity politics numbers reasons. It’s exciting because I feel like on TV especially, first of all, there’s such a wide range of creators and good roles that I feel like we’ve finally moved past the point where people are excited about one of them, and then that show or that person has to represent all women. That to me is a terrible situation, where you have one person that are like “look, it’s so-and-so, they’re representing how women can be funny!” I mean it’s just ridiculous because there’s a million different stories to tell. But, I have to say, the last couple of years have been really explosive in terms of great female characters and great female creators, and in terms of female comedy especially – there’s a wide range of interesting voices on TV. I think the main thing that’s been really exciting, and this is true for men as well, has been [that] historically there was this problem where all television characters had to be likeable. You had to invite them into your living room every week and, because TV was a mass medium that was very driven by advertising on network television, there was a demand that characters not have off-putting qualities. That’s changed a lot for both men and women, and for men a little bit earlier, because the change with the great antihero characters like Tony Soprano really broke open that rule. And so, suddenly, you could have characters who acted badly, or made the audience uncomfortable. I feel like there was a second wave of characters that did that for women, and the main thing about it is that it’s completely expanded the rhetoric of what an exciting central female character can be. Not every character has to be inspiring and somebody who represents women and somebody everyone can identify with. A lot of the shows that did that earlier were really terrific, like Mary Tyler Moore, but it’s a neutralising kind of thing for a woman to always have to be basically a credit to her gender on television. And also, the other thing that’s exciting to me are shows that have ensembles of women where it’s not just one or two women on the show, but you have a whole range, and you get shows like: Orange is the New Black, Call the Midwife and, I was going to say Orphan Black, but that’s actually one woman, eight times [laughs] so it’s slightly different. Again, I just think it’s a great moment, because you don’t get that Smurfette problem where you have one woman in a larger ensemble and she’s like “the girl” character. That is a problem in big, mass Hollywood movies and it doesn’t seem to me to be a problem on TV at all. That’s not to say I love every show, but there’s so many different shows on TV that sometimes it’s hard to point out larger trends. But, I do think there is an exciting improvement in terms of having characters who range from Alicia Florrick on The Good Wife to Amy Jellicoe on Enlightened that are just indelible, memorable, complex characters and great performances. LF: I wanted to ask you about bingeing, I know you’re going to talk a bit about it and you just mentioned the idea of television coming into your room, you know, into your house once a week or whatever, and I read one of your columns where you talk about trying to resist the urge to binge The Returned, which I wasn’t able to resist that urge and had to binge the whole lot and I’ve actually found that my entire relationship to television has changed since I became a binger and I just – it’s like I come rushing home and I have to get my fix. So, I wonder what you think about that kind of phenomena that you know you can buy the whole series, or you know, like you don’t actually have to resist, like is it changing how you know because instead of thinking about it all week you actually have to you get onto the next you don’t know how you can stop it not where the cliffhanger is you can just go in for as much time as you have and so I wonder whether that changes the sort of passionate engagement in how you might like something and then you might after a while change your mind? EN: Yeah I think that it’s true, it’s a particularly wonderful thing for shows like, I was talking about Orange is the New Black and a friend of mine pointed out to me that she thought that if Orange is the New Black was something that people watched episodically it might not have caught on the way that it did because it was different enough in terms of its environment and its tone that it’s the kind of thing that if it was weekly people might’ve watched two episodes and been like “yeah, you know I’m not sure it’s for me” whereas when you were able to watch the whole thing in my review I said something about scarfing down the episodes like they were Thin Mints, like they were girl scout cookies, where you just eat the whole thing. There really is a delicious quality to certain shows and especially, you know, melodrama plots or things that are just very immersive, it’s thrilling to be able to watch them at once. I have mixed feeling about it because, you know, it does take away from the historical thing of people watching shows over long periods of time when everybody’s watching a show at a different point it’s actually hard to critically respond to it. It’s been a tricky thing for me to figure out, you know, should I talk about the whole season of a show? Should I talk about three quarters of the way through? I got onto Breaking Bad really late in the game, so I actually watched the first three seasons of that show all in one week by myself, which was a wonderful week, it was really great to be able to watch the show that way. And, you know, it was odd because I felt like I was suddenly watching it in a very different way than many people that I knew had watched it, like they’d watched it over years debating the characters, and I was watching it very independently in this kind of giddy wave-state of just ignoring everybody and watching all day long. It’s interesting to me that there are these new things like Netflix and Amazon, where whole seasons are being produced all at once. I mean, I think it depends on the show whether that’s going to be a good thing or a bad thing. It definitely frees the television creator from having to shift gears halfway through when they realise that the audience is reacting to something. That’s good probably in some cases and not in others. But, it does make me excited that there’s a show, Jill Soloway’s show, Transparent is going to be coming out in September. I really realised with this jolt that the entire season was coming out at once and so I was just looking forward to it in a very different way than realising the show was going to debut in late September because I sort of realised I’m just assigning a day to watch the whole thing. LF: In Australia, we don’t get things when you get them and we have to wait a long time. So, often we, like when I watch Breaking Bad I can buy the whole lot in the shop and then I could go and get the next series so I could binge them, and that’s one of the reasons why Australians are actually the greatest pirates in the world because they can’t get what they want, when they want, and they can’t get their fix. And so, that’s something that’s playing out in the media right now. I wonder whether this changes the kind of fan bases for television? You know, when I went to see the movie of Sex and The City I was a big fan of the show, mainly for the frocks actually and the first part, and I love New York, so I couldn’t get over the hundreds of women all drinking Cosmopolitans and, you know, there’d be a single shot of a shoe stepping out of the car – you know, the Manolo Blahnik shot – and the whole audience would go [gasps] like this, and you know that thing of you watch it then you kind of go into work and then you might or to school or wherever and you might talk to someone about it you know, you might go to your old book club and you might all be talking about it. So, do you think the kind of nature of fandom has changed because of this technology and online and in different ways? EN: In some ways yes and in some ways no. I mean, one of the nice things that I think about online conversation is that they happen both immediately and over time so I if you’re in a discussion thread about a show you can write something and then somebody can come back a week later and write a response to you and you end up having ongoing conversations so its not a live audience all watching it at once, but the conversation itself still can be very, you know, immersive, I mean, people have been talking about this with the Netflix shows because the question becomes: “When can I start talking about it and spoiling things, like has everyone caught up?” On the other hand, there are still some shows in the states that people do still watch live together, one of them is Scandal, which everybody tweets about simultaneously and I have really mixed feelings about live tweeting television shows, I mean TV is not only a dialogue experience, it’s a visual experience, and there’s part of me that feels like it’s disrespectful to be constantly looking down at your phone or tweeting and talking to people during the thing. On the other hand, a show like Scandal really just begs for that response. It’s a very high octane crazy melodrama and a lot of the fun is responding simultaneously with people as it goes on so, you know, it’s a developing etiquette as far as these things go but my main thing is I just think there are so many ways of being an audience for TV solo or joined together or watching live and in a group together that there’s a level where I don’t think that the intense fanhood has gone away. I can’t judge exactly how the viewing operates in Australia because I understand from what people are saying that there’s a lot of online pirating but I assume that people still watch it together sometimes for shows like Game of Thrones that have big fanhoods. I’m excited though that there’s more of an opportunity for shows that have small audiences because I think some of the most interesting and striking things happen on shows that will never be like huge fan-engaged, crazy sensations that are the must talk about things. A show like Enlightened, which was a small show and got cancelled after two seasons, but was, to me, one of the best things that’s been on TV in a long time. The great thing to me is that people can still come to it years later. The Wire also had a relatively small audience until a few seasons in and I’m just grateful that people can become enthusiasts years after the show was actually on the air by watching it on DVD, and then it just becomes part of the cultural knowledge of television. What I worry about actually is great shows being lost just because they’re not available to people, and honestly, one of them is Sex and The City because the horrible truncated re-runs are shown at least here, there’s these ones that were shown on mainstream TV and so they cut out almost all of the graphic sex and language and it just changes the show into a much blander romantic comedy and I feel like most people don’t have access to the original episodes. And I have this very frustrated feeling like the younger generation is not growing up with the full knowledge of Sex and the City, the kind of thing that only I am upset about, but I am upset enough for everybody else about this. I feel that there should be public funding for the entire episodes of Sex and the City to be shown so that everybody can discuss them with me 20 years later. Lisa French does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
On this episode of Learnt, I sit down with Baltimore City Public Schools Special Educator (and future English 9 teacher) Jordan White...in the home that we share. We discuss the paradox of securing a job as a certified teacher in the city when there are pools of TFA and BCTR candidates...which leads us into a discussion of the AlJazeera editorial "Has Teach for America reached its Waterloo?" Then, we discuss Jordan's time in graduate school, how her students should be treated, what my "My Little Pony" name would be, and whether Jordan is a total Alicia Florrick or a Kalinda Sharma (spoiler: she's such a Diane.) Be sure to read the AlJazeera editorial mentioned at http://america.aljazeera.com/opinions/2014/4/teach-for-americacontractpittsburgheducation.html. Music for this episode was provided by When Particles Collide. You can reach me at facebook.com/learnpodcast, twitter.com/learntpod, or learntpodcast@gmail.com. If you like the show, please share episodes on Facebook and consider donating to our Kickstarter campaign for season 2!
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