Podcasts about Ugly Betty

Michael Urie joins Seth and Josh on the podcast this week! He talks all about family road trips with anxious parents, trips to Branson, Missouri to ride duck boats and hot spring adventures in Colorado Springs, what it was like getting the part of Marc St. James on the TV show Ugly Betty, and more! Plus, he talks about his new rewatch podcast, Still Ugly with Ugly Betty Co-Star, Becki Newton. Follow Family Trips on YouTube, Instagram, and TikTok! Head over to our YouTube channel and hit subscribe so you never miss a new video episode! Support our sponsors: Visit Baltimore Baltimore is just a short drive or train ride from New York, Philly, and D.C. Plan your visit today at Baltimore.org Baltimore: You won't get it ‘til you get here!” Get Soul Right now, Soul is offering our audience 30% off your entire order! Go to GetSoul.com and use the code TRIPS Quince For the dad who deserves better than basic—Quince has you covered. Go to Quince.com/TRIPS for free shipping on your order and three hundred and sixty-five -day returns. Cayman Jack Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning actress, history-making supermodel, staunch philanthropist, conscientious activist, author, and loving mom Patricia Velásquez applies an eternal creative spirit to everything she does-whether it be starring in blockbusters a la The Curse of La Llorona or launching the Wayúu Tayá Foundation and participating on the UNESCO Board. Regardless, she makes major strides by drawing on instinct and deliberately paving her own path. Patricia's success represented a turning point in fashion as she drew industry attention to South America for the first time. She experienced a big break upon becoming "the first model Karl Lagerfeld ever photographed" and going on to walk in shows, star in editorial spreads, and front ads for Chanel, Dolce & Gabbana, Fendi, Chloe, Cover Girl, and Victoria's Secret, to name a few. Resonating around the globe, she appeared in Oprah and Ford Models' "Supermodel of the World" contest as well. Not to mention, she graced the covers of Vogue, Bazaar, Marie Claire, and many others. She artfully channeled her dance training during shoots. Simultaneously, she ignited an impressive acting career. Not only did she star in The Mummy and The Mummy Returns, but she also appeared on The L Word, Arrested Development, CSI: Miami, Ugly Betty, List of a Lifetime, Hawaii 5-0 and Rescue Me.  Throughout her career, she capitalized on every opportunity to give back. In 2002, she founded the Wayúu Tayá Foundation. This non-profit preserves the culture of indigenous groups throughout Latin America by way of support and the drastic improvement of living conditions. UNESCO invited her to be a celebrity advocate, and the United Nations granted her the 2009 Women Together Award.    Want to watch: YouTube Meisterkhan Pod. (Please Subscribe)

Just as DEATH BECOMES HER celebrates 10 Tony nominations, we're thrilled to celebrate our new episode dedicated to this brand-new Broadway hit! Joining us is one of the nominees, the hilarious book writer himself, Marco Pennette (TV's Ugly Betty & Mom), and one of hard-working cast members keeping the show going 8 performances a week, Kaleigh Cronin (Cabaret, A Bronx Tale, Jersey Boys). Marco is an open, pardon the pun, "book," and you'll love his insider look at how this musical came to be. Kaleigh is not only in the show every night but also understudies both leading lady roles and has wonderful insights on those fabulous divas. Don't miss DEATH BECOMES HER at the Lunt-Fontaine Theatre in NYC! To learn more, visit deathbecomesher.com. Be sure to follow Kaleigh on Instagram at @kaleigh_cronin. If you enjoyed this episode, check out our recent episode with the writers of WATER FOR ELEPHANTS: Rick Elice and PigPen Theatre Co. Join us at PATREON! for bonus episodes, contests, and polls! Don't forget to like and share our episodes on ⁠Instagram⁠ and ⁠TikTok⁠. We have fun playlists on ⁠Spotify⁠ to keep you company in between episodes, and be sure to check out our ⁠TeePublic Store⁠ where our profits from the designs are donated to ⁠Broadway Cares/Equity Fights AIDS⁠. More than anything, thank you for being an important part of this podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Vanessa Lynn Williams[1] (born March 18, 1963) is an American singer, actress, model, producer and dancer. She gained recognition as the first Black woman to win the Miss America title when she was crowned Miss America 1984. She would later resign her title amid a media controversy surrounding nude photographs published in Penthouse magazine. 32 years later, Williams was offered a public apology during the Miss America 2016 pageant for the events.Williams rebounded from the scandal with a successful career as a singer and actress. In 1988, she released her debut studio album The Right Stuff, whose title single saw moderate success as well as "Dreamin'", which peaked at number 8 on the Billboard Hot 100 in the United States in 1989. With her second and third studio albums, The Comfort Zone (1991) and The Sweetest Days (1994), she saw continued commercial success and received multiple Grammy Award nominations, including her number-one single and signature song, "Save the Best for Last", which she performed live at the 1993 Grammy Awards ceremonies. Her later studio albums include Everlasting Love (2005), The Real Thing (2009), and Survivor (2024).As an actress, Williams enjoyed success on stage and screen. She made her Broadway debut in 1994 with Kiss of the Spider Woman. In 2002, she starred as The Witch in the revival of Stephen Sondheim's Into the Woods that earned her a nomination for the Tony Award for Best Actress in a Musical at the 56th Tony Awards. She starred in the revival of Horton Foote's The Trip to Bountiful in 2013, and the ensemble political farce POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive in 2022. She is also known for her appearances in television with her best known roles being Wilhelmina Slater on Ugly Betty (2006–2010) for which she was nominated three times for the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series; and Renee Perry on Desperate Housewives (2010–2012).Since 2024, she has been starring in the musical The Devil Wears Prada at the Dominion Theatre, London.PICTURE: By WBLS - YouTube: https://www.youtube.com/watch?v=pqXJj32T90o – View/save archived versions on archive.org and archive.today, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=80020422

We meet Gary Kemp, one of the UK's most successful songwriters of the past 40 years. As guitarist and founding member of the most influential and iconic band of the 80s, Spandau Ballet, he was responsible for writing the words and music for 23 hit singles and albums, including modern day standards like True and Gold. We discuss his passion for the Arts & Crafts movement, William Morris, collecting and living with Edward William Godwin furniture, the 70s and 80s creative scene, and why art and design is so important to his life.Gary's songs have had an extraordinary combined total of over 500 weeks in the charts and are hits all over the world. They've generated over 25 million recordsales and the songs were part of the soundtrack to the 80s. Last year, he received the BMIIcon Award at the 2023 BMI London Awards for his contributions to popular culture and music.He joined an elite group that includes The Bee Gees, Crosby, Stills & Nash, Ray Davies, PeterGabriel, Queen, Sting, and Van Morrison.Kemp's songs have proven truly timeless. The ubiquitous hit single True has logged over 5million air plays in North America alone, and his songs have featured in an incredible 100feature films over the years including Sixteen Candles, The Wedding Singer, Charlie's Angels,Pixels and Crazy Stupid Love as well as countless TV programs including The Simpsons, SpinCity, Gilmore Girls (all three times each) Euphoria, Modern Family and, Ugly Betty plus many,many more.In 2012, he was presented with the Ivor Novello's prestigious Outstanding Song Collectionaward. Gary has also won numerous awards and accolades for his work in Spandau Ballet,including an MTV award, a Brit and a Q award.In recent years, Gary has become synonymous with the Rockonteurs podcast which he hostswith fellow musician Guy Pratt, interviewing music legends and becoming the most listened tomusic podcast in the UK. Gary is a Trustee of the Theatres Trust with a passion for keeping theatres at the heart ofcommunities.Gary grew up in Islington (born October 16, 1959) and attended local grammar school DameAlice Owens and Anna Scher's Children's Theatre drama club, becoming a child actor in filmand TV before concentrating on playing guitar and songwriting and forming Spandau Ballet .In the 90s, Gary decided to return to acting, starring in numerous films including hugelysuccessful British crime thriller, The Krays and Hollywood blockbuster, The Bodyguard. He hascontinued to feature regularly on stage and in film and TV.Follow @GaryJKempVisit https://www.garykemp.com to learn more about his new album This Destination, out now. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the Giant Ideas Podcast, Season 2! Today on the podcast we are joined by Rick Fox - businessman, actor, three-time NBA Champion and captain of Shaquille O'Neal and Kobe Bryant at the LA Lakers.Elite sport was part of Rick's life from an early age - his mother was an Olympic athlete. Rick's own NBA career went on to span 13 seasons, from Boston Celtics in 1991, to captain of the LA Lakers, captaining three consecutive championships from 2000 to 2002. Then, Rick did a different kind of pivot. He decided to leave basketball entirely and join the acting and producing world, securing roles in major films and television series such as Denzel Washington's "He Got Game," appearing as the villainous loan shark on "One Tree Hill", and on "Ugly Betty" - he has worked across virtually every major television network with over 30 years in front and behind the camera. Ten years ago he moved into business, starting first an e-sports franchise, and now joining the climate tech world, as founder & CEO of Partanna - pioneers of green cement.Building a purpose driven company? Read more about Giant Ventures at www.Giant.vc.Music credits: Bubble King written and produced by Cameron McLain and Stevan Cablayan aka Vector_XING. Please note: The content of this podcast is for informational and entertainment purposes only. It should not be considered financial, legal, or investment advice. Always consult a licensed professional before making any investment decisions.

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Cat and Pat are joined this week by special guest Mark Indelicato! Cat and Mark bond over both having the common cold in 2025, Mark shows off his new engagement ring from his betrothed, and Pat reveals the biggest celebrity sighting possible while at dinner with Cole Escola. Mark catches Pat up on the new season of Real Housewives of Atlanta and Cat shares her thoughts on Brandi from Real Housewives of Beverly Hills. They bond over how hard app dating is and Mark talks about his journey to Ugly Betty and Hacks stardom!Watch the full episode on our YouTube and follow below!Show Instagram: https://www.instagram.com/seektreatmentpodShow Tiktok: https://www.tiktok.com/@seektreatmentpodCat: https://www.instagram.com/catccohenPat: https://www.instagram.com/patreegsSeek Treatment is a production of Headgum Studios. Our associate producer is Allie Kahan. Our producer is Tavi Kaunitz. Our executive producer is Emma Foley. The show is edited, mixed, and mastered by Richelle Chen. The show art was created by Carly Jean Andrews. Like the show? Rate Seek Treatment on Spotify and Apple Podcasts and leave a review.Advertise on Seek Treatment via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For part two of our 200th Episode Special, Will and Steve sat down with the man who cast them all...from Modern Family and Ugly Betty to portions of Cheers and, of course, Frasier, Jeff Greenberg has scouted talent across Hollywood and beyond. Here, he shares his stories and secrets of working on some of the biggest TV shows of all time. 

Putting together VideoFuzzy ep. 100 -- coffee certainly helps!   Hi! My name is Terry J. Aman, marking my 100th episode of VideoFuzzy, reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings. This set covers discs 1751 to 1800 in my Classic Collection. I open with a project overview highlighting some of my finds. For my Fuzzy Feature, I encountered the 100th episode of "Bones" that recalled the first case Booth and Bones worked on together. I found a similar story construction in "In Plain Sight," and talked about that one as well. Under Cross Connections I trace Golden Threads Todd Giebenhain and, later, Michael Shamus Wiles. Also, appearances by Amy Acker, Lee Majors, Kathy Najimy, Bryan Batt, Alan Ruck, Stephen Root, Katie Sackhoff, Mark Bergeron, Angela Bassett, Sarah Silverman, Rita Moreno, Dana Delany, Sheryl Crow, Mary Pat Gleason, Marc A. Sheppard, Charlotte Arren, Johnny Broderick, Cyd Cherise, Fred Astaire, Jane Lynch, Olivia Munn and Brian Skala. And under Fond Reflections, love for Michelle Trachtenberg of "Buffy," "Mercy" and "Six Feet Under," and I share some headcanon from an "Angel" chat group I was in. In Video Outreach, I share comments from author and fellow podcaster Kemper Donovan on my review of "Loose Lips," available here: https://bit.ly/3C11ENN Kemper hosts the "All About Agatha" podcast here: https://bit.ly/43j4hnB Then I chat with my sister, Patti Ellingson, about shows we've enjoyed, including "Doctor Who," "Buffy the Vampire Slayer," "Bridgerton" and "Stranger Things." I know I've mentioned my sister's influence on my television viewing different times over the course of this production, and this felt like a fantastic opportunity to chat with her directly. So much fun! In my Classic Collection, I take almost a disc-by-disc deep dive on what I was finding in this set, beginning with a third meet-cute storyline I encountered in this set: the first season finale of "Human Target." Also, comments on "Arrested Development," "The Simpsons," "FlashForward," "Archer," "24," "Caprica," "Community," "Mercy," "Ugly Betty," "Parks and Recreation," "Justified," 2002 and 2005 MTV Movie Award shows, "The Daily Show" and "The Colbert Report," "Whose Line Is It Anyway?" C-SPAN coverage of the Affordable Care Act, "Breaking Bad," "The Big Bang Theory," "Jawbreaker," "Who's Afraid of Virginia Woolf?" "Batman Returns," "The Three Faces of Eve," "Sybil," Union activity at The Minot Daily News, "Star Trek Voyager," "Fawlty Towers," "Monty Python's Flying Circus," commercials and music videos, "LOST," "Cougar Town," "Castle," "Fringe," "Chuck," "Broadway Melody of 1940," "Silk Stockings," "V" and "Damages."  Also surfacing in this cataloging effort I found home movies, including a one-act presented at the Carnegie Center in Minot in 2002 or so called "Excerpts." Friends of mine read from books in my collection: https://bit.ly/3DslFO6 It's a bit silly, but if you think of books on your shelves murmuring to one another, that was the idea I was going for. Then, from 100 episodes, I share 100 clips! But there'd only be 99, right? Well, one of the clips I shared referenced outtakes from a "Michael Caine in Space" sketch on "The Late Late Show with Craig Ferguson" which, at the time, I had trouble locating. Since then, I was able to locate it here: https://bit.ly/4hnn9XM Enjoy! Finally, in What I've Been Watching, Ralph and I took in Larry Shue's "The Nerd" at the Vernal Theatre downtown, and I shared some thoughts. The company closes out its season with a production of Cole Porter's "Kiss Me Kate" coming up in mid-April, and we're looking forward to it. Tickets and information at https://www.vernaltheatre.com. TOP FIFTEEN: Here's a "Top Fifteen" episode guide for people looking for a quick read-in on this blog and podcast effort: https://videofuzzy.libsyn.com/about. Enjoy! 

It's part 2, Betty Heads! We are back this week with Part 2 of our discussion on the (cult) classic Ugly Betty. Today, we will discuss Sara's love of series finales, our other favorite episodes, more villain chat, and the groundbreaking representation that made Ugly Betty a multi-culti hit.Articles/Links:Ugly Betty's Problematic Transgender Character Arc: An Expose, By Tanner Muller, written for Star Observer, published on January 20, 2021Wilhelmina is the True Trans Character of Ugly Betty, By Cass Ball for The Niche, published on November 14, 2019Eric Mabius Slams ABC over ‘Ugly Betty' Axe, By Catriona Wightman for Digital Spy, published on June 1, 2011Ugly Betty star Rebecca Romijn reveals she ‘jumped at the chance' to play trans character Alexis Meade, By Marcus Wratten for Pink News, published on July 6, 2023.

Hey, cozy friends! Today, we will be chatting about one of Ashley and Sara's favorite comfort watches, Ugly Betty, which aired on ABC from 2006-2010. Despite only running for four seasons (please reboot!), Betty Suarez stole our hearts and kept Ashley's dream of working at a high-end fashion machine alive for many years to come. In Part 1 of our two-part series on Ugly Betty, we discuss what makes this show so loveable and dive deep into the friendships, rivalries, family dynamics, and romantic relationships throughout the series. Articles/Links:KT Tunstall - Suddenly I See Music VideoThe Devil Wears Prada A New MusicalRemembering Silvio HortaHenry Reddit rant'Ugly Betty' Star America Ferrera Is 'Heartbroken' Over the Death of Show's Creator Silvio Horta, By Ashley Horcher for People, Published January 7, 2020

Ana Ortiz steps Behind The Rope. Ana is here to chat about the full anthology of her career and, as we like to say, mention it all. Ana talks Ugly Betty, Devious Maids, Love,Victor, costars like Susan Lucci and America Ferrera, reboots and more. Ana also talks deep dives like Whiskey Cavalier and Kristin and current project Goodbumps: The Vanishing based on the classic books by R.L. Stine. Of course, being a huge Bravo fan herself, the convo quickly turns to her recent WWHL appearance, Andy Cohen, the downfall of Brynn Whitfield, the end of Kyle and Dorit and the call she may or may not have received about joining RHOBH.  @therealanaortiz @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope  BROUGHT TO YOU BY: ONESKIN- oneskin.co (Use Code Velvet For 15% Off The Skin Care Which Targets The Root Causes Of Aging)  RO - ro.co/velvet (For Prescription Compounded GLP-1s At a Fraction Of The Cost Of The Name Brands) RAKUTEN - rakuten.com (Get the Rakuten App NOW and Join the 17 Million Members Who Are Already Saving! Your Cash Back really adds up!) MOOD - www.mood.com/velvet (20% Off With Code Velvet on Federally Legal THC Shipped Right To Your Door) INDEED - indeed.com/velvet (Seventy Five Dollar $75 Sponsored Job Credit To Get Your Jobs More Visibility)  ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

'Shrinking' star Michael Urie joins the show. Over Peruvian sea scallops and short rib barbacoa, Michael tells me how Vanessa Williams advocated for him on ‘Ugly Betty,' why he made so little money during its early episodes, and his initial fear of iconic TV director Jimmy Burrows. This episode was recorded at Corteza at Sendero at the Ritz Carlton in Downtown Los Angeles. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Craig Conover shades Paige DeSorbo for 'out of nowhere' breakup: She 'wanted other people' (Page Six) (14:05)Hailee Steinfeld and Josh Allen make red carpet debut at NFL Honors nearly 3 months after engagement (Page Six) (24:24)Chappell Roan Challenges Writer Who Slammed Her Grammys Speech to Match $25,000 Donation for Struggling Musicians (Variety) (34:26)Ugly Betty's Michael Urie & Becki Newton Launch Rewatch Podcast, Recall There "Was No Plan For Marc & Amanda" Before Their Chemistry (Deadline) (39:55)'Southern Charm' star Madison LeCroy pregnant with second child, first with husband Brett Randale (Page Six) (46:00)Southern Charm Recap (47:39)Queenie & Weenie of the Week (52:00)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

School Spirits - returning Thursday, January 30, on Paramount+ - is centered around Maddie (Peyton List), a teen girl stuck in the afterlife investigating her own mysterious disappearance. Maddie goes on a crime-solving journey as she adjusts to high school purgatory, but the closer she gets to discovering the truth, the more secrets and lies she uncovers. Picking up from the shocking season one finale, Maddie is still stuck in the afterlife, but now with the knowledge of what happened to her. She must unite her friends in the spectral and living worlds to reclaim her stolen life.School Spirits comes from award-winning executive producer and writer Oliver Goldstick. Prior to joining School Spirits, Oliver worked on Season two of Bridgerton, launched the mockumentary High School Musical: The Series, and spent seven years writing, directing and show-running Pretty Little Liars. His many other credits include Ugly Betty, Lipstick Jungle, Desperate Housewives, American Dreams, Everwood, Popular, Coach and the Emmy-nominated adaptation of Plainsong. For his television work, Oliver has received the Golden Globe, Writers Guild Award, GLAAD award, NAACP Image award and a Peabody Award. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Fionnuala is joined by the Ugly Besties podcast to discuss noughties dramedy Ugly Betty.Listen to Ugly Besties wherever you get your podcasts!Ugly Betty is available to stream in full on Disney+.Enjoy ad-free episodes and bonus content on Patreon - patreon.com/flopcultureEditing: Adam Shanahan Hosted on Acast. See acast.com/privacy for more information.

Michael Urie of Shrinking and Ugly Betty fame joined us and shared his storied career, from being booted from his Broadway debut to straight men discovering him in Shrinking. He laments the woes of auditioning and the awkwardness of announcing you went to Juliard. Plus, CaCee and Zach are watching Anatomy of a Lie and are enraptured by the national scandal. Zach and Donald debate how far is too far for Only Fans. See omnystudio.com/listener for privacy information.

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Greg Proops at 31:20 minutes News and Clips at 12:39 I open with the Good Stuff! Here is Greg Proops Bio "Sharp dressed and even sharper witted." -LA Times "Proops has a fun, ranty, self-deprecating, flamboyant, quick comedy style with depth, range, and most importantly, great jokes." -SF Weekly Greg Proops is a stand up comic from San Francisco. He lives in Hollywood. And likes it. Mr. P has a spanking new stand up comedy CD called Proops Digs In. Available on iTunes and at http://www.aspecialthing.com Greg is shooting his second season on the hit Nickelodeon comedy series True Jackson VP. Starring Keke Palmer, NAACP Image Award winner, as True. Weekly on Nickelodeon. Mr. Proops is a frequent guest on The Late, Late Show with Craig Ferguson, Chelsea Lately on E! and on Red Eye with Greg Gutfeld on Fox News. Greg joins long time cohorts Ryan Stiles, Jeff Davis and Chip Esten in the live improv show Whose Live Anyway? They are constantly touring the US and Canada. Proop pod has appeared on such notable comedy podcasts as WTF with Marc Maron, Doug Benson's I Love Movies and Kevin Pollak's Chat Show. Gregela is happy to be in the Streamy-winning of Easy to Assemble starring Illeana Douglass, as the shallow agent Ben. Seen on easytoassemble.tv. The Proopdog is best known for his unpredictable appearances on Whose Line is it Anyway? The hit, improvised comedy show on ABC hosted by Drew Carey. Greg is also a regular on the long running British version of WLIIA? Whose Line is currently seen on ABC Family Channel. Proops has been a guest on Late Night with Jimmy Fallon,The View and The Bonnie Hunt Show. Proopworld provides the announcer voice Hank "Buckshot" Holmes for the forthcoming game Mad World for SEGA. Darth Greg is heard as the bad guy Tal Merrick in the animated TV series Clone Wars on Cartoon Network. Greg can also be heard as the voice of Bob the Builder on the popular children's series seen on PBS. The HBO series Flight of Conchords features Greg as Martin Clarke an advertising executive and weasel. Greg joined long time cohort Ryan Stiles in a two-man improvised show, Unplanned. They performed for sell out crowds at the Just For laughs Festival in Montreal and taped a gala for the CBC. Mr. Proops cares like Bono and has performed and hosted at many events for the ACLU including the 2008 membership conference and a rally to stop torture with Rep. Dennis Kucinich, Senator Patrick Leahy and Larry Cox, Director of Amnesty International USA. Mr. Proopwell aided and abetted Joan and Melissa Rivers on the red carpet at the 2007 Oscars, Emmys, SAG and Grammy awards as a wag and celebrity traffic cop on TV Guide Channel. Mr. Prooples regularly hosts his own live comedy chat show at the ridiculously hip Hollywood rock joint Largo. Guests have included Flight of the Conchords, Jason Schwartzman, Russell Brand, Jack Black, Dave Grohl, Patton Oswalt, Sarah Silverman, Joe Walsh, Janeane Garofalo, David Cross, Margaret Cho, Dave Eggers, Joan Rivers, Aidan Quinn, Jeff Goldblum, Kathy Griffin, Lewis Black, Eddie Izzard and John C. Reilly. Providing musical magic is genius and imp Jon Brion. Mr. Proops has also performed his chat show in Aspen at the HBO Comedy Arts Festival, The Edinburgh Fringe Festival and Montreal at the Just For Laughs Festival. He also accompanied Drew Carey to the 2006 World Cup and produced and starred in Drew Carey's Sporting Adventures on the Travel Channel. Mr. Proops other television sightings include, Last Comic Standing, Ugly Betty, The Bigger Picture with Graham Norton on BBC, Mock the Week on BBC2 and The Drew Carey Show. Mr. P is very pleased to improvise with Drew Carey, Ryan Styles, Kathy Kinney, Colin Mochrie and many talented others as part of the Improv All Stars. They had the honor of performing for the troops in Bosnia, Kosovo and the Persian Gulf as part of the USO. The All-Stars can be seen on a fabulous Showtime comedy special. When over the pond in London, Greg sits in with the renowned Comedy Store Players. Darth Proops was so excited to portray Fode, one half of the pod race announcer in the hit motion picture Star Wars: The Phantom Menace and all the subsequent video games. As well as many voices in Tim Burton's The Nightmare Before Christmas. Greg went medieval as Cryptograf in the animated feature Asterix and the Vikings based on the popular French comic book. Greg may be heard as Gommi, the Articulate Worm in Kaena: The Prophecy a full length animated feature starring Kirsten Dunst. He was also Bernard, a mad scientist on Pam Anderson's animated series Stripperella. Mr. Greg was spotted hosting his own syndicated, national dating show Rendez View. He also hosted the now cult classic game show Comedy Central's VS. Senor Proops threw down an original half-hour of stand up on Comedy Central Presents. Which is repeated ad infinitum. Across the wide Atlantic in the United Kingdom Greg had his own chat show at the Edinburgh Fringe Festival broadcast live on BBC Radio Scotland. Groovy guests like Candace Bushnell, Rich Hall, Geraldine Chaplin, Steven Berkoff and Garrison Keillor have snuggled his sofa. Mr. Proops performed stand up at How to Cook a benefit with Michael Palin and Terry Jones for the Peter Cook Foundation a BBC Christmas special. Greg was honored to be invited to rock the mike at Prince Charles' 50th Royal Birthday Gala seen on ITV in Britain. He performed a stand up half-hour on Comedy Store Five for Channel Five and has bantered on All Talk with Clive Anderson. The Proopkitty is a total smartyboots: he won The Weakest Link, Ben Stein's Money and Rock n' Roll Jeopardy. He also asked Dick Clark what his plans were for New Years Eve while guest hosting The Other Half. Proopmonkey rocks his stand up comedy all over the world and can be found most frequently performing in his beloved hometown of San Francisco. Mr. P. has toured the UK four times, sold out the Edinburgh Fringe Festival 28 years running and has kicked it live in Paris, Turkey, Milan, Aspen, Montreal, Scotland, Ireland, Norway, New Zealand and the United Arab Emirates. Below the Equator in New Zealand the Proopshobbit hosted the Oddfellows Comedy Gala for TVNZ and headlined the New Zealand International Comedy Festival. In Australia Speccy Spice jammed at the Melbourne International Comedy Festival and hosted, Hey, Hey it's Saturday! A national TV institution. Mr. Proops is married to a woman, Jennifer. He doesn't deserve her. They reside in Lower California with their pet ocelot, Lady Gaga. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

Vanessa Williams is a singer, actress and author born in Upstate New York. In 1983, she made history as the first African American woman to be crowned Miss America, an achievement that was overshadowed by racism and a media storm. Despite the controversy, Vanessa went on to carve out a celebrated career in entertainment. As a singer, she released 13 studio albums, earning multiple Grammy and Tony nominations. Beyond music, she is known for her iconic role as Wilhelmina Slater in Ugly Betty and is currently treading the boards as Miranda Priestly in The Devil Wears Prada musical in London's West End. Angela prepares a delicious tomato & vodka bucatini with crispy pancetta pangritata while Nick pours an Araldica Barbera D'Asti Superiore, recommended by the experts at Waitrose. Vanessa Williams brings some Hollywood glamour to the Dish table for our 100th episode. Our trio talks New York City takeaways, Vanessa shares her family's favourite pasta recipe and she explains how she and Stanley Tucci are connected IRL (in the real world). Find Angela's Christmas menu with Dishpatch, the restaurant meal kit experts, on Waitrose Entertaining. You can now watch full episodes of Dish on YouTube  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.ukand she'll try to answer them in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Awkward Conversations, Jodie Sweetin is joined by Mel Brown, LMFT, and actor/advocate Alec Mapa to discuss the challenges LGBTQ+ youth face and how families and communities can provide better support. In celebration of LGBTQ+ History Month, they explore the importance of creating safe, inclusive spaces and the role of social media, while highlighting ways to promote mental health and acceptance. Key Takeaways: Mental health struggles faced by LGBTQ+ youth Increased risk of substance use and prevention strategies The importance of safe, inclusive environments The impact of social media on LGBTQ+ youth Parental and community support for mental health and acceptance Practical advice for fostering empathy and open communication With LGBTQ+ youth almost five times as likely to attempt suicide, this episode serves as a vital call to action for parents and communities to be allies. Tune in for expert advice and resources to support your LGBTQ+ child and foster acceptance in all youth. Mel Brown, LMFT (she/her) is a Licensed Marriage and Family Therapist based in Los Angeles, specializing in gender-affirming care and LGBTQ+ mental health. As an affiliate therapist at The Los Angeles Gender Center, she combines techniques like CBT, DBT, and somatic therapies to provide personalized care in a safe and supportive environment. Mel works closely with families to foster inclusivity and empathy, and she is committed to being an anti-racist ally, providing dedicated support to BIPOC clients. She is also a member of MIND THE GAP and the UCLA Gender Affirming Providers Consultation Group. https://www.melbrown.space/   Alec Mapa (he/him) is an award-winning actor, comedian, and LGBTQ+ advocate known for his work on stage, screen, and as a champion for equality. With memorable roles in shows like Ugly Betty, Desperate Housewives, and RuPaul's Drag Race, Alec has used his platform to raise awareness about LGBTQ+ issues, foster inclusion, and promote mental health advocacy. In addition to his entertainment career, Alec is a dedicated foster and adoptive parent, often sharing his personal experiences to inspire and educate families on the importance of acceptance and support for LGBTQ+ youth.   Jodie Sweetin is an actress, author, and advocate, best known for her role as Stephanie Tanner on the iconic sitcom "Full House" and its sequel "Fuller House". In 2009 she penned her memoir, "unSweetined", which chronicles her journey through addiction and into recovery. With her frank and open approach, Jodie has emerged as a compelling speaker and advocate who now seeks to use her platform and experiences to educate others and reduce the stigma associated with addiction and recovery. @jodiesweetin   The Elks is a 150-year-old inclusive organization with nearly one million members across 2,000 lodges. Their Drug and Alcohol Prevention (DAP) program is the largest volunteer-based kids' drug prevention initiative in the U.S. The Elks have donated over $3.6 billion to various causes, including building the first VA hospital for veterans.   The DEA, founded in 1973, enforces controlled substances laws across the U.S. and internationally. As the world's largest antidrug organization, the DEA has 241 domestic offices and 93 international divisions in 69 countries, playing a crucial role in combating drug-related crimes.   Resources/Links SAMHSA | Help and Treatment: https://bit.ly/3DJcvJC Get Smart About Drugs: https://bit.ly/45dm8vY Growing Up Drug Free: A Parent's Guide to Substance Use Prevention: https://bit.ly/48nxwYw One Pill Could Kill: https://bit.ly/3ELxfBa   DEA Website: https://bit.ly/44ed9K9 DEA on Instagram: https://bit.ly/3KqL7Uj DEA on Twitter: https://bit.ly/44VvEUt DEA on Facebook: https://bit.ly/440b6ZY DEA YouTube Channel: https://bit.ly/3s1KQB6 Elks Kid Zone Website: https://bit.ly/3s79Zdt Elks Drug Awareness Program Website: https://bit.ly/44SunO6 Elks DAP on Twitter: https://bit.ly/45CfpvR Elks DAP on Facebook: https://bit.ly/3Qw8RKL Elks DAP on YouTube: https://bit.ly/444vMQq   Jodie Sweetin's Links Jodie's Instagram: https://www.instagram.com/jodiesweetin/ Jodie's TikTok: https://www.tiktok.com/@jodiesweetin?lang=en   Amy McCarthy's Links Amy's Instagram: https://www.instagram.com/amymccarthylicsw/ Boston Children's Hospital Instagram: https://www.instagram.com/bostonchildrens/?hl=en Boston Children's Hospital Addiction Medicine: https://www.childrenshospital.org/departments/addiction-medicine  

Get your butt out of Racoon City because this week we're discussing 2004's "Resident Evil 2: Apocalypse". Come along as we chat about the movie, plus hot water toilet bowls, Kingdom Hearts movies, unrealistic elements, Pirates of the Caribbean, straight-to-video Mortal Kombat, set-ups, standards on trash, "Good Witch", Ugly Betty, Lysol doctors, jump scares, syringes, bullets vs missiles, & more! Want to hear more from your favorite Marsh Land Media hosts? Hear exclusive shows, podcasts, and content by heading to Patreon.com/MLMpod! Buy some Shuffling the Deck / MLMpod MERCH, including our "Natty With Otters" shirt, over at redbubble.com/shop/msspod! Follow James @MarshLandMedia on Twitter, @MLMpod on Instagram, and listen to his music under "Marsh Land Monster" wherever music is found! Have fan mail, fan art, projects you want us to review, or whatever you want to send us? You can ship directly to us using "James McCollum, PO Box 180036, 2011 W Montrose Ave, Chicago, IL 60618"! Send us a voice mail to be played on the show at (224) 900-7644! Find out more about James' other podcasts "Mostly Speakin' Sentai", "Hit It & Crit It", "Formulaic: A Podcast In Script Writing", "The Height of Horror", "Sweet Child of Time", & more on our website, www.MLMPod.com!!! Plus, download all Marsh Land Monster albums there, too!

In today's episode Anthony interviews writer and producer, Marco Penette. Marco is known for his work on Ugly Betty, Caroline in the City, Crumbs and many more. His most recent venture being writing the musical adaptation of Death Becomes Her with Broadway previews opening October 23rd. The pair chat about their start in the business, how the disappearance of mentorship is affecting young people, and the do's and don'ts of auditioning in the room.

Michael Urie is one of those mega-talented actors who seems to jump effortlessly from theater (like "Torch Song," "Spamalot," and, currently, the revival of "Once Upon A Mattress") to television (like "Ugly Betty," "Younger," and, currently, "Shrinking"), with a genuine love for both. On this episode, he talks in-depth about his acting process with a humility and a humor that is infectious. He explains why he decided to always be off-book on day one, how he came to believe in himself as an actor after starting out wanting to be a director, tells an interesting story about the temptation to mold a joke based on the audience's response, lays out what makes "Shrinking" such a special show, reminisces on the "Hamlet" experience, takes us through his pre-show ritual, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

This week Jay Borsom is the one playing someone else's puzzles. Join us and find out how she does! Here are today's clues:  1. Ugly Betty magazine, easy, she doesn't like capes?, enjoyers of silence?.  2. a stove top, does she have it?, a wide variety, where the deer and the antelope play.  3. mug, aggressive, Girls, does the end justify it?.  4. underground rapper from Raleigh, ancient empire of Medes, nerve that controls arm movement, a road divide. 

Originally aired as episode 200 on April 5, 2022. With a remarkable 14 nominations and six wins across the Emmys, Grammys, Olivier, and Tony Awards, Patti LuPone is a force in the entertainment industry. Her illustrious career includes 27 Broadway credits, most notably her Tony Award-winning roles as Eva Perón in Evita and Rose in the 2008 revival of Gypsy. Other significant Broadway appearances include Anything Goes, Sweeney Todd, Noises Off, Women on the Verge of a Nervous Breakdown, War Paint, Working, Oliver!, The Robber Bridegroom, and The Beggar's Opera. LuPone has also made her mark on the London stage, originating roles in Les Misérables, The Cradle Will Rock, Sunset Boulevard, and starring in the West End revival of Company. Beyond the stage, her extensive career in television and film includes performances in Driving Miss Daisy, Frasier, Will & Grace, Ugly Betty, 30 Rock, Glee, American Horror Story, Girls, Penny Dreadful, and Life Goes On. A versatile performer, LuPone has also lent her talents to voiceover work, cabaret performances, and regular appearances with the New York Philharmonic, contributing to 22 albums. She is the first American to win an Olivier Award and has been inducted into the American Theater Hall of Fame. Currently, she stars in the Broadway revival of Company. In this episode, LuPone reflects on her introduction to Gypsy, recalling her role as Louise in high school, and shares the story of how she was once banned from working on any of Arthur Laurents' projects before ultimately winning a Tony Award for her portrayal of Rose. She opens up about the challenges she faced during the COVID-19 shutdown, discussing how the lack of purpose impacted her deeply. She also highlights the strong sense of camaraderie and support among the cast and crew of Company, forged through their shared experiences during the pandemic. LuPone delves into her rehearsal process, explaining why she completes all her preparation in the rehearsal room so that she and the audience can enjoy the spontaneity and energy of live performance. Additionally, she reveals why she makes it a point to look at the audience every night. In this episode, we discuss: Being one of the first students in Juilliard's School of Drama in the 1970s Her Marilyn Monroe impression at three years old The joy she finds in eliciting laughter from an audience The “Italian blast” and her unapologetic lack of a filter The infamous “Andrew Lloyd Webber memorial pool” Her frustration with producers who underestimate the intelligence of their audience Connect with Patti: Twitter: @pattilupone IG: @pattilupone Web: pattilupone.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

30 years in the making...   Join Luke, Indigo and Ellie as they discuss how queer teens have been represented on TV from the first representations in the '90s to the Netflix era of today.   Beware of potential spoilers for any of the following: My So Called Life, Buffy the Vampire Slayer, Dawson's Creek, Queer as Folk (UK), That '70s Show, Sugar Rush, Skins, Ugly Betty, Glee, It's A Sin, Big Boys, Pose, Love Victor, Stranger Things, Never Have I Ever, The Chilling Adventures of Sabrina, One Day at a Time, Dead Boy Detectives, Heartbreak High, My Life with the Walter Boys, Elite and Young Royals.   If we missed anything, messed up on anything or you have something to add to the conversation then get in on the discussion on Insta: @aheartstopperpodcast and the Facebook group.

In this episode, Eric sits down with  actress, filmmaker & artist Angela Robinson Witherspoon. They discuss her early exposure to art and her experience of living in the Netherlands as young girl. How she followed her heart to live a life in the arts. Studying art, taking jobs where she used her artistic abilities, being a model in New York City, to studying acting. How she broke into the industry and has since cultivated such a long-lasting career as an actress in Hollywood! She reflects on her beautiful marriage to the late celebrated comedian John Witherspoon and the life they built together… including their two talented sons, their art collection, owning an art gallery and being patrons of the arts. How she continues to make art herself and has evolved into a filmmaker. They discuss her full-length documentary about artist Betye Saar and her passion to make more films that shed light on African American artists. Her exciting travels, philanthropic initiatives and mission of continuing to honor John Witherspoon's legacy through their foundation..!  Guest Bio: Angela Robinson Witherspoonstarted her acting journey when she was cast in her first speaking role opposite Eddie Murphy in "48 Hours," by producer Joel Silver. Walter Hill was the director and he subsequently cast Angela in another movie, "Crossroads", opposite Ralph Macchio. In 1983, she traveled to Cuernavaca, Mexico where she spent five weeks filming "Jungle Warriors" for German director, Ernst R. Von Theumer. She did all her own stunts and had the pleasure of working with Dennis Hopper and firing an AK-47.In 1985, she traveled to the Cannes Film Festival and had dinner with director Howard Avedis, who later cast her in "Kidnapped," a Warner Bros. film starring David Naughton, where she would meet her future husband, John Witherspoon. Angela continued to work in film and television in "Ugly Betty", "Joan of Arcadia", "Soul Plane", "The Wayans Bros.", "L.A. Law", "Criminal Minds," "My Crazy Ex-Girlfriend," "Black Jesus," and a starring role in "The Moment After."She later married legendary comedic actor John Witherspoon on June 27, 1988 and they had two children together. Her husband passed away on October 29, 2019, aged 77.In 2013, she directed her first short film, "Last Call". Soon after, she produced and directed a short documentary on artist Betye Saar. She then wrote and directed the short silent film "Sunset & Neverland." She also produced and directed "Wish Me Luck." Angela's first documentary was well received in 2017. In 2021, she looks forward to releasing a full-length documentary about artist Betye Saar, which she is producing and directing. She is currently working with young talent such as Juhahn Jones, Maia Modeste and director Abdul Malik Abbott. Angela is a dynamic force and devoted patron of the arts and supporters of artists through The Angela and John Witherspoon Family Foundation; who's mission is to help artist's in their time of need. About Eric's Perspective: A podcast series on African American art with Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.For more on Eric's Perspective, visit www.ericsperspective.comLISTEN ON: Apple Podcasts: https://apple.co/2B6wB3USpotify: https://spoti.fi/3j6QRmWGoogle Podcasts: https://bit.ly/3fNNgrYiHeartRadio: https://ihr.fm/2KtYGXv Pandora: https://pdora.co/38pFWAmConnect with us ONLINE: Visit Eric's Perspective website: https://bit.ly/2ZQ41x1Facebook: https://bit.ly/3jq5fXPInstagram: https://bit.ly/39jFZxGTwitter: https://bit.ly/2OMRx33

Here we go Uggos! The final episode of Ugly Betty - and thus, Ugly Besties! - is upon us! Betty struggles with telling Daniel about her decision to leave for London, Hilda and Bobby decide to fly the nest, Amanda finally meets her long lost father, and Marc encourages Wilhelmina to make the right choice after she wakes up from her coma after being shot by Tyler. And so it goes, that we wave goodbye to the world of MODE, and the amazing colourful cast that we love so very much! Thank you to EVERYONE who has listened and loved this podcast alongside us, whether you're new to the Betty family or have been a lifelong fan - it's been amazing to have this experience with you and to feel so supported by the community! We hope we've brought joy and laughter to your lives, and we hope to be back in your ears very soon.  You can find Sam and Stephen here:  Sam:  Twitter - Tiktok - Instagram Stephen:  Twitter - Tiktok - Instagram Stay in touch and have an ugly life!

Jacqueline's symptoms of FSHD muscular dystrophy began at 16 years old. She shares with us today how she manages chronic pain and what that looked like throughout her pregnancy and birth journeys. Jacqueline is also a sexual violence trauma survivor and went through three pregnancy losses. Through her nonprofit organization and as a birth doula, she is a strong advocate for trauma-informed care for all women. Jacqueline shares inspiration and advice throughout the episode for women who also have a history of trauma as well as those who are trying to navigate birth with a neuromuscular condition. Her proactive approach to caring for her body and heart allowed Jacqueline to have a beautiful, empowering, and healing VBAC, especially after enduring so much.  Anesthetic Management for Dystrophy ArticleNeeded WebsiteHow to VBAC: The Ultimate Prep Course for ParentsFull Transcript under Episode Details Meagan: Hello, Women of Strength. Today's episode is a VBAC episode, but it has an extra topic that is a first for the entire podcast life. In 320-something episodes, we have never talked about this specific topic. The other day on social media, I had a couple of spots so I reached out and I am so grateful for Jacqueline. Are you in Canada? Jacqueline: Yes. Meagan: Yes. She's from Canada and she reached out and was like, “Hey, this is something about my story.” And I was like, “Yes, let's do that because this would be amazing.” One of the things that we are going to be talking about today is FSHD muscular dystrophy. Jacqueline: Dystrophy. Dystrophy. Meagan: Okay, yes. We are going to be talking about that a little bit more and the challenges that you have had to go through with all of this. If you wouldn't mind before we get to the review, will you tell us a little bit more about FSHD and one, what is it? Two, what are the things that we are told because you have it and how you had to birth if you were told?Jacqueline: Yeah, absolutely. FSHD is a form of muscular dystrophy. It's quite rare and it essentially affects the muscles in my shoulders and in my facial muscles as well. For everyone with FSHD, your symptoms present quite differently. Of all of the types of muscular dystrophy, it is one of the more common forms, but in the big scheme of conditions that you can live with, it definitely is still considered to be rare. I was diagnosed in 2018 officially though I had symptoms starting from the age of 16 and I gave birth to my first child when I was 21 years old. I didn't have too many symptoms at that time. Going into my twenties, I started to have more atrophy in my shoulders, my lower back, and sometimes in my feet. My second and third processes were a little bit different, but overall, in terms of pregnancy and birth, my specialist always shared that you're able to carry a baby and you're able to give birth. The atrophy that we experience doesn't necessarily affect that process thankfully, but I've always been someone who is very proactive in terms of minimizing my pain and trying to do different types of therapies to minimize the chronic pain that I live with so I'm very focused on that during pregnancy especially. In my most recent birth which happened 5 weeks ago now, I really focused on making sure that my body was very strong and at its optimal comfort level that I possibly could be while pregnant in order to achieve a successful VBAC. Meagan: Oh my gosh, thank you for sharing and we're definitely going to go in through your journies and I'm sure it's going to come up. We're going to learn more about how you did that, how you made sure your body was at its most comfortable spot that it could be while growing a baby and how it's impacted your life. Thank you for sharing. I do want to share a Review of the Week before we get too far into today's episodes. This is by Rachel Thornton and it says, “Thanks for giving me the confidence to have a VBAC.” It says, “I am so glad I found this amazing podcast when I was newly pregnant with baby number two. After a long and traumatic first birth experience that ended in a C-section, I cautiously hoped that I could have a VBAC. Using this information that I learned from hearing other people's stories on The VBAC Link, I felt confident and prepared for the birth of my son. On October 9, 2020, I had a beautiful, redemptive VBAC and welcomed our boy into the world. Thank you so much for helping me achieve this dream.” Girl, Rachel, you are amazing. Congratulations and thank you for sharing the story of your dream. I am so happy for you that you got your VBAC and as always, if you have opinions about The VBAC Link, please share them. Rate us. Give us a review and let us know what you think and maybe how we're changing your dream as well. Meagan: Okay, Jacqueline. Okay, so you have three babies. Jacqueline: Yes. Meagan: One is 5 weeks old. 5 weeks? Jacqueline: Yes. Meagan: Itty bitty, bitty. Wow. Thank you so much for taking the time 5 weeks postpartum and you could be taking a nap right now and you are here with us sharing your story. I'm going to turn the time over to you and let you share away. Jacqueline: Great. As mentioned, I have three kids but this was actually my 8th pregnancy so I am quite well versed on pregnancy and birth and I am actually a doula myself. I went through the training process after I experienced three consecutive losses when I was trying to get pregnant with my husband. This was back in 2020. With that, I sort of had a new sense of knowledge coming into pregnancy and birth. That was following the birth of my daughter. I had her when I was 21 years old and that process was very different than my other two pregnancies and birth stories. Unfortunately, when I was pregnant with her I was in an abusive relationship. It's a very unique story I guess you can say. I was living abroad at the time so most of my pregnancy care actually took place in Kenya where I was doing work with my nonprofit organization and then I moved back to Canada when I was 6 months pregnant and lived with my family at the time. They really supported me and just came to a level of peace before giving birth and mentally preparing for becoming a parent at a very young age and as a single mom. But going into that birth process, I really did no preparation at all. I found myself during this pregnancy and as I was preparing for the birth of my second son which happened just 5 weeks ago, I really found myself reflecting on my pregnancy and birth experience with my daughter. With her birth, I had no foundational knowledge aside from what I had seen in movies really and because of that, at 39 weeks, I ended up getting induced. It was a very long birth process. I was already in a very traumatized state because of what I was going through at the time and I had my mother and my grandmother there with me when I gave birth but my mother had also gone through inductions because my brother and I stayed locked in there until well over 42 weeks actually for both of my mom's pregnancies. She had never experienced anything different. I didn't think twice about experiencing an induction and to summarize that birth story really, I ended up giving birth vaginally after over 24 hours of laboring. I had a failed epidural which I got just before she was born about an hour and a half prior to her being born and I had no movement throughout the entire process. I quite literally just moved from one side of the bed to the other. I was watching Ugly Betty throughout my entire labor and delivery. That I do remember. It was my comfort show at the time. I largely just wanted the process to be over so that I could be with my baby and there were a lot of things that happened throughout that labor process that I didn't even reflect on as unnecessary interventions again until this pregnancy. Jacqueline: 7 years later, when my husband and I decided that we wanted to start the process of expanding our family, we were really conscious about making sure that I didn't have that same experience. I really opened up to him about how I was just in a state of survival with my daughter's birth and how I didn't want to go through that again. Again, at this time, I also was a doula as well. After we had experienced our losses, it was really important to me to just expand my knowledge and I felt really called to get that training because of the insensitivity that I experienced when I was navigating loss. Coming into the process of now having a rainbow baby and wanting for it to be a really redeeming birth as well, I tried to make sure again that my body was very strong coming into labor. One thing that I think stands out as a person living with a disability with FSHD muscular dystrophy is that often with conditions that are rare, you have providers who when they hear that you have a rare condition, they immediately want to turn you away. Meagan: Yeah, they get scared. Jacqueline: Exactly. I reached out to the midwives' team in my community. At the time we were living in Northern Ontario in Canada which is more rural and remote so we only had one midwife team in our area. When I put in my form stating that I had a form of muscular dystrophy, I was immediately turned away and that was a little bit deterring so I reached out to a friend of mine who was a midwifery student. She encouraged me to just call the practice and explain what my condition actually was and how it did not affect my ability to give birth at all. I was not high risk. In doing that, they changed my status in their system and put me on the waitlist. Within our community, you essentially have to call the midwives at 5-6 weeks pregnant if you want to get in. It's very unfortunate because they provide such incredible trauma-informed care and support, but it's something that is very heavily regulated and they are only allowed a certain amount of clients each month.Because of that, a lot of women who are giving birth don't get to access those services. Fortunately, I received a call about 2 months into my pregnancy that I was now able to be accepted as a patient. I was paired up with an incredible team. I'll give a shoutout to them, Meredith and Sara from Sudbury Community Midwives. They really helped change the way I viewed being pregnant. During my first pregnancy, I absolutely hated the process. I am the first to admit that. I was going through so many hardships on a personal level and I just really felt that I didn't have any sense of control or agency over my body at that time. That really translated into my birth experience as well. They really helped me to navigate through that and really connect with my body and feel empowered through the process. I really loved as well just in general with midwifery care that they allowed me to have the space to ask questions. I never felt rushed and I never felt that because I had a disability that I had to have a certain type of birth where I wasn't in control. I think sometimes for folks who have disabilities, that's often what you are made to feel like has to be the process. Obviously, everyone has a different background, but often that isn't the case. Often, you can still decide what outcomes you will encounter both in your pregnancy and in your birthing experience. Jacqueline: With that, I decided that I wanted to have a home birth. We did everything humanly possible to prepare for that process. I was going to a chiropractor quite regularly. I was seeing a naturopathic doctor. I had gone to my specialist to make sure that my body was ready for birthing and everyone was getting me into the best possible shape I could be in to give birth. The midwives' team were very aligned with what we wanted for our home birth as well.I really wanted my daughter to be a part of that process and again, being my birth following three consecutive losses and the first birth after a baby after having my daughter and not really getting to fully even embrace that first year of her life largely because I was navigating through so much trauma myself after leaving my abuser, I really just thought that would be a meaningful experience for us as well. But my son had other plans. At 39 weeks, I remember it so vividly. I was in the bath and I quite literally watched him flip from head down which he had been for weeks to transverse breech. I thankfully had a midwife appointment the next day and said to them, “I'm fairly certain that my son has turned.”They said, “There is no way. Statistically, this is so unlikely. You are so far along in your pregnancy. Don't stress. I'm sure you are mistaken.” Of course, very quickly, we learned that he had flipped. I think that too really speaks to as someone with a disability you are so in tune with your body. You feel every little change. You are so used to having discomfort and pain on a daily basis. I knew the minute that he had flipped so I advocated for myself in those moments and said, “Can we have an ultrasound to confirm it?” We did. Even in that process, I really made sure that I stayed a part of my birth. I had a strong feeling that I would probably be having a C-section. It wasn't what I planned for, but going into everything, I think my doula training did help in this regard. I was ready for whatever may happen. I had sort of a plan A and a plan B. Plan A obviously was that I would be able to have my home birth if by some miracle he flipped back, but plan B was that I would be involved in the decision-making process for a C-section. I spoke with my midwife team and we found one OB/GYN in my community who was willing to try and do an inversion, so to try and manually move him back into the head-down position. We did a consult at our hospital. This OB/GYN and I actually had a history. He had supported me through two of my losses and was actually part of helping us successfully get pregnant with my son. It was actually very full circle that he would then be a part of my birth. I felt comfortable in his care as well. He knew my history. Part of my story as well is that I am a survivor of sexual violence. That's actually what I do professionally with my work. He knew that a lot of elements of birth are very triggering for me as well so he really wanted to ensure that we would be as minimally invasive and as trauma-informed as possible. Unfortunately, our ultrasound showed that I had a limited amount of fluid. He was still willing to try and do the inversion, but he said, “To be totally transparent with you Jacqueline, this is going to be incredibly traumatic for you. I refuse to do it unless you get an epidural because it's going to hurt and you've gone through so many losses. This is the baby that you've been waiting for. Make an informed decision of what you think would be best for you, but I just want you to know everything going in.” I really appreciated that as well that he spoke to me from a very personable standpoint knowing my background and our history and ultimately, we decided that a C-section would be what was best for us. Jacqueline: Everything went smoothly with the C-section, thank goodness and I welcomed my son in a very powerful way. I still think because I was very involved in the decision-making process, I felt very at peace with the fact that I had to have a C-section. My midwives were still in the OR with us when we were going through that process and they were still with us for the continuation of care and I also had the connection with my OB. He made sure that he really congratulated us in welcoming our son and highlighted that it was really special that he was here now after he had seen our journey. It felt very good, but the recovery was just so incredibly difficult as someone who lives with a neuromuscular condition. I think no one at the hospital was really aware of the fact that I needed a different timeline in terms of when to get up and get moving in comparison to other moms who don't have the condition that I live with. Everything was very rushed. I literally left the hospital 24 hours after having a C-section which is the standard of care where we live. Meagan: 24 hours? I didn't know that. Jacqueline: 24 hours. It's appalling in my opinion. Meagan: Very quickly. Jacqueline: It's something that I don't think should be encouraged, but I returned home and really just wasn't prepared for what was to come. I didn't feel like I had even a full range of mobility for probably 6-8 months. It was just traumatic in that sense that I hear so many people around me sharing that after a few months, they felt that sense of normalcy again and reconnection with their body to some extent. For me, my timeline was just very different. For anyone who is going through the process of giving birth and lives with a condition like a neuromuscular condition or something similar, I think it's important to have in the back of your mind that your timeline will be different and that is okay. If it is possible for you to give birth vaginally or to try and go for a VBAC or try and avoid a C-section if not medically necessary, do everything in your power to try and make that possible because often even the care instructions that I was provided with in postpartum were not aligned with the realities of what I face as a person with a neuromuscular condition.Because it's so underresearched, my OB/GYN for example did not know what kind of recommendations to give me in terms of what to expect and how to prepare myself so I think that's just something to keep in the back of your mind if you are trying to make informed decisions about what to expect if you are someone who lives with a neuromuscular disease. Jacqueline: That being said, when my son was 2, or I guess we actually got pregnant 18 months postpartum so exactly at the time you are recommended to start trying again. This was not something that we necessarily planned for and we did not think it was possible to have another child without planning so we just took that as an unexpected blessing and my pregnancy with my second son went very smoothly. I did notice though with my pregnancy with my first son, I didn't seek chiropractic care and other services like massage as much as I probably should have. I also wasn't as active prior to giving birth as I probably should have been in order to help myself with mobility and also with my postpartum healing. So I was very proactive during this pregnancy. We had just moved from northern Ontario to southern Ontario for my husband's work so we were now about a 5 ½-hour drive from the majority of our family and support system. One of the first things that I did when we moved to the community was find a sort of new care team to help with FSHD– just the regular symptoms, not even pregnancy-connected. I found The Wellness Hub which is located in Hamilton, Ontario for anyone who is in the area. They are a practice that primarily specializes in women's health and so I just felt very at home immediately when I entered their clinic and I found an amazing chiropractor there who supported me from the very beginning of my pregnancy and then when I reached 20 weeks, I decided that I wanted to start going more frequently so I was going for weekly chiro visits. I made sure that I also did massage at least once a month up until 30 weeks and then I was going bi-weekly from 30 weeks onward. I think that's also very important for anyone who is living with a neuromuscular condition or something similar. Prioritize your care and don't put yourself in the back corner preparing for your baby to arrive. Really make sure that you focus on your care and healing as well. So to fast forward a little bit, everything went well with my midwife care team in this community as well and as we neared our 35-week mark, I said, “Hey, we should probably start talking about labor and delivery.” so they were actually quite slow to start having that conversation. I don't even think it came up until 36 weeks for us because I had always gone past 39 weeks. They thought I would have time. They didn't think I would go into labor early. I didn't, but I still thought we should be having those conversations. My husband is a pilot so he's actually gone every 2 weeks and so because I didn't have family close by and because I knew I may potentially not have my husband at home either, I hired a doula team. I also did this during my second pregnancy, well my second birth as well, but unfortunately at that time, it was COVID so we couldn't have doulas in the hospital. But she did support me mostly in preparing my husband for what to expect, but she had a background in kinesiology as well so she also helped prepare my body physically for the birthing process. She had studied with a training called the Body Ready Method. I really wanted to find a doula who had the same training background because I found it very beneficial. I did some research and found a doula team, Leanne and Roseanne, who are in the Hamilton area with Hamilton family doulas and they worked with me from around the 35-week mark as well to get ready for my birth. Largely because I had the knowledge background as a doula myself, they didn't have to go through too much about what to expect in your birth. We largely just discussed the different types of movement I would want to be doing in early labor and also really helped me to prepare for what I had hoped going in would be an unmedicated birth but also talked about the different options that we may have with a really strong focus on having a VBAC. That was my number-one priority even in selecting gmy provider. I really made sure that I called around and fortunately, in my area, every midwife practice I spoke to is very aligned with me having a VBAC. Meagan: Awesome. Jacqueline: Ultimately, the providers I chose, my team, Sara and Emily, were really aligned with making sure that I was very comfortable, that I wouldn't be moved around too much after giving birth. I really emphasized as well that I wanted to try and avoid giving birth on my back because I knew that any additional pressure on my hips and lower back would probably lead to a longer postpartum healing for myself just because of my condition. Everyone seemed very aligned. As we neared closer to 39 weeks, that's when we started to have discussions about induction and things of that nature. One thing that is standard practice where I live is that you would have a consult with an OB and an anesthesiologist from 20 weeks which I thought was crazy. At the time, I said, “I don't want to have an epidural. I don't want to have an OB involved in my birth process at all. I don't want a C-section. I'm not even meeting with these folks because I want to manifest the birth that I want.” So they were a little caught off guard by this. They did try and schedule me again. I believe it was around 30 weeks and I just declined again so being informed about what my options actually were in terms of what I can accept or say, “No thank you” to was very important and for anyone who is going through the process as someone who is living with a disability, I think you really need to make sure you do educate yourself on what you can say no to because you have that extra layer that people can always fall back on to say that you are kind of treading the high-risk zone. You can push back on that politely and say that you are not high-risk. That's why you are here and that you prefer to just stay with your current providers and your current care plan. Meagan: I was going to say too that Julie mentioned this on a previous episode that I loved and is sticking with me too. You can say, “How will my care change if I do this? If I meet with these people or if I have these extra visits?” You can say, “How is this going to change?” If they say, “Oh, it's just to let you know who they are,” then you're like, “I don't care.” Jacqueline: That's essentially what I did in person was saying, “Why do I need to meet with an OB?” They said, “It's standard practice here.” I said, “I really would prefer not to. I am working on a huge project right now with my professional career. I have two other kids. I just don't have the time or capacity to be having meetings with someone who probably won't even be on shift when I give birth anyway. So respectfully, no thank you.” At the 39-week mark, we discussed what would be our next steps if I did go over 41 weeks which in my province is sort of your cutoff time from when you can give birth without induction for a VBAC. So within my community, VBAC anywhere other than a hospital was just not even discussed. Because of my condition, I did agree that I would do a hospital birth. Now, if I ever had another child, I would probably actually want to try for a home birth. But yeah, I went into the process trying to keep an open mind, trying not to be too judgmental going into a hospital environment. I spoke about this a lot with my doula team. I got to hear a little bit about their experiences within this hospital because they had supported clients there to give birth. I had a friend who is a nurse there in the labor and delivery department as well. Ultimately, everyone gave me very positive reviews which put me at ease. I think it's important as well to do a little bit of research about the care team that you select and the hospital that they have privileges in. If the hospital where they have privileges isn't necessarily VBAC friendly, then maybe it's a good idea to get a different care team. That may be something that is very Canadian-specific, but our midwife teams only have privileges in certain hospitals, so you have to make sure that you do that extra little step of research. I also spoke to a lot of moms in a community called Mamaraderie here in Hamilton, Ontario. I hope I'm pronouncing that correctly. A lot of the moms shared very positive VBAC stories. I was actually referred to the podcast several times by moms who I spoke to which was great to hear as well. Yeah, basically from that time forward, the talk was really just how do we ensure that I have a successful VBAC with my midwives? They didn't really speak to me too much from their end about induction. They recommended that I have a consult with an OB at the hospital. I went in and I spoke with a resident. I believe she was a fourth-year resident. To be quite frank, the experience was terrible. She essentially told me that if I needed to be induced, my care with the midwives would end until my baby was born and that they would not be there with me when I was laboring because their care was redundant which I found to be incredibly insulting. Meagan: Yeah. Jacqueline: I was just floored that she would state that. She did emphasize that the decision if I wanted to be induced or I wanted to wait out labor was my decision. She spoke to me about C-section even though I expressed that I did not want it. She said, “Let me just cover my bases and tell you what your options are.” I respect that. It's probably what she was trained to to but it definitely put my guards up because I explained in detail why as a person with FSHD, it is not in my best interest to have a C-section, then when she provided all of my different options, and I was also big on hearing the statistical options if I waited to go into labor naturally or if I was induced in a more controlled environment type of situation what the best outcome would be, I had heard all of these statistics through the podcast but I didn't listen to one specific episode talking about induction yet so after I had a major breakdown after leaving the hospital, I spoke to another friend of mine who is also a doula and she recommended listening to the episodes specifically on induction. That helped a lot more than speaking with the resident to bring some clarity in terms of what the best outcomes will likely be if I were to wait versus if I were to go down the induction route again. I already knew from my birth with my daughter that induction using oxytocin doesn't even really necessarily work very quickly for my body. I wasn't really convinced that it would speed up the process. If anything, I remembered it being a 10 pain from the beginning with very minimal dilation and an incredibly long process. I knew that in my area as well, if I'm birthing in the hospital environment and I'm induced, I need to be monitored 24/7 and that meant that I wouldn't be able to move around. It meant my plan to have early labor in the bath would no longer be an option. It also meant that if I went over the 24-hour mark, I wouldn't even have a choice. They would just tell me that I would need to have a C-section per their policies. I said, “Okay. I'm going to give myself more time.” From 38 weeks, I had been going to chiro again weekly. I'd been doing massage weekly. I started doing acupuncture once a week and I also started doing things like the Miles Circuit and things of that nature to try and induce labor. One thing around the 39-week that started was that I was having contractions that would stop after a certain number of hours. Even if I did movement, I would take baths trying to check if they were Braxton Hicks. I'm still not entirely sure what they were because they felt a little bit stronger than when I had Braxton Hicks but they would just stop. Meagan: Like prodromal labor. Jacqueline: Yes, starting from pretty well the 39-week mark. Then there would be days at a time where I would have nothing. In week 40 I knew, Okay. my deadline is next week. I need to amp this up a bit. My entire care team at The Wellness Hub were all fixated like I was on my having a VBAC. Now at this point, when I would come into my appointments, everyone would be waiting at the door because that would mean I'm going into labor. I felt like I had a very supportive team around me and we started to do acupuncture twice a week during my 40th week. I also was going to chiro twice a week and doing massage as well. I think even in my 40th week, I did massage twice in that week. I took one of their cancellations. Meagan: Yay, good for you. Jacqueline: We did everything humanly possible to try and induce labor naturally. Because I had never experienced a sensation of natural labor, I didn't know what to expect in terms of the sensations. My doulas didn't necessarily describe it or know how to describe it either in terms of what was not labor and what was. We were all just waiting around. Every time I would have contractions start and stop, they would be like, “Okay, maybe it's going to happen but it's probably not because it's been many days of it starting and stopping.” Jacqueline: On March 7th around 1:00 AM, I started to feeling contractions again but much like my doulas, I said, “Oh, I'll sleep through it.” They started to intensity and get more close together, but my first son was a terrible sleeper and so he used to wake up about every half hour to an hour so from a sleep perspective, I'm very used to waking up often. So when my contractions started getting closer together, I didn't really think too much of it. My son came into my room around 2:30 that morning and I realized, “Oh my goodness. My contractions are 5-7 minutes apart at this point for the last hour.” He came into bed with my husband and I tried to stay in bed, but they were just too strong so I went into the bath. I realized I had lost my mucus plug.I got in. I was trying to remain comfortable in the bath. This time, they were just intensifying so I had a feeling that this was early labor. Meagan: Yep. Jacqueline: I remember my daughter came into the room. Initially, I asked her to be my mini doula before I called in my doulas and she saw me in pain and I could tell by the look on her face that she was not going to be my mini doula because she was terrified. She said, “Are you okay?” She stayed with me for some time and eventually, she went back to bed. I stayed in the bath for about an hour just breathing through contractions. I think it was 45 minutes in when I started to time them using an app just to know if I should contact my doulas and say, “Things are starting to happen.” The week prior, I did my first cervical check. I was less than 1 centimeter dilated. I knew my body. I knew that I don't dilate easily. I remembered that from my first birth so I just mentally prepared myself for what could be a long labor. My contractions around 5:00 AM were about 5 minutes apart. I live about a half hour away from my hospital so I knew that I should probably contact my midwives to just let them know that contractions were 5 minutes apart. When I gave them a call, they said to come in around 6:30-7:00 AM unless things really intensified then come in immediately. I woke up my husband. My dad had actually driven down from northern Ontario to come and stay at our home just because I had a feeling. I gave birth on a Friday and on the Wednesday I told him that he should probably come. I just knew that I probably wouldn't even last until the weekend when he anticipated to come. So he came and took my son. Yeah, things just got more and more intense. By the time we got to the hospital, I was breathing through contractions about every 4 minutes. Sometimes they were a little bit closer together so we went up to labor and delivery. We saw our midwife and she told me that I was still 1 centimeter dilated and that it would probably be a long process. She recommended that we come back home which we did. I didn't feel too disappointed at that time because she recommended I return home because she knew that I wanted to have more ability for movement. She knew that would help with my condition and she also knew that I wanted to be able to be in the water. I really appreciated that she had that recommendation. I let my doulas know that that was what was going on. Initially, when we went in, we called one of our doulas to give them a heads-up that we were headed into the hospital. We ended up staying at home for about 2-3 hours where I really tried to move around. I would recommend to anyone who has this type of condition as well that movement really is your best friend.Even though it feels like it won't be comfortable, in your postpartum recovery, you will be grateful that you moved around and didn't stay stagnant in one position. We were only there for about 2.5 hours. My mom had driven down that morning as well and she just watched me trying to get some rest in bed. My contractions were about 2-3 minutes apart at that point. I said, “I don't feel like he's descending so I'm not worried about that,” but she said, “Your contractions are so close together. I'm worried you are going to give birth in this bed at any minute.” I knew that we were not there because I could feel that we weren't there. They were very close together and they were intensifying so we did go back in. From there, things went pretty quickly. Well, it felt pretty quickly but it was not pretty quickly. We got in and I had a replacement midwife so she wasn't someone from my initial care team. My midwife actually was feeling unwell between when I saw her in the morning and when I got into the hospital. But oddly enough, this midwife, Elizabeth, reminded me so much of my mother's best friend. She looked like her physically. She sounded like her so I felt like it was someone close to me even though I had never met her before. She surprisingly recommended the internal monitoring to me several times which I declined and I will say for anyone who has a midwife, often we don't anticipate that anything will be recommended by a midwife that maybe we are not comfortable with, but if that happens and even if you have the best relationship with your provider and you fully trust them, you are still allowed to decline an intervention if it's not medically necessary. Meagan: Yes. Jacqueline: So I did do that very respectfully as well. I was monitored 24/7 throughout my process of being in the hospital. When I initially came in, my son's heart rate was not accelerating at the rate that my midwife thought we should be seeing so with that, she admitted us. Initially, she had just started out with the monitoring and was going to send us back home because I was only 2 centimeters dilated but she decided to keep us there. The OBs that she consulted with when she saw the heart rate acceleration was not where they typically like it to be, they weren't concerned which also put me at ease because they obviously were not providers who were trying to rush me into a C-section. She had explained to them what my background was and how I really wanted to avoid it and they already seemed to be aligned with that. That brought me a lot of ease too. We went through that labor process of again lots of movement. My doula came in. She had me doing as much as she could to help me ease my pain. Around 9:00 PM, I decided that I wanted to get an epidural. Largely to be honest and transparent, it was because I found that cervical checks which are often aligned with a VBAC in our province anyway. You have to have that monitoring. I found it to be very triggering and I felt my body tensing up and becoming less and less open and comfortable every time I had to have one done. I did try and delay them as much as I possibly could, but I also understood why they needed to happen to see how I was progressing because I had been in labor for several days at that point. I had essentially started having the prodromal labor 3 days prior. I knew that my baby was going through that. I was also a little bit more accepting to going outside of what I originally thought my birth plan would be. I was exhausted at this point too so I wanted to try and have a little bit of rest. When the anesthesiologist came in– and this is where I would actually recommend for any folks who have a neuromuscular disease or anyone with a similar condition to do that initial anesthesiologist visit which I initially declined. I regret doing that now because when I did need to get an epidural done, the anesthesiologist had done a lot of research so it took her about an hour just to come and give me my epidural. She explained it was because she was actually researching my condition to make sure that she wouldn't do it incorrectly and make sure that I would actually have a successful epidural. Meagan: If you had done the consult, would someone have already done the research and put that in the notes? Jacqueline: Yes. Yes. She also told me something that I had never heard before as well that within labor and delivery specifically, there is one drug that can be sometimes given for pain management that a person with muscular dystrophy is not supposed to have so she said she wrote in my chart that I was allergic to that type of medication just to ensure I'm never given it. She said that she doesn't anticipate that it would affect someone with my type of muscular dystrophy because my lungs aren't necessarily affected but for some folks who have other forms of muscular dystrophy, it can be fatal. She said just for the future if I ever needed to have any type of sedation that I should try and do a consult earlier. That is a good recommendation that I would have for any folks even if you're thinking you're not going to have an epidural in your birth plan, I would say to still go for that specific appointment just so they can get your health history and have it in your chart, in your notes, get to know you, and make sure that they are advocating for you when you are in the hospital. Part of my recommendation as well would just be to put your pride aside sometimes. I myself thought that I was protecting myself in not going to those appointments and doing the best form of advocacy that I could but I was actually hindering myself to an extent. Meagan: Yeah, but at the same time, they didn't say anything like that. “This is the reason why we would like to meet with you.” Jacqueline: Yeah. I did explain that to my midwife team afterward as well and said, “Please share widely throughout the community because I think for anyone with a neuromuscular condition, we can give birth successfully. We are not high risk, but this element should be noted and you should explain that in this way so that even if a mom is not wanting to have an epidural, in the case of an emergency, she is not given a drug that can be fatal for her.” Meagan: Right, yeah. Jacqueline: So it was that piece of advocacy. After I had the epidural, we had the OB come in for a consultation because I had been laboring near the 24-hour mark at this point. We started talking about the potential of having oxytocin. I wasn't explicitly against any forms of induction because again, I had been laboring for 3 days off and on but I just wanted to try and hold off as long as possible. It was an OB resident who I spoke to. Her name was Dr. Tam. She's fantastic. She just explained why this process would be beneficial to start now. She said she would need to do a cervical check just to see where I was at from my previous check about an hour prior. They said they typically like to see dilation by 1 centimeter each hour when you are a VBAC patient who's admitted. So at one hour prior, I was 4 centimeters and when she checked me, this would be close to 10:30ish, I was a 6. There was progress and I said if I've gone more than 1 centimeter within the last hour, do I even need the oxytocin now? She spoke with her attending who said, “They could hold off,” but if I wanted to prevent myself from having a C-section, it might be a good idea just because I had been in labor for several days. At that point, I understood and we had also seen some heart dips a few times which were easily resolved through movement, but they said, “We really want to support you in not having an emergency C-section and have the VBAC that you're wanting. You decide, but we'll have the conversation again in an hour if you don't want it.” I decided that I was okay with it just to see if things would progress with having one dose of oxytocin. I did express that if after one hour that we didn't see any change that I wanted to be off the drip essentially and just let things progress naturally. They were comfortable with that. We tried it and at that time as well, my doula put me into a certain positioning which I felt to be very beneficial for my progression. That was the flying cowgirl position. Meagan: Yeah, with the peanut ball. Jacqueline: Yes. One of the nurses had recommended a different position, but Leanne stepped in and said, “I think we should put her in this position.” At the time, my midwife was still there. She said, “Yep. I agree. Let's do it.” They got me into that position. I was in that position for about 15 minutes and then I felt an insane urge that I needed to poop. This is kind of a funny story that moms will relate to and probably laugh at but I just kept saying to the nurses and at this time, my midwife said, “It's going to take you a few hours. I'm going to take a rest and come back.” I said bye to her but then I was talking to the nurse and said, “Look. I haven't pooped in a few days. I'm realizing now I need to do that. I have an epidural so I can't go to the bathroom. What do I do?” The nurse just told me, “You don't actually have to go. It'll happen probably when you're pushing. It happens to everyone. Don't worry about it.” I was trying to articulate that no, I have to do it. Meagan: I actually have to. Jacqueline: I'm going to do it on this bed if you don't get something to put under me. She wasn't listening to me and I was just going back and forth with her. My husband later told me that he thought I was loopy from whatever drugs they gave me, but long story short, I cleared space for the baby. My doula supported me in cleaning myself up and the nurses cleared everything away. They were actually surprised because they did not think that I actually had to go but I said, “I know my body even though I don't have 100% of my feeling. I know that I had to do this.” Then from that point, I kid you not. It was maybe 15 minutes later. I was told that I was 10 centimeters. They had gotten me back ito the flying cowgirl position after I cleared out everything and I just felt like I needed to go again. I said, “I feel a lot of pressure.” At this point, actually my epidural had stopped working. I started out feeling some contractions on the left side of my leg which spread and I could feel everything pretty well. I wasn't mad at it because I wanted to be able to feel my contractions when I was pushing anyway so it was kind of the best of both worlds. I had gotten about an hour and a half to rest and let my body regain some energy then I could feel everything again. It ended up being what I wanted. I was telling my doula, feeling this pressure again, feeling like I had to poop, and the nurses got this look on her face like, “Is she crazy and does she have to go again or is this the real deal?”One of them looked and I declined a cervical check again. I said, “I'm sure if it's happening, you'll see a head.” They said, “Okay, we need Dr. Tam to come back in.” She came and she said, “I need to do a cervical check again.” I said, “No. I don't want one.” I was feeling contractions fully at this point. I said, “I'm feeling too much pain. I don't want a cervical exam. I'm not doing it.” She stood there and waited for about 15 minutes and she was like, “I really need to check you because I can see that things are progressing and I think you're in transition.” I just huffed, “Okay, fine.” I let her do a cervical check and she said, “You're 10 centimeters and it's time to start pushing.” I said, “I'm not ready to start pushing.” I did not feel like he was in the position to start pushing yet. They all just sat there. They called my midwife back in. She fortunately was just at her car about to leave. She ran back inside. By the time I felt ready, she was on one side and my doula was on the other side of me. They asked me what position I wanted to be in. I tried with side-lying. My OB was also very supportive of that and I think if you're a person with a disability advocating for the position that you're most comfortable with is very important. The only piece of advice I would have for anyone who planned for an unmedicated birth is to have your plan B if your plan does change in the moment and you decide you want an epidural. That was the one thing and as a doula, I should have known better, that I did not do was prepare other positions that would be aligned with an epidural. I really only in the moment could think of side-lying. When it wasn't as effective as they wanted to see after a few pushes, they recommended, “Okay, let's try on your back.” Because I was just in the zone, I agreed. I had my doula on one side and my midwife on the other side then Dr. Tam was in front of me and my husband came and joined me on the side. I really just focused on my breathing. I initially started out holding his hand. At some point, I let go and hung on to the sides of the bed which gave me some momentum. I found it gave me also that sense of control as well which I found very beneficial as a survivor and also as someone who wanted to feel in control of their birth. I didn't really listen to what anyone was saying in terms of, “Okay, keep pushing. Push, push, push,” or timing things out. I just pushed when I felt like I had the sensation to push and stopped when I felt like I need to take a break. My midwife was telling me when I needed to soften my legs and my doula was on the other side. She was going through deep breathing and I was following her in those deep breaths. I had my eyes closed the entire time and Dr. Tam and her attending came in at some point and was another voice I had never heard before but my eyes were shut. I was just focused. They were all being very encouraging and they shared with me when his head came out. He was much bigger than anyone had told me. I did a scan at 37 weeks and was told that he would be around 6 pounds. He ended up being 8 pounds, 11 ounces so they were a little off, but everyone in those final moments helped really guide me through that process in a very empowering environment and we had very minimal interventions to get him out. He came out all on his own and it was just a beautiful experience getting through that last chapter of my birth. Yeah. We had him placed right on my chest and it was just a very, very empowering, beautiful VBAC which was exactly what I was hoping for. Meagan: Aw, thank you so much for sharing that. Huge congrats. Jacqueline: Thank you. Meagan: Oh my gosh. I'm so glad that you were able to advocate for yourself through that journey too. Through every journey, you were advocating for yourself and even in some moments when you were like, “Okay, I'll do that.” I think that really speaks to sometimes how labor is. You don't have to ever say, “Okay” if you don't want to, but getting the education, feeling comfortable, and sometimes saying no a few times, then maybe later you are okay with it. It's really important to know that your opinion can change as long as it's your opinion that is changing. Jacqueline: Exactly. As long as you come into it from an informed perspective and not being afraid of asking your providers why something needs to be done is very key as well. For someone who is living with a disability, I'd say that when it comes to your birth, envision what you want for your postpartum experience as well and allow your birth to inform that next chapter. In my birth process, I wasn't necessarily thinking, Healthy mom, healthy baby throughout the entire experience. Of course, that's obviously what you want, but I was also thinking, How will this next step influence what my postpartum experience will be like? I think that's very important. Meagan: Yeah, very, very important. How will this answer or next step impact me moving forward? I love that you talked about postpartum specifically too because you have a prolonged postpartum. How was this postpartum? Did you bounce back a little faster? How did it differ? Jacqueline: It was so different. Even far better than I could have imagined for myself. Largely, I think that was due to the chiropractic care that I was receiving, going for the acupuncture, and going for the massage. My body was just so ready to not only give birth but also to support me in my postpartum journey. I did feel the effects of pushing on my back. My pelvis locked up very intensely after but I didn't freak out or panic. I just called my team at The Wellness Hub and explained that I would need a very gentle assessment and they had me in within the first few days of returning home so I would have more mobility and that really helped with my postpartum experience as well was having that mobility back. Build your care team that will not only support you in your pregnancy but also in your postpartum as well. That goes for everyone and not only moms with a disability. Meagan: Yes, absolutely. I really think that when it comes to birth, investing in ourselves and our birth and our postpartum experience can be hard naturally sometimes as moms. We put ourselves last because we are taking care of kids and partners and all of the things, but doing those things like chiropractic care, acupuncture, massage, pelvic floor therapy, and all of these things– hiring a doula, hiring a birth team– these are things that may have a cost but really, you deserve it. You deserve it. In the end, are you regretting anything that you did? Jacqueline: No. I was doing all of the things to try and induce my labor which afterward, I thought, I spent all of this money. It took so long. Then I stopped myself from those negative, intrusive thoughts and thought, Do you know what? You got your natural labor that you wanted. You had your VBAC. Your body has quite literally- it took me about one week to start feeling like myself. I had no tearing either. I just felt like all that preparation was not for nothing. I think if you invest in your knowledge and your physical being, it's never a waste. You can't take care of anyone unless you take care of yourself. Meagan: 100%. It always comes back to the airplane analogy for me where they are like, “Hey, you have to put your own oxygen mask on before you take care of other people if the plane is crashing. You really do. You have to invest in yourself and take care of yourself.” Really quickly, I just want everyone to know that I have a PDF that we‘re going to include in the show notes. It's called “Practical Notes for Anesthetic Management for a Dystrophy Patient”. I'm going to put that pdf here in the show notes. If you do have a muscular dystrophy– oh my gosh. Jacqueline: Dystrophy. Meagan: I feel like I'm saying it funny. Dystrophy condition whether it's more severe or less severe or whatever, it might be something that helps you and take that note. If you're going to need an epidural, make sure they know so you can talk over what's okay and what's not okay. I'll have that in the show notes for you. It's a PDF easily readable and it's got all of the stats and studies noted along the way. Okay, thank you so much again for sharing your story. I'm so grateful for you and for reaching out. Congrats again. Jacqueline: Thank you so much for having me. ClosingWould you like to be a guest on the podcast? Tell us about your experience at thevbaclink.com/share. For more information on all things VBAC including online and in-person VBAC classes, The VBAC Link blog, and Meagan's bio, head over to thevbaclink.com. Congratulations on starting your journey of learning and discovery with The VBAC Link.Support this podcast at — https://redcircle.com/the-vbac-link/donationsAdvertising Inquiries: https://redcircle.com/brands

It's all go in the penultimate episode of Ugly Betty, and so many things are happening - perhaps a little too many for Sam and Stephen! Betty gets a job offer, Hilda gets married, Justin struggles to come out, Amanda and her new client hit it off, Marc makes a shocking discovery, and tensions rise between Wilhelmina, Claire and Tyler for a shocking conclusion that takes us right into the finale! If you enjoyed this podcast please leave us a rating or review, and make sure you subscribe on your favourite podcast app! You can follow us here: Twitter: https://www.twitter.com/uglybesties Instagram: https://www.instagram.com/uglybestiespod Or connect with us via email: theuglybesties@gmail.com

BETTY – the beloved indie rock trio that has been delighting both LGTQ+ and mainstream audiences for almost 40 years – are releasing their new anthem “Pride” as a single right in time for Pride Month.  They are best known for writing and performing the iconic theme song to Showtime's “The L Word,” which is celebrating its 2oth anniversary this year. They also performed on the show four times.  In addition to their presence in the indie rock scene, their hit Off-Broadway musical BETTY Rules was directed by Michael Greif (Dear Evan Hansen, Rent) and they took part in “Sondheim - A Celebration at Carnegie Hall” alongside an all-star Broadway cast. Would you consider a BETTY interview for a Little Known Facts segment to discuss their new “Pride” single, “The L Word,” their long career, and upcoming album? For your ears only, you can preview the track “Pride” HERE (https://www.dropbox.com/scl/fi/ymh87g5e4ay7u7f93krqc/BETTY-Pride-Single.wav?rlkey=topyvxw4wuz4es6t0g1wkspeh&dl=0). BETTY is the trailblazing award-winning group of sisters Elizabeth and Amy Ziff and their bestie, Alyson Palmer who have created addictively catchy songs across 10 albums, with their 11th, EAT, due this fall. They have a NYC release concert at Joe's Pub on May 30 and Pride tour dates throughout June in Denver, CO; Grand Rapids, MI; Hudson, NY and more (full schedule is HERE (https://www.hellobetty.com/)).  They have performed concerts globally from Carnegie Hall to London Pride. Their music has been heard on “Ugly Betty,” “Encyclopedia,” as well as on Comedy Central, Showtime, The Discovery Chanel, HBO, A&E, and PBS. They have appeared or performed in the movies Life with Mikey, The Out-of-Towners, and more and the hit Off-Broadway musical BETTY Rules, was directed by Michael Greif (Dear Evan Hansen, Rent).  At the urging of Gloria Steinem, the group created The BETTY Effect, an organization to advocate for women and girls, as well as the LGBTQ+ community. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a Text Message.This week on Broadway Besties, Mark and Amy dive into what might be the gayest season of Broadway ever! From the shows to the stars, this season is filled with everything that makes our gay little hearts happy. We'll explore the vibrant gay themes, celebrate the incredible queer representation, and highlight the performances and productions that are making waves in the theater community. Join us for a fabulous episode filled with laughter, love, and all the things that make Broadway a truly inclusive and magical place. Whether you're part of the LGBTQ+ community or an ally, this episode is a celebration of the best of Broadway!

Historien om en av världens mest kända skådespelare, och ständiga biroll. Hon är frispråkig och får ofta alla att skratta, och besitter både pengar och makt. Nya avsnitt från P3 ID hittar du först i Sveriges Radio Play. Salma Hayek Pinault närmar sig 60 och har gjort omkring 90 roller i olika filmer och tv-serier, som Desperado, From Dusk til Dawn, Frida och Hitman's wife's bodyguard.Hon föds i Mexiko men bestämmer sig tidigt för att ta sig till Hollywood. Väl där kämpar hon mot fördomar, sexism och rasism – och blir snabbt en världskändis som i dag har både pengar och makt.Salma Hayek är också en av dem som har tagit bladet från munnen om producenten Harvey Weinstein.2007 gifter hon sig med en av världens rikaste män, Francoise Henri Pinault, som äger stora delar av Gucci och andra modemärken. I avsnittet hörs bland andra Kristofer Kamiyasu, som har spelat mot Salma Hayek i actionfilmen The hitman's wife's bodyguard, och filmredaktören Rebecca Gónzalez León, FLM.Avsnittet gjordes sommaren 2024 av Dist. Programledare och producent: Vendela LundbergAvsnittsmakare: Sally HenrikssonSlutmix: Fredrik Nilsson Ljudklippen kommer från Vogue, Armchair expert, Teresa, Desperado, From Dusk til Dawn, Frida, Sag-Aftra, Role recall, Betty la fea, Ugly Betty, GQ, AP, Mästerkatten, Aftonbladet, TV4, ABC, House of Gucci, The hitman's wife's bodyguard, BBC, Netflix.

Are you wondering how to be successful in TV Production? Teri Weinberg is a Former NBC Entertainment Executive Vice President who oversaw all aspects of NBC Entertainment's scripted development and current primetime programming in 2007, then launched her own production company, Yellow Brick Road, in 2010, with a two-year first look deal with NBC Universal. At the conclusion of that deal, Weinberg would independently produce, and consult for MTV Network. Teri then partnered with Golden Globe, Emmy Award winning actor and producer, America Ferrera in 2016, with a four-year first look deal with NBC Universal, and since returned to independent producing. Teri was Co-Executive producer of the Peabody, Golden Globe and Emmy Award-winning “The Office,” which has also received two Television Critics Association Awards, multiple WGA awards, and a Screen Actors Guild Award. She also served as Executive Producer of “Ugly Betty,” winner of two Golden Globe Awards, an Emmy Nomination, a Peabody Award, and a Screen Actors Guild Award. In addition, Teri was Executive producer of the Golden Globe nominated, “The Tudors.” Weinberg was nominated for two Emmys in July 2007, as both “The Office” and “Ugly Betty” were nominated as Outstanding Comedy Series. In episode 460 of the Fraternity Foodie Podcast, we find out how she was able to deal with the initial negative critic feedback on the television show "The Office", whether we will see a reunion for the television show "Ugly Betty", how much history goes into "The Tudors" versus drama to keep audiences coming back, how demanding and stressful it is to be Executive Vice President for NBC Entertainment, what is the vision for her own production company called Yellow Brick Road, what is her advice for college students who want to get into television production, where she gets inspiration for new TV shows, how we can avoid dwelling on problems and getting to solutions, and how she's been able to achieve peace of mind in her life. Enjoy!

Merriam-Webster's Word of the Day for May 21, 2024 is: neophyte • NEE-uh-fyte • noun A neophyte is a person who has just started learning or doing something. // As an acting neophyte, Femi took a while to adjust to his newfound Hollywood fame. See the entry > Examples: "First premiering in 2006, Ugly Betty … built up a devoted fanbase. The series, which is now streaming on Netflix, starred Ferrera as the titular 'Ugly' Betty Suarez, a braces-wearing 22-year-old fashion neophyte from Queens." — Alec Bojalad, Den of Geek, 4 Aug. 2023 Did you know? Neophyte is hardly a new addition to the English language—it's been part of the English vocabulary since the 14th century. It traces back through Late Latin to the Greek word neophytos, meaning "newly planted" or "newly converted." These Greek and Latin roots were directly transplanted into the early English uses of neophyte, which first referred to a person newly converted to a religion or cause. By the 1600s, neophyte had gained a more general sense of "a beginner or novice." Today you might consider it a formal elder sibling of such recent informal coinages as newbie and noob.

Bernard Telsey graduated from New York University in 1981 with a degree in Theater Administration and Acting. Soon after, he co-founded MCC Theater with Robert LuPone. Simultaneously, Telsey began working at Meg Simon and Fran Kumin's office as an assistant for six years, and then as a casting director at Risa Bramon & Billy Hopkins Casting. He opened his own casting office in 1988. Since then, he, along with his staff of casting directors, associates, and assistants, have cast such Broadway shows as Rent, Wicked, Hamilton, Hairspray, In the Heights, The Color Purple. Recent productions include Days of Wine and Roses, Kimberly Akimbo, Into the Woods, Sweeney Todd, Parade, Some Like it Hot, and the upcoming Cabaret, The Notebook, Lempicka, and The Mother Play including countless national tours, Off-Broadway productions, and regional theater productions across the country. Film credits include the upcoming film adaptation of Wicked, The Color Purple and Mean Girls: the Musical. Other films include Theater Camp, The Little Mermaid, Tik, Tik...Boom, Mary Poppins Returns, In the Heights, The Greatest Showman, Into the Woods, A Most Violent Year, Pieces of April, Margin Call, Sex and the City 1 & 2, Rachel Getting Married, Across the Universe. Telsey's current television projects include “And Just Like That”, “Only Murders in the Building”, “The Gilded Age” “Tracker” and “Death And Other Details”. Previous credits include “Schmigadoon”, “Fosse/Verdon”, “This Is Us”, “We Crashed” “Jesus Christ Superstar Live”, “Smash” and “The Big C”. Telsey won an Emmy Award for casting the pilot of “Ugly Betty” and was nominated for “Only Murders in the Building”, “Fosse/Verdon,” “This Is Us,” “Grease! Live”, “Jesus Christ Superstar” and “The Big C.” He won an Independent Spirit Award for casting Margin Call and was the 2016 recipient of the Casting Society of America's Hoyt Bowers Award for his contributions to the profession. His staff has cumulatively won over 20 Artios Awards for excellence in casting. Telsey served as the New York Vice President of the Casting Society of America and sat on the Board of Governors for the Academy of Motion Picture Arts and Sciences. He remains one of the Artistic Directors of MCC Theater with William Cantler. Learn more about your ad choices. Visit podcastchoices.com/adchoices

You may know her as the Grammy-nominated singer, or for playing the cunning and iconic  Wilhelmina Slater on “Ugly Betty.” But before all that, Vanessa Williams was a bright young college student from New York who would make history as the first Black Miss America, in 1984. And yet before she could complete her term, she would be dramatically dethroned — in a nude photo scandal that would ignite a torrent of racism and see her branded as “the pageant's own Hester Prynn.” In this episode, Jess and Susie revisit the incredible making, and the staggering undoing, of the first Black Miss America. FOR MORE: Books: Looking for Miss America: A Pageant's 100-Year Quest to Define Womanhood, by Margot Mifflin, and There She Was: The Secret History of Miss America, by Amy Artsinger Articles: Goodbye, Swimsuit Competition. Hello, ‘Miss America 2.0.' and Here's What You Didn't See on Miss America (both New York Times, both by Jess) Listen: Glamorous Trash, a Celebrity Book Club Podcast, in which Jess and Susie join host Chelsea Devantez to talk about Vanessa Williams' memoir See omnystudio.com/listener for privacy information.

On today's episode, I talk to TV writer Chris Black. Originally from Toledo, OH, Chris went to USC, which eventually led to him working in television. He started on the USA adaptation of Weird Science, and since then has worked on some of the best shows of the last three decades including Desperate Housewives, Ugly Betty, Invincible, Mad Men, Severance, and a personal favorite of mine, Sliders. That is just a small sampling of his CV, and currently, he co-developed with Matt Fraction and showruns the absolutely wonderful Apple TV+ show Monarch: Legacy of Monsters, which is coming back for a second season! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Actor Jamie-Lynn Sigler grew up on the set of HBO's acclaimed crime drama "The Sopranos," playing the role of Tony Soprano's daughter, Meadow. She has since gone on to appear in hit projects including "Entourage," "Ugly Betty," "Big Sky" and is the co-host of the newly-launched "MeSsy" podcast alongside Christina Applegate. In today's episode, Jamie-Lynn discusses how the responsibility placed on child actors has a lasting impact, and she shares the valuable advice she first got from James Gandolfini about acting coaches. Today, Alyshia and Jamie-Lynn also speak openly about navigating a career in the entertainment industry, which doesn't always hold space for those living with a chronic illness. Diagnosed with MS, Jamie-Lynn shares her story, proudly stating that she will never not represent herself on screen again. These are the unforgettable stories that landed Jamie-Lynn Sigler right here. Credits:  The Sopranos Entourage Big Sky Ugly Betty The Virgin of Highland Park Beef House Guys with Kids Baby Daddy Last Man Standing How I Met Your Mother Drop Dead Diva THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THAT ONE AUDITION'S LINKS: SELF TAPE MAY: Class is BACK! WHAT TYPE OF ACTOR ARE YOU: Quiz !!! THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Bridger finds a way to move forward even when Michael Urie (Shrinking, Ugly Betty) surprises him with a gift. The two discuss skeptical doctors, Martha Stewart's lunch breaks, and My Lottery Dream Home. Don't forget to review the podcast, it's the least you can do. Follow the show on Instagram I Said No Gifts! Merch Send a Question to I Said No Emails! Learn more about your ad choices. Visit megaphone.fm/adchoices

A great conversation with award-winning writer and producer Bill Wrubel, known for Ted Lasso, Modern Family, Will and Grace, Ugly Betty, Sports Night and more. Bill has won multiple awards- at least 20 wins and 17 nominations- including 7 Primetime Emmys for Outstanding Comedy Series, Outstanding Producer from PGA, 5 WGA Awards, Hollywood Critics Association for Best Writing in a Streaming Series, and the list goes on. He shares his personal story and how streaming has changed writing for TV, whether comedy can be learned, social impact, character and storyline arcs,  and of course,  "football is life!" 

WOKE UP THIS MORNING, GOT OURSELVES SOME MICS! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, proudly welcome a very special guest who is also our topic! Get your crew together as we celebrate the many works of the world's most beloved goomba... STEVE SCHIRRIPA!!! Arguably best known for his role as BOBBY "BACALA" BACCALIERI on the legendary HBO series, THE SOPRANOS, Steve Schirripa has an amazing story. Starting out as the entertainment director for The Riviera Hotel and Casino in Las Vegas (where he was very kind to a young, up and coming comedian named Matt Weinhold), Steve went on to carve out an extremely successful career as an actor, voice artist, host, producer, writer, and podcaster. Aside from starring in multiple seasons of THE SOPRANOS, Steve Schirripa has appeared in such varied films and TV shows as CASINO, THE SECRET LIFE OF THE AMERICAN TEENAGER, WONDER WHEEL, JERSEY BOYS, FEAR AND LOATHING IN LAS VEGAS, UGLY BETTY, HOLLYWOOD SQUARES, NICKY DEUCE, LAW AND ORDER, GEORGE LOPEZ, KARMA'S A B*TCH, NOTHING PERSONAL, TIM & ERIC AMAZING SHOW, GREAT JOB, and many, many more! Always keeping busy, Steve continues to dazzle viewers as Detective Anthony Abetemarco on the long running CBS series, BLUE BLOODS. But what would an awesome MONSTER PARTY guest be without some super cool genre credits? Steve guest-starred in fan favorites like BLACK SCORPION, ANGEL, STARGATE ATLANTIS, and the two-part STAR TREK: ENTERPRISE story, "Storm Front." He's also lent his voice to many animated projects including, JUSTICE LEAGUE UNLIMITED, THE REPLACEMENTS, AQUA TEEN HUNGER FORCE, AMERICAN DAD, and the OPEN SEASON film series. If that were not enough, Mr. Schirripa definitely hit a MONSTER PARTY sweet spot by appearing in the very last episode of COLUMBO! Frickin' COLUMBO people!!! THIS VALENTINE'S DAY, DON'T CELEBRATE IT WITH A MASSACRE, BUT WITH A HEART-SHAPED BOX OF STEVE SCHIRRIPA. AND TRADE IN THE "BLING" FOR SOME "BADA-BING"!  

Isaac Mizrahi sits down with actor, producer, director and host, Michael Urie (Ugly Betty, Shrinking, Maestro). Michael shares the best thing that came out of his “Ugly Betty” experience, the surprising way he met his partner, why he's forever entwined with Barbra Streisand and so much more.Follow Hello Isaac on @helloisaacpodcast on Instagram and TikTok, Isaac @imisaacmizrahi on Instagram and TikTok and Michael Urie @michaelurielikesit. (Recorded on December 21, 2023)See omnystudio.com/listener for privacy information.

Join me in a discussion with actor Rib Hillis and producer Paul Epstein as we discuss the upcoming premiere of INSP's The Tall Tales of Jim Bridger! As a fur trapper, legendary mountain man Jim Bridger explored the entire distant West and survived countless hair-raising adventures. Now, he's a respected trail guide and army scout who knows every river, mountain, and trail of the frontier. As a new generation of settlers, soldiers, and speculators crowd the Bozeman Trail, Bridger's hard-won wisdom is more valuable than ever, even if his famous tall tales sound more like fiction than fact. But the West is still a perilous place, and with danger just around every bend, the greenhorns heading west quickly realize they need Bridger's guidance for much more than the trail. Rib Hillis is an accomplished actor, host, producer, and model known for his work across primetime television, non-scripted reality television, and films spanning multiple genres. Hillis has worked on many notable titles, such as Ugly Betty, Two and a Half Men, and CSI, and has even showcased his talent as a designer on the Emmy-winning ABC show, Extreme Makeover: Home Edition. His most recent venture is INSP's The Tall Tales of Jim Bridger, in which he plays the titular legend, Jim Bridger himself. Paul Epstein is an Emmy-nominated producer, writer, and director known for his work across scripted, factual, and news television. Epstein has worked with many major TV networks and streamers, including Peacock, Discovery, and MSNBC, and has amassed approximately 40 credits across his 20-year-long career. He has worked on titles such as the true-crime documentary series Who Killed Robert Wone? and the factual drama series Into the Wild Frontier, the most-watched TV series on INSP in 2021. Most recently, Paul directed The Tall Tales of Jim Bridger, a historical drama series due to premiere on INSP on January 11th, 2024.   The Tall Tales of Jim Bridger - https://www.insp.com/shows/tall-tales-of-jim-bridger/   Learn more about Jim Bridger here - https://www.wildwestextra.com/jim-bridger-ashleys-100/   Check out the website for more true tales from the Old West https://www.wildwestextra.com/   Email me! https://www.wildwestextra.com/contact/   Buy me a coffee! https://www.buymeacoffee.com/wildwest   Free Newsletter! https://wildwestjosh.substack.com/   Join Into History for ad-free and bonus content! https://intohistory.supercast.com/   Merchandise! https://www.teepublic.com/user/wild-west-extravaganza   Book Recommendations! https://www.amazon.com/shop/wildwestextravaganza/list/YEHGNY7KFAU7?ref_=aip_sf_list_spv_ofs_mixed_d