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2 episodes with Au Hasard Balthazar
2 episodes with Au Hasard Balthazar
2 episodes with Au Hasard Balthazar
2 episodes with Au Hasard Balthazar
2 episodes with Au Hasard Balthazar
On this episode of What a Picture, Bryan and Hannah promise that no real donkeys will be harmed during the recording of their episode on Au Hasard Balthazar, the 1966 movie directed by Robert Bresson that ranks #25 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: https://whatapicturepod.com Bryan's Social Media: Letterboxd | Bluesky Music is "Phaser" by Static in Verona.
028 ✿ Cultivating your Artistic Style as an Illustrator ft. Nicole Medina In this episode I spoke with the amazing illustrator Nicole Medina. Nicole is a Latina American illustrator based in Philly who creates rich, bold , and colorful illustrations. Some of her clients include Target, Big Cartel, The Washington Post, The LA Times, and so many more. In this interview we talk about the artwork in her middle school days that inspired her to become an illustrator before she even knew illustration was a career path, her thoughts on traditional vs digital art, her creative process, her love for the horror genre and taking care of your body, especially your hands, as an artist. And much more! *Get a free sticker by leaving a written review for the podcast! Screenshot your review and email it along with your mailing address, to marissuelena@gmail.com or DM us on Instagram* Topics we discuss: Nicole introduces herself and what she does as an illustrator Being creative as a kid growing up Being a child of immigrants Her parents' support of her artistic path Discovering illustration in art school The art that inspired Nicole to be an illustrator Being an emo middle schooler The album artwork for The Black Parade by My Chemical Romance Artist James Jean The importance of surrounding yourself with creative inspiration How Nicole began freelancing after graduating college 2020 being the year her client list expanded Working with Target for their Mondo Llama line Nicole's relationship working with digital and traditional tools The children's book Nicole is illustrating How her sketchbook and personal work led to client work The idea of traditional art being “better” than digital art Realism The age old question of art style How Nicole arrived to her art style Quantity vs. quality as an artist Evolving as an artist Nicole's creative process The importance of Nicole's sketchbooks to her creative process The importance of good composition How Nicole balances the complexity of her illustrations Nicole's love of Horror films The relationship between horror, comedy, politics, and the zeitgeist Jordan Peele, Eli Roth, American Mary (2012), Texas Chainsaw Massacre (1974) Marissa's favorite type of films The emotional reaction films create Au Hasard Balthazar (1966), French new wave, angst in film, Roma (2018) What else Nicole does for fun- reading, manga, and punch needling Being sedentary as an artist Hand and wrist pain as an illustrator The importance of dream projects Marissa's dream projects- a comic series or graphic novel and editorial work Developing the first steps of your process to facilitate creating Nicole's website Nicole's Instagram Nicole's TikTok Best Believe, written by NoNieqa Ramos and illustrated by Nicole Medina Follow us on Instagram Host/Marissa's Instagram Host/Marissa's Tik Tok Tending Creativity Tik Tok --- Send in a voice message: https://podcasters.spotify.com/pod/show/tendingcreativity/message
This week Tayla is joined by Peter Shinkle, author of Uniting America: How FDR and Henry Stimson Brought Democrats and Republicans Together to Win World War II. They talk about Peter's process writing and researching the book as well as how we find ourselves in a similar political climate today. They also discuss Superman Smashes the Klan, animals in movies, and historical costuming. During The Last Chapter they discuss: If you were going to read outside of your comfort zone, what genre would you read? Podcast disclaimer Like what you hear? Rate and review Down Time on Apple Podcasts or your podcast player of choice! If you'd like to submit a topic for The Last Chapter you can send your suggestions to downtime@cranstonlibrary.org. Our theme music is Day Trips by Ketsa and our ad music is Happy Ukulele by Scott Holmes. Thanks for listening! Books Uniting America by Peter Shinkle Empire Statesman by Robert A. Slayton Superman Smashes the Klan by Gene Luen Yang and Gurihiru Killers of the Flower Moon by David Grann The Free Speech Handbook by Ian Rosenberg and Mike Cavallero AV Superman vs the KKK Complete Radio Adventure (YouTube) Barbie (2023) Oppenheimer (2023) Au Hasard Balthazar (1966) EO (2022) The Banshees of Inisherin (2022) The Gilded Age (2022- ) Killers of the Flower Moon (2023) Other Author Peter Shinkle Interlibrary Loan at Cranston Public Library
On Episode 85 of Floating through Film we continue our series picked by Dany, Robert Bresson! After Dany starts the episode again with a discussion on Bresson's "Models" (3:10), we review 2 of his most popular movies, 1959's Pickpocket (37:06), and 1966's A Man Escaped (1:43:30). We hope you enjoy! Episode Next Week: Mouchette + A Gentle Woman Music: - Intro: https://www.youtube.com/watch?v=-cYrtoFulgA&ab_channel=dammaes - Break: https://www.youtube.com/watch?v=IKCIqfnUy1k&ab_channel=L%C3%A1szl%C3%B3Hajdu - Outro: https://www.youtube.com/watch?v=IKCIqfnUy1k&ab_channel=L%C3%A1szl%C3%B3Hajdu Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com
In this podcast episode, Austin Lugo and Andrew Harp discuss the films "Au Hasard Balthazar" and "Eo" and their similarities and differences. They speculate on the sudden rise in popularity of "EO" and compare it to the film "Parasite." They explore the themes and focuses of the films, with "Au Hasard Balthazar" being more about the people and their suffering, while "Eo" is more concerned with the donkey itself. They also discuss the personification of the donkey in the films and the emotional impact of both movies. Austin shares his concerns about animal treatment and advocates for more humane practices.
Première révélation publique de la Collection Benoît Doche de Laquintane à l'invitation de Véronique Collard Bovy et Jérôme Pantalacci (Fraeme, Art-o-rama) à la Friche La Belle de Mai, avec comme commissaire Thomas Boutoux. L'exposition, intitulée « Au Hasard Balthazar » en hommage au film de Robert Bresson est placée sous le régime des rencontres et d'une aventure personnelle nourrie de découvertes et de confrontations avec les galeries et la foire Art-o-rama, un élément clé comme le collectionneur le précise en préambule.
Donkey Variations: Jerzy Skolimowski's EO This week Mr. Chavez and I travel to Cinematic Poland for Jerzy Skolimowski's EO - a beautiful and touching examination of the world through a donkey's eyes. Pain, Suffering, Beauty, and Resilience inspired by Bresson's Au Hasard Balthazar, but with a modern vision. This is an inspired piece of cinema, one that Ibrahim and I are thrilled to introduce to you and excited to talk about. Take a listen and let us know what you think. For reference, you can find EO streaming on Amazon Prime for a small rental fee. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.
Beast of Burden: Robert Bresson's Au Hasard Balthazar - WatchThis W/RickRamos This week finds Mr. Chavez and myself continuing our dive into films with great reputations and few viewings. Bresson's 1966 French Classic, Au Hasard Balthazar, looks at life through the eyes of a donkey as it moves through the world being loved, abused, championed, worked, and - finally - sacrificed. A touching and beautifully story about humanity told in a profoundly emotional manner. As Mr. Chavez says, "I challenge someone to watch this movie and to be like, 'Well It's just about a f****** stupid donkey.'" There's so much more to unwrap, and for true fans of Cinema (and World Cinema in particular), Bresson's story is about the struggle found in purpose, love, and suffering. This is a truly beautiful film that has found legions of fans since its release over sixty years ago. We are proud to present Au Hasard Balthazar on this week's episode. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many & Continued Thanks.
Nick finally gets Mike to watch the new donkey movie, EO: a new interpretation of an old classic they both love: Au Hasard Balthazar. Two special guests join the hosts: Jackie and Ryan. The group talks interpretation of EO and the barrier to entry to Bresson's minimalist directing style. Does EO deserve a place on the Mount Rushmore of film donkeys?
Jerzy Skolimowski's EO is probably not the first film to premiere at Cannes, land on a ton of annual Top Ten lists, and then get nominated for Best International Feature at the Academy Awards. But it's the first movie to do all that AND be about – and starring – a donkey. Comedian Ashley Ray joins us to talk about our silent protagonist's adventure across Europe. Then, a certain bear joins the Hall of Excellence and we pick some other non-human POVs that would make good cinema.What's Good:Drea - Hearing the Spirit Awards were accessibleAshley - Extreme SistersAlonso - Kristen Lopez, But Have You Read the Book?ITIDICNew Ninja Turtles MovieLenny Kravitz to Sing Oscars “In Memoriam” SegmentEEAAOO Wins a LOT of Spirit Awards (watch The Daniels' speech)Staff PicksDrea - BruiserAshley - Three WaysAlonso- Framing AgnesCheck out TV, I Say with Ashley RayWith:Drea ClarkAlonso DuraldeAshley RayProduced by Marissa FlaxbartSr. Producer Laura Swisher
From Orwell and Shakespeare back to Greek myth, Aesop, and early Christianity: Matthew Sweet and guests look at a cultural history of the donkey. EO, a film out in UK cinemas this month, follows the life of a donkey born in a Polish circus. New Generation Thinker Lisa Mullen is an expert on George Orwell and lecturer in film at the University of Cambridge Lucy Grig is Senior Lecturer in Roman History at the University of Edinburgh Faith Burden is Executive Director of Equine Operations at the Donkey Sanctuary in Devon Directed by Jerzy Skolimowski EO is inspired by Robert Bresson's 1966 film Au Hasard Balthazar and is showing at venues across the UK organised by the BFI. Producer: Luke Mulhall
Today I want to talk to you about an animal who has, over the centuries, gone from exalted to vilified. ...an animal many people have never met but one who has been much maligned and humiliated on film, in literature, and in our language. ...an animal who is affected by the daily choices we make but who is invisible in many ways. ...an animal you may never think of, an animal you wouldn't think would be part of the animal agriculture business. ...an animal I hope you have the privilege of meeting someday. Today I want to tell you about the burden of burros and the plight of donkeys and explain why they mean so much to me and why they represent all animals at the mercy of humans. In this episode, I also share two films about donkeys, Au Hasard Balthazar by Robert Bresson — one of my favorite films of all time — and EO by Jerzy Skolimowski, a film inspired by Balthazar and packed with as much power as its predecessor. A version of this episode originally aired in 2007 but was in much need of an update. This is not just a rebroadcast; it is a re-worked and re-recorded episode about these magnificent and misunderstood animals. ------- Support this podcast today at Patreon.com/ColleenPatrickGoudreau Visit my website: JoyfulVegan.com Join me on an all-inclusive vegan trip: JoyfulVeganTrips.com AFFILIATE PARTNERS: Nama Juicer — Use this link and coupon code COLLEEN10 and get 10% off my favorite juicer. Plaine Products — Use this link and coupon code "compassion" for 15% off my favorite zero waste bath and body products. Complement — Use this link and coupon code "joyfulvegan" and get 10% off my favorite supplements.
In this first episode of th New Year 2023, Daniel Villareal calls in from New Mexico to discuss Robert Bressons 1966 film "Au Hasard Balthazar" and the 2022 Jerzy Skolimowski film "EO". You cn't help but compare the two so I really wantd to bring Daniel back to chat about them since he first introduced to Balthazar over a year ago. I have a perfect winters night pour of the great Wilderness Trail barrel proof rye. This has become a favorite nightly sipper of mine lately and I high recommend it to all rye fans out there. You can check out a copule of the other episodes I've done with Daniel on the YouTube channel https://www.youtube.com/watch?v=CDKg5WahKHk
Our 10 Year Celebration continues with one of the movies Dustin has mentioned the most through the years, Au Hasard Balthazar. This black and white classic from Robert Bresson follows the life of a donkey as he moves from owner to owner. This week, we talk faith, film, transcendentalism, humanity, and much, much more. TIMESTAMPS 00:30 - Introductions and Synopsis 04:42 - Quick Au Hasard Balthazar Reviews 19:24 - Expanding the Syllabus 34:26 - Analysis 59:45 - Shelf or Trash 1:00:44 - Wrap Up and Next Week's Film
Jackie and Greg duke it out with each other in the name of Robert Bresson for their episode on AU HASARD BALTHAZAR. Topics of discussion include Bresson's aversion to "acting", the film as a parable of the Christ story, how divisive Bresson is as a filmmaker, and whether the film goes too far or not far enough to illustrate its main themes. #16 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox
Am Anfang herrschte noch das Paradies, die Welt war heile, als der Esel Balthazar getauft wird. Doch kurz nach der Taufe hat sich ein Kindstod ereignet, die junge Marie und Balthasar, die parallel eine Passionsgeschichte durchlaufen, dienen als Projektionsflächen, als Nutztiere, die auf verschiedene Menschen und Stationen treffen, um dort ausgebeutet oder misshandelt zu werden, um dem omnipräsenten Verfall Erlösung gegenüberzustellen. Ein schwer zugänglicher, deprimierender wie transzendentaler Film. Ps. Gegen Ende des Films spricht Lukas in Anlehnung an die Schmuggelware, die Balthasar transportieren soll, von den drei Prinzen als Referenz. Dies ist ein kleiner Versprecher, gemeint sind natürlich die heiligen drei Könige, die Jesus nach dessen Geburt mit beschenken.
We're not the only ones grazing for this episode as we take a look at an intriguing new trend in cinema: the proliferance of feature-length ‘observational' documentaries about livestock. Victor Kossakovsky's GUNDA (2021) and Andrea Arnold's COW (2021) wring tension, drama and political impetus out of paying £15 to watch a farm animal's daily life projected 60-feet tall with strikingly different aesthetic approaches, prompting us to revisit a true classic of our time in Michelangelo Frammartino's Hircine masterpiece LE QUATTRO VOLTE (2010), as well as other cinematic precedents by Georges Franju, Robert Bresson and Béla Tarr. Frammartino's new film IL BUCO, his first in twelve years and a truly awe-inspiring development of his style, previewed at the London Film Festival last year and will be released by New Wave Films on June 10th. The soundtrack features a cover of ‘Reincarnation' by Roger Miller. Select filmography: Cow (2021) Gunda (2020) Le Quattro Volte (2010) The Metamorphosis of Birds (2020) The Turin Horse (2011) River (2021) Au Hasard Balthazar (1966) Le Sang des bêtes (1949) Subscribe to Film Graze on your podcast app of choice and leave us a positive rating and review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey
This week, Finn & Uther watch 'Au Hasard Balthazar', Bresson's piercing stroll through rural life, and 'A Talking Cat!?!', a film with more punctuation in its title than good performances. See acast.com/privacy for privacy and opt-out information.
After their tough romantic rejection on the snowy bridge, Lee & Chris hightail it to the French countryside where they cross paths with a donkey named Balthazar who seems to take on the trials and tribulations of mankind as his wanders from owner to owner in his weary lifetime. Support us on Patreon where you'll find bonus episodes, monthly commentary tracks and all sorts of fun stuff: patreon.com/TheCriterionQuest We're on Instagram at instagram.com/thecriterionquest/ And Chris is on Twitter @CriteronQuest
With Paul Schrader's must-read book Transcendental Style In Film - suggested by director Viktor van der Valk - as a stepping stone for the last Celebrating Cinema podcast of 2021, our hosts discuss the different varieties of transcendental filmmaking and the way it impacts us as viewers. They talk about their film club pick, Robert Bresson's Au Hasard Balthazar (1966), and mention essential filmmakers like Andrei Tarkovsky, Chantal Akerman, Yasujiro Ozu, Michelangelo Antonioni, and Terrence Malick. Where do you find yourself near the Tarkovsky Ring...? --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message
Endure the tragedy of life with Mike and Myke as they discuss minimalist directing, great animal performances, and how exactly one movie can go about encapsulating the human experience. Make sure you're following us on Twitter, Instagram, or Facebook to vote on the must-see status of Au Hasard Balthazar this Friday 12/24 Be sure to also check out Mike's show The Casual Cinecast wherever you listen to podcasts. SHOW NOTES 0:00 – 12:34 Intro 12:35 - 20:39 General Impressions and Votes 20:40 – 58:23 Au Hasard Balthazar (Spoilers) 58:24 – 1:05:30 Double Feature Recommendations 1:32:39– 1:09:10 Outro
In our 254th episode, we're talking spine #297 in the Criterion Collection: Robert Bresson's AU HASARD BALTHAZAR from 1966. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!
Celebrating 55 years since its release in 1966, Au Hasard Balthazar is considered by many to be one of the greatest films of all time, and yes, we've been long overdue to tackle a film from the one and only Robert Bresson, whose work has influenced filmmakers of all stripes for over half a century. The film stars Anne Wiazemsky a young French woman who develops a striking bond with a donkey she's known since its birth, and we see a chronicling of her hardships as they parallel the inhumane treatment of Balthazar, a creature representing innocence in its rawest form. MUSIC IN THIS EPISODE: Franz Shubert's Piano Sonata No. 20 in A major, D. 959, as heard in Au Hasard Balthazar. LINKS: Follow us on Twitter: Jon Negroni, Julia Teti Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter. Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.
Celebrating 55 years since its release in 1966, Au Hasard Balthazar is considered by many to be one of the greatest films of all time, and yes, we’ve been long overdue to tackle a film from the one and only Robert Bresson, whose work has influenced filmmakers of all stripes for over half a century. The film stars Anne Wiazemsky a young French woman who develops a striking bond with a donkey she’s known since its birth, and we see a chronicling of her hardships as they parallel the inhumane treatment of Balthazar, a creature representing innocence in its rawest form. MUSIC IN THIS EPISODE: Franz Shubert’s Piano Sonata No. 20 in A major, D. 959, as heard in Au Hasard Balthazar. LINKS: Follow us on Twitter: Jon Negroni, Julia Teti Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter. Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.
Bellezza e bizzarria - il cinema insolito secondo Goffredo Fofi
Goffredo Fofi racconta "Au hasard Balthazar" (1966) di Robert Bresson.
Take it to the bank! We dug deep into the pit of the SINERFAMICALS archive for this gem, recorded over a year ago and nearly lost: an hour of absolutely scalding takes and forceful zingers about the saddest animal movie ever made: Robert Bresson’s 1966 bleak as hell AU HASARD BALTHAZAR about a donkey named Balthazar who is repeatedly tortured. This movie is very artful and confusing. We didn’t understand it, and we didn’t like how it made us feel.
The boys check out Kelly Reichardt's FIRST COW, then put on their berets and sad 1960's French faces for AU HASARD BALTHAZAR for Does It Hold Up. All that, plus an all-animal Speed Round and a hastily thought out Cure For COVID. We gettin' sophisticated in this piece!
In this episode Tom and Stephen get a little sad in this episode. 2020 has been tough, just like the Criterion movie they review: Au Hasard Balthazar and their main topic: documentaries! So come along with us as we cry!
Wiener Dog is a 2016 Comedy Drama by Todd Solondz who also directed Welcome to the Dollhouse. Wiener Dog is a spin-off from Welcome to the Dollhouse and also features Dawn Wiener. The story follows a dachshund dog that is passed off from owner to owner and inspires the lives of the dysfunctional people whom it comes in contact with. The film is basically 4 short stories and each segment can be watched independently. Directed by Todd Solondz and starring Ellen Burstyn, Kieran Culkin, Julie Delpy, Danny DeVito, Greta Gerwig, Tracy Letts, and Zosia Mamet, The film is also inspired by the 1966 drama Au Hasard Balthazar, directed by Robert Bresson.
An interview with Jon Dunham about the depiction of a donkey in Robert Bresson's 1966 film "Au Hasard Balthazar."
An interview with Jon Dunham about the depiction of a donkey in Robert Bresson's 1966 film "Au Hasard Balthazar."
pivotalfilmpodcast@gmail.com, www.twitter.com/filmpivotal, www.pivotalfilm.com. We hope everyone is staying healthy, and safe. While still under stay-at-home orders, Mario and Tom talk about Robert Bresson’s 1966 film, “Au Hasard Balthazar.” They follow that up with a chat about “Trolls World Tour,” and why movies for children are bad (48:35). As always their conversation is peppered with their lives under Covid. Music Credits: “Her Eyes Play Tricks on the Camera” – Robert Pollard, “Don’t Stop Now” – Guided By Voices
Universal, 1931: we discuss one of the greatest movies of the 30s, James Whale's WATERLOO BRIDGE, and William Wyler's Oedipal horror movie, A HOUSE DIVIDED. And in our Moviegoing in Toronto section: erotic pedagogy in Jacqueline Audry's OLIVIA (1951), Christian anarchism in Frank Capra's YOU CAN'T TAKE IT WITH YOU (1938), and more Bresson. Time Codes: 0h 01m 00s: A House Divided (dir: William Wyler) 0h 29m 57s: Waterloo Bridge (dir. James Whale) 1h 03m 17s: Winter cinemagoing: Chronicle of the Years of Fire (1975; dir: Mohammed Lakhdar-Hamina)/ OLIVIA (1951; dir: Jacqueline Audry)/ YOU CAN’T TAKE IT WITH YOU (1938; dir: Frank Capra) / LES DAMES DU BOIS DE BOULOGNE (1945), AU HASARD BALTHAZAR (1966), MOUCHETTE (1967) & PICKPOCKET (1959) – all dir: Robert Bresson. +++ * Check out our Complete Upcoming Episode Schedule * Find Elise’s latest published film piece “Making America Strange Again: Gangs of New York” in issue #80 Bright Wall/Dark Room* *And Read Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre
To celebrate our 100th episode, we attempt to tackle the modest topic of The Greatest Films of All Time. We look to The Sight & Sound Top 100 list to help us with this endeavor, starting with Robert Bresson's Au Hasard Balthazar (1966). https://swampflix.com/
MOVIES INCLUDED IN THIS WEEK’s EPISODE:Parasite, Midsommar, The Nightingale, The Lighthouse, The Farewell, High Life, Shadow, Us, Once Upon a Time in Hollywood, Ad Astra, The Wind Rises, Au Hasard Balthazar, The Koker Trilogy, Last Temptation of Christ, Passenger, Shortcuts, Sling Blade, Beyond the Valley of the DollsNEXT WEEK:ScorseseThe True Myth Media Podcast is a film discussion and review show focusing on the artistic qualities of film and our own personal journeys of faith, which releases every Friday Morning, barring unforeseen and sometimes foreseen circumstances ;)Past Episodes can be found on…Our Website:https://www.truemythmedia.comOur Podcast Page: https://trumythmedia.com/podcastSubscribe in Apple Podcasts: https://tinyurl.com/y3ojdtyo*the views and statements of hosts & guests do not necessarily reflect the views of True Myth Media, LLC.CREDITS:Producer/Host - Michael McDonald (@mjamesmcdonald on Twitter&Instagram)Producer/Host - Seth SteeleMusic (Main Theme) - Kristopher SlobodaMusic (Book Club Theme) - Wagner KoopPodcast Logo - Michael McDonaldEpisode Art - Michael McDonald
Tom and Jesse talk Rampage, Au Hasard Balthazar, Hurricane Hiest, Stop Making Sense, Venom, Jules and Jim, Girlfriends, Happy Death Day, Happy Death Day 2 U, So Dark the Night, Rock Dog, The League of Gentlemen, American Animals, Deadwood: The Movie, The Mummy, Booksmart, Bumblebee, Pushover
This week Jonathan returns after many, many years to discuss his pick, *Au Hasard Balthazar*. We also discuss our feelings about French New Wave films in general, and our fear of watching them again in case they suck. We also talk other things we've watched like *Venom*, *Vox Lux*, *Burn After Reading*, *Incredibles 2*, *Creed II*, and *The Twilight Zone: The Movie*. As always, we'd love to hear from any of our listeners! Educate us, chastise us, agree with us, whatever you like! filmyakpodcast@gmail.com
This week Jonathan returns after many, many years to discuss his pick, Au Hasard Balthazar. We also discuss our feelings about French New Wave films in general, and our fear of watching them again in case they suck. We also talk other things we've watched like Venom, Vox Lux, Burn After Reading, Incredibles 2, Creed II, and The Twilight Zone: The Movie. As always, we'd love to hear from any of our listeners! Educate us, chastise us, agree with us, whatever you like! filmyakpodcast@gmail.com
Movies Discussed in this week’s episode:It’s a Mad Mad Mad Mad World, The Black Stallion, Au Hasard Balthazar, Quo Vadis, Life is Sweet, Enter the Void, and The Other Side of the Wind.
With Tom out of town, guest host Sierra Webb joins Mike for a discussion of two equally evocative films, Bresson's Au Hasard Balthazar (1966) and Broken Lizard's Super Troopers (2001) Featuring: Mike Natale (@nkoas) Sierra Webb Theme music by: Seawolph
For Episode 7, Tim challenges Kyle (and himself) with two films that are both known for using non-professional actors, and Kyle challenges Tim with two recently discovered “hidden gems” from the last year!Tim's Picks: - “My Brother’s Wedding” (1983) - Watch RIGHT NOW with a FilmStruck subscription - “Au Hasard Balthazar” (1966) - Watch RIGHT NOW with a FilmStruck subscription OR Rent for $3.99 on Amazon PrimeKyle's Picks: - “Everything Beautiful is Far Away” (2017) - Watch RIGHT NOW with a Hulu Subscription OR Rent for $3.99 on Amazon Prime - “DRIB” (2017) - Watch RIGHT NOW with an Amazon Prime SubscriptionThanks for listening! Reel Dads will be releasing new episodes every Wednesday for your listening pleasure, so keep up with us by subscribing and find us on Facebook by searching for "Reel Dads Podcast".
For Episode 7, Tim challenges Kyle (and himself) with two films that are both known for using non-professional actors, and Kyle challenges Tim with two recently discovered “hidden gems” from the last year!Tim's Picks: - “My Brother’s Wedding” (1983) - Watch RIGHT NOW with a FilmStruck subscription - “Au Hasard Balthazar” (1966) - Watch RIGHT NOW with a FilmStruck subscription OR Rent for $3.99 on Amazon PrimeKyle's Picks: - “Everything Beautiful is Far Away” (2017) - Watch RIGHT NOW with a Hulu Subscription OR Rent for $3.99 on Amazon Prime - “DRIB” (2017) - Watch RIGHT NOW with an Amazon Prime SubscriptionThanks for listening! Reel Dads will be releasing new episodes every Wednesday for your listening pleasure, so keep up with us by subscribing and find us on Facebook by searching for "Reel Dads Podcast".
I'd call this peak Bresson, but I think Bresson will surprise me.
Hey y'all! On this episode of BOP, Karl, the Jons, and Stan (live and in person!) get together to talk all the latest in movies and movie things. First, we shine a big ole spotlight on Logan before shining a slightly smaller one on Get Out, and then talk about The Great Wall, I Don't Feel At Home in This World Anymore, and Christine! In our second segment we slow it down a little bit and chat about Jon's pick for Movie of the Month, Au Hasard Balthazar! Have a question for the crew? Something you want to hear us talk about? Any concern at all? Send it over to crosstawk@gmail.com or to Twitter(@crosstawk) and we'll get to it because when we join you again in two weeks, it'll be for another round of Post Office Poison. Also be sure to head on over to iTunes to leave us a rating and review. See ya soon!
Hey folks! Your favorite movie and movie thing podcast is back. Stan couldn't make it this time but the other fellas got together to talk about The Lego Batman Movie, John Wick Chapter 2, David Brent: Life on the Road, Girlfriend's Day, and a whole lot more. Then in the second segment we use a piece of listener mail as an opportunity to do the 2017 BOP Comic Book Movie Preview. Have a question for the crew? Send it over to crosstawk@gmail.com or to Twitter (@crosstawk). Also head on over to iTunes to leave us a rating and review. Be sure to join us again in two weeks when we discuss Jon's pick for Movie of the Month, Au Hasard Balthazar! See you then!
In the introductory segment of "Make Me," Dave gets Alonso to watch AU HASARD BALTHAZAR, which ties in perfectly with the new Todd Solondz. Also, the great awfulness of the latest from NWR, the superhuman effort Judy Garland exerts to put one good number in IN THE GOOD OLD SUMMERTIME, and the dieting hijinks of REDUCING. Follow us @linoleumcast on Facebook, Twitter and Instagram, and leave us a nice iTunes review. Rock on with your bad self. Join our club, won't you? Dave's DVD pick of the week: DARK HORSE Alonso's DVD pick of the week: WHO ARE YOU, POLLY MAGGOO?
WIENER-DOG is a dark, starkly funny story of a single dog and the many different people she touches over her short lifetime. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip. After leaving Dawn, Wiener-Dog encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more. Solondz’s perversely dark comedy offers an appallingly honest look at the American experience, brought to life by its all-star cast. As to be expected, WIENER-DOG has all the characteristics of the Solondz oeuvre — quick wit, dark tragedy, familiar characters, and an incredible ensemble cast—but the film’s brainchild also found inspiration in classic films. As Solandz says, “The touchstones were movies like AU HASARD BALTHAZAR and BENJI. In between those two is where I think this film lies.” Solandz joins us to talk about the making of Wiener Dog and the state of independent filmmaking in 2016. For news and updates go to: ifcfilms.com/films/wiener-dog
Martin talks to playwright, essayist, and critic James Harvey about his new book Watching Them Be: Star Presence on the Screen from Garbo to Balthazar. With great perception and insight, Harvey explores how charisma is created in the movies, writing about Greta Garbo, Robert De Niro, Charles Laughton, John Wayne and many other stars, concluding with a strikingly moving passage about director Robert Bresson’s masterpiece Au Hasard Balthazar, whose star is a donkey! Hopwood Award winner James Harvey, who graduated from the University of Michigan with a Master’s Degree in English, has written a deeply personal and extraordinarily compelling account of the films that have changed his life and will also change yours. The interview was recorded on September 24, 2014.
On today's show Lady P and Gabe Haggard are joined by filmmaker and transcendental style enthusiast Tad Chamberlain, to chat about the 16th Greatest Movie of All Time, Robert Bresson's AU HASARD BALTHAZAR. Listen up to find out if our panelist were as touched by the suffering of the poor donkey, Balthazar, as the Sight and Sound critics. They follow up their BALTHAZAR discussion with an analysis of the 2014 blockbuster SNOWPIERCER. While BALTHAZAR and SNOWPIERCER may seem completely unrelated, there is in fact a very, very strong connection between the two films. Take a look! Then they wrap everything up with a their final notes of positivity. Here's Gabe's Here's Tad's Here's Lady P's
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