Podcast appearances and mentions of Robert Bresson

Robert Bresson makes a prison escape film is the sort of premise that we cannot help but fall for, particularly as A Man Escaped (1956) is also our favorite sub-genre of crime film: the criminal procedural. While we really fell in love (sort of) with the "full Bresson" of Au hasard Balthazar or Mouchette, both a decade later, A Man Escaped takes Bresson's style into a genre we weren't expecting, and it is perfect.

SEASON 2 - EPISODE 139 - Camera Movement - with Tom Cross & Ed Lachman In this special episode of the Team Deakins Podcast, editor Tom Cross (Season 1, Episodes 129 & 139) and cinematographer Ed Lachman (Season 1, Episode 77 & Season 2, Episode 132) return to join us in a discussion about camera movement. From Douglas Sirk's sweeping camera moves to Robert Bresson's measured stillness, the four of us bring up examples of when camera movement (or its lack thereof) affects us, and we discuss why we believe choosing when and how to move the camera all comes down to what feels emotionally right for the story. When our conversation inevitably turns to 1917, we reflect on the variety of camera moves within the “single shot” of the film, and we discuss how the contrast of a camera move that diverges from a film's established language can more appropriately express character and a beat within the story. Ed also shares the unique method of filming practiced by studio era director George Stevens, and Tom reveals how he and director Damien Chazelle (Season 2, Episode 23) restitched the roaming camera move of the opening musical number in LA LA LAND. Throughout the episode, we draw on our own experiences as filmmakers and from our observations on a myriad of films across film history, and the conversation evolves to cover the relationship between editing and cinematography. A big thank you to Ed and Tom for coming back to talk with us! - This episode is sponsored by Aputure & Profoto

We talked about A Man Escaped and ranked the filmography of Robert Bresson. Get the this full podcast and an extra episode every week for $5/mo at https://www.patreon.com/c/Extended_Clip Extendedclippodcast@gmail.com

Gabriele Pedullà"Il trascendente nel cinema"Paul SchraderMarietti1820www.mariettieditore.itLa domanda che sta all'origine di questo libro è molto semplice: in che modo è possibile (ammesso che lo sia) portare sullo schermo il completamente altro, il divino? A distanza di oltre mezzo secolo dalla sua prima pubblicazione, l'acclamato regista e sceneggiatore Paul Schrader rivisita e aggiorna la sua riflessione sul cinema lento degli ultimi cinquant'anni. L'analisi dello stile cinematografico di tre grandi registi – Yasujirō Ozu, Robert Bresson e Carl Dreyer – si arricchisce di un nuovo quadro teorico, offerto dal pensiero di Gilles Deleuze sul cinema e sulla fenomenologia della percezione attraverso il tempo, espandendo la teoria alle opere, tra gli altri, di Andrej Tarkovskij e Béla Tarr. Con una prosa chiara, l'autore insegna a lettori e spettatori a guardare con occhi nuovi alla cinematografia d'autore, in un'opera che - come sostiene Gabriele Pedullà - non è soltanto «un acuto studio critico» dei capolavori del passato, ma un vero e proprio «manifesto per un cinema diverso»: «un grande classico che continua a tracciare strade, aprire porte, scavare gallerie, costruire ponti che aiutano tutti a pensare più liberamente».Prefazione "Il trascendente nel cinema" a cura di Gabriele Pedullà.Paul Schrader (Grand Rapids - Michigan 1946), critico cinematografico, sceneggiatore di capolavori come Taxi Driver, Toro scatenato e L'ultima tentazione di Cristo, ha diretto film indimenticabili come American Gigolò e First Reformed. Ritenuto uno dei protagonisti della New Hollywood, nel 2022 ha ricevuto il Leone d'oro alla carriera. Il 16 gennaio 2025 è uscito nei cinema italiani il film da lui scritto e diretto Oh Canada - I tradimenti, con Uma Thurman e Richard Gere.Gabriele Pedullà (Roma 1972) insegna Letteratura italiana presso l'università di Roma Tre e scrive per «Il Sole 24 Ore». Autore di diversi libri di saggistica, tra cui il recente On Niccolò Machiavelli: The Bonds of Politics (Columbia University Press, 2023, in corso di traduzione per Einaudi), con Sergio Luzzatto ha curato l'Atlante della letteratura italiana (Einaudi 2010-12). Presso Einaudi ha inoltre pubblicato le raccolte di racconti Lo spagnolo senza sforzo (2009, Premio Mondello Opera Prima; Premio Verga; Premio Frontino), Biscotti della fortuna (2020, Premio Super Flaiano) e Certe sere Pablo (2024), e il romanzo Lame (2017, Premio Carlo Levi; Premio Martoglio). Le sue opere sono tradotte, o in corso di traduzione, in otto lingue.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Hosted by Andrew Quinn and Darren Mooney, this week with special guest Brendan Hodges, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This week, Robert Bresson's Un condamné à mort s'est échappé ou Le Vent souffle où il veut. A member of the French Resistance is arrested by the Nazi authorities and sentenced to death. However, he vows to escape. At time of recording, it was ranked 250th on the list of the best movies of all time on the Internet Movie Database.

THIS WEEK: In the Shadows (2010) and Scorched Earth (2024)There's a common misconception that we only do this podcast to subject ourselves to the dumbest bullshit imaginable. Not true! Every once in a while we stumble upon greatness. Do you like Michael Mann? How about Robert Bresson? Maybe a little Jean-Pierre Melville? Fantastic. It's time you join the 4 or 5 other folks who have watched the Thomas Arslan's crime dramas. Thank us later.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon

Un thriller qui castagne dans les faubourgs de Nice, un parfum géorgien sur les écrans français, un amour du cinéma léché, bienvenue au pays d'Akaki Popkhadze. Un nom qui castagne lui aussi, venu des montagnes caucasiennes, enneigées, orthodoxes, patriarcales. Qu'est-ce qui fait une signature au cinéma ?  Dans le cas de Popkhadze - 33 ans, scénariste réalisateur de «Brûle le sang», un premier long métrage très maîtrisé - dans son cas, sans doute un chemin de vie, de croyances et une concentration de geek du 7ème art.Au menu de cette conversation à l'humeur un peu traînante, de la Russie, Tarkovsky, le nouveau testament, Robert Bresson et l'accent d'une grand-mère nommée Daredjane. Et là, on peut dire que c'est signé Akaki … Aka pour les intimes. 

Un thriller qui castagne dans les faubourgs de Nice, un parfum géorgien sur les écrans français, un amour du cinéma léché, bienvenue au pays d'Akaki Popkhadze. Un nom qui castagne lui aussi, venu des montagnes caucasiennes, enneigées, orthodoxes, patriarcales. Qu'est-ce qui fait une signature au cinéma ?  Dans le cas de Popkhadze - 33 ans, scénariste réalisateur de «Brûle le sang», un premier long métrage très maîtrisé - dans son cas, sans doute un chemin de vie, de croyances et une concentration de geek du 7ème art.Au menu de cette conversation à l'humeur un peu traînante, de la Russie, Tarkovsky, le nouveau testament, Robert Bresson et l'accent d'une grand-mère nommée Daredjane. Et là, on peut dire que c'est signé Akaki … Aka pour les intimes. 

Invitée Ariane Labed ; Pronostics César 2025 ; Mercato de Tristan Séguéla ; L'Attachement de Carine Tardieu ; When the Light Breaks ; La Scène : Quatre nuits d'un rêveur de Robert Bresson. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, we explore the stark yet deeply affecting world of Robert Bresson through two of his most powerful films: Mouchette (1967) and L'Argent (1983). Known for his minimalist style, nonprofessional actors, and spiritual themes, Bresson crafts haunting portraits of human suffering and redemption. We break down the tragic innocence of Mouchette, a tale of a young girl's quiet descent, and L'Argent, his final film—a chilling meditation on money, fate, and morality. Join us as we unpack Bresson's unique storytelling, his signature use of sound and image, and why these films remain as hauntingly relevant today as ever.https://linktr.ee/silverscreenvideoThanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

On this episode of What a Picture, Bryan and Hannah promise that no real donkeys will be harmed during the recording of their episode on Au Hasard Balthazar, the 1966 movie directed by Robert Bresson that ranks #25 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

durée : 00:40:04 - Les Nuits de France Culture - par : Philippe Garbit - L'émission Cinéma pour les ondes propose "Le Procès de Jeanne d'Arc" avec Florence Delay; d'après le film de Robert Bresson, (1ʳᵉ diffusion : 23/04/1963 Paris Inter). - réalisation : Virginie Mourthé

Mouchette (1967; Dir.: Robert Bresson) Canon Fodder Episode 24 Daniel and Corky continue their cinematic world tour with a sojourn to the French countryside, which is apparently not as idyllic as those Expedia ads would have you believe. It's our third round with French master Robert Bresson, with […] The post Mouchette – Canon Fodder Episode 24 appeared first on Dare Daniel & Canon Fodder Podcasts.

For this month's EUROPEAN VACATION we got a lot of French features. They love their movies and we love movies so it all works out. Today we break the seal on Robert Bresson with his 1959 classic “PICKPOCKET” starring Martin LaSalle and Marika Green. The strange Michel is very driven into relieving people's wallet weight and is so intent on it that it seems to overtake his life and his relationships. He even takes from his dying mother. The police chief suspects him but has no proof. His friend likes the girl in his building but, somehow, this innocent girl's heart belongs to the man who does things she finds immoral. Also in this movie? Pickpocketing. Seems obvious given the title but this movie is very informative. The pickpocket advisor quit after working on this movie because he said he gave away all his secrets. I don't think the meatheads on lower Broadway here in Nashville have seen Robert Bresson's “PICKPOCKET” so let's get down there and see what we can squirrel up with the education this movie provides. If I get locked up? No big deal. That's how you get the girls. They like a strange pickpocket man with a vacant stare. ADHD hyper focus scores again. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Well, we've reached (perhaps) the final big hitter of the Summer Movie Season 2024. This week, John and El'Ahrai deliver a Count-Pointercount review of "Deadpool and Wolverine"! Thrill to all the Robert Bresson references, both in the movie and the reviews! Did we hear a single? Find out! Plus all the usual stuff. I remember signing a contract, to play ball not to be put to sleep by some two bit carney hypnotist!

This week, the fellas ask the ultimate question: IS THIS MOVIE A WAR MOVIE OR IS THIS MOVIE NOT A WAR MOVIE? America's favourite gameshow commences with a discussion of Robert Bresson's A Man Escaped. They discuss Bresson's way in which he films hands, the slow, methodical and procedural style of showing the prison escape, the justifiable use of voiceover and much more. Next week: back to the list for a solemn dance! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) A Man Escaped stars François Leterrier, Charles Le Clainche, Maurice Beerblock, Roland Monod and Jacques Ertaud; directed by Robert Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tyler and Konnery and joined by AD and Mad Max fanatic Michael Dris to praise the second and definitive installment in the franchise, "Mad Max 2: The Road Warrior"! Together they discuss wasteland nicknames, franchise-defining features, Mad Max merchandising opportunities, behind the scenes info and so much more on this crossbow-firing episode of The Friendchise Podcast! What's New: Tyler: Stone (1974) (Tubi), The Bikeriders (In Theaters) Konnery: Elden Ring Shadow of the Erdtree (PS5) Dris: "Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road" by Kyle Buchanan (Libby), "The Friedken Connection: A Memoir" by William Friedken (Libby), Columbo (Peacock), L'Argent (Criterion Channel, Max) Follow Michael Driss on Letterboxd: https://letterboxd.com/mpdris/ Robert Bresson 1983 Cannes Q&A: https://www.youtube.com/watch?si=Gb5aoGfhfv3C8Hhn&v=9Jzujl9dWHo&feature=youtu.be

Felicia is joined by Duran Aziz to discuss Éric Rohmer's foray to the medieval era in Perceval (1978). We chat about the incredibly unique set design and Rohmer's desire to create a space that would be a reflection of paintings from that era. Send us your thoughts on the episode - are you satisfied with our protagonist's ending? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Duran Here: IG (Chapman University Students for Justice in Palestine): @sjpchapman Chapman University SJP divestment petition: https://www.change.org/p/demand-chapman-university-to-divest-from-the-military-industrial-complex-sjp-chapman?source_location=psf_petitions Sources: https://www.sensesofcinema.com/2017/cteq/perceval-le-gallois/#fnref-29831-2 https://decentfilms.com/reviews/perceval https://www.sensesofcinema.com/2010/feature-articles/the-tale-of-perceval-le-gallois-and-the-young-althusserians/ https://www.avclub.com/a-french-master-found-droll-comedy-in-one-of-the-earlie-1843630606 OUTRO SONG: Six Queens by Larrikin Love FILMS MENTIONED: Star Wars (George Lucas 1977) The Great Dictator (Charlie Chaplin 1940) My Night at Maud's (Éric Rohmer 1970) Pauline at the Beach (Éric Rohmer 1983) The Green Ray (Éric Rohmer 1986) Love in the Afternoon (Éric Rohmer 1972) Claire's Knee (Éric Rohmer 1970) The Aviator's Wife (Éric Rohmer 1981) The Marquise of O (Éric Rohmer 1976) Catherine de Heilbronn (Éric Rohmer 1980) Lancelot du lac (Robert Bresson 1974) A Tale of Winter (Éric Rohmer 1992) The Bakery Girl of Monceau (Éric Rohmer 1963) Suzanne's Career (Éric Rohmer 1963) Juliet of the Spirits (Federico Fellini 1965) Lars von Trier (Dogville 2003) Cabinet of Dr. Caligari (Robert Wiene, 1919)

Less than a decade after the revolutionary potential of the May 1968 protests, Robert Bresson's THE DEVIL, PROBABLY (1977) follows a disaffected youth in a world full of evil who asks: Is life worth living? It's a hard question, but we do our best to answer it. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Pickpocket (1959; Dir.: Robert Bresson) Canon Fodder Episode 11 We wish we knew how to quit you, Robert Bresson! Daniel and Corky get their Bresson on with a review of the French master's 1959 masterpiece Pickpocket. Will the film steal your host's hearts, or will it leave them feeling […] The post Pickpocket (1959) – Canon Fodder Episode 11 appeared first on Dare Daniel & Canon Fodder Podcasts.

Does the second half of Denis Villeneuve's Dune adaptation fulfill the promise of the first? Jared, Michael, and Joe discuss. The guys also share their reactions to the 96th Oscars telecast. Joe recommends a new neo-noir, Jared discovers a '70s sci-fi curio, and Michael struggles with the work of Robert Bresson.

This week, Alex and Greg replace David with not one, but two guests! Tom Cleveland rejoins the show with a new title as the Executive Director of the American Political Tradition Project at the Jack Miller Center, and James Guess, with a PhD from the Universtiy of Dallas, appears for the first time. The group take a look at Robert Bresson's A Man Escaped. Despite being a commercial failure at the time, the movie was enjoyed by critics and has plenty to teach us about the human condition even today.

A Man Escaped (1956; Dir.: Robert Bresson) Canon Fodder Episode 8 Daniel and Corky continue their world tour through the masterpieces of cinema by reviewing French auteur Robert Bresson's gripping prison drama. Will your hosts man up and Canon-ize the film, or will its appeal escape them? A MAN […] The post A Man Escaped – Canon Fodder Episode 8 appeared first on Dare Daniel & Canon Fodder Podcasts.

Jackie and Greg shuffle through the streets of Paris in search of a con for Robert Bresson's PICKPOCKET from 1959. Topics of discussion include Bresson's formalism, his actors as "models", the "cinema of hands", and why his work is do divisive amongst filmgoers.#63 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#136 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Asa ParsonsGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

France was hoping for a better future in 1968. When that didn't happen, Robert Bresson was there to ask a very important question: "What if the icy embrace of death is all that life has to offer?" A real Live/Laugh/Love episode of the show, lemme tell ya. This movie can be seen here, on Criterion. Next week's episode is MEET JOHN DOE, by Frank Capra, which can be seen here on Criterion, or here, on the Internet Archive, because someone forgot to renew the copyright in the seventies. Also coming up: Cure.   

On Episode 88 of Floating through Film we conclude our series picked by Dany, Robert Bresson! After Dany starts the episode with a discussion on what Bresson could mean when he values "Relations > Images" in film (4:04), we review 1977's The Devil, Probably (27:13), and 1983's L'argent (1:41:13). We hope you enjoy! Episode Next Week: 70s Movie Draft Music: - Intro: from The Devil, Probably - Break: from L'argent - Outro: from The Devil, Probably (https://www.youtube.com/watch?v=AfJJ3Whpdmk&ab_channel=TheaestheticoftheImage%3A%5Bworld%5Dcinemaclips) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

On this episode, Corbin and Mattbin talk about THE EYES OF LAURA MARS, a movie about violent images and Tommy Lee Jones's nipples. Topics include: images of violence and how we process them as individuals and as a society, Haneke, the difficulty in seeing prolific character actor René Auberjonois as anyone but Odo, and Helmut Newton. Corbin says next week's episode will be about "The Devil, Probably," by Robert Bresson, but he called an audible and we went with Jean-Luc Godard's 'Masculin Feminin' instead. So be aware of that.

On Episode 87 of Floating through Film we continue our series picked by Dany, Robert Bresson! After Dany starts the episode with a discussion on the concept of "Presentation vs. Representation" in film (4:01), we review 1971's Four Nights of a Dreamer (24:31), and 1974's Lancelot of the Lake (1:20:58). We hope you enjoy! Two videos of Mani Kaul discussing Presentation vs. Representation here: - Use of Fragmentation: https://youtu.be/SV-omnD-Hjo - Presentation, Basho: https://youtu.be/1LwIb0FWMcc Episode Next Week: The Devil, Probably + L'argent Music: - Intro: from Four Nights - Break: from Lancelot - Outro: from Four Nights (https://www.youtube.com/watch?v=QQDH9wwfNpg&t=48s&ab_channel=Lucas) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

Throughout his fifteen-year moviemaking career, director and actor Benny Safdie has been drawn to naturalism and first-time performers. Fittingly, his recent collaboration with comedian Nathan Fielder (“Nathan for You”) was a perfect match. Benny joins us today to discuss their satirical black comedy series The Curse (9:10), the timely premise that inspired the show (13:35), and Safdie's history of capturing real-life personalities on film (15:58). Then, he describes his early connection to the 1979 movie Kramer v Kramer (19:00), a New York encounter with photographer Robert Frank (23:18), and how directors Robert Bresson and Frederick Wiseman opened his eyes to the possibilities of street casting (26:05). On the back-half, we dive into Benny's co-directing work alongside his brother, Josh Safdie (29:55), a heartbreaking scene from their debut feature Daddy Longlegs (34:30), and the projects that followed: Good Time (40:00), Lenny Cooke (42:45), and Uncut Gems (55:00). To close, Safdie talks about why he worked as a boom operator while directing (48:15), his recent pivot to acting (52:35), and his full circle moment of playing an astrophysicist in Oppenheimer (1:00:40). For questions, comments, or to join our mailing list, drop me a line at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

On Episode 86 of Floating through Film we continue our series picked by Dany, Robert Bresson! After Dany starts the episode with a discussion on "The Mysterious" in Bresson (4:05), we review 1967's Mouchette (35:06), and 1969's A Gentle Woman (1:11:22). We hope you enjoy! Episode Next Week: Lancelot of the Lake + Four Nights of a Dreamer Music: - Intro: https://www.youtube.com/watch?v=HZiOdMT4nKE&ab_channel=RJ__Blu - Break: from A Gentle Woman - Outro: from A Gentle Woman Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

On Episode 85 of Floating through Film we continue our series picked by Dany, Robert Bresson! After Dany starts the episode again with a discussion on Bresson's "Models" (3:10), we review 2 of his most popular movies, 1959's Pickpocket (37:06), and 1966's A Man Escaped (1:43:30). We hope you enjoy! Episode Next Week: Mouchette + A Gentle Woman Music: - Intro: https://www.youtube.com/watch?v=-cYrtoFulgA&ab_channel=dammaes - Break: https://www.youtube.com/watch?v=IKCIqfnUy1k&ab_channel=L%C3%A1szl%C3%B3Hajdu - Outro: https://www.youtube.com/watch?v=IKCIqfnUy1k&ab_channel=L%C3%A1szl%C3%B3Hajdu Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

On Episode 84 of Floating through Film we begin our new series picked by Dany, Robert Bresson! After we spend a decent amount of time introducing Bresson, and Dany gives his thoughts on why he likes Bresson so much, we start with 2 of his movies from the 50s, 1951's Diary of a Country Priest (40:45), and A Man Escaped (1:35:42). We hope you enjoy! Episode Next Week: Pickpocket + Au Hasard Balthazar Music: - Intro: https://www.youtube.com/watch?v=kC1M4LJZP4E&ab_channel=JamesStuart - Break: https://www.youtube.com/watch?v=KD9H5nryq20&ab_channel=Totoro - Outro: https://www.youtube.com/watch?v=BcOyojBU3hs&ab_channel=lostpebble Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

Do you love WWII prison escape stories expertly told "without adornment" by French cinematic auteurs? Then A Man Escaped (1956) is the movie for you! Check out this suspenseful evergreen classic based on Andre Devigny's memoir directed by Robert Bresson, starring Francois Leterrier and Charles Le Clainche. Host Sara Greenfield and her guests Adam Foster and Dan Wagner chat about all this and more on this week's episode of Talk Classic To Me! --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support

Over the course of his career, but mainly in a period from 1950-59, French director Robert Bresson kept a notebook of advice to himself on keeping his very distinct filmmaking technique. In 1975, he published Notes to the Cinematographer, which was then translated and published in the United States two years later. In 2011, a Sight & Sound poll of 51 critics named it the second best book on filmmaking. On this episode, I'm joined by editor Keith Fraase.Keith Fraase has edited such narratives features as To the Wonder, Knight of Cups, Song to Song, Chappaquiddick, and A Mouthful of Air, along with the documentaries Voyage of Time and Long Strange Trip. His most recent edited film, Celine Song's Past Lives, is one of the most critically acclaimed films of 2023.Robert Bresson's Notes on the Cinematographer is current published in the U.S. by the New York Review Book (under the translated title Notes on the Cinematograph).

On this episode of Recommend or Refute, John tells us a story about the unhinged Little Red Riding Hood movie Freeway (1996), Ryan admirably manages to make zero in-law jokes during his review of the new comedy The Out-laws (2023), and Dixon fans the flames of interest around Robert Bresson's The Trial of Joan of Arc (1962).

On the thirty-sixth episode of the Cinematic Odyssey, Tristen and Max unpack the documentarian effort of French director Robert Bresson in his acclaimed A Man Escaped. Packed with minute details and patient unease and suspense, both hosts respect the effort to make the film as realistic as possible to the memoir it was based on, as well as true human physicality. Max makes a series of absolutely horrible comparisons between this film and pop culture of today, while Tristen remains in awe of every shot and each poignant detail. They both are able to come away with the knowledge that this film is more than just an escape: it's about trust, hope, and the human spirit to fight on and keep living. 

On this episode of the Movie Vault, Zach and Ben go way back to the mid 1950s and review Robert Bresson's prison escape classic "A Man Escaped". A lot can be known about the film simply by reading the title, but there is still a ton to be unpacked! Twitter-@MovieVaultPod Email us- themovievaultpod@gmail.com Now also on You Tube! Check for videos of select episodes on our channel "Last Resort Network" This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

We did it, folks. Dixon finally got us to talk about the inimitable Robert Bresson. Join the Afterthoughts crew as we discuss his biggest commercial success, the thrilling prison break masterpiece A Man Escaped (1956). We dive into Bresson's one-of-a-kind filmmaking style, his technical mastery, and his ability to build tension like no director before or since.

In March this year, we went to Finsbury Park in London to the home of Phyllida Barlow to interview her for the A brush with… podcast. Tragically, Phyllida died just a few days later. So this conversation is a tribute to one of the most significant British artists of recent years. Ardently committed to sculpture and convinced of its special power, she was coruscatingly erudite and perceptive, yet also irreverent and suspicious of orthodoxies. This was evident in her combinations of simple materials such as wood, plaster and scrim, cement, paint and fabric in extraordinary sculptures and installations. She managed to achieve at once awkwardness and grace, humour and pathos, the grand and the intimate. Among much else, Phyllida discusses the morality imposed on sculpture in her art school days, the underacknowledged “dirty side of making” in Marcel Duchamp's work, her admiration for Louise Nevelson and Eduardo Chillida, the writing of Fyodor Dostoevsky and the films of Robert Bresson. Plus she answers our usual questions, including a moving response to the ultimate question, “What is art for?”Phyllida Barlow, Chillida Leku, Hernani, near San Sebastian, Spain, until 22 October; The Museum of Contemporary Art (MOCA), Toronto, 8 September-4 February 2024. Hosted on Acast. See acast.com/privacy for more information.

A principios de los 50, Robert Bresson parece haber experimentado una intuición clave, que no sólo lo convirtió en un gran cineasta sino que alteró su forma de ver el mundo: en su intento por adaptar el Diario de un cura rural, la novela de Georges de Bernanos, usó los fundamentos del neorrealismo como punto de partida para crear una suerte de poética esencialista y un método fílmico que le permitiera atrapar la experiencia de lo humano. Bresson no estaba solo en esta cruzada; tras la posguerra cineastas como Rossellini, Dreyer, Ozu, Antonioni y Bergman avanzarían en esa misma dirección, pero ninguno de ellos pudo moldear algo como la historia de este joven y enfermo sacerdote que, destinado a una pequeña localidad de Bretaña, se enfrenta a la desidia de sus habitantes gastando las últimas energías que le quedan, condenándose a sí mismo, buscando una gracia que alcanza a avizorar desde muy lejos. De eso y más se habla en este podcast.

A fines de 1959, cuando Pickpocket llegó a los cines, la guerra entre los jóvenes realizadores de la Nouvelle Vague y los veteranos realizadores del "cinema de qualité" estaba declarada. De inmediato fue evidente que Bresson y su filme no cabían en ningún bando. Pickpocket no se parecía a las "viejas películas", pero tampoco a las nuevas. Sinceramente, parecía arribada desde Marte: tomando prestada la premisa establecida por Dostoievsky en Crimen y castigo, el relato de Michel —un joven sin presente ni futuro que decidía enseñarse a sí mismo la profesión del carterista, como medio de sustento pero también de desprecio hacia los otros— no era exactamente un relato moral ni objeto aleccionador o en clave de denuncia. Bresson filmaba el mundo de su protagonista (las calles, los interiores, los rostros, las manos) de una manera frontal, física; sin agenda, sin trasfondo sicológico. Ni siquiera hablaba de sus protagonistas como actores: los denominaba "modelos, tomados de la vida. SER (modelos) en lugar de PARECER (actores)." El resultado era un nuevo tipo de película, una nueva forma de acercarse al cine, a la imagen. De eso y más se habla en este podcast.

Jackie and Greg get locked up with Robert Bresson's minimalist prison-escape classic, A MAN ESCAPED from 1956. Topics of discussion include Bresson's cinema of hands, how it compares to other jailbreak films, where it falls within his filmography, and why it's a magical pairing of filmmaker and subject matter.#69 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#95 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Beast of Burden: Robert Bresson's Au Hasard Balthazar - WatchThis W/RickRamos  This week finds Mr. Chavez and myself continuing our dive into films with great reputations and few viewings. Bresson's 1966 French Classic, Au Hasard Balthazar, looks at life through the eyes of a donkey as it moves through the world being loved, abused, championed, worked, and - finally - sacrificed. A touching and beautifully story about humanity told in a profoundly emotional manner. As Mr. Chavez says, "I challenge someone to watch this movie and to be like, 'Well It's just about a f****** stupid donkey.'" There's so much more to unwrap, and for true fans of Cinema (and World Cinema in particular), Bresson's story is about the struggle found in purpose, love, and suffering. This is a truly beautiful film that has found legions of fans since its release over sixty years ago. We are proud to present Au Hasard Balthazar on this week's episode. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many & Continued Thanks. 

Nick finally gets Mike to watch the new donkey movie, EO: a new interpretation of an old classic they both love: Au Hasard Balthazar. Two special guests join the hosts: Jackie and Ryan. The group talks interpretation of EO and the barrier to entry to Bresson's minimalist directing style. Does EO deserve a place on the Mount Rushmore of film donkeys?

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From Orwell and Shakespeare back to Greek myth, Aesop, and early Christianity: Matthew Sweet and guests look at a cultural history of the donkey. EO, a film out in UK cinemas this month, follows the life of a donkey born in a Polish circus. New Generation Thinker Lisa Mullen is an expert on George Orwell and lecturer in film at the University of Cambridge Lucy Grig is Senior Lecturer in Roman History at the University of Edinburgh Faith Burden is Executive Director of Equine Operations at the Donkey Sanctuary in Devon Directed by Jerzy Skolimowski EO is inspired by Robert Bresson's 1966 film Au Hasard Balthazar and is showing at venues across the UK organised by the BFI. Producer: Luke Mulhall

Today I want to talk to you about an animal who has, over the centuries, gone from exalted to vilified. ...an animal many people have never met but one who has been much maligned and humiliated on film, in literature, and in our language. ...an animal who is affected by the daily choices we make but who is invisible in many ways. ...an animal you may never think of, an animal you wouldn't think would be part of the animal agriculture business. ...an animal I hope you have the privilege of meeting someday. Today I want to tell you about the burden of burros and the plight of donkeys and explain why they mean so much to me and why they represent all animals at the mercy of humans. In this episode, I also share two films about donkeys, Au Hasard Balthazar by Robert Bresson — one of my favorite films of all time — and EO by Jerzy Skolimowski, a film inspired by Balthazar and packed with as much power as its predecessor. A version of this episode originally aired in 2007 but was in much need of an update. This is not just a rebroadcast; it is a re-worked and re-recorded episode about these magnificent and misunderstood animals. ------- Support this podcast today at Patreon.com/ColleenPatrickGoudreau Visit my website: JoyfulVegan.com Join me on an all-inclusive vegan trip: JoyfulVeganTrips.com AFFILIATE PARTNERS: Nama Juicer — Use this link and coupon code COLLEEN10 and get 10% off my favorite juicer. Plaine Products — Use this link and coupon code "compassion" for 15% off my favorite zero waste bath and body products. Complement — Use this link and coupon code "joyfulvegan" and get 10% off my favorite supplements.

You can lose yourself in cinema -- and you can find yourself in it. Jai Arjun Singh and Subrat Mohanty join Amit Varma in episode 294 of The Seen and the Unseen to talk about the films in their lives, why we should watch old films, why we should watch new films, why Bollywood and Hollywood and other woods are all great, and why we live in a wonderful technicolor world. This episode is a celebration of cinema! (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Jai Arjun Singh on Twitter and Instagram. 2. Haal-Chaal Theek Thaak Hai -- Subrat Mohanty and Pavan Jha's podcast. 3. Jai Arjun Singh Lost It at the Movies -- Episode 230 of The Seen and the Unseen. 4. Jabberwock — Jai Arjun Singh's blog. 5. Jaane Bhi Do Yaaron: Seriously Funny Since 1983 — Jai Arjun Singh. 6. The World of Hrishikesh Mukherjee -- Jai Arjun Singh. 7. Popcorn Essayists: What Movies do to Writers -- Edited by Jai Arjun Singh. 8. The Golden Era -- Subrat Mohanty's YouTube playlist of 100 lesser-known songs from the golden era of Hindi film music (mostly 1935-65). 9. The Unseen Lata -- Subrat Mohanty's YouTube playlist of 54 lesser-heard songs from Lata Mangeshkar, from 1948 to 1976. 10. Old posts by Subrat Mohanty from the Passion For Cinema web archives. 11. Some Spotify playlists, courtesy Nishant Shah, from Haal-Chaal Theek Thaak Hai episodes: 1, 2, 3, 4. 12. Pavan Jha's YouTube channel. 13. The only 1980s Maltova Mum commercial I could locate from the 1980s. (Couldn't find Singer.) 14. Kashmir Ki Kali -- Shakti Samanta. 15. Mughal-E-Azam -- K Asif. 16. Khuda Nigehbaan Ho -- Song from Mughal-E-Azam, sung by Lata Mangeshkar, music by Naushad, lyrics by Shakeel Badayuni. 17. Cinema Paradiso -- Giuseppe Tornatore. 18. Phool Khile Hain Gulshan Gulshan -- talk show by Tabassum.  19. Old episodes of Phool Khile Hain Gulshan Gulshan with RD Burman, Deepti Naval, Anand Bakshi and Bhupinder. 20. The Indiana Jones and Superman franchises. 21. The Evil Dead -- Sam Raimi. 22. Sam Raimi, Wes Craven and John Carpenter. 23. The Fugitive and The Bodyguard. 24. The Unbearable Lightness of Being -- Milan Kundera. 25. The Antichrist -- Friedrich Nietzsche. 26. The 400 Blows -- Francois Truffaut. 27. Salò, or The 120 Days of Sodom -- Pier Paolo Pasolini. 28. Łódź Film School and Andrzej Wajda. 29. Do the Right Thing -- Spike Lee. 30. On Exactitude in Science (Wikipedia) -- Jorge Luis Borges. 31. Titus Andronicus -- William Shakespeare. 32. A Chess Story (previously published as The Royal Game) -- Stefan Zweig. 33. The World of Yesterday -- Stefan Zweig. 34. The Friday the 13th franchise. 35. Tracy and Hepburn -- Garson Kanin. 36. Bhimsen Joshi, Mallikarjun Mansur, Kumar Gandharva and Lata Mangeshkar on Spotify. 37. Vijay Anand, Guru Dutt, Raj Kapoor, Bimal Roy and Hrishikesh Mukherjee. 38. Guide -- Vijay Anand. 39. Kaagaz Ke Phool -- Guru Dutt. 40. Jean-Luc Godard and Federico Fellini. 41. Shankar–Jaikishan, Hasrat Jaipuri, Shailendra, Mukesh, KA Abbas, Ramanand Sagar and Kidar Sharma. 42. Aag, Satyam Shivam Sundaram, Awaara, Barsaat and Shree 420.43. Nargis and Nadira. 44. Mud Mud Ke Na Dekh -- Song from Shree 420, sung by Asha Bhosle and Manna Dey, music by Shankar-Jaikishan, lyrics by Shailendra. 45. Orson Welles. 46. Squid Game on Netflix. 47. The Immediate Experience -- Robert Warshow. 48. Dil Dhadakne Do, Luck by Chance and Gully Boy -- Zoya Akhtar. 49. Casablanca -- Michael Curtiz. 50. Yudh and Tridev -- Rajiv Rai. 51. Amit Varma's Twitter threads on the MAMI festival from 2018 and 2019. 52. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 53. Dead Poet's Society -- Peter Weir. 54. The desire to help, and the desire not to be helped — Roger Ebert's review of Goodbye Solo. 55. Pauline Kael on Amazon. 56. Dekalog — Krzysztof Kieślowski. (And Roger Ebert's essay on it.) 57. The Dead — John Huston. 58. In the Bedroom -- Todd Field. 59. Devdas (Sanjay Leela Bhansali) and Parineeta (Pradeep Sarkar). 60. Salman Rushdie, Arundhati Roy and Vikram Seth. 61. Raag Darbari (Hindi) (English) — Shrilal Shukla. 62. PG Wodehouse on Amazon and Wikipedia. 63. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 64. Dharmyug and Dharamvir Bharati. 65. Andha Yug (Hindi) (English) -- Dharamvir Bharati. 66. Suraj ka Satvaan Ghoda -- Dharamvir Bharati. 67. Gunahon Ka Devta — Dharamvir Bharati. 68. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 69. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 70. Anil Biswas, SD Burman, Chitragupt, Roshan, C Ramchandra and Madan Mohan. 71. Naushad and Aan. 72. Maan Mera Ehsan -- Song from Aan, sung by Mohammad Rafi, music by Naushad, lyrics by Shakeel Badayuni. 73. Sebastian D'Souza, Anthony Gonsalves, Ghulam Mohammed and Mohammed Shafi. 74. Khayyam and RD Burman. 75. The Long Tail -- Chris Anderson. 76. The Sound of Music -- Robert Wise. 77. Do-Re-Mi -- Song from The Sound of Music. 78. Giacomo Puccini and Giuseppe Verdi on Spotify. 79. Tosca -- Giacomo Puccini -- performed at Arena di Verona. 80. Dua Lipa, Olivia Rodrigo, Lizzo and Billie Eilish on Spotify. 81. About That Time -- Lizzo. 82. Renaissance -- Beyoncé. 83. Ae Dil Hai Mushkil -- Karan Johar. 84. Aar Paar, Geeta Dutt and Eminem. 85. Pet Shop Boys, Guns N' Roses, U2, REM and Stone Temple Pilots on Spotify. 86. Bob Dylan and Leonard Cohen. 87. How This Nobel Has Redefined Literature -- Amit Varma. 88. Mera Joota Hai Japani -- Song from Shree 420, sung by Mukesh, music by Shankar-Jaikishen, lyrics by Shailendra. 89. Sahir Ludhianvi and Majrooh Sultanpuri. 90. Do Bigha Zamin -- Bimal Roy. 91. Dharti Kahe Pukaar Ke -- Song from Do Bigha Zamin, sung by Manna Dey and Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 92. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 93. Mondegreen. 94. Tragedy -- Bee Gees. 95. Aap Jaisa Koi -- Song from Qurbani, sung by Nazia Hassan, music by Biddu Appaiah, lyrics by Masth Ali & Shashi Pritam. 96. Ek Akela Is Shaher Mein -- Song from Gharaonda, sung by Bhupinder Singh, music by Jaidev, lyrics by Gulzar. 97. Jonathan Haidt on Amazon. 98. Amar Akbar Anthony and Andrei Tarkovsky. 99. 2001: A Space Odyssey -- Stanley Kubrick. 100. Mirza Ghalib (and the show on him by Gulzar). 101. Roy Lichtenstein, Drowning Girl, Jackson Pollock, René Magritte, Pablo Picasso and the Pre-Raphaelites. 102. The Wire, Breaking Bad and Better Call Saul. 103. Christopher Nolan, Martin Scorcese, Quentin Tarantino, Coen Brothers and Preston Sturges. 104. Ball of Fire -- Howard Hawks. 105. The Lady Eve -- Preston Sturges. 106. Barbara Stanwyck and Lawrence Olivier. 107. Francis Ford Coppola, Brian De Palma and Alfred Hitchcock. 108. How to Read and Why -- Harold Bloom. 109. Malayankunju -- Sajimon Prabhakar. 110. Muqaddar Ka Sikandar -- Prakash Mehra. 111. Agatha Christie on Amazon and Wikipedia. 112. Nayak -- Satyajit Ray. 113. Prakash Mehra and Kader Khan. 114. Laawaris -- Prakash Mehra. 115. Don and Majboor. 116. Sample SSR conspiracy theory: He's alive! 117. David Cronenberg. 118. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 119. Moonlight — Barry Jenkins. 120. Chacha Bhatija, Parvarish, Amar Akbar Anthony and Dharam Veer -- Manmohan Desai. 121. Man, Woman and Child -- Erich Segal. 122. Man, Woman and Child (1983 film) -- Dick Richards. 123. Masoom -- Shekhar Kapoor. 124. Shyam Benegal, Govind Nihalani, Mani Kaul, Kumar Shahani, Mrinal Sen and Robert Bresson. 125. Au Hasard Balthazar -- Robert Bresson. 126. Uski Roti -- Mani Kaul. 127. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 128. Calcutta 71 -- Mrinal Sen. 129. Ivan's Childhood, Solaris and Andrei Rublev -- Andrei Tarkovsky. 130. Stanislaw Lem on Amazon and Wikipedia. 131. Cahiers du Cinéma and Mayapuri. 132. Black Friday and Paanch -- Anurag Kashyap. 133. Navdeep Singh, Sudhir Mishra, Neeraj Ghaywan, Raj Kumar Gupta and Rajkumar Kohli. 134. Nagin and Nagina. 135. Jaani Dushman -- Rajkumar Kohli. 136. Three Colors: Blue -- Krzysztof Kieślowski. 137. Three Colors: Red -- Krzysztof Kieślowski. 138. Three Colors: White -- Krzysztof Kieślowski. 139. The Double Life of Veronique -- Krzysztof Kieślowski. 140. The legendary Babbar Subhash. 141. Dance Dance -- Babbar Subhash. 142. Aagaya Aagaya Halwa Wala -- Song from Dance Dance. 143. Jaane Bhi Do Yaaro -- Kundan Shah. 144. Leke Pehla Pehla Pyar -- Song from CID, sung by Shamshad Begum, Asha Bhosle and Mohammad Rafi., music by OP Nayyar, lyrics by Majrooh Sultanpuri. 145. Rote Hue Aate Hain Sab -- Song from Muqaddar Ka Sikandar, sung by Kishore Kumar, music by Kalyani-Anandji, lyrics by Anjaan. 146. Kai Baar Yun Bhi Dekha Hai -- Song from Rajnigandha, sung by Mukesh, music by Salil Chowdhury, lyrics by Yogesh. 147. Rim Jhim Gire Saawan -- Song from Manzil, sung by Lata Mangeshkar, music by RD Burman, lyrics by Yogesh. 148. Andrew Sarris and André Bazin. 149. Sergei Eisenstein and the Odessa Steps sequence. 150. Court — Chaitanya Tamhane. 151. Khosla Ka Ghosla, Oye Lucky! Lucky Oye!, Love Sex Aur Dhokha, Shanghai and Detective Byomkesh Bakshy! -- Dibakar Banerjee. 152. Jean Renoir. 153. Akira Kurosawa and Yasujirō Ozu. 154. Tokyo Story -- Yasujirō Ozu. 155. Rashomon -- Akira Kurosawa. 156. The 2012 Sight and Sound poll of the 100 Greatest Films of All Time. 157. Early Summer -- Yasujirō Ozu. 158. Make Way for Tomorrow -- Leo McCarey. 159. Citizen Kane -- Orson Welles. 160. Vertigo -- Alfred Hitchcock. 161. Setsuko Hara. 162. Sara Akash -- Basu Chatterjee. 163. Bhuvan Shome -- Mrinal Sen. 164. KK Mahajan. 165. One Cut of the Dead -- Shin'ichirō Ueda. 166. Unsane -- Steven Soderbergh. 167. Promising Young Woman -- Emerald Fennell. 168. Psycho -- Alfred Hitchcock. 169. Hitchcock's Films Revisited -- Robin Wood. 170. Picnic at Hanging Rock, Gallipoli, Witness, Dead Poet's Society and The Truman Show -- Peter Weir. 171. Buster Keaton and Charlie Chaplin. 172. John Ford and Girish Shahane. 173. Everything is Cinema -- Don Palathara. 174. Hi Mom! -- Brian De Palma. 175. Taxi Driver -- Martin Scorcese. 176. Joyful Mystery -- Don Palathara. 177. The Postman Always Rings Twice -- Tay Garnett. 178. Treasure of the Sierra Madre -- John Huston. 179. Noir's arc - notes on an excellent anthology -- Jai Arjun Singh. 180. Key Largo -- John Huston. 181. Gun Crazy -- Joseph H Lewis. 182. Sullivan's Travels -- Preston Sturges. 183. O Brother, Where Art Thou? -- Coen Brothers. 184. Winchester '73 and Bend of the River -- Anthony Mann. 185. Shaheed (1948) -- Ramesh Saigal, starring Dilip Kumar. 186. Andaz -- Mehboob Khan. 187. Duniya Na Mane -- V Shantaram. 188. Some Like it Hot and Ace in the Hole -- Billy Wilder. 189. Ernst Lubitsch and James Wong Howe. 190. Sweet Smell of Success -- Alexander Mackendrick. 191. Mere Apne -- Gulzar. 192. Haal Chaal Thik Thak Hai -- Song from Mere Apne, sung by Kishore Kumar and Mukesh, music by Salil Chowdhury, lyrics by Gulzar. 193. Mr Sampat -- SS Vasan. 194. Miss Malini -- Kothamangalam Subbu. 195. Mr. Sampath: The Printer Of Malgudi -- RK Narayan. 196. Achhe Din Aa Rahe Hain -- Song from Mr Sampat, sung by Shamshad Begum and ML Vasantakumari, music by Balkrishna Kalla, lyrics by Pandit Indra Chander. 197. Parakh -- Bimal Roy. 198. O Sajna Barkha Bahaar Aayee -- Song from Parakh, sung by Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 199. Oonche Log -- Phani Majumdar. 200. Major Chandrakanth -- K Balachander. 201. Jaag Dil-E-Deewana -- Song from Oonche Log, sung by Mohammad Rafi, music by Chitragupt, lyrics by Majrooh Sultanpuri. 202. Birendranath Sircar, RC Boral and Timir Baran. 203. PC Barua, Bimal Roy and KL Saigal. 204. Devdas (1936) -- PC Barua. 205. President -- Nitin Bose. 206. Ek Bangla Bane Nyara -- Song from President, sung by KL Saigal, music by RC Boral, lyrcs by Kidar Sharma. 207. Street Singer -- Phani Majumdar. 208. Babul Mora Naihar Chhooto Hi Jaye -- Song from Street Singer, sung by KL Saigal, music by RC Boral, lyrics by Nawab Wajid Ali Shah. 209. Wajid Ali Shah. 210. Shatranj Ke Khilari -- Satyajit Ray. 211. Duniya, Yeh Duniya, Toofan Mail-- Song from Jawab, sung by Kanan Devi, music by Kamal Dasgupta, lyrics by Pandit Madhur. 212. Rajnigandha -- Basu Chatterjee. 213. Rajnigandha/राजनीगंधा -- Mannu Bhandari. 214. The Conversation -- Francis Ford Coppola. 215. Deer Hunter -- Michael Cimino. 216. The Godfather -- Francis Ford Coppola. 217. The Godfather: Part 2 -- Francis Ford Coppola. 218. Sisters -- Brian De Palma. 219. Blow Out -- Brian De Palma. 220. Blowup -- Michelangelo Antonioni. 221. The Long Goodbye and Nashville -- Robert Altman. 222. The Missouri Breaks -- Arthur Penn. 223. The Last Picture Show, Paper Moon, What's Up, Doc? and Targets -- Peter Bogdanovich. 224. This is Orson Welles -- Orson Welles and Peter Bogdanovich. 225. Hitchcock -- Francois Truffaut. 226. Bringing Up Baby, His Girl Friday, The Big Sleep and To Have and Have Not  -- Howard Hawks. 227. The Big Sleep -- Raymond Chandler. 228. William Faulkner and Ernest Hemingway on Amazon. 229. Johny Mera Naam and Jewel Thief -- Vijay Anand. 230. Sholay -- Ramesh Sippy. 231. Back to the Future -- Robert Zemeckis. 232. Mr India -- Shekhar Kapoor. 233. Rahul Rawail, JP Dutta, Mukul Anand and Rajiv Rai. 234. Hathyar and Ghulami -- JP Dutta. 235. Raat Bhat Jaam Se Jaam Takrayega -- Song from Tridev with galaxy of villains. 236. Naseeb -- Manmohan Desai. 237. Dan Dhanoa, Mahesh Anand, Dalip Tahil and Tej Sapru. 238. The Ramsay Brothers! 239. Don't Disturb the Dead: The Story of the Ramsay Brothers -- Shamya Dasgupta. 240. Do Gaz Zameen Ke Neeche -- Tulsi and Shyam Ramsay. 241. Veerana -- Ramsay Brothers. 242. Purana Mandir -- Ramsay Brothers. 243. Govinda! 244. Ilzaam -- Shibu Mitra. 245. I am a Street Dancer and Main Aaya Tere Liye from Ilzaam. 246. Jackie Brown and Pulp Fiction -- Quentin Tarantino. 247. Halloween -- John Carpenter. 248. A Nightmare on Elm Street -- Wes Craven. 249. Scream -- Wes Craven. 250. Terminator 2: Judgment Day -- James Cameron. 251. Mad Max: Fury Road -- George Miller. 252. Nicholas Cage and Keanu Reeves. 253. Wild at Heart -- David Lynch. 254. Red Rock West -- John Dahl. 255. The Last Seduction -- John Dahl. 256. Edward Norton in American History X and Rounders. 257. New Delhi Times -- Ramesh Sharma. 258. Drohkaal -- Govind Niahalani. 259. Gupt and Mohra by Rajiv Rai. 260. Sonam! 261. Wild -- Nicolette Krebitz. 262. Waves -- Trey Edward Shults. 263. Climax -- Gaspar Noé. 264. Mother! -- Darren Aronofsky. 265 Eho — Dren Zherka. 266. The Magic Mountain -- Thomas Mann. 267. Invisible Cities -- Italo Calvino. 268. Cosmicomics -- Itali Calvino. 269. If on a Winter's Night a Traveller -- Italo Calvino. 270. A House For Mr Biswas -- VS Naipaul. 271. A Bend in the River -- VS Naipaul. 272. Middlemarch -- George Eliot. 273. Mrs Dalloway -- Virginia Woolf. 274. To the Lighthouse -- Virginia Woolf. 275. Decline and Fall -- Evelyn Waugh. 276. Scoop -- Evelyn Waugh. 277. Brighton Rock -- Graham Greene. 278. Brighton Rock (1948 film) -- John Boulting. 279. Kingsley Amis and Martin Amis. 280. Lucky Jim -- Kingsley Amis. 281. The Siege Of Krishnapur -- JG Farrell. 282. Alfie -- Lewis Gilbert. 283. Get Carter -- Mike Hodges. 284. Blame it on Rio -- Stanley Donen. 285. Gangs of Wasseypur -- Anurag Kashyap. 286. Tamas -- Govind Nihalani. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Jackson Pollock.