Podcast appearances and mentions of Roger Miller

Especial mensual dedicado a recordar singles que alcanzaron su puesto más alto en las listas de pop de EEUU en este mismo mes de hace 60 años.Playlist;(sintonía) BERT KAEMPFTER and HIS ORCHESTRA “Three o’clock in the morning” (top 33)THE SUPREMES “Back in my arms again” (top 1)THE FOUR TOPS “I Can't Help Myself (Sugar Pie Honey Bunch)” (top 1)THE BYRDS “Mr Tambourine man” (top 1)SAM THE SHAM and THE PHARAOHS “Wooly Bully” (top 2)TOM and JERRIO “Boo-ga-loo” (top 57)THE ANIMALS “Bring it all home to me” (top 32)FREDDIE and THE DREAMERS “Do the Freddie” (top 18)ESTHER PHILLIPS “And I love him” (top 54)THE BEAU BRUMMELS “Just a little” (top 8)BOBBY GOLDSBORO “Voodoo woman” (top 27)THE O’JAYS “Lipstick Traces (On A Cigarette)” (top 48)CHUCK JACKSON and MAXINE BROWN “Something you got” (top 55)FONTELLA BASS and BOBBY McCLURE “You'll Miss Me (When I'm Gone)” (top 91)GENE PITNEY “Last chance to turn around” (top 13)GENE CHANDLER “Nothing can stop me” (top 18)ROGER MILLER “Engine engine #9” (top 7)THE OVATIONS (featuring Louis Williams) “It’s wonderful to be in love” (top 61)THE RONETTES “Is this What I Get For Loving You?” (top 75)Escuchar audio

Roger Miller was an American singer-songwriter, widely known for his honky-tonk influenced novelty songs.

If you grew up in the 1960s or ‘70s, it seemed like many of the songs on the radio were answering other songs on the radio.Roger Miller sang, “King of the Road,” and Jody Miller answered it with “Queen of the House.” Barry McGuire sang “Eve of Destruction,” only to be called out by a group named The Spokesmen with their "Dawn of Correction.” Merle Haggard sang of the “Okie from Muskogee” and drew a prompt reply from The Youngbloods' “Hippie from Olema.”Big NamesSome famous songsmiths also penned answer songs. In 1966, for instance, Bob Dylan's “4th Time Around” was a rather famous response to The Beatles' “Norwegian Wood” of the previous year. And Bob's first hero, Woody Guthrie, is said to have written his greatest song, “This Land Is Your Land,” in 1940 as an answer to Irving Berlin's “God Bless America.” (In fact, Woody originally called his composition "God Blessed America for Me.”)In 1959, one of Carole King's first songs was one she wrote as a reply to Annette Funicello's “Tall Paul.” It contained a classic line, “You can keep Tall Paul / I'll take Short Mort."Meat Loaf wrote “Two Out of Three Ain't Bad” in 1977 as an answer to Elvis Presley's 1956 hit “I Want You, I Need You, I Love You.”And some artists even recorded answers to their own songs. In 1963, for instance, Lesley Gore released “It's My Party,” followed by “Judy's Turn to Cry.” Both of the tunes appeared on Gore's debut album I'll Cry If I Want To.Country artists can get a bit edgy with their call and response. Loretta Lynn's 1967 release of “Don't Come Home a-Drinkin' (With Lovin' on Your Mind)” prompted a quick retort from Jay Lee Webb, called, "I Come Home A-Drinkin' (To a Worn-Out Wife Like You).”And some answer songs turned into multi-player comic discourses. For instance, in 1972, The Last Poets' "When the Revolution Comes” inspired Gil Scott-Heron to wax “The Revolution Will Not Be Televised,” which in turn led to Roy Clark's recording “The Lawrence Welk-Hee Haw Counter-Revolution Polka.”The Flood's FavMeanwhile, in the Floodisphere, the best-loved answer song comes from a pair of tunes written more than a hundred years ago.As we reported here earlier, W.C. Handy's 1915 classic “Yellow Dog Blues” — a melodic mainstay that reaches from the glory days of Bessie Smith and Louis Armstrong all the way to today's trad jazz standard bearers — was actually composed as an answer to Shelton Brooks' wonderful 1913 composition called, “I Wonder Where My Easy Rider's Gone.” In recent back-to-back weekly rehearsals, The Flood has revisited both tunes. First came the Brooks original two weeks ago, then, last week, the guys turned to Handy's dandy reply. In The Flood's estimation, “Yellow Dog Blues” is the best of the pair. There are a lot of train songs out there, but none of them takes its riders quite as far as this one. Come along to where “the Southern cross the Yellow Dog!”More, You Say?Finally, if blues is your bag and you want to extend your Friday foray into Floodery, tune in the Blues Channel on the band's free Radio Floodango music streaming service. Click here to give it a spin. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Welcome to Season 04 Episode 12 - the "Homeward Bound" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Ms. Anna Gagliano, director of Little Women for Main Street Studios; Mr. Tim Newell, director of Agnes of God for the Lakeshore Center for the Arts; and Prof. Dan Lendzian, director of the One Act Festival for SUNY Fredonia Dept. of Theatre and Dance. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from deJohn's Spaghetti House and 2 tickets to the Cinema Series! Entries must be received by Friday April 25th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 02:18  Anna Gagliano/Little Women 19:30  Tim Newell/Agnes of God 36:51  Arts Calendar 39:37  Dan Lendzian/One Act Festival TADA Media "King of the Road," written and performed by Roger Miller, from the Album The Return of Roger Miller, January 1965, Smash Records scene from the motion picture Little Women; Greta Gerwig, director; featuring Saoirse Ronan as Jo March and Emma Watson as Meg March; Columbia Pictures, December 2019 scene from the motion picture Agnes of God; Norman Jewison, director; featuring Jane Fonda as Dr. Martha Livingstone and Anne Bancroft as Mother Miriam Ruth; Columbia Pictures 1985 "Avalanche", from the album Will the Circle Be Unbroken, produced by the Nitty Gritty Dirt Band, November 1972, United Artists Records. "Ramblin' Man", from the Allman Brothers album Brothers and Sisters, composed and performed by Dickey Betts, August 1973, Capricorn Records Artist Links Main Street Studios Lakeshore Center for the Arts Dan Lendzian Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown Register Here for the 1891 Run/Walk for the Opera House BECOME AN OPERA HOUSE MEMBER!          

Today on the Rarified Heir Podcast, we are talking to Michael Rivers, son of rock n' roll icon Johnny “Secret Agent Man” Rivers. Retired and in great health at age 82, Johnny Rivers has lived many lives as one of the groundbreaking musicians in the LA music scene since the early sixties. From session man to Sunset Strip headliner to #1 recording artist to the Monterey Pop Festival, record label owner and publishing mogul and beyond, Johnny Rivers has met and worked with everybody. From Alan Freed to Elvis Presley, from Roger Miller to PF Sloan, from Rickey Nelson to John Phillips, Johnny Rivers knew everyone. Michael was kind enough to join us as a guest today to give us a first-hand look into his father as both a dad and a celebrity. From having a charge account at the flagship Sunset Strip Tower Records to falling asleep in a booth at the ultra-exclusive On The Rox club above the famed Roxy nightclub on the Strip, Michael went with his dad everywhere. From recording sessions on Hollywood Blvd. to dinners at the Strip's most iconic vegetarian restaurant The Source, Michael was taken everywhere with his divorced dad, even places kids couldn't usually go. Not many of us remember the smell of the AMPEX tape machine at United Western Recorders in Hollywood like it was yesterday, but Michael can. We discuss how Johnny Rivers biggest hit, the theme song to the aforementioned “Secret Agent Man” came about to what it was like touring with his dad as first a tour manager and then a drummer in the 80s on Summer break. We also hear about how Johnny was a prudent businessman who bought property in Beverly Hills and Big Sur in the 1960s which he still owns to this day. If Gazzari's on the Sunset Strip, The Whisky A Go-Go and an unmade sequel to Easy Rider are up your alley, hang on, this episode is just around the corner. This is the Rarified Heir Podcast and everyone has a story.  

Segunda entrega de canciones que alcanzaron su puesto más alto en listas norteamericanas de pop en este mes de hace 60 años. Quedaron muchas cosas fuera del primer episodio que no podíamos pasar por alto.Playlist;(sintonía) THE ARROWS feat DAVIE ALLAN “Apache 65” (top 64)ROGER MILLER “King of the road” (top 4)BOBBY GOLDSBORO “Little things” (top 13)JOHNNY RIVERS “Midnight Special” (top 20)JOHNNY CASH “Orange blossom Special” (top 80)HERMAN’S HERMITS “Can’t you hear my heartbeat” (top 2)GERRY and THE PACEMAKERS “Ferry cross the Mersey” (top 6)THE BEATLES “I don’t want to spoil the party” (top 39)GEORGIE FAME and THE BLUE FLAMES “Yeh Yeh” (top 21)THE NASHVILLE TEENS “Find my way back home” (top 98)THE KINGSMEN “The Jolly Green giant” (top 4)DEL SHANNON “Stranger in town” (top 30)RICK NELSON “Mean old world” (top 96)IAN WHITCOMB and BLUESVILLE “This sporting life” (top 100)JEWEL AKENS “The birds and the bees” (top 3)ROY ORBISON “Goodnight” (top 21)RODDIE JOY “Come back baby” (top 86)DUSTY SPRINGFIELD “Losing you” (top 91)STEVE ALAIMO “Real live girl” (top 77)Escuchar audio

I Want My Baby Back, Baby Back, Baby Back! Beyond that, the best of Roger Miller, more early Aretha, and the latest hit single from Lorne Green. All the hottest tunes, whether at the club or on the road! Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr . If you are looking for Beatles summer fun, join our friends at the Magical Mystery Camp!

This week, we are joined by musician STEVE MICHENER (Big Dipper, Volcano Suns, Dumptruck, Barbara Manning) to discuss a documentary featuring one of Steve's old bandmates, THIS IS NOT A PHOTOGRAPH: THE MISSION OF BURMA STORY!!!! We discuss the makeup of the Boston music scene of the 80s, Steve's time in post-Burma band VOLCANO SUNS with Peter Prescott, the genesis of BIG DIPPER, how it was like Beatlemania for Burma in Boston, Burma playing 3 times a week in the early days, how Burma changed the music scene into an artier space, Propellor Records, The Girls and Moving Parts, what brought Clint Conley and Roger Miller together, the chaotic playing outside of their own song structures that Burma did, ultimate chemistry bands, Martin Swope's magical live tape manipulation and what it felt like hearing it in the audience early on, the criticism regarding their records vs. their live shows, Peter Prescott's scream, the band Sorry, the Moby hatred displayed within this doc, The Go-Betweens, discovering what tinnitus was through Burma and Roger Miller's subsequent hearing loss, working at the copy shop with Prescott, the sadness of Burma breaking up and living under Burma's shadow, Steve's stints in Yo La Tengo and Dumptruck, the challenges of being in a band with multiple song writers, why and how Burma reformed, This Band Could Be Your Life, Bob Weston taking over for Martin Swope, how the band continued to grow after they reforemd, how loud was Burma really and a day in the life of a Mission Of Burma fan!So come sing out loud "dada dada dada dada dada dada dada dada dada" on this week's episode of Revolutions Per Movie!!!STEVE MICHENER:@steve.michenerREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

In this engaging podcast episode, host Kent interviews Rudy Gatlin of the Gatlin Brothers. Rudy shares insights into his music career, favorite performance venues, and the gospel influences that shaped his journey. He discusses the evolution of the music industry, emphasizing the importance of talent and perseverance. Rudy recounts memorable encounters with icons like Johnny Cash and Roy Clark, and reflects on his disciplined upbringing and early gospel performances in Texas. The episode highlights the camaraderie within the country music community and offers valuable advice for aspiring musicians.   Automatically Transcribed With Podsqueeze Speaker 1 00:00:00  This Kent Hance, I hope you enjoyed part one of the interview with Rudy Gatlin. He's a great interview, a great American, and you're going to love. Part two. What's the worst place you ever performed? You know what I mean? Just a a dive. We were fortunate that. Speaker 2 00:00:21  We didn't work too many of those because we started had enough success. And we're making a little money on the road. And we I mean, we weren't taking a lot of money. We weren't making a lot. We were existing. We were living paying the bills, but we didn't have to work, and that wasn't our deal. I love, you know, good country, western, two step and honky tonk music, but. And Houston and lady takes the cowboy and but we we cut 28 records, 28 albums of other types of music. Great ballads write wonderful songs. Larry wrote a bunch of great songs, and we made a bunch of great records. But we thank you, Lord. Because they'd have been throwing beer bottles at us. Speaker 2 00:01:06  What Roy started doing done. Enough dying today. I've done enough dying today to get back to the honky tonk songs. We needed the chicken wire. Speaker 1 00:01:17  That. That's when, Roy Clark tells about the time that it threw some beer bottles at him and some other things, and he finally, we went. He refused to go back to that place, and they said, won't happen anymore. And they had the they had chicken wire in there so people couldn't throw things at them. You know. Speaker 2 00:01:36  When he was doing what he was doing yesterday when I was young, I remember that hit record. Speaker 1 00:01:41  That was a great song. I mean, one of the best that was rent. Speaker 2 00:01:46  They said, get back to Good God and Greyhound. You're gone. Speaker 1 00:01:50  Yeah. Thank God and Greyhound you're gone. But yesterday. Speaker 2 00:01:54  Song. Speaker 1 00:01:55  Yesterday was, written in France and, recorded French. And then somebody got Ahold of it and decided to do it in the United States. And then several people recorded it. And Roy Clark was the the most famous of the ones that did. Speaker 2 00:02:13  Great. Speaker 1 00:02:13  Songs. I know a little about music, not much, but, Speaker 2 00:02:17  And I do know that Porter and Dolly are your favorites. Speaker 1 00:02:20  Yeah. That's right, that's right. You got me up two tickets, I said at one time in class, I said I wouldn't take my dog to see Porter and remember it. Speaker 2 00:02:30  And I remember. Speaker 1 00:02:31  Y'all went out. Speaker 2 00:02:32  And bought. Speaker 1 00:02:32  It. You went out and bought tickets and some dog food and a leash and put it up on the the table where I came in. I came in to teach, and there it was. There's one of those, large classes that was in the small auditorium, and, I could look and there was 100, 150 people in there, and you were the only one that had written on your forehead. Guilty. I mean, I could just I could tell that you had been involved, but I liked it. And it was a lot of fun. A lot of fun. Speaker 2 00:03:05  Yeah. I thought I was smarter than that. Speaker 1 00:03:08  No, you had Gilti written all over you. I got it early on. What? What's the best place? You know, I asked you the worst you could, but what's the nicest place? Speaker 2 00:03:19  Dallas, Texas. Anywhere in Dallas, Texas. Speaker 1 00:03:23  Was always nice. Speaker 2 00:03:25  I'm in Dallas right now at my daughter's. We have a love affair with this city. Going back to when we sang gospel music as a gospel quartet. Right. From Odessa, we traveled to Dallas and Fort Worth and Mesquite and all over Texas. But we came to Dallas to sing in Oak Cliff, Oak Cliff, Assembly of God church. Sure. See? Noah. Whoa, man. Speaker 1 00:03:50  Hey, hey. When the religious music. When you were gospels and everything. What were some of your favorites? Because there's a lot of people listening, and they remember when we used to sing hymns instead of being bop of Jesus. Speaker 2 00:04:05  Well, our first song was I Woke Up. I wish I had my guitar. I've got my guitar in there. Speaker 2 00:04:10  I woke up this morning feeling fine. I woke up with heaven on my mind. I woke up with joy in my soul. Because I knew my Lord had control. I knew I was walking in that light. Because I'd been on my knees in the night. I pray to the Lord gave me sight. And now I'm feeling mighty fine. Yes, I'm feeling mighty. Speaker 1 00:04:34  That's good. Speaker 2 00:04:35  So first song we ever learned. In fact, I think we won that talent show. Singing that song. Speaker 1 00:04:40  That's good. But the standbys are amazing grace. And what a friend we have in Jesus. And y'all, y'all would sing all kinds of. Speaker 2 00:04:51  Well, we sang a lot of those songs, like our heroes, the Blackwood Brothers Statesmen Quartet that came through Abilene, Odessa, Lubbock. We bought the records, took them home and put them on the high five and played those. And mom got up on the piano and we just started singing. Joe knew how to, you know, God just said, y'all sing. Speaker 1 00:05:16  And you. Speaker 2 00:05:17  Know, he he gave you the ability to to understand law and all that stuff. You I, I, like I said, I can't spell be much less understand, you know, lawyer doctors. How do they understand all the, Michael Jordan can shoot a basketball? Tiger Woods and Scottie Scheffler can hit a golf ball. Speaker 1 00:05:41  A long way. Speaker 2 00:05:43  now I'm a I'm a I'm a I'm a better golfer. I'm than he is a singer, I guarantee you that. But God just gave everybody a talent because. And we developed it a little bit, you know, worked, sang in school And. Speaker 1 00:06:00  One year when, Alan White, he had that big party in Dallas headed out to Cowboys Stadium, and, y'all performed in. Your mom was there, and we we left. I was with y'all in a bus. They were taking us to to another part of the city and, had a great visit, and told your mom that you were a great student and everything. And she kind of grinned at me and said, you don't have to lie. Speaker 1 00:06:34  She she had a good sense of humor. Speaker 2 00:06:37  Yeah. I think she found out about that first semester away from home. Well, see, that was my first semester away from home. Curley Gatlin was a firm disciplinarian. Love. I love my upbringing. Mama, you know, wouldn't take anything for it. But, you know, they were firm. And I had to go to Odessa College and live at home for two years. And when I hopped in my 68 Volkswagen In 1972, headed north through Andrew. Boy, I was I was up all the way up to 65 miles an hour, probably on my way to Lubbock. I was free as the first time I'd ever been on my own. So. And like I said, I took too many hard courses, learn how to drink beer and play poker. But I made up for it and graduated and all that. Thankful for them. And they're there. You know, I try to a lot of people say you're just like your daddy. Speaker 2 00:07:29  And I say, thank you. Speaker 1 00:07:31  Sure. Speaker 2 00:07:32  Thank you very much. Mother drove us from Odessa to Dallas on Highway 80. Chancellor. Odessa. Midland. Big spring. Sweetwater. Abilene. Speaker 1 00:07:48  Eastland. Cisco. A Ranger. Ranger here in Weatherford. Speaker 2 00:07:56  Weatherford. Fort worth. Dallas. She one time we sang at Oak Cliff Assembly of God Church nine Sundays in a row, one. Speaker 1 00:08:06  Summer, and she'd take you back and forth every, every Sunday. Speaker 2 00:08:10  Before. Larry had his driver's license. And one night we stayed and did Sunday night service. The next day, I woke up in my bed in Odessa. On highway 80. Trucks, cars. You know how much. You know how much you miss cars going that way about like that. Speaker 1 00:08:34  Yeah. Speaker 2 00:08:37  And she drove us home and put it. Got us to bed. Got us up for school the next morning. Speaker 1 00:08:43  You were lucky. You you were fortunate. You had great parents, great parents. Speaker 2 00:08:49  And daddy was an oil field. He couldn't go with us. Speaker 1 00:08:51  Yeah. Speaker 2 00:08:52  Momma drove. We went to California a couple of times. New York one summer. Yeah, that. Great parents. Speaker 1 00:08:59  Well, it's a great training for you. What? What would you say to any young person that's looking to go into the music business today? Speaker 2 00:09:11  Bless their hearts. I'm. I'm so glad we came along when we did, because. But I can go pull a guy off the street and say, hey, man, we can get a guitar around you and you can start singing and make you a record and get you a website, get you a publicity agent and get you an agent and get you down here singing at so-and-so and do all this. Guess what? So can everybody else. There are just there's no gatekeeper anymore. There used to be a gatekeeper, and that was the A&R artist and repertoire person at the record company. If you couldn't sing and play your butt off, they weren't going to spend 100, $150,000 on making a record because they had to sell them if they didn't think they could sell them. Speaker 2 00:10:02  And they got money back. You weren't going to get a record deal. So there's. And the internet. Thank God. I mean, everybody's getting to live their dream and fulfill, you know, chase their dream and and everybody all chase your heart and. Yeah, we did. We did too. But if it hadn't worked out, I guarantee you I'd. I'd have gone and done something else. I'd I'd have taken that business law, by golly, diploma and walked right into First National Bank. Speaker 1 00:10:33  Well, you you could have been an accountant since you loved accounting so much. Hey, talking about performers. Who were some of the best people that you got to know and got to know well, and that recognized you the minute they saw you and and that were good people and encouraging type people. Speaker 2 00:10:51  Johnny cash. June Carter cash. Roy Clark. Speaker 1 00:10:57  what kind of guy was Roy Clark? Speaker 2 00:11:00  Great guy, great talent, great singer. Very entertaining. Entertaining, a great entertainer, good guy. John and June Cash. Speaker 2 00:11:09  Dottie West brought Larry to to Nashville. Roger Miller. Well, you name all those old guys, and we know them, and they know us. Speaker 1 00:11:18  Roger Miller was, originally from Shamrock. Or somewhere up in between, Shamrock and Eric, Oklahoma or something like that. And, you know, he he can't roller skate in the buffalo herd was one of his big ones. Speaker 2 00:11:35  But you can be happy if. Speaker 1 00:11:36  You if you if you have a mind to trailer for sale or rent, you know. He had a bunch of them. Speaker 2 00:11:43  You know what Roger said? Speaker 1 00:11:44  What? Speaker 2 00:11:46  You know, it don't make sense. That common sense don't make much sense anymore. isn't that good? Speaker 1 00:11:54  It is. Rudy, thank you so much. you've you've been great. You've done so well. And and you really inspired those students when you and you didn't talk with about 7 or 8 minutes and you told them how much the school meant to them and how much it meant to you and what you wanted to do. And I think the only thing you said, you wish that your mom and dad could see you walk across that stage, and that would have been neat, but, well, in anything. Speaker 2 00:12:22  They had the best seat in the house. Speaker 1 00:12:24  They did an ending. What the the thing that kept you from walking across the stage. I was going to ask that. Explain to the listeners what happened that caused you from not being able to walk across the stage. Speaker 2 00:12:40  Well, I had 64 hours when I went to from Odessa College. four of them didn't transfer, so 60. And I was I guess I was close to being a junior or whatever. The one of the semesters we had a couple of concerts in LA at the old Palomino Club in LA. And then we went to Vegas for a week to work in the Vegas Lounge, which was a great lounge. And Glen Campbell was in the main room. Well, I said, good Lord, I can't take that. I can't take that much time out of school. So I took two courses. One of them was Doctor Bowling Corp. Finance, and another one was another. So I just took eight hours that semester and I made a D in Corp. Finance. Speaker 1 00:13:29  That's easy. Speaker 2 00:13:30  To do. I told you the story. He wouldn't give me one point. Speaker 1 00:13:34  I had to. Speaker 2 00:13:35  Take it again. So I just passed three hours. That one semester I got behind. I was behind 12 hours. I made it up the next couple of semesters, but in the spring of 74, I was still 12 hours short. I took four, I was going to take four summer school classes. I took the first two. I'm going to take the next two. And they cancelled that real estate course and I went, oh no. And at that time, you remember, you could not take any correspondence to your last 30 hours. It had to be on campus. Right. And I said, I'm going to Nashville. I'm going to sing, I can I'm not I can't stick around here for three hours. They said they made an exception. I thank them, thank you, Texas Tech. I took the course. I went to Nashville, sent my lessons in, came back home in December, drove to Lubbock, took the test, passed it, finished all 130 hours. Speaker 2 00:14:37  Right? Speaker 1 00:14:38  Right. Speaker 2 00:14:40  And so it's December 74th, but I got them all in. That's why I didn't get to walk. And those turkeys that taught me how to drink beer and play poker, they graduated on time and walked that May. I just got through talking to them a couple of days ago. Speaker 1 00:14:57  Well, they had learned they had those first two years to learn how to do it. And you didn't have those two years you were still at home. Speaker 2 00:15:05  I was ready. I was a rookie. They were they were. Speaker 1 00:15:09  They were. Speaker 2 00:15:09  Professional veterans. Speaker 1 00:15:11  That's the reason you got to be careful on New Year's Eve, because the amateur drunks will be out and they'll run over you. You know. Speaker 2 00:15:17  They'll screw up the weave. Speaker 1 00:15:19  That's right. They'll mess up the weave. Speaker 2 00:15:21  That's that. That's why straight people don't go. That's why I don't go drive. Because when I'm driving straight, I'm going to mess up the weave. Speaker 1 00:15:28  Yeah, mess them up. Rudy, thank you very much. We've enjoyed it. Speaker 1 00:15:33  And thank you. Tell your friends to listen to the Ken Hance, best storyteller in Texas. And they'll get to hear people like Rudy Gatlin.

Alex Miller est né le 5 Juin 2003 à Lancaster, une petite ville rurale située au pied des Appalaches dans le comté de Garrard (Kentucky). Il a pour parents: Roger Miller et Brandi Hall et un frère cadet: Parker. La famille vit dans un ranch, les travaux des champs et le soin du bétail sont le quotidien du jeune Alex. Alex à trois ans lorsqu'il commence à chanter dans l'église baptiste de Hyattsville à Lancaster. Sa première prestation publique en dehors des murs de l'église a eu lieu à la foire du comté de Garrard, alors qu'il avait à peine quatre ans. Il y a chanté Me and God de Josh Turner. Plus tard il prend des cours de musique et de guitare, puis en autodidacte il va maitriser la pedal steel, le banjo, le ukulélé et plus tard il se mettra à utiliser la basse et le violon.

In this episode of his Unusual Histories Podcast, Danny Hurst changes things up a bit by talking to experts and residents of London. This time he speaks to Cathi Haragaden, a global citizen, holistic health and well-being consultant, director of Healthy Spaces Limited and Feng Shui consultant. Today, she and Danny discuss the role history, architecture, Feng Shui principles, evolving population demographics have on an area. They do this using Notting Hill, Portobello Road and Thamesmead, where Cathi has lived, as examples. If you can´t get enough of these podcasts, head to https://www.patreon.com/DannyHurst to access my exclusive, member-only, fun-filled and fact-packed history-related videos. KEY TAKEAWAYS · Notting Hill has always been home to an eclectic mix of people from different classes and countries. · Even before the Roger Miller film made the area famous, it had a unique vibe. · Despite the prevalence of racism in the UK, at certain stages, the community spirit of Notting Hill has remained strong and giving. · Thamesmead was built on an old chemical works, and a lot of its residents looked ill. · The stark concrete buildings of Thamesmead significantly impacted how the place felt, which in turn influenced the people who lived there. · For thousands of years Feng Shui has been used in architecture as a way to channel energy to one place in a city. Examples can be found throughout the world. · The space we live in is to some extent a reflection of who we are. But it also influences who we become, so making changes to your home´s look and layout will have a significant impact on you. BEST MOMENTS “The energy of the cultural difference basically allowed the Portobello Road and beyond it to have a different energetic match.” “I've lived all over the world, and one of the best places I've lived was Notting Hill.” “I could see there were good intentions there to cater for overspill from London ... but it was made with concrete.” (Thamesmead) EPISODE RESOURCES Feng Shui Mastery Show - https://podcasts.apple.com/us/podcast/feng-shui-mastery-show-with-cathi-hargaden/id858155885 https://www.fengshuimasteryshow.com https://www.linkedin.com/in/cathi-hargaden-064ba7151 Wall Street - https://www.imdb.com/title/tt0094291 Film – Notting Hill - https://www.imdb.com/title/tt0125439/ HOST BIO Historian, performer and mentor Danny Hurst has been engaging audiences for many years, whether as a lecturer, stand-up comic or intervention teacher with young offenders and excluded secondary students. Having worked with some of the most difficult people in the UK, he is a natural storyteller and entertainer, whilst purveying the most fascinating information that you didn't know you didn't know. A writer and host of pub quizzes across London, he has travelled extensively and speaks several languages. He has been a consultant for exhibitions at the Imperial War Museum and Natural History Museum in London as well as presenting accelerated learning seminars across the UK. With a wide range of knowledge ranging from motor mechanics to opera to breeding carnivorous plants, he believes learning is the most effective when it's fun. Uniquely delivered, this is history without the boring bits, told the way only Danny Hurst can. CONTACT AND SOCIALS https://instagram.com/dannyjhurstfacebook.com/danny.hurst.9638 https://twitter.com/dannyhurst https://www.linkedin.com/in/danny-hurst-19574720

Segunda entrega dedicada a recordar singles que llegaron a su puesto más alto en el Billboard Hot 100 de EEUU en enero de 1965. Arrancamos con una andanada de nombres de la invasión británica y seguimos con girl groups, bandas de garaje, voces del country y varias anomalías.(Foto del podcast por Gered Mankowitz; Marianne Faithfull, 1965)Playlist;(sintonía) THE WAIKIKIS “Hawaii tatoo” (top 33)THE SEARCHERS “Love potion number 9” (top 3)THE DAVE CLARK FIVE “Anyway you want it” (top 15)MARIANNE FAITHFULL “As tears go by” (top 22)THE ANIMALS “Boom boom” (top 43)MANFRED MANN “Sha la la” (top 12)THE HULLABALLOOS “I'm gonna love you too" (top 56)THE NOVAS “The Crusher” (top 88)THE YOU KNOW WHO GROUP “Roses are red my love” (top 43)DEL SHANNON “Keep Searchin' (We'll Follow The Sun)” (top 9)DICK AND DEE DEE “Thou shalt not steal” (top 13)THE SHANGRI-LAS “Give him a great big kiss” (top 18)THE DETERGENTS “Leader of the laundromat” (top 19)ROGER MILLER “Do wacka do” (top 31)GEORGE JONES “The race is on” (top 96)CHUCK BERRY “Promised land” (top 41)RONNY and THE DAYTONAS “Bucket T” (top 54)GARNET MIMMS “A Little bit of soap” (top 95)DEAN MARTIN “You’re nobody till somebody loves you” (top 21)LITTLE MILTON “Blind man” (top 86)Escuchar audio

National buffet day. Entertainment from 2009. Speed limit lowered to 55MPH, Georgia became 4th state, Air conditioner invented. Todays birthdays - Isaac Asimov, Dabney Coleman, Roger Miller, Tia Carrere, Cuba Gooding jr, Taye Diggs, Doug Robb, Kate Bosworth.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/The Chinese buffet song - BigedudeSingle Ladies - BeyonceHere - Rascal FlattsBirthday - the BeatlesBirthdays - In da club - 50 Cent     http://50cent.com/King of the road - Roger MillerPupu Hinuhinu - Tia CarrereThe reason - HoobastankExit - In my dreams - Dokken      http://dokken.net/

Sponsor: U.S. Dept. of Veterans Affairs Biorepository Brain Bank Today's episode of PTSD and Beyond is proudly sponsored by the U.S. Department of Veterans Affairs Biorepository Brain Bank, dedicated to advancing research on brain disorders that impact Veterans. The VABBB is seeking participants both with and without neurological conditions. Your involvement can lead to important breakthroughs and support life-changing research. Visit www.research.va.gov/programs and click on VA Biorepository Brain Bank    

This week on Myopia Movies, we revisit the best version of Robin Hood since Erroll Flynn, you heard me Crowe, Costner, and Edgerton. Elwes, you're cool. We watched Robin Hood (1973), the originination point for Gen X and Millenial furries.  How will Robin Hood (1973) hold up? Host: Nic (but much younger sounding).  Directed by Wolfgang Reitherman and David Hand Starring: Brian Bedford, Phil Harris, Roger Miller, Peter Ustinov, Terry-Thomas,  Monica Evans, Andy Devine, Carole Shelley, Pat Buttram, George Lindsey, Ken Curtis

This week on Myopia Movies, we revisit the best version of Robin Hood since Erroll Flynn, you heard me Crowe, Costner, and Edgerton. Elwes, you're cool. We watched Robin Hood (1973), the originination point for Gen X and Millenial furries.  How will Robin Hood (1973) hold up? Host: Nic (but much younger sounding).  Directed by Wolfgang Reitherman and David Hand Starring: Brian Bedford, Phil Harris, Roger Miller, Peter Ustinov, Terry-Thomas,  Monica Evans, Andy Devine, Carole Shelley, Pat Buttram, George Lindsey, Ken Curtis

Freedomain FLASH Livestream 21 December 2024In this holiday episode, I reflect on our absence and invite listeners to support Freedomain. I introduce a song quiz on Roger Miller's "King of the Road," leading to a discussion on the evolution of music and its creativity. I delve into deep conversations about familial challenges and touch on diverse topics, including Canada's household debt and the impact of parenting styles.As literature influences my views, I discuss "The Fountainhead" and its connection to creativity and aging. The conversation explores societal expectations around masculinity and femininity, modern dating, and emotional labor. I address listener inquiries, urging critical examination of personal experiences.I conclude by expressing gratitude for audience support and inviting contributions, offering exclusive content as a holiday incentive. This episode blends music, philosophy, and introspection while celebrating the season's spirit.GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Also get the Truth About the French Revolution, multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material, as well as targeted AIs for Real-Time Relationships, BitCoin, Peaceful Parenting, and Call-Ins. Don't miss the private livestreams, premium call in shows, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2022

Segunda entrega dedicada a canciones que alcanzaron su puesto más alto en listas pop de EEUU en noviembre de 1964. Un mes con una cosecha lo suficientemente interesante como para sacar otra entrega en donde rescatamos canciones que -en su mayoría- quedaron en la parte baja del Top 100. Ahí encontramos a varios pioneros peleando por mantener su hueco en la actualidad musical del momento, a las últimas bandas de espíritu festivo o a varias figuras del soul que encontraban su espacio en las audiencias blancas.Playlist;(sintonía) RAMSEY LEWIS TRIO “Something you got” (top 63)ELVIS PRESLEY “Ain’t that lovin you baby” (top 16)ROGER MILLER “Chuck-a-lug” (top 9)JOHNNY CASH “It ain’t me baby” (top 58)CHUCK BERRY “Little Marie” (top 54)JERRY LEE LEWIS “High heel sneakers” (top 91)BOBBY BLAND “Ain’t doing too bad (part 1)” (top 49)B.B. KING “Beautician Blues” (top 82)RUFUS THOMAS “Jump back” (top 49)MICKEY LEE LANE “Shaggy dog” (top 38)BOBBY FREEMAN “S-W-I-M” (top 56)THE CHARTBUSTERS “Why (doncha be my girl)” (top 92)RONNY and THE DAYTONAS “California bound” (top 72)SAM COOKE “Cousin of mine” (top 31)SAM COOKE “That’s where it’s at” (top 93)OTIS REDDING “Chained and bound” (top 70)JACKIE ROSS “I’ve got the skill” (top 89)ARETHA FRANKLIN “Runnin’ out of fools” (top 57)IRMA THOMAS “Times have changed” (top 98)Escuchar audio

Send us a textWho better to start a HAPPY SHOW than DONNA FARGO? ROGER MILLER, and RAY STEVENS should bring you a smile. JOHNNY CASH should make you laugh when you hear what he recorded. BILL CARLISLE, GRANDPA JONES, BRAD PAISLEY, JASON ALDEAN, TIM MCGRAW, TRACE ADKINS, AND JERRY REED plus more. All here to bring some happy in to your day. 

Send us a textHard to believe that it was in the 60s that these incredible artists really started hitting. Think back,,,,, sit back,,, and enjoy ROGER MILLER, PATSY CLINE, DON GIBSON, SKEETER DAVIS, BUCK OWENS, GEORGE JONES,EDDIE ARNOLD, JACK GREEN and even WALTER BRENNAN. Please share with someone who loves country music. 

Send us a textSOME TIME ALONG ABOUT THE LATE 50'S THE DJAYS THAT PLAYED MUSIC STARTED TO REALLY DISCOVER COUNTRY MUSIC. AS THE YEARS PASSED, ARTISTS LIKE I PRESENT TO YOU ON THIS SHOW, STARTED TO CROSSOVER IN TO THE POP MARKET AS IT WAS KNOWN BACK THEN. OVER THE YEARS, GEORGE JONES, FARON YOUNG, WAYLON JENNINGS, JOHNNY CASH, JOHNNY PAYCHECK, ROGER MILLER, AND EVEN RED FOLLEY&EARNEST TUBB WERE CROSSING OVER. I'M THINKING THE LATEST AND GREATEST WOULD BE GARTH BROOKS WITH "THE DANCE". THEYRE ALL HERE ON TODAYS EPISODE. HOPE YOU ENJOY AND SHARE.

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Dr. Roger Miller has been the Neuropsychology Team Lead at Aviv Clinics in The Villages since the clinic opened in 2020. In addition to overseeing cognitive rehabilitation services and supervision of Aviv's neuro technicians, Dr. Miller is responsible for creating personalized cognitive training programs and performing consultations and neuropsychological evaluations of Aviv's clients. He is also an experienced presenter, offering popular seminars on topics ranging from sleep disorders and stress management to traumatic brain injuries and cognitive decline. Since graduating with his PhD in Clinical Psychology, Dr. Miller has served patients in both inpatient and outpatient hospital settings. He established and owned a private psychiatric practice that specialized in treating veterans with PTSD and traumatic brain injuries, working closely with the Department of Veteran Affairs to provide consultations, psychological and neuropsychological testing and evaluations. His broad experience also includes serving chronic pain patients, offering evaluations and evidence-based interventions. Dr. Miller chose the psychology field because of a lifelong fascination with the brain and its effects on cognition, emotion, and personality. He takes great pride in helping Aviv Clinics' clients transform their physical and cognitive function, maximize their potential, and restore their quality of life. www.aviv-clinics.com  If you're enjoying this podcast, please consider supporting it for just $5 at www.buymeacoffee.com/amyz

Six String Hayride Podcast Episode 45. The 1990's Episode. In the 1990s, The divide between commercial country music (Garth Brooks, Billy Ray Cyrus, Alan Jackson) and more artistic music (Steve Earle, Emmylou Harris, John Prine and Johnny Cash) gets bigger and bigger. Money and chart position seems to guide the music business more than art and soul. George and Alan, two mainstream millionaires who work for one of the biggest record companies around, don't see the irony when they complain about the death of tradition in classic country. "Oh Brother Where Art Thou", as a film and a record, reminds us of the deep history and soul in classic country, folk, and gospel. We take a look at some of the hit records, bad records, and fun records from the 1990s. Johnny Cash begins a renaissance with his American Recordings Series. Trisha Yearwood has a fun cooking show that makes a great grilled cheese sandwich. We pay our respects to Gene Autry, Jerry Garcia, Stevie Ray Vaughan, Patsy Montana, Minnie Pearl, and Roger Miller. The June Carter cookbook gives us a delicious dessert, Chris makes another cocktail from the John Wayne drinking guide, and all the usual fun on Six String Hayride Classic Country Podcast.https://www.facebook.com/profile.php?id=100086513555749https://www.patreon.com/user?u=81625843

Peter Prescott in conversation with David Eastaugh https://minibeast.bandcamp.com/ American post-punk band from Boston, Massachusetts. The group formed in 1979 with Roger Miller on guitar, Clint Conley on bass, Peter Prescott on drums, and Martin Swope contributing audiotape manipulation and acting as the band's sound engineer. In this initial lineup, Miller, Conley, and Prescott all shared singing and songwriting duties.

Segunda entrega de canciones que alcanzaron su puesto más alto en el Billboard Hot 100 de EEUU en el mes de agosto de hace 60 años. Voces del Deep soul procedentes de Memphis, Nueva Orleans o Muscle Shoals, bandas de frat rock, pioneros de los años 50, country o los últimos coletazos del surf conviven en las listas de éxitos.(Foto del podcast; Irma Thomas)Playlist;(sintonía) BOOKER T. and THE MG’S “Soul dressing” (top 95)CARLA THOMAS “I’ve got no time to lose” (top 67)IRMA THOMAS “Anyone who knows what love is (will understand)” (top 52)JIMMY HUGHES “Steal away” (top 17)SOLOMON BURKE “Everybody needs somebody to love” (top 58)JAN and DEAN “Little old lady (from Passadena)” (top 3)BRUCE and TERRY “Summer means fun” (top 72)BOBBY FREEMAN “C’mon and swim” (top 5)THE PREMIERS “Farmer John” (top 19)THE KINGSMEN “Little latin Lupe Lu” (top 46)THE CHARTBUSTERS “She’s the one” (top 33)LULU and THE LUVVERS “Shout” (top 94)LITTLE RICHARD “Bama Lama bama Loo” (top 82)ELVIS PRESLEY with THE JORDANAIRES “Such a night” (top 16)JACKIE WILSON “Squeeze her-tease her (but love her)” (top 89)DEL SHANNON “Handy man” (top 22)AL (HE’S THE KING) HIRT “Sugar lips” (top 30)RUBY and THE ROMANTICS “Baby come home” (top 75)ROGER MILLER “Dang me” (top 7)RAY CHARLES “No one to cry to” (top 55)Escuchar audio

Bobby Schnitzer and Dan Neale are combining talents for a blues and country based show at Crooners Supper Club in Fridley this Thursday evening at 6:30. When Dan and Bobby got together with Phil Nusbaum, the conversation turned to repertoire. Dan is singing a song written by country music icon Roger Miller, “Nothing Can Stop My Loving You.” It's not one of Miller's best known songs, so Phil asked Dan why he chose it.

PTSD and Beyond is #1 of Feedspots' 20 Best PTSD Podcasts in 2024!  In this episode of PTSD and Beyond, I welcome Dr. Roger Miller, a clinical psychologist and neuropsychology team lead at Aviv Clinics. Dr. Miller has over 30 years of experience treating patients with post-traumatic stress disorder (PTSD) and traumatic brain injuries. We delve into the groundbreaking field of hyperbaric oxygen therapy (HBOT), exploring how this innovative treatment is offering new hope for veterans and others suffering from treatment-resistant PTSD.   Dr. Miller explains the science behind HBOT, which involves using a pressurized environment to increase oxygen concentration levels in the body, promoting healing and the growth of new blood vessels. This therapy has traditionally been used for wound care but is now being applied to treat brain injuries and PTSD by repairing damaged brain tissue and improving brain function.   Our conversation covers the comprehensive approach taken at Aviv Clinics, which includes neurological, physiological, and psychological assessments and treatments. Dr. Miller shares inspiring success stories of individuals who have experienced life-transforming improvements, from reduced PTSD symptoms to enhanced relationships and overall quality of life.   For anyone interested in innovative treatments for PTSD, this episode provides valuable insights and hope. Discover how Aviv Clinics is pioneering new methods to restore the quality of life for those affected by PTSD.   03:27 " One of the things that I thought about was what exactly is hyperbaric oxygen therapy 06:28 " Post traumatic stress disorder damages the brain, and hyperbaric oxygen repairs damage 09:27 " How does somebody get involved with working with yourself and the folks at Aviv 16:36 " Hyperverse has a profound effect on all aspects of our immune system function 25:57 " One thing that surprised me from the beginning is regenerating nerve cells Give a listen and remember to share with someone who may find this podcast episode valuable. Subscribe, like, comment and take what resonates and go beyond! In Love and Healing, Dr. Deb   Connect with Dr. Roger Miller and Aviv Clinics at: Website: Aviv Clinics Phone: 352-648-0750   Connect with Dr. Deb Lindh and PTSD and Beyond at: Website - Dr. Deb Lindh X formerly known as Twitter - @DebraLindh X formerly known as Twitter- @PTSDandBeyond  

Michael A welcomes Stephen, James, Ryan and Mark, the four former members of one of Flint's most unique and beloved bands, May/June. Thanks to the miracle of Zoom technology, the geographically scattered friends and bandmates are reunited to talk about the history of May/June, the great music they made, the chemical composition of Faygo Rock & Rye, the importance of Roger Miller and circus music, and the fact that Flint is f***ing weird. Flint is one of the most unique cities in the world, with a vibe and a heart like no other. Any musician who plays here is somehow transformed by it. This podcast explores the experiences of those musicians, visitors or native Flintoids, both onstage and off. We'll check out some of their music, look at their history in my hometown of Flint, and have a few laughs along the way. We call it The Flint Connection. More Michael A/Albadore content here: https://linktr.ee/albadore

Six String Hayride Classic Country Podcast Episode 41, The Long and Strange 1960's Episode. Roger Miller, Patsy Cline, and George Jones conquer the Country Charts. Loretta Lynn emerges as the songwriting voice for women everywhere men are foolish. Four Carl Perkins Fans from Liverpool change music forever and Ed Sullivan puts them on TV. JFK and MLK are killed while preaching Peace. Elvis makes some movies. Peter O'Toole, Steve McQueen, and Paul Newman make even better movies. Three of the Greatest Western Movies get made. Doctor WHO and Star Trek become two of the great entries in Science Fiction TV. Julie Andrews is a Flying Super Nanny and James Bond creates The Perfect Vodka Martini. Johnny Cash gets his life together with help and love from June Carter and records the two best Live Concert Albums in Country Music. Carl Perkins writes the Classic Song that keeps our musical circle unbroken and Michael Collins gives Neil and Buzz a ride to The Moon. Grab a Moon Pie and hop in The Hayride Time Machine. The best 1960's Country Music, The Movies of the 1960's, and a 007 Martini from the Swinging Sixties in Episode 41 of The Six String Hayride Classic Country Podcast. https://www.facebook.com/profile.php?id=100086513555749https://www.patreon.com/user?u=81625843

With apologies to Roger Miller, "Saratoga County Star...that's what he are." This month on the Radio Split Ranch, I sit down down with veteran broadcaster John Meaney, because neither of us can stand up for a whole hour anymore. Enjoy!

Send us a Text Message.What a hoot this has been puttin together.  Its really fun when you look back and hear where our country music has taken us  regarding self indulgence. Mike Moore starts things off  with the strange goings on in the pig pen but we settle in with Merle and Willie , and Roger Miller along with Grandpa Jones singin about drinking. But we end up with Merle and Willie singin about pot. Lots in between though. Hope it brings a smile to your day.

Episode 575 also includes an E.W. Poetic Piece titled "Pink-Orange." Our music this go round is provided by these wonderful artists: Thelonious Monk, Roger Miller, China Shop, Jimi Hendrix, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Putting a house up for sale to move across the ocean, trying the change on for size...Soon to be an All American Alien Girl - nothing a little Roger Miller won't fix.

GGACP once again remembers our late, lovable pal Paul "Raybone" Raeburn by revisiting this mini-show from 2018, as Gilbert "reinterprets" compositions by Elton John, Kris Kristofferson, and podcast guests Charles Fox and Paul Williams. Also in this episode: Moms Mabley! The genius of Roger Miller! The Paul Raybone Band! Paging Gordon Lightfoot! And Ed Sullivan blows the joke!  Learn more about your ad choices. Visit megaphone.fm/adchoices

You will enjoy this show, we did!! Wasn't much of a throw down as it was a sit down and have some Mountain Dew and Moon Pies!!! Continuing with our 'Mellow" vibe we had fun talking about this and that from Dumb things we men do to eating Shrimp!! GOOD TIMES!!! Our deepest apologies to the late Roger Miller for how The Old Man and Amber May destroyed his song, "Trailers for Rent". LOL!!! Have an AWESOME Day and join us tomorrow for the Promote Your Stuff Show!! Later Gators!!   The Old Man's Podcast is a 2023 Award Winning Podcast: “Overlord Indie Podcast Award Winner - Live Podcaster of the Year 2023 – The Old Man's Podcast” “Listed on FeedSpot's TOP 100 Family Friendly Podcasts” https://blog.feedspot.com/family_friendly_podcasts/   Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree   Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com     Contact us at: theoldmanspodcast@gmail.com   Visit and Support Our Partners: Podcast Overlord: https://overlordshop.com/store Glow Flow Denver: https://www.glowflowdenver.com/ Whole-E Shift: https://www.wholeeshift.com/   Roaming the Road (of Life): https://www.shondasinclair.com/   Follow us on: Facebook: The Old Man's Podcast @TheOldManOnPodbean Twitter: The Old Man's Podcast. @TheOldMansPodc1   Closing Music is “Biff” by “The Huntertones” from their CD Titled “ENGINE CO.” Check out this and their other CD's available on their webpage www.huntertones.com , These Cats can play!!!!

Everybody from  ROGER MILLER to ERNEST TUBB had a song about drinkin. WILLY NELSON, BRAD PAISLEY, MERLE HAGGARD, SHELLY WEST , TOM T HALL ,DAVE DUDLEY, JIM ED BROWN, DAVID FRIZZELL and one of my favorites by an artist named JOE NICHOLS  sings "Tequila Makes Her Clothes Fall Off".Duets with ALLEN JACKSON and JIMMY BUFFET, TOM T and DAVE DUDLEY are a real hoot. Enjoy my friends and please share with someone.

Mission Of Burma guitarist Roger Miller joins us on the show to talk about the journey that brought him to Boston from Ann Arbour, MI, and the subsequent success of one of America's most influential bands. Music Mission Of Burma "This Is Not A Photograph" Mission Of Burma "Laugh The World Away" theme song "So Pretty" by The Charms Produced and Hosted by Steev Riccardo

A nature-filled place somewhere between escapist fantasy and self-care. This week we're talking about Cottagecore. Music credits: "Out of the Woods" (Nickel Creek) 'Simple Gifts" (performed Joyce Merman, attributed to Elder Joseph Brackett), "Oo-de-lally" (Roger Miller). ©2020 The Furious Curious, Britton Rice

This episode features an interview with designer Sam London, who's new game Firefight Tactical is burning up the P500 list.As well, I'll compare two games on the battle of Gazala in WWII. The Cauldron from Roger Miller and Revolution Games, and Operation Theseus from Vuca Simulations.As well, there will be the usual news, tips for newbies, and general wargaming chatter.Some links to things discussed this episode:Form Square Games, the new publisher from England and their gamefound campaign for their first gameYoutube interview and demo with Volko Ruhnke about his new game, CoastwatchersYoutube interview with Mike Rinellaabout all his area impulse designs and his new push into solitaire games Worthington Games kickstarter campaing for their new game Louisbourg 1758Compass Gams has Atlantic Sentinels on  KickstarterAce of Aces new kickstarer Here's the link to the GMT page for Sam London's Firefight Tactical Note that my interview with Sam was recorded outside, and we got a bit of noise from the breeze. I cleaned it up as much as possible, but you'll still here a few flutters and pops. 

Dotun and Tim are joined by North African football expert, Maher Mezahi to talk about AFCoN and more besides. Is international football about the games or about the friends we made along the way? For well travelled Brian in Coventry it is the friends AND the football. And will the real Roger Miller please stand up?

I got to thinking that in these troubled times many of my listeners could sure use a smile, particularly if you live in a part of our country that has endured winter storms. So,,,,, I put together ROGER MILLER, RAY STEVENS, LONZO and OSCAR, and even JOHNNY CASH. And Johnny,  in my opinion, sings one of the funniest songs he's ever done. I think you'll smile when you hear the meaning of "SOME BEACH" along with JERRY REED  as well as TIM McGRAW"S take on divorce. TRACE ATKINS , DONNA FARGO AND GLEN CAMPBELL  are here too with performances to help ya smile. Enjoy and be sure to share with someone ya love.

Clint Mephisto's Road Show Episode 284, week of January 2nd. Your Ol’ Drankin’ Buddy rustles up a Hellbilly Hootenanny with vintage classics and modern barn burners from Little Richard, Roger Miller, The Peacocks, Big Sandy & His Fly-Rite Boys, The Lords Of Altamont, and more!

The Medfield gang is back with a movie that was near and dear to most of us - 1973's animated classic Robin Hood, directed by Wolfgang Reitherman, starring Brian Bedford, Phil Harris, and Peter Ustinov, and featuring some truly iconic Roger Miller songs.  Why don't you sit and rest a spell as we discuss this peach's place in the Disney echelon?  Nobody really likes Skippy, but that shouldn't hurt things too bad, right?  And George "Goober" Lindsay is up in here, surely that will make Andy go bananas, right?  I guess you'll just have to find out....

Today's guest is Charlie Collins. Charlie is a singer songwriter out of Northern Virginia who also happens to be a firefighter. He's a firefighter in Loudoun County. He picked up the guitar recently as a way to recover and as a piece of therapy, actually. And from there, between TikTok, YouTube, friends and co-workers, his stuff got out on the internet and he was picked up by a producer in Nashville, Actually the son of Roger Miller and some of you might know who Roger Miller is. He's famous for the song King of the Road. His son found Charlie and decided he was worth recording and I have to agree with him. So the result of that recording was the EP called Undisclosed and you're going to hear some of the songs from that in today's episode and you're going to hear a couple of unreleased songs This one was a good one. This was a fun one to do. There was a typical story of life and some traumas and some drama and then recovery. But there's also five songs mixed in and it was a little tricky for me because it's the first time I've recorded music along with a podcast. So hopefully the quality treats you right. And, and you enjoy this show as much as I did.

Double Down Gospel - Interview with Brad Davis Show NotesSummary:Brad Davis is known as “The Shredder.” Many have said that Brad's music is an eclectic blend of Joe Satriani and Bill Monroe, and Guitar World Magazine claims Brad is one of the 30 greatest Texas guitarist of all time, as well as the No. 1 Guitar Player to watch! Grammy Record Performer Brad Davis is a songwriter, producer, session, and touring artist. He has worked with Marty Stuart, Earl Scruggs, Billy Bob Thornton, Forester Sisters, Sweet Hearts of the Rodeo, Willie Nelson, Sheryl Crow, Emmy Lou Harris, Roger Miller, Steve Earl, David Lee Roth, Dwight Yoakam, and others.Brad also happens to be my brother in Christ, a long-time friend, and the father of my daughter-in-law. We discuss gospel music, life on the road, Bohemian Grove, and Bigfoot in an eclectic and fun interview filled with musical performances by Brad and Berea!Episode brought to you by our Premium Subscribers or Seekers:Dan Y., Shellwyne R., Rebecca F., Katie D., and Mary R.Links:https://www.braddavismusic.com/ Live video link: https://youtu.be/Vth7z67kfDIhttps://www.guitarworld.com/features/6-bluegrass-guitarists-you-need-to-hearbraddavismusic@gmail.comInteractive church locator for those looking for a fellowship that teaches certain truths - https://rockharborchurch.net/grow-connect/church-locator/Website:https://biblemysteriespodcast.comSubscribe: https:/https://biblemysteries.supercast.comhttps://rumble.com/c/c-1711765Email: unlockthebiblenow@gmail.comDonate: https://secure.subsplash.com/ui/access/BDJH89Takeaway:We take a departure from our more serious content to enjoy a heartwarming interview with a dear and talented brother in the Lord. While Brad discusses his close encounters with the satanic global elites at Bohemian Grove, he focuses on the joy of salvation and how to overcome the challenges of life on the road for a believer. We are blessed to have Brad share his amazing guitar talent with us, as we join my wife Sandi in singing edifying songs composed by Brad, Sandi, and myself.

David Jackson Live on Game Changers with Vicki Abelson What a delight music legend David Jackson is. No surprise. I was warned by his legions of loyal fans, most of whom are his brilliantly talented contemporaries. This was fabulous fun, topped perhaps by pre-fed stories with lots of misinformation which paved the way for the truths, which proved to make it all even more fun. So what if David wasn't actually at Columbia Studios when George Harrison hid the pot from the cops, he told great story! Who cares if David was with Cher in DC, not the Chateau Marmont when she got a call from Jimmy (President Carter), not Henry Kissinger, or when he was offered his own show after being a regular on The Andy Williams Show he didn't turn it down, it just… well… he tells it... and then some… and then some more. Great stories, all. We hear about Hoyt Axton and how they wrote Ringo's No No Song, and Three Dog Night's Joy To The World, and what happened to David in both, there's the Chambers Brothers, Bo Diddley, Jackson Browne, John Denver, Sonny, and Sonny and Cher, Glen Frey, Jimmy Buffett, a GREAT story about Roger Miller and Glen Campbell, The Bohemian Grove, what that gentleman's club is really all about, and his upcoming trip to Marrakesh to play and… play. What a life. Well lived, still living to the max. This man is damn delight. Top to bottom, start to finish. I can't wait for his return to the States and his Friday nights at The Write Off Room with The Deductions. Till then I'll be hitting his Bandcamp https://davidpjackson1.bandcamp.com/album/first-waltz?fbclid=IwAR1FNNSEtyXUFWpxRjACYgs2844fFTyteIwhZUcxmpW0YxaBvfMngJfS_nk. David Jackson has a new huge fan. *raises hand* David Jackson Live on Game Changers with Vicki Abelson Wednesday, Sept 27th, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/45ZpZ0l

This week, we ring in Father's Day with Willie's youngest son, singer-songwriter and visual artist Micah Nelson, who talks about “Still Is Still Moving to Me.” It was the closing track on his dad's landmark 1993 album Across the Borderline, a high-octane, guitar-heavy anthem that kicked off the Living Legend phase of Willie's career. Micah describes how much fun it is to play every night as part of the Family Band, before describing the drive to create he inherited from his dad, one of his dad's favorite Roger Miller stories, and the magic of discovering old Willie records that others have forgotten.

Comedian and legendary radio host, Frazer Smith, joins Adam as he tells the story of how he got his start at KROQ and how back in the day cocaine would get your band played on the radio. They discuss other radio personalities like Rodney Bingenheimer and “ Paraquat” Kelley before breaking down“Dang Me” and “King Of The Road” by Roger Miller. Next, Frazer shares the time he was forced to play a song on air by Wayne Gretzky before playing a round of ‘Hollywood Hand Me Downs' featuring auctioned off memorabilia from classic TV shows. Finally, Chris reports the news including: the Unabomber committing suicide, children surviving in the jungle for weeks after their plane crashed, a controversial string of racehorse deaths, Pete Davidson feuding with PETA, and pr otesters breaking into a brawl outside a school over Pride issues. PLUGS: Listen to Frazer Smith's podcast ‘Puck Off' wherever you find podcasts See Frazer Smith's variety show in West Hollywood, CA at The Roxy Theater on August 17th Catch Frazer Smith live at The Laugh Factory in Los Angeles every Tuesday night at 10pm And follow Frazer on Twitter, @FrazerComedy THANKS FOR SUPPORTING TODAY'S SPONSORS: Turo.com LectricEBikes.com TommyJohn.com/ADAM Angi.com The Jordan Harbinger Show OReillyAuto.com Download the Viator app and use code VIATOR10

China scholar Michael Beckley says China is engaged in the largest military buildup since World War II, and is being increasingly aggressive with its Asian neighbors and with the U.S. Beckley's book is Danger Zone.Ken Tucker reviews a reissue by Roger Miller.