Podcasts about Georges Franju

I begin this episode by responding to some Movie Monday feedback for The Neverending Story from Joe Richter of Hindsightless and Jason Connerley of Nerd's RPG Variety Cast. This leads to me discussing a bunch of different films I've watched over the last couple of weeks. Phenomena dir. Dario Argenta (1985) The Quatermass Xperiment dir. (1955) Lifeforce dir. Tobe Hooper (1985) I Saw the TV Glow dir. Jane Schoenbrun (2024) Eyes Without a Face dir. Georges Franju (1960) Companion dir. Drew Hancock (2025) Find my Letterboxd profile at https://letterboxd.com/The39thMan/ The movie for April is the Rankin/Bass animation The Last Unicorn from 1982. See below for details on how to contact the show. The episode will air on April 28th, so please send your submissions by the 26th. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Does appearance create identity or is it the other way around? Put on your pearl chokers and prosthetic masks to meet us in the clinic. Special guest Joshua Conkel joins us for a discussion on appearance and perception in Georges Franju's Eyes Without a Face. If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Mae: @eversonpoe on all social media platforms, music at eversonpoe.bandcamp.com Rocco: @roccotthompson on Twitter, @rosemarys_gayby on Instagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: Mae (@eversonpoe) Learn more about your ad choices. Visit megaphone.fm/adchoices

Bonjour mes amis, the GenreCast is back for round two of AntiTrash 2025. We keep the serious scares coming as we trek to France with the cult European classic Eyes without a Face. Georges Franju's ethereal piece was initially slept on but has since become an influential work. We bring Eyes without a Face to the analysis table this week to talk about images, identity, beauty, and much, much more. So join us for our analysis of Eyes without a Face. 

durée : 00:59:59 - Les Nuits de France Culture - par : Philippe Garbit - En 1986, à l'occasion des cinquante ans de la Cinémathèque française et de la parution de deux ouvrages consacrés à son co-fondateur Henri Langlois, l'émission les "Nuits magnétiques" dresse un portrait croisé d'une personnalité forte, passionnée, unanimement reconnue mais parfois contestée. - réalisation : Virginie Mourthé - invités : Henri Langlois Conservateur, collectionneur, critique, co-fondateur de la Cinémathèque française (1914-1977); Georges Franju; Françoise Jaubert Collaboratrice d'Henri Langlois (1928-1991); Yvonne Dornès Femme de lettres et féministe française (1910-1994); Jean Narboni Historien, théoricien et critique de cinéma

On poursuit l'entretien avec Camille Brunel qui décortique la représentation des autres animaux dans la culture, et interroge la prégnance du spécisme dans ces représentations. Mon invité analyse plusieurs dizaines d'œuvres cinématographiques, de dessins animés et de documentaires au prisme de l'antispécisme.  On soulève les questions de l'anthropomorphisme, de l'utilisation des animaux comme symboles ou métaphores, du renversement de la situation entre humains et animaux pour faire apparaître le spécisme, de l'exploitation des animaux acteurs, de la symbolique végétarienne ou de la portée animaliste de certains films et dessins animés, de l'effet de Disney sur les représentations des animaux, et de bien d'autres choses encore ! ________________________________ Références et sources citées dans l'entretien :  Livres de Camille Brunel :  - Le cinéma des animaux - Je est un animal - Les métamorphoses Conférences : - « L'animal, le film et le végétarien : Parcours secret du végétarien au cinéma » - Camille Brunel - « L'animal est-il un humain comme les autres ? » - Camille Brunel - « Les animaux ne sont pas des métaphores » - Victor Duran-Le Peuch Films : Babe, La légende de Manolo (Jorge Gutierrez), I Robot, La série Mad Max, Happy Feet (George Miller), Clous Atlas, Matrix (les soeurs Wachowski), Le sang des bêtes (Georges Franju), Nuit et Brouillard (Alain Resnais), L'Odyssée de Pi (Ang Lee), Noé (Darren Aronofsky), White God (Kornél Mundruczó), Cheval de guerre (Steven Spielberg), Mystère (Denis Imbert), Eo (Jerzy Skolimowski), Le Règne animal (Thomas Cailley), La revanche d'une blonde (Robert Luketic), La forme de l'eau (Guillermo del Toro), Massacre à la tronçonneuse (Tobe Hooper), Hellboy (Guillermo del Toro), Qu'est-ce qu'on a fait au bon Dieu ? (Philippe de Chauveron), Avatar 2 (James Cameron), Gorge, coeur, ventre (Maud Alpi) Dessins animés : La Belle et la bête, Frère des ours, Madagascar, Wallace et Gromit (Nick Park), Chicken Run, Dumbo, Bambi, Zootopie Documentaires : Secrets of the Whales et Secrets of the Elephants (James Cameron), Océans (Jacques Perrin et Jacques Cluzaud) Autres références :  - Casques de réalité virtuelle pour les vaches - Étude sur les chats qui nous ignorent - Frankenstein ou le Prométhée moderne - Mary Shelley - La politique sexuelle de la viande - Carol J. Adams - Repas véganes sur le tournage d'Avatar - The Disneyfication of animals - Rebecca Rose Stanton  - Publispécisme, concept développé par Axelle Playoust-Braure, voir ép 9 et 10 du podcast où elle l'explique - Deux analyses de la question raciale dans Zootopia : - Au nom des requins - François Sarano - L'inconscient des animaux - Florence Burgat Recommandations de Camille Brunel :  - Le film Cow d'Andrea Arnold - Le TED Talk ‘Grief and love in the animal kingdom' par Barbara J. King (et son livre How animals grieve) - La folie des chats - Claude Béata ________________________________ SOUTENIR : https://linktr.ee/poissonpodcast Comme un poisson dans l'eau est un podcast indépendant et sans publicité : votre soutien est indispensable pour qu'il puisse continuer à exister. Merci d'avance ! Abonnez-vous sur les réseaux sociaux à @poissonpodcast (Twitter, Instagram, Facebook, etc.) ________________________________ CRÉDITS Comme un poisson dans l'eau est un podcast indépendant créé et animé par Victor Duran-Le Peuch. Charte graphique : Ivan Ocaña Générique : Synthwave Vibe par Meydän Musique : Poker par Galshi Revolution

Directed by Georges Franju and released in 1960, Eyes Without a Face tells the story of a genius plastic surgeon who is determined to restore his daughter's beauty after a car accident led to her disfigurement. Driven by guilt, remorse, and regret he and his assistant attempt to transplant the faces of unfortunate young women while his daughter is locked in his mansion, sedated, and made to wear a mask to hide her true face. A film that delves into some deep themes its as much poetry as it is shocking and horrific, a perfect mix for your rolodex this spooky season.

About face! Sakana joins us this week to check out some seminal body-horror films: Eyes Without a Face (1960), directed by Georges Franju, and The Awful Dr Orlof (1962), directed by Jess Franco. Doctoral God complexes, the French scars of Nazi occupation, and the proliferation of blind killers in European films of the 1960's - we discuss all this and more. We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Eyes Without a Face by skipping ahead to the 1:15:10 mark, and for The Awful Dr Orlof by skipping ahead to 1:52:29. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Boomer, Brandon, and Alli discuss Georges Franju's surgical horror classic Eyes Without a Face (1960) https://www.instagram.com/swampflix/ 00:00 Welcome 03:50 Abigail (2024) 13:00 Twisters (2024) 22:04 Happy Together (1997) 26:01 The Swimmer (1968) 29:27 The Red Shoes (1948) 36:35 She is Conann (2024) 43:34 Kim's Video (2024) 53:08 Wicked Little Letters (2024) 57:07 Kneecap (2024) 1:00:11 Eyes Without a Face (1960)

durée : 01:19:56 - Les Nuits de France Culture - par : Philippe Garbit - Janine Bazin est la productrice de la mythique émission de cinéma "Cinéastes de notre temps". En 1997, elle se confie au micro des "Nuits Magnétiques" dans un portrait illustré d'archives de Michel Simon, Jean Renoir, Franju, Pasolini, Josef Von Sternberg, des personnalités qu'elle a bien connues. - invités : Janine Bazin Productrice française de cinéma et de télévision (1923-2003); André S. Labarthe Critique de cinéma, documentariste et producteur français; Michel Simon; Georges Franju; Jean Renoir Cinéaste (1894 - 1979); Jacques Rivette Réalisateur de cinéma français; Luis Buñuel Réalisateur et scénariste espagnol naturalisé mexicain; Josef Von Sternberg

[Eyes Without a Face (1960) Screams After Midnight, a horror movie podcast. [Eyes Without a Face is directed by Georges Franju and stars Pierre Brasseur, Alida Valli, Juliette Mayniel patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight discord: https://discord.gg/8fbyCehMTy TWITCH: https://www.twitch.tv/mildfuzztv email: mftvquestions@gmail.com THE CRYPT: https://sites.google.com/view/mildfuzztvpatreonlists/crypt?authuser=0 Audio version: https://screams-after-midnight.pinecast.co/

Bonjour! Welcome to a new season, our 5th season! In this week's long-time coming episode, Wickham and Colleen are discussing French cinema in the context of their recommendations, "La Haine" ("Hate", 1995, dir. Matthie Kassovitz) and "Les Yeux Sans Visage" ("Eyes without a Face", 1960, dir. Georges Franju).

durée : 00:59:08 - Maurice Jarre, du TNP à Hollywood (1/3) - par : Thierry Jousse - En attendant le concert qui lui sera dédié, à la Maison de la Radio, le vendredi 2 février, première plongée dans l'œuvre énorme de Maurice Jarre, avec un focus sur ses années françaises, autour du TNP de Jean Vilar et des premiers films de Georges Franju.

L'inconvénient des chefs d'œuvres, c'est que l'on s'habitue tellement à leur présence qu'ils finissent par s'estomper, et surtout, à force d'être trop évidents, ne plus s'imposer aux jeunes générations pourtant avides de cinéma. Les raisons ne manquent donc pas pour remettre une nouvelle fois en lumière une série de films qui certes ont marqué l'histoire du cinéma français, mais qui surtout contiennent encore aujourd'hui, après plusieurs décennies, leur lot de surprise, de force de trouvailles et d'émotion. 00:01:18 La Belle équipe (Julien Duvivier)00:19:40 Pattes Blanches (Jean Grémillon)00:31:38 Goupi Mains Rouges (Jacques Becker)00:42:17 Antoine et Antoinette (Jacques Becker)00:55:28 Les Yeux sans visage (Georges Franju)01:09:01 Pleins feux sur l'assassin (Georges Franju) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Full episode at patreon.com/thicklinespod. Katie is joined by Gilbert Hernandez (Love and Rockets) for a rundown of his must-watch Halloween horror (aka monster) movies. Topics discussed include Georges Franju, Stan Brakhage, Jonathan Glazer, Yorgos Lanthimos, “prestige” horror, Mario Bava, Andrzej Zulawski, Twilight, The Twilight Zone, The Naked Cosmos, and lots more! Thanks to our Patreon subscribers for making this episode possible. Happy Halloween!

In this Halloween special, host Dr Pasquale Iannone is joined by current MSc Film Studies student Sebastian Gilling-Ulph to discuss dark filmic fairytales.Films discussed:Coraline (Henry Selick, 2009) https://edin.ac/47qqP6PEyes Without A Face (Georges Franju, 1959) https://edin.ac/47a3c1R

durée : 01:19:59 - Les Nuits de France Culture - par : Philippe Garbit - "Nuits magnétiques - Janine Bazin : sous le signe du lion" l'émission propose un portrait de la productrice et des archives de Michel Simon, Jean Renoir, Georges Franju, Pier Paolo Pasolini, Luis Buñuel et Josef Von Sternberg, des hommes de cinéma que Janine Bazin connaissait bien. - invités : Janine Bazin Productrice française de cinéma et de télévision (1923-2003); André S. Labarthe; Michel Simon; Georges Franju; Jean Renoir Cinéaste (1894 - 1979); Jacques Rivette Réalisateur de cinéma français; Luis Buñuel Réalisateur et scénariste espagnol naturalisé mexicain; Josef Von Sternberg

Try not to lose your face when you tune in to this episode! Join your crew as we dive into this French horror classic from good ol' 1960.   What happens when a surgeon takes his skills to extreme heights in order to restore his daughter's face? Join Alix, Anthony and Phill as they explore this French gothic film directed by Georges Franju. Also, does this flick call for a double feature with Nic Cage's Face/Off? We can call it Eyes Without a Face/Off! Got a nice ring to it!  Tune in to episode 229 as we discuss Eyes Without a Face!  Classic Horror 2 by Kevin MacLeod  Licensed under Creative Commons: By Attribution 3.0 License

It's been a long time since your hosts have travelled to France! This week we cover LES YEUX SANS VISAGE (1960) aka EYES WITHOUT A FACE from director Georges Franju! Based on the Jean Redon novel, the film stars Pierre Brasseur, Alida Valli and Édith Scob. It delivers French New Wave horror while keeping you at arm's length -- but will that work in its favour? Context setting 00:00; Synopsis 27:26; Discussion 35:33; Ranking 57:43

10 MN CHRONIQUE Où sont les femmes #3 - L'année du singe aux éditions Des Femmes, Patti Smith.AUTOUR DES LIVRESJe diffuse une chroniqueAutour des livres de Catherine Hémery-Bernet : La guerre, au Soudan, en Ukraine, au Liban....Au Centre Pompidou :1/18 ème édition de Hors pistes : Voir la guerre et faire la paix2/ Effractions La mémoire et l'exil Sabyl Goussoub (Beyrouth sur Seine, édit Stock), Oliver Rohe (Défaut d'origine, Chant balnéaire, édit Allia)Au musée international de la Réforme : Déflagrations (27 avril/27 aout 23) Plus d'un siècle de dessins d'enfants dans les guerres et les crimes de masse MUSIQUESting chante pour l'Ukraine, sa chanson de 1985 Russians (2.07mn)https://www.google.com/search?q=STING+la+guerre+russian+you+tube&client=firefox-b-d&sxsrf=APwXEdffZQ7lTHevEv99-NCv_XYYkWLJoQ%3A1685613400112&ei=WGt4ZLC8Br-gkdUP8fuNOA&ved=0ahUKEwiwyMSf56H_AhU_UKQEHfF9AwcQ4dUDCA4&uact=5&oq=STING+la+guerre+russian+you+tube&gs_lcp=Cgxnd3Mtd2l6LXNlcnAQAzIHCCEQoAEQCjIECCEQCjoKCAAQRxDWBBCwAzoFCAAQogQ6CAghEKABEMMEOgQIIxAnOgYIABAWEB46BQghEKABOggIIRAWEB4QHToECCEQFToGCCEQFRAKSgQIQRgAUOUrWO5_YJyKAWgBcAF4AIABsAGIAc0QkgEEMTcuNpgBAKABAcABAcgBAw&sclient=gws-wiz-serp#fpstate=ive&vld=cid:a05308b5,vid:OFTx8qwpqDA LIEUX DITS Greg Chenel cuisine sculpture pâtisserie en trompe l' oeilAU REVOIR agenda culturel / au Studio : cycle Jean-Pierre MOCKY/ comédien dans La tête contre les murs de Georges Franju (1959), réalisateur dans Solo (1970)MERCI !

With surgical precision, Adam and Zands dissect Georges Franju's 1960 horror/noir classic, Eyes Without a Face. In this film, a brilliant but disturbed surgeon and his assistant kidnap young women and surgically remove their faces to serve as transplants for his daughter who was disfigured in a car accident. They discuss the film's influences (German expressionism, film noir) and the artists it influenced (Del Toro, Burton), as well as its dark fairy tale storyline, its feminist themes and its anti-fascist/anti-authoritarian messaging. CW for surgery, animal attacks, some ore, medical abuses of women's bodies, suicide and human trafficking Zands' Rating: 5/5 Adam's Rating: 5/5 --- Send in a voice message: https://podcasters.spotify.com/pod/show/adam-venrick/message Support this podcast: https://podcasters.spotify.com/pod/show/adam-venrick/support

Welcome to It's A Wonderful Podcast!! A return to French movies and a return to the world of Horror on this week's main show as Morgan and Jeannine discuss the startlingly stunning mix of ethereal, almost ghostly sadness; clinical, surgical body horror; and the dehumanising nature of a broken-down, obsessive, guilt-ridden mind in Georges Franju's impeccably imaged EYES WITHOUT A FACE or Les Yeux Sans Visage (1960) starring Pierre Brasseur, Alida Valli & Edith Scob! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠ Join our Patreon: ⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠ Morgan: ⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠ Jeannine: ⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

After a small break, Nichole is back with an episode on the 1960 classic, Eyes Without a Face, directed by Georges Franju. Lots to discuss with this one: body image and disability, autonomy, and patriarchy.Additional Listening:· Episode 71. Violent Visage: Eyes Without a Face (1960) | Faculty of Horror· MIND & BODY Pt 5: Eyes Without A Face & Carnival of Souls — The Evolution of Horror· The Pod and the Pendulum· Psychoanalysis: A Horror Therapy Podcast on Apple PodcastsWant to recommend a film to be covered, or just reach out and say hello? Of course you do! Shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

Today on Bloodhaus, everyone's mom hates Don't Look in the Basement! Anyway, the ghouls discuss arthouse classic, 1960's Eyes Without a Face (Les Yeux sans visage.) But first! Lindsay Anderson (The Sporting Life, If, Britannia Hospital), I Saw What You Did, Paul Thomas Anderson (The Master, Magnolia, Phantom Thread, Boogie Nights, Licorice Pizza, Inherent Vice, Punch Drunk Love), Guy Ritchie (Lock Stock and Two Smoking Barrel, Madonna's Swept Away), Oceans 12, Snatch, Smokin' Aces, Bullet Train, The Wrath of Man, Josh Hartnett supremacy, Skinamarink, fake film grain, the trailer for Robert Altman's Images. From wiki: “Eyes Without a Face (French: Les yeux sans visage) is a 1960 French-language horror film co-written and directed by Georges Franju. A French-Italian co-production, the film stars Pierre Brasseur and Alida Valli. Based on the novel of the same name by Jean Redon, it revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in a car accident. During the film's production, consideration was given to the standards of European censors by setting the right tone, minimizing gore and eliminating the mad scientist character. Although Eyes Without a Face was cleared by censors, its release in Europe caused controversy nevertheless. Critical reaction ranged from praise to disgust.” NEXT WEEK: Liquid Sky Website: http://www.bloodhauspod.com  Twitter: https://twitter.com/BloodhausPod Instagram: https://www.instagram.com/bloodhauspod/ Email: bloodhauspod@gmail.com        Drusilla's art: https://www.sisterhydedesign.com/ Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/        Joshua's website: https://www.joshuaconkel.com/ Joshua's Twitter: https://twitter.com/JoshuaConkel  Joshua's Instagram: https://www.instagram.com/joshua_conkel/ Joshua's Letterboxd: https://letterboxd.com/joshuaconkel  

Finishing this year's foreign film month we watched the 1960 horror thriller film Eyes Without a Face. Co-written and directed by Georges Franju, the film stars Pierre Brasseur and Alida Valli and revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in a car accident. Come jois us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

This week, Aaron and Derek embrace their inner Martin Scorsese "this is...cinema." They discuss 1960's French horror film "Eyes Without a Face" directed by Georges Franju. They talk about what makes the doctor the true monster, how the surgery scene is still shocking, the influence this movie has had on pop culture, and how it was censored and marketed in the United States. They also get into about Édith Scob's ethereal performance, what makes the ending amazing, and many other aspects of the film. Derek's face frightens him. Aaron's mask frightens him even more. We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Google, Stitcher, Spotify, and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook, Twitter and Hive @WatchIfYouDare

Join Ryan as he takes a trip back to 1960 to review Georges Franju's classic horror film Eyes Without a Face.

No need to remove your faces to enjoy this episode where I talk about Georges Franju's Eyes Without a Face, as well as a bunch of other great films for my November Loot. From daring truck drivers to cool Vegas thieves, from Latin America to Latvia, it is all part of this month's loot.Music: Tino Mendes & Yellow Paper - The HeistEyes Without a Face trailer (c) Champs-Élysées Productions & Lux FilmEyes Without a Face song clip (c) Billy Idol & Chrysalis

Jenny talks about the classic French horror film directed by Georges Franju, about a doctor seeking to transplant a new face onto his disfigured daughter. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. And check out our cool merch at our Zazzle … Continue reading Flickers Of Fear: Eyes Without a Face (1960)

In our latest Criterion episode, Ashley & Matt discuss the French 1960 classic body horror film, Eyes Without a Face. It's a good movie to watch in October!

A propósito del estreno de "Prey", abordamos la saga completa de "Depredador". En "rescates" nos fuimos a 1960 para hablar de una obra maestra del terror: "Los ojos sin rostro" (Le yeux sans visage) de Georges Franju.

On this episode of Talking Terror, the mad monkey invites your horror hosts with the most back to the horrors of monochrome! So listen in as they discuss his film pick of the week! A french fright film that was released in Paris in 1960 but not in the United States until 1962 as "The Horror Chamber Of Dr. Faustus"! It's "Eyes Without A Face" directed by Georges Franju. Stay scared people, stay scared!

Another FFS classic! Join Ada (@The_Ada_Rhodes), Henry (@punkgroucho) and Katie (@katieofthelake) to take a look at the 1960 Georges Franju horror film Eyes Without a Face. Death to the patriarchy! Let's all go into the woods and free doves.  Follow us on Twitter @totallytranspodGet bonus content on https://www.patreon.com/totallytransBuy our merch RedBubbleMusic used was Tchaikovsky's Opus #39, remixed by Nesrality on Pixabay. Support the showSupport the show

Von der Lust am Chaos, dem Ergreifen von Chancen und der Kunst, gesund und fit alt zu werden

durée : 00:59:59 - Les Nuits de France Culture - Par Marcel Dynine - Avec Juliette Gréco, André Masson, Jacqueline François, Freddy Balta, Marcel Achard, Maître Jean-Pierre Le Mée, Serge Gainsbourg, Georges Van Parys, Georges Franju, Maurice Jarre et Charles Aznavour - Réalisation Gérard Herzog

We're not the only ones grazing for this episode as we take a look at an intriguing new trend in cinema: the proliferance of feature-length ‘observational' documentaries about livestock. Victor Kossakovsky's GUNDA (2021) and Andrea Arnold's COW (2021) wring tension, drama and political impetus out of paying £15 to watch a farm animal's daily life projected 60-feet tall with strikingly different aesthetic approaches, prompting us to revisit a true classic of our time in Michelangelo Frammartino's Hircine masterpiece LE QUATTRO VOLTE (2010), as well as other cinematic precedents by Georges Franju, Robert Bresson and Béla Tarr. Frammartino's new film IL BUCO, his first in twelve years and a truly awe-inspiring development of his style, previewed at the London Film Festival last year and will be released by New Wave Films on June 10th. The soundtrack features a cover of ‘Reincarnation' by Roger Miller. Select filmography: Cow (2021) Gunda (2020) Le Quattro Volte (2010) The Metamorphosis of Birds (2020) The Turin Horse (2011) River (2021) Au Hasard Balthazar (1966) Le Sang des bêtes (1949) Subscribe to Film Graze on your podcast app of choice and leave us a positive rating and review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey

Episode 53 : A Clockwork Orange with Gillian Hills Gillian Hills is an actress, singer, songwriter, poet, artist and Illustrator, she really is the definition of the term Renaissance Woman. Born in Egypt, Gillian spent her early years in France, where she was discovered at the tender age of 14 by Roger Vadim, the director of And God Created Woman and Barbarella. Vadim described her as the next Brigitte Bardot and cast her in his version of Dangerous Liaisons, released in 1959. In 1960, at 15, Gillian was cast in the lead of the British film Beat Girl with co-stars Adam Faith, Christopher Lee and Oliver Reed. That same year, Gillian recorded her first records with Henri Salvador, for the French record label Barclay, and In 1961, she appeared at the Olympia Theatre in Paris on the bill with Johnny Hallyday. Serge Gainsbourg wrote his first duet for Hills, which they sang together on French TV in 1963. She was soon signed up to the AZ record label and continued to record her self-penned songs as well as cover versions of the latest pop songs. Then another string of films followed, appearing in Michelangelo Antonioni's first English language film, the classic 1966 Blowup, The film version of John Osborne's Inadmissible Evidence (1968), The Owl Service (1969), a television adaptation of the Alan Garner novel, Georges Franju's La Faute de l'abbé Mouret, and she replaced Marianne Faithfull in the 1972 horror Demons of the Mind for Hammer Film Productions. Gillian then moved to New York and enjoyed a successful career as a book and magazine illustrator. In recent years her music has been featured in the film “Mesrine Part One: Killer Instinct” with Vincent Cassel, the Season 5 premiere of Mad Men in 2012, and The Queen's Gambit in 2020 …and she has just released her new self-penned album, Lili, which reflects on her early years aged between 11 and 19. But, this is Kubrick's Universe, and so we must tell you that Gillian also appeared in A Clockwork Orange, as one of the two young ladies that Alex picks up at the record store… so come with uncle, and hear all proper, hear angel trumpets and devil trombones… YOU ARE INVITED! Production Credits : Hosted by Jason Furlong /  Written by Stephen Rigg and Jason Furlong / Original music written and performed by Jason Furlong / Produced and edited by Stephen Rigg. Music : The Immediate Pleasure by John Barry The William Tell Overture by Rossini Spécialisation by Gillian Hills and Eddie Constantine Zou Bisou Bisou by Gillian Hills NeferTiti by Gillian Hills The Off Beat by John Barry Links : Gillian Hills Website : http://gillianhills.com/ipad/ Kubrick's Universe Podcast (KUP) - Facebook Page : https://www.facebook.com/KubricksUniverse The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : https://www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : https://www.youtube.com/c/TheStanleyKubrickAppreciationSociety1 The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact : stephenrigg.skas@gmail.com  

durée : 00:59:17 - Mauvais genres - par : François Angelier - Mauvais Genres au cœur de l'actualité fantastique avec une émission enregistrée au Festival de Gérardmer, qui fait la part belle au patrimoine horrifique ("Les Yeux sans visage" de Georges Franju) et à l'actualité la plus brûlante de l'imaginaire ("After blue" de Bertrand Mandico). - invités : Jean-François Rauger Critique et spécialiste du cinéma fantastique; Bertrand Mandico Cinéaste

durée : 00:58:24 - LSD, la série documentaire - par : Perrine Kervran, Delphine Saltel - Ce que l'on préfère ne pas voir ou l'invisibilisation de l'abattoir.

In the penultimate episode of our Uncanny series, Mary and Sarah talk surgery and identity formation in Georges Franju's Eyes Without a Face (1960) and Pedro Almodóvar's The Skin I Live In (2011).

Today's episode explores French Director's Georges Franju 1960s horror film. Kypria explains the Save The Cat theory in screenwriting and talks about a Nazi fashion designer. The power of seduction and the disdaining portrayal of "dumb women" in film is discussed. Dana reveals her pigeon raising youth and how she prefers to die. Kypria's thoughts on bonnet culture and lost Egyptian advances in medicine. Lastly, was Edna's death scene a murder or suicide?

Welcome back to the Morgue! And happy Thanksgiving weekend

La canción, cuyo título aludía al nombre de una vieja película francesa de terror de los años 60' del director Georges Franju llamada “Les yeux sans visage” (“Ojos sin rostro”, en francés), era una especie de balada electrónica y rockera, evocadora y deprimente, que comenzaba con unos lánguidos teclados y efectos de percusión, mientras Billy Idol hablaba en su letra de una relación amorosa que se descomponía irremediablemente. «Eyes Without a Face» (español: «Ojos sin rostro») es una canción interpretada por el cantautor inglés Billy Idol, lanzado por la empresa discográfica Chrysalis Records en mayo de 1984 como segundo sencillo de su segundo álbum de estudio Rebel Yell (1983). La canción es suave en comparación al tipo de sonido duro característico de Idol, pero a pesar de ello llegó a ser el primer top 10 del artista, llegando al puesto 4 de Billboard​ La canción fue versionada por el grupo chileno Javiera y Los Imposibles en su álbum de 2001 AM La historia de la obra maestra de Billy Idol: Su canción “Eyes without a face” Esta soberbia canción de 1983 es considerada una de las canciones más brillantes y representativas de los años 80'. El 10 de noviembre de 1983 el joven cantante británico Billy Idol lanzó “Rebel Yell”, su segundo disco solista y álbum que lo consagraría artística y comercialmente. Se trataba de una obra musical sólida, repleta de energía, buenas ideas y canciones, raspadores riffs de guitarra y, también, formidables y asertivas letras, destacando entre sus cortes la canción “Eyes without a face” (“Ojos sin rostro”), considerada hoy por los críticos como una de las canciones más formidables que nos legaron los lejanos años 80'. --- Send in a voice message: https://anchor.fm/radioflowok/message

La canción, cuyo título aludía al nombre de una vieja película francesa de terror de los años 60' del director Georges Franju llamada “Les yeux sans visage” (“Ojos sin rostro”, en francés), era una especie de balada electrónica y rockera, evocadora y deprimente, que comenzaba con unos lánguidos teclados y efectos de percusión, mientras Billy Idol hablaba en su letra de una relación amorosa que se descomponía irremediablemente. --- Send in a voice message: https://anchor.fm/radioflowok/message

Post-synchro # 87 - le ciné-swing d'Henri CrollaEntre 1955 et 1960, Henri Crolla, épatant guitariste de jazz échappé des bouillants clubs de jazz parisiens, enregistra avec la complicité d'Hubert Rostaing ou d'André Hodeir, de formidables bandes sonores toutes plus swing les unes que les autres. Ce nouveau numéro de Post-synchro a remué les archives pour trouver les extraits des bandes originales quelque peu oubliées de Mon chien (Georges Franju, 1955), Gas-oil (Gilles Grangier, 1955), Cette sacrée gamine (Michel Boisrond, 1956), Léon la lune (Alain Jessua, 1956), Une parisienne (Michel Boisrond, 1957), Voulez-vous danser avec moi ? (Michel Boisrond, 1959) et Saint-Tropez Blues (Marcel Moussi, 1959-1961). C'est déjà le printemps.Durée : 38'Production et présentation : Dick Tomasovic

Hello Boils and Ghouls! Welcome to Rainy Day in Hell! This week we're discussing Brooke's Halloween favorites, including The Brood, Castle Freak, Maniac, Eyes Without a Face, and Thirst!If you're enjoying the show, please SUBSCRIBE, SHARE, and REVIEW!Follow us on Instagram @rainydayvideopodcastHappy Halloween!

Bar Talk (our recommendations):Jessica is watching Eyes Without A Face (1960, dir. Georges Franju); drinking Atomic Pumpkin by New Belgium.Damien is reading 'Based On A True Story' written and narrated by Norm MacDonald; drinking Bulleit bourbon with Woodford Reserve barrel aged orange bitters.Ryan is reading 'A Night in Lonesome October' by Roger Zelazny; drinking Evan Williams Small Batch bourbon.If you liked this week's story, check out The Canal, the 2014 Irish film directed by Ivan Kavanagh (free on Tubi). Damien insists you also watch What Lies Beneath (2000, dir. Robert Zemeckis) just because.Up next: ‘No Ships Pass' by Lady Eleanor SmithSpecial thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out on Instagram, Twitter, Facebook, and at whiskeyandtheweird.com

Episode 2 of Season 2! Host, Gratton Conwill and special guest, Matt Fields discuss Eyes Without a Face (1960). Day 2 Eyes Without a Face 1h 30m Eyes Without a Face is a French horror film directed by Georges Franju and released on March 2nd 1960. The film was written by a total of five people including director Franju. An additional writing credit is given to Jean Redon, who wrote the book upon which the movie was based. An edited and dubbed version was released in North America on the 24th of October 1962 as The Horror Chamber of Doctor Faustus. Original reception in Europe was mild to poor with many reviews dismissing it as an empty genre film since the director was an established and respected documentary filmmaker. It was considered a little shocking for the time with people in audiences allegedly leaving or fainting during some scenes. Over the years the reception changed into mostly a mostly positive one. An unedited version was finally released theatrically in North America on Halloween of 2003. Before making Eyes Without a Face, Director Georges Franju co-founded the Cinématheque Française organization in 1936. Cinématheque Française is a nonprofit film archive with an extensive collection of films and film artifacts considered one of the largest in the world. Eyes Without a Face is credited as the inspiration for the Billy idol song: Eyes without a face. Eyes Without a Face has: 3.9 out of 5 on Letterboxd 7.7 out of 10 on IMDb 98% on rotten tomatoes 89% on google Roger Ebert gave it a 3.5 out of 4 90% on metacritic 8.36 Average CTS score From the creators of Giant Monster BS: Gratton Conwill and Matt Fields bring you Only In Amityville season 2: Escape from Amityville! Escape from Amityville is a limited series podcast event happening exclusively during October of 2021! Starting October 1st, we will review one movie every other day. Each movie will be a lesser known or appreciated, but culturally significant, horror movie made within the past 100 years. None of these movies have anything to do with the original tale of America's most haunted house, but in the spirit of the Amityville story, we promise to review chilling and horrifying movies featuring demons, monsters, and various ghouls! 15 episodes in total! The series finale takes place on Halloween night with a special mystery review. Fans of Giant Monster BS and/or Horror films will be right at home with this podcast. Vulgar, brutally honest, scary as hell, oh yeah... it's Escape from Amityville time Baby! Only In Amityville is an ad-free, self funded podcast hosted by Gratton Conwill and Matthew Fields. If you would like to support the show, you can donate to us at: https://anchor.fm/giant-monster-bs or buy our merch at: https://www.teepublic.com/user/cheesemouse2/albums/39997-giant-monster-bs-merch Follow us on twitter at: https://twitter.com/GiantMonsterBS

Luke and Andy get lost in the surreal fairytale of Georges Franju's "Les yeux sans visage".

Dekadraj'ın sezon finalinde Güvenç Atsüren, konuğu Aslı Ildır'la birlikte, Fransız sinemasının kategorize edilemeyen ustası, modern korku türünün yaratıcılarından Georges Franju'nun görkemli filmografisine bakıyor.

Georges Franju's Eyes Without a Face (1960) is an atmospheric "anguish story" about a young woman who's lost her face and the overbearing father who works to give her a new one.Special Guest Kate Ince, author of the French Film Directors book Georges Franju, relates Franju's career and themes. Maitland McDonagh and Alexandra West join Mike to discuss this influential film.Learn more about your ad choices. Visit megaphone.fm/adchoices