Podcasts about focal length

#558 In this episode of the podcast, I wanted to shake things up by sharing five practical photo assignments that can help you build your skills no matter where you are in your photography journey. My goal was to get you out of passive learning mode and encourage you to actually take action—because in photography, ideas mean little without execution. Throughout the episode, I weave in personal stories and lessons learned from both my professional work and family life, emphasizing that constraints (like shooting with only 12 photos or at high noon) aren't your enemy—they're your creative fuel.Key themes include being intentional with every shot, appreciating and mastering different types of light (even the ones we usually try to avoid), developing an efficient editing workflow, and learning to tell complete stories with your images. My hope is that by giving you these specific assignments, you'll find not only growth in your technical skills, but also gain confidence and a deeper understanding of your personal style. I also encourage you to reflect on your process and results so you can identify what truly matters to you as a photographer. There were no guest speakers in this episode—just me sharing practical advice and my own experiences to help you get the most out of your camera and creativity.THE 5 SKILL BUILDER SHOOTSThe One-Hour StoryHigh-Noon Portrait5-Minute Editing BatonSame Subject, Four MoodsThe 24-Frame RollIMPORTANT DEFINITIONS & CONCEPTSThree-Act Structure in Storytelling: Borrowed from filmmaking, this divides a photographic story into a beginning (context), middle (action), and end (resolution), guiding the photographer to create a cohesive narrative in a series of images.DISCUSSION & REFLECTION QUESTIONSHow does imposing creative constraints (like a shot limit) shift your approach to photography?After trying one of these assignments, what did you learn about your personal style or decision-making process?Can you identify an image you captured with intention? What elements made it stand out?RESOURCES:Download The 5 Skill Builder Shoots Kit- beginnerphotopod.com/skillsRecommended Reflectors - https://amzn.to/3GnD0J3Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Send us a textThe focal length you use to take a photo will significantly affect the photo you create. It will determine what is in a photo, what is not in a photo, how small or large the elements of the photo are, and how the elements in your photo relate to each other. The focal length you use will also determine the depth of field, or as I like to call it, depth of sharpness, that there is in a photo. So, if you want to learn how to use focal length to create better compositions, listen on. In this episode, I tell you this little lot. What is the focal length in photography? Focal lengths explained quickly.Crop factors explained quickly.What does this all mean?Composition and focal length.Depth of field, perspective, and focal length.Some things that you can do – yes, you, dear listenerI also tell youWhat if you use a phone to take photos What I doHow you can ask me a questionAnd a little bit about me.All explained in plain English, without the irrelevant detail, in (much) less than 27 (ish) minutes! What is not to love? How utterly splendid!Support the showGet your question answeredThis is what my podcast is all about, answering your photography questions - just click here. Not only will I answer your question, but I will also give you a lovely, big shout out, which is nice.Find out more about the podcast on the Photography Explained Podcast websiteAnd find out all about me on my photography websiteThanks very much for listeningCheers from me Rick

#530 Photo Q&AIn Today's Episode of the podcast I chat with YOU as I answer your top photography questions. You'll discover the benefits of back button focus, learn how to communicate the value you offer as a photographer, and explore essential backup strategies to protect your photos. What You'll Learn:Achieving Depth of Field Without Telephoto LensesDiscover practical tips for creating stunning portraits with a blurred background using aperture and subject distance.Mastering Back Button FocusLearn how to use back button focus to improve your efficiency and capture those fleeting, key moments.Communicating Your Unique ValueUnderstand how to articulate what makes your photography special and attract clients who resonate with your style.Backups and Photo SafetyGet essential advice on safeguarding your photos from unforeseen events with proper backup strategies.Take the 2025 BPP Listener Survey and help me to create the resources that will help you grow as a photographer in 2025!https://beginnerphotopod.com/surveyConnect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

To achieve a shallow depth of field in your photographs and create that beautiful background blur (bokeh) effect, follow these steps: 1. Use a Wide Aperture. 2. Use a Large Sensor Camera. 3. Get Closer to Your Subject. 4. Use a Telephoto Lens. 5. Increase the Focal Length. 6. Focus on the Subject. 7. Lower ISO and Use a Tripod. 8. Use ND Filters. 9. Shoot in Aperture Priority or Manual Mode. 10. Experiment and Practice. Remember that the exact settings and techniques may vary depending on your camera and lens, so it's essential to familiarise yourself with your specific gear. Additionally, the distance between your subject and the background, as well as the quality of the background (e.g., distant lights or foliage), can also impact the quality of the bokeh effect. I'm looking to have more guests on the podcast to provide you with more value.  With that in mind, if you work within the creative space and would like to have a conversation about what you do and the benefits it offers others, get in touch and let's have a conversation. Once again, thank you for lending me your ear, I genuinely appreciate your time, don't forget to follow the visual storytelling podcast and until next time,  Be Creative. Be Inspired. Be You. https://linktr.ee/garyfernon Social Handles Threads - GaryFernon X - GaryFernon Li - https://www.linkedin.com/in/gary-fernon/ YT - https://www.youtube.com/garyfernon The Library LinkedIn - https://www.linkedin.com/groups/14336249/ Facebook - https://www.facebook.com/profile.php?id=61552682290145 YouTube - https://www.youtube.com/garyfernon under the “Be Inspired” playlist https://www.youtube.com/playlist?list=PLSjHLZPb7xYYBUf_NDCQEZb5OUpQXvF-s Epidemic Sound For the best music and sound effects in my content I use Epidemic Sound, sign up for a free trial here,  https://www.epidemicsound.com/referral/4idh5g

In a previous episode I discussed which lens is best for portrait photography and spoke about common portrait lenses. In this episode focus more on the actual focal lengths. The choice of focal length lens for shooting portraits can significantly impact the look and feel of the final image. Lets look at some differences as well as benefits of using different focal lengths: 1. Wide-Angle Lens (24mm to 35mm). 2. Standard/Normal Lens (50mm). 3. Short Telephoto Lens (85mm to 135mm). 4. Medium Telephoto Lens (135mm to 200mm+). The choice of focal length should also consider the specific look you want to achieve, the available space, and the comfort of your subject. Ultimately, it's a creative decision that can vary based on your style and the story you want to tell in your portraits. If you've enjoyed this podcast, and would like to listen to more topics, just like this one, then why not consider following the Visual Storytelling Podcast, so as not to miss out on, not only new episodes, but catch up on previous episodes you may have missed, or simply wish to listen to again. It genuinely does make a difference. Until next time,  Be Creative. Be Inspired. Be You. https://linktr.ee/garyfernon Links Episode 15, series 7 - Which Lens Is Best For Portrait Photography https://podcasters.spotify.com/pod/show/gary-fernon/episodes/Which-Lens-Is-Best-For-Portrait-Photography-e2mik69 Social Handles Threads - GaryFernon X - GaryFernon Li - https://www.linkedin.com/in/gary-fernon/ YT - https://www.youtube.com/garyfernon The Library LinkedIn - https://www.linkedin.com/groups/14336249/ Facebook - https://www.facebook.com/profile.php?id=61552682290145 YouTube - https://www.youtube.com/garyfernon under the “Be Inspired” playlist https://www.youtube.com/playlist?list=PLSjHLZPb7xYYBUf_NDCQEZb5OUpQXvF-s Epidemic sound For the best music and sound effects in my content I use Epidemic Sound, sign up for a free trial here,  https://www.epidemicsound.com/referral/4idh5g

Legendary Midjourney Tokens You're (Probably) Not Using (Part 1) In this episode, Drew and Rory discuss the growth of their podcast and the Midjourney community, emphasizing the importance of diverse perspectives and community engagement. They dive deep into the use of tokens in Midjourney, exploring how specific keywords can significantly impact the output of generated images. The conversation covers various photography styles and their effects on realism in prompts. They also get into various aspects of photography like perspectives, camera angles, composition techniques, focal lengths, and composition. They explore how different prompts can influence the storytelling aspect of images and the overall image quality, providing insights into creating visually compelling photographs. --- ⏱️ Midjourney Fast Hour [00:00] Midjourney Fast Hours Podcast Updates [04:15] Photography Tokens [08:42] Photography Types and Their Impact [14:33] Amateur Photography [21:45] Camera Angles [29:18] Composition Theory [41:26] Focal Length [46:12] Line Techniques [52:30] Framing Styles [57:45] Emotional Photography [01:06:28] Closing Thoughts --- Takeaways The podcast has seen significant growth, crossing over 8,000 subscribers. Community engagement is crucial for inspiration and feedback. Using specific tokens can enhance the quality of generated images. Different photography styles yield different visual results. Realism can be achieved easily through simple prompt crafting. Amateur photography can create more relatable images. Testing permutations of prompts can lead to better outcomes. Understanding the impact of lighting and composition is essential. Using personal codes can enhance realism in outputs. Exploring various photography types can unlock creative potential. POV shots can add unique storytelling elements. Camera angles significantly impact the perception of images. Layered compositions enhance depth and interest. Focal lengths play a crucial role in image distortion. Wide angles are effective for capturing landscapes. Aspect ratio is essential for achieving desired compositions. Leading lines direct the viewer's attention effectively. The rule of thirds can improve photo composition. Negative space can create balance in images. Understanding focal lengths aids in storytelling through photography. Vertical lines create a strong focal point in photography. Framing can significantly enhance the composition of an image. Emotional storytelling is a key aspect of impactful photography. AI tools can serve as creative partners in the photography process. Understanding composition techniques can elevate one's photography skills. Photography allows for unique perspectives on everyday life. Experimenting with different styles can lead to innovative results. The emotional weight of a photograph can tell powerful stories. Inspiration can be drawn from various sources, including past experiences. Collaboration with AI can unlock new creative possibilities.

We are all over the map today! No, really! Jason is in Canada and Andrew is in bed. A special guest appears on the podcast. Mark Field just wants his damn books. Don't you even think about throwing a “Sir” at Martin! Using Apple Podcasts? All notes can always be found here (https://listen.hemisphericviews.com/120)! Studio Bed 00:00:00 A weekender (https://www.wordnik.com/words/weekender)

HT1981 - Seeing a Focal Length I remember hearing a story about Edward Weston that I hope is true. It's said that once he set his tripod down to make a photograph he never needed to move it because he knew the focal length of his lens so well he could predict exactly where the camera needed to be. Does this mean that choosing our focal length changes the way we see?

In this episode of the podcast, we explore the Zone System for perfect exposure and Zone Focusing to get perfect focus. I'll explain how understanding and using this system enhances your ability to capture scenes exactly as you envision them. By the end, you'll see how these classic techniques can simplify your photography, even in today's digital world. The Big Ideas:Commit to the Basics: Embracing photography fundamentals like the zone system can dramatically improve your photos' quality. Mastery of basics sets a strong foundation.Prioritize Your Subject: By focusing on properly exposing the main subject, you naturally draw viewers' attention to the heart of your photograph. Balance the shot around this principal element.Depth of Field Mastery: Understanding and implementing zone focusing can help you achieve tack-sharp images without relying solely on modern autofocus, especially in dynamic settings.Blend Old with New: Integrating traditional techniques with modern technology can offer a richer photography experience, merging tried-and-true methods with instant digital feedback.Photography Action Plan:Learn the Zone System: Research online tutorials or read Ansel Adams' books to deeply understand the ten zones and their applications. Practice by choosing a high-contrast scene, note light meter readings for different zones, and adjust your camera's exposure settings accordingly.Apply Spot Metering: Switch your camera to spot metering mode and focus on critical elements like skin tones or key details. Experiment with taking readings from different parts of a scene to understand light distribution.Practice Zone Focusing: Use a depth of field calculator to set manual focus distances for typical shooting scenarios. Practice focusing on stationary objects in your backyard to get comfortable with various depth of field settings before applying them in a live shoot.Capture Movement: Set up shots in a dynamic environment (like a busy street or dance floor) and manually preset your focus distance to capture sharp images amidst motion. Review your photos to determine the optimal depth of field for similar future situations.Evaluate and Share: Review your images critically, comparing shots with different exposure and focusing techniques to assess improvements. Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Welcome to the Visual Storytelling podcast. Let's discuss the considerations when choosing a camera lens.  Choosing camera lenses depends on several factors, including your photography style, budget, and the type of camera you have. Consider the following: 1. Focal Length. 2. Aperture. 3. Zoom vs. Prime. 4. Image Stabilisation. 5. Compatibility. 6. Budget. 7. Reviews and Recommendations. 8. Weight and Size. 9. Special Features. 10. Try Before Buying. Remember that lenses can significantly impact the quality of your photos, so take your time to research and choose wisely based on your preferences and requirements.  Let me know if I've missed anything. If you've enjoyed this podcast, and would like to listen to more topics, just like this one, then why not consider following the Visual Storytelling Podcast, so as not to miss out on, not only new episodes, but catch up on previous episodes you may have missed, or simply wish to listen to again. It genuinely does make a difference. Until next time,  Be Creative. Be Inspired. Be You. --- Send in a voice message: https://podcasters.spotify.com/pod/show/gary-fernon/message

In this episode, Kevin and Brandon talk about focal lengths and when we like to use them.Check out deals from Cheetah Standhttps://cheetahstand.com/kevindeal

Join us this time as Gordon and Ross explore the best choice for a macro lens and why this choice makes the most sense.

HT1454 - Image Stabilization and Focal Length I've noticed that with wider angle focal lengths, the image stabilization doesn't seem to work as well as it does with long focal lengths. On the other hand, it's true that shorter focal lengths don't need as much stabilization. This all falls apart in low light.

Perhaps you've heard that there's an ideal focal length that is the closest approximation to the human eye. Or perhaps you're a purist who can't imagine shooting anything but a 50mm prime. In this episode, Jeff and Kirk dig into these preconceptions and talk about how focal length affects your photography. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-132-focal-length)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Episode 58: The Rule of Turds (https://www.photoactive.co/home/episode-58-thirds?rq=rule%20of%20turds) Fujifilm X100V (https://fujifilm-x.com/en-us/products/cameras/x100v/) Bob Kolbrener (https://www.bobkolbrenerphotography.com) Episode 121: Jeff's European Photo Adventures (https://www.photoactive.co/home/episode-121-jeff-europe) Episode 118: Scott Kelby's Travel Tips (https://www.photoactive.co/home/episode-118-kelby) Eve Energy (https://amzn.to/3hq82El) How to Use Thread HomeKit Devices with Apple TV and HomePod mini (https://kirkville.com/how-to-use-thread-homekit-devices-with-apple-tv-and-homepod-mini/) Our Snapshots: Jeff: Kasa Smart Plug Mini 15A, Apple HomeKit Supported (https://amzn.to/3HzBqCK) Kirk: Wim Wenders | A Curzon Collection (https://www.amazon.co.uk/Wim-Wenders-Curzon-Collection-Blu-ray/dp/B0BGSXDT99/) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

CCATP #752 — Bart Busschots on PBS 141 — Generating UML Class Diagrams with Mermaid (Don't Cuddle the Mermaid) Smart Albums in Photos by Focal Length The Drobo Gives One Last Gift I'm Still Using It — Part 1 — Mac IIcx, Elago Apple Watch Charger, Airport Extreme, 2011 MacBook Pro Support the Show Security Bits — 27 November 2022 Join the Conversation: allison@podfeet.com podfeet.com/slack Support the Show: Patreon Donation PayPal one-time donation Podfeet Podcasts Mugs at Zazzle Podfeet 15-Year Anniversary Shirts Referral Links: Parallels Toolbox - 3 months free for you and me Learn through MacSparky Field Guides - 15% off for you and me Backblaze - One free month for me and you Setapp - One free month for me and you Eufy - $40 for me if you spend $200. Sadly nothing in it for you. Google Fi - $20 Credit to both of our accounts after 30 days active PIA VPN - One month added to Paid Accounts for both of us

The super-telephoto is one of the most difficult lenses to master both for the lens builder and the photographer attempting to wield such large glass. While no 500mm will be described as tiny, Tamron managed to shed some weight and length while still packing in a lot of zoom. The Tamron 150-500mm f5-6.7 Di III VC VXD weighs 3.8 pounds and is roughly eight inches long. With image stabilization built in, the new telephoto is manageable enough to shoot handheld. Editor's Note: This review has been updated on October 10th, 2022. I took the 150-500mm lens on a hike, photographed two soccer games, and chased hot air balloons — all without a tripod. I instantly fell in love with the 500mm reach that's not attached to a stick. I was eager to open up the extreme zoom images. So how do the photographs from a handheld 500mm that's priced lower than many competitors hold up? Table of Contents Too Long, Didn't Read Pros and Cons Pros Cons Gear Used Innovations Tech Specs Ergonomics Build Quality Autofocus On Fujifilm Ease of Use Image Quality Bokeh Sharpness Lens Character Color Rendering Fujifilm Tests Extra Image Samples Edited Unedited Conclusions Likes Dislikes Too Long, Didn't Read The Tamron 150-500mm f5-6.7 Di III VC VXD does an impressive job putting a 500mm zoom into a reasonably-sized lens. And the lens also manages to control aberration and distortion well. The biggest downside? The narrower aperture and long zoom length mean higher ISOs, along with some corner softness. Pros and Cons Pros Smaller than competing lenses Handheld telephoto shooting Versatile zoom range, with close-up ability Great color and background separation Reasonable price Weather-sealing Fantastic for Fujifilm X mount Cons Autofocus has occasional misses with fast action Soft corners Gear Used I used the Tamron 150-500mm f5-6.7 Di III VC VXD with the Sony A7R IV. I stashed my gear in the updated Wandrd PRVKE II backpack. Innovations 500mm is a lot of reach. But, the Tamron 150-500mm f5-6.7 Di III VC VXD is smaller and lighter than several similar lenses, including the Sony FE 200-600mm f5.6-6.3 G OSS, the Nikon AF-S 200-500mm f5.6E ED VR, and the Sigma 150-600mm f5-6.3 DG OS HSM Contemporary. The Canon RF 100-500mm f4.5-7.1 IS USM is slightly smaller. The Tamron also packs in some optical design and coating meant to preserve image quality. But, the biggest innovation about this lens is, well, that's it's not quite as big. Tech Specs Tamron lists these tech specs for the 150-500mm lens: Focal Length: 150-500mm Maximum Aperture: F5-6.7 Angle of View: (diagonal) 16°25'-4°57′ (for full-frame mirrorless format) Optical Construction: 25 elements in 16 groups Minimum Object Distance: 0.6m (23.6 in) (WIDE) / 1.8m (70.9 in) (TELE) Maximum Magnification Ratio: 1:3.1 (WIDE) / 1:3.7 (TELE) Filter Size: φ82mm Maximum Diameter: φ93mm Length: 209.6mm / 8.3 in (front tip of the lens to the lens mount face) Weight: 1,725g (60.8 oz) (without tripod mount included) / tripod mount 155g (5.5 oz) Aperture Blades: 7 (circular diaphragm, the circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture) Minimum Aperture: F22-32 Standard Accessory: Round-shaped hood, Lens caps, Tripod mount Compatible Mounts: Sony E-mount Ergonomics Monstrous is typically the best word to describe telephoto lenses that reach 500mm. But, while the Tamron 150-500mm f5-6.7 Di III VC VXD isn't small, it's smaller than competing lenses. The Tamron is roughly four inches shorter and almost a pound lighter than the Sony FE 200-600mm f5.6-6.3 G OSS, and the maximum aperture at the wide-angle is brighter on the Tamron. The 150-500mm lens weighs 60.8 ounces, or about 3.8 pounds, adding a few ounces for the tripod collar. It will take up a little more than an eight-inch slot in the camera bag. While lighter than the closest competing lens, the 150-500mm is still hefty glass. It makes the Sony a7R IV front-heavy. After a few hours of use, the grip on the Sony body left a mark...

Controlling light seems complex, but the truth is it's as complex or as simple as it's explained to those who are interested in learning and understanding it. Too often, I've found that a 5 minute to 30 minutes explanation can't cut it, and generally, it leaves people lost, confused, and frustrated. We're going to take a different path, whether it's all about light, or about aperture or about the exposure triangle, we're going to break down each piece so that you learn the information you need to support your photography. In this episode we're discussing the shutter in your camerathe shutter speed that affects your exposure, and how to use your shutter and shutter speed to convey sharpness and motionI've also provided you with a few excellent articles on shutter and shutter speed. Understanding Shutter Speed, Both Slow and FastIntroduction to Shutter Speed in PhotographyWhat is Shutter Speed (And Why it Matters in Photography)I've also posted some photos on this episode's website so that you can see some really strong examples of the power of manipulating the shutter and shutter speeds. 

Hey folks, It's longer episode this week but on a topic that most photographers can benefit from. How do we get better results when photographing with our long focal length lenses? Answers lie within the episode!

This is a part of the interview with Samuel Lintaro Hopf You can watch the full episode here: https://youtu.be/FKq4EaDPs4U (Samuel Lintaro: Timeless photos are beautiful but I also try to document the times we are living in) Listen to it here: https://bit.ly/3rM36Kp You can find all my content here: https://aboutphotography.blog Follow Samuel: Youtube: www.youtube.com/channel/UCcyHGNAjMTWAJ_ztX8JbGgQ Instagram: www.instagram.com/lin.taro/ Website: www.lintaro.de Listen on Apple Podcasts: https://apple.co/36TS6kC Listen on Google Podcasts: https://bit.ly/2UHwbun Listen on Spotify: https://spoti.fi/3rrYMA0 Listen on SoundCloud: https://soundcloud.com/user-228441570 You can also subscribe to Best of About Photography podcast for shorter episodes more often. Listen on Apple Podcasts: https://bit.ly/BestOfAboutPhotography Listen on Spotify: https://spoti.fi/3fcf9M7 Listen on SoundCloud: https://soundcloud.com/user-499230514 #aboutphotography #streetphotography #28mmphotography

In today's episode, Henry and Ryan talk about focal lengths and their various compositional techniques. They go over prime lenses vs zoom lenses, different sensor sizes, the best applications of certain lenses. About the Show: Welcome to the All-Outdoors Photography Podcast! This podcast is about all things nature photography, including landscapes, wildlife, macro, and more. The show features two talented photographers Henry Doyle and Ryan Taylor who both bring their different and unique photography experiences to the podcast. Episodes are released weekly every Tuesday at 1pm EST. Follow the Show: Email Us: alloutdoorsphotographypodcast@gmail.com Linktree (Links to all Podcast Platforms) - www.linktr.ee/AllOutdoorsPodcast Instagram- https://bit.ly/3jKBTmU YouTube- https://bit.ly/32WB5FJ Follow the Hosts: Henry Doyle Instagram- https://bit.ly/3jHhIX0 YouTube- https://bit.ly/2X0XldT Ryan Taylor Website- www.ryanltaylor.com Blog- https://bit.ly/2Nd3r8L Instagram- https://bit.ly/32VgPUP YouTube- https://bit.ly/3meslRj #AOPP #AllOutdoors #PhotographyPodcast

PhotoJoseph joins Ant Pruitt on Hands-On Photography this week to challenge all photographers. As a photographer, there are times when you may get a little too comfortable with your current skillset. There's always room for improvement. You can always challenge yourself to get better. PhotoJoseph shares his tip to help keep your photography skills sharpened. Host: Ant Pruitt Guest: Joseph Linaschke Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/

PhotoJoseph joins Ant Pruitt on Hands-On Photography this week to challenge all photographers. As a photographer, there are times when you may get a little too comfortable with your current skillset. There's always room for improvement. You can always challenge yourself to get better. PhotoJoseph shares his tip to help keep your photography skills sharpened. Host: Ant Pruitt Guest: Joseph Linaschke Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/

PhotoJoseph joins Ant Pruitt on Hands-On Photography this week to challenge all photographers. As a photographer, there are times when you may get a little too comfortable with your current skillset. There's always room for improvement. You can always challenge yourself to get better. PhotoJoseph shares his tip to help keep your photography skills sharpened. Host: Ant Pruitt Guest: Joseph Linaschke Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/

PhotoJoseph joins Ant Pruitt on Hands-On Photography this week to challenge all photographers. As a photographer, there are times when you may get a little too comfortable with your current skillset. There's always room for improvement. You can always challenge yourself to get better. PhotoJoseph shares his tip to help keep your photography skills sharpened. Host: Ant Pruitt Guest: Joseph Linaschke Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/

HT0738 - Focal Length and the Weather As strange as it may seem, the weather can have a significant impact on which focal lengths I use. A long focal length on a hot day isn't a good combination because of the heat waves that come off the surface of the landscape creating distortions. Extra windy days, I tend to choose shallow focal lengths because it minimizes movement and I can take advantage of all that dust in the air to create atmosphere.

HT0622 - Your Personal Focal Length According to the people who regularly discuss these sorts of things, the human eye approximates a field of view equivalent to a 50 mm lens on a 35 mm camera. I'm not so sure, because seeing is more than an optical property. Our brains have a focal length, too.

How does our field of attention change and how do different technologies force changes in our field of attention?

Lockdown is over! Well, not quite but to celebrate Episode No.10, Kersten and Nick record in the same room for the first time, discuss Canon's R5 and R6, the effect of different focal lengths and are amazed by Reuben Pillay's mapping of Mauritius' coastline with a drone.THIS WEEK’S LINKS: Reuben Pillay maps MauritiusCanon R6FULL EPISODE 10 IS ALSO AVAILABLE ON: YouTube: https://youtu.be/SgTPkQOMBrQ Apple Podcasts - https://apple.co/2Y2Lmfm Spotify - https://spoti.fi/304sm2G Follow Kersten and Nick’s photo challenges on Instagram #camerashakepodcast 

Lets take some pictures. Finally understand what Focal Length and Aperture actually are and what they do for you, learn how to effectively leverage Lighting, position your photo-shoots against Backgrounds that do you favors, get the Subject of your photography in the right mindset, and add some flavor to their Poses, and your Perspectives. See acast.com/privacy for privacy and opt-out information.

Like that Seinfeld episode, where you do the opposite of what you would ordinarily choose to do! Comments? Send them to me at info@kennethwajdaphotographer.com and find me on the web at KennethWajdaPhotographer.com, on IG at www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

The Basics: Focal LengthThe focal length is one of the fundamental aspects of photography. It is how we describe lenses, and it's how we change perspective without moving our feet. Changing your focal length will have a dramatic change in your final image. What is the focal length? The focal length is a calculation of an optimal distance from the point where the light rays converge to form a sharp image to the digital sensor or film at the focal plane of the camera. The focal length of a lens is determined with the lens focused at infinity. The millimeters that we use to describe a lens describes the focal length, not the physical dimensions of the lens itself. What does focal length tell us? First of all, it tells us the field of view and angle of view or put simply, how much of the scene is captured on the sensor. We generally refer to this is a wide-angle (zoomed out), or telephoto (zoomed in). Secondly, it tells us the magnification or how large the individual elements will be captured on the sensor. So, the longer the focal length, the narrower the field of view, and the higher the magnification. The inverse is true for shorter focal lengths. Short focal lengths will have a wider field of view and lower magnification. Check out the cheat sheet to see examples. Types of LensesThere are two types of lenses, zooms, and primes. Zoom lenses have a variable focal length. You'll see this noted on a lens like this: 18mm-55mm. This means that the focal length of this lens can be adjusted "zoomed" between 18mm and 55mm, as well as all focal lengths in between. Prime lenses, however, have a fixed focal length. This means they cannot be adjusted. They will only have one focal length listed, such as 50mm. Zoom BenefitsZoom lenses are more versatile. They offer a range of focal lengths, so you don't have to move. This means you can get a variety of shots without changing lenses or moving around. When shooting horses, this means you'll get less dust on your sensor because you do not have to change lenses so often. If you shoot subjects that are moving, but you cannot move, then zoom lenses will let you get more images that are framed how you want. Zoom lenses are what most camera companies use as kit lenses. Prime BenefitsPrime lenses are typically lighter weight and more compact because they only cover one focal length. They also tend to have a larger maximum aperture (smaller number). Example, 85mm f/1.2 or the 200mm f/2 compared to the 70mm-200mm f/2.8. Although this seems like a small difference on paper, it is a massive change in the final image. Because of this larger aperture, you can shoot pictures with a faster shutter speed, shoot in even lower light, have a blurrier background (shallow depth of field), and prime lenses typically have the better quality glass. Since there are fewer moving parts, the manufacturers make fewer compromises in image quality. Continue reading by finding the blog post at equinephotoschool.com. Support the Equine Photo School and save 20% on a beautiful and functional website with Zenfolio by clicking this link: https://www.zenfolio.com/?refcode=YNF-APX-BGA.Follow us on social media: Facebook: @equinephotoschoolInstagram: @equinephotoschoolTwitter: @equinephotoeduPinterest: equinephotoschoolWebsite: www.equinephotoschool.comEmail: info@equinephotoschool.comPhone Number: 307-851-9847

This week I delve a bit into single focal length lenses. A few addendums: the FZ-20 has a 36-432 mm lens, the LX-3 has a 24-60mm zoom lens, the Fujifilm X10 has a 28-112mm lens, and the iPhone has a 35mm equivalent lens. Got some of those particulars wrong in the episode.

To get 20% off Zenfolio follow this link: https://www.zenfolio.com/?refcode=YNF-APX-BGA. *This is an affiliate link.This episode is an overview of the basics of how your camera works. It is the first part of a 6-part series on the basics. We talk about Aperture, Shutter Speed, ISO, Focal Length, and Sensor Size in this episode.

The imaging sensor size in your camera does affect how you make your photography and some make a huge deal out of it. It’s my goal today to make a big deal out of nothing, or at least to help you understand my approach to it all. This is Latitude Photography Podcast, Episode 61 for December 15, 2019! Links Mentioned in today’s show: Show Sponsor: Golden Hour Podcast by Polar Pro Filters https://www.polarprofilters.com/pages/golden-hour Neil Van Niekerk blog post on Depth-of-field comparison between sensor sizes:  https://neilvn.com/tangents/full-frame-vs-crop-sensor-cameras-comparison-depth-of-field/?fbclid=IwAR3dtWwVErLMagKNckknaNwo2xetoSXpfHCtKTkeYnmf2dZ5D8zdhpDo9pc The BEST DOF calculator out there by Cambridge in Colour https://www.cambridgeincolour.com/tutorials/dof-calculator.htm Fstoppers article https://fstoppers.com/education/which-sensor-size-suits-your-type-photography-best-436071#comment-thread LatitudePhotographySchool Mentorship https://latitudephotographyschool.com/training-center/mentorship/ Use this link AND the code "latitude15" the next time you need to rent gear. I'll get a small percentage and you'll get 15% off. Lensrentals.com affiliate link: https://www.gopjn.com/t/SENJRktJT01DR09OS0lLQ0dLT0tGTg Need to carry your gear in style? Treat yourself to a ThinkTank Photo bag with this link and get a free gift at checkout: http://bit.ly/2IMRhOT Sign up to be the first notified when the new Latitude Photography School is available and open for business: https://latitudephotographyschool.com Main Topic. Today, we are talking about the effect that sensor size has on our image making. I’ve come across a few articles recently and have had some conversations about this with a few photographers, so it’s really fresh on my mind.  I had planned on doing a gift guide, but I then decided that really just adds to the commercialism of Christmas and we have enough of that already, it seems that everyone and their brother is publishing a gift guide of some sort, so I decided to do something that’s a bit more in tune with what I’ve been thinking about these past few days. The first article I want to bring your attention to was written over 5 years ago by Neil van Niekerk. It’s a good rundown of what happens to your image when you shoot with a full-frame vs. a crop sensor. The second article is one that was published recently by Nando Harmsen on the fstoppers.com website.  This article is less technical and simply draws attention the the many different sizes of sensors and things like different lenses needed to achieve the same field of view are discussed.  But the final link I want to bring your attention to is the best Depth-Of-Field Calculator I’ve yet found which demystifies this whole thing. It gets rather technical so I’ll do my best to break it all down here for you, so let’s get started. (review of crop factor etc) To sum up the first article, the author goes through a very detailed step by step guide as to why we have shallower Depth of field on a crop sensor camera. What he fails to explicitly articulate is that by doing this comparison the way he’s doing it, we absolutely will get longer DOF simply because you need a shorter lens to get the same field of view. He referenced this article on Depth of Field by Cambridge in Colour but missed out one very key element. That is when we calculate DOF, we have to have a standard for interpretation. Since DOF is a sliding scale of sorts, who’s to say what’s in focus for me is also in focus for you? That’s why we call DOF to be the items that are in acceptably sharp focus. If you used a standard DOF calculator such as Photo Pills, and you were to put in the parameters of a Sony crop sensor camera, 28mm lens, f/8 and subject distance of 2 ft your calculated DOF is 5 and 21/32 of an inch. Switch that to a Sony full frame with the same paramaters, and your calculated DOF is 8 and 25/32 of an inch.  Wait a minute. This means that the smaller sensor is shallower DOF? How can this be? This is where most folks usually, including me, just give up.  I used to like to say this is all bunk because what if you have that full-frame Sony, and you shoot an image in crop mode and one in full-frame mode. You’ve done nothing else yet the DOF still changes!? How can this be. It’s stupid right? Yet it does change, even if you’re on the same exact camera. Further explanation This is where we bring in this idea of the circle of confusion. In short, the COC is simply the smallest perceivable detail for what you’re looking at. So a standard must be set for calculating DOF. You probably didn’t realize it but in general, all your DOF calculations have been based on your photo being translated to an 8x10 print and being viewed the distance of 1 foot. It’s important to know the physical size of the image because that means that the physical size of the sensor is also important in determining DOF.  Since the physically larger full-frame sensor doesn’t have to be enlarged nearly as much, it has LONGER DOF all things being equal. Please notice, if you leave all things equal you will have a different field of view between the full-frame and crop sensor cameras. If your goal is to have the same perspective between the two systems (FF and crop sensor) then you will alter your DOF because you’re using a physically shorter lens.  Let’s examine this one more time using the DOF calculator on the Cambridge In Colour website. Here’s my parameters: Max Print dimension: 10 inches Viewing Distance: 25cm (almost one foot) Eyesight: standard Camera Type: 1.5 crop factor Aperture: f/8 Focal Length: 28mm Focus Distance: 2 ft. Total DOF: .51 ft. Those of you with magnificent memories will remember that my previous calculations were just under (barely) six inches. That was also based on a slightly longer viewing distance of 12 inches, not the slightly less 25cm as this one is. So we’ll go with this calculator from here on out. Let’s change it to a full frame, that’s the only change. Calculated DOF goes from .51 ft to .79 ft. That’s the same type of adjustment we saw in the previous example where I was using the Photo Pills App. Now let’s leave it full-frame from here on out. And let’s leave the camera settings alone. Let’s change the print size to 14 inches and see what happens to our DOF. The DOF goes from .79 ft. to .55 ft. WOW. So when you make the print larger, the DOF gets shallower! Nothing else changed! I don’t know about you, but this is blowing my mind. Let’s now change the viewing distance to 50cm. We’ve about doubled the DOF just by increasing our print viewing distance. It’s now 1.17 ft.  So what does this really say about DOF and all that? It means that DOF is truly subjective based on many different parameters beyond your camera, lens and distance to subject. It’s based on the perception of acceptably sharp focus. As you move that print further and further away you’re less and less able to see the fact that something is literally out of focus. Therefore we define acceptably sharp focus to be a greater depth within the frame. One more calculation, changing it to 1 meter print viewing distance increases the total DOF to 3.08 ft.  So in review, just by changing our print size from 10 inches to 14 inches we decreased the DOF. But by increasing our viewing distance on that 14 inch print we then increased the calculated DOF. This, of course, assume you have standard vision. If you have 20/20 vision the DOF on that large print at 1 meter in distance goes from 3.08 ft to .75 ft again. So if you have good eyesight calculated DOF is different for you too. Makes sense, with out glasses calculated DOF is terrible for me because everything is a blur. With my glasses I have near 20/20 vision so that’s where I would want to look for calculations that have meaning for me. Your takeaway It’s easy for us to get bent out of shape over sensor size and how the DOF is a reason for one way or the other as you argue the benefits of one sensor size over the other.  In reality, we’re usually way more concerned with the perspective and field of view of the scene first, and in that case, yes, a smaller sensor will need a shorter lens to render the scene before you the same as a larger sensor camera, therefore giving you much more DOF. But the primary reason that’s changing is that the lens itself has changed.  that’s something that’s easy to see and understand. But it goes so much deeper than that. There’s perception and viewing that’s part of it too. And understanding DOF and how it really works in camera may help explain why your focus stacked image didn’t work out the way you thought it would. It might explain why f/4 on that shot really isn’t working the way you envisioned it. Are you viewing it on your phone or a large print? The calculated DOF will be different for those two very different viewing experiences.  Assignment for January In keeping with this theme I have an assignment for you. I want you to go out and shoot something with a long and shallow DOF. Same subject, same framing as much as possible anyway. And then post them to the FB group with your commentary on why you like one over the other. Have something distinctly present in your foreground and have a reasonable background. Do this by January 3, 2020 and I’ll talk about the results in a future episode in January. You can also email them to me at brent@latitudephotographypodcast.com if you’d rather not email. I will plan to put these into the show notes and a new fb group post for the show. Please give me a link you’d like to send folks too as well and we’ll be sure to link that in the show notes. Tip of the week Today’s tip of the week has nothing to do with DOF, lenses or anything like that. That would be too easy. Today’s tip is to shoot without actually looking through the viewfinder or the LCD screen. It can be from your hip or hold the camera high. You should look at something, concentrate on it, zoom your lens or walk closer or further away to frame your subject in a way that you envision. Once you’re done go ahead and check your results. Do this over and over with different subjects until you get “good” at it. Reminders I’m always looking for feedback and ideas so please reach out if you’ve got a show idea or someone you’d like me to interview. Send me an email at brent@latitudephotographypodcast.com  Also, would you mind leaving a review of the show whether in Apple Podcasts or wherever you listen?  I’ve announced my next big project and that is https://latitudephotographyschool.com I’ll have tutorials, deep-dive courses and my workshops listed there. Over my Christmas break I’ll be working like mad to get that moving and I’ll also bring back my personal website at brentbergherm.com where I’ll showcase galleries of my photography. Sign up today to be the first notified of when the school is open. Photography, travel and education is where my heart is and I can’t wait to get this thing fully launched. If there’s anything you’re just itching to learn more about, please reach out and let me know. Along with the school I’m also starting longer-term deep-dive mentorships. I have my first client I’m starting with this week as this episode is released. If you have a project you want guidance and advice on, or if you want to really do some soul searching about your voice as a photographer, maybe I can help. I invite you to reach out and if I think I can help then we’ll get something set up. Presently, I can only help three at a time so that means there’s two spots left for the first half of 2020. Mentorships will last about six months and we’ll have a couple of weekly meetings to start out with and we’ll go with monthly meetings after that. All the while you’ll get email support too. So if you need a kick in the pants to kickstart your next big project or to fine tune your creative process and outcomes drop me a line and let’s chat about it. A HUGE thank you to all who have used my lensrentals.com affiliate link. I’m so grateful for the support you’ve shown me by using it and if you use the offer code latitude15 you’ll save 15% off your order as well. At the very least, save yourself the 15% and if you can use that link in the show notes then I’ll grab a few % as well and it won’t cost you a dime more. And one last thing, a big thank you to PolarProFilters.com for sponsoring this episode.

Having the right lens for the right job is always a point of conversation, or at least thought. Budget and affordability are also a factor. Usually. Let's talk a bit about some lenses that get the job done.

In this episode The Steve's talk about film, who is using and why as well as new 3D Scanners coming to an airport near you that can wipe out your film in a second…plus how the focal length of lenses shapes your photography, which focal lengths work best for you and the value and danger of zoom lenses.

The Shutter Brothers are focused on focal length. We discuss wide angle, standard, and telephoto lens, why they matter, and what our favorite focal lengths when we're shooting. Next, Kelley reviews the new documentary, Gary Winogrand: All Things are Photographable and gives it two thumbs up! It's currently available on most major streaming services. Of course, we can't stop talking about how excited we are about Chattanooga's first community darkroom, Safelight District. Their grand opening is Friday, February 22 at 7:00 at 1804 East Main Street in Chattanooga. There will be music, food, drink, art, and both Kelley and I will be there. If you live in the Chattanooga area, we'd love to meet you there! Finally there's listener email and a camera giveaway, as Kelley draws the name of the lucky winner of an Olympus Stylus 120.  We would love to hear from our listeners, so please consider writing to us or recording a voice memo. We welcome questions, comments, and tips, and you can send them to unclejonesyscameras@gmail.com. Don't forget to check out our blog at https://unclejonesyscameras.blogspot.com, and please subscribe to the podcast! Happy Shooting!

We are crazy privileged to be joined today by Landscape Photographer Extraordinaire Erin Babnik! We got to pick the brain of Erin and learn so many fantastic tips that only PART of those tips could fit in one podcast! The entire interview with Erin is going to come out for our Patrons next Monday. If you want to hear that part of the episode, please join us at https://www.patreon.com/photogadventures and you will have full access to this episode and all of our Monday Interview podcasts. We begin this episode with a Clip from Tony Northrup talking about 20 Photography Misconceptions that you can watch here: https://www.youtube.com/watch?v=IsWGkUT5A_Y See Brendon's secret Photography project now on YouTube: https://youtu.be/liEatPivAFM Erin shares with us exclusive behind the scenes info about two new pictures of hers that have not been fully processed and released yet. In the first story, we get inspired by her understanding of the Dolomite area where she captures an image that you have to know the terrain so well to be in the right place at the right time! Then in the second story, working through challenging weather conditions in the Iceland Highlands, Erin comes away with a composition based on a hidden gem that most likely no one will ever be able to recreate! Rounding out the episode, Erin shares with us a favorite post-processing technique of hers - Color Theory - and shares with us a cliff's notes version of how to accomplish quality color theory in your images. For the full story, please read her article here: https://www.photocascadia.com/creative-applications-of-color-theory-in-landscape-photography/ Then a piece of gear that she wouldn't be without is her telephoto lenses and she shares with Brendon her favorite lens or two and how she uses layering to build depth when using such a long Focal Length. You can read more about her article "Creative Uses of Extreme Focal Lengths" here: https://erinbabnik.com/new-article-about-developing-as-an-artist-through-exploration-2/ Please sign up for a workshop with Erin Babnik or follow her work at her website: https://erinbabnik.com/

In this episode Dave, Greg, and Joseph talk about the Focal Length of our smartphones and the benefits of Printing our images. Producers: Matt DeVore, Greg McMillan, Artful iPhotography Community, Bob Richter Post Pic of the Week Winner: Matt Hoffman App Mentions: SKRWT, Shortcuts, Quik, LUCiD, Mavis, Moment – Pro Camera, Polarr, Oggl, MightyNetworks, Slow …

A complete guide to focal length and how it affects focus and depth of field. This is a masterclass in one episode. So sit back and enjoy this ride into how the focal length of your lens can impact depth of field, focus and much more. Master this and it will be a gamechanger. There are also handy diagrams in the show notes at GinaMilicia.com. Gina and Valerie love bringing this podcast to you. Hope you enjoy it. Sign up to the newsletter for great tips and free Lightroom presets. Join the dynamic Gold Membership in our Community which delivers monthly tutorials, live mastermind and lots of behind the scenes videos into the creative process. Find out more at ginamilicia.com. Read the show notes. Email Gina and Valerie news@ginamilicia.com  Visit GinaMilicia.com | ValerieKhoo.com

Today we discuss how different focal lengths affect your subject.

Today we’re discussing the focal length’s effect on the depth of field.

MP3 Version - Peggy Farren talks with producer and co-host Joe Fitzpatrick as they answer common questions from the Understand Photography Facebook group. This week the duo discusses which lenses, hoods, and filters may be best for you.

In this episode I discuss the focal length of our eyes, and what I consider to be a much more natural focal length if you consider the perspective and relationship between the elements in the scene. Details on blog: https://mbp.ac/591 Music by Martin Bailey

In this episode I discuss the focal length of our eyes, and what I consider to be a much more natural focal length if you consider the perspective and relationship between the elements in the scene. Details on blog: https://mbp.ac/591 Music by Martin Bailey

When you’re shooting more than one person, you can come across a raft of problematic issues. Sometimes, various people in the group can look disproportionate depending on where they are placed. And if you’re shooting people of varying sizes, some can look huge while others look like pinheads. In this episode, Gina and Valerie discuss what you need to know to ensure all your group shots are winners. You’ll discover tips and techniques on forced perspective, lighting, shooting angles, focal length and much more. Hope you enjoy the podcast. Sign up to the newsletter for great tips and free Lightroom presets. Join the dynamic Gold Membership in our Community which delivers monthly tutorials, live mastermind and lots of behind the scenes videos into the creative process. Find out more at ginamilicia.com. #ginachallenge #sizematters Read the show notes. Connect with Gina, Valerie and listeners in the podcast community on Facebook Visit GinaMilicia.com | ValerieKhoo.com

In this episode I discuss the relationship between subject distance and focal length and how it effects the perspective in our images. Details on blog: https://mbp.ac/568 Music by Martin Bailey

In this episode I discuss the relationship between subject distance and focal length and how it effects the perspective in our images. Details on blog: https://mbp.ac/568 Music by Martin Bailey

Fundamental Friday - Focal Length and Choosing a Lens Zoom Lenses, Prime Lenses, Wide, Telephoto, Macro, Tilt Shift, Fish Eye, etc. With so many lens options what do we choose for our cameras and photography? Well I don't know if I have a sure fire answer to that question but I wanted to discuss focal length and a few things to think about when it comes to lens choice. In this episode I shed some light on focal lengths, zoom and prime lenses, and understanding the aperture's sweet spot. The video with the sample pictures on location are a great example on this topic and why this is definitely something to consider when choosing a lens for your photography. Be sure to Subscribe to our newsletter! 2015 © Take&TalkPics #HeyPhotoWorld

Jeff Harmon does his best to explain focal length The post Focal Length Explained appeared first on Photo Taco Podcast.

http://www.adorama.comThere are many reasons for choosing one focal length over another and which one you choose can have a massive impact of the final photo. In this video Gavin Hoey looks at how angle of view and background compression alter with different focal lengths and different shooting distances.Related Products at Adorama:Canon EOS-5D Mark III Digital SLR Camera Bodyhttp://www.adorama.com/ICA5DM3.html?utm_source=Youtube&utm_medium=Social&utm_content=Video&utm_campaign=Focal%20Length%20and%20Background%20Compression%3A%20Take%20and%20Make%20Great%20Photography%20with%20Gavin%20Hoey%20Blackrapid RS-7 Strap http://www.adorama.com/BRRS7.html?utm_source=Youtube&utm_medium=Social&utm_content=Video&utm_campaign=Focal%20Length%20and%20Background%20Compression%3A%20Take%20and%20Make%20Great%20Photography%20with%20Gavin%20Hoey%20Canon EF 24-105mm f/4L IS USM Lenshttp://www.adorama.com/CA24105AFU.html?utm_source=Youtube&utm_medium=Social&utm_content=Video&utm_campaign=Focal%20Length%20and%20Background%20Compression%3A%20Take%20and%20Make%20Great%20Photography%20with%20Gavin%20Hoey%20Canon 70-200mm f/2.8 IS Lenshttp://www.adorama.com/CA702002ISU.html?utm_source=Youtube&utm_medium=Social&utm_content=Video&utm_campaign=Focal%20Length%20and%20Background%20Compression%3A%20Take%20and%20Make%20Great%20Photography%20with%20Gavin%20Hoey%20Like, share, and comment on the video below...let's get the conversation started!If you have questions, share them with us at: adotv@adorama.com

Quick photography tip on what focal length you should start with for a landscape photo.

The purpose of this activity is to see how the ‘thin-lens equation’ allows you to predict where an image will be formed by a converging lens.

Mike and Mike discuss the benefits of using a short focal length and getting close to your “Big Critter” subjects. They explain why your goal should always be to reduce the amount of water between your camera and your subject.The entire Digital Underwater Photography Podcast archive can be found by following the Podcast link at www.jimchurchphoto.com.This and future Digital Underwater Photography Podcasts can be automatically delivered to your computer by subscribing to them for free, at the iTunes Music Store.A new Digital Underwater Photography Podcast will be available next week.Send your thoughts and suggestions to podcast@jimchurchphoto.com.Thanks,Mike and Mike