Podcasts about tilt shift

In this episode of Family Vision, Dr. Rob Rienow is joined once again by Tim Chaffey from Answers in Genesis, the producer of the TV show, Tilt Shift, which helps families engage with media from a biblical perspective. Together, they explore how movies can be a powerful tool for sparking spiritual conversations with children of all ages. They discuss the importance of guiding media choices and how different films, like Free Guy and The Bad Guys, contain gospel themes that can lead to deeper discussions about our faith. Tim also shares examples of how even the most unexpected films, such as Kung Fu Panda and The Lord of the Rings, mirror the gospel's story arc, offering opportunities for parents to connect with their kids on a spiritual level. Tune in to discover how you can use popular media to foster meaningful conversations with your family, equipping them to see the world through the lens of Scripture. Featured Resources Books from Tim Chaffey - Amazon Page Tilt Shift TV - https://www.answers.tv/tilt-shift Visionary Parenting: Get a bible-driven game plan for Christian parenting: https://visionaryfam.com/shop/visionary-parenting Prayer Support: Email Visionary Family Ministries for prayer support and top share feedback about this episide: podcast@visionaryfam.com Parents, get equipping to build a stronger relationship with your teen with Lissy's book “The Heart of Your Teen”: https://visionaryfam.com/shop/the-heart-of-your-teen/ Download Lissy Bailey's free devotional for kids and teens, “Living For Christ at Home”: https://visionaryfam.com/honor/ Watch or Listen & Subscribe on your favorite podcasting service: YouTube: http://youtube.visionaryfam.com Rumble: http://rumble.visionaryfam.com  Apple Podcasts: http://apple.visionaryfam.com Website: http://podcast.visionaryfam.com More Resources to Help Your Family: Website: http://visionaryfam.com Parenting: http://parenting.visionaryfam.com Marriage: http://marriage.visionaryfam.com Family: http://family.visionaryfam.com Family Ministry: http://churches.visionaryfam.com Books & Resources: http://shop.visionaryfam.com  

In this episode of Family Vision, Dr. Rob Rienow is joined by Tim Chaffee from Answers in Genesis to discuss the importance of being discerning when it comes to movies and media. They explore the concept of "watching what we watch," emphasizing the need for Christians to compare everything they consume with truth from God's Word. The conversation touches on the challenges parents face in guiding their children through media choices and the value of discussing both the positive and negative elements of films. They also delve into the presence of gospel themes in popular media, offering practical advice for sparking meaningful conversations with kids. Tim shares insights from his new TV show, Tilt Shift, which is designed to help families navigate media with a biblical worldview. Tune in to learn how to engage with media thoughtfully and intentionally, equipping your family to make wise choices. Featured Resources Books from Tim Chaffey - Amazon Page Tilt Shift TV - https://www.answers.tv/tilt-shift Visionary Parenting: Get a bible-driven game plan for Christian parenting: https://visionaryfam.com/shop/visionary-parenting Prayer Support: Email Visionary Family Ministries for prayer support and top share feedback about this episide: podcast@visionaryfam.com

Photografix-News ist EUER News-Podcast rund um alle Themen der Digitalen Fotografie!

Painters Christina Quarles and Jenna Gribbon join curator and host Gemma Rolls-Bentley in discussing their methods for constructing queerness in their lives and artworks, the importance of holding a viewers gaze, lesbian intensity, and CAMP! This episodes title is a line from “School Note,” a poem by Audre Lorde.Jenna Gribbon's oil paintings constitute an important new entry in the long lineage of figurative art, extending its narrative possibilities to explore the act of looking. Her vivid portraits, frequently nudes or partial nudes, depict those closest to her, and sometimes the artist herself, in candid poses, during uncanny moments. Her recent work most prominently features her partner, Mackenzie Scott, whose recurrence both personalizes and simultaneously establishes her as a kind of avatar; shifting the focus of the painting away from the figure and toward the way the figure is framed. By painting otherwise fleeting scenes, the artist adds texture, depth, and a sense of permanency to these temporal images, highlighting themes of pleasure, joy, and expanding the lexicon of queer iconography. Recent exhibitions include Living Histories: Queer Views and Old Masters, The Frick Collection, New York (2022); and I will wear you in my heart of heart, FLAG Art Foundation, New York (2021); and Paint, also known as Blood: Women, Affect and Desire in Contemporary Painting, Warsaw Museum of Modern Art, Poland (2019). Find her on IG @jennagribbon.Christina Quarles lives and works in Los Angeles. She received an M.F.A. from the Yale School of Art in 2016 and holds a B.A. from Hampshire College. Quarles was a 2016 participant at the Skowhegan School for Painting and Sculpture. She was the inaugural recipient of the 2019 Pérez Art Museum Miami Prize and in 2017 she received the Rema Hort Mann Foundation Emerging Artist Grant. In 2021 Quarles joined the board of trustees of the Museum of Contemporary Art, Los Angeles. Learn more about her practice at www.christinaquarles.com. Find her on IG @cequarles.Christina's work in the exhibition, Tilt/Shift, is acrylic on canvas, see the work here.Jenna's works, Me looking at her looking at me, and To share a common memory, are two of three pieces in the exhibition.A full transcript of the episode is available here.This podcast series is produced by the Leslie-Lohman Museum of Art. Dreaming of Home is on view September 7–January 7, 2024. Learn more about the show at leslielohman.org/exhibitions/dreaming-of-homeShow music: Fantasy Island Obsession by Tom Rasmussen ft. Kai-Isaiah Jamal, with thanks to Globe Town Records. Hosted on Acast. See acast.com/privacy for more information.

Greater San Francisco Bay area-Hopscotch Interactive CEO & Chief Media Officer Emily Olman (@Hopscotch) scanned an $8 Million Listing (under construction) with a Matterport Pro3 Camera on Saturday (22 July 2023) in Atlanta while I interviewed Emily on video doing this. This WGAN-TV on Location show is for you if: 1. You are a real estate photographer thinking about adding a Matterport Pro3 Camera to your tool kit 2. You have a Matterport Pro3 Camera and want to learn best practices from a long-time Matterport Pro 3. You want to know why the Developer wants a Matterport tour before the construction is completed. 4. You want to see an $8 million 13,000 SQ FT listing - with three kitchens - on two acres in Atlanta. ▶ Part 1 of 2 airs 5 pm ET Thursday, 27 July 2023 [See WGAN-TV Podcast] ▶ Part 2 of 2 airs 5 pm ET Thursday, 3 August 2023 on [This Show] Here is the MLS Listing for: 1890 W Paces Ferry Road NW, Atlanta, GA 30327 (Emily's Matterport tour and DSLR shot images will be added to the listing by 15 August 2023.0) [During the show, Emily chats with the home's co-owner and co-developer Luke Denny.] Some of the Questions Emily Answers Unfinished Mansion ▶ Why create a Matterport tour (and photos) of the $8 million listing BEFORE it is complete? ▶ Why is this helpful to the developer, investors, real estate agent, homebuyer? Other? ▶ How do you approach creating digital assets of a space? ▶ If the renovations were done in CAD by the architect, how might these files be used? ▶ If the renovations were done not done in CAD and are only available on paper, how might you use this? ▶ Why do you shoot DSLR images before you shoot Matterport? In General ▶ What can go wrong? ▶ How did your bring your Matterport Pro3 Camera (and related gear) on your flight to Atlanta? ▶ Other use-cases for the Matterport As-Built of this house? Tripod Related ▶ When do you use an aluminum tripod and when do you use carbon fiber? ▶ Which tripod are you using (and why)? ▶ Matterport Pro3 Camera height? Bathrooms? Versus Zillow 3D Home? iPad Related ▶ Which iPad (and why)? ▶ Which iPad case (and why)? ▶ Do you use an Apple Pencil (and why) with your iPad? Scanning ▶ How far between Matterport scans?' ▶ Do you wait for the scan to finish on your iPad before moving the Matterport Pro3 Camera? ▶ Stairs: how do you position the tripod legs? ▶ Stairs: what is your tip for helping make sure the tripod does not tip over on the stairs? ▶ Stairs: how many stairs do you move between scans (and why)? ▶ Stairs: what else can you tell us about scanning stairs ▶ Inside: do you hide from the camera (or do you rotate behind the camera)? ▶ Outside: how do you hide from the camera (or do you rotate behind the camera)? ▶ Why open doors before you can see the door in the scan? ▶ How long does it take for the Matterport Pro3 Camera to rotate? ▶ Why are you checking the connection between the Matterport Pro3 Camera and tripod during your shoot? ▶ Where do you do your first Matterport scan? ▶ How do you level the Matterport Pro3 Camera? ▶ Differences between Matterport Pro3 Camera scanning versus the Matterport Pro3 Camera? ▶ How (and why) to clean the Matterport Pro3 Camera lens? ▶ Lens fog? How to transition from cold/inside environment to hot/humid outdoors? ▶ How long does it take to scan with a Matterport Pro3 Camera? ▶ Speed of using a Matterport Pro3 Camera versus using a Matterport Pro2 Camera? ▶ Aside from the Pro3 rotating faster, why can it be much faster to scan with a Matterport Pro3 Camera? ▶ What kind of problems/trouble can you have with a Matterport Pro3 Camera? Lights ▶ This space has lights (and lots of daylight). If not, what would you have done for lighting? Emily did stills with a Tilt-Shift lens. I included a short segment of her doing this in this show too.

Greater San Francisco Bay area-Hopscotch Interactive CEO & Chief Media Officer Emily Olman (@Hopscotch) scanned an $8 Million Listing (under construction) with a Matterport Pro3 Camera on Saturday (22 July 2023) in Atlanta while I interviewed Emily on video doing this. This WGAN-TV on Location show is for you if: 1. You are a real estate photographer thinking about adding a Matterport Pro3 Camera to your tool kit 2. You have a Matterport Pro3 Camera and want to learn best practices from a long-time Matterport Pro 3. You want to know why the Developer wants a Matterport tour before the construction is completed. 4. You want to see an $8 million 13,000 SQ FT listing - with three kitchens - on two acres in Atlanta. ▶ This Part 1 of 2 airs 5 pm ET Thursday, 27 July 2023. ▶ Part 2 of 2 airs 5 pm ET Thursday, 3 August 2023 on WGAN-TV YouTube Channel. Here is the MLS Listing for: 1890 W Paces Ferry Road NW, Atlanta, GA 30327 (Emily's Matterport tour and DSLR shot images will be added to the listing by 15 August 2023.0) [During the show, Emily chats with the home's co-owner and co-developer Luke Denny.] Some of the Questions Emily Answers Unfinished Mansion ▶ Why create a Matterport tour (and photos) of the $8 million listing BEFORE it is complete? ▶ Why is this helpful to the developer, investors, real estate agent, homebuyer? Other? ▶ How do you approach creating digital assets of a space? ▶ If the renovations were done in CAD by the architect, how might these files be used? ▶ If the renovations were done not done in CAD and are only available on paper, how might you use this? ▶ Why do you shoot DSLR images before you shoot Matterport? In General ▶ What can go wrong? ▶ How did your bring your Matterport Pro3 Camera (and related gear) on your flight to Atlanta? ▶ Other use-cases for the Matterport As-Built of this house? Tripod Related ▶ When do you use an aluminum tripod and when do you use carbon fiber? ▶ Which tripod are you using (and why)? ▶ Matterport Pro3 Camera height? Bathrooms? Versus Zillow 3D Home? iPad Related ▶ Which iPad (and why)? ▶ Which iPad case (and why)? ▶ Do you use an Apple Pencil (and why) with your iPad? Scanning ▶ How far between Matterport scans?' ▶ Do you wait for the scan to finish on your iPad before moving the Matterport Pro3 Camera? ▶ Stairs: how do you position the tripod legs? ▶ Stairs: what is your tip for helping make sure the tripod does not tip over on the stairs? ▶ Stairs: how many stairs do you move between scans (and why)? ▶ Stairs: what else can you tell us about scanning stairs ▶ Inside: do you hide from the camera (or do you rotate behind the camera)? ▶ Outside: how do you hide from the camera (or do you rotate behind the camera)? ▶ Why open doors before you can see the door in the scan? ▶ How long does it take for the Matterport Pro3 Camera to rotate? ▶ Why are you checking the connection between the Matterport Pro3 Camera and tripod during your shoot? ▶ Where do you do your first Matterport scan? ▶ How do you level the Matterport Pro3 Camera? ▶ Differences between Matterport Pro3 Camera scanning versus the Matterport Pro3 Camera? ▶ How (and why) to clean the Matterport Pro3 Camera lens? ▶ Lens fog? How to transition from cold/inside environment to hot/humid outdoors? ▶ How long does it take to scan with a Matterport Pro3 Camera? ▶ Speed of using a Matterport Pro3 Camera versus using a Matterport Pro2 Camera? ▶ Aside from the Pro3 rotating faster, why can it be much faster to scan with a Matterport Pro3 Camera? ▶ What kind of problems/trouble can you have with a Matterport Pro3 Camera? Lights ▶ This space has lights (and lots of daylight). If not, what would you have done for lighting? Emily did stills with a Tilt-Shift lens. I included a short segment of her doing this in this show too.

[Video version (Parts 1 and 2) here: WGAN-TV Podcast] Greater San Francisco Bay area-Hopscotch Interactive CEO & Chief Media Officer Emily Olman (@Hopscotch) scanned an $8 Million Listing (under construction) with a Matterport Pro3 Camera on Saturday (22 July 2023) in Atlanta while I interviewed Emily on video doing this. This WGAN-TV on Location show is for you if: 1. You are a real estate photographer thinking about adding a Matterport Pro3 Camera to your tool kit 2. You have a Matterport Pro3 Camera and want to learn best practices from a long-time Matterport Pro 3. You want to know why the Developer wants a Matterport tour before the construction is completed. 4. You want to see an $8 million 13,000 SQ FT listing - with three kitchens - on two acres in Atlanta. Here is the MLS Listing for: 1890 W Paces Ferry Road NW, Atlanta, GA 30327 (Emily's Matterport tour and DSLR shot images will be added to the listing by 15 August 2023.0) [During the show, Emily chats with the home's co-owner and co-developer Luke Denny.] Some of the Questions Emily Answers Unfinished Mansion ▶ Why create a Matterport tour (and photos) of the $8 million listing BEFORE it is complete? ▶ Why is this helpful to the developer, investors, real estate agent, homebuyer? Other? ▶ How do you approach creating digital assets of a space? ▶ If the renovations were done in CAD by the architect, how might these files be used? ▶ If the renovations were done not done in CAD and are only available on paper, how might you use this? ▶ Why do you shoot DSLR images before you shoot Matterport? In General ▶ What can go wrong? ▶ How did your bring your Matterport Pro3 Camera (and related gear) on your flight to Atlanta? ▶ Other use-cases for the Matterport As-Built of this house? Tripod Related ▶ When do you use an aluminum tripod and when do you use carbon fiber? ▶ Which tripod are you using (and why)? ▶ Matterport Pro3 Camera height? Bathrooms? Versus Zillow 3D Home? iPad Related ▶ Which iPad (and why)? ▶ Which iPad case (and why)? ▶ Do you use an Apple Pencil (and why) with your iPad? Scanning ▶ How far between Matterport scans?' ▶ Do you wait for the scan to finish on your iPad before moving the Matterport Pro3 Camera? ▶ Stairs: how do you position the tripod legs? ▶ Stairs: what is your tip for helping make sure the tripod does not tip over on the stairs? ▶ Stairs: how many stairs do you move between scans (and why)? ▶ Stairs: what else can you tell us about scanning stairs ▶ Inside: do you hide from the camera (or do you rotate behind the camera)? ▶ Outside: how do you hide from the camera (or do you rotate behind the camera)? ▶ Why open doors before you can see the door in the scan? ▶ How long does it take for the Matterport Pro3 Camera to rotate? ▶ Why are you checking the connection between the Matterport Pro3 Camera and tripod during your shoot? ▶ Where do you do your first Matterport scan? ▶ How do you level the Matterport Pro3 Camera? ▶ Differences between Matterport Pro3 Camera scanning versus the Matterport Pro3 Camera? ▶ How (and why) to clean the Matterport Pro3 Camera lens? ▶ Lens fog? How to transition from cold/inside environment to hot/humid outdoors? ▶ How long does it take to scan with a Matterport Pro3 Camera? ▶ Speed of using a Matterport Pro3 Camera versus using a Matterport Pro2 Camera? ▶ Aside from the Pro3 rotating faster, why can it be much faster to scan with a Matterport Pro3 Camera? ▶ What kind of problems/trouble can you have with a Matterport Pro3 Camera? Lights ▶ This space has lights (and lots of daylight). If not, what would you have done for lighting? Emily did stills with a Tilt-Shift lens. I included a short segment of her doing this in this show too.

In this episode of The Tilt Shift podcast, hosts Charly, Andrew, and Chris take a deep dive into the final episode of "The Last of Us". Despite the episode's short - or some would say ... consistent - the conversation is long, as the hosts share their mixed reactions to the show's ending and the series overall. While some wish the show was longer to allow for more exploration of the characters, others appreciated its efficiency in conveying a powerful story focused on relationships and love, which culminates in a "gut punch" ending that sets up season 2. With a blend of analysis, allusions, and insights, this episode of The Tilt Shift offers a thought-provoking exploration of the final episode of "The Last of Us", and the impact it had on both the hosts. Tune in to hear their unique perspectives and insights on this unforgettable show.

Debbie Jian is a mother of three, proud wife, spiritual coach and Kabbalah advisor. She is devoted to supporting women on their individual spiritual journeys through her wellness and meditation retreats, group events and one-on-one coaching sessions. For the last 21 years, she helped women to connect with their true selves and embrace their uniqueness in order to live more authentic and fulfilled lives. No matter the role you've taken on as a daughter, wife, mother, friend or businesswoman, or all of the above, your spiritual essence needs to shine through, too. There's always room to live more authentically and find greater purpose in life. Her style is straight-forward and powerful, offering practical tools to help women build themselves up so that they can give from a place of abundance, confidence and love. She believes that regardless of the roles you have taken on, you are made more effective and joyful when your spiritual essence shines through. She is an author of two books: The Tilt Shift and Desire- The Engine of Life. Debbie is also the co-founder (along with her husband) of Vital Transformation, a nonprofit organization offering tools and guidance for those seeking happiness, personal growth and success. https://debbiejian.com/ https://www.linkedin.com/in/debbie-jian-695168b/ https://www.facebook.com/debbiejiansoulwellness BOOK: https://debbiejian.com/product/desire-the-engine-of-life/

Možná jste o Tilt/Shift objektivech někdy slyšeli, ale pravděpodobně jste s nimi nikdy moc nefotili. Proto jsem využil možnost otestovat novou Laowu 20mm f/4.0 S pro bajonet GF a v praxi ukázat, co můžete od Shiftového objektivu čekat v krajině, architektuře nebo produktové fotografii.

La puntata di oggi: cosa sono le ottiche Tilt-Shift?Oggi vi parlo di un tipo particolare di obiettivi (ottiche) che non solo ci permettono di correggere le deformazioni prospettiche tipiche della fotografia ma, se sfruttate a dovere, ci consentono possibilità creative davvero interessanti! Purtroppo negli ultimi anni sono un po' cadute in disuso, in favore di strumenti di post-produzione che ne emulassero il meccanismo... ecco perché ho deciso dedicare loro questa puntata!Inoltre, continua la rubrica Quei Bravi Fotografi… alla fine di ogni puntata, vi presento un fotografo degno di nota!Anche questa volta ho scelto un fotografo italiano: Paolo Pellegrin. Fotografo, fotoreporter, una delle nostre eccellenze ancora in piena attività, andatelo a scoprire, ne vale la pena (riferimenti in basso)! Aspetto le vostre domande e i vostri feedback. Buona luce a tutti!*******************************************I MIEI LINK:Cliccate qui per sostenere con un piccolo contributo volontario le spese del podcast:https://www.patreon.com/user?u=15429568Email: andreageymet@gmail.com (da usare anche per un contributo con PayPal)Adobe Portfolio: https://andreageymet.myportfolio.comInstagram del podcast: https://www.instagram.com/passione_fotografia_podcast/I miei ritratti: https://www.instagram.com/andreageymet_ph/Le mie foto dei viaggi: https://www.instagram.com/the_solo_nomad/*******************************************IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA:https://www.juzaphoto.com*******************************************Il mio fornitore di fiducia: https://www.solodigitali.com*******************************************QUEI BRAVI FOTOGRAFIPaolo Pellegrinhttps://www.magnumphotos.com/photographer/paolo-pellegrin/ https://it.wikipedia.org/wiki/Paolo_Pellegrin https://www.instagram.com/paolopellegrin/

In this episode I am talking about the latest news and rumor stories that caught my eye this past week. You can find the show notes here. https://www.liamphotographypodcast.com/podcast-episodes/episode-267-20-foot-tripod-box-jellyfish-gfx-tilt-shift-lenses-and-more/ Also be sure to join the Liam Photography Podcast Facebook Group https://www.facebook.com/groups/liamphotographypodcast/ You can reach the show by call or text @ 470-294-8191 to leave a comment or request a topic or guest for the show. Additionally you can email the show @ liam@liamphotographypodcast.com and find the show notes at http://www.liamphotographypodcast.com. You can find my work @ https://www.liamphotography.net on and follow me on Instagram, Facebook and Twitter @liamphotoatl. If you like abandoned buildings and history, you can find my project @ http://www.forgottenpiecesofgeorgia.com. and http://www.forgottenpiecesofpennsylvania.com. Please also stop by my Youtube channels Liam Photography Forgotten Pieces of Georgia Project Forgotten Pieces of Pennsylvania Project

If you ever experienced photography before Instagram, then you hopefully got to check out the tilt-shift lens. They were used for a variety of things: architecture, landscapes, and surreal work. It's where the idea of miniatures comes from. And almost a decade ago, they were expensive and not used as creatively. These days, the tilt-shift lens is completely missing from various camera systems. And I think that the tilt-shift should make a return, but in a totally different way. You can view this article and much more with minimal banner ads in our brand new app for iOS, iPadOS, and Android. And for $24.99/year, you can have a banner-ad-free experience. Tilt-shift lenses were all about getting perspectives 100% totally what you want them to be. All of that can be done digitally via post-production these days. But a lot of photographers would rather not have to do it in post-production. After all, what's the fun of photography if you're spending all day behind a computer screen? Manufacturers like to talk about how some of their lenses don't have distortion. And for the most part, a lot of distortion has been eliminated. But it's not perfect still. A tilt-shift lens, medium format, or large format lens can still do things much better and get it right the first time around. “The miniature effect is in essence, using the lens to drastically change the plane of focus by a tilt and/or shift to throw out the area of focus only keeping a small area IN focus.” How a Tilt Shift Lens Works Even so, I don't think that that this is why the tilt-shift lens should come back. Instead, I think that the current landscape of lenses is just seriously lacking in variety. We'd know, we've reviewed more than any other photo publication. Manufacturers also generally work to engineer all the character out of their lenses. These clinical experiments have removed the soul from optics. To that end, we get the perfect metaphorical tacos that still need a lime to be drizzled on them. And this means that a manufacturer doesn't necessarily need to create a tilt-shift lens, but a tilt-shift adapter could possibly work. Even then though, the adapters don't do as good of a job as a dedicated lens. Years ago, we reviewed the Rokinon 24mm tilt-shift lens. And it touched on a very big and important point. Here's a section from that review: “Now a lens like this is built to CORRECT distortion caused by less than ideal perspectives (we can't all shoot from a cherry-picker 20-50 feet in the air all the time). So thankfully with the shift adjustments available on this lens it is quite simple to correct the converging lines of taller buildings or even normal rooms from a higher or lower angle than eye-level.” I'll totally admit that this can be an annoying problem to deal with. But a tilt-shift lens would make sure that I don't have to face it at all. And when I'm done with it for perspective correction, I'll go play with it to create miniatures. If you're sitting here saying, “Chris, you can just do it in post-production,” then you're missing the point. I don't want to do it in post-production. A lot of us don't. We're still in a pandemic that isn't over and people spend way more time in front of screens. We don't need to anymore. We can spend time working with our cameras and getting the photos to be perfect in-camera. Photography is a skill, and we should make it so again. Yes, AI and technology has made the basics easier. But it's up to us now to raise the higher end of skills up since the lower end has also risen up.

Merry Christmas in August to all of our Troubled listeners! We barely missed Christmas in July like the show but it's still Summer, we get some points for that. Your hosts, Alex and Rich French, return to Haven to talk about 'Silent Night' the one and only Christmas Special from SyFy Original Series, Haven. Here was the aforementioned Tilt Shift on Colbert And, that Eric Stoltz as Marty McFly Show Notes: -Coming Soon!   Links: You can Email us, or follow us on Twitter here! Website // Patreon // Haven on Tubi // Haven Wiki // IMDb // The Colorado Kid Music by: Antti Luode (Creative Commons 3.0) Check Out his Portfolio Here // Check Out his Blog Here

What Is A Tilt Shift Lens? Let Me Explain In Less Than 10 Minutes.  Hi and welcome to Episode 66 of the Photography Explained podcast.I’m your host Rick, and in each episode I will explain one photographic thing to you in plain English in less than 10 minutes (ish) without the irrelevant details. What I tell you is based on my lifetime of photographic experience. And not Google.Here is my answerA tilt shift lens is a lens which can be tilted and shifted so the lens plane is not parallel to the camera sensor and the imaging circle is moved from the centre. This allows photos to be taken with different perspectives with more uniform image quality across the image. Tilt shift lenses are used in architectural photography, straightening verticals rendered crooked or converging by conventional lenses, and are also used where creative depth of field is required.Listen for more, or check out the transcript and even the blog post - so many ways to find out more!What’s next?Glad you asked! In Photography Explained Podcast 67, Camera Lenses Explained - Shall We Wrap This Up And Move On?What to ask a question?Head over to the Want Me To Explain Something? page on the Photography Explained website and fill the form in and you are done!Check out my my blogCheck out my photography blog where you will find lots more photography stuff all written by me.Did you enjoy this episode?If you did please do the following, which will help me and not take too much time.·         Rate and review my podcast·         Subscribe·         Tell anyone you think might like my podcastThank you very much for listening and see you on the next episode.Rick McEvoy – Photography Explained Podcast

In this special episode we are trying to do something very 'un-Snyderish' - we are trying to shorten our podcast run time! During this episode, Jake and Chris list their ten thoughts on Zack Snyder's Justice League. At four hours running time it took a couple of evenings, but was it worth it? From the macro to meta will it this movie be a marvel? Or did we waste our time and really we should have done this on "Infinity War" and "Endgame." Find out on today's episode of the Tilt Shift.

In der 28. Folge unseres Fotografie-Podcasts dreht sich alles um das Tilt-Shift Objektiv, GNTM und um...Jetzt reinhören28 – Q&A – Tilt-Shift – GNTM und Kitzeln Hosted on Acast. See acast.com/privacy for more information.

In der 28. Folge unseres Fotografie-Podcasts dreht sich alles um das Tilt-Shift Objektiv, GNTM und um Kitzelvideos. Kitzelvideos? Was hat es denn damit auf sich? Wenn ihr das hört, dann guckt ihr wie ein Frosch. Neugierig geworden? Dann hört einfach direkt rein! Noch mehr Informationen zu uns findet ihr auf unseren Internetseiten https://www.lichtwerke-photography.de und https://lichtzeichner-hh.de […]

Diese Folge als Video schauen Aus der Preshow: Kleine Leute ganz groß, ein langer Kampf, alles neu und mehr Platz aufm Bildschirm Heute mit: wichtigem YouTube-Kommentar, 12er iPhones, Nikon, Canon, Tilt-Shift und Sigma Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Danke … „#682 – Pimp-my-Aufsteck-Blitz“ weiterlesen Der Beitrag #682 – Pimp-my-Aufsteck-Blitz ist ursprünglich hier erschienen: Happy Shooting - Der Foto-Podcast.

Diese Folge als Video schauen Aus der Preshow: Kleine Leute ganz groß, ein langer Kampf, alles neu und mehr Platz aufm Bildschirm Heute mit: wichtigem YouTube-Kommentar, 12er iPhones, Nikon, Canon, Tilt-Shift und Sigma Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Danke … „#682 – Pimp-my-Aufsteck-Blitz“ weiterlesen Der Beitrag #682 – Pimp-my-Aufsteck-Blitz ist ursprünglich hier erschienen: Happy Shooting - Der Foto-Podcast.

Discovering you’re not always right, but certainly not always wrong has a level of comfort when you begin to understand the power of perspective and perception. This podcast dives into BLM, media manipulation, COVID, & balancing the double P. (This is CheeKnowsBest.com (cover art by ErinKayPhotography) (Sound Producer: Chris Schaefer (@antrimmusic)) (Studio Sponsor: McKenzie Chenowith) (Logo Design: Elise Hensley.) (Website: Golden Eye Web Design L.L.C.‬ ) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

For the final episode of our first season of The Tilt Shift, we looked at Tarantino's latest film, Once Upon a Time in Hollywood. This was a kaleidoscope of a movie that immersed us into 1969 Hollywood. It was like what Vincent Vega of Pulp Fiction would have called, "A wax museum with a pulse." We discuss how unlike many of his other films, Tarantino's 9th, doesn't have as innovative of a story and story structure, but unlike many of his other films, he's created arguably the most human and complex characters of his career. It's a film that sparks a lot of questions: Did Cliff Booth kill his wife? How are we supposed to feel about him as a hero? Is Sharon Tate's character developed enough? These questions and more are explored in this season finale. Even Shrek and Kobe Bryant end up in the conversation somehow. This is most likely a two-parter, as we have a lot more to discuss about it, such as how it ranks in Tarantino's career, why it may have been deserving of the best picture of the year, and who or what was the MVP of the picture. If you liked, part 1, stay tuned for part 2.

00:00:00 - Intro00:04:01 - Animal Crossing00:13:30 - Doom Eternal00:21:40: - Lone Echo00:26:22 - Half-Life 2 Episode 200:36:02 - Tilt Shift 2https://indreams.me/dream/mXZpcKxWjqt00:40:40 - Entropy Games Libraryhttps://indreams.me/dream/miHwVuhUvFo00:45:05 - Comic Sandshttps://indreams.me/dream/mAzYpZLQcni00:47:34 - Shadows Dance at Olivetop Reach: A Little RPGhttps://indreams.me/dream/mVKQxvHGfKw00:50:54 - Old man Using a Computer00:53:22 - Jurassic Putthttps://indreams.me/dream/mKydWMZLUgt  someoneshouldmakethispodcast@gmail.com@MakeThisPodcastTheme music by Mariachi Entertainment SystemDisclaimer: Daanish Syed, Dan Weiland, and Matt Pierson are employees of Warner Brothers Entertainment Group ("WBE"), and any feedback and opinions are solely their own.   

How does a Federal Marshal and a bank robber find love and romance with each other as they both also try to catch each other? This is the subject of today's solo Tilt Shift episode. Chris goes through Out of Sight, an early Steven Soderbergh movie that stars George Clooney and Jennifer Lopez. Jake and Charly are absent on this one, so we hope you enjoy Chris' insightful but slightly overly monotone delivery.

Ten years ago Eddie honed his craft with a residency at Geelong’s most infamous Pub, The Nash where his 5-hour sets took punters on a journey. Since then he’s been throwing parties such as Mutant Dance, Tilt Shift and Sonic Therapy while holding down guest spots/residencies at Revolver Upstairs, Lucky Coq, Captain, Geelong Hotel, Xe54, New Guernica, Boney, The Gaso, Lounge and much more. His sound is inspired by Ron Hardy infused with Optimo and his deejay sets are just as unpredictable. @dj-example ==================================================== Upcoming Novel events: We are self-isolating. BRB.

©2019 Punkhouse Press Records All lyrics written by Martin Dunn All Music by Martin Dunn and Dustin Holifer except “SCOFF“ written by Kurt Cobain. Tyler Kuhn - 2nd guitar/vox on tracks (2,4,10, and 12) credits released December 14, 2019 Less Than Expected is: Martin Dunn - Vox/Guitars Dirt T. Manning - Bass Chris Manley - Drums Recorded by Less Than Expected Technician Martin Dunn and Dustin Holifer Additional Mixing by Myyke Gunter Photographers: Shawn Doyle and Brooklyn Dunn Art Design By Martin Dunn

kris provoost is an architectural photographer who quit his job from gmp Shanghai to live his dream in hong long. he utilizes a sony a7r3 camera with a cnon ts-e 17mm f/4l and his iphone to create stunning images of famous buildings from all around the world

In 1999 Paul Thomas Anderson made a 3 hour and 9 minute family drama entitled, Magnolia, which included a star studded cast, headed by Tom Cruise, Philip Seymour Hoffman, Julianne Moore, William H. Macy, and John C. Reilly. Interestingly, it was more or less snubbed during award season. A movie that can be described as relentless in its rising tension, it is probably known best for the scene where it rains frogs over the desperate and hopeless characters whose lives interconnect through what appears to be more than coincidence. Have a listen as The Tilt Shift tries to break down this elusive, and under- appreciated gem of a film.

Kris Provoost is an architectural photographer who quit his job from gmp Shanghai to live his dream in Hong Kong. He utilizes a Sony A7R3 camera with a Canon TS-E 17mm f/4L and his iPhone to create stunning images of famous buildings from all around the world. To see how the Canon TS-E 17mm f/4L […]

Inspired by their affinity for Americana, absurdity and the Midwest, these brothers have been able to spin mythic tales of tragedy, comedy and anything in between, to create an anthology of film spanning four decades. In their 1998 classic, we are pulled into a world of bowling, bags full of money (or not), and a case of mistaken identity, all of which are turned into the building blocks of one of the most bizarre, original stories about everything and nothing all at the same time. So grab an oat soda, and join the Tilt Shift as they chat about The Dude, Walter, and The Big Lebowksi.

For our first episode of The Tilt Shift, Chris, Jake and Charly discuss Quentin Tarantino's classic, Pulp Fiction. This might seem like a rule breaker for our podcast which claims to discuss films that are often overlooked. But what if this movie is, to some extent overlooked and underrated, or dare we say, overrated? It's assumed a classic by many, quoted by a generation, and seen as a cool film about bad people. And though it seems to always make its way onto every film buff's top 10 list, no one really takes the time to discuss why it's such a groundbreaking, meaningful movie. As Jules Winnfield says, "I've never gave much thought about what it meant..." On this episode of the Tilt Shift we're going to do exactly that.

Today Colin from Scotland has a Tilt/Shift question and Darren disagrees with what Chris said on the last episode and Chris agrees that Darren is correct in disagreeing but in the end Chris think we all agree.. it’s a little complicated. Check out the new 2020 photo tour to Cappadocia in Turkey. Photo by Tyler … Continue reading "865 Agree or Disagree" The post 865 Agree or Disagree appeared first on PHOTOGRAPHY TIPS FROM THE TOP FLOOR.

For the “On Talking Creativity” episode, Marco invited Jeffery Saddoris to the show. Jeffery was born in California and became a technical theater major in college. After working on scenery and costume design at different theaters in the US, he changed directions and became an instructor for HTML and Photoshop - which eventually led him to become an Art Director at Universal Studios. Since High-School, he has always explored photography and painting as a hobby and merged both passions together in mixed media art. After many years of practicing and teaching photography, he wanted to share and discuss the creative process in photography and art with the world. He started the website Faded & Blurred, which was a leading source of photographic inspiration from 2009-2015, and still is a great resource today. Jeffery joined NY photographer Bill Wadman in 2012 to co-host the popular weekly photography podcast “OTP - On Taking Pictures” which ran for 6 years and 326 episodes. Now Jeffery runs his own series of podcasts on creativity like “Process Driven”, Iterations”, or “In Between”. He’s also the author of a great photography guide “Photography by the Letter” (link: https://jefferysaddoris.com/photography-by-the-letter/). Jeffery’s current short bio states: Serial Conversationalist, Podcaster, Author, Photographer, Painter. And on this episode, Marco and Jeffery discuss the creative struggles and sources of inspiration that artists and non-artists constantly encounter in their lives.   This episode is sponsored by: Skylum Luminar 3 - Simple and fast photo editing software http://bit.ly/PPN-Luminar3   and   Marco Larousse Photography Workshops http://bit.ly/StreetPhotographyWorkshops Jeffery picks Alexey Brodovitch (1898-1971) as his inspirational photographer/artist of the month. http://www.iconofgraphics.com/Alexey-Brodovitch/ Links to Jeffery Saddoris work and social media accounts:   Website: https://jefferysaddoris.com Instagram: https://www.instagram.com/jefferysaddoris/ Twitter: https://twitter.com/jefferysaddoris Podcast: https://jefferysaddoris.com/everything/    Inspirational Photo Book Pick of the Month:   Marco picks: “Photography by the Letter” by Jeffery Saddoris Link: https://jefferysaddoris.com/photography-by-the-letter/   Jeffery’s book is a comprehensive A-Z field guide for photographers. It’s visually a joy to look at and you can tell that he has spent a long time on composing the drawings and charts to explain the subject matter in a very organized and visual way. The book is structured in a way that you can look up a subject by the letter - for example, “A” like Angle of View or Aspect Ratio and read and look at the explanation and the accompanying drawings. And the subject matter ranges from old analog terms to modern digital photography terms.  For example, you’ll find out how a bellow is used and how it relates to our modern macro extension tubes and Tilt-Shift lenses. And this makes this book a fun resource to explore for a photography beginner as well as a seasoned pro. This book will simply make you a more educated photographer. And it also inspires you to take action with photo exercises.  The eBook is $20 and the hard copy is $30. Or you can currently pick up both in a digital bundle special for $40. https://jefferysaddoris.com/photography-by-the-letter/ Jeffery picks: “Avedon’s France: Old World, New Look”   Hardback, 792 pages, Published by: Abrams & Chronicle Books Amazon Germany: https://amzn.to/2VAcHqh Publishers Website: https://www.abramsandchronicle.co.uk/book/9781419726002-avedons-france-old-world-new-look/   Richard Avedon was fascinated with France. And this book showcases a collection of spectacular and fun photographs by the master image maker and artist. Links to Marco Larousse: Web: www.MarcoLarousse.com Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/ Facebook: https://www.facebook.com/MarcoLarousse1   Links to PPN: Web: www.PhotoPodcasts.com or PPN.fm Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: https://www.youtube.com/c/ppnphotopodcastnetwork Apple Podcasts: http://bit.ly/ppn-apple-podcasts Please support our show by using our B&H affiliate link (click here) or Amazon Germany link (click here) that will not cost you a penny more than when you are buying at B&H or Amazon without our link.   Check out the Skylum LUMINAR 3 software: Link: http://bit.ly/PPN-Luminar3 (use the discount code “PHOTOPODCASTS” at checkout for extra savings)   And please share this podcast with your friends and subscribe via Apple podcasts, Google Podcasts, or search for “PPN” in your favorite podcast app. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   About this show: On the monthly “Camera and Inspiration” podcast show of the PPN - Photo Podcast Network, Marco and usually a guest discuss the essence of photography and how to photograph with more intent. Determining the “why” before the “how” in photography is essential to understanding your subject better and create stronger images. In each episode, they introduce you to an inspirational photographer of the month and also share an inspirational photo book of the month.

En este nuevo capítulo les comentaré la técnica de freelensing, la sensación de tener una imagen capturada con una lente Tilt & Shift o descentrable pero sin gastar una moneda. Además, el poder jugar con el enfoque selectivo nos dará un efecto de fotografía macro, les cuento mis experiencias con esta técnica.Quieres hacer enfoque selectivo desde tu smartphone Lógralo con “snapseed”Snapseed (Android y Apple) https://play.google.com/store/apps/details?id=com.niksoftware.snapseed&hl=es_ARhttps://itunes.apple.com/ar/app/snapseed/id439438619?mt=8Capitulo que hablo de Snapseedhttps://podcasts.fotografonocturno.com/12-revelado-y-edicion-portable/Imágenes de muestra en PDFhttps://drive.google.com/open?id=1ghp-MTjblu8JHQGdQSoD25s7UC7BrjdJEfecto TOY en cámaras Sony APP Gratishttps://www.playmemoriescameraapps.com/portal/usbdetail.php?eid=IS9104-NPIA09014_00-F00001¿Quieres estar en contacto?https://about.me/matiastitoPor favor si puedes colabora dejando un comentarioPodcast: https://podcasts.fotografonocturno.com/del-cielo-a-las-estrellas/ Por favor si puedes y te gusto déjame unas estrellitas en ItunesItunes: https://itunes.apple.com/ar/podcast/del-cielo-a-las-estrellas/id1216897948?l=en&mt=2Esto hará que se valore el Podcast, lo escuche más gente y vea el interés. ¡Gracias!Estas son mis redes email: mjftito@gmail.com (mi email de contacto personal)Mi Facebook: https://www.facebook.com/matias.tito.3 (Personal y fotos Generales, casi todos los días subo una foto, video o algo de interés fotográfico/podcast) Mi Facebook de fotografía: https://www.facebook.com/matiastito.fotografia/ Mi grupo de Noctografos Argentina en Facebook: https://www.facebook.com/groups/noctografos.argentina/ (Grupo Argentino de fotografía nocturna, donde la idea es que aprendamos entre todos) Mi grupo Facebook, donde se siguen los capítulos del Podcast del cielo a las estrellas.https://www.facebook.com/groups/podcast.matiastito/ Twitter: @Maximoredtweets (novedades de proyectos)Instagram: @matiastito (Todas mis fotos)Canal de youtube “del cielo a las estrellas” https://www.youtube.com/channel/UCMvkEI-DN6x6cWeGuvjsxYw/videos?view_as=subscriber (Videos del DIY, hágalo usted mismo)

En este nuevo capítulo les comentaré la técnica de freelensing, la sensación de tener una imagen capturada con una lente Tilt & Shift o descentrable pero sin gastar una moneda. Además, el poder jugar con el enfoque selectivo nos dará un efecto de fotografía macro, les cuento mis experiencias con esta técnica.Quieres hacer enfoque selectivo desde tu smartphone Lógralo con “snapseed”Snapseed (Android y Apple) https://play.google.com/store/apps/details?id=com.niksoftware.snapseed&hl=es_ARhttps://itunes.apple.com/ar/app/snapseed/id439438619?mt=8Capitulo que hablo de Snapseedhttps://podcasts.fotografonocturno.com/12-revelado-y-edicion-portable/Imágenes de muestra en PDFhttps://drive.google.com/open?id=1ghp-MTjblu8JHQGdQSoD25s7UC7BrjdJEfecto TOY en cámaras Sony APP Gratishttps://www.playmemoriescameraapps.com/portal/usbdetail.php?eid=IS9104-NPIA09014_00-F00001¿Quieres estar en contacto?https://about.me/matiastitoPor favor si puedes colabora dejando un comentarioPodcast: https://podcasts.fotografonocturno.com/del-cielo-a-las-estrellas/ Por favor si puedes y te gusto déjame unas estrellitas en ItunesItunes: https://itunes.apple.com/ar/podcast/del-cielo-a-las-estrellas/id1216897948?l=en&mt=2Esto hará que se valore el Podcast, lo escuche más gente y vea el interés. ¡Gracias!Estas son mis redes email: mjftito@gmail.com (mi email de contacto personal)Mi Facebook: https://www.facebook.com/matias.tito.3 (Personal y fotos Generales, casi todos los días subo una foto, video o algo de interés fotográfico/podcast) Mi Facebook de fotografía: https://www.facebook.com/matiastito.fotografia/ Mi grupo de Noctografos Argentina en Facebook: https://www.facebook.com/groups/noctografos.argentina/ (Grupo Argentino de fotografía nocturna, donde la idea es que aprendamos entre todos) Mi grupo Facebook, donde se siguen los capítulos del Podcast del cielo a las estrellas.https://www.facebook.com/groups/podcast.matiastito/ Twitter: @Maximoredtweets (novedades de proyectos)Instagram: @matiastito (Todas mis fotos)Canal de youtube “del cielo a las estrellas” https://www.youtube.com/channel/UCMvkEI-DN6x6cWeGuvjsxYw/videos?view_as=subscriber (Videos del DIY, hágalo usted mismo)

U.S. Army Veteran Jose L. Torres is the writer/creator of Speakeasy/Markosia's series The Hunger, Image Comics’ mini‐series Heirs of Eternity and the “American Dream” short in their Outlaw Territory anthology. After attending the Defense Information School, where he was named the Distinguished Honor Graduate of his Combat Photography Course, he was hand‐picked for the Special Missions platoon of the 55th Signal Company. He deployed to Afghanistan with the SOCOM Joint Taskforce

This time around, we air a frenetic and colourful session with Leeds-via-Sheffield producer 96 Back. At just 18, he already helms his own Tilt Shift club night in Leeds, and has recently released his debut Provisional Electronics EP on integral label Central Processing Unit. What the fuck. T.Margos plays some rave heaters to finish things up. *Intro* Max Richter – Space 2 [Deutsche Grammophon] *96 Back* --No Tracklist-- -- Jon Hassell – First Rain [Ndeya] *T.Margos* Zov Zov - Casting [Berceuse Heroique] Adjowa - Science & Soul (Maximillion Dunbar Remix) [DBA Dubs] Kym Sugiru - Tanka [Diskotopia] H4L - Hell For Leather [Astray] Nackt - Blight Town [Left Hand Path] Dawl - Strange World [Tone Dropout] The Scientist - The Exorcist (Ambient Mix) [Kickin Records] Mental Generation - Slam (Mental Coma Dub) [Coma] The R - What’s Going On In Your Mind? [Electronic Emergencies] Roy of the Ravers - MDM Anal [Acid Waxa] Schwefelgelb - Balancier Dich [Fleisch] Dead Man’s Chest - High Noon in Cotham [Western Lore]

Hola y bienvenidos, un día más, a Aprender Fotografía – el podcast. Soy Fran Valverde y como siempre me acompaña Pere Larrègula. En el programa de hoy respondemos a varias preguntas y os traemos una sorpresa: os contamos las sensaciones sobre el objetivo Canon 17 mm Tilt-Shift. Antes de nada, recordaros que tenemos montada una plataforma de cursos online para fotógrafos, con conceptos muy básicos hasta más avanzados. Actualmente tenemos disponibles diez cursos, de diez lecciones cada uno. Cada mes vamos subiendo de uno a tres cursos. El último que hemos subido ha sido el de Budoir, que está dividido en tres partes, la última parte dedicada al flash de zapata. Ya no se trata de sólo cursos básicos, sino que hay también cursos específicos en los que se necesita tener ciertas bases. La suscripción a los cursos es de 10 euros al mes, da acceso a todo el contenido y se pueden ver tantas veces como se desee. No hay restricciones de contenido ni distintas cuotas. Os podéis dar de baja cuando queráis. Los cursos que están actualmente en la web son: Curso de iniciación a la fotografía digital Curso de gestión de modelos Curso de iluminación en estudio básico Curso de Adobe Lightroom básico Curso básico de marketing para fotógrafos Curso de cómo montar tu propio estudio fotográfico Curso de flash de zapata Curso práctico de iniciación a la fotografía digital Curso de retrato de carácter Curso de Boudoir   Recordaros también que ya están abiertos los dos canales de Telegram: Canal de Telegram: https://t.me/aprenderfotografia Grupo de Telegram donde podemos conversar con vosotros y entre vosotros. https://t.me/aprenderfotografianoticias Canal de difusión de Telegram donde estaréis informados de todas las novedades de Aprender Fotografía El Podcast, cursos, nuevos podcasts, etc. En éste no podéis interactuar. Antes de contaros todo sobre el objetivo Canon 17 mm Tilt-Shift, responderemos a algunos comentarios de Telegram sobre podcasts anteriores de los que surgen temas interesantes. Revelado químico de fotografías: precios Dani ¡Ala, revelado a 20 euros por carrete! A mí, como mucho, me cobran tres euros; tres euros y medio por los de 120 mm. Hola Dani. Ese precio no sólo incluye el revelado, sino también la digitalización de las fotografías. Es verdad que revelar es muy barato, el problema lo encontramos a la hora de digitalizar, por lo que esta tarifa está bastante bien. Gracias Dani.   La medición correcta, ¿exposímetro en cero? Marcos Álvarez En relación con el tema de la medición, debo decir, como aficionado, que durante años siempre busqué que al medir una escena que el exposímetro me quedara en cero, independientemente de cuál fuera la escena. La gran mayoría de mis fotos son de paisajes y como las fotos las tomaba en formato RAW, después en el procesado podía corregir la exposición: poner el valor ideal, bajar las luces altas y aclarar sombras. De esa manera lograba el mejor resultado para, finalmente, sacar las copias en JPG. Tal vez, por eso, normalmente no le di mayor importancia al tema. A partir de ahora empezaré a sacar en RAW y también en JPG para evaluar si estoy logrando la medición correcta, tomando el consejo práctico de exponer en la misma dirección de la toma, con la palma de mi mano en + 1. Espero poder apreciar las diferencias. Excelente información, ¡muchas gracias! Saludos. El tema de la medición no se ha tenido en cuenta durante muchos años, por los márgenes de tolerancia en químico. El problema llega en digital, cuando tienes que subir sombras, porque la foto se desvirtúa mucho. Lo ideal es exponer según lo que ya hay. En los paisajes no hay problema porque la parte superior, el cielo, está en +2 y la parte inferior, la montaña, se divide en las copas de los árboles, que están en -1 y los troncos en -2. Si se expone a -2/3, queda mejor que a 0. La luz sufre una pequeña variación durante el año, entre f/8 250 y f/11 200.

Piccolo/grande follow-up che parte da una richiesta di un nostro ascoltatore a valle della puntata sul timelapse.Oggi parliamo di Tilt Shift, di obiettivi basculanti, di sfocatura dell’immagine, di bokeh…Ma soprattutto vediamo come fare quel (più o meno semplice) effetto che fa sembrare riprese fatte a panorami come se fossero fatte a modellini in scala.Ad ogni modo mi trovate qui:https://t.me/technopillzriothttps://twitter.com/alxgihttp://www.alexraccuglia.netSostenete Runtime Radio:http://runtimeradio.it/ancheio/

Piccolo/grande follow-up che parte da una richiesta di un nostro ascoltatore a valle della puntata sul timelapse.Oggi parliamo di Tilt Shift, di obiettivi basculanti, di sfocatura dell’immagine, di bokeh…Ma soprattutto vediamo come fare quel (più o meno semplice) effetto che fa sembrare riprese fatte a panorami come se fossero fatte a modellini in scala.Ad ogni modo mi trovate qui:https://t.me/technopillzriothttps://twitter.com/alxgihttp://www.alexraccuglia.netSostenete Runtime Radio:http://runtimeradio.it/ancheio/

Canon has recently announced the addition of three new tilt-shift lenses to its lineup, a relatively big deal for a type of lens often considered merely a tool for architecture photography. The truth is that tilt-shift lenses are used in many photographic applications, from landscape to portraiture, and their creative possibilities are limitless. Also, with this release, Canon has expanded the format to include a TS-E 135mm lens, pushing the boundaries of what can be achieved with perspective-control optics. Using this news as the keystone, we have built an episode of the B&H Photography Podcast around tilt-shift and perspective-control lenses. We discuss the history and general principles of these types of lenses, as well as their common (and not so common) applications. We explain the difference between tilt and shift and address the fact that perspective corrections can now be made in post-production and, despite that, the value that in-camera control offers. We wrap up with an inventory of the many tilt-shift lenses available from B&H, including those from Nikon, Canon, Schneider and Rokinon, as well as those available in the used market and those for medium format cameras. Join us for this informative discussion and let us know about your most valued tilt-shift lens and what you photograph with it. Guest: Todd Vorenkamp

This week Matty and Higgsy talk about how to try urban exploration without getting in trouble with the law, we cast an eye over Nikon's new 19mm tilt/shift lens and offer up more Photoshop tips.

Episode 117 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes or RSS! Featured: Wyman Meinzer, Official Lone Star State Photographer In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Official Lone Star State Photographer Wyman Meinzer opens the show. Thanks Wyman! Nikon surprises by announcing the incredibly expensive AF-S Nikkor 70-200mm f/2.8E FL ED VR and PC Nikkor 19mm f/4E ED. (#) Macphun takes aim at Lightroom with Luminar...and a new approach. (#) A listener tells a friend her photography is good, regrets it, and wants to know what to do now that friends and family have encouraged her to charge for her work. Flash Porter aims to help you back up a ton of images in the field without the use of a computer. (#) Amazon Family Vault extends the free, unlimited photo storage of Prime members to their non-member friends as well. (#) Outtakes Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

Fundamental Friday - Focal Length and Choosing a Lens Zoom Lenses, Prime Lenses, Wide, Telephoto, Macro, Tilt Shift, Fish Eye, etc. With so many lens options what do we choose for our cameras and photography? Well I don't know if I have a sure fire answer to that question but I wanted to discuss focal length and a few things to think about when it comes to lens choice. In this episode I shed some light on focal lengths, zoom and prime lenses, and understanding the aperture's sweet spot. The video with the sample pictures on location are a great example on this topic and why this is definitely something to consider when choosing a lens for your photography. Be sure to Subscribe to our newsletter! 2015 © Take&TalkPics #HeyPhotoWorld

Please subscribe and leave a review of the podcast on iTunes. Thanks! (https://itunes.apple.com/us/podcast/out-chicago-photography-podcast/id881281935?mt=2)   Post Processing for Night Photography White balance is critical (make sure you were shooting in RAW!) As with any image, it is absolutely essential that the black areas of your image are true black. Lower the black slider in Lightroom if you need to If you want detail in the highlights, you may need to lower the highlights slider Boost saturation selectively using the HSL toolbar in Lightroom Eliminate distractions HDR can bring out detail in shadows, but it can really mess with a night scene Dodge and Burn Interview with Art Wolfe Art Wolfe will be presenting at Loyola University on July 12th (http://store.artwolfe.com/index.php?main_page=product_info&cPath=10&products_id=326) . Don’t miss it! He must have thought that I was such a nice guy that he’s giving us a 20% discount off admission! Use coupon code “Chicago2014” for 20% off. In this interview, Art gives us tips for photographing architecture and urban scenes, talks about what he does to improve as a photographer, and he talks about the seminar he’ll be giving on July 12th.   Photographing the old Seminary Building at the University of Chicago If you like shooting the University of Chicago, then I’m sure you know that the old seminary building has been under construction for the past couple of years. It is almost complete and I found my way inside to give you sneak peek into what you can expect. I think that you’re going to like it, but it’s not going to be without some controversy. Thank you to Matt Frankel for first showing me around to all of the amazing places at the University of Chicago. Check out his images on Flickr (http://www.flickr.com/photos/fratmankel/) .   Pick of the week I received a request to go through my current camera gear. Here it is! Canon 6D (http://www.amazon.com/Canon-20-2-Digital-Camera-3-0-Inch/dp/B009B0MZ8U/ref=sr_1_1?ie=UTF8&qid=1402889572&sr=8-1&keywords=cannon+eos+6d) Sigma 15mm fisheye (http://www.amazon.com/Sigma-Diagonal-Fisheye-Canon-Cameras/dp/B000CDC79M/) , Canon 17mm Tilt Shift (http://www.amazon.com/Canon-Aspherical-Tilt-Shift-Digital-Cameras/dp/B001TDL2OA/) , Canon 24-105mm (http://www.amazon.com/Canon-24-105mm-USM-Zoom-Lens/dp/B004V97MXE/) , Canon 70-300L (www.amazon.com/Canon-70-300mm-4-5-6L-Telephoto-Cameras/dp/B0040X4PQI/) Gitzo 3541LS tripod (http://www.amazon.com/Gitzo-Systematic-Section-Tripod-GT3542LS/dp/B0078OS0YY/) with Arca Swiss Z1 Ballhead (http://www.amazon.com/Arca-Swiss-Monoball-Single-Ballhead-Release/dp/B0015BS7H6/) and RRS clamp (http://www.reallyrightstuff.com/s.nl/it.A/id.3416/.f) Olympus OM-D E-M10 (http://www.amazon.com/Olympus-E-M10-Compact-System-Camera/dp/B00HPQ09GM/) , 17mm 1.8 (http://www.amazon.com/Olympus-M-Zuiko-Black-Panasonic-Cameras/dp/B00CI3R4VU/) , 40-150mm (http://www.amazon.com/Olympus-40-150mm-F4-0-5-6-Panasonic-Cameras/dp/B0066J6EOU/) The post Art Wolfe, Post Processing Night Photos, The Old Seminary at UChicago: OOC Episode 6 (https://www.outofchicago.com/2014/06/16/art-wolfe-post-processing-night-photos-the-old-seminary-at-uchicago/) appeared first on Out of Chicago Photography (https://www.outofchicago.com) .

A blur filter applied in different amounts to each pixel in the image, according to a depth mask. This effect can be used to simulate a narrow depth-of-field, lens-shaped edge defocusing or tilt-shift effects. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com

http://fxfactory.com/fxfactorypro/ Tutorial shows how to create a tilt-shift effect with the FxFactory Pro depth blur plugin. A blur filter applied in different amounts to each pixel in the image, according to a depth mask. This effect can be used to simulate a narrow depth-of-field, lens-shaped edge defocusing or tilt-shift effects. FxFactory powers hundreds Final Cut, Motion and After Effects plugins: http://fxfactory.com/fxfactory/

Das ist der 278. Blick auf eine Twitter-Google-Mashup-Kampagne von VW in Brasilien, eine Trenchcoat-Mood-Kampagne von Burberry, 1 Mio. Facebook-Fans auf einem Porsche, eine Horde Models, die in Amsterdamer Kneipen Männer knuddelt, ein Anthem von GLS und ein Tilt-Shift-Video zum Thema Berufsunfähigkeit: >> Podcast kostenlos in iTunes abonnieren Download als […]

Hat man nicht gerade ein Tilt – Shift Objektiv direkt bei der Aufnahme zur Verfügung, müssen die gewollten Effekte später per Software am Rechner erzeugt werden. Ich spreche bewusst von Effekten und nicht von Korrekturen, wie sie beispielsweise bei stürzenden Linien im Rahmen von Architekturaufnahmen von Nöten sind. Vorliegend geht es primär um den Bereich . . . → Mehr lesen: Eine „Tilt – Shift“ Simulation. Kreative Unschärfe erzeugen.

Das ist der 261. Blick auf den Facebook-Film und eine interessante Videotechnik namens Tilt-Shift Dauer: 25 Minuten : Download als MP3 (23 Mb) Shownotes Intro: Der Boom der Hackschnitzel : Das Lied vom Heizomat Brainiacs Top-Spender: Claudia G. aus Erfurt Weitere Spender, damit herzlich willkommen im Club der Brainiacs: Benjamin G. aus München Popposkop […]

In this episode I talk about how I use my 24mm Canon TS-E Lens to obtain some creative effects, and maybe breath a little life into your Tilt-Shift lens if you think it's only for straightening up buildings in architecture shots. Details: https://mbp.ac/13

In this episode I talk about how I use my 24mm Canon TS-E Lens to obtain some creative effects, and maybe breath a little life into your Tilt-Shift lens if you think it's only for straightening up buildings in architecture shots. Details: https://mbp.ac/13