Podcasts about high valyrian

We're are back! Actually, this time it's just StefLyoness (sorry everyone) because Beth lost her voice at the time of recording and we wanted to make sure we got content to you about the HOTD Season 3 opener as soon as possible. We know we all can't get enough while the show is on. Here is Stef chatting nonsense about their thoughts on the show. They have many questions and require you all to get in touch to say what YOU think. Get ready for opinions on dragons and High Valyrian, THAT kiss (shudder), and so much more. Dracarys!

Here's what we're reading, recommending, and revisiting this week.Catherine's library find is a novel that had many blurbs that appealed to her, so she wants to check it out: Like Family by Erin O. White. She also has a follow-up to last week's history of Victorian parenting. It's Hot Victorians: Meet Your Dream Man From the Past by Aaron Radford-Wattley (inspired by an Instagram account of the same name). Mentioned: True Biz by Sara Novic.Terri's random recommendation is Duolingo, where you can learn not just languages used in the real world, but those from the past (Latin) and fictitious worlds (Klingon, High Valyrian). Mentioned: Duolingo French podcast and a Game of Thrones scene that demonstrates the power of knowing your enemy's language: Part 1, part 2.In the archives, we checked in on an episode from 2022 on the warning labels we need as parents. Mentioned: AIM away messages.Next week's lineup:Shrinking S3 E7, "I Will Be Grape," on Tuesday, March 17Lost S5 E5, "This Place Is Death," on Wednesday, March 18Weekly roundup on Thursday, March 19Until then (and anytime you're in need), the archives are available.

Cuentahabientes, ya saben que ando trastornada con House of the Dragon, y tenemos desde Los Ángeles a David Peterson, creador del lenguaje High Valyrian, Dothraki y Chakobsa, de series como Game Of Thrones y la película Dune, para que nos diga cómo se crea un lenguaje de ficción. Hosted on Acast. See acast.com/privacy for more information.

Here's the latest news from the world of Omniglot. New fictional script and language: High Valyrian (Valyrio), a fictional language developed for the television series Game of Thrones and House of the Dragon, and based on the few words of High Valyrian used in George R. R. Martin’s series of fantasy novels, A Song of […]

Spoiler note: This House of the Dragon Season 2 Episode 8 review discusses “The Queen Who Ever Was” in full, including the finale ending, Alicent and Rhaenyra's meeting, Daemon's weirwood vision, Aegon leaving King's Landing, Aemond and Helaena, Rhaena finding the wild dragon, and the Season 3 setup. Mary & Blake are TV-first viewers and avoid future Fire & Blood spoilers. In our House Of The Dragon Season 2 Episode 8 review, we break down “The Queen Who Ever Was,” a finale that works beautifully as an episode of television but leaves the season ending more like a promise than a payoff. This is the hour where Daemon finally bends the knee, Alicent offers Rhaenyra the throne, Aegon escapes King's Landing with Larys, Aemond starts losing control, the armies move into place, and the season closes right before the war truly explodes. Mary gave the episode 4.9 flames. Blake gave it 4.9 flames as an episode of television, but much lower as a finale because the final montage builds toward catharsis without fully delivering it. That tension is the heart of the conversation: “The Queen Who Ever Was” is thematically strong, visually gorgeous, and emotionally rich — but it also feels like Episode 8 of a 10-episode season. Below, you can listen to our full podcast breakdown, watch the video version, read the recap, and follow our related House of the Dragon Season 2 coverage. Listen To Our House Of The Dragon Season 2 Finale Recap And Reaction Mary & Blake discuss the House of the Dragon Season 2 finale, Episode 8, “The Queen Who Ever Was,” including why the finale was nearly perfect until one crucial ending choice, why audiences need fitting denouements, whether Alicent or Rhaenyra is the main character of Season 2, Daemon's vision, the pirate chaos, and why George R. R. Martin needs to eat his vitamins. Subscribe To Get New House Of The Dragon Episodes APPLE PODCASTS YOUTUBE SPOTIFY House Of The Dragon Season 2 Finale Recap: What Happens In “The Queen Who Ever Was”? “The Queen Who Ever Was” begins by widening the map. Tyland Lannister travels to the Triarchy to secure help against Rhaenyra's blockade, only to find himself negotiating through mud wrestling, pirate swagger, monkeys, dyed beards, and Admiral Lohar's extremely chaotic vibe. In King's Landing, Larys tells Aegon that survival now means leaving. Aegon is broken, burned, and humiliated, but Larys sees him as politically useful precisely because everyone else has underestimated him. Together, they flee toward Essos, taking money and removing Aegon from Alicent's plan before she even knows the plan has failed. At Harrenhal, Daemon finally reaches the end of his haunted season. Alys Rivers leads him to the weirwood tree, where he sees images of the future: the White Walkers, dead dragons, the comet, dragon eggs, Daenerys, and Rhaenyra on the Iron Throne. The vision reframes his role in the war. This is not only about his ambition, his resentment, or his marriage. It is about something much bigger. When Rhaenyra arrives at Harrenhal, Daemon publicly bends the knee. But the most important part happens privately, when he speaks to her in High Valyrian and tells her the war is bigger than both of them. For once, Daemon is not trying to take the story from Rhaenyra. He is choosing to serve her part in it. Aemond, meanwhile, becomes more dangerous after realizing Team Black now has more dragons. He burns Sharp Point in rage and tries to force Helaena to ride Dreamfyre into battle. Helaena refuses and tells him what she knows: Aegon will be king again, and Aemond will die in the God's Eye. On Dragonstone, Alicent comes to Rhaenyra and offers her a path to King's Landing. She admits she was wrong about Viserys' final words, says Aemond is leaving for Harrenhal, and tells Rhaenyra she can take the Red Keep in three days. But Rhaenyra makes the cost clear: Aegon must die. Alicent resists, then accepts the price. The episode ends with armies, ships, dragons, and riders moving into place for Season 3. The Starks are marching. The Lannisters are moving. The Triarchy is coming. Criston Cole is on the road. Rhaena finds the wild dragon in the Vale. Otto Hightower is shown imprisoned. And Rhaenyra and Alicent end in mirrored positions: one crushed by duty, the other looking toward freedom. House Of The Dragon Season 2 Episode 8 Review “The Queen Who Ever Was” is a difficult finale because the material inside the episode is often excellent. The issue is not that nothing happens. A lot happens. The problem is that almost all of it points forward. As an episode, it has some of the strongest character work of the season. Daemon's Harrenhal arc finally pays off. Alicent and Rhaenyra get another charged conversation. Aemond's fear and cruelty become clearer. Helaena's role as a dreamer becomes more active. Aegon's escape complicates the entire political plan. And the final montage is visually beautiful. As a finale, though, the episode is more frustrating. It gives us movement toward a battle, movement toward the Gullet, movement toward Harrenhal, movement toward King's Landing, movement toward Rhaena and the wild dragon — but very little final release. It feels like the season inhales and then cuts to black before the exhale. That is why Blake's central critique lands: if the show could not end with a major battle, it needed a stronger emotional denouement. It needed one final moment that closed the season's thematic loop rather than simply arranging the next board. Mary is more willing to accept the setup because the season has already delivered major events: Blood and Cheese, Rook's Rest, the Red Sowing, Daemon's transformation, and the shift in Alicent. For Mary, this is the Risk board finally getting good. For Blake, it is a strong episode that needed one more move to feel like a true finale. Why Is The Episode Called “The Queen Who Ever Was”? The title “The Queen Who Ever Was” echoes Rhaenys' old title, “The Queen Who Never Was,” but the finale turns the phrase toward both Rhaenyra and Alicent. Rhaenyra is the queen who ever was because her claim, her duty, and the prophecy are now fully pressing down on her. She is no longer only trying to protect her family, avoid war, or prove that Viserys chose her. By the end of the season, she has accepted that she must take the throne even if the cost is blood. Alicent is also part of the title's meaning. She was never queen in her own right, but she helped create a king, defended a false interpretation of Viserys' words, and spent the season realizing that the system she served would never truly give her power. By the end, she no longer wants the crown, the court, or the color green. She wants to be free. That is what makes the title so sad. The episode is about queenship as a trap. Rhaenyra accepts the trap because she believes her part was decided long ago. Alicent tries to step out of it only after the trap has already closed around everyone else. House Of The Dragon Season 2 Ending Explained The ending of House of the Dragon Season 2 shows every major faction moving toward the next stage of the war. Team Black is stronger than it has ever been. Rhaenyra has Daemon, the Riverlands, new dragonriders, Corlys' fleet, and a potential opening in King's Landing through Alicent. But she also has new risks: Ulf is unstable, Hugh is unknown, Jace is insecure about his legitimacy, and Rhaenyra's moral line has moved. Team Green is weaker and more chaotic, but not finished. Aemond controls Vhagar and the military machine, but he is increasingly isolated and reckless. Aegon is alive and escaping with Larys, which ruins Alicent's deal and creates a future problem for both sides. Helaena knows more than anyone around her understands, and Otto's imprisonment suggests another hidden power move is happening off the board. The final montage is meant to show that the war is now unavoidable. The North is marching. The Lannisters are moving. The Triarchy is coming for the blockade. Criston Cole's army is advancing. Rhaena has found the wild dragon. Every piece is in motion. The frustration is that the montage functions more like a trailer for Season 3 than a release for Season 2. The finale does not end with the war arriving. It ends with the war about to arrive. Alicent And Rhaenyra's Final Scene Explained The Alicent and Rhaenyra scene is the emotional center of the finale. Alicent arrives at Dragonstone with no army, no weapon, and no real protection. She comes with the only thing she has left: the possibility of surrender. Alicent admits that she misunderstood Viserys. She knows now that Rhaenyra was right about his final words. She also knows Aemond is dangerous, Aegon is damaged, and the war she helped unleash cannot be controlled from inside the Red Keep anymore. Rhaenyra understands the offer, but she also understands what rule requires. If she takes King's Landing and leaves Aegon alive, her claim will never be secure. So she tells Alicent the truth: Aegon must die. That is the scene's brutal mirror. At the beginning of the season, Helaena had to identify which child was her son. In the finale, Alicent has to choose which son she can give up. It is not the same kind of violence, but it rhymes. The war keeps forcing mothers to name the child who will pay. The scene works because both women have changed places. Alicent now wants escape, air, anonymity, and freedom. Rhaenyra cannot go with her because duty has swallowed her life. Alicent speaks as if from a distant dream. Rhaenyra is awake inside the nightmare. Did The Finale Fail Alicent? Blake's biggest issue with the finale is not simply that there is no battle. It is that Alicent's story does not get the final moment it needs. All season, Alicent has been losing power. She begins believing she can hold the Green cause together, then discovers she misunderstood Viserys, loses her place on the council, watches Aemond rise, and finally decides to trade the throne for a chance at peace. That is a real character arc. The problem is that the finale ends before Alicent can experience the consequence of her choice. She agrees that Aegon must die, but Aegon is already gone. That should be devastating. It should trap her between the bargain she made and the reality she can no longer control. Instead, Aegon's escape is folded into the montage. We understand the plot complication, but Alicent does not get the cathartic moment of returning to King's Landing and realizing her sacrifice cannot be delivered. That is why the ending can feel emotionally incomplete. Alicent makes the season's hardest choice, but the finale does not let the audience sit in the immediate fallout of that choice. Daemon's Weirwood Vision Explained Daemon's weirwood vision is the payoff to his Harrenhal story. After weeks of ghosts, guilt, dreams, Alys Rivers, and psychological torture, Daemon finally sees a future larger than himself. The images connect House of the Dragon to the larger Game of Thrones mythology: the White Walkers, the three-eyed raven, the comet, dead dragons, Daenerys and the dragon eggs, and Rhaenyra on the Iron Throne. The point is not only fan-service. The vision changes Daemon's understanding of power. He wanted the crown because he wanted recognition, love, status, and proof that he mattered. The weirwood shows him that the throne is not a personal prize. It is part of a story that stretches far beyond his resentment. That is why his reunion with Rhaenyra works. When he speaks High Valyrian to her, he is not simply apologizing. He is telling her that winter is coming, the threat is bigger than their marriage, and he now understands that his role is to serve her claim rather than consume it. Daemon kneeling publicly matters. But the private High Valyrian exchange matters more, because that is where he finally recognizes Rhaenyra as his queen. Is Daenerys The Prince That Was Promised? The vision includes imagery that clearly points toward Daenerys and her dragons, but that does not necessarily mean the episode is declaring Daenerys to be the Prince That Was Promised. Within the scene, Daemon sees fragments of a future he does not fully understand. He sees dragons return. He sees the threat from the North. He sees the comet. He sees the Targaryen line stretching toward a future war against death itself. For Daemon, the important takeaway is not a clean answer to the prophecy debate. The important takeaway is that Rhaenyra's claim is part of something bigger than his ambition. The vision gives him enough fear and clarity to bend the knee. So the safest read is this: the finale uses Daenerys to show the future of dragons and the long shadow of Targaryen history, not to fully settle the Prince That Was Promised question. Aegon And Larys Escape King's Landing Aegon's escape is one of the finale's most important plot turns because it breaks Alicent's plan before the plan even begins. Larys understands that Aegon is not safe in King's Landing. Aemond is too dangerous, Alicent is making moves of her own, and the court no longer has a stable center. So Larys offers Aegon survival: leave, hide, recover, and let everyone else underestimate him. Aegon agrees because he has very little left. His body is broken. His dragon may be dead or believed dead. His authority has been taken by Aemond. His future as a father and king is physically and politically damaged. But that is exactly why Aegon may still matter. A king everyone assumes is finished can become a problem later. Larys knows that. Aemond may not. Aemond And Helaena: The Dreamer Finally Speaks Aemond's scene with Helaena is one of the clearest signs that he is losing control. He wants Helaena to ride Dreamfyre into battle because Team Black's dragon advantage has scared him. He needs more firepower, and he treats his sister as another piece on the board. Helaena refuses. More importantly, she tells him what she sees. Aegon will be king again. Aemond will die in the God's Eye. She speaks about the future with a strange calm that makes Aemond's violence look even smaller. That scene matters because Helaena is no longer only whispering cryptic lines in the background. She is actively confronting Aemond with knowledge he cannot dominate. He can threaten her, but he cannot make her unsee what she has seen. Aemond has Vhagar, but Helaena has the one thing he cannot burn: the truth of what is coming. Tyland Lannister And Admiral Lohar Bring Pirate Chaos The Triarchy material is weird, funny, and intentionally disruptive. Tyland Lannister enters a completely different kind of world: mud wrestling, monkeys, dyed beards, pirate wives, shifting names, and Admiral Lohar turning diplomacy into a test of endurance. Mary loves this material because it expands the world. House of the Dragon can become claustrophobic when it stays locked between King's Landing, Dragonstone, and Harrenhal. The pirate scenes remind us that the war is pulling in people who do not care about Targaryen family trauma except where it creates opportunity. The risk is that the Triarchy plot arrives late in the finale, when some viewers are waiting for payoff from characters they already know. But structurally, it matters: the blockade has to be challenged, and the Battle of the Gullet is clearly being loaded for Season 3. Corlys, Alyn, And The Driftmark Problem Corlys remains one of Mary's biggest frustrations in the finale. He is Hand of the Queen, but he keeps hanging around the same dock, circling the same family secrets, and avoiding the plain truth about Alyn and Addam. Alyn finally gives the scene the energy it needs by telling Corlys what he has been refusing to hear: Corlys was not there. He did not claim them. He did not raise them. And now that his acknowledged line has been devastated, he suddenly has use for the sons he left in the margins. That confrontation works because Alyn refuses to make Corlys comfortable. Corlys may be grieving, legendary, and politically important, but that does not erase the damage he caused by keeping parts of his life hidden. The bigger issue is whether the show waited too long to make this material truly alive. Alyn's anger is compelling. It just needed to arrive sooner. Rhaena And The Wild Dragon In The Vale Rhaena finally finds the wild dragon in the Vale, but the path there is frustrating. She leaves the royal children behind, runs into the wilderness without supplies, and somehow no one seems very good at finding her. Still, the image of the dragon is powerful. Rhaena has spent the season feeling unwanted, dragonless, and sent away from the real action. Finding the wild dragon gives her story a clear direction heading into Season 3. The question is whether the payoff will justify the setup. If Rhaena claims the dragon, her frustration and isolation may become essential. If not, the finale spent a lot of time watching someone make a very poorly packed hiking decision. House Of The Dragon Season 2 Finale: What It Sets Up For Season 3 The finale sets up Season 3 as the season where preparation becomes open war. Rhaenyra has Daemon, the Riverlands, multiple dragonriders, and a possible path into King's Landing. Alicent has made a bargain she may no longer be able to fulfill because Aegon is gone. Aegon escapes with Larys, making him a hidden problem for both Team Green and Team Black. Aemond is more dangerous because he is scared, isolated, and still holding Vhagar. Daemon returns to Rhaenyra with a changed understanding of his role. Helaena becomes more important as her dreamer knowledge becomes clearer. Corlys sails toward the Gullet while his family secrets keep boiling underneath him. Tyland and Lohar bring the Triarchy into the war against the blockade. Rhaena stands on the edge of claiming or confronting the wild dragon in the Vale. Otto Hightower is alive but imprisoned, creating another mystery for Season 3. Related House Of The Dragon Coverage Continue through Mary & Blake's House of the Dragon coverage: House Of The Dragon Season 2 Recap And Episode Guide House Of The Dragon With Mary & Blake Podcast Hub Previous Episode: House Of The Dragon Season 2 Episode 7 — “The Red Sowing” Season 3: House Of The Dragon Season 3 Teaser Reaction More From Mary & Blake Subscribe to House of the Dragon With Mary & Blake for every recap, reaction, listener feedback episode, and deeper discussion as we continue through the Dance of the Dragons. Want bonus podcasts, extended reactions, and community conversation about House of the Dragon, Outlander, The Rings of Power, and everything else Mary & Blake are covering? Join the Nerd Clan community at JoinTheNerdClan.com and support everything Mary & Blake are building. Mary & Blake Media is not affiliated with HBO, Max, Warner Bros. Discovery, George R. R. Martin, or the House of the Dragon production.

House of the Dragon/Game of Thrones language writer David J. Peterson returns to discuss High Valyrian and lickspittles. Episode 539 - War of Words with David J. Peterson Listen to David's podcast here Game of Owns is hosted by Hannah Hosking & Zack Luye Podcast shirts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gameofowns.com/shirts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gameofowns.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for sorted podcast episodes

Commander A.Ron and King Jimhaerys have reports from the battlefield. Find out what Milly Alcock as Young Rhaenyra was saying in High Valyrian. Make a claw shape with your left hand, that's the Crownlands. Hear the inside jokes that GRRM included in his books. This podcast has everything you need to know about this episode of House of the Dragon.  Want to hear your feedback read on the podcast? Send it to hotd@baldmove.com! Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Support Bald Move:  Club Bald Move Leave Us A Review on Apple Podcasts Join the discussion:  Email  |  Discord  |  Reddit  |  Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Commander A.Ron and King Jimhaerys have reports from the battlefield. Find out what Milly Alcock as Young Rhaenyra was saying in High Valyrian. Make a claw shape with your left hand, that's the Crownlands. Hear the inside jokes that GRRM included in his books. This podcast has everything you need to know about this episode of House of the Dragon.  Want to hear your feedback read on the podcast? Send it to hotd@baldmove.com! Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Support Bald Move:  Club Bald Move Leave Us A Review on Apple Podcasts Join the discussion:  Email  |  Discord  |  Reddit  |  Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve and Anthony cover the third episode of HOTD season one. Then Anthony talks with High Valyrian creator, David Peterson. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion:  book@baldmove.com  | Discord | Reddit | Forums Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Rytsas! We start with a behind the scenes discussion of how we script out each episode of the show. Then a truly epic Nicky's Advice Corner: is she in the wrong for not wanting attend her friend's wedding if it will be held in High Valyrian, the made up language from Game of Thrones? And then it truly goes off the rails when we try to ask Facebook's AI bot for the same advice. Finally, Brian closes us out with a Sports Short medly of takes that have all aged pretty well (LIV golf, Deshaun Watson.) 

Where do fictional languages come from? How are they devised? Hear from the creator of the Klingon language, Marc Okrand, on his process of designing the famous conlang (constructed language) and his first few Star Trek gigs. You'd be surprised by the amount of vocabulary, syntax, and grammar that go into inventing the conlang. Host David Pogue also interviews language creator David Peterson on his conlangs, including Dothraki and High Valyrian from Game of Thrones, and Angela Carpenter, a linguistics professor at Wellesley College on the history of constructed languages. We'll be back with a new episode of the Pod Directive soon! Learn more about your ad choices. Visit megaphone.fm/adchoices

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.07.28.550667v1?rss=1 Authors: Malik-Moraleda, S., Taliaferro, M., Shannon, S., Jhingan, N., Swords, S., Peterson, D. J., Frommer, P., Okrand, M., Sams, J., Cardwell, R., Freeman, C., Fedorenko, E. Abstract: What constitutes a language? Natural languages share some features with other domains: from math, to logic, to music, to gesture. However, the brain mechanisms that process linguistic input have been shown to be highly specialized, showing little or no response to diverse non-linguistic tasks. Here, we examine a class of stimuli that have not been previously investigated with neuroscientific methods - constructed languages, or conlangs, like Esperanto and Klingon - to ask whether they draw on the same neural mechanisms as natural languages, or whether they instead pattern with domains like math and logic. Using individual -subject fMRI analyses, we show that understanding conlangs recruits the same brain areas as natural language comprehension. This result holds for Esperanto (n=19 speakers) - a conlang that was created to resemble natural languages - and fictional conlangs (Klingon (n=10), Na'vi (n=9), High Valyrian (n=3), and Dothraki (n=3)), which were created to differ from natural languages, and suggests that a) conlangs and natural languages share critical features, including an ability to express a wide range of meanings related to the external and internal worlds, and b) the notable differences between (even fictional) conlangs and natural language are not consequential for the cognitive and neural mechanisms that they engage. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

From his incredible experience creating Dothraki and High Valyrian languages for famous TV show Game of Thrones, to advice on language acquisition and much more, today I welcome David Peterson to the show❗ Welcome to a new episode of my "Language Input" podcast, and the latest of many interviews to help you understand that YOU TOO can learn ANY LANGUAGE while enjoying the process. Follow me on all my social media for new daily content related to language learning, especially if you're looking to learn my native language Spanish. 🎬 Youtube: https://www.youtube.com/channel/UC5VQO82Gf2c-bmiTPI2h7fA 💻Twitch: https://www.twitch.tv/spanishnaturalanguages 📹 Instagram: https://www.instagram.com/spanishnaturalanguages/ 📱 Tik Tok: https://www.tiktok.com/@naturalanguagesspanish ✍️Twitter: https://twitter.com/NaturaLanguages

The first time you heard “Star Trek” characters speak Klingon, or the “Game of Thrones” characters speaking Dothraki and High Valyrian, you might have assumed that the actors were just speaking a few words of gibberish, created by some screenwriter to sound authentic. But these are complete languages, with vocabulary, syntax, grammar, and even made-up histories. There's only one person on the planet whose full-time job is creating them—and these days, he's swamped with requests. No doubt about it: Conlangs (constructed languages) are the new special effect. Me nem nesa! Hear from David Peterson (author, linguist & full-time language maker), Mark Okrand (author, linguist & creator of Klingon), and Angela Carpenter, (linguistics professor at Wellesley College). See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Arthur Njamfa checks in to discuss the most action-packed chapter yet: Arya IV. Send your tattoo ideas to book@baldmove.com. In an upcoming podcast David Peterson will translate phrases into Dothraki or High Valyrian so you can ink them into your flesh. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion:  book@baldmove.com | Discord | Reddit | Forums Follow us: LeDonneBooks.com Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

(1-5-22) Getting close to the weekend. They must be running out of names for the Covid variants. Have you heard the latest? So do you think you are hot or not? We let you know if you are, without even seeing you. How come middle aged people in the 90's looked so old. Want to learn to speak High Valyrian...there is an app for that. All that and more.

Daenerys buys the Unsullied army that she needs but pays a huge cost. Not only the three ships and all their contents, but also her dragon Drogon. However, she has a nasty surprise in store for the slavers. Simon and Mackelly consider the economic crimes that pave Daenerys' path to the Iron Throne.Chapter Review:Daenerys Targaryen is willing to pay any price to get her Unsullied slave army. Ultimately, she and the masters of Astapor agree upon the sum: the three ships she sailed into Slaver's Bay on, all of their contents, and… Drogon. Arstan Whitebeard pleads with Dany not to agree to that last bit, but she has him removed from her presence. In return, Dany gets all 8,600 fully-trained Unsullied, along with the partially trained, the recently-cut boys, and the translator slave named Missandei. That night, on board her ship Balerion, she has a vision of Quaithe repeating the riddle she told Dany in Qarth. The next morning she rides to the meeting place among her meager force, including all three dragons. She hands the chain attached to Drogon's neck to Kraznys mo Nakloz and receives the ceremonial whip indicating she now has control over the Unsullied. While Kraznys and the other masters struggle controlling Drogon, Dany rides past the Unsullied shouting to them in High Valyrian that she now owns them and they'll do as she says.She turns back to Drogon and shouts "Dracarys." The dragon bathes Krasnys in flame. The other two dragons are released and all three begin pouring fire down on the Astapori elite in attendance. She commands the Unsullied to kill anyone wearing a tokar, free all slaves, but leave any children unharmed. She then tells the Unsullied soldiers that they are now free.Characters/Places/Names/Events:Daenerys Targaryen - Last remaining descendent of the royal Targaryen line, Stormborn, Mother of Dragons, claimant to the Iron Throne of Westeros.Viserion, Rhaegal, and Drogon - Daenerys' dragons.Ser Jorah Mormont - Exiled former Lord of Bear Island. Daenerys' bodyguard and loyal advisor.Unsullied - Eunuch slave soldiers. Renowned for their fighting prowess. Kraznys mo Nakloz - Astapori Unsullied slave master.Arstan Whitebeard- Westerosi squire to Strong Belwas. Sent by Illyrio Mopatis to bring Dany to Pentos.Astapor - City on Slaver's Bay, where Unsullied are made from slave boys. Support the podcast. Buy a bit of merch from our store. Or if swag is not your bag, buy us a Cup of Arbor Gold.If you like what we're doing, please consider rating and reviewing us at Apple Podcasts, Spotify, podchaser.com, and anywhere else you can leave a rate and review.Join the discussion on our Discord server! https://discord.com/invite/FTy7BExyBQWe'd love to hear from you. Send us an email at ghosts.harrenhal@gmail.com. Also, follow us on Twitter @GhostsHarrenhal, Facebook, Instagram, and YouTube.All Music credits to Ross Bugden:INSTAGRAM! : https://instagram.com/rossbugden/ (rossbugden) TWITTER! : https://twitter.com/RossBugden (@rossbugden) YOUTUBE! : https://www.youtube.com/watch?v=kthxycmF25M Support the show

Join Spandana Bhattacharya and Javier Torres as they talk to Cem Kansu, Vice President of Product Management at Duolingo. Cem is a fellow Whartonite, graduating with an MBA in 2016 who worked at Google prior to school. We're sure by now you've seen their funny, ubiquitous green owl mascot (if not, check out Duo on TikTok), but Duolingo's mission to develop the best education in the world and make it universally available is no joke. Boasting over 100 courses in 40 distinct languages, including High Valyrian and Klingon, the leading global edtech platform has been downloaded more than 500 million times and is the world's most popular way to learn languages. Duolingo uses a data-driven, mobile-first approach to help the ~1.8 billion people in the world learning a foreign language do so in a new, efficient and convenient way. In this episode, we talk to Cem about monetization, Duolingo's approach to experimentation, and their diversification to math learning. During Cem's time, Duolingo went from $0 to $300 million in revenue, and we delve into what went into the decision to launch the subscription model. We also talk about the >500 A/B tests that are run each quarter and how these are used to drive growth. Lastly, we dive into the exciting launches of Duolingo's new math and literacy apps, a crucial part of the company's strategy to diversify.

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion. Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century. Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature. Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion. Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century. Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature. Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion. Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century. Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature. Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion. Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century. Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature. Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoices

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion. Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century. Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature. Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The writer for the High Valyrian dialogue between Daemon and Rhaenyra joins Double Dragon. What do these characters really say? Do the subtitles capture the subtleties of the language? Then medievalists Kavita Mudan Finn and Iain MacInnes answer listener questions about the history behind the show. Intro music by Tobias Sjögreen, check out his band's webpage: Heiko. Check out https://support.baldmove.com/ to find out how you can gain access to our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion:  book@baldmove.com | Discord | Reddit | Forums Follow us:  Instagram | LeDonneBooks.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Jason and Greta take a look at King Viserys' isolation, Princess Rhaenyra's frustrations, and the outcome of Daemon's leadership in battle. Later, Milly Alcock, who portrays young Rhaenyra Targaryen, shares her approach to Westeros' “punk princess” and the process of learning to speak High Valyrian. See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Wine Wednesday! Podcast fave Maddie returns this week to discuss the pilot episode of HBO's House of the Dragon.  This is a long one, so pace yourselves! And to help with your listening experience, check out the chapter markers below.  Keep an eye out for a short bonus episode next week in which Maddie and I discuss book spoilers.  REMINDER: We drink, we know things, we use LOTS of adult language, and we have a really good time.  Cheers!0:00 Intro and Drinking Selections10:01 Our engagement with the source material.13:08 Maddie discusses how the HotD source material differs from the GoT source material.17:54 How does the HotD opening scene stack up against GoT's opening scene? Also - no opening title sequence? We have thoughts!29:34 Thoughts on music from the episode and the magic of Ramin Djawadi.39:01 How the discussion of character introductions will flow.40:48 Rhaenyra56:14 Daemon1:16:32 Criston1:31:34 Alicent1:45:03 Rhaenys1:55:23 Corlys1:59:57 Rant about racism in the fandom.2:11:42 Kurt Sutter would love this.2:30:56 Other standouts.2:33:22 Appreciation for the set design. 2:35:33 Maddie notes Iron Throne differences.2:38:35 High Valyrian sounds a little different in HotD.2:39:39 Miscellaneous Targaryen thoughts.2:47:36 More praise for the pilot.2:51:29 Was there anything from the pilot that didn't work for us?2:57:17 Does HotD work best as a show that comes after the audiences introduction to Westeros after 8 seasons of Game of Thrones? 3:10:34 How bad does one smell after riding a dragon? Also, Maddie is a WHOLE vibe.3:16:22 What GoT references did we enjoy most?3:33:10 Maddie shares  thoughts on GoT season 8.3:44:33 Maddie shares why you may want to stick with HotD. Jocelyn also goes on a tangent about the lovely Patina Miller and a few other shows that you should check out on Sundays. 3:56:48 Closing out with thirsty thoughts.Follow Maddie on Twitter, IG, and Twitch.  Support the show

DHKA Can I Live? DKA Dragon Males HBO's House of the Dragon prequel to Game of Thrones is back, and so is the plotting, backstabbing, pimping, and poetic bars. This episode drops all of that AND we got a time jump. Brandon and Chanel go through everything on Episode 2 and break it down like only we can, including AAVE translations of the olde English and High Valyrian. Featured in this episode: Otto Hightower is a wild dude, we get creepy arranged marriages, and we meet the Crab Feeder. Feedback If you want to leave feedback, questions, and/or comments about our show, you can email us at WeWasDragonsPod@gmail.com Socials Brandon - @thatcoolblknerd | Chanel - @chanelcreating | Youtube - Chanel Creating Check Out Our Other Shows Brandon - Why So Serious Podcast, RTO Podcast, Bald Black Nerds Podcast, Hindsight Movie Reviews Podcast | Chanel - Baby, Baaabe! Podcast, Dovecraft Country Podcast, Guest Spots --- Send in a voice message: https://anchor.fm/we-was-dragons/message

Welcome to #Millennial, the home of PRETEND adulting and real talk. Are we still on the Be Real train? Instagram is clearly getting on board. Amid news that Biden will be (finally) announcing his student loan forgiveness solution, the panel has thoughts... BREAKING NEWS: Andrew is committing to the highly anticipated 'Game of Thrones' and 'Lord of the Rings' spinoff series. #iconic Is this the make or break moment for major fandom spinoff series? Related to 'Game of Thrones', a listener asks 'AITA if I don't go to my friend's GoT themed wedding?' Andrew surprises Laura and Pam by asking them to read in High Valyrian on air in honor of our 'Thrones' conversation. Demi Lovato's latest single '29' has gone viral, prompting more conversations about the cultural shift in perceptions around large age gaps in relationships. As active members of fandom, we speak about the large age gaps in some of our own friendships "back in the day," and whether we think we would approach them differently now. Our listeners weigh in with their stories about being in a romantic relationship with a large age gap. Republicans are fear mongering over the $80 billion earmarked in the Inflation Reduction Act for hiring 87,000 new IRS agents. Andrew gets vulnerable about being audited by the IRS, but also points out that an agent didn't take him out with an "AK-15." Take note, Senator Grassley. This week's recommendations will help you stay feeling cozy ahead of fall: purchase audit protection when filing taxes (Andrew), OUAI leave-in conditioner (Laura), and Rare Beauty's Lip Soufflé (Pam). And in this week's installment of After Dark, available on Patreon: Inspired by our Demi Lovato discussion in the main show, we get into more specifics about the issues that can present in friendships and romantic relationships with a large age gap. Each member of the panel has a story about something they've seen or experienced that can make these relationships complicated, but there is nuance so long as consenting adults are involved.

In this VERY FIRST EPISODE of Hands on HotD, Merry and Clint cover Season 1 Episode 1 of HBO's niche arthouse property HOUSE OF THE DRAGON.This episode includes:A breakdown of the show's discussion of Great Council of 101 AC and a breakdown of the succession, which seems sort of important.Daemon Targaryen's campaign for Mayor of New York City.We discuss this entirely imaginary society where people are forced to give birth against their will. Critical analysis of Targaryen suboptimal infosec protocols. An update from our EXCLUSIVE dragon correspondent, Sanrixian. Bumpers in High Valyrian!Merry says the word c*nt a lot, as requested.Spoilery speculation on the rest of the season, and beyond!Supplemental Reading:Miguel Sapotchnik on Aemma's birthing bed scene.Buy Sanrixian's Art.Lo The Lynx on PunishmentOutro music courtesy Sid Luscious & The Pants. None of this should be construed as legal advice OBVIOUSLY. Support the show

We've got *deep* cuts from HBO's shows past, present and future straight from language creator David J Peterson AND a report from Ice & Fire Con 2022 featuring a ton of pictures - including Ash, Sean and Aziz as Green Men... David created Dothraki, High Valyrian, Andalese (yep!), a Children of the Forest language not to mention the languages (sign language included) for Dune, the 100, Into the Badlands, Thor: Dark World and so many others. He even spoke Skroth (the White Walker language) to us. I had the best seat in the house for his main presentation and talked to him privately as well. We'll also respond to questions/comments from VRR for TWOIAF from 2022 so far. Video podcast available on Spotify. Support History of Westeros: bit.ly/howpatreon Discord Invite Link: bit.ly/howdiscord Facebook group: bit.ly/howfb YouTube: bit.ly/howyoutube --- Support this podcast: https://anchor.fm/history-of-westeros-game-of-thrones/support

High Valyrian inventor David Peterson (linguist) gives his early impressions of House of the Dragon dialogue and gets into the grammatical weeds with Anthony. Steve talks at length about "The Book of the Stranger" (ep. 604). Then Chad and Anthony debate the redemptive elements of A Game of Thrones. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion:  book@baldmove.com | Discord | Reddit | Forums Follow us:  Instagram | LeDonneBooks.com Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

David J. Peterson, a well-known Conlanger; an inventor of fictional language joined @therealashagill & @thesilvertod on #TheLITEBreakfast tomorrow to share the story of the man behind the Dothraki and High Valyrian languages in HBO's “Game of Thrones”.

Game of Thrones' language creator David Peterson shows how studying, preserving and inventing new languages helps us understand our collective humanity -- and gives a quick lesson on High Valyrian. This talk was filmed at TEDxBerkeley. All TEDx events are organized independently by volunteers in the spirit of TED's mission of ideas worth spreading. To learn more about TEDxSHORTS, the TEDx program, or give feedback on this episode, please visit http://go.ted.com/tedxshorts. Follow TEDx on Twitter: https://twitter.com/TEDx Follow TEDx on Instagram: https://www.instagram.com/tedx_official

The first time you heard “Star Trek” characters speak Klingon, or the “Game of Thrones” characters speaking Dothraki and High Valyrian, you might have assumed that the actors were just speaking a few words of gibberish, created by some screenwriter to sound authentic. But these are complete languages, with vocabulary, syntax, grammar, and even made-up histories. There's only one person on the planet whose full-time job is creating them—and these days, he's swamped with requests. No doubt about it: Conlangs (constructed languages) are the new special effect. Me nem nesa!Guests: David Peterson, author/linguist/full-time language maker. Mark Okrand, author/linguist/creator of Klingon. Angela Carpenter, linguistics professor at Wellesley College.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Linguist David Peterson, the inventor of Dothraki and High Valyrian, is featured this week (just an excerpt from a longer interview). Before that, Stephanie Barbé Hammer talks (ch.5) Jon I and Steve Ausburne talks about episode 5. After talking with David Peterson, Anthony delves into Irish-Catholic werewolves. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Check out our Club Bald Move page to find out how you can gain access to ALL of our premium content and ad-free podcasts for just $5 a month! Join the discussion:  book@baldmove.com | Forums Follow us:  Instagram | LeDonneBooks.com Anthony Le Donne is the co-author of the following books: Gods of Thrones, vol. 1: https://www.amazon.com/Gods-Thrones-Pilgrims-Guide-Religions-ebook/dp/B07JLNZB9G Gods of Thrones, vol. 2: https://www.amazon.com/gp/product/B07Q8G7K9G Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

David J Peterson created the Dothraki and High Valyrian languages for HBO's Game of Thrones. He's a conlanger (CONstructed LANGuage) by trade, who makes a living by creating languages for mainstream films. He has authored three books related to conlanging, been an executive producer on the Conlang documentary, and produced languages for numerous movies and TV shows. Follow the Hypnothesis Podcast on Instagram and Twitter @hypnothesis_pod

David J. Peterson is a linguist, Hollywood consultant, and professional fictional language creator, or "conlanger". He has worked on shows such as Game of Thrones, The 100, Defiance, and The Witcher where he has developed many languages, including Dothraki, High Valyrian, Irathient, and Elder Speech. In this interactive presentation, David creates a brand new fictional language based on suggestions and votes from the audience, in just one hour’s time. Visit http://g.co/TalksAtGoogle/CreateALanguage to watch the video.

This week's episode of Amped Up Radio features David J. Peterson, language creator (conlanger) of the Game of Thrones series (Dothraki & High Valyrian), The 100 (Trigedasleng), Defiance (Kastithanu, L'Irathi, Indojisnen, and Kinuk'aaz), Thor: The Dark World (Shiväisith). David is also the author of The Art of Language Invention and Living Language Dothraki and hosts the LangTime Studio on YouTube, where he and Dr. Jessie Sams work to create conlang projects live. We dive into how David became involved with conlang during his undergraduate years at Berkeley, his contributions to the languages in Game of Thrones and The 100, as well as his upcoming works–Dune and The Witcher, to name a few.QuotesThe language I created for The 100 (Trigedasleng) is supposed to be a futuristic version of English that is influenced by the history, takes place in that show in the present day and 150 years in the future. It’s still English and it was intentionally influenced by English in that every word from it comes from English, but in terms of how meanings have shifted, how the grammar has shifted, how the sound has shifted that part was original–it’s an original revolution of English [6:45 - 7:24] The problem of Valyrian is that it’s the language of a dead culture, and a people and a place that have been destroyed. You certainly see echos of it throughout the books, there are ripples of it everywhere, but we don’t ever actually get to see this is what it was like to be a Valyrian speaker in the Valyrian Freehold at that time. Contrasted with Dothraki, where you see a lot of it–a lot of what the Dothraki people do in the books… I felt much more confident in saying this probably fits with Dothraki culture, this is probably what something the Dothraki would do. There is next to nothing to go on for the Valyrians. [16:10 - 17:04] Follow David J. PetersonTwitter: @dedalvsYouTube: https://bit.ly/langtimestudioWebsite: https://artoflanguageinvention.com/

This week's episode of Amped Up Radio features David J. Peterson, language creator (conlanger) of the Game of Thrones series (Dothraki & High Valyrian), The 100 (Trigedasleng), Defiance (Kastithanu, L'Irathi, Indojisnen, and Kinuk'aaz), Thor: The Dark World (Shiväisith). David is also the author of The Art of Language Invention and Living Language Dothraki and hosts the LangTime Studio on YouTube, where he and Dr. Jessie Sams work to create conlang projects live. We dive into how David became involved with conlang during his undergraduate years at Berkeley, his contributions to the languages in Game of Thrones and The 100, as well as his upcoming works–Dune and The Witcher, to name a few.QuotesThe language I created for The 100 (Trigedasleng) is supposed to be a futuristic version of English that is influenced by the history, takes place in that show in the present day and 150 years in the future. It’s still English and it was intentionally influenced by English in that every word from it comes from English, but in terms of how meanings have shifted, how the grammar has shifted, how the sound has shifted that part was original–it’s an original revolution of English [6:45 - 7:24] The problem of Valyrian is that it’s the language of a dead culture, and a people and a place that have been destroyed. You certainly see echos of it throughout the books, there are ripples of it everywhere, but we don’t ever actually get to see this is what it was like to be a Valyrian speaker in the Valyrian Freehold at that time. Contrasted with Dothraki, where you see a lot of it–a lot of what the Dothraki people do in the books… I felt much more confident in saying this probably fits with Dothraki culture, this is probably what something the Dothraki would do. There is next to nothing to go on for the Valyrians. [16:10 - 17:04] Follow David J. PetersonTwitter: @dedalvsYouTube: https://bit.ly/langtimestudioWebsite: https://artoflanguageinvention.com/

"Polyglots and language creators...that Venn diagram is almost a circle." In this episode, language creator David Peterson sat down with me to talk about language creation, language ownership, and the joy of it all. No other interview has had such an impact on me, the level of mastery in language creation was completely unclear to me. Every single choice that you're making is an active choice. Nothing in a language has to be that way. Here are just a few of the questions we discussed on this show. If a language is created, why is its grammar not easy? How do Hollywood actors react when they have to deliver dialogue in an invented language? How many languages do you need to speak in order to create a language? (spoiler: I have too many!) After creating a language, do you want the world to learn this new language? And David also explained the phases language creators go through. You create the language...at least you think that's what you're doing You realise you actually had lots of choices and you start making copy-languages You realise you don't need to create your language like another one, you start making the language you actually want If you're fascinated by language invention and created languages after listening to this interview, I recommend David's own book "The Art of Language Invention". (see links below) Thank you to David Peterson (https://www.fluent.show/guests/david) for this episode introduction. Special Guest: David Peterson.

We all have our mother tongue but over forty percent of the world’s population also can speak a second language. Bilingualism is a natural part of many people’s lives and research has tried to explore what this does to the brain and what the benefits happen to be for our lives. On this week’s show, we’re going to learn why having that second language can be good for your life and also your health.   Our first guest has been studying bilingualism for decades and is here to help us understand how it helps our lives. She is Judith Kroll and she is a Distinguished Professor of Language Science at the University of California, Irvine. Before we get into what bilingualism gives us, we learn about the process of learning a second language and why it is beneficial to learn earlier than later. We also explore the concept of codeswitching which allows a person to immediately change languages even in the middle of a sentence. We also explore how being immersed in a multilingual environment can be good for both your learned language as well as your mother tongue.   We then move on to the benefits that come with knowing more than one language. While this certainly allows us to travel and possibly increase our job potential in many sectors, some of the best benefits come in the way of improved health. We hear about how one the effects of our greatest concerns with aging, cognitive decline, can be helped by knowing that second language. The research reveals a that while our brains age, we may still be able to hold on to our abilities.   In our SASS Class, we take a different approach to knowing a second language. While we may tend to think of French, Spanish, Italian, Chinese, Russian, Hindi, and others as that bilingual choice, there are large segments of the population who focus on speaking fictional languages such as Klingon and Sindarin. Our guest teacher is David Peterson and he is the creator of two languages, Dothraki and High Valyrian from Game of Thrones. We learn about his experience becoming a language creator and how these dialects are formed. We also learn that these languages are just as useful to have as any other…as long as you are in a population hat speaks it.  If you enjoy The Super Awesome Science Show, please take a minute to rate it on Apple Podcasts and be sure to tell a friend about the show. Thanks to you, we won the Canadian Podcast Award for Outstanding Science and Medicine Series. Let’s keep the awesome momentum going together!   Twitter: @JATetro Email: thegermguy@gmail.com  Guests: Judith Kroll Web: https://bilingualismmindbrain.com/lab-members/judith-f-kroll/  David Peterson Web: http://www.artoflanguageinvention.com/  Twitter: @Dedalvs 

Civilization rests upon the existence of language, says language creator David Peterson. In a talk that's equal parts passionate and hilarious, he shows how studying, preserving and inventing new languages helps us understand our collective humanity -- and gives a quick lesson on High Valyrian, one of two languages he created for "Game of Thrones" (along with Dothraki). "Language is not merely a tool,” he says. “It is our legacy, it's our way of conveying what it means to be human." Hosted on Acast. See acast.com/privacy for more information.

Civilization rests upon the existence of language, says language creator David Peterson. In a talk that's equal parts passionate and hilarious, he shows how studying, preserving and inventing new languages helps us understand our collective humanity -- and gives a quick lesson on High Valyrian, one of two languages he created for "Game of Thrones" (along with Dothraki). "Language is not merely a tool," he says. "It is our legacy, it's our way of conveying what it means to be human."

Civilization rests upon the existence of language, says language creator David Peterson. In a talk that's equal parts passionate and hilarious, he shows how studying, preserving and inventing new languages helps us understand our collective humanity -- and gives a quick lesson on High Valyrian, one of two languages he created for "Game of Thrones" (along with Dothraki). "Language is not merely a tool," he says. "It is our legacy, it's our way of conveying what it means to be human."

David J. Peterson is a creator of languages -- otherwise known as a conlanger. And he’s behind some of the most iconic languages ever heard on television and films. Maybe his most well-known conlang is Dothraki and High Valyrian for a little show on HBO called Game of Thrones. David talks about what it takes to create a language, how he landed the coveted Game of Thrones conlang gig, and he spills the secret to speaking Dothraki like Jason Momoa. Sign up for Classhook with promo code: WeirdWork

When fantasy TV shows need an alien or elf to speak a fictional language, most writers make up a few foreign-sounding words to pad the script and move on. But that won't cut it when it comes to Game of Thrones, a show with details as deep as its fandom. So when George R. R. Martin and the show's producers needed to build complete, functional languages for Dothraki riders and Valyrian-speaking slavers, they turned to real-life linguist and "conlanger" David J. Peterson. He transformed a handful of phrases from Martin's books into the grammatically complete languages we hear on HBO today. Alli and Jen chat with Peterson (mostly in English!) about his love of languages, the process of building them from scratch, infusing fictional languages with fictional culture, his email correspondence with George R. R. Martin, and how the complexities of producing TV's most ambitious show affected his phonetic and linguistic choices — including a little-known error in season 8! Alli and Jen also speak with a Game of Thrones super fan who is currently learning High Valyrian from the language app Duolingo, which has more than 800,000 users actively learning the fictional language. Minor spoiler warning: While mostly focused on linguistics, this episode contains general discussions of characters, cultures, and events in Game of Thrones. Special thanks to Michelle Jaworski. Support 2G1P on Patreon! https://www.patreon.com/2G1P Join us on Discord: discord.gg/2g1p Email us: 2G1Podcast@gmail.com Talk to Alli and Jen: https://twitter.com/alligold https://twitter.com/joonbugger Call the show and leave a message! (347) 871-6548   Learn more about your ad choices. Visit megaphone.fm/adchoices

Om Shownotes ser konstiga ut så finns de på webben här också: https://www.enlitenpoddomit.se/e/en-liten-podd-om-it-avsnitt-211  Avsnitt 211 spelades in den 21:a april och eftersom att ett vomitorium inte alls har nått med kräk att göra så handlar dagens avsnitt om:   FEEDBACK OCH BACKLOG * Förra veckan pratade vi om att använda ett USB-minne för att snabba upp datorn, men kom inte ihåg vad det hetta. Det heter ReadyBoost * Vi kanske har en Livepodd den 8 maj * Diskussion om Uber utnyttjar sina chauförer * Nu kan man lära sig High Valyrian på dualingo * De flesta verkar ha rätt kassa lösenord, och det gör att Mats är rätt irriterad * Assassin's Creed Unitys replika av Notre-Dame kan hjälpa till att bygga upp den igen * Appar om Mental Hälsa delar information utan att meddela detta till användarna ordentligt* AI genererad dödsmetall     MICROSOFT * Surface hub kommer i juni    * BONUSLÄNK: En intressant genomgång hur den har skapats och hur man tänkt. * AzCopy kan nu flytta data direkt från AWS S3 till Azure     APPLE * Nope. Det var inga sånna     GOOGLE * Galaxy fold har haft lite otur med sina vikbara skärmar * Rykten om OnePlus 7; Länk 1 och Länk 2     ANNAN TEKNIK NYHET: * Mats har sett ljuset (eller rättare sagt han har sett en artikel om processorer som körs med ljus) * Sedan så är Johan arg på att saker hamnar i silos     Shut up and take my money: * Mats: Bok med papper så man kan vika ihop olika Star Wars skepp * Johan: Ny Logitech Harmony Express fjärrkontroll * Björn: Tips på högtalare som man kan ha utomhus     EGNA LÄNKAR: * En Liten Podd Om IT på webben * En Liten Podd Om IT på Facebook     LÄNKAR TILL VART MAN HITTAR PODDEN FÖR ATT LYSSNA: * Apple Podcaster (iTunes) * Overcast * Acast * Spotify * Stitcher   LÄNK TILL DISCORD DÄR MAN HITTAR LIVE STREAM + CHATT https://discord.gg/gfKnEGQ   (tack för att du har läst hela vägen hit, du får veckans guldstjärna!)

Will Mr Trump heed the advice of his newest chief of staff, John Kelly? Maybe in the short-term, says Jon Fasman, but even the best generals cannot discipline their commander-in-chief. Also, why China is radically overhauling its military policy. And you can now learn High Valyrian, a language from the series "Game of Thrones", through an app. Can it help our Johnson columnist, Lane Greene, achieve fluency? We put him to the test. Josie Delap hosts. See acast.com/privacy for privacy and opt-out information.

Sommaren är kort... men den är ju inte slut än... vi kör vidare på den inslagna vägen med att tillhandahålla avsnitt för hängmattan. Som utlovat denna vecka blir det ett avsnitt med en gäst eftersom Mats är på semester. I veckans avsnitt pratar vi om Windows Server Insider Program, att Google Maps blir smartare och att du nu kan lära dig prata High Valyrian på DuoLingo Nu kör vi /Johan med gäst...

Dun-Dun Dada Dun-Dun Dada Dun-Dun... Join Syr Keebler and Fast Eddy as they journey through the top 30 villains in Game Of Thrones (Per Rolling Stone Magazine). The guys try GoT themed beers, talk sexism in Westeros, and try to figure out if GoT made them bad people, or simple revealed that they were always bad people.

Do you speak Sindarin?In this episode, Lindsay and I went full-on nerd and we were loving it! The world of fictional languages is richer than a London billionaire, and we have researched and collected the most awesome fictional languages for you to learn about.In this episode, you'll hear the new Good, Bad and Struggling followed by the Ultimate Fictional Languages Chart. Here in the shownotes, you'll see our Top 5 and the best of all links available so you can follow along and listen to the show. Our Top 5 Fictional Languages Elvish Nadsat/ Newspeak Klingon Minionese Simlish Dothraki, High Valyrian and Game of Thrones Game of Thrones: Creating the Dothraki language The Language Creation Society Elvish, Quenya and Tolkien The Elvish Linguistic Fellowship The J.R.R. Tolkien Audio Collection A free Quenya course from Norway J.R.R. Tolkien Reads (A Poem In Elvish) The Ring Verse read in Black Speech Klingon and Vulcan Youtube clip of Mark Okrand talking about how he developed Klingon of him describing the development). The Klingon Language Institute The Klingon copyright case in 2016 Klingon teacher on Youtube: Lesson 1 Klingon phrasebook for your intergalactic needs Na'vi Learnnavi.org. Naviteri, Paul Frommer's blog about Na'vi Simlish A little Simlish phrasebook 15 Songs You Didn't Know Were Recorded in Simlish Fun - We Are Young in Simlish Minion Language "Ramsbottom" Gag in 19 translations Minions - Trailer on Youtube Minions say Indonesian on YouTube Newspeak in 1984 1984 - Newspeak on YouTube Nadsat in A Clockwork Orange Droogs quarrel in the Korova Milk Bar Other Links and Resources From This Episode Do Canadians Say Autumn or Fall? 6 Fictional Languages You Can Actually Learn Invented Languages - Opinion Piece on Eurolinguiste