Podcasts about Red Dragon

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

In questa nuova puntata Emiliano e Daniele parlano di due dischi freschi di stampa. Ascoltali qui: “Inferno” dei Boards of Canada “Red Dragon” dei Salem Learn more about your ad choices. Visit megaphone.fm/adchoices

Our 3 brave and wise heroes, along with Cloud, make their way into Inis, the dwarven city in the North of Doan. The pursuit of the Soul Forge continues! Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

Send us Fan MailWar is finally upon us and  we get to see the Battle of Rooks Rest. This episode really hurt...they messed up the city with this one.Both sides took some losses but none as big as the Blacks.#aknightofthesevenkingdoms #watchdemthrones #gameofthrones #houseofthedragonhbo #demthrones 

Rob is the DM?! Whaaattt?! Check it out! Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

The Wonderfest preview has now become a staple of the show. Thank you to all the producers who joined us is getting this episode together! We appreciate all your hard work in what I know is your busiest time of year. We are looking forward to seeing everyone in Louisville! Lots of announcements and kits to see this episode, enjoy. Links for the episode - Wonderfest USA - https://www.wonderfest.com/ Gremlins In The Garage T-Shirt - https://gremlinsinthegarage.printful.me/ Reddragon's Model Werks - https://www.facebook.com/groups/Reddragonmodelwerks Gilbert's email - gil.mondragon@gmail.com Just Paint It! - https://www.justpaintit.org/ Hengs Model Kits - https://www.facebook.com/groups/414656067101022 HG Designs - https://www.facebook.com/profile.php?id=61568934914842 StannArts - https://www.stannarts.com/ Sci Fi Models and Stuff - https://www.facebook.com/profile.php?id=100063284525463 Starlighting Projects - https://starlightingprojects.weebly.com/ Suite Life Productions - https://www.facebook.com/groups/616231089673972 Pestilence Labs - https://www.facebook.com/groups/616231089673972 NY3D Creations - https://ny3dcreations.com/ email - modelclubtv@gmail.com  

This episode features the return of Aaron's mom Tammy as a guest! They discuss 1986's crime thriller "Manhunter" directed by Michael Mann and based off of the 1981 novel "Red Dragon" by Thomas Harris. They talk about Brian Cox's performance as Hannibal Lecktor (Lecter), the portrayal of crime procedural in media, and how Francis Dollarhyde makes for a great horror-adjacent villain. They also get into Mann's "Miami Vice" neon influence bleeding into this movie, the banality of evil, music choices, and many other aspects of the flick. Tammy, Aaron and Derek recorded a podcast. DO YOU SEE! ONLY $5 A MONTH to join our Patreon: www.patreon.com/WatchIfYouDare We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Spotify, iHeartRadio and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Bluesky and Facebook and Twitter @WatchIfYouDare

Tom and Jenny discuss Michael Mann’s stylish 1986 adaptation of Thomas Harris’s novel Red Dragon. It is the first appearance of the Hannibal Lecter character on screen (played by Brian Cox). Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Instagram. Also check … Continue reading Movie Time: Manhunter (1986)

It was 1987 Red Dragon's ,"Hol a fresh" was playing everywhere, Roy Rayon won the festival song contest with "love Fever" and a baby was born in Big 9.

Our 3 brave and wise heroes along with Cloud stop by Garoth to start a smear campaign against Sunar Uunsee. Does it go according to plan? Well... Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

A description of two opposite Natural Time/Mayan calendar ‘tribes’ or day signs. You are born on one of 20 Mayan day signs, and you adopt the characteristics of the day, just as with Zodiac astrology. Use these introductory descriptions to learn your own personal astrology, or others’ in your life. For more information about Mayan astrology and Lisa Star, see ResonantTruth.com. She has written books and offers affordable readings, available through her website.

Join us as we discuss who the Woman and the Red Dragon are, and their significance. Satan has been at war to thwart God's redemptive plan even before Satan deceived Adam and Eve.

An FBI criminal profiler is on the trail of a serial killer, and enlists the help of a dangerous psychopath to track him down. No, it's not Silence of the Lambs, it's Michael Mann's thriller based on the Thomas Harris book The Red Dragon, the first work to introduce us to the infamous Hannibal "the Cannibal" Lector.  Starring William Petersen, Tom Noonan, Joan Allen, Brian Cox, and Dennis Farina. Written and directed by Michael Mann.

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!==================== SummaryThis episode explores the deep connections between biblical prophecy, ancient bloodlines, secret societies, and modern symbolism. The hosts discuss the serpent seed, the dragon court, goddess worship, and the influence of occult practices throughout history, revealing how these elements intertwine with current events and spiritual truths.Explore the deep symbolism, mythology, and historical origins behind legendary creatures, sacred symbols, and ancient rituals. Uncover how these elements connect to biblical themes, secret societies, and spiritual truths.Key TopicsSerpent seed theory and biblical interpretationThe symbolism of the dragon court and bloodlinesGoddess worship and fertility rituals in ancient culturesThe influence of secret societies and occult practicesThe biblical and historical context of blood rituals Origins of mythological creatures like leprechauns and mermaidsSymbolism of spirals, labyrinths, and the Tree of LifeConnections between ancient rituals and biblical storiesThe role of secret societies and dragon symbolismThe spiritual significance of blood, fertility, and the GrailChapters00:00 Introduction and Guest Introduction01:15 Guest Background and Show Purpose03:52 Introduction to Serpent Seed and Bloodlines08:58 Biblical Interpretation of the Garden of Eden and the Serpent12:59 The Tuatha De Danann and Goddess Symbols20:06 The Dragon Court and Bloodline Power27:21 Ancient Blood Rituals and Vampire Lore33:27 The Bloodlines of the Nephilim and Mythology42:05 The Influence of Secret Societies and Occult Knowledge52:05 Symbols of the Goddess and Blood Rituals58:30 The Anti-Christ Archetype and Modern Symbols01:00:01 The Fallen Angels and Ancient Civilizations01:02:15 The Hierarchy of Power: Warlords and Merchants01:03:13 Current Events and Symbolic Connections01:02:12 Origins of Leprechauns and Mermaids01:04:48 Symbolism of Spirals and the Tree of Life01:09:28 Ancient Rituals and Biblical Connections01:14:32 The Dragon Court and Secret Societies01:19:37 Blood, Fertility, and Sacred Rites01:24:53 The Maze, Grail, and Initiation Symbols01:29:42 The Cross, the Red Dragon, and Spiritual Warfare01:34:50 The Mythology of the Minotaur and King Minos01:39:53 The Significance of the Tree of Knowledge and Life01:44:42 The Biblical and Mythological Interplay01:49:42 The Esoteric Meaning of Ancient Symbols01:54:36 Conclusion: Uncovering Hidden Truths in Myth and History==================== 

Our 3 brave and wise heroes (including Cloud) make their way Northward with all 5 artefacts when suddenly they come under attack! Did I mention Zorrob makes a new best friend? Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

WERBUNG | Vor dem Autokauf immer erst den Check machen! Überprüfe die Historie deines Autos mit carVertical: [Link weiter unten]! Spare jetzt mit dem Code KINOPLUS20 /WERBUNG Bam! Wir reden heute über ACTION. Wie war sie früher? Wie ist sie jetzt? Was hat sich verändert und was finden wir gut oder schlecht? Das Ergebnis ist eine bunte Reise durch die Jahrzehnte und Genres, bei der Sean, Robert und Daniel jeweils verschiedene Streifen zusammen getragen haben, um zu verdeutlichen, warum zum Beispiel TERMINATOR 2 – TAG DER ABRECHNUNG einer der besten Actionfilme aller Zeiten ist und SAMURAI COP eben gerade nicht. Warum die Ballereien in BEVERLY HILLS COP III keine Chance gegenüber HARD BOILED haben. Oder wieso das Batmobil in BATMAN FOREVER die Wand hochfahren muss, als würde ein 5-Jähriger mit seinem Spielzeug spielen. Gefolgt von mal längeren, mal kürzeren Gesprächen zu Titeln wie THE RED DRAGON, THE RAID 2, MILE 22 oder TAKEN 3. Oder eben zu der Boyka-Rückkehr UNDISPUTED IV – BOYKA IS BACK, zu dem Hochglanz-Finale JOHN WICK: KAPITEL 4 und dem Totalausfall CHINA SALESMAN. Und wo immer über Action gesprochen, dürfen natürlich auch MAD MAX: FURY ROAD, MAD MAX II – DER VOLLSTRECKER und Jackie Chans POLICE STORY nicht fehlen. Und wo Sean schon mal wieder da ist, hat er auch direkt ein paar News zu seiner nächsten Dokumentation mitgebracht, die sich um nichts Geringeres als BLOODSPORT dreht. Mehr Action geht fast nicht. Höchstens im Sequel zu dieser Folge, das wir auch schon angepeilt haben. Vorher wünschen wir Euch aber erstmal viel Spaß mit der hier und dass Ihr so gesund wie gut drauf bleibt. In diesem Sinne: Wiederschauen, reingehauen. Rocket Beans wird unterstützt von Carvertical. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Johnny Lynch aka Pictish Trail to talk about his latest album, remote living and of course the all time great horror movie that the straights also love, Silence of the Lambs.PICTISH TRAIL // LOST MAP RECORDS

Wales: land of legendary dragons and male-voice choirs, of the cragged beauty of Snowdonia and the indefatigable lungs of the singer Tom Jones. Or land of old Arabic coins and lost Qurans, Sufi mystics and Muslim sons of empire. In this episode, we uncover fascinating and surprising facets of Islamic history in this little-known corner of Europe. We begin by introducing Wales itself, then asking what it was about this country that attracted Muslim individuals and artifacts alike. Suitably prepared, we board our podcast tour bus, stopping at key sites with very different stories. Along the way, we take in the library of a Christian monastery, the dockyards of the capital Cardiff, and the seaside resort of sunny Rhyl during the dark days of World War Two. Nile Green talks to Abdul-Azim Ahmed, author of Muslim Wales: A History in 9 Places (Seren Books, 2026).

Download Welcome to episode 474 of LOTC. This week the LOTC crew is joined by the legendary Greg Bensch to rank our top 5 horror movies from the year 2002. The crew was pleasantly surprised with how strong of a year 2002 really was. So be sure to grab your pens, pencils or tablets so you can jot down the films you have seen or may not have seen. Get those snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!TOP 5 RANKINGSGREG B1. THE RING2. BLADE 23. THE EYE4. BUBBA HO-TEP5. RED DRAGONDAVE B1. JU-ON THE GRUDGE2. THE RING3. THE EYE4. 28 DAYS LATER5. BUBBA HO-TEPPEARL1. QUEEN OF THE DAMNED2. ONE HOUR PHOTO3. THE MOTHMAN PROPHECIES4. THE RING5. CABIN FEVERBILL V1. CABIN FEVER2. 28 DAYS LATER3. IRREVERSIBLE4. BUBBA HO-TEP5. MY LITTLE EYEGREG M1. CABIN FEVER2. JU-ON THE GRUDGE3. DARK WATER4. THE EYE5. 28 DAYS LATERLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdMusic,Movies,Sports & Stuff PodcastFacebook Music Movies Sports & StuffTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebook

Our 3 brave and wise heroes, along with Cloud continue their heist! Oh and there's a major plot point at the end, NBD!   Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

Our 3 brave and wise heroes, along with Cloud begin their "well planned" heist of the Sand of Orean   Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

Our 3 brave and wise heroes continue their recon in Doan Proper. There's a squirrel attack. Guess who causes it?   Find links to all of our content & platforms here! Support us on Patreon! Watch us on Twitch! The Theme Song is "The Red Dragon's Inn" by Derek and Brandon Fiechter. The background music and ambient sounds are provided by Michael Ghelfi Studios.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate one of our great Welshmen: Anthony Hopkins! Our B-Sides include When Eight Bells Toll, Juggernaut, Spotswood, and Instinct. Our guest is the great Brian Raftery, whose new book Hannibal Lecter: A Life “traces the many lives and crimes of Hannibal Lecter: his disturbing debut in Thomas Harris's 1981 novel Red Dragon; his rise to infamy in beloved films like Michael Mann's Manhunter and Jonathan Demme's Academy Award–winning The Silence of the Lambs; and his unexpected comeback in the cult-hit TV series Hannibal.”  We discuss Hopkins' iconic voice, his tumultuous early years and struggle to become a leading man. There's his honest and interesting autobiography, his incredible range, his Wales-connection to the great Richard Burton, and his incredibly practical outlook to the acting profession. Brian, Conor, and I go long on the actors that have played Hannibal, the movie Freejack, Hopkins' directorial efforts August and Slipstream, and that time Hopkins played a working man's James Bond named Phil (When Eight Bells Toll). There's love paid to Bill Forsyth, Jodie Foster, Kate Burton, and The Edge.

This week on the Exciting & New podcast, Jason, Andy and Dana welcome Brady back on the show to discuss the 1986 thriller Manhunter.  In this Michael Mann-directed prequel (but not really) to The Silence of the Lambs, Hannibal Lecter (or Lecktor (?) for some reason) is asked by the FBI to help track down a serial killer (RIP to Tom Noonan).  Hannibal should really be charging for all the killers he tracks down  We dive deep into the history of Lecter and the difference between this moive and Red Dragon (the real prequel to Lambs).  Enjoy the podcast!Jason, Andy and Dana will discuss a 1986 movie weekly, breaking down all the nonsense there within. The 3 hosts all work together and everyone else around them was getting really annoyed at all the movie talk, so they decided to annoy the world in podcast form.Check out previous seasons to hear them discuss 1982, 1983, 1984 & 1985 movies, as well as a full season of Love Boat episodes (if that is your thing). Plus one-off specials and a weekly mini "what are we watching" podcast.#jezoo74 #aegonzo1 #danacapoferri #exciting_new

Mike talks with writer and podcaster Brian Rafferty about his latest book, Hannibal Lector: A Life. It's a look at Thomas Harris and his most famous creation, the genteel boogeyman Hannibal Lector in his various book, film, and TV incarnations from Red Dragon to Bryan Fuller's captivating series.Buy the book now at https://amzn.to/4qMuNzBBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike talks with writer and podcaster Brian Rafferty about his latest book, Hannibal Lector: A Life. It's a look at Thomas Harris and his most famous creation, the genteel boogeyman Hannibal Lector in his various book, film, and TV incarnations from Red Dragon to Bryan Fuller's captivating series.Buy the book now at https://amzn.to/4qMuNzBBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Welcome back, Tombstoners! Hannibal month continues with arguably the best entry in the franchise, Red dragon. What were our favorite parts? Tune in to find out!Get some of our sweet Merch www.Honhpod.threadless.comMake sure to let us know what you think of the show on all of our social media pageshttps://twitter.com/HOnHPodhttps://www.instagram.com/honhpod/https://www.tiktok.com/@fnbn4ualso you can follow all of the guys other shows on twitterMiles https://twitter.com/TheDiscDump and https://twitter.com/RealmsToastand Josh https://twitter.com/FNBNPodcast

Our 3 brave and wise heroes begin recon on Doan Proper. It goes about as well as you would expect. https://linktr.ee/AlmostDnD   Our Sponsors:   https://canadiandice.ca Enter "almostdnd" for 15% off!   https://www.chaoticstudios.ca/ Enter "almostdnd" for 15% off!   https://manyworldstavern.com/ALMOSTDND 10% off!   https://mistymountaingaming.com/ALMOSTDANDD10 10% off!   https://fantasy-scents.com/ALMOSTDND 10% off candles!   https://easyrollerdice.com/ Enter "almostdnd" for 20% off!   https://www.etsy.com/shop/Betzbitzbox Enter "almostdnd: for 10% off!   The Theme Song is: The Red Dragon's Inn by Derek and Brandon Fiechter https://dbfiechter.bandcamp.com/   The background and ambient sounds are provided by: Michael Ghelfi Studios https://michaelghelfi.com/

"One thing that's really interesting to me...is that one of our great cultural critics is Stephen King... the basically the first big review of Red Dragon in the I think it was in the Washington Post in 1981, and it is not only a rave, but it is completely 100 spot on. Red Dragon is like stepping into a limousine where everything works... perfectly."In this very special bonus episode of MINHUNTER, I speak to the extremely talented journalist, author and podcaster Brian Raftery about his great new novel, HANNIBAL LECTER - A LIFE. Synopsis: Drawing from exclusive interviews and previously unseen archival materials, this one-of-its-kind biography of Hannibal Lecter documents the cannibal's journey from terrifying villain to unexpectedly adored antihero.This unique biography traces the many lives and crimes of Hannibal Lecter: his disturbing debut in Thomas Harris's 1981 novel Red Dragon; his rise to infamy in beloved films like Michael Mann's Manhunter and Jonathan Demme's Academy Award–winning The Silence of the Lambs; and his unexpected comeback in the cult-hit TV series Hannibal. It also dives into the untold life and career of Harris, the secretive bestselling author whose passion for reporting, eye for grisly detail, and connections to the FBI helped birth not only Lecter, but also the modern true-crime genre. Along the way, Hannibal Lecter: A Life documents the many ways Lecter's rise reflected America's ever-growing obsession with real-life serial killers.Featuring all-new interviews with crucial figures from Lecter's past—including actor Brian Cox, director Mann, and former FBI special agent John Douglas—Hannibal Lecter: A Life is a deeply reported, wildly entertaining look at the making of one of the most beloved bad guys of all time.About Brian Raftery Brian Raftery's work has appeared in such publications as The New York Times, Wired, GQ, and The Ringer. He's the author of Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen, and the host of multiple podcasts for the Ringer, including the acclaimed Gene & Roger. He lives in Burbank, California, with his wife and daughters, and will never eat meat again.Join our Patreon for as little as $1 a month to receive an exclusive weekly podcast and access to the OHM Discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

28 Years Later: The Bone Temple (2026) Episode Summary: In this episode, Michael and Dave dissect 28 Years Later: The Bone Temple, the most visually ambitious and thematically rich installment in the iconic 28 Days Later franchise. They explore the film's eerie cult narrative, psychological undercurrents, and the shifting horror dynamics that turn humans into the real monsters. With Nia DaCosta in the director's chair and Alex Garland returning as writer, the film blends horror, satire, and surprising moments of hope. A rich conversation for fans of speculative horror and social allegory.

China has been on a generational run since it was granted admission to the World Trade Organization at the beginning of the century. Though its infrastructure investments ran in the trillions of dollars, the Chinese GDP increased 10% every year for 15 years, all while producing 1,600 high-rises, 45,000 kilometers of high-speed rail, and hundreds of airports.The contrast with America is stark. Roads, ports, rail, and airports inside the United States are all falling apart, with the bloated, $128 billion, high-speed train to nowhere stalling out in California. Meanwhile, China has evolved into maglev trains and thorium-powered cargo ships for the new Belt and Road Initiative.—Watch the video version on one of the Macroaggressions Channels:Rumble: https://rumble.com/c/Macroaggressions YouTube: https://www.youtube.com/@MacroaggressionsPodcast—MACRO & Charlie Robinson LinksHypocrazy Audiobook: https://amzn.to/4aogwmsThe Octopus of Global Control Audiobook: https://amzn.to/3xu0rMmWebsite: www.Macroaggressions.io Merch Store: https://macroaggressions.dashery.com/ Link Tree: https://linktr.ee/macroaggressionspodcast—Activist Post FamilySign up for the Activist Post Newsletter: https://activistpost.kit.com/emailsActivist Post: www.ActivistPost.com Natural Blaze: www.NaturalBlaze.com —Support Our SponsorsAnarchapulco: https://anarchapulco.com/ | Promo Code: MACROC60 Power: https://go.shopc60.com/PBGRT/KMKS9/ | Promo Code: MACROChemical Free Body: https://chemicalfreebody.com/macro/ | Promo Code: MACROWise Wolf Gold & Silver: https://macroaggressions.gold/ | (800) 426-1836LegalShield: www.DontGetPushedAround.com EMP Shield: www.EMPShield.com | Promo Code: MACROGround Luxe Grounding Mats: https://groundluxe.com/MACRO Christian Yordanov's Health Program: www.LiveLongerFormula.com/macro Above Phone: https://abovephone.com/macro/Van Man: https://vanman.shop/?ref=MACRO | Promo Code: MACROThe Dollar Vigilante: https://dollarvigilante.spiffy.co/a/O3wCWenlXN/4471 Nesa's Hemp: www.NesasHemp.com | Promo Code: MACROAugason Farms: https://augasonfarms.com/MACRO —

Our 3 brave and wise heroes, along with Cloud, make their way Eastward away from Plure with their newly stolen artefact. The trio also meets Cloud's friend...again. https://linktr.ee/AlmostDnD   Our Sponsors:   https://canadiandice.ca Enter "almostdnd" for 15% off!   https://www.chaoticstudios.ca/ Enter "almostdnd" for 15% off!   https://manyworldstavern.com/ALMOSTDND 10% off!   https://mistymountaingaming.com/ALMOSTDANDD10 10% off!   https://fantasy-scents.com/ALMOSTDND 10% off candles!   https://easyrollerdice.com/ Enter "almostdnd" for 20% off!   https://www.etsy.com/shop/Betzbitzbox Enter "almostdnd: for 10% off!   The Theme Song is: The Red Dragon's Inn by Derek and Brandon Fiechter https://dbfiechter.bandcamp.com/   The background and ambient sounds are provided by: Michael Ghelfi Studios https://michaelghelfi.com/

Wrapping up another first two challenge from what seems like ages ago. Hannibal Rising from 2007 and Red Dragon from 2002.Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Rob riffs on the fourth studio album by the Foo Fighters, One by One, from October 2002 (Times Like These / Overdrive / Low / All My Life).   STAFF PICKS: The Middle by Jimmy Eat World — Wayne Get Over It by OK Go — Bruce Prayer by Disturbed — Greg   ENTERTAINMENT TRACK: Main theme from the motion picture "Red Dragon".   **(NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.)

Welcome to the twelve days of Edition Wars - in this year's series we are taking a deep dive into some of the Iconic Monsters of D&D. On the Ninth day of edition wars 2025, Sam and Brandes tell nine ladies dancing about THE most iconic D&D monster - the Red Dragon! Questions, Comments, or Suggestions? Email us at DnDeBrief@gmail.com Links: Brandes on the Web Brandes on Bluesky Brandes on Mastodon Brandes at Tribality Sam on Twitter Sam on the Web Sam on You Tube Sam on Blue Sky Sam on Mastodon Thetomeshow.com Patreon.com/thetomeshow Patreon.com/BrandesStoddard

Welcome to the twelve days of Edition Wars - in this year's series we are taking a deep dive into some of the Iconic Monsters of D&D. On the Eighth day of edition wars 2025, Brandes and Sam tell eight maids a-milking to watch out for the hungry Red Dragon! Questions, Comments, or Suggestions? Email us at DnDeBrief@gmail.com Links: Brandes on the Web Brandes on Bluesky Brandes on Mastodon Brandes at Tribality Sam on Twitter Sam on the Web Sam on You Tube Sam on Blue Sky Sam on Mastodon Thetomeshow.com Patreon.com/thetomeshow Patreon.com/BrandesStoddard

Tom and Jenny discuss the 2002 thriller, the third film in the Hannibal Lecter franchise, based on the 1981 Thomas Harris novel and previously adapted in 1986 as Manhunter. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Instagram. Also check out Jenny's … Continue reading Movie Time: Red Dragon (2002)

Campaign 2- Dm Cam -Ep.70- Vamir and Kia Embark on a new adventure. Jax a dwarf from the moon of Jord needs assistance fighting a Red Dragon.

We're joined by special guest Tim Meakins as we blast into DC Comics cosmic side with L.E.G.I.O.N, the ‘90s series by Alan Grant, Keith Giffen, and Barry Kitson. Set in the present-day DC Universe but tied directly to the 30th-century Legion of Super-Heroes, this book introduced heavy hitters like Vril Dox and put the Main Man himself, Lobo, front and center. Plus 2000AD talk including the Out, Red Dragon and Zenith. You can follow us on Instagram: @comicsdiscourse114, Threads: @comicsdiscourse114, TikTok: https://www.tiktok.com/@comicsdiscourse114?_r=1&_t=ZT-91jpy3DIireFacebook: Facebook Comics Discourse 114 and X: https://x.com/comicsdiscourse?s=21 Also, please leave us a 5-star review at your favorite podcast platforms.

What does a red dragon have anything to do with the Christmas story? Find out with Tim Moore and Nathan Jones on Christ in Prophecy Radio!

Our 3 brave and wise heroes, along with Cloud and William steal the Blade of Nementh! https://linktr.ee/AlmostDnD   Our Sponsors:   https://canadiandice.ca Enter "almostdnd" for 15% off!   https://www.chaoticstudios.ca/ Enter "almostdnd" for 15% off!   https://manyworldstavern.com/ALMOSTDND 10% off!   https://mistymountaingaming.com/ALMOSTDANDD10 10% off!   https://fantasy-scents.com/ALMOSTDND 10% off candles!   https://easyrollerdice.com/ Enter "almostdnd" for 20% off!   https://www.etsy.com/shop/Betzbitzbox Enter "almostdnd: for 10% off!   The Theme Song is: The Red Dragon's Inn by Derek and Brandon Fiechter https://dbfiechter.bandcamp.com/   The background and ambient sounds are provided by: Michael Ghelfi Studios https://michaelghelfi.com/

Our 3 brave and wise heroes, start gathering intel for their upcoming heist to steal the Blade of Nementh! https://linktr.ee/AlmostDnD   Our Sponsors:   https://canadiandice.ca Enter "almostdnd" for 15% off!   https://www.chaoticstudios.ca/ Enter "almostdnd" for 15% off!   https://manyworldstavern.com/ALMOSTDND 10% off!   https://mistymountaingaming.com/ALMOSTDANDD10 10% off!   https://fantasy-scents.com/ALMOSTDND 10% off candles!   https://easyrollerdice.com/ Enter "almostdnd" for 20% off!   https://www.etsy.com/shop/Betzbitzbox Enter "almostdnd: for 10% off!   The Theme Song is: The Red Dragon's Inn by Derek and Brandon Fiechter https://dbfiechter.bandcamp.com/   The background and ambient sounds are provided by: Michael Ghelfi Studios https://michaelghelfi.com/

On this week's episode, Chris and Cassidy catch up after a very classic San Diego weekend — from Chinese food to playoff games to making the most out of a rainy day.Chris talks Red Dragon in Carlsbad, Bermuda Club game battles, and an elite round of gutter-boat racing thanks to the weather. Cassidy brings in the playoff action for Bray and a little bit of Bills-watching to round out the weekend.Then it's on to sports: Ohtani tipping his cap, pitching questions heading into the offseason , the Aztecs falling to Troy, and some sad news.In New, To Do & Adieu, the guys highlight:• NEW: Copper Kings opening in Oceanside• TO DO: Turkey Trots around San Diego• ADIEU: Saying goodbye to Encinitas Ale HousePlus - a couple questions for Cassidy: How was your sleep? and What are you thankful for?Another fun, local, San Diego-filled episode. Tap in!

IT'S THAT TIME OF YEAR AGAIN! Jeff being the DM and special guest star Leigh-Ann means it's got to be Halloween! https://linktr.ee/AlmostDnD   Our Sponsors:   https://canadiandice.ca Enter "almostdnd" for 15% off!   https://www.chaoticstudios.ca/ Enter "almostdnd" for 15% off!   https://manyworldstavern.com/ALMOSTDND 10% off!   https://mistymountaingaming.com/ALMOSTDANDD10 10% off!   https://fantasy-scents.com/ALMOSTDND 10% off candles!   https://easyrollerdice.com/ Enter "almostdnd" for 20% off!   https://www.etsy.com/shop/Betzbitzbox Enter "almostdnd: for 10% off!   The Theme Song is: The Red Dragon's Inn by Derek and Brandon Fiechter https://dbfiechter.bandcamp.com/   The background and ambient sounds are provided by: Michael Ghelfi Studios https://michaelghelfi.com/

This week Master Z tells us about his trip to Chicago. Consumption: Mr. Pold - Silo St. Jimmy - Monk season 7, The Woman in the Yard, Future World D'Viddy - Boots, The Twilight Zone, Red Dragon, Inglourious Basterds Master Z - Honey Don't!, Jeopardy!, Autumn Internationals Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees Amil Byleckie / What's in the Bag Old Man PMS and the Mood Swings / Parking Lot

They are the world's greatest martial artists, competing for the Ultimate Prize! TSUNAMI, Hien Nguyen, THE DIRECTOR, Isaac Florentine, RED DRAGON, Chris Casamassa, LADY LIGHTNING, Christine Banon-Rodrigues, THE BAM, Willie Johnson, THE MACHINE, Hakim Alston! Their quest? Reach full Dragon Belt then go for the Dragon Star itself! The World Martial Arts Council and The Urban Action Showcase & Expo present WMAC MASTERS! We got to chat with some of the stars and martial artists of this 1995 TV series that was part WWE and part Mortal Kombat but ALL martial arts. Filmed at Universal Studios, WMAC Masters introduced a whole generation to theDRAGON STAR'S 8 points on how a true martial artist would live: Discipline, Courage, Forgiveness, Compassion, Honor, Wisdom, Loyalty and Respect. Relive some of the memories of this show and its impact on pop culture! NEW MERCH AND KUNG FU DRIVE-IN COFFEE HERE! https://kungfudrivein-shop.fourthwall.com/ https://brewdragoncoffee.com/collections/poison-clan SUPPORT THE KUNG FU DRIVE-IN PODCAST WITH A KO-FI: https://ko-fi.com/kungfudrivein The Brightest Stars Shine at the Drive-In! SPONSORS: www.tinboxsolutions.com

Our 3 brave and wise heroes ask a LOT of questions. Sometimes they don't even wait for answers! Can you believe there is a lot they don't understand?! WE CAN'T! https://linktr.ee/AlmostDnD   Our Sponsors:   https://canadiandice.ca Enter "almostdnd" for 15% off!   https://www.chaoticstudios.ca/ Enter "almostdnd" for 15% off!   https://manyworldstavern.com/ALMOSTDND 10% off!   https://mistymountaingaming.com/ALMOSTDANDD10 10% off!   https://fantasy-scents.com/ALMOSTDND 10% off candles!   https://easyrollerdice.com/ Enter "almostdnd" for 20% off!   https://www.etsy.com/shop/Betzbitzbox Enter "almostdnd: for 10% off!   The Theme Song is: The Red Dragon's Inn by Derek and Brandon Fiechter https://dbfiechter.bandcamp.com/   The background and ambient sounds are provided by: Michael Ghelfi Studios https://michaelghelfi.com/