Podcast appearances and mentions of Kurt Sutter

Kurt Sutter and Katey Sagal are wrapping up the year by answering your fan questions! Have something you've always wanted to ask? Send an email to inkbox@sutterink.com or leave a voicemail at speakpipe.com/piepodcast. Happy Holidays! We truly appreciate each and every one of you. Pie is Executive Produced by Katie Curtright, Produced by Patrick Morris and Edited and Produced by Parker Flores. The Christmas Song is performed by The Tennessee Christmas Carol Pickers and produced by Nashville Skylight Digital. Check out their stuff today! Thank you to our sponsors, Revision Skincare and Neon Mango. Learn more about your ad choices. Visit megaphone.fm/adchoices

THE ABANDONS SERIES REVIEW ‘The way of the gun' crashes against the power of wealth while the law watches with a big bucket of popcorn in this Netflix series by The Shield and Sons of Anarchy creator Kurt Sutter, The Abandons. Fiona Nolan (Lena Headey) is a ruthless calculating homesteader who adopted several orphans to […]

THE ABANDONS SERIES REVIEW ‘The way of the gun' crashes against the power of wealth while the law watches with a big bucket of popcorn in this Netflix series by The Shield and Sons of Anarchy creator Kurt Sutter, The Abandons. Fiona Nolan (Lena Headey) is a ruthless calculating homesteader who adopted several orphans to […]

The Abandons is Netflix's new Western, created by Sons of Anarchy showrunner Kurt Sutter and set in the 1850s Washington Territory, where devout rancher Fiona Nolan (Lena Headey) and ruthless mine owner Constance Van Ness (Gillian Anderson) collide over land, power, and the fate of their families. On the podcast, we discuss the 50-minute pilot, from the cattle wildfire to the Romeo-and-Juliet love story. We also talk Sutter's exit from the show, the rumored extra-long “Sutter cut” of the premiere, and how his usual strengths and bad habits show up here. Tune in to hear our comparisons, rating, and trivia. Welcome to Today's Episode!

Agent Stahl in the flesh! The dynamic duo Ally Walker and her husband, FX Networks Chairman John Landgraf, sit down with Kurt Sutter and Katey Sagal on PIE today. They talk about their wildly different upbringings, how they met, marriage, and how they each became titans in the entertainment industry. Follow Ally at @allywalker1 and check out her new book The Lightrunner. And hats off to John for continuing to shape some of the best TV out there. #fx #podcast #couple #sonsofanarchy #marriage Learn more about your ad choices. Visit megaphone.fm/adchoices

George Clooney & Adam Sandler, Bjarne Mädel & Olli Dittrich, Gillian Anderson & Lena Headey sowie Smilla & ihr Gespür für Schnee. Es wimmelt nur so vor Traumpaaren in Folge 86 "Och eine noch! Der Streaming-Podcast". Wir vergleichen die neue Serie "Smillas Gespür für Schnee" (Magenta) mit dem Kultroman und Film aus den 90ern. Ist der ARD-Film "Prange - Man ist ja Nachbar" mit Bjarne Mädel und Olli Dittrich der schönste Weihnachtsfilm, den das deutsche Fernsehen seit langem zustande gebracht hat? Eric und Jan sind durchaus unterschiedlicher Meinung. Kurt Sutter ist es mit der epischen Motorrad-Gang-Serie "Sons of Anarchy" gelungen, viele Menschen rund um den Globus zu fesseln. Aber kann der Mann auch Western? "The Abandons" mit Gillian Anderson und Lena Heady läuft bei Netflix. Schließlich noch George Clooney, Adam Sandler, Laura Dern und sogar Lars Eidinger in Noah Baumbachs Netflix-Film "Jay Kelly", der als Oscar-Kandidat gilt. Ein Film, der mindestens ebenso melancholisch-schön ist wie Weihnachten.

Min 4: LOS ABANDONADOS. NETFLIX (3,5 ESTRELLAS) En “Los Abandonados”, creada por Kurt Sutter y protagonizada por Lena Headey y Gillian Anderson, Netflix recupera la crudeza moral del western para mostrar un Oregón de finales del siglo XIX donde los más pobres —viudas, inmigrantes, huérfanos y campesinos expulsados de sus tierras— se ven arrastrados a una guerra soterrada contra una élite que pretende borrarles del mapa. Min 12: EL JUEGO DE GRACIE DARLING. NETFLIX (3 estrellas) En “El juego de Gracie Darling”, creada por Megan O'Keefe y protagonizada por Sophie Wilde junto a Richard Armitage, Netflix construye un thriller psicológico elegante y perturbador en el que una joven retraída, marcada por una infancia llena de silencios y secretos, se ve envuelta en un experimento social que promete convertirla en la versión “perfecta” de sí misma, pero que pronto revela un mecanismo de control emocional tan adictivo como destructivo. Min 20. TERRA ALTA. MOVISTAR+ (3,5 estrellas) En “Terra Alta”, creada por Eligio R. Montero y dirigida por Eduard Cortés (basada en la novela de Javier Cercas), con un reparto encabezado por Miguel Bernardeau, Iván Massagué y Marta Etura, la serie retrata un rincón aparentemente tranquilo de la España rural —la “Terra Alta”— sacudido por un crimen brutal que derriba cualquier falsa tranquilidad: el asesinato de la familia más poderosa y acaudalada del lugar moviliza a la comunidad y despierta los demonios de quienes creían haber enterrado su pasado. Min 34: BSO: ANATOMÍA DE LA ANATOMÍA DE UN INSTANTE En la banda sonora de “Anatomía de un instante”, compuesta por Julio de la Rosa, la música adopta un tono sobrio, inquietante y casi hipnótico que acompaña la revisión del 23-F sin imponerse sobre la narración, construyendo un clima de tensión continua mediante patrones rítmicos contenidos, cuerdas graves y un minimalismo emocional que potencia la sensación de inestabilidad política.

Auch Netflix möchte an den Erfolg von Yellowstone anknüpfen. Nach American Primeval kommt jetzt mit The Abandons die nächste Western-Serie des Streamers, die von Sons of Anarchy-Schöpfer Kurt Sutter entwickelt wurde und mit Stars wie Lena Headey und Gillian Anderson auftrumpft. Darin entspinnt sich ein Machtkampf zwischen zwei Familien im Jahr 1854. Die Serie streamt seit dem 4. Dezember bei Netflix und Max hat alle sieben Folgen gesehen. In dieser Review verrät er die Stärken und Schwächen. *** Dieser Podcast wird gesponsert von MagentaTV – dem TV- und Streaming-Angebot der Telekom. Abonniere und bewerte Streamgestöber bei der Podcast-App deines Vertrauens! Wenn du mit deiner Meinung im Podcast landen willst, schick uns eine Sprachnachricht oder einen Kommentar per Mail an podcast@moviepilot.de.

"Valor sentimental", l'

Rachael Harris (The Hangover, Lucifer) joins Kurt Sutter and Katey Sagal today on PIE. Rachael goes deep on discussing her childhood, how the Groundlings changed her life and dating and acting in your 50s. Give Rachael a follow @rachaelharris on Instagram. Happy Thanksgiving, everyone! We're beyond grateful for your support, so we decided to treat you with an early episode drop. Enjoy and have a wonderful holiday! Learn more about your ad choices. Visit megaphone.fm/adchoices

Esta semana en el podcast sobre series de TV "Seriemaniac" analizamos sin spoilers la serie The Last Frontier: Conspiración en Alaska. El divertido thriller de Apple TV+ en el que se mezcla acción y conspiraciones con un avión que transporta a los presos más peligrosos del país tiene un accidente en mitad de las nevadas tierras de Alaska. Repasamos las fechas oficiales del estreno de Stranger Things en España, así como otras series de actualidad: Muerte por un rayo, El último samurái en pie. Además, otras noticias de interés sobre el mundo de las series como noticias relacionadas con Kurt Sutter (creador de Hijos de la anarquía) que estrena el western The Abandoned en Netflix y la futura Nomad con Jason Momoa en Apple TV+. Como siempre, las preguntas de los oyentes. Podcast oficial del Blog sobre series de televisión Seriemaniac.com cuyo programa de radio se puede escuchar en directo, todos los martes a las 12:00 en RadioBetis.com o en el 96.8 FM.

(00:00) Il film sui Labubu di Sony(01:12) Kurt Sutter e Jason Momoa insieme per il Sons Of Anarchy neozalendase(03:18) Colin Farrell diventa prete in Ordained(04:43) HBO farà una serie tv di V Per Vendetta(07:02) Poker Face cancellato e il rinnovo di Alien: Earth

Mongols Leader Back Behind Bars – Bike Week Brawler in Trouble!Today on Black Dragon Biker TV, the heat is back on the Mongols MC. Clinton Walker, the Mongols Motorcycle Club leader who made headlines for his role in the Daytona Bike Week brawl, is back behind bars — this time in Volusia County Jail after allegedly punching a man in Manatee County.This latest arrest raises new questions about leadership, discipline, and whether the Mongols MC can avoid more law enforcement pressure as police continue cracking down on outlaw motorcycle activity across the country.⚖️ We'll Discuss:Details on the new charges against Clinton WalkerHow this latest incident ties back to the infamous Bike Week brawlWhat this means for the Mongols MC's reputation and ongoing scrutinyThe broader pattern of MC leaders landing back in custody across the U.S.

Mongols Leader Back Behind Bars – Bike Week Brawler in Trouble!Today on Black Dragon Biker TV, the heat is back on the Mongols MC. Clinton Walker, the Mongols Motorcycle Club leader who made headlines for his role in the Daytona Bike Week brawl, is back behind bars — this time in Volusia County Jail after allegedly punching a man in Manatee County.This latest arrest raises new questions about leadership, discipline, and whether the Mongols MC can avoid more law enforcement pressure as police continue cracking down on outlaw motorcycle activity across the country.⚖️ We'll Discuss:Details on the new charges against Clinton WalkerHow this latest incident ties back to the infamous Bike Week brawlWhat this means for the Mongols MC's reputation and ongoing scrutinyThe broader pattern of MC leaders landing back in custody across the U.S.

The insanely talented Robert Patrick joins Kurt Sutter and Katey Sagal on Pie today. They discuss how Robert got into acting, his sobriety, Terminator 2 and his journey into motorcycles. Check out Robert on this upcoming season of Tulsa King and give him a follow on instagram at @ripfighter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Just in time for spooky season, world-renowned psychic medium & author John Edward joins Kurt Sutter and Katey Sagal. John shares how he discovered his gift, what it was like growing up in New York with a police-officer father, and—even wilder—his brief stint as a phlebotomist. He delivers powerful messages from the other side to Katey and our producer Patrick that will give you chills. Don't miss this one. Hit play, lights down, volume up.

Jesse Garcia (Flamin' Hot, Sons of Anarchy, From Dusk Till Dawn) joins Kurt Sutter and Katey Sagal today. Jesse talks about his Wyoming upbringing, his life changing decision to leave the University of Nebraska and move to Atlanta to pursue acting and the struggles that came with that. Jesse was a fantastic guest, this is definitely a good one to check out. You can see Jesse next in Tender and Christopher Nolan's The Odyssey. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Sullivan, (This Is Us and The Knick) sits down with Kurt Sutter and Katey Sagal to talk about his Broadway beginnings, the challenges of maintaining a long-distance relationship, and what it was really like wearing a fat suit on This Is Us. You can catch more of Chris on his podcast That Was Us, a This Is Us rewatch series he hosts alongside co-stars Mandy Moore and Sterling K. Brown, as well as in his upcoming Peacock show The Devil in Disguise: The John Wayne Gacy Story, premiering this October. Pie is sponsored by Neon Mango — the future of digital autographs. Neon Mango is the only platform offering verified, cinematic-quality digital autographs with guaranteed authenticity. Head to NeonMango.com to secure your exclusive autograph today. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of Pie, The Hills star Audrina Patridge and her boyfriend, country music star Michael Ray, sit down with Kurt Sutter and Katey Sagal. They open up about how they met, their ayahuasca experience, and the ups and downs of navigating a long-distance relationship. #Pie Sponsored by Revision Skincare — delivering visible results through superior formulation. Discover more at revisionskincare.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a Shield (and Sons of Anarchy) reunion as the fantastic Michael Chiklis stops by for some Pie with Kurt Sutter and Katey Sagal. Michael shares stories about his family roots, his grandmother's wise advice, the fact that he's 18% Italian, and how Sons of Anarchy fans reacted to that unforgettable finale. Check out Michael's new movie, The Senior in theaters September 19th! Learn more about your ad choices. Visit megaphone.fm/adchoices

BGI TAPPED Sometimes, I write in Lin cadences Sometimes I pass time with Jim Fallon, I write behind closed eyes and white bars, Pigeons and white doves, While I get made fun of I tried to just let bygones by bygones But I can't cause I miss my son And there's no love in the bottom of class wars And harsh poverty; there's no brotherly love And New York just don't want me here Is this your card?! No motherfucker! Oh. Goddamn. You are bad at this. I thought I was! I told you I was. You are! Now, scram. What color is your magnitude? You failed! I told you I don't know my own songs form Adam! That wasn't me? No? Crap. It's jammed. Well, throw a rock at him! THE SNIPERS throw a rock at DIPLO; unassumingly and (sort of) by complete coincidence, this rock just happens to be the CAPSULOUS ILLUMINATUS— (And he is mad.) Huh. Ohh. Shitballs. (Very mad.) Not only is he mad— which is hilarious— but as he becomes enraged, beginning to hulk out of his “zen zone” Isn't it obvious? Zen zone? What a complete douchebag. I'm so serious. V.O Tales of a superstar DJ Alice In Wonderland was in my dream last night, But she had big blonde bushy Slavic eyebrows and I just… somehow.. didn't know what to make of that. I HAVE A TALE! No, you don't actually. Sit down and shut the fuck up! BAMPHERAMPH CAMP is going splendid. *complete decapitation* —gorgeous. Meanwhile. As it turns out… I have something to tell you. PLAY COMPLICATIONS ONE MORE TIME. I FUCKING DARE YOU. DEADMAU5 has created quite possibly the very first sonic time bomb— FIRST EVER? I TOLD YOU GET OUT OF HERE. YES FIRST EVER. BEFORE: Sniffs… Pauses *Tiny Sips* *sniffs again* *squinting, dissatisfied* …I sense Deadmau5 in this Skrillex. BUTLER You would be correct. {ENTER THE MULTIVERSE} Wait. Who the fuck is Steve Duda? Bro, I told you my name was Steve! OH! Tales of a Superstar DJ I thought you were joking. I'm not joking. Where's the pancakes?! I'm out! Why is this place so clean?! Ugh! You haven't been around— or— like— Nonsense. Hey wait— last time you were imaginary. Uh, no, I wasn't. Yes, you were literally just— “In your head” Yeah! That's not a thing. What. Get over that. What. Everything is real, everything is extreme… Are you also out of OATMEAL? Almost, obviously! —ly real! Ugh! And cream of wheat? I've been— I was getting fat. THATS HOW GOOD MUSIC IS MADE. IN STORED ENERGY. I have— *bacterially is critically low* *lights flickering* *sirens wailing* *time crumbling* *phone dies* Ugh. Look. Uh— STEVE. Uh…let's just say Larry— My name is STEVE! I told you that! I imagined you differently, okay, and I thought ‘Steve' was just deadmau5 being pranky. It is! What? It's a thing! Look it up. Oh shit. The Ace. I told you that dude was sketchy! Wait, which Ace. Of Spades. Ah shit. Is this your— No! Ah? Well, wait… Wait what? Wait. A second. Wait what? …this…that is my card. Is it? Yes… *vanishes* WHAT THE— L E G E N D S Our Next Segment is called “Who wrote that joke?” So I'm wondering about— That Hindu joke in season 5 of 30 Rock “Oh my God.” “Which one? “ “I'm going to make you regret your own birth“ “Which one?” I know the man in the chair By his eyes And the course of the road And the cause of his numbers, I know very odd, very sure, very well— and yes, I know the strings, and the things And the force of control And the conduct, the code Yes, I know not to leave him alone And we're all full of wonder, here Of the wonder years, But where are you, dear? Cause it's four in the morning— I'm cold, and I'm lonely— I'm shocked and forgotten It's four in the morning And no, I'm still not going home. It's four in the morning And only just know have I thought Or a plate full of warmth And the touch of her fondness But all oaths, Cause I took a lover this morning Another tomorrow And on, look— I can't come home until Sunday (What? I'm building you up!) And I know I've gone soft But you know not to Dollop until I tell you I'm coming Don't you! That's a gallop; There's a Dillon Where I dare you; Did you hear ‘em? These are harems There's a villain forming A sweet informant A node oriental And no, I meant all of the foam drip on coffee It's Not Out Of Bounds until I say you will My daffodil Then I fold you into pieces With my peace It says “I'm eating you for supper” Here goes Saturday for nothing I still haven't made the cast list Don't get so far up your marker That you forgot That the stars are all going under Burning out And ownership of businesses Other than subscription payments Mortgages and high interests— Give the internet good riddance Or else get lost Like your appendix This is Kurt Sutter? No, John Carson! You think you're smart for a marker And sabertooth tiger I got no arguments besides building monuments You wanted us? Worshipped! Now all of a sudden while on earth All reincarnated at once Almost all of ye's study or praise No Gods, though you walk among us! Keep it open sesame seed buns I haven't seen you In your open No subtronics I don't bother No blue eyes Tight skin Small stomach Thin waste Paper See through Just waste Wait I'm a trash bag Non returnable No refundable Still not gonna do you harm enough If you didn't bought it Still though Awful convenience Here's my sandwhich I just backed up into a fire hydrant High as a kite But you all know I'm so much hotter and fun Than the other one— Goddamn, But at least she's funny And as long as you want me first I'll love you and her Forever. —Annie. Don't got a gun; Then I'd be gone I don't belong here I write songs for a living You know; No more home for you! No more going nowhere If you don't wear Prada Here yellow canary You're only a little pretty bird Cause if I hear you stop singing at all I know we're all done for— Run! It's a gas le— (AK) [They blow up. ] COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED. [The Festival Project ™] The Complex Collective © -Ū. flash— bang Can't believe I'm lying there like Flash—bang What a mess I've got us into Flash—bang In and out of all dimensions I can barely pay attention I was standing in my kitchen Then it's straight to intermission (Something like a nasa mission) Flash—bang I think this thing is dangerous I can't sing I'm tone deaf as Mr. Kimmel Flash— bang Off like a grenade And then I'm off like Walton Goggins— “Shane!” Or did someone say action?! Might be going crazy Or just famous Or delayed. I'm in Grenada. —Bird Internet. Written by C'cxell Soleïl Prod. by Blū Tha Gürū -Ū.

I know the man in the chair By his eyes And the course of the road And the cause of his numbers, I know very odd, very sure, very well— and yes, I know the strings, and the things And the force of control And the conduct, the code Yes, I know not to leave him alone And we're all full of wonder, here Of the wonder years, But where are you, dear? Cause it's four in the morning— I'm cold, and I'm lonely— I'm shocked and forgotten It's four in the morning And no, I'm still not going home. It's four in the morning And only just know have I thought Or a plate full of warmth And the touch of her fondness But all oaths, Cause I took a lover this morning Another tomorrow And on, look— I can't come home until Sunday (What? I'm building you up!) And I know I've gone soft But you know not to Dollop until I tell you I'm coming Don't you! That's a gallop; There's a Dillon Where I dare you; Did you hear ‘em? These are harems There's a villain forming A sweet informant A node oriental And no, I meant all of the foam drip on coffee It's Not Out Of Bounds until I say you will My daffodil Then I fold you into pieces With my peace It says “I'm eating you for supper” Here goes Saturday for nothing I still haven't made the cast list Don't get so far up your marker That you forgot That the stars are all going under Burning out And ownership of businesses Other than subscription payments Mortgages and high interests— Give the internet good riddance Or else get lost Like your appendix This is Kurt Sutter? No, John Carson! You think you're smart for a marker And sabertooth tiger I got no arguments besides building monuments You wanted us? Worshipped! Now all of a sudden while on earth All reincarnated at once Almost all of ye's study or praise No Gods, though you walk among us! Keep it open sesame seed buns I haven't seen you In your open No subtronics I don't bother No blue eyes Tight skin Small stomach Thin waste Paper See through Just waste Wait I'm a trash bag Non returnable No refundable Still not gonna do you harm enough If you didn't bought it Still though Awful convenience Here's my sandwhich I just backed up into a fire hydrant High as a kite But you all know I'm so much hotter and fun Than the other one— Goddamn, But at least she's funny And as long as you want me first I'll love you and her Forever. —Annie. Don't got a gun; Then I'd be gone I don't belong here I write songs for a living You know; No more home for you! No more going nowhere If you don't wear Prada Here yellow canary You're only a little pretty bird Cause if I hear you stop singing at all I know we're all done for— Run! It's a gas le— (AK) [They blow up. ] COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED. [The Festival Project ™] The Complex Collective © -Ū. flash— bang Can't believe I'm lying there like Flash—bang What a mess I've got us into Flash—bang In and out of all dimensions I can barely pay attention I was standing in my kitchen Then it's straight to intermission (Something like a nasa mission) Flash—bang I think this thing is dangerous I can't sing I'm tone deaf as Mr. Kimmel Flash— bang Off like a grenade And then I'm off like Walton Goggins— “Shane!” Or did someone say action?! Might be going crazy Or just famous Or delayed. I'm in Grenada. —Bird Internet. Written by C'cxell Soleïl Prod. by Blū Tha Gürū -Ū.

I know the man in the chair By his eyes And the course of the road And the cause of his numbers, I know very odd, very sure, very well— and yes, I know the strings, and the things And the force of control And the conduct, the code Yes, I know not to leave him alone And we're all full of wonder, here Of the wonder years, But where are you, dear? Cause it's four in the morning— I'm cold, and I'm lonely— I'm shocked and forgotten It's four in the morning And no, I'm still not going home. It's four in the morning And only just know have I thought Or a plate full of warmth And the touch of her fondness But all oaths, Cause I took a lover this morning Another tomorrow And on, look— I can't come home until Sunday (What? I'm building you up!) And I know I've gone soft But you know not to Dollop until I tell you I'm coming Don't you! That's a gallop; There's a Dillon Where I dare you; Did you hear ‘em? These are harems There's a villain forming A sweet informant A node oriental And no, I meant all of the foam drip on coffee It's Not Out Of Bounds until I say you will My daffodil Then I fold you into pieces With my peace It says “I'm eating you for supper” Here goes Saturday for nothing I still haven't made the cast list Don't get so far up your marker That you forgot That the stars are all going under Burning out And ownership of businesses Other than subscription payments Mortgages and high interests— Give the internet good riddance Or else get lost Like your appendix This is Kurt Sutter? No, John Carson! You think you're smart for a marker And sabertooth tiger I got no arguments besides building monuments You wanted us? Worshipped! Now all of a sudden while on earth All reincarnated at once Almost all of ye's study or praise No Gods, though you walk among us! Keep it open sesame seed buns I haven't seen you In your open No subtronics I don't bother No blue eyes Tight skin Small stomach Thin waste Paper See through Just waste Wait I'm a trash bag Non returnable No refundable Still not gonna do you harm enough If you didn't bought it Still though Awful convenience Here's my sandwhich I just backed up into a fire hydrant High as a kite But you all know I'm so much hotter and fun Than the other one— Goddamn, But at least she's funny And as long as you want me first I'll love you and her Forever. —Annie. Don't got a gun; Then I'd be gone I don't belong here I write songs for a living You know; No more home for you! No more going nowhere If you don't wear Prada Here yellow canary You're only a little pretty bird Cause if I hear you stop singing at all I know we're all done for— Run! It's a gas le— (AK) [They blow up. ] COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED. [The Festival Project ™] The Complex Collective © -Ū. flash— bang Can't believe I'm lying there like Flash—bang What a mess I've got us into Flash—bang In and out of all dimensions I can barely pay attention I was standing in my kitchen Then it's straight to intermission (Something like a nasa mission) Flash—bang I think this thing is dangerous I can't sing I'm tone deaf as Mr. Kimmel Flash— bang Off like a grenade And then I'm off like Walton Goggins— “Shane!” Or did someone say action?! Might be going crazy Or just famous Or delayed. I'm in Grenada. —Bird Internet. Written by C'cxell Soleïl Prod. by Blū Tha Gürū -Ū.

I know the man in the chair By his eyes And the course of the road And the cause of his numbers, I know very odd, very sure, very well— and yes, I know the strings, and the things And the force of control And the conduct, the code Yes, I know not to leave him alone And we're all full of wonder, here Of the wonder years, But where are you, dear? Cause it's four in the morning— I'm cold, and I'm lonely— I'm shocked and forgotten It's four in the morning And no, I'm still not going home. It's four in the morning And only just know have I thought Or a plate full of warmth And the touch of her fondness But all oaths, Cause I took a lover this morning Another tomorrow And on, look— I can't come home until Sunday (What? I'm building you up!) And I know I've gone soft But you know not to Dollop until I tell you I'm coming Don't you! That's a gallop; There's a Dillon Where I dare you; Did you hear ‘em? These are harems There's a villain forming A sweet informant A node oriental And no, I meant all of the foam drip on coffee It's Not Out Of Bounds until I say you will My daffodil Then I fold you into pieces With my peace It says “I'm eating you for supper” Here goes Saturday for nothing I still haven't made the cast list Don't get so far up your marker That you forgot That the stars are all going under Burning out And ownership of businesses Other than subscription payments Mortgages and high interests— Give the internet good riddance Or else get lost Like your appendix This is Kurt Sutter? No, John Carson! You think you're smart for a marker And sabertooth tiger I got no arguments besides building monuments You wanted us? Worshipped! Now all of a sudden while on earth All reincarnated at once Almost all of ye's study or praise No Gods, though you walk among us! Keep it open sesame seed buns I haven't seen you In your open No subtronics I don't bother No blue eyes Tight skin Small stomach Thin waste Paper See through Just waste Wait I'm a trash bag Non returnable No refundable Still not gonna do you harm enough If you didn't bought it Still though Awful convenience Here's my sandwhich I just backed up into a fire hydrant High as a kite But you all know I'm so much hotter and fun Than the other one— Goddamn, But at least she's funny And as long as you want me first I'll love you and her Forever. —Annie. Don't got a gun; Then I'd be gone I don't belong here I write songs for a living You know; No more home for you! No more going nowhere If you don't wear Prada Here yellow canary You're only a little pretty bird Cause if I hear you stop singing at all I know we're all done for— Run! It's a gas le— (AK) [They blow up. ] COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED. [The Festival Project ™] The Complex Collective © -Ū. flash— bang Can't believe I'm lying there like Flash—bang What a mess I've got us into Flash—bang In and out of all dimensions I can barely pay attention I was standing in my kitchen Then it's straight to intermission (Something like a nasa mission) Flash—bang I think this thing is dangerous I can't sing I'm tone deaf as Mr. Kimmel Flash— bang Off like a grenade And then I'm off like Walton Goggins— “Shane!” Or did someone say action?! Might be going crazy Or just famous Or delayed. I'm in Grenada. —Bird Internet. Written by C'cxell Soleïl Prod. by Blū Tha Gürū -Ū.

Maybe I'm not afraid because it just feels temporary. The noise in the apartment made it easy to let go, and better yet, because of the noise— the only way a pro bono lawyer might speak with me is if I was evicted— then, explaining away that from the day I moved into the apartment my mental health began to spiral and, that recovery from homelessness and having left an abusive relationship became impossible with motorcycles and modified cars circling like buzzards, gangsters slanging on the corner banging music I hated, and an all around environment of unwellness, in which I was unable to cope with the mechanisms of even the simplest tasks, after being bombarded by these hellish people. I was sure that speaking with one sort of lawyer and explaining my heavily documented case would eventually lead to meetings with another kind of lawyer who would see my case and agree that I had been attacked, and severely wounded— and eventually, probably, compensated. It simply wasn't facet of my imagination but seemed there was sort of hate group targeted to stalk and harass me— even in Manhattan, after visiting the Apple Store, a random pair of motorcycles approached and revved their engines thunderously as I walked back to the studio, even startling another passerby, as she shook her head as if to say “that was horrible”, with this look of fear and disgruntlement. It had been two years of this for me, though, and so I was somewhat used to it. It still hurt, but not the way it used to. Inside, sort of like the way a boxer knows how to take a punch because he's trained for it. But this was not my job, and I was not getting paid, unless I could actually put my mind together enough to assimilate some sort of strategy; a lawsuit against the property management and the city itself for allowing the harassment, and at the end of the day, it didn't much care who was responsible, and whether it was politics or street theatre— I just wanted it to stop. I could honestly say that any sort of legal action was indeed not about the money, but rather an escape. Would I live in New York if I did not have to? Not by any means, anyway, in the way I did. Just the view alone set me off, and anytime one of the foam panels fell out of the window from sun or dust and the lot of cars and busy intersection peered through, a gut wrenching anxiety came over me like the way it did when I first saw it; even then, when I first viewed the apartment, I knew that something bad had happened here before I even moved in— and it was bad, the constant motorcycle attacks, and at one point they were not at all writeable enough off as “normal noise”, the way they used to wait until I was almost a sleep to rip through the block and create sonic booms that sounded like bombs—eventually these kinds of attacks stopped but it was around the first year that I started to realize due to these series of traumas my brain was wired differently.i understood that she's were acts of war, but why? I had no intentions of stirring anything up in this place and honestly, from the start, because I was stuck, I had just wanted to get out. Hold on. I got two jokes. Ok. What was the one about— Oh, it's so simple but since they hate black women so much it would probably make a white audience laugh. My ex punched me so hard, I thought I was going to run for president in 2028. That's it? That's the joke. That not a joke. You're right. That's not a joke. I'm not though. I realized that. Please. Don't hit me. [beat] Unless you hit me hard enough that I actually become the actual president. Then, you're free to assassinate me. Thats the joke? Yeah. What a horrible joke. Yeah. Kind of. Okay. What's the other one? It's the—it's that enter the multiverse joke on the Sean Evans timeline. Ok. (Who is Sean Ryan) Idk. [Sean Ryan was the Showrunner of The Shield, Starring Michael Chiklis and Walton Goggins__which ran from 2001-2007, and also fostered the writing career of Kurt Sutter, who went on to create Sons of Anarchy.] Anyway. One of the contestants from hot ones calls Sean and goes, Sean! And Sean's like: Whaddup? Sean! How do you do this bro? [sean is eating ghost pepper cereal for breakfast with ice cold horchata ) Ew. Nice. It was gonna be milk but SEAN EVANS (Aside) The cinnamon gives it a nice schwing. Apparently, The training for hot ones is a non-stop tolerance-topper. Sean RYAN is always doing his best to outdo himself. Yeaaaaaaaaahhhhhhhh! Thats right. Any fucking way. Sean! How do you do this everyday, buddy! Do what? My butthole is burning! I don't have one. You— what? I do not any longer have a butthole. Beg your pardon. I got it removed. What. What. Hold on, it's a multilayer joke. 2x Joke multiplier! Are we still playing this game? OH YEAH! goddamn. I really wanna see this fictional koolaid movie. WHERE'S SETH ROGEN? ROB LOWE is directing an episode of ENTER THE MULTIVERSE. DIRECTOR Quiet on Set! He turns to DRAKE BELL who is reprising his role as TIMMY TURNER. ROB LOWE Sorry, is that triggering to you? Nothing is said but instead he just shoots him a look. really on it with the zingers today. What can I say. I juice fasted and then ate like a normal person so maybe— I don't know. What's that supposed to mean. Everything is temporary. My next run isn't scheduled until after midnight but I might climb on the Peloton for an ironic spin. I owe everyone money. Not in the way that I ever wanted to be this bum, but in the way that all of my jobs have been awful enough that— honestly, I never quit, it just eventually all falls apart. I've been almost fondly remembering the— {Season 5} —summer in Las Vegas I had two awful jobs, no car, no place to live, and One boss who looked like Dillon Francis— And well. INT. LAS VEGAS ATHLETIC CLUB. WHENEVER. ITS OPEN 24 HOURS!!! WHEEEEEE!! Omg that guy looks just like Jimmy Fallon. BEFORE Oh, hi Jimmy. Hey! You finally noticed. I been noticing. You know I'm in a screen, right? You're in all the screens. Not all of them. ALL THE SCREENS A large wall of paneled Televisions hangs above the cardio center. … … MEANWHILE For while, the dude was everywhere. And I mean— Yo! I swear to God— —don't do that! — every time I look at a fucking tv, you're on it! shhh—watch your language! For what! You're on the Telivision, I'm not. You are on the Television! I'm not! —look just— trust me I don't have enough time before we're about to cut to co—[mmerciial!] [cuts to commercial] That dude is weird. Hm. That dude does look like Jimmy Fallon. — and one boss that looked like— Well, you get it. Yes he does. Very much so. Hm. Should I fuck him? Ew! No! What! Gross . No. Take his job! What? This incompetent drunken loser was, for a very short time— my manager. Just then when the car alarm when off, I express my not so subconscious, and must remark To remind my dear audience that this SUPACreature Is exponentially explicit, hence the Sexual exploitation of he who is hereby known As [Not] Jimmy Fallon. He was maybe the worst boss I ever had. If not the worse, definitely one of them. He was always drunk, Slept on the job, Was inappropriately explicit, Sexualized everything, And bitterly racist, Lived with his mother, Had social problems And was, Of course— Completely incompetent. Two hosts sit watching the serason premiere with popped corn. Oh. That's clever That's funny. See, those redactions could have been anybody. They were anybody. M— Jimmy!? Which Jimmy?! Last time I had a visionary dream about Jimmy Kimmel he was holding a white candle. At any rate, they were out of black, and I have no idea what that's supposed to mean, but I can only assume that when any host takes an extended hiatus, it's some kind of Contractual agreement. Ah-hem… Sign it. I don't know… about… that. And why not? This creature is one of the most powerful in the multiverse. [Jimmy Fallon] TINA FEY What. Are you serious. —and that's my time. Just trust me on this— NO. Pretty please! Oh, welL, since you made it pretty. Really? NO. Absolutely not. You are increasingly difficult. I learned to brew at thought at wishing wells Again, I gallop, striving to dance past the forced illusions of a non-corrupt decision, The end is near and also, simply The Division. ENTER THE MULTIVERSE: L E G E N D S — The Rock and And the Kite Part X: The Division Bell Part 10?! Yes. How is it part ten? Where are parts 6 through 9 I don't know. I have no clue. (You have no idea) Oh. I get it. The parenthesis are the voice of God. (It's all the voice of God, These are just more strong dictations.) Fix your diction! Fix your Dick Nixon if it don't swing left; On a finite curve, It switches with any direction, Irregular, my guest; I could have asked that. I have no tact, And no talent, No candles left, I can't relax! I just happen to have What I know I can't stand, And that's— High standards for a man. So I imagined a fantasy. My next run was scheduled for midnight but I'd spent the month suffocating and suffering in waist trainers navigating vampires and I had even been stood over by the actual Devil herself on the subway ride home. What even was the point of running all this way and eating all this well If no matter who I tried to love would really turn to the same old evil thing that wanted me dead in the first place? Being honest, I still didn't know what it was at all— but maybe it was always going to try to bite me no matter what I did. So It didn't matter much when the overdue balance came equal to the amount I needed to purchase club standard CDJs, I didn't care about anything because I was never treated fairly with honest or good intentions. Not even from my birth, or my mother, and perhaps that was the problem. My human perception of the world was trained by this thing who could never really see my value or worth in the way that it would take to be fully loved. Something was always wrong with me, and so something was always wrong with the world. All I knew was, I wasn't panicking though it had been an obvious attack— the email had sent as I orgasmed, after a series of the same old system of stress I'd been in for years— revving engines and long bangs and other methods of keeping me from reaching climax— but it was my body, and so just because I was under surveillance for whatever reason; perhaps they were listening and this self release made them uncomfortable, but I needed it. It had been years since my last loving embrace— since my last touch, or stroke, or kiss— and so yes, while admittedly my senses were out of place, they were also heightened in that I knew what was happening in my apartment was wrong, and the worse it got, the more I kept track of the things that were happening, the better off I'd eventually end up, just by respecting myself and my own time. I needed recovery; running down the the gym to be hatestalker by some half naked model or some egotistical little man throwing and slamming things around was going to do no better for my psyche even with a run considered; instead of a mile of mantras, it would instead become a mile of trying to ignore whatever whoever had followed me into the gym was doing to get my attention. Luckily I had a Peloton in my room and with any luck at all, by the afternoon I'd have all the focus in the world to ride it— but for now I was writing, and thinking, and feeling my insides out after a long month sonic alchemy, which had also resulted in my finally reaching the conclusion that I was indeed being followed around. But why? Lil bitz Yo imagine if Amazon had a comment section. Not like reviews but an actual like— Comment section for the ads and products. Don't act like it wouldn't be the little place to just, like, go. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Maybe I'm not afraid because it just feels temporary. The noise in the apartment made it easy to let go, and better yet, because of the noise— the only way a pro bono lawyer might speak with me is if I was evicted— then, explaining away that from the day I moved into the apartment my mental health began to spiral and, that recovery from homelessness and having left an abusive relationship became impossible with motorcycles and modified cars circling like buzzards, gangsters slanging on the corner banging music I hated, and an all around environment of unwellness, in which I was unable to cope with the mechanisms of even the simplest tasks, after being bombarded by these hellish people. I was sure that speaking with one sort of lawyer and explaining my heavily documented case would eventually lead to meetings with another kind of lawyer who would see my case and agree that I had been attacked, and severely wounded— and eventually, probably, compensated. It simply wasn't facet of my imagination but seemed there was sort of hate group targeted to stalk and harass me— even in Manhattan, after visiting the Apple Store, a random pair of motorcycles approached and revved their engines thunderously as I walked back to the studio, even startling another passerby, as she shook her head as if to say “that was horrible”, with this look of fear and disgruntlement. It had been two years of this for me, though, and so I was somewhat used to it. It still hurt, but not the way it used to. Inside, sort of like the way a boxer knows how to take a punch because he's trained for it. But this was not my job, and I was not getting paid, unless I could actually put my mind together enough to assimilate some sort of strategy; a lawsuit against the property management and the city itself for allowing the harassment, and at the end of the day, it didn't much care who was responsible, and whether it was politics or street theatre— I just wanted it to stop. I could honestly say that any sort of legal action was indeed not about the money, but rather an escape. Would I live in New York if I did not have to? Not by any means, anyway, in the way I did. Just the view alone set me off, and anytime one of the foam panels fell out of the window from sun or dust and the lot of cars and busy intersection peered through, a gut wrenching anxiety came over me like the way it did when I first saw it; even then, when I first viewed the apartment, I knew that something bad had happened here before I even moved in— and it was bad, the constant motorcycle attacks, and at one point they were not at all writeable enough off as “normal noise”, the way they used to wait until I was almost a sleep to rip through the block and create sonic booms that sounded like bombs—eventually these kinds of attacks stopped but it was around the first year that I started to realize due to these series of traumas my brain was wired differently.i understood that she's were acts of war, but why? I had no intentions of stirring anything up in this place and honestly, from the start, because I was stuck, I had just wanted to get out. Hold on. I got two jokes. Ok. What was the one about— Oh, it's so simple but since they hate black women so much it would probably make a white audience laugh. My ex punched me so hard, I thought I was going to run for president in 2028. That's it? That's the joke. That not a joke. You're right. That's not a joke. I'm not though. I realized that. Please. Don't hit me. [beat] Unless you hit me hard enough that I actually become the actual president. Then, you're free to assassinate me. Thats the joke? Yeah. What a horrible joke. Yeah. Kind of. Okay. What's the other one? It's the—it's that enter the multiverse joke on the Sean Evans timeline. Ok. (Who is Sean Ryan) Idk. [Sean Ryan was the Showrunner of The Shield, Starring Michael Chiklis and Walton Goggins__which ran from 2001-2007, and also fostered the writing career of Kurt Sutter, who went on to create Sons of Anarchy.] Anyway. One of the contestants from hot ones calls Sean and goes, Sean! And Sean's like: Whaddup? Sean! How do you do this bro? [sean is eating ghost pepper cereal for breakfast with ice cold horchata ) Ew. Nice. It was gonna be milk but SEAN EVANS (Aside) The cinnamon gives it a nice schwing. Apparently, The training for hot ones is a non-stop tolerance-topper. Sean RYAN is always doing his best to outdo himself. Yeaaaaaaaaahhhhhhhh! Thats right. Any fucking way. Sean! How do you do this everyday, buddy! Do what? My butthole is burning! I don't have one. You— what? I do not any longer have a butthole. Beg your pardon. I got it removed. What. What. Hold on, it's a multilayer joke. 2x Joke multiplier! Are we still playing this game? OH YEAH! goddamn. I really wanna see this fictional koolaid movie. WHERE'S SETH ROGEN? ROB LOWE is directing an episode of ENTER THE MULTIVERSE. DIRECTOR Quiet on Set! He turns to DRAKE BELL who is reprising his role as TIMMY TURNER. ROB LOWE Sorry, is that triggering to you? Nothing is said but instead he just shoots him a look. really on it with the zingers today. What can I say. I juice fasted and then ate like a normal person so maybe— I don't know. What's that supposed to mean. Everything is temporary. My next run isn't scheduled until after midnight but I might climb on the Peloton for an ironic spin. I owe everyone money. Not in the way that I ever wanted to be this bum, but in the way that all of my jobs have been awful enough that— honestly, I never quit, it just eventually all falls apart. I've been almost fondly remembering the— {Season 5} —summer in Las Vegas I had two awful jobs, no car, no place to live, and One boss who looked like Dillon Francis— And well. INT. LAS VEGAS ATHLETIC CLUB. WHENEVER. ITS OPEN 24 HOURS!!! WHEEEEEE!! Omg that guy looks just like Jimmy Fallon. BEFORE Oh, hi Jimmy. Hey! You finally noticed. I been noticing. You know I'm in a screen, right? You're in all the screens. Not all of them. ALL THE SCREENS A large wall of paneled Televisions hangs above the cardio center. … … MEANWHILE For while, the dude was everywhere. And I mean— Yo! I swear to God— —don't do that! — every time I look at a fucking tv, you're on it! shhh—watch your language! For what! You're on the Telivision, I'm not. You are on the Television! I'm not! —look just— trust me I don't have enough time before we're about to cut to co—[mmerciial!] [cuts to commercial] That dude is weird. Hm. That dude does look like Jimmy Fallon. — and one boss that looked like— Well, you get it. Yes he does. Very much so. Hm. Should I fuck him? Ew! No! What! Gross . No. Take his job! What? This incompetent drunken loser was, for a very short time— my manager. Just then when the car alarm when off, I express my not so subconscious, and must remark To remind my dear audience that this SUPACreature Is exponentially explicit, hence the Sexual exploitation of he who is hereby known As [Not] Jimmy Fallon. He was maybe the worst boss I ever had. If not the worse, definitely one of them. He was always drunk, Slept on the job, Was inappropriately explicit, Sexualized everything, And bitterly racist, Lived with his mother, Had social problems And was, Of course— Completely incompetent. Two hosts sit watching the serason premiere with popped corn. Oh. That's clever That's funny. See, those redactions could have been anybody. They were anybody. M— Jimmy!? Which Jimmy?! Last time I had a visionary dream about Jimmy Kimmel he was holding a white candle. At any rate, they were out of black, and I have no idea what that's supposed to mean, but I can only assume that when any host takes an extended hiatus, it's some kind of Contractual agreement. Ah-hem… Sign it. I don't know… about… that. And why not? This creature is one of the most powerful in the multiverse. [Jimmy Fallon] TINA FEY What. Are you serious. —and that's my time. Just trust me on this— NO. Pretty please! Oh, welL, since you made it pretty. Really? NO. Absolutely not. You are increasingly difficult. I learned to brew at thought at wishing wells Again, I gallop, striving to dance past the forced illusions of a non-corrupt decision, The end is near and also, simply The Division. ENTER THE MULTIVERSE: L E G E N D S — The Rock and And the Kite Part X: The Division Bell Part 10?! Yes. How is it part ten? Where are parts 6 through 9 I don't know. I have no clue. (You have no idea) Oh. I get it. The parenthesis are the voice of God. (It's all the voice of God, These are just more strong dictations.) Fix your diction! Fix your Dick Nixon if it don't swing left; On a finite curve, It switches with any direction, Irregular, my guest; I could have asked that. I have no tact, And no talent, No candles left, I can't relax! I just happen to have What I know I can't stand, And that's— High standards for a man. So I imagined a fantasy. My next run was scheduled for midnight but I'd spent the month suffocating and suffering in waist trainers navigating vampires and I had even been stood over by the actual Devil herself on the subway ride home. What even was the point of running all this way and eating all this well If no matter who I tried to love would really turn to the same old evil thing that wanted me dead in the first place? Being honest, I still didn't know what it was at all— but maybe it was always going to try to bite me no matter what I did. So It didn't matter much when the overdue balance came equal to the amount I needed to purchase club standard CDJs, I didn't care about anything because I was never treated fairly with honest or good intentions. Not even from my birth, or my mother, and perhaps that was the problem. My human perception of the world was trained by this thing who could never really see my value or worth in the way that it would take to be fully loved. Something was always wrong with me, and so something was always wrong with the world. All I knew was, I wasn't panicking though it had been an obvious attack— the email had sent as I orgasmed, after a series of the same old system of stress I'd been in for years— revving engines and long bangs and other methods of keeping me from reaching climax— but it was my body, and so just because I was under surveillance for whatever reason; perhaps they were listening and this self release made them uncomfortable, but I needed it. It had been years since my last loving embrace— since my last touch, or stroke, or kiss— and so yes, while admittedly my senses were out of place, they were also heightened in that I knew what was happening in my apartment was wrong, and the worse it got, the more I kept track of the things that were happening, the better off I'd eventually end up, just by respecting myself and my own time. I needed recovery; running down the the gym to be hatestalker by some half naked model or some egotistical little man throwing and slamming things around was going to do no better for my psyche even with a run considered; instead of a mile of mantras, it would instead become a mile of trying to ignore whatever whoever had followed me into the gym was doing to get my attention. Luckily I had a Peloton in my room and with any luck at all, by the afternoon I'd have all the focus in the world to ride it— but for now I was writing, and thinking, and feeling my insides out after a long month sonic alchemy, which had also resulted in my finally reaching the conclusion that I was indeed being followed around. But why? Lil bitz Yo imagine if Amazon had a comment section. Not like reviews but an actual like— Comment section for the ads and products. Don't act like it wouldn't be the little place to just, like, go. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

It's our very first couples episode on Pie, and we're serving up something extra sweet! This week, Kurt Sutter and Katey Sagal welcome the hilarious and heartwarming real-life couple, Bradley Whitford (The Handmaid's Tale, The West Wing) and Amy Landecker (The Abandons, Transparent) to the podcast. Bradley and Amy dish on love, laughs, career highs, marriage mayhem, and everything in between. Don't miss Bradley in The Handmaid's Tale, now streaming on Hulu. and keep your eyes peeled for Amy's upcoming feature film For Worse, hitting a theater or streamer near you soon! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie-Lynn Sigler (The Sopranos) joins Kurt Sutter and Katey Sagal on Pie today. They dive into her early days on The Sopranos, growing up in New York, her MS diagnosis, and the journey of motherhood. It's a heartfelt and inspiring conversation with a truly genuine person. Be sure to check out Jamie's podcast MeSsy with Christina Applegate, and her comedy podcast Not Today, Pal with Robert Iler, where the former on-screen siblings from The Sopranos share laughs and explore their contrasting personalities. Learn more about your ad choices. Visit megaphone.fm/adchoices

The incredible Emilio Rivera joins Kurt Sutter and Katey Sagal on today's episode of Pie. They dive into his powerful journey through addiction and recovery, his deep-rooted family values, how he met his amazing wife, and of course, all things Sons of Anarchy. If you're a fan of the Sons universe, this is an episode you won't want to miss! Pie is sponsored by Field of Greens, head over to fieldofgreens.com and put in the code PIE for 20% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian, podcaster, and writer Neal Brennan joins Kurt Sutter and Katey Sagal on Pie today. They dive into relationship dynamics, the craft of comedy, and the experiences that shaped Neal into who he is today. Don't miss it, and be sure to check out Neal's podcast Blocks! Pie is sponsored by AquaTru, head aquatru.com and enter PIE at the checkout for 20% off.  Pie is sponsored by Field of Greens, head to fieldofgreens.com and use code PIE for 20% off.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Sutter and Katey Sagal are the Hollywood power couple behind “Sons of Anarchy,” numerous iconic performances, and hosts of the podcast “PIE.”   This conversation strips bare the intoxicating trap of fame, the parallel paths that led them both to sobriety at 31, and the brutal honesty required to save their relationship when “money, property, and prestige” threatened everything.   Kurt's evolution from Hollywood's combative bad boy to spiritual seeker alongside Katey's unflinching wisdom on intimacy creates a masterclass in reinvention.    They're authentic. They're vulnerable. Their journey might change how you think about success. Enjoy!   Show notes + MORE Watch on YouTube Newsletter Sign-Up  Today's Sponsors: Momentous: 20% OFF all of my favorite products 

Co-writers Scott Rosenbaum, Glen Mazzara & Kurt Sutter, creator Shawn Ryan and consulting producer Jim Manos Jr.

Director Guy Ferland, co-writer Kurt Sutter, actors Michael Jace & Cathy Cahlin Ryan and creator Shawn Ryan

Kurt Sutter (creator of Sons of Anarchy) talks to Rachel and Oliva about his marriage with the incredible Katey Sagal, making memorable television and what scares him most. Later, the ladies chat with Producer Kevin about why is the booger so vulnerable, food in your teeth and people who one-up stories in a conversation. Watch the video of this episode HERE!Like the show? Rate Broad Ideas 5-Stars on Apple Podcasts and SpotifyAdvertise on Broad Ideas via Gumball.fm See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kurt Sutter and Katey Sagal are dropping a special Slice of Pie episode with the charming, Jackson White! He'll be answering YOUR fan questions about his career, growing up in Hollywood (with his famous 'rents, yes, Katey Sagal is his mom) and what's next for him. Plus, he'll chat about the Hulu hit TV series, Tell Me Lies. Don't forget to follow @jacksonwhite on Instagram! Heads up: He does spill some Season 2 spoilers, so watch out for those around the 31-minute mark. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on PIE, The lovable Ryan Hurst joins Kurt Sutter while Katey is off filming. They discuss Ryan's childhood, how he met his wife and of course the death of Opie on Sons of Anarchy. Get your PIE Swag here: https://piepodcast.myshopify.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The talented Michael Rosenbaum (Smallville, Guardians of the Galaxy) joins Kurt Sutter and Katey Sagal on Pie today. Check out Michael's podcast, Inside of You wherever you listen to your podcasts. And check out his children's book, The Talented Farter coming out on October 22, 2024. Get your PIE Swag here: https://piepodcast.myshopify.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Sutter is an American screenwriter, director, producer, and actor. He worked as a writer, director, and executive producer on The Shield, and appeared on the show as hitman Margos Dezerian. Katey Sagal is an American actress and singer. She is known for playing Peggy Bundy on Married... with Children, Leela on Futurama, Cate Hennessy on 8 Simple Rules, Gemma Teller Morrow on The Connors. Howie Mandel Does Stuff available on every podcast platform. Howie Mandel Does Stuff Merchandise available on Amazon.com here https://www.amazon.com/shop/howiemandeldoesstuff Join the "Official Howie Mandel Does Stuff" Reddit: https://www.reddit.com/r/HowieMandelPodcast/ Say Hello to our new house band Sunny and the Black Pack! Follow them here! YouTube: https://www.youtube.com/@BlackMediaPresents TikTok: https://www.tiktok.com/@blackmediapresents Spotify: https://open.spotify.com/artist/01uFmntCHwOW438t7enYOO?si=0Oc-_QJdQ0CrMkWii42BWA&nd=1&dlsi=a9792af062844b4f Facebook: https://www.facebook.com/SunnyAndTheBlackPack/ Instagram: https://www.instagram.com/blackmediapresents/ Twitch: https://www.twitch.tv/blackmediapresents Twitter: twitter.com/blackmedia @kateysagal @sutterink @howiemandel @jackelynshultz

Howie Mandel joins Kurt Sutter and Katey Sagal on Pie today. Howie talks about his childhood in Canada, his OCD disorder and how that helped him become a comedian all over Howie's favorite Hot Dog Pie. A special shout out and thank you to Suzie over at 2nd Place Pie for putting together this INCREDIBLE recipe.   Check out Howie's podcast, Howie Does Stuff and of course America's Got Talent.  Pie is a Sutterink Production, executive produced by Katie Curtright and crafted together by our wonderful technical engineer, Brian Barcheski Learn more about your ad choices. Visit megaphone.fm/adchoices

Jesse Starcher and Mark Radulich present their Sons of Anarchy Season 7 TV Show Review! Sons of Anarchy is an American action crime drama television series created by Kurt Sutter for FX. The seventh and final season of the American television drama series Sons of Anarchy premiered on September 9, 2014, and concluded on December 9, 2014, after 13 episodes aired on cable network FX. Created by Kurt Sutter, it is about the lives of a close-knit outlaw motorcycle club operating in Charming, a fictional town in California's Central Valley. The show centers on protagonist Jackson "Jax" Teller (Charlie Hunnam), the President of the club, who begins questioning the club and himself after reading his father's journal about how Samcro dies, (his father the original founder of SOA) is murdered.Sons of Anarchy is the story of the Teller-Morrow family of Charming, California, as well as other members of the Sons of Anarchy Motorcycle Club, Redwood Original (SAMCRO), their families, various Charming townspeople, allied and rival gangs, associates, and law agencies that undermine or support SAMCRO's legal and illegal enterprises.Jax struggles with his recent loss and turns himself into the authorities. While in jail, Jax makes decisions that radically alter the direction of the club and uses it to exact revenge for the death of his wife. Another member's death fuels the hate and lies created by Gemma and Juice, who are on the run and hiding from the club. After Jax learns the truth, he works to make things right with all parties involved. The series ends with Jax making the ultimate sacrifice to complete his part of the story of SAMCRO and fulfill his father's vision.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

The incredible and talented, Paris Barclay joins Kurt Sutter and Katey Sagal on this week's episode of Pie. Paris does a deep dive into his childhood, his time at Harvard, working as a music video directors with greats like LL Cool J and his transition over to tv and film directing incredible series, like Sons of Anarchy, Station 19, Monster: The Jeffrey Dahmer, plus many more. Paris also shares an jaw dropping story 9/11 story. Please support Paris by following him on Instagram and twitter at @pkcbarclay Check out Exceptional Children, where he does his charity work and lastly, stay tuned for Monsters: The Menedez Brothers coming soon to Netflix! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Sutter and Katey Sagal are joined today but best friends, actresses, producers and podcasters, Rachel Bilson and Olivia Allen. Rachel and Olivia have known each other since high school and discuss their friendship dynamics, how one of them grew up on the ride side of the tracks, relationships and of course motherhood all over some excellent key lime pie courtesy of 2nd Place Pie here in Los Angeles. Please check out Rachel Bilson and Olivia Allen's podcast, Broad Ideas, and their charity that they work on Continue On, that brings awareness to suicide prevention and mental health, https://www.continueonorganization.com/ Please support our sponsor: Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/pievpn It's risk-free with Nord's 30-day money-back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

Theo Rossi joins Kurt Sutter and Katey Sagal today on the latest episode of Pie.  Theo goes deep into his childhood, how his life has changed since SoA, and Kurt explains why Theo and his character Juice is why he started the podcast.  Patreon users will give exclusive access to episodes before the live feed, plus Slice of Pie episodes and first chance to purchase merch, which we will be launching this week!  Head over to https://www.patreon.com/piepodcast to learn more. Please support Theo Rossi by giving him a follow on his IG @theorossi, you can also follow on IG at  @sutterink and @kateysagal  Thank you to our sponsors: Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/pievpn It's risk-free with Nord's 30-day money-back guarantee!  We love HelloFresh, go to https://www.hellofresh.com/pieapps for FREE appetizers for life! One appetizer item per box while subscription is active. HelloFresh, America's #1 Meal Kit! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rainn Wilson joins Kurt Sutter and Katey Sagal on this week's episode of Pie. Rainn discusses his eclectic religious upbringing and goes deep into some of his favorite childhood memories, how he got into acting and what's next for him all over a slice of Marionberry pie. Please check out Rainn's new podcast, Soul Boom wherever you listen to your podcast or on his YouTube channel. Also just a reminder, that Kurt and Katey answer your fan questions bi-weekly on their Slice of Pie episodes, send your questions to them at either: https://www.speakpipe.com/piepodcast or email it to inkbox@sutterink.com. Pie Podcast is produced by Big IP with Executive Producers Katie Curtright and Harris Lane. Edited by Brian Barcheski. Learn more about your ad choices. Visit megaphone.fm/adchoices

The delightful Maggie Siff joins Kurt Sutter and Katey Sagal on this week's episode of Pie. Maggie discusses growing up in a creative family, her recent loss, and what's next for her all over a warm slice of Blueberry pie.  Please check out, Drama Club in NYC where Maggie Siff volunteers at, https://www.dramaclub.org/ Also just a reminder, that Kurt and Katey answer your fan questions bi-weekly on their Slice of Pie episodes, send your questions to them at either: https://www.speakpipe.com/piepodcast or email it to inkbox@sutterink.com. Please support our sponsors: Get it off your chest with BetterHelp. Visit https://www.betterhelp.com/PIE today to get 10% off your first month. Fast and powerful relief is just a quick trip away. Find Claritin D at the pharmacy counter without a prescription or go to https://www.claritin.com right now for a discount so you can Live Claritin Clear. Use as directed. Pie Podcast is produced by Big IP with Executive Producers Katie Curtright and Harris Lane Learn more about your ad choices. Visit megaphone.fm/adchoices

Katey Sagal & Kurt Sutter (PIE, Sons of Anarchy) join us this week as (potentially) our first married couple to share their experience working together on the hit series Sons of Anarchy, finding love through sobriety, and fighting for marriage while giving grace to your partner at their lowest. Kurt talks about the creative inception of Sons of Anarchy, while Katey shares her gratitude for being able to get out of the comedic box that she was put into after the success of Married With Children. We also talk about the working relationship between a director and actor, Katey's rockstar origins in Hollywood, and Kurt's upcoming series The Abandons. Thank you to our sponsors:

Katey and Rob looooove talking to other sober people! Actress and musician Katey Sagal joins Rob Lowe to discuss her new podcast with husband Kurt Sutter, the joys of sobriety, the passing of her godfather Norman Lear, being a Keith Richards girl, working with the amazing John Ritter, why “Sons of Anarchy” convinced Rob to go buy a biker jacket, being of service, and much more.  Listen to Katey's new podcast, “PIE with Kurt Sutter and Katey Sagal!” Got a question for Rob? Call our voicemail at (323) 570-4551. Your question could get featured on the show!

Rabia and Ellyn are talking about one of the most audacious white-collar crimes in American history, joined by none other than celebrity power couple actor Katey Sagal and 'Sons of Anarchy' creator Kurt Sutter. The McDonald's Monopoly game captivated the nation, with promises of lavish prizes like cars and million-dollar jackpots. Little did the public know, these winnings were manipulated by a rogue ex-police officer, the mob, and a network of co-conspirators in a scheme that pocketed a staggering $24 million in illegal gains. Listen to uncover the wild details of this tale of greed, deceit, and the dark underbelly of the American dream. Please give Rabia and Ellyn a follow on Instagram at @rabiaandellyn or on their personal pages, @rabiasquared2 and @ellynmarsh. Check out their Patreon page for exclusive bonus content for Rabia and Ellyn Solve the Case at https://www.patreon.com/rabiaandellyn! And do not forget to subscribe to our YouTube channel for more Solve the Case, https://www.youtube.com/channel/UCA8XyM5mAldu9zswyj5zcLQ

Katey Sagal (PIE podcast, Married With Children) and Justin talk about her upbringing in Hollywood, her early career as a singer, how she got cast in Married With Children and her new podcast with husband Kurt Sutter called PIE.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bruce Dickinson returns to talk about “The Mandrake Project,” his first new solo album in some 20 years! And of course, in true Bruce fashion, this “project” is so much more than just an album; it's a comic book series and tour too! Bruce talks about the timing of the album, the meaning behind Mandrake, what it was like to work with guitarist Roy Z again, and how he managed to write and produce a comic book series at the same time (with a little help from “Sons of Anarchy” creator, writer, and director Kurt Sutter). Bruce shares behind-the-scenes stories from the making of the “Afterglow of Ragnarok” and “Rain On The Graves” music videos, including the role that Michael Jackson's “Thriller” played, and the unexpected visitor that came to set one day. Album: https://brucedickinson.lnk.to/themandrakeprojectTickets: https://brucedickinson.lnk.to/tourPRComic series: http://www.z2comics.com/STAY CONNECTED:TikTok: @ChrisJerichoInstagram: @talkisjericho @chrisjerichofozzy Twitter: @TalkIsJericho @IAmJerichoYouTube: https://www.youtube.com/c/ChrisJerichoFozzyWebsite: https://www.webisjericho.com/