American actress
POPULARITY
5 episodes with Irene Dunne
4 episodes with Irene Dunne
4 episodes with Irene Dunne
2 episodes with Irene Dunne
3 episodes with Irene Dunne
3 episodes with Irene Dunne
3 episodes with Irene Dunne
2 episodes with Irene Dunne
2 episodes with Irene Dunne
In celebration of Mother's Day, we are revisiting one of our favorite themes: Great Mother Characters (our third installment). In this episode, we are highlighting immigrant mothers with three powerful and inspiring films. We start with the epic tale of generational courage, trauma, and perseverance in the 1993 classic Joy Luck Club. Second, an underrated gem that highlights the incredible sacrifice of immigrant mothers in Under the Same Moon. Finally, Irene Dunne's Academy Award-nominated performance as Martha in the heartwarming classic, I Remember Mama. Happy Mother's Day to all the wonderful mothers out there. Let us know what you think of these great films and what your go-to Mother's Day movie is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
EPISODE 86 - “ANNA MAY WONG: CLASSIC CINEMA STAR OF THE MONTH” - 5/5/2025 Anna May Wong was once the most famous Chinese woman in the world. The trailblazing actress, philanthropist, and fashion icon appeared in over 60 films and was a celebrated star, yet, at the time, she was not allowed to kiss a Caucasian man on screen, which limited the roles she could take, and she was not allowed to buy a house in Beverly Hills. A strange dichotomy, indeed. In recent years, she has enjoyed a much-deserved resurgence. Known as a Trailblazer and a cultural icon, she paved the way for generations of Asian and Asian American actors by proving that talent and perseverance could transcend racist casting conventions. Her life and career continue to influence conversations about diversity, representation, and the politics of race in Hollywood. This week, she is our Star of the Month. SHOW NOTES: AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Not Your China Doll (2924), by Katie Gee Salisbury; Anna May Wong: From Laundryman's Daughter to Hollywood Legend (2012), by Graham Russell Gao Hodges; Anna May Wong: A Complete Guide to Her Film, Stage, Television, and Radio Work (2010), by Philip Leibfried and Chei Mi Lane; Perpetually Cool: The Many Lives of Anna May Wong (2003), by Anthony B. Chan; “Anna May Wong: 13 Facts About Her Trailblazing Hollywood Career,” April 30, 2024, By Minhae Shim Roth; “Anna May Wong's Long Journey from Hollywood to the Smithsonian,” March 2024, by Ryan Lintelman, Natural Museum of American History; “Anna May Wong Will Be the First Asian American on US Currency,” October 18, 2022, by Soumya Karlamangla; “Anna May Wong is Dead At 54; Actress Won Movie Fans in '24; Appeared with Fairbanks in ‘Thief of Bagdad,' Made Several Films Abroad,” February 4, 1961, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Phantom Of The Opera (1943), starring Claude Rains, Eddy Nelson, & Suzanna Foster; The Spider Woman Strikes Back (1946), starring Gale Sondergaard & Brenda Joyce; White Savage (1943), starring Maria Montez, Jon Hall, and Sabu; Ali Baba and the Forty Thieves (1944), starring Maria Montez & Jon Hall; It Grows On Trees (1952), Irene Dunne & Dean Jagger; Impact (1949), starring Brian Donlevy, Ella Raines, Helen Walker, & Anna May Wong; The Red Lantern (1919), starring Alla Nazimova; The Toll of the Sea (1922), staring Kenneth Harlan & Anna May Wong; The Thief of Baghdad (1924), starring Douglas Fairbanks & Anna May Wong; Picadilly (1929), starring Gilda Gray & Anna May Wong; Daughter of the Dragon (1931), starring Anna May Wong and Warner Orland; Shanghai Express (1932), starring Marlene Dietrich & Anna May Wong; The Hatchet Man (1932), starring Loretta Young; The Mask of Fu Manchu (1932), starring Myrna Loy; The Son-Daughter (1932), starring Helen Hayes; Tiger Bay (1934), starring Anna May Wong; Chu Chen Chow (1934), starring Anna May Wong; Java Head (1934), starring Anna May Wong; Limehouse Blues (1934), starring George Raft, Jean Parker, & Anna May Wong; The Good Earth (1937), starring Paul Muni & Luise Rainer; Daughter of Shanghai (1937), starring Anna May Wong & Philip Ahn; King of Chinatown (1939), starring Anna May Wong & Sidney Toler; Dangerous to Know (1938), starring Gail Patrick & Anna May Wong; Island of Lost Men (1939), starring Anna May Wong & J. Carrol Naish; Bombs Over Burma (1942), starring Anna May Wong; Lady From Chungking (1942), starring Anna May Wong; Portrait in Black (1960), starring Lana Turner, Anthony Quinn, & Sandra Dee; Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 83 - “TCM FILM FESTIVAL 2025 PREVIEW” - 4/14/2025 It's that time of years again. Time for the 2025 Turner Classic Movies Film Festival, which takes place April 24-27 in Hollywood California. This year, the theme is “Grand Illusions: Fantastic Worlds on Film.” This week, Steve and Nan offer a fun preview of the highlights of the upcoming festival and they discuss the films they are most excited to see, including great titles such as BEN HUR, SUDDENLY LAST SUMMER, GUNFI*GHT AT THE OKAY CORRAL and A GUY NAMED JOE. SHOW NOTES: Sources: Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: The Empire Strikes Back (1980), starring Mark Hamill, Carrie Fisher, & Harrison Ford; The Fabulous Baker Boys (1989), starring Jeff Bridges, Michelle Pfeiffer, & Beau Brides; Cooley High (1975), starring Lawrence Hilton Jacobs & Glenn Turman; Car Wash (1976), starring Richard Pryor, Bill Duke, & George Carlin; Greased Lightning (1977), starring Richard Pryor, Pam Grier, & Beau Bridges; Which Way is Up (1977), starring Richard Pryor & Lonette McKee; Bustin' Loose (1981), starring Richard Pryor & Cicely Tyson; Sgt. Pepper's Lonely Hearts Club Band (1978), starring Peter Frampton & The Bee Gees; The Last Dragon (1985), starring Taimak & Vanity; Krush Groove (1985), starring Russell Simmons & LL Cool J; Beau Geste (1926), starring Ronald Colman; The Freshman (1925), starring Harold Lloyd; Misery (1990), starring Kathy Bates & James Caan; The Rocky Horror Picture Show (1975), starring Tim Curry, Susan Sarandon, & Barry Bostwick; Babe (1995), starring James Cromwell; The Enchanted Cottage (1945), starring Robert Young & Dorothy McGuire; Jaws (1975), starring Richard Dreyfuss, Robert Shaw, & Roy Scheider; Blue Velvet (1986),starring Kyle McLaughlin, Laura Dern, Dennis Hopper, & Isabella Rossellini; We're No Angels (1955), starring Humphrey Bogart & Joan Bennett; Gunfight At The Okay Corral (1957), starring Burt Lancaster & Kirk Douglas; Cape Fear (1962), starring Robert Mitchum, Gregory Peck and Polly Bergen; The Ritz (1976), starring Rita Moreno & Treat Williams; Gunman's Walk (1958), starring Van Heflin, James Darren, & Tab Hunter; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Divorcée (1930), starring Norma Shearer & Robert Montgomery; Talk of The Town (1942), starring Cary Grant, Jean Arthur, & Ronald Colman; Moonlight & Pretzels (1933), starring Leo Carrillo & Mary Brian; A Guy Named Joe (1943) starring Spencer Tracy, Irene Dunne, & Van Johnson; Ben Hur (1959), starring Charlton Heston & Stephen Boyd; Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, & Montgomery Cliff; Brigadoon (1954), starring Gene Kelly & Syd Charisse; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Constance Bennett's deal with Warner Bros. became a Hollywood scandal after Louella Parsons estimated that the star would earn $30,000 a week. Few reporters told the whole story. Two Against the World (1932) was her second picture on the deal. In the first half. Connie's performance anticipates the bratty screwball heiress types which were later portrayed by Claudette Colbert and Carole Lombard. And in the second half, she embodies the noble women of Depression-era melodramas starring Margaret Sullivan and Irene Dunne. Special thanks to Thomas O'Mahony for sound editing the episode.
The OTRNow Radio Program 2024-020The Shadow Of Fu Manchu. July 24, 1939. Program #33. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The thing that coughs, a strange white peacock. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. July 26, 1939. Program #34. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The thing that coughs strikes again, the disgrace of Dr. Fu. Hanley Stafford, Gale Gordon. Bright Star. October 23, 1952. Program #1. Audition show. George tries to expose a phoney oil promotion scheme to Susan. Dates indicated for these programs are approximate and as with most syndicated programs, varied from station to station. Fred MacMurray, Irene Dunne, Sheldon Leonard, Harry Von Zell (announcer), Irv Norton and His Orchestra, Elvia Allman. The NBC University Theatre. January 9, 1949. NBC net. "The Grapes Of Wrath". Sustaining. The classic drama of the Depression, the Okies and their search for the promised land in California Albert Harris (composer, conductor), Andrew C. Love (director), Clarke Gordon, Don Diamond (producer, host), Don Stanley (announcer), Earl Lee, Gwen Delano, Howard McNear, J. Donald Adams (intermission commentator), Jane Darwell, Jerry Farber, John Dehner, John Steinbeck (author), June Martell, Lawrence Dobkin, Lou Krugman, Parley Baer, Richard E. Davis (adaptor), Steven Chase, Theodore Von Eltz, Tom Charlesworth, Tony Barrett, Wally Maher.Crime Club. March 13, 1947. Mutual net. "Fear Came First". Four women fight over an inheritance in a deserted house. Two murders have just been committed. Roger Bower (producer, director), Sydney Smith, Helen Shields, Grace Copen, Irene Hubbard, Cameron Prud'Homme, Vera Kelsey (author), Stedman Coles (adaptor).The House Of Mystery. August 3, 1947. "A Gift From The Dead". Sponsored by: Post Corn Toasties, Postum. A mysterious recluse dies after vowing to return from the dead. It seems that he has returned when the family jewels start reappearing. The program originates from New York. John Griggs (host, billed as "Roger Elliott"), Al Fanelli (organist).
Lux Radio Theatre | Alibi Ike (Joe E. Brown, Helen Chandler) || 1937-04-26 Magnificent Obsession (Robert Taylor, Irene Dunne) || April 19, 1937; April 26, 1937Movie info -- Alibi Ike is a 1935 American romantic comedy film directed by Ray Enright and starring Joe E. Brown, Olivia de Havilland and William Frawley. Based on the short story of the same name by Ring Lardner, first published in the Saturday Evening Post on July 31, 1915, the film is about an ace baseball player nicknamed "Alibi Ike" for his penchant for making up excuses. Lardner is said to have patterned the character after baseball player King Cole.Plot -- A melodrama about a man who always wanted to be a doctor, and the blind woman he loves. After the story, Dr. Lloyd Douglas, author of the story, is interviewed from New York. Irene Dunne sings "The Folks Who Live On The Hill" during her curtain call.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :
This week on A Legacy Of Laughs, we join Fred MacMurray and Irene Dunne on Bright Star. We'll hear George And The Informer, from February 14, 1952. Listen to more from Bright Star https://www.archive.org/download/rr12024/LOL265.mp3 Download LOL265 | Subscribe | Support Relic Radio
This week we continue talking about the leading men of the Hollywood Golden Age and Cary Grant is up next with the Screwball Comedy, The Awful Truth. Journey with us as we discuss Irene Dunne and director Leo McCarey and how important this was for Grant's acting career. Is this worthy of more appreciation or are there better comedies form this era? Our Flight this week is picking modern actors that would've been good in a 1930s Screwball Comedy and we wrap with a Nightcap discussing actors we would hire if we ran a studio. So pour some rye, grab your best attire, and get ready to have some fun with Grant and Dunne. Cheers! Click Here for Rye Smile Films Merchandise. Don't miss an episode, subscribe on all your favorite podcast sites!
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Harrison will review "Love Affair" (1939) starring Irene Dunne and Charles Boyer and directed by Leo McCarey #loveaffair1939 #irenedunne #charlesboyer #leomccarey #reelyoldmovies Theme Song: "Swan Lake Op. 20, Act II" Pyotr Tchaikovsky https://youtu.be/xVBNVR1wQT8?si=LGZPuApzH1p_gX3m Social Media Links: https://linktr.ee/reelyoldmovies
2 hours of Comedy and CrimeFirst a look at the events of the dayThen The Milton Berle Show, originally broadcast August 26, 1947, 77 years ago, A Salute to the Railroads. Milton goes down to the railroad station to meet his Uncle Julius. We follow that with George Burns and Gracie Allen, originally broadcast August 26, 1940, 84 years ago, Elsie Trellafas Is Suing George. George and Garcie do an opening routine about Irene Dunne. Elsie is suing George for $10,000 (or more) because he promised to put her on the radio. Then Nick Carter Master Detective starring Lon Clark, originally broadcast August 26, 1945, 79 years ago, The Case of the Vanishing Postman. Nick and Patsy stumble onto a long lost mailbag belonging to a missing mailman. Nick delivers the mail and establishes clues on what happened. Next The Whisperer starring Carleton Young, originally broadcast August 26, 1951, 73 years ago, Taken for a Ride. The Ace Trucking Company refuses to buy insurance from "The Syndicate." One of their trucks is ordered wrecked, the driver is ordered killed. Finally, Claudia, originally broadcast August 26, 1948, 76 years ago. Claudia gets offered a part!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day.
The movie at the heart of this week's episode deeply embodies the passion behind Oscar Wild's favorite mini-game, Smash or Pass. Men can be unreliable, deceitful, temperamental, or just plain old rude. But at the end of the day, they can also be charming, hot, upstanding, and in endless supply, and I know, my toast is burning.Sophia and Nick rewind to 1937 yet again to further discuss the contentious Oscar race for Best Actress. They previously highlighted Barbara Stanwyck in Stella Dallas on “Stanwyck September” last year along with Janet Gaynor in A Star Is Born on “Always Remember Us This Way”with guests Connor and Dylan MacDowell. Listen to hear them break down Irene Dunne's Oscar nominated performance in The Awful Truth before critiquing Luise Rainer's poorly aged win for The Good Earth and providing an extensive conversation on their favorite acting category (25:57). Would they have awarded their one Oscar to Irene Dunne or does Luise get to keep her statuette?Who would you have awarded Best Actress this year?Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan AdamichMore content including updated nomination predictions @ oscarwild.squarespace.comListen to Sophia's guest appearance on “And The Runner-Up Is” with friend of the pod Kevin Jacobsen as they discuss the 1937 Best Actress race in even more detail: https://podcasts.apple.com/us/podcast/and-the-runner-up-is/id1358031226?i=1000543593068
EPISODE 48 - “STEVE & NAN'S FAVORITE CLASSIC FILMS OF THE 1940s ” - 08/12/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1940s was a phenomenal times for movies. Auteurs like ALFRED HITCHCOCK, GEORGE STEVENS, WILIAM WYLER, and BILLY WILDER were coming into their own with important and personal films that changes the landscape of cinemas. Also, stars like BETTE DAVIS, KATHARINE HEPBURN, CARY GRANT, and HENRY FONDA were defining the screen roles that would make them legends. This week, Nan and Steve will discuss and dissent a few of their very favorite films of the most golden of all decades in film. SHOW NOTES: Sources: Preston Sturges By Preston Sturges: His Life in His Words (1991), by Preston Sturges and Sandy Sturges; George Cukor: A Double Life (2013), by Patrick McGilligan; Raoul Walsh: The True Adventures of Hollywood's Legendary Director (2013), by Marilyn Ann Moss; Robert Rossen: The Films and Politics of a Blacklisted Idealist (2013), by Alan Casty; Michael Curtiz: A Life In Film (2021), by Alan K. Rode; Possessed: The Life of Joan Crawford (2010), by Donald Spoto; George Stevens: The Films of a Hollywood Giant (2019), by Neil Sinyard; Wild Bill Wellman: Hollywood Rebel (2015), by Wiliam Wellman, Jr; Stanwyck (1994), by Axel Madsen; Fonda: My Life (1981), by Henry Fonda; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; Cary Grant: A Brilliant Disguise (2020), by Scott Eyman; Ida Lupino: A Biography (1996), by William Donati; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Christmas In July (1940), starring Dick Powell, Ellen Drew, William Demarest, Raymond Walburn, Jimmy Conlin, Rod Cameron, and Franklin Pangborn; Penny Serenade (1941), starring Cary Grant, Irene Dunne, Beulah Bondi, and Edgar Buchanan; The Lady Eve (1941), starring Barbara Stanwyck, Henry Fonda, Charles Coburn, William Demarest, and Eugene Pallette; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Cornel Wilde, Arthur Kennedy, Henry Travers, and Alan Curtis; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, Mary Beth Hughes, Anthony Quinn, Jane Darwell, William Eythe, and Harry Davenport; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, Angela Landbury, and Dame May Witty; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, eve Arden, and Bruce Bennett; All The Kings Men (1949), starring Broderick Crawford, John Ireland, Joanne Dry, Anne Seymour, and John Derek; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ten days ago I reposted an episode celebrating the life and career of Paul Robeson, legendary for many reasons, but particularly remembered for his iconic and powerful performances of “Ol' Man River.” It is often assumed that Robeson also created the role of Joe in Show Boat, but in fact that distinction went to his near-contemporary Jules Bledsoe (1897-1943), today virtually forgotten, and unjustly so. In his time, he was also celebrated for his memorable concerts, which took place both here and in Europe, and for his operatic portrayals, most significantly, the title role in Louis Gruenberg's opera The Emperor Jones, based on the play by Eugene O'Neill, which he portrayed both in the United States and in Europe. Barred from singing at the Met because of his race, Bledsoe took his portrayal of Brutus Jones on the road, performing it in a triumphant European tour, but also subsequently in New York in 1934 under the aegis of the short-lived Aeolian Opera Company, which was intended to provide performing opportunities for Black opera singers, but which folded almost immediately. Jules Bledsoe was also a composer who wrote many songs and arrangements of spirituals, as well as a version of Uncle Tom's Cabin entitled Bondage, as well as his own operatic setting of O'Neill's Emperor Jones, which may or may not have been performed at the time. Even less well-known and acknowledged (and often intentionally obscured by historians) is the fact that Jules Bledsoe was a gay man in a relationship with a Dutch white man named Freddy Huygens who at the time of Bledsoe's premature death was referred to as either his “manager” or his “closest friend.” In this episode we hear examples of all the extant recorded material I could find by Jules Bledsoe, alongside recorded examples of work by his collaborators Abbie Mitchell, Irene Dunne, Anne Roselle, Marie Powers, Todd Duncan as well as excerpts from the work of composers W. Franke Harling, Shirley Graham Du Bois, and Louis Gruenberg performed by Jeanette MacDonald, Valaida Snow, Nicola Rossi-Lemeni, and Lawrence Tibbett. Billie Holiday even puts in a special appearance! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes and videos available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
This Saturday on Vintage Classic Radio's "Saturday Matinee," we begin with the "Bright Star" radio show featuring the episode "The Society Burglar" from 1952. In this charming episode, newspaper editor Susan Armstrong and her star reporter, George Harvey, find themselves embroiled in an investigation of a series of high-society thefts, leading to unexpected comedy and intrigue. The episode stars Fred MacMurray as George and Irene Dunne as Susan. Next, we revisit the comedic antics of "My Friend Irma" in the episode "Double Surprise" broadcasted on December 22, 1947. In this holiday special, Irma Peterson tries to plan a surprise party for her roommate Jane Stacy, but in typical Irma fashion, the plans go hilariously awry. This beloved series features Marie Wilson as the delightfully ditzy Irma and Cathy Lewis as the sensible Jane Stacy. Concluding the lineup, the "Skippy Hollywood Theatre" presents "Romance Incorporated" from June 20, 1947. This episode spins a tale about a Hollywood scriptwriter who concocts a plot to bring two estranged lovers back together, only to find himself falling for the leading lady. The cast includes Jackie Cooper as the imaginative writer and Lurene Tuttle as the fetching actress. Each show from this era brings its unique flavor of nostalgia, humor, and drama, making for a perfect blend of entertainment for our listeners.
This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 43 - “Favorite Classic Films of the 1930s” - 07/08/2024 During the golden era of old Hollywood, each decade brought forth exciting films that helped define the motion picture industry. In a new feature, Steve and Nan will discect each decade and highlight movies that resonated with them as they started their individual study of film. Beginning with the 1930s, listen as they discuss film that made an impact not only on them, but on the film industry as a whole. And yes, a few of the film they discuss are from that magic year of 1939. SHOW NOTES: Sources: Pursuits of Happiness: The Hollywood Comedy of Remarriage (1981), by Stanley Cavell; The Screwball Comedy Films: A History and Filmography 1934-1942 (2022), by Grégoire Halbout; The Art of the Screwball Comedy (2013), by Doris Milberg; Wiliam Holden: A Biography (2010), by Michelangelo Capua; The Life and Loves of Barbara Stanwyck (2009), by Jane Ellen Wayne; The Lonely Life: An Autobiography (2017), by Bette Davis; Leslie Howard: The Lost Actor (2013), by Estel Eforgan; Jean Arthur: The Actress Nobody Knew (1997), by John Oller; The Films of Frank Capra (1977), by Victor Scherle and William Turner Levy; IMDBPro.com; Wikipedia.com; Movies Mentioned: The Women (1939), starring Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Mary Poland, Joan Fontaine, Lucille Watson, Virginia Pohvah, Virginia Weidler, Marjorie Main, Virginia Grey, Hedda Hopper, Ruth Hussey, and Mary Beth Hughes; The Petrified Forest (1936), starring Leslie Howard, Bette Davis, Humphrey Bogart, Porter Hall, Genevieve Tobin, Dick Foran, Joe Sawyer, Charley Grapewin, and Paul Harvey; Mr. Smith Goes To Washington (1939), starring James Stewart, Jean Arthur, Thomas Mitchell, Claude Rains, Edward Arnold, Beulah Bondi, and Guy Kibbee; Easy Living (1937), starring Jean Arthur, Ray Milland, Edward Arnold, Luis Alberni, Franklin Pangborn, Mary Nash, William Demarest, and Esther Dale; My Man Godfrey (1936), starring William Powell, Carole Lombard, Gail Patrick, Alice Brady, Eugene Pallette, Jean Dixon, Misha Auer, and Alan Mowbray; The Awful Truth (1937), starring Cary Grant, Irene Dunne, Ralph Bellamy, Cecil Cunningham, Molly Lamont, Alexander D'Arcy, Joyce Compton, and Esther Dale; Stage Door (1937), starring Katharine Hepburn, Ginger Rogers, Lucille Ball, Ann Miller, Andrea Leeds, Eve Arden, Gail Patrick, Adolphe Menjou, Franklin Pangborn, Samuel S. Hinds, and Constance Collier; Golden Boy (1939), starring Barbara Stanwyck, William Holden, Adolphe Menjou, Lee J. Cobb, Joseph Calleia, Edward Brophy, and Sam Levene; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Lux Radio Theatre | 1937-04-19 Alibi Ike (Joe E. Brown, Helen Chandler) || 1937-04-26 Magnificent Obsession (Robert Taylor, Irene Dunne): : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
This Saturday on Vintage Classic Radio's "Saturday Matinee," we have an engaging lineup of timeless radio shows. First, we present the "Bright Star" episode "Dramatic Lessons," featuring Irene Dunne and Fred MacMurray. Originally broadcast in 1952, this episode centers around the dynamic interactions and life lessons that unfold between the characters, highlighting the drama and humor of their relationships. The cast includes Irene Dunne as Susan Armstrong and Fred MacMurray as George Harvey. Following this, we have "The Abbott and Costello Show" episode "Costello Buys Gifts for the Cast," originally aired on June 8th, 1944. In this hilarious episode, Costello finds himself in a series of comedic mishaps while trying to buy gifts for the show's cast, leading to a whirlwind of laughter and confusion. The cast features Bud Abbott and Lou Costello in their iconic roles. Lastly, we feature "Lux Radio Theatre's" episode "Tom, Dick and Harry," starring the delightful Ginger Rogers. Originally broadcast on September 8th, 1941, this episode tells the charming story of a young woman who finds herself torn between three suitors, each named Tom, Dick, and Harry, and the comedic situations that arise from her predicament. The cast includes Ginger Rogers in the lead role, supported by a talented ensemble. Tune in this Saturday for an afternoon filled with classic entertainment and nostalgic charm.
This Saturday on Vintage Classic Radio's "Saturday Matinee," we delve into a selection of captivating radio show episodes. Starting with "Bright Star," we explore "The Oil Swindle," where Susan Armstrong, played by Irene Dunne, and George Harvey, voiced by Fred MacMurray, get entangled in a local scandal involving fraudulent oil stocks. The duo uses their journalistic skills to expose the culprits and save the town's investments. Next, we tune into "Our Miss Brooks," featuring the charming Eve Arden as Connie Brooks in "Peanuts, the Great Dane." This humorous episode revolves around Miss Brooks mistakenly receiving a large Great Dane as a gift, which leads to a series of comedic events at Madison High School. The episode is filled with laughter, featuring Gale Gordon as Osgood Conklin and Richard Crenna as Walter Denton among others. Moving on, "Love Story" presents "Tiny Pink Elephant," where Helen Mack portrays a young woman who purchases a miniature elephant under the influence of a whimsical impulse, leading to unexpected adventures and a light-hearted look at romance and dreams. Lastly, we enjoy a classic from "The Jack Benny Show," titled “Jack's Sponsor Buys Insurance On Him." Jack Benny, along with his regular cast members Mary Livingstone, Phil Harris, Rochester, and Dennis Day, brings humor to the predicament of his sponsor taking out an insurance policy on him, sparking a string of hilarious misunderstandings and antics. Join us this Saturday for these timeless tales that continue to entertain decades after their original broadcasts.
In “It's A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it's quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She's cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother's Day, Nan and Steve are taking a page from Bondi's playbook as they discuss the good and bad mothers of classic cinema. SHOW NOTES: Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com; "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver',” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home',” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate',” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment; “Pacific's largely forgotten Oscar winner made impact on screen,” March 3, 2024, University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned: The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O'Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O'Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles; A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Front Row Classics is taking a look at one of the greatest romantic screwball comedies of the 1930s. Brandon is joined by Mia Tiffany from Movies with Mia to discuss 1937's The Awful Truth. Leo McCarey's film about marriage and infidelity still packs a hilarious and poignant journey for movie goers. Brandon and Mia discuss the fantastic chemistry between Cary Grant and Irene Dunne as well as the witty script by Vina Delmar. This film is often credited with creating the "Cary Grant persona" we all know and love. You can see all of Mia's classic film reactions at https://www.youtube.com/@MoviesWithMia/featured
The seventh episode of our season on the awesome movie year of 1939 features a special Valentine's Day pick, Leo McCarey's Love Affair. Directed and co-written by Leo McCarey and starring Charles Boyer, Irene Dunne, Maria Ouspenskaya and Lee Bowman, Love Affair was nominated for six Oscars, including Best Picture.The contemporary reviews quoted in this episode come from Frank S. Nugent in The New York Times (https://www.nytimes.com/1939/03/17/archives/the-screen-love-affair-a-bittersweet-romance-opens-at-the-music.html), Variety (https://variety.com/1938/film/reviews/love-affair-1200412039/), and Box Office Digest.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring our foreign film pick, Jean Renoir's The Rules of the Game.
We start off tonight with an episode of “The Bob Hope Show.” It's December of 1945, and the war is over. Hope had spent much of it broadcasting from military bases, but now he is back at the NBC studios in Hollywood. His guest, Jimmy Durante, promises to take Bob to a swanky party, but is Bob ready for Society, and vice-versa? Then, time for that excellent quiz show, “Information Please.” It's an Armed Forces recording, which means the original was transcribed and then all the ads were taken out. Are you up on literary in-laws, animal gestation periods, and places to climb? Episodes The Bob Hope Show December 4, 1945 “Guest: Jimmy Durante” 3:48 Information Please April 24, 1944 “Guests: Deems Taylor and Irene Dunne” 35:02
Sara and Jeff have a lot of fun with this movie, which just happens to be one of the best screwball comedies of the 1930's.*Spoilers Ahead* The Awful Truth (1937) - IMDb Irene Dunne - Turner Classic Movies (tcm.com) Cary Grant - Turner Classic Movies (tcm.com) Irene Dunne steals the scene in The Awful Truth (1937). (youtube.com) Theme Music: Happy Way to Start the Day By Pressmaster – license purchased on AudioJungle
Before THE CELESTINE PROPHECY...before THE SECRET...before female characters had agency?...there was...John M. Stahl's 1935 film MAGNIFICENT OBSESSION starring Irene Dunne and Robert Taylor.
Welcome to It's A Wonderful Podcast!! Holiday Season closes out on the main show this year with a movie encompassing the lives of a couple through immense joy and painful sadness, with key Christmas scenes; as Morgan and Jeannine talk George Stevens' PENNY SERENADE (1941) starring Cary Grant & Irene Dunne! A stunningly emotional, uniquely told, and impeccably acted movie with the two leads at the peak of their chemistry together! Our Youtube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
Bing Crosby, Irene Dunne, Meredith Wilson's orchestra. As John and Mary Smith walk, they wonder what's on the other side of the fence, and they want to have a closer…
Hollywood's Oscar ceremony is like the Super Bowl for cinema lovers. But beyond the clothes, the speeches, and the musical numbers, it's all about the winners. And some leave us scratching our heads. Did How Green Was My Valley really deserve the Best Picture Oscar over Citizen Kane in 1941? How did CARY GRANT and MYRNA LOY never win competitive Oscars? And who the hell is LUISE RAINER, and how did she rob IRENE DUNNE and BARBARA STANWYCK of their Oscars? Join STEVE CUBINE, writer of the Emmy-Award winning series Break A Hip, and NAN MCNAMARA, renowned actress and director, as they discuss some of the most baffling Oscar fumbles in the history of the Academy Awards. CORRECTION: In this episode, it was erroneously mentioned that Dustin Hoffman lost the 1967 Best Actor Oscar to John Wayne when in reality, Hoffman lost to Rod Steiger for In The Heat Of The Night. (Hoffman lost to John Wayne two years later for his performance in Midnight Cowboy!) ___________________________________________ Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona; They Didn't Win The Oscar (1980), by Bill Libby; The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown; Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne; Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston; The MGM Stock Company (1973), by James Robert Parish & Ronald L. Bowers; The Film Encyclopedia (1994), By Ephraim Katz; Leonard Maltin's Movie Encyclopedia (1994), by Leonard Maltin; imdb.com; ____________________________________________ http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
“That king certainly hasn't very good manners.”The Less-Singing, More Burnings VersionAudiences have been fascinated with the life of Anna Leonowens and her time spent in Thailand (then Siam) teaching English to King Mongkut's wives and children. What's the draw though? Perhaps the story of a woman on her own in a foreign country? Or a common person who is swept up into a world of royalty and has the ear of a king. Hard to say, but it's a fascinating story, even if it does feel one-sided. Join us – Pete Wright and Andy Nelson – as we kick off our 1947 Academy Award Best Writing, Screenplay nominee series with a conversation about John Cromwell's 1946 film Anna and the King of Siam.Here's a hint at what we talk about.The first hurdle with this film is the rough brownface that all the actors playing the people of Siam wear. Yes, it's from the era – we acknowledge that. That doesn't make it any easier to take. There are also all the other trappings that go along with this element – pidgin English, playing the characters as simpler people, etc. It's frustrating. Once you can get past that, there are still the story elements dealing with colonialism and the entire idea of a white woman (savior?) coming in to teach English to the children and wives of King Mongkut along with the British way so they can all act more civilized. It's a struggle, but at the same time, teachers teach. She's just doing her job, right? Past all the struggles, there is the core of the story involving the complex relationship between Anna and King Mongkut. Irene Dunne and Rex Harrison are great in their roles, and we enjoy the back and forth that we get with them as they initially try to figure each other out and test each other, pushing boundaries, then eventually becoming trusted friends. We discuss the other players, the story and how this iteration differs from other versions, how Cromwell directed it, the look of it, and more. There's a lot to discuss with this one. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsFlickers In Time's review Theatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Anna and the King of Siam(01:10) - Blackface and Problematic Depictions Then and Now(05:41) - The Draw to This Story(07:54) - White Savior vs. Personal Story(10:03) - Doing Her Job(12:12) - Anna vs. the King(13:45) - The King's Struggle and Attitude(15:23) - Rooted in Truth?(16:52) - Lady Tiang and the Young Prince(20:45) - Key Performances(31:27) - Speaking Truth to Power(33:17) - The Look(36:05) - The Score(37:02) - Why Has It Lasted So Long?(39:17) - Credits(40:09) - Other Adaptations(43:18) - Awards(45:16) - The Box Office(45:49) - Last Thoughts(47:02) - Coming Next Week • The Best Years of Our Lives(48:02) - Letterboxd(48:54) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement
“That king certainly hasn't very good manners.”The Less-Singing, More Burnings VersionAudiences have been fascinated with the life of Anna Leonowens and her time spent in Thailand (then Siam) teaching English to King Mongkut's wives and children. What's the draw though? Perhaps the story of a woman on her own in a foreign country? Or a common person who is swept up into a world of royalty and has the ear of a king. Hard to say, but it's a fascinating story, even if it does feel one-sided. Join us – Pete Wright and Andy Nelson – as we kick off our 1947 Academy Award Best Writing, Screenplay nominee series with a conversation about John Cromwell's 1946 film Anna and the King of Siam.Here's a hint at what we talk about.The first hurdle with this film is the rough brownface that all the actors playing the people of Siam wear. Yes, it's from the era – we acknowledge that. That doesn't make it any easier to take. There are also all the other trappings that go along with this element – pidgin English, playing the characters as simpler people, etc. It's frustrating. Once you can get past that, there are still the story elements dealing with colonialism and the entire idea of a white woman (savior?) coming in to teach English to the children and wives of King Mongkut along with the British way so they can all act more civilized. It's a struggle, but at the same time, teachers teach. She's just doing her job, right? Past all the struggles, there is the core of the story involving the complex relationship between Anna and King Mongkut. Irene Dunne and Rex Harrison are great in their roles, and we enjoy the back and forth that we get with them as they initially try to figure each other out and test each other, pushing boundaries, then eventually becoming trusted friends. We discuss the other players, the story and how this iteration differs from other versions, how Cromwell directed it, the look of it, and more. There's a lot to discuss with this one. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsFlickers In Time's review Theatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Anna and the King of Siam(01:10) - Blackface and Problematic Depictions Then and Now(05:41) - The Draw to This Story(07:54) - White Savior vs. Personal Story(10:03) - Doing Her Job(12:12) - Anna vs. the King(13:45) - The King's Struggle and Attitude(15:23) - Rooted in Truth?(16:52) - Lady Tiang and the Young Prince(20:45) - Key Performances(31:27) - Speaking Truth to Power(33:17) - The Look(36:05) - The Score(37:02) - Why Has It Lasted So Long?(39:17) - Credits(40:09) - Other Adaptations(43:18) - Awards(45:16) - The Box Office(45:49) - Last Thoughts(47:02) - Coming Next Week • The Best Years of Our Lives(48:02) - Letterboxd(48:54) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement
The Screen Guild Theater | Alone in Paris | Broadcast date: April 30, 1939Starring: Irene Dunne; Cary Grant; Walter Connolly: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
Jordan and Brooke are rejoined by Vanity Fair's David Canfield (Little Gold Men) for the film that launched Cary Grant into super stardom. We discuss Cary Grant's contentious personal life filled with gay rumors, our favorite sneaky ways around the Hays Code, the joy of screwball comedies and their subversive gender roles, a pitch perfect Irene Dunne performance, and Mr. Smith – a very good boy.Follow us on Twitter and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)Follow David on Twitter and at Vanity Fair!
“We're heading into rough seas, Michel.”A Love Story That Stands the Test of TimeIt's interesting that Leo McCarey's 1939 film Love Affair largely fell into obscurity due to both slipping into the public domain and to McCarey's own remake in 1957 as An Affair to Remember. It largely was thanks to Nora Ephron including mention of both films in her 1993 classic Sleepless in Seattle that interest in this original rose again. Now, thanks to a stunning restoration in 2020, the film looks brand new and is certainly worth discovery, or re-discovery. Join us – Pete Wright and Andy Nelson – as we continue our series on the 1940 Academy Awards • Best Picture nominees with a conversation about McCarey's 1939 film Love Affair.Here's a hint at what we talk about.We both were more familiar with the story from McCarey's 1957 remake An Affair to Remember starring Cary Grant and Deborah Kerr, but the core of the story remains largely unchanged. That even holds true in Warren Beatty's mess of a remake in 1994 (also called Love Affair), which says something about the strength in the story. We have a few issues with the story, however – the need to wait six months before seeing each other again to prove they're able to survive on their own seems a bit plotted, and Terry's desire to not tell Michel about her accident until she's able to walk to him seems thin. But are they? There's clearly meaning behind their motivations in both cases. Is it just that we actually want it spelled out more, which we rarely actually want? Or is it that we don't quite feel they sell it? It's hard to gauge, so in the end these points don't break things for us. They just give us pause. It's hard to get past that ending though. It's perfect and just rips your heart out before putting it right back. Amazing stuff. There's a reason it's become iconic. And how great are Irene Dunne and Charles Boyer? We discuss them a bit in relation to Grant and Kerr. Who works better for us? Leo McCarey was stepping away from his comedies. How does he do with this material? We also talk about the controversies with the script and why the production code wouldn't pass it initially. And let's not forget the songs!It's a great film and easily one to fall in love with. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Love Affair(01:07) - WC Fields In-Joke(01:51) - Initial Thoughts(04:19) - Getting Swept Up?(06:40) - Story Issues(14:50) - Comparisons to Remakes(19:35) - Charles Boyer(23:06) - Maria Ouspenskaya(26:04) - Irene Dunne(29:10) - Comedy Beats – Romantic Comedy?(30:46) - Leo McCarey(33:53) - Story Origins(35:34) - Boyer and Dunne(36:29) - Initial Rejection(38:54) - Credits(39:50) - Remakes, Etc.(42:21) - Awards(43:05) - The Music(43:53) - The Box Office(44:58) - Last Thoughts(45:46) - Coming Next Week • Of Mice and Men(47:48) - Letterboxd(50:05) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement
“We're heading into rough seas, Michel.”A Love Story That Stands the Test of TimeIt's interesting that Leo McCarey's 1939 film Love Affair largely fell into obscurity due to both slipping into the public domain and to McCarey's own remake in 1957 as An Affair to Remember. It largely was thanks to Nora Ephron including mention of both films in her 1993 classic Sleepless in Seattle that interest in this original rose again. Now, thanks to a stunning restoration in 2020, the film looks brand new and is certainly worth discovery, or re-discovery. Join us – Pete Wright and Andy Nelson – as we continue our series on the 1940 Academy Awards • Best Picture nominees with a conversation about McCarey's 1939 film Love Affair.Here's a hint at what we talk about.We both were more familiar with the story from McCarey's 1957 remake An Affair to Remember starring Cary Grant and Deborah Kerr, but the core of the story remains largely unchanged. That even holds true in Warren Beatty's mess of a remake in 1994 (also called Love Affair), which says something about the strength in the story. We have a few issues with the story, however – the need to wait six months before seeing each other again to prove they're able to survive on their own seems a bit plotted, and Terry's desire to not tell Michel about her accident until she's able to walk to him seems thin. But are they? There's clearly meaning behind their motivations in both cases. Is it just that we actually want it spelled out more, which we rarely actually want? Or is it that we don't quite feel they sell it? It's hard to gauge, so in the end these points don't break things for us. They just give us pause. It's hard to get past that ending though. It's perfect and just rips your heart out before putting it right back. Amazing stuff. There's a reason it's become iconic. And how great are Irene Dunne and Charles Boyer? We discuss them a bit in relation to Grant and Kerr. Who works better for us? Leo McCarey was stepping away from his comedies. How does he do with this material? We also talk about the controversies with the script and why the production code wouldn't pass it initially. And let's not forget the songs!It's a great film and easily one to fall in love with. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Love Affair(01:07) - WC Fields In-Joke(01:51) - Initial Thoughts(04:19) - Getting Swept Up?(06:40) - Story Issues(14:50) - Comparisons to Remakes(19:35) - Charles Boyer(23:06) - Maria Ouspenskaya(26:04) - Irene Dunne(29:10) - Comedy Beats – Romantic Comedy?(30:46) - Leo McCarey(33:53) - Story Origins(35:34) - Boyer and Dunne(36:29) - Initial Rejection(38:54) - Credits(39:50) - Remakes, Etc.(42:21) - Awards(43:05) - The Music(43:53) - The Box Office(44:58) - Last Thoughts(45:46) - Coming Next Week • Of Mice and Men(47:48) - Letterboxd(50:05) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement
This week, A Legacy Of Laughs features Irene Dunne and Fred MacMurray in Bright Star. We'll hear their episode from February 7, 1972, titled, Susan Intercepts George's Syndicate Offer. More from Bright Star https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12023/LOL228.mp3 Download LOL228 | Subscribe | Support Relic Radio
What more could be said about witty, gorgeous George Clooney? For a long time now, George has been a worthy modern day Cary Grant, with all of the bantering sexy suave of that classic film icon. But I've noticed in more recent roles that George is moving into his rumpled cargo shorts phase (with just the slightest potbelly, still ridiculously attractive) as he adds more and more father figure roles to his hot little filmography.https://www.confessionsofaclosetromantic.comMoviesThis vintage trailer makes Room for One More sound like a sexually charged romp with the parents of a family of young kids, which it really isn't (thankfully). Though a desperate Cary Grant craving alone time with his wife for some private adult fun is quite the subtle and sexy subplot.There's some icky sexist late 1950s patriarchal stuff in Houseboat but it doesn't take away from the chemistry between luminous Sophia Loren and gorgeous Cary Grant, who fall for each other as they team up to care for his motherless children.Penny Serenade is a romantic melodrama that punches all of the right buttons, a story about a couple (Irene Dunne and Cary Grant) who can't get pregnant and decide to adopt a baby, with all of the struggle and heartbreak — and joy — that follows. The child who plays their daughter is insanely adorable.Out of Sight is one of those amusing action-packed sexy capers that succeeds because of the fantastic ensemble acting and lively direction. As the two unlikely romantic leads, Jennifer Lopez and George Clooney —and director Steven Soderbergh —knock it out of the park. This movie is still memorable more than 25 years later.Much like the Rat Pack original, the Ocean's Eleven remake is packed to the rafters with stylish, sexy, attractive actors projecting that super-fun-when-it's-fictional alpha male energy. George Clooney, as the insanely handsome, smooth, cocky and confident con man ringleader, is at his peak here.The sad yet funny tone and deep themes of The Descendants coupled with the low-key, authentic performances and Hawaiian music underscoring the emotion, turn this movie into a quiet masterpiece. A young Shailene Woodley won awards and industry recognition for her portrayal of George Clooney's daughter Alex.Ticket to Paradise is completely predictable but also surprising in some ways, with amazing chemistry between the romantic leads and the excellent ensemble cast, which is how all good romcoms should be.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!
Greetings, all... it is hump day yet again. Today, you've arrived and reached The Searchers' Trading Post, where we offer you goods at a bargain price: 6 movie reviews in 70 minutes. The three of us have traded amongst ourselves to give some popular films and hot commodities a very brief moment in the sun, if you will. This series of episodes we will do every so often to give ourselves a bit more leeway with our review picks and provide you listeners with a lot of content (in brevity). The basic idea is to give each respective host a movie to watch and review in about 10 minutes. The movies in this edition of Trading Post are as follows (with timestamps): 00:00:30 - Breaking Away (1979), directed by Peter Yates and starring Dennis Christopher, Dennis Quaid, Daniel Stern & Jackie Earle Haley 00:14:45 -Tampopo (1985), directed by Juzo Itami and starring Tsutomu Yamazaki, Nobuko Miyamoto, Kōji Yakusho, & Ken Watanabe 00:24:01 - Grand Prix (1966), directed by John Frankenheimer and starring James Garner, Eva Marie Saint, Yves Montand, Toshiro Mifune, & Antonio Sabàto 00:35:36 - Still Walking (2008), directed by Hirokazu Kore-eda and starring Hiroshi Abe, Yui Natsukawa, You, Shohei Tanaka, Kirin Kiki & Yoshio Harada 00:46:31 - Love Affair (1939), directed by Leo McCarey and starring Irene Dunne & Charles Boyer 00:59:24 - Broadcast News (1987), directed by James L. Brooks and starring William Hurt, Albert Brooks & Holly Hunter 01:11:31 Ratings We hope you enjoy! ----more---- Submit your mailbags to us at thesearcherspodcast@gmail.com. Please rate us a 5/5, and review us on Apple, Spotify or wherever you listen to us. Thank you! Follow us on Letterboxd.com if you'd like to see what we've recently watched and to read our individual movie reviews! Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/
We take another look at Blu-rays this week with Peter Sobczynski who along with Erik Childress do not have a lot of nice things to say about some recent theatrical offerings coming to physical media. But there are kind words to be found. Just not for William Goldman. However on the positive front there is a terrific everyday kind of thriller about being a working mom and some choice offerings from Kino with Irene Dunne, Buster Crabbe, Lon Chaney and Basil Rathbone. Plus new 4K offerings from Criterion, an overlooked horror film with Mia Farrow and two of Sidney Lumet's best films including one of the all-time great debuts. 0:00 - Intro 2:09 - Criterion (The Seventh Seal (4K)) 6:01 - Music Box (Full Time) 8:09 - Sandpiper (Year of the Comet) 11:18 - Warner Bros. (Magic Mike's Last Dance) 14:05 - Walt Disney (Ant-Man and The Wasp: Quantumania) 16:53 - Universal (Marlowe, Cocaine Bear) 21:36 - Shout! Factory (The Haunting of Julia (4K)) 25:19 - Kino (High, Wide and Handsome, Lady in a Jam, Oh, Doctor! and Poker Faces: Two Comedies Directed by Harry A. Pollard, Rio, Search for Beauty, The Trap, You and Me, Serpico (4K), 12 Angry Men (4K)) 53:46 – New Blu-Ray Announcements 56:52 - Outro
[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] The year is 1940 and the nominees are: Vivien Leigh - Gone with the Wind Bette Davis - Dark Victory Irene Dunne - Love Affair Greta Garbo - Ninotchka Greer Garson - Goodbye, Mr. Chips In 1940 Vivien Leigh won the Oscar for Best Actress and is regarded, by some, as the greatest Best Actress Oscar win of all time. A role which Bette Davis admitted as being furious for not being cast in. If you've seen ‘Feud' they make a few funny jokes about this. Although Davis did not play Scarlett, she still was a nominee that year for Dark Victory, playing a woman with a terminal brain tumour. Irene Dunne and Greta Garbo give really fun rom-com performances in Love Affair and Ninotchka (you can watch these films on YouTube). Greer Garson became a first time nominee in a brief, but memorable, performance in Goodbye, Mr. Chips. It's hard to imagine anyone but Leigh winning this Oscar but it's fun watching these performances. Who do you think should have won? Join host Kyle Brownrigg with guest host Joe Arsenal as they discuss.
On this episode I discuss Theodora Goes Wild (Richard Boleslawski, 1936) starring Irene Dunne and Melvyn Douglas.Works Cited:James Bawden and Ron Miller, Conversations with Classic Film Stars: Interviews from Hollywood's Golden Era (Lexington: The University Press of Kentucky, 2017).Emily Carman, Independent Stardom: Freelance Women in the Hollywood Studio System (Austin: University of Texas Press, 2016).Benjamin Dreyer, "Irene Goes Wild," Criterion, December 12, 2022. Available at: https://www.criterion.com/current/posts/8013-irene-goes-wild.Hollywood and the Great Depression: American Film, Politics, and Society in the 1930s, eds. Iwan Morgan and Philip John Davies (Edinburgh, UK: Edinburgh University Press, 2016). Hosted on Acast. See acast.com/privacy for more information.
Welcome to It's A Wonderful Podcast!! Wartime romance and ghostly guardian angels on this week's new main show as Morgan and Jeannine talk Victor Fleming's A GUY NAMED JOE (1943) starring It's A Wonderful Podcast favourite Spencer Tracy, Irene Dunne, Ward Bond, Van Johnson & Lionel Barrymore! They also have a great instalment of DejaView talking Steven Spielberg's remake of this movie, ALWAYS (1989) with Richard Dreyfuss, Holly Hunter, John Goodman & featuring the final performance of the great Audrey Hepburn! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support
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