Podcasts about Rohmer

Dva dimnikarja v sodobnem Oslu v srednjih letih, vodja oddelka in njegov podrejeni, oba srečno poročena z družinama, sta prijatelja tudi v zasebnem življenju. Medtem ko šef pripoveduje o svojih ponavljajočih se sanjah, v katerih se mu poželjivo prikazuje David Bowie, njegov kolega skoraj mimogrede navrže, da se je prejšnji dan prepustil spontanemu seksu z moškim, eno od naključnih strank. To presenetljivo epizodo je sicer priznal tudi svoji ženi, a izpoved pade mednju kot bomba in sproži verigo samoanalitičnih pogovorov med njima in njunima partnericama. Norveški film Seks je uvodni del ohlapne trilogije vsestranskega ustvarjalca Daga Johana Haugeruda, v kateri se ukvarja s premislekom razmerij v današnji družbi. Podobno kot Sanje, ki so svojo pot v kinu pričele teden prej, je tudi Seks pretežno dialoški film, vendar ves čas vzdržuje napetost, ki izhaja iz uvodne premise, pa tudi iz recimo temu odnosa med notranjim in zunanjim svetom. Uvodna anekdota je tako šokantna za vse vpletene, da imajo vsi težavo z ubesedovanjem svojih občutij in poskusom njihovega razumevanja, oziroma vloge samih sebe znotraj te nove resničnosti. Avtor v filmu lepo pokaže, kako sta spolnost in intimnost – ne nujno stoodstotno prekrivajoči se področji – še vedno zagatni tudi v liberalni, strpni in napredni družbi 21. stoletja. Precej pomenljivo je, da glavna lika nimata osebnih imen; zdi se, da hoče režiser in scenarist med kopanjem po najbolj zasebnem hkrati ustvariti neko širšo, občo prispodobo. Tu je tudi manjši pomislek glede pristopa, ki je v veliki meri intelektualističen. Če pustimo razredne stereotipe ob strani, je nekoliko težko pogoltniti dejstvo, da dimnikarja razpravljata, kot da bi imela prebrane »Misli« Blaisa Pascala ali Sørena Kierkegaarda, učiteljica za glasbo pa enemu od njiju kot terapijo priporoča Hanno Arendt … Éric Rohmer v svoji brezčasni mojstrovini Moja noč pri Maud, ki ga s Seksom povezuje kar nekaj podobnosti, te napake ni naredil. A splošna obravnava snovi Daga Johana Haugeruda je vseeno dovolj šarmantna, da je mogoče to spregledati – dopuščam možnost, da je prav v tem pristopu preseganje razrednih pričakovanj – in preprosto uživati v njegovem razmisleku o poželenju in spontanosti, pa tudi o mejah med heteronormativnostjo in homoseksualnostjo. Morda tudi o krizi srednjih let kot najbolj banalni interpretaciji. Tudi o tem, kakšne so resnični odtenki med prevaro in izdajo znotraj partnerske z(a)veze, med fantazijo in uresničenjem, pa o telesnosti, užitku in čustvih, tudi o religioznih pogledih ter (samo)omejitvah. Kljub temu da ima film Seks v pripovednem jedru neko transgresivno epizodo, ki to je ali pa morda tudi ni, in pri vseh vpletenih zbuja precejšnjo zadrego, je značaj filma blago komičen in hkrati toplo sočuten, globoko human.

You'd have to be very bad at interviews, or really just conversations, to not get something from Abel Ferrara, who's the perfect combination of endearing and pugnacious, amenable to ideas while unable to entertain even a hint of bullshit. He's especially verbose discussing Turn in the Wound, his most recent documentary, which premiered at last year's Berlinale and is now streaming on the Criterion Channel and parallels the effect of Russia's war on the citizens of Ukraine with, in a slightly opaque but ultimately wise manner, concerts conducted by Patti Smith. Like many of Ferrara's documentaries––Mulberry St., Chelsea on the Rocks, or Piazza Vittorio––it wrings pathos from a concern for people and the places they live. I was only too happy to talk with him about this film and its endless concerns. I also want to note that myself and Instagram sensation Rohmer Fits will be screening Éric Rohmer's A Summer's Tale on Tuesday, Thursday, and Friday of this week's posting. Tickets are here and we hope to see you there: https://www.eventbrite.com/e/amnesiascope-a-tale-of-summer-tickets-1488838077769?aff=oddtdtcreator

Deep Cut partners with Asian Film Archive which is presenting Twin Tales: Éric Rohmer and Hong Sang-soo, a special programme featuring six pairings of films by French New Wave director Éric Rohmer and prolific Korean filmmaker Hong Sang-soo. Buy tickets here!We've teased this for YEARS! And it's finally here. The DC Trio break the ice by introducing notorious Korean director Hong Sang-soo to the canon by talking about a 2006 deep cut, Woman on the Beach. We talk about the pairing with Rohmer's The Green Ray (our ep. 24), discuss why this feels odd in Hong's filmography, and debate on what shape this movie looks like. Join us for a lively first foray into the work of Hong Sang-soo.Links:Film at Lincoln Center: Hong Sangsoo on Woman on the BeachThe New Yorker: Hong Interview with Dennis Lim Hong Sang-soo Notarized: Woman on the Beach by Ryan SwenGet drunk on soju at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:00:00:00 Intro00:02:13 Twin Tales: Hong x Rohmer00:05:00 Our journeys with Hong00:15:34 Hong Sang-soo Overview00:24:02 Woman on the Beach Summary and Reactions00:31:40 Notarized Hong00:34:03 Whose story is this?00:41:31 Men vs Women00:43:09 Some scenes00:45:06 Characterizations00:47:28 Comparison with The Green Ray, and others00:54:38 Cinematography00:57:21 Diagrams01:00:54 Restaurant scene01:02:32 Triangulation01:05:58 The Ending01:10:36 Outro

Interdire les réseaux sociaux aux moins de 15 ans et les écrans aux moins de 6 ans : les propositions pour protéger les plus jeunes se multiplient, mais comment fait-on quand on est parent ? Pas toujours facile en effet de gérer le pouvoir attractif des smartphones, consoles et autres tablettes. On en parle avec Thomas Rohmer, directeur et fondateur de l'Observatoire de la parentalité et de l'éducation numérique (Open). Ecoutez L'invité de RTL Midi avec Eric Brunet et Céline Landreau du 30 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Interdire les réseaux sociaux aux moins de 15 ans et les écrans aux moins de 6 ans : les propositions pour protéger les plus jeunes se multiplient, mais comment fait-on quand on est parent ? Pas toujours facile en effet de gérer le pouvoir attractif des smartphones, consoles et autres tablettes. On en parle avec Thomas Rohmer, directeur et fondateur de l'Observatoire de la parentalité et de l'éducation numérique (Open). Ecoutez L'invité de RTL Midi avec Eric Brunet et Céline Landreau du 30 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pierre Poilievre says we can't control Trump, but the threat of MAGAism extends far beyond the White House. He wants Canada's natural resources and reaffirmed that he plans on making us the 51st state last week. Yet, some Canadian Premier's like Danielle Smith seem oblivious or worse, open to the idea of crumbling our sovereignty, as she reinvigorates the threat of Alberta separatism. In Episode 125 of The Bill Kelly Podcast, host Bill Kelly discusses the ongoing influence of U.S. politics, particularly under Donald Trump, on Canadian sovereignty and the upcoming election. He emphasizes the importance of strong leadership in maintaining Canada's natural resources and the need for civic engagement through voting. The conversation highlights the complexities of U.S.-Canada relations and the potential threats posed by the Trump administration.Join this channel to get access to perks:https://www.youtube.com/channel/UCeUbzckOLocFzNeY1D72iCA/joinDon't forget to like, follow and subscribe across our channels! Thank you.Listen to the podcast everywhere: https://kite.link/the-bill-kelly-podcastYouTube: https://www.youtube.com/@TheBillKellyPodcast/featuredBlueSky: https://bsky.app/profile/thisisbillkelly.bsky.socialFacebook: https://facebook.com/TheBillKellyPodcastInstagram: https://www.instagram.com/thisisbillkelly/LinkedIn: https://www.linkedin.com/in/thisisbillkelly/SubStack: billkelly.substack.com/FURTHER READINGPierre Poilievre hiding more than $140 billion in divisive cutshttps://liberal.ca/pierre-poilievre-hiding-more-than-140-billion-in-divisive-cuts/Carney, Poilievre align on pipelines as Trump and trade loom over French debatehttps://www.discoverairdrie.com/articles/carney-poilievre-align-on-pipelines-as-trump-and-trade-loom-over-french-debateDeath by Deficit: A 2001 Novel, by General Richard Rohmer (ThriftBooks)https://www.thriftbooks.com/w/death-by-deficit-a-2001-novel_richard-rohmer/1684892/?srsltid=AfmBOoqwrFVlmbgRmE191OcMD0bXnkk3-RD9pKrx0Zt_Ed3F1zVObpZu#edition=32619858Alberta Insider: Smith proposes post-election panel to gauge referendum interesthttps://www.theglobeandmail.com/canada/alberta/article-alberta-insider-smith-proposes-post-election-panel-to-gauge-referendum/HASHTAGS#Politics#newsupdate#canadanews#Tariffs#TradeWar#USCanadaRelations#BreakingNews#News#Politics#newsupdate#canadanews#AmericanNews#CanadaElection#canadianpolitics#CanadianNews#podcast#NewsPodcast#PoliticalPodcast#Politics#News#PoliticalNews#BreakingNews#PoliticalCommentary#Election2025#NewsUpdates#PoliticalDebate#PoliticalInsights#CurrentAffairs#NewsCommentary#PoliticalCommentary#TodayNews#NewsToday This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit billkelly.substack.com/subscribe

Pour accompagner le vrai retour du printemps mais aussi pour célébrer sa carte blanche à la Cinémathèque Française dans le cadre du programme “Parlons cinéma”, nous avons eu le bonheur de mener une discussion tambour dansant avec Patric Chiha.Cinéaste dont la cinéphilie est née dans les vieilles salles de cinéma de la capitale Autrichienne, il se remémore quelques découvertes adolescentes fondamentales (Paris is Burning, les films de Derek Jarman) et égraine avec nous ses obsessions de spectateurs et de cinéastes (ce qui est la même chose) : la fête, les costumes, l'attente, l'hybridation entre documentaire et fiction…Alors enfilez vos plus beaux costumes et laissez vous guider de la Sicile de Rossellini (Voyage en Italie) jusqu'aux confins de la Russie (D'est) avant de rentrer à la maison (Simone Barbès ou la vertu) Nous remercions notre invité Patric Chiha ainsi que Melanie Haoun et Xavier Jamet de la Cinémathèque mais aussi Elodie Imbeau et Pierre Senechal sans qui cet entretien n'aurait pu se faire. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'49 Un corps au cinéma : celui d'Ingrid Bergman dans Voyage en Italie (R. Rossellini, 1954) - 4'49 Des costumes au cinéma : les tenues dans Paris is Burning (J. Livingston, 1990) - 7'24 Un décor ou une lumière au cinéma : Edward II et Blue (Derek Jarman) - 12'44 II. LE CINEMA DANS TOUS SES ETATS - 18'51 Une film à voir la nuit : Sleep (Andy Warhol, 1963) Un film de transe : Passage à l'acte (Martin Arnold, 1993) Un film pour apprendre à attendre - Où est la maison de mon ami (A. Kiarostami, 1987) - 26'44 Un film pour rentrer à la maison - Simone Barbès ou la vertu (M-C Treilhou, 1980) - 30'26 CARTE BLANCHE - 35'36D'Est (Chantal Akerman, 1993) CINEMA & TRANSMISSION - 42'57 Un film pour penser l'amour et la solitude : France (B. Dumont, 2021) Un film pour penser l'hybridation documentaire-fiction : Tous les autres s'appellent Ali (R.W Fassbinder, 1974) - 48'09 REFUGELe rayon vert (E. Rohmer, 1986)Pink Flamingos (J. Waters, 1972) EXTRAITS Extrait de "Deep in Vogue (12'' Video Version)" interprété par Malcolm McLaren & The Bootzilla Orchestra, © 1989 Epic Records, tous droits réservés. Extrait audio tiré de "D'est" (1993), un film de Chantal Akerman. © Chantal Akerman Foundation. Tous droits réservés. CRÉDITSPatreons : un grand merci à Mahaut, Paul et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn't sure he's ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin's Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we've loved live on in us. Lauren Elkin is also the author of Art Monsters and Flâneuse, a New York Times Books Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among others. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London. Recommended Books Italo Calvino, Under the Jaguar Sun Garth Greenwell, Small Rain Catherine Lacey, Möbius Strip The novels of Elizabeth Bowen Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn't sure he's ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin's Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we've loved live on in us. Lauren Elkin is also the author of Art Monsters and Flâneuse, a New York Times Books Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among others. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London. Recommended Books Italo Calvino, Under the Jaguar Sun Garth Greenwell, Small Rain Catherine Lacey, Möbius Strip The novels of Elizabeth Bowen Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn't sure he's ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin's Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we've loved live on in us. Lauren Elkin is also the author of Art Monsters and Flâneuse, a New York Times Books Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among others. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London. Recommended Books Italo Calvino, Under the Jaguar Sun Garth Greenwell, Small Rain Catherine Lacey, Möbius Strip The novels of Elizabeth Bowen Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

durée : 01:07:47 - Club Jazzafip - Figure incontournable du cinéma d'auteur chez Ruiz, Rohmer, Ozon, Desplechin… l'acteur, réalisateur à l'affiche de "Les Règles de l'art", partage avec nous ses coups de cœur musicaux, particulièrement issus de bandes-son.

durée : 00:51:56 - Les Nuits de France Culture - par : Mathilde Wagman - Eric Rohmer raconte la genèse de son film "Perceval le Gallois", au micro de Claude-Jean Philippe, dans l'émission "Le Cinéma des cinéastes" de février 1979. - réalisation : Virginie Mourthé - invités : Eric Rohmer Réalisateur français de cinéma; Caroline Champetier Directrice de la photographie; Pierre Donnadieu

La pel

Programa conducido por Darío Lavia y Chucho Fernández.Ilustraciones: Andy Warhol, Fred Banbery, Ansel Adams.Fotogramas: "Spellbound" (1942); "Vertigo" (1959); "North by Northwest" (1958); "Psycho" (1960); "Alfred Hitchcock Presents: Revenge" (1955); "The Trouble with Harry" (1955), todas de Alfred Hitchcock; "Hombre sin rostro" (1950) de Juan Bustillo Oro.Acto I: "Introducción" de Alfred Hitchcock (ghostwriting de Robert Arthur) por Pablo Martínez Burkett 0:02:50"La risa, remedio infalible" por Chucho Fernández 0:10:30Acto II: "¿Es bueno o es malo?" de Éric Rohmer & Claude Chabrol por Darío Lavia 0:12:29"La risa, remedio infalible" por Chucho Fernández 0:22:24Acto III: "El expreso de medianoche" de Alfred Noyes por Chucho Fernández 0:25:03 Fuentes de los textos: "Introduction", Alfred Hitchcock en "Alfred Hitchcock's Ghostly Gallery" (Random House, 1962)"Hitchcock", Éric Rohmer & Claude Chabrol (S. A. Editions Universitaires / Jean-Pierre Delarge Editeur, 1957)"Midnight Express", Alfred Noyes, en "This Week" (1935), recopilado por August Derleth en "Sleep No More: Twenty Masterpieces of Horror for the Connoisseur" (Farrar & Rinehart, 1944) y luego por Alfred Hitchcock en "Bar the Doors: Terror Stories" (Dell, 1946)Oscuro Total (sitio oficial)https://www.instagram.com/oscurototalImdbhttps://www.imdb.com/title/tt35741521/Web de Cineficción⁠http://www.cinefania.com/cineficcion⁠/Fan Page de Cineficción⁠https://www.facebook.com/revista.cineficcion/

"Les métiers du costume touchent au vêtement, à l'intimité, mais aussi beaucoup au prendre soin de l'autre. C'est un métier du care, et c'est pour cela que ces professions sont très féminines et que l'on se dit qu'elles sont suffisamment payées."Aure Lebreton est conférencière à la Cinémathèque Française, doctorante, et présidente de CinéFil, Association d'étude et valorisation du costume de cinéma et d'audiovisuel : vêtements, maquillage, coiffures, accessoires.C'est une cinéphile, passionnée de costumes et experte de ceux qui traversent les films d'Eric Rohmer et Alain Resnais.Dans cet épisode, elle décrypte les costumes des films de Rohmer (3:19) et de Resnais (23:44), puis nous parle de l'association Cin&Fil, qu'elle a co-fondée et préside. Aure nous partage ensuite ses costumes préférés (44:42) et ses projets (48:00). Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Durante Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:54:52 - Les Nuits de France Culture - par : Philippe Garbit - Pierre Girard et Richard Rein nous font découvrir Eric Rohmer - réalisation : Virginie Mourthé

It's a birthday request! (annoying air horn sound) We're tackling the perennial Rifftrax/MST3k favorite The Million Eyes of Sumuru.Host segments: apologies to Frankie Valli; two fingers of brown; MiMi's fingers got a workout; Jeff's new life goals; Sumuru review; Annette's new gig.

L'histoire du jazz et l'histoire du cinéma se rencontrent. Paris et le jazz, c'est une histoire d'amour, incarnée magistralement par Jeanne Moreau et la musique de Miles Davis dans Ascenseur pour l'échafaud, de Louis Malle, en 1958. Le jazz américain trouve aussi une place de choix dans Rendez-vous en juillet, de Jacques Becker en 1949, ou dans Eva, de Joseph Losey, sur la musique de Billie Holliday, en 1962. La rencontre entre la nouvelle vague et le jazz n'est en revanche pas toujours évidente. Truffaut, Godard, Rohmer, Chabrol ne sont pas très connaisseurs ni amateurs de ce genre musical. Pourtant, la nouvelle vague et son rapport à la liberté, au corps, à l'improvisation ont beaucoup à voir avec le jazz. L'enseignant-chercheur Gilles Mouëllic raconte cette histoire dans son livre Jazz et Cinéma, paru en 2000. Un entretien signé Charline Caron, de la Maison du Jazz de Liège, et une mise en ondes du Ciné-récit par Jean-Louis Dupont. Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn't sure he's ready for fatherhood… Both sets of couples face the challenges of marriage, fidelity, and pregnancy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we've known live on in us; and about the way that the homes we make hold communal memories of the people who've lived in them and the stories that have been told there.*Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.Born in Philadelphia, Amanda Dennis studied modern languages at Princeton and Cambridge Universities before earning her PhD from the University of California, Berkeley and her MFA from the Iowa Writers' Workshop, where she was awarded a Whited Fellowship in creative writing. An avid traveler, she has lived in six countries, including Thailand, where she spent a year as a Princeton in Asia fellow. She has written about literature for the Los Angeles Review of Books and Guernica, and she is assistant professor of comparative literature and creative writing at the American University of Paris, where she is researching the influence of 20th-century French philosophy on the work of Samuel Beckett. Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Què seria el cinema francès si Truffaut, Godard ou Rohmer havien fet pel·lícules en una altre llengua que el francès, amb personatges parlant una llengua considerada com més universal? És la pregunta que posa el Victor Alexandre en un article d'El Món, però en un cas malauradament real: On és la llengua catalana, al cinema català? En parlem doncs amb Victor Alexandre, escriptor i periodista apassionat de cinema.

durée : 00:53:43 - Le grand atelier - par : Vincent Josse, Virginie ROUZIC - Il est de ceux qui portent le mieux, au cinéma, les variations amoureuses à la Rohmer. Ses documentaires à elle sont guidés par une curiosité profonde pour les personnes qui les habitent. Deux cinéastes sont réunis aujourd'hui : Emmanuel Mouret invite Claire Simon. - invités : Emmanuel Mouret, Claire Simon - Emmanuel Mouret : Réalisateur, scénariste, acteur, Claire Simon : Cinéaste - réalisé par : Lucie Lemarchand

durée : 01:00:00 - Les Nuits de France Culture - par : Philippe Garbit, Christine Goémé, Albane Penaranda - réalisation : Virginie Mourthé

Ep. 277: Shonni Enelow on Acting: We're All Going to the World's Fair, Mid-to-Late Rohmer, The Beast Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm happy to welcome back scholar Shonni Enelow for another thoughtful chat about acting and performance, and how they reflect or respond to changing times. Enelow, a professor at Fordham University who just published a new book on Joanna Hogg, writes an acting column at Reverse Shot. We talk about realism in 21st-century acting and direct address through her first column's subject, We're All Going to the World's Fair, as well as I Saw the TV Glow, both directed by Jane Schoenbrun. Then we discuss the distinctive performances and styles of self-presentation in Bertrand Bonello's The Beast and two mid-to-late films of Eric Rohmer. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends!  Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com

Felicia is joined by Nathan Cowles to discuss Michael Haneke's dark mystery about the roots of evil in The White Ribbon (2009). We chat about how Haneke tackles children and violence in his films and the concept of “good vs evil”. Along with the use of black and white and lack of score that help amplify the film's message. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episode with Nathan: A Summer's Tale (Éric Rohmer 1996) Follow Nathan here: Letterboxd: @cowles YouTube: @Cowles IG: @cowles.mov Sources: https://www.rogerebert.com/reviews/the-white-ribbon-2010 https://www.theguardian.com/film/2009/nov/12/the-white-ribbon-review https://www.austrianfilms.com/news/en/bodymichael_haneke_the_white_ribbon__interviewbody https://www.nytimes.com/2009/12/30/movies/30white.html https://brightlightsfilm.com/the-children-are-watching-you-michael-hanekes-the-white-ribbon/ https://thepointmag.com/criticism/white-ribbon/ OUTRO SONG: O Sacred Head Now Wounded - Fernando Ortega FILMS MENTIONED: A Tale of Summer (Éric Rohmer 1996) Code Unknown (Michael Haneke 2000) Caché (Michael Haneke 2005) Funny Games (Michael Haneke 1997) Amour (Michael Haneke 2012) Funny Games (Michael Haneke 2007) 71 Fragments of a Chronology of Chance (Michael Haneke 1994) The Piano Teacher (Michael Haneke 2001) Benny's Video (Michael Haneke 1992) Martha (Rainer Werner Fassbinder 1974) Au hasard Balthazar (Robert Bresson 1966) White Light (Ingmar Bergman 1963) Fanny and Alexander (Ingmar Bergman 1982)

durée : 00:42:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - A l'occasion de la rétrospective des films d'Eric Rohmer au Festival "Premiers plans" d'Angers en 1997, Michel Ciment recevait Charlotte Véry, Amanda Langlet et Rosette : souvenirs croisés de trois comédiennes qui racontent leurs rencontres et leur amitié avec le cinéaste. - réalisation : Virginie Mourthé - invités : Rosette Actrice de cinéma française; Amanda Langlet; Charlotte Véry Comédienne

durée : 00:54:59 - Les Nuits de France Culture - par : Mathilde Wagman - Dans ce numéro du "Cinéma des cinéastes" de 1984, Éric Rohmer est au micro de Claude-Jean Philippe pour parler de différents aspects de son film "Les nuits de la pleine lune". - réalisation : Virginie Mourthé - invités : Eric Rohmer Réalisateur français de cinéma

Join our Patreon for just 5$ a month and get access to our regular exclusive episodes, full archive, written content, discord server and more.. www.patreon.com/consensusunreality Merch http://consensus-unreality.printify.me/ The first in a new series of episodes on the dizzying feedback loop of east-meets-west in the occult tradition. We open in an unlikely place: Sax Rohmer and his hugely popular, though now mostly rejected Fu Manchu novels. Why did Kenneth Grant choose Rohmer's Dope, alongside Richard Marsh's beloved gothic-exotic horror classic The Beetle, as reference texts for his monumental book The Ninth Arch? Was Fu Manchu born on a ouija board? Why did CU favorite Eugenia Macer-Story use the metaphor of Fu Manchu vs. the "lonesome cowboy" in her genius examination of the UFO phenomenon? Did any of those Theosophists ever really visit Tibet? The tension between so-called eastern and western mystical traditions may be the driving force of what we call occultism, and in this episode we lay the groundwork for a series which will investigate this concept in detail. 

We're back this week with an exuberant 80s-centric mix by interior designer Travis Trew, who has returned to mmarz to serve up "a musical jello salad chock-full of tender bleepy-bloopies." Press play for an hour of eccentric, candy-coated new wave gems that feel like unearthed cult classics — or the soundtrack to a long-lost summer flick written by Éric Rohmer and directed by John Waters. Tracklist: mmarzmix.com/136

The first in a new series of episodes on the dizzying feedback loop of east-meets-west in the occult tradition. We open in an unlikely place: Sax Rohmer and his hugely popular, though now mostly rejected Fu Manchu novels. Why did Kenneth Grant choose Rohmer's Dope, alongside Richard Marsh's beloved gothic-exotic horror classic The Beetle, as reference texts for his monumental book The Ninth Arch? Was Fu Manchu born on a ouija board? Why did CU favorite Eugenia Macer-Story use the metaphor of Fu Manchu vs. the "lonesome cowboy" in her genius examination of the UFO phenomenon? Did any of those Theosophists ever really visit Tibet? The tension between so-called eastern and western mystical traditions may be the driving force of what we call occultism, and in this episode we lay the groundwork for a series which will investigate this concept in detail.  Join us on Patreon for this exclusive series, regular exclusive episodes, full archive, written content, printed journals and more.. https://www.patreon.com/consensusunreality

Éric Rohmer ends his famous "Tales of the Four Seasons" with "Autumn Tale". It's a French romance comedy about a woman who operates a vineyard, thinks about the idea of dating again and it focuses on the middle age folks, which is a bit different from the other season films. Magali's friends decide to take matters into their own hands and get matches for her. At this wedding party, it all goes down and it's an iconic scene itself. I love the film for it's rich and engaging screenplay and the actors who make these characters very real, especially when they conversate which is a huge strength that Rohmer. This film gives us insight to people who are older and wiser. We see a perspective that's almost too foreign for us especially if we dont match the same age. I can wacth this film all day and so should you.I give it four out of four tokes.#ericrohmer #filmreview #autumntale

durée : 00:42:06 - Les Nuits de France Culture - par : Christine Goémé - Projection privée - Eric Rohmer (1ère diffusion : 26/03/1995) - réalisation : Virginie Mourthé

durée : 00:44:59 - Les Nuits de France Culture - Projection privée - Eric Rohmer (1ère diffusion : 26/03/1995)

Xavier Guerrero is my guest for this episode reviewing the film "A Summer's Tale" of "A Tale of Smmer"--however you want to pronounce it--is a comedy film by Éric Rohmer. He is a beast in comedy, witty and impactful philosophical writing and direction that seems breathless to the eyes. In this film in particular, it's about a dude who comes with no dilemmas ending into evading a huge one that dealt with three women. Man, what a film. XG and I talk about suspenseful it gets with the different dynamics of each of the women and the intersection of them with the main character, Gaspard. We also talk about how easy and simple the film is in its cinematography and how the characters speak to each other- very natural with constant wit. It's a sparring battle and it's crazy how it carries the film's overall plot. It's just sets up only to get knocked down to the next part of story. It's a good film, great laugh and it's simple. Maybe too simple. it's films like these where you can really take and enjoy for what it is. We both agreed how it does take a while for the film to really get to the excitemenr of the second act. I was amazed as to how XG can get actually frustrated having captions in front of women, especially women in a French coast setting. Oh, X. But that right there tells you what a good job this film did with the casting and these actors owned their characters.Four out of Four TokesXGhttp://fullytoxic.com

“Im Leben geht's oft her wie in einem Film von Rohmer” wussten 1995 schon Tocotronic und nannten sein Werk direkt im Anschluss “fürchterliche Streifen”. Heute erregt er die Gemüter nicht mehr so. Sowieso scheint Éric Rohmer von all den schillernden Gestalten der Nouvelle Vague aktuell vielleicht nicht die größte Strahlkraft zu haben. Gerade deswegen hatten wir großen Spaß dabei, uns für dieses Special mit seinem Werk zu beschäftigen. Lucas und Christian sprechen mit Patrick Holzapfel (Jugend ohne Film, neuer Roman: Hermelin auf Bänken) über sein Werk. Das ist aber nur der Teaser! Wenn ihr die ganze dreistündige Folge hören wollt, dann unterstützt uns gerne finanziell auf steadyhq.com/cuts. Dann erhaltet ihr auch Zugriff auf alle anderen Special-Folgen der letzten vier Jahre.

It's bonus episode time. In today's Special Features episode Felicia is joined by Erin and Tom from the Baby's First Watchlist Podcast to discuss one of cinema's greatest romance films Before Sunrise (Richard Linklater 1995). We chat about how fresh this film feels nearly thirty years later, and although it is heavy in dialogue, the quiet moments reveal the most about Celine and Jesse. Send us your thoughts on the episode - what is your favourite film in the trilogy? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Baby's First Watchlist Here: Spotify: @babysfirstwatchlist Apple Podcasts: @babysfirstwatchlist YouTube: @babysfirstwatchlist IG: @babysfirstwatchlist Letterboxd: Tom @tc579 TikTok: @babysfirstwatchlist Sources: https://www.nytimes.com/2020/01/22/movies/before-sunrise-ethan-hawke-julie-delpy.html https://www.criterion.com/current/posts/4449-the-before-trilogy-and-the-art-of-collaboration https://www.criterion.com/current/posts/4445-the-before-trilogy-time-regained https://www.criterion.com/current/top-10-lists/531-marie-kreutzer-s-top-10 https://www.criterion.com/current/posts/4427-transitory-figures-one-scene-from-before-sunrise https://www.sensesofcinema.com/2018/stardust-memories/thinking-about-celine-and-jesse-travelling-through-time-with-the-before-trilogy/ OUTRO MUSIC: Come Here by Kath Bloom FILMS MENTIONED: Nightmare Before Christmas (Henry Selick 1993) Before Midnight (Richard Linklater 2013) Before Sunset (Richard Linklater 2004) Boyhood (Richard Linklater 2014) School of Rock (Richard Linklater 2003) Reality Bites (Ben stiller 1994) Dazed and Confused (Richard Linklater 1993) Everybody Wants Some!! (Richard Linklater 2016) Where'd You Go Bernadette (Richard Linklater 2019) Slacker (Richard Linklater 1990) Waking Life (Richard Linklater 2001) Harold and Maude (Hal Ashby 1971) Amour (Michael Haneke 2012) Boyfriends and Girlfriends (Éric Rohmer 1987) Scenes From a Marriage (Ingmar Bergman 1974) After Hours (Martin Scorsese 1985) Chungking Express (Wong Kar-wai 1996) Persona (Ingmar Bergman 1966) Lost in America (Albert Brooks 1985) Pauline at the Beach (Eric Rohmer 1983)

Felicia is joined by Calvin Kemph to discuss Catholic guilt and philosophy through the character's in My Night at Maud's (Éric Rohmer 1970). We chat about how important it is that this film was shot in black and white and how this story could also fit within his tale of four season series. This marks the end of the Rohmer series, one that I felt such a great delight in putting together and had some of the best conversations on the show so far. I hope you're inspired to tackle the rest of his filmography because I truly believe there is a Rohmer film out there for everybody. Send us your thoughts on the episode - are you satisfied with our protagonist's ending? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Calvin here: Website: https://thetwingeeks.com/ Spotify: @TheTwinGeeks Apple Podcasts: @TheTwinGeeks Seattle Film Critics Society: Seattle Film Critics Society - The official website of Seattle's movie critics. ÉRIC ROHMER'S SIX MORAL TALES – THE DIRECTOR AS AN AUTHOR IN THE FRENCH NEW WAVE: Éric Rohmer's Six Moral Tales – The Director as an Author in the French New Wave – The Twin Geeks Sources: https://www.criterion.com/current/posts/436-my-night-at-maud-s-chances-are https://www.sensesofcinema.com/2005/cteq/my_night_at_mauds/ https://www.sensesofcinema.com/2010/feature-articles/choice-and-chance-a-dialectic-of-morality-and-romance-in-eric-rohmers-my-night-at-mauds/ https://postmodernpelican.com/2020/02/22/my-night-at-mauds-1969/ OUTRO SONG: The Partisan by Leonard Cohen FILMS MENTIONED: The People's Joker (Vera Drew 2002) Claire's Knee (Éric Rohmer 1971) Claire's Camera (Hong Sang-soo 2017) A Fire (Christian Petzold 2023) Poetry (Lee Chang-dong 2010) Burning (Lee Chang-dong 2018) Secret Sunshine (Lee Chang-dong 2007) Conte d'hiver (Éric Rohmer 1992) Cléo from 5 to 7 (Agnès Varda 1962) Le bonheur (Agnès Varda 1965) Uncle Yanco (Agnès Varda 1967) The Green Ray (Éric Rohmer 1986) The Bitter Tears of Petra Von Kant (Rainer Werner Fassbinder 1972) The Tenant (Roman Polanski 1976) Winter Light (Ingmar Bergman 1963)

durée : 00:57:26 - Samedi fiction - Regard décalé et singulier sur l'œuvre d'Eric Rohmer, en faisant se croiser des dialogues de films joués par de jeunes étrangers, leurs réflexions sur le réalisateur et les motifs qui traversent ses films.

durée : 00:57:26 - Samedi fiction - Regard décalé et singulier sur l'œuvre d'Eric Rohmer, en faisant se croiser des dialogues de films joués par de jeunes étrangers, leurs réflexions sur le réalisateur et les motifs qui traversent ses films.

Felicia is joined by Duran Aziz to discuss Éric Rohmer's foray to the medieval era in Perceval (1978). We chat about the incredibly unique set design and Rohmer's desire to create a space that would be a reflection of paintings from that era. Send us your thoughts on the episode - are you satisfied with our protagonist's ending? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Duran Here: IG (Chapman University Students for Justice in Palestine): @sjpchapman Chapman University SJP divestment petition: https://www.change.org/p/demand-chapman-university-to-divest-from-the-military-industrial-complex-sjp-chapman?source_location=psf_petitions Sources: https://www.sensesofcinema.com/2017/cteq/perceval-le-gallois/#fnref-29831-2 https://decentfilms.com/reviews/perceval https://www.sensesofcinema.com/2010/feature-articles/the-tale-of-perceval-le-gallois-and-the-young-althusserians/ https://www.avclub.com/a-french-master-found-droll-comedy-in-one-of-the-earlie-1843630606 OUTRO SONG: Six Queens by Larrikin Love FILMS MENTIONED: Star Wars (George Lucas 1977) The Great Dictator (Charlie Chaplin 1940) My Night at Maud's (Éric Rohmer 1970) Pauline at the Beach (Éric Rohmer 1983) The Green Ray (Éric Rohmer 1986) Love in the Afternoon (Éric Rohmer 1972) Claire's Knee (Éric Rohmer 1970) The Aviator's Wife (Éric Rohmer 1981) The Marquise of O (Éric Rohmer 1976) Catherine de Heilbronn (Éric Rohmer 1980) Lancelot du lac (Robert Bresson 1974) A Tale of Winter (Éric Rohmer 1992) The Bakery Girl of Monceau (Éric Rohmer 1963) Suzanne's Career (Éric Rohmer 1963) Juliet of the Spirits (Federico Fellini 1965) Lars von Trier (Dogville 2003) Cabinet of Dr. Caligari (Robert Wiene, 1919)

durée : 00:54:59 - Les Nuits de France Culture - par : Philippe Garbit - Pourquoi le réalisateur Eric Rohmer a-t-il choisi de porter à l'écran la nouvelle d'Heinrich von Kleist, "La Marquise d'O" ? C'est ce qu'il raconte, en compagnie de son chef-opérateur Nestor Almendros, à Claude-Jean Philippe dans son émission "Le cinéma des cinéastes" en 1976. - invités : Eric Rohmer Réalisateur français de cinéma; Claude-Jean Philippe Auteur, réalisateur et producteur de télévision et de radio; Nestor Almendros Directeur de la photographie, chef-opérateur;

Felicia is joined by Frieda Beckerman to discuss Éric Rohmer's film about a woman facing vacation ennui, in The Green Ray (1986). We chat about how he created a character whose small problems we can all relate to, and why the multiple settings in France are imperative to the film's energy.. Send us your thoughts on the episode - have you read The Green Ray? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Sources: https://www.theguardian.com/film/2015/jan/04/green-ray-rayon-vert-review-eric-rohmer https://classical-inquiries.chs.harvard.edu/about-the-green-ray-of-jules-verne-and-eric-rohmer/ https://tmff.net/an-analysis-of-the-green-ray-1986/ https://www.sensesofcinema.com/2010/feature-articles/following-the-law-of-ones-own-being-the-crying-woman-in-the-green-ray/ https://mubi.com/en/notebook/posts/close-up-on-eric-rohmers-the-green-ray-an-interview-with-marie-riviere OUTRO SONG: No Aloha - The Breeders FILMS MENTIONED: Working Girl (Mike Nichols 1988) Autumn Tale (Éric Rohmer 1998) Pauline at the Beach (Éric Rohmer 1983) Borat (Larry Charles 2006) To The Ends of the Earth (Kiyoshi Kurosawa 2019) Summertime (David Lean 1955)

Felicia is joined by Nathan Cowles to discuss Éric Rohmer's first film in his A Tale of Four Season series, about a man being tossed around by three different women in A Summer's Tale (1996). We chat about Rohmer's way of writing women, his choice to work with a woman cinematographer and how that lends to a unique gaze behind the camera. Along with the importance of the script and the quiet moments that expose the protagonists inner truth. This is the Rohmer series opener and I'm beyond excited to share this series with you - we've got four great guests to cover a wide range of Rohmer's work this month - I hope you follow along! Send us your thoughts on the episode - are you satisfied with our protagonist's ending? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Nathan here: Letterboxd: @cowles YouTube: @Cowles IG: @cowles.mov Sources: https://agoodmovietowatch.com/a-summers-tale-1996/ https://variety.com/1996/film/reviews/a-summer-s-tale-1200445995/#! https://mubi.com/en/notebook/posts/dangling-man-close-up-on-eric-rohmers-a-summers-tale https://www.criterion.com/films/29650-a-tale-of-summer https://cinemasentries.com/a-summers-tale-movie-review-dissecting-love-and-sex-with-philosophical-precision/ https://www.nytimes.com/2014/06/20/movies/a-summers-tale-from-eric-rohmers-seasons-cycle.html https://www.criterion.com/current/posts/8387-eric-rohmer-s-tales-of-the-four-seasons-another-year https://www.youtube.com/watch?v=hHoU9_3pmq4&t=128s&ab_channel=TIFFOriginals OUTRO SONG: Fille de corsaire by Sebastien Erms FILMS MENTIONED: A Clockwork Orange (Stanley Kubrick 1972) Eraserhead (David Lynch 1978) Inglorious Basterds (Quentin Tarantino 2009) Funny Games (Michael Haneke 1997) My Night at Maud's (Éric Rohmer 1970) The Green Ray (Éric Rohmer 1986) Suzanne's Career (Éric Rohmer 1963) Breathless (Jean-Luc Godard 1961) Call Me By Your Name (Luca Luca Guadagnino 2017) Aftersun (Charlotte Wells 2022) The Bakery Girl of Monceau (Éric Rohmer 1963) Claire's Knee (Éric Rohmer 1971) La belle noiseuse (Jacques Rivette 1991) The Fifth Seal (Zoltán Fábri 1976) Design For Living (Ernst Lubitsch 1933) Les amours imaginaires (Xavier Dolan 2010) Mommy (Xavier Dolan 2014) Tom at the Farm (Xavier Dolan 2015)

Author, critic, teacher, moralist, and editor of Cahiers du Cinema, Éric Rohmer is this month's featured director from the French New Wave. Alex and Jonathan look at three of the six films Rohmer directed based on a series of his own short stories called the "Moral Tales" – My Night at Maud's (1969), Claire's Knee (1970), and Love in the Afternoon (1972). We discuss Rohmer's literary approach to filmmaking, the ways he builds multi-dimensional characters through extensive dialogue, and his preference for the "invisible camera" as opposed to the self-aware methods of some of his fellow French New Wave directors. Skip to: (32:12) – My Night at Maud's (1:02:31) – Claire's Knee (1:18:51) – Love in the Afternoon (1:37:35) – Overall (1:57:44) – Coming Attractions Coming Attractions: Shoot the Piano Player (1960) Jules and Jim (1962) Day for Night (1973) For more information, visit the blog: https://thefilmlings.com/2024/03/01/rohmer Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF

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durée : 01:00:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Marc Voinchet - Avec Eric Rohmer (cinéaste) et les comédiennes : Marie Rivière et Béatrice Romand - Réalisation Clotilde Pivin

➜ La Newsletter de TheBoldWay : https://www.theboldway.fr/newsletter Plongez dans l'univers passionnant de Charles Gillibert, un producteur de films au parcours audacieux, à travers ce nouvel épisode inédit. De la création de sa propre société de production à 17 ans à sa collaboration avec le prestigieux MK2, Charles partage sa vision unique du cinéma et dévoile les secrets de la production cinématographique. En 2013, il marque un tournant en fondant la société de production CG Cinéma, qui a été derrière la production de nombreux films français à succès. Il a produit des films prestigieux tels que "Mustang" de Deniz Gamze Ergüven, qui a été nommé pour l'Oscar du meilleur film en langue étrangère, ou encore “Annette”, de Leos Carax qui a ouvert le Festival de Cannes en 2021 et a remporté de nombreux prix. En dévoilant comment il a joué un rôle clé dans le lancement de films acclamés et comment il a navigué dans le paysage cinématographique en constante évolution, Charles Gillibert offre un aperçu précieux de son métier de producteur. Que vous aspiriez à entrer dans le monde du cinéma ou que vous soyez simplement curieux des coulisses de la création cinématographique, cet épisode est fait pour vous. ➜ Retrouvez toutes les références et les photos prises lors de l'enregistrement sur www.theboldway.fr Ce que vous allez apprendre dans cet épisode : Le parcours professionnel de Charles Les origines et motivations de son parcours Ses débuts chez MK2 et ses apprentissages avec MK2 Productions La genèse de CG Cinéma Les difficultés rencontrées Comment produire un film et orchestrer le lancement L'histoire du lancement de "Mustang" et d”Annette” L'acquisition de Losange Productions L'histoire derrière "L'Entrepôt" Son rapport au succès Sa gestion de son temps et son rapport à la confiance en soi Ses conseils pour produire son premier film Qui il souhaiterait entendre dans ce podcast Références : Personnalités : Nathanaël Karmitz : Fils du fondateur du Mk2 et associé de Charles Fabrice Gobert : Réalisateur de Revenants qui a participé au Prix Kieslowski Jeff Mills : Pionnier de la musique techno qui a composé pour de nombreux films Nathalie Vallois : Galeriste à la Galerie Georges-Philippe & Nathalie Vallois, rue de Seine Olivier Assayas : Réalisateur de Sils Maria produit par CG Cinéma et L'heure d'été produit par MK2 Productions Leos Carax : Réalisateur français Xavier Dolan : Réalisateur québécois Elsa Keslassy : Rédactrice en chef de Variety Jean Eustache : Réalisateur français de la Nouvelle Vague Alexis Dantec : Producteur de films et directeur de Les Films du Losange avec Charles Gillibert Barbet Schroeder, Éric Rohmer : Fondateurs de Losange Production Stéphane Magnan : Associé de Charles pour l'Entrepôt Leïla Slimani : Journaliste et écrivaine qu'il souhaiterait entendre dans ce podcast Sociétés de production : Nada : Société de production fondée par Charles Gillibert et Nathanaël Karmitz CG Cinéma : Société de production fondée par Charles Gillibert MK2 : Société de production, de distribution et ventes internationales de films, et d'exploitation de salles de cinémas, fondée en 1974 par Marin Karmitz Les Films du Losange : Société de production française, créée par Barbet Schroeder, Éric Rohmer et Pierre Cottrell en 1962, puis rachetée par Alexis Dantec et Charles Gillibert Films : Mustang : Film de Deniz Gamze Ergüven produit par GC Cinéma Annette : Film de Leos Carax produit par GC Cinéma La maman et la putain : Film de Jean Eustache produit par Les Films du Losange L'heure d'été : Film de Olivier Assayas produit par MK2 Productions On the road : Film de Walter Salles produit par MK2 Productions Sils Maria : Film de Olivier Assayas produit par GC Cinéma Festivals et prix : Prix Kieslowski : Concour fondé par Charles Gillibert et Nathanaël Karmitz Festival de Cannes : Festival de cinéma international Les Césars : Récompenses cinématographiques françaises Festival international du film de Toronto : Festival de cinéma annuel non-compétitif qui se tient en septembre à Toronto Autre : Troublemakers : groupe de musique électronique français Entrepôt : Complexe de salles de cinéma français, abritant un restaurant, une salle de concert et une galerie d'exposition, situé à Paris 14e. Maison Chanel : Habilleur officiel des actrices du film Mustang au Festival de Cannes CNC : Centre national du cinéma et de l'image animée TheBoldWay ou The Bold Way, anciennement connu sous le nom de Entreprendre dans la mode ou EDLM, est un podcast produit et réalisé par Adrien Garcia.

Welcome Snobbies! to the last episode in the ChatGPT series where Artificial Intelligence picks our movies for us. The topic has been a lot of fun and we have seen some really cool films. Tonight we have Jared picking the film from the list ChatGPT gave him. The film that was chosen was from legendary director Éric Rohmer, “A Summer's Tale.” This film deal with ultra-realism, where the other film we did for this topic, 8 1/2, did surrealism. The film follows a man on his way through the French coast side and his many interactions with women where choices are made for him. We had different opinions about this film, but we all agreed that it was the best of the bunch.  Film Discussed: A Summer's Tale (1996) Letterboxd: Eric Peterson: ⁠letterboxd.com/EricLPeterson/⁠ Jared Klopfenstein: ⁠letterboxd.com/kidchimp/⁠ Ethan Jasso: ⁠letterboxd.com/e_unit7/⁠ Caleb Zehr: ⁠letterboxd.com/cjzehr/⁠ Ricky Wickham: ⁠letterboxd.com/octopuswizard/⁠ Cody Martin : ⁠letterboxd.com/codytmartin/⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠ Five star reviews left on the pod get read out loud!

Ce samedi, nous avons retenté l'expérience Arte avec un film d'Éric Rohmer. Conte de printemps, un film tout à fait de saison, sorti en 1990.  Le style assez peu naturel ou comme dit Micaela « sur une autre planète », avec un côté théâtral, a surpris Micaela et Lisa au début. Moi, j'étais ravie de revoir ce film. En plus, il a été filmé à une époque où l'on utilisait uniquement le téléphone filaire, à la maison.    www.onethinginafrenchday.com