POPULARITY
2 episodes with Kurokawa
2 episodes with Kurokawa
2 episodes with Kurokawa
2 episodes with Kurokawa
2 episodes with Kurokawa
2 episodes with Kurokawa
3 episodes with Kurokawa
3 episodes with Kurokawa
3 episodes with Kurokawa
Welcome back to the Live-Off Friends Show! This week, Brian Davis, co-founder of Spark Rental, sits down with Chihiro Kurokawa, the Director of ZT Corporate's Private Equity Practice. Chihiro shares his journey from real estate syndications to corporate private equity, offering insights on raising capital, managing multifamily units, and transitioning into different asset classes. Whether you're a seasoned investor or just starting, this episode is packed with valuable tips on building passive income and achieving financial independence.
Japan's Top Business Interviews Podcast By Dale Carnegie Training Tokyo, Japan
Mr. Kurokawa is the 18th generation of his family to run this traditional Japanese sweets business, which started in the 1500s in Kyoto. He has worked in the business his whole career and spent a year in their store in Paris.
Nous sommes heureux de pouvoir à nouveau aborder la bande dessinée asiatique avec cette nouvelle émission. pour Débuter, nous vous proposons de découvrir avec nous My Happy Marriage de Akumi Agitogi et Rito Kohsaka à retrouver chez Kurokawa. Faisons connaissanceNous commençons l'émission par un petit questionnaire pour apprendre à connaître nos influences manga. Quelle a été notre première rencontre ? nos personnages préférés ? nos moments marquants ? On vous dit tout. My Happy MarriageMaltraitée par sa famille, la jeune Miyo Saimori doit épouser M. Kudo un homme connu pour sa froideur. Alors que tout devrait les séparer, les deux personnages se rapprochent petit à petit. Adapté du Light Novel du même nom, My Happy Marriage est une histoire touchante. Les personnages sont en quête de résilience et d'amour, suscitant chez le lecteur l'empathie. L'histoire n'est pas parfaite, l'univers et l'aspect surnaturel auraient mérité d'être plus développé. Le manga reste facile d'accès et surtout il fait du bien. Nos recommandations Pour terminer l'émission, nous vous proposons une petite sélection de romances. James : Larme ultime de Shin Takahashi chez Delcourt Enki : Romantic Killer de Wataru Momose à voir sur Netlfix Sygin : Mon voisin le métaleux de Mamita chez Hana Faye : Opération True Love de Kkokkalee et Dledumb chez Webtoon On vous invite à jouer aussi au jeu des questions et partager avec nous vos romances préférées en manga ou animé. Pour suivre l'émission et nos autres productions : https://linktr.ee/jamesetfaye Suivre l'équipe : Sygin : https://www.instagram.com/lady_sygin/ Enki : https://www.instagram.com/enki_papapoule/ Faye : https://linktr.ee/fayefanel
2 mangas à ne pas manquer ! "La guerre des gaules" de Jules Cesar adapté en manga aux éditions Soleil, la grosse nouveauté de la rentrée, "Skeleton Double" aux éditions Kurokawa.
EPISODIO 6La sexta enfermera con peor personalidad es la persistente enfermera Numajiri, que repite constantemente su sarcasmo y su sorna. ¿Podrá Yamada soportar esos días de infierno insoportable y molesto? Rodeado de enfermeras con las peores personalidades, la vida de Yamada en el hospital está llena de diversos métodos de extracción. A el le atormenta una cierta “pesadilla”...La persistente enfermera Numajiri escupe constantemente sarcasmos al oído de Yamada. Ella aparece desnuda y sigue atormentando el cuerpo y la mente de Yamada. Cuando por fin despierta de la pesadilla, ella le susurra al oído: “¿Has tenido un sueño espeluznante?”. EPISODIO 7 La séptima enfermera con peor personalidad es Kiritani, una enfermera de oscuro corazón. Yamada está encantado de ver a Kiritani, una hermosa enfermera que se encarga con delicadeza del proceso de ordeño, pero cuando oye su nombre, Kurokawa se echa a llorar de repente y habla de la “verdadera naturaleza” de Kiritani. Para Yamada, que ha estado viviendo una pesadilla de hospitalización, se suponía que estos iban a ser sus primeros días de descanso.Kiritani, la enfermera actualmente a cargo, trata a Yamada con cuidado y ternura. Yamada está encantado al descubrir que Kiritani no sólo se encarga de su extracción seminal, sino que también disfruta su sabor. Sin embargo, cuando Kurokawa oye su nombre, rompe a llorar de repente y empieza a hablar de la verdadera naturaleza de Kiritani. Es una ex delincuente adicta al frutifantástico que intimidará y hará lo que sea para cazar a cualquiera que no le caiga bien.Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/bastardos-del-anime-podcast--4798676/support.
Join us for an engaging episode of Passive Investing from Left Field! In this episode, host Chad Ackerman engages in a compelling conversation with Chihiro Kurokawa, Director in the private equity practice at ZT Corporate. Kurokawa shares his journey from being a solo multifamily syndicator to a key figure in a boutique private equity firm.Gain exclusive insights into the resilience of service revenues during economic downturns, the significance of diversification across asset classes, and effective strategies in the competitive realm of private equity. Delve into Chihiro's wealth of experience as he discusses the importance of thorough due diligence, community involvement in vetting deals, and the power of teamwork in business.For passive investors seeking illuminating discussions on making informed investment decisions and navigating the intricacies of blending different asset types, this episode is a must-watch. About Chihiro Kurokawa Chihiro is a Director in the private equity practice at ZT Corporate, a boutique private equity firm with investment opportunities for accredited investors. The firm was founded in 1997 and has since cycled over 15 portfolio transactions representing 50+ assets. Currently the firm has an enterprise value of over $1.2 billion with holdings in medical/healthcare, branded auto dealerships and commercial real estate. Here are some power takeaways from today's conversation:02:21 His real estate investment journey08:06 Diverse business12:35 Deal offering structure16:30 Is this a great time to get into commercial real estate?20:42 Comparing the metrics23:02 What market he focuses on24:25 Mitigating risk28:26 Lessons learned in investing30:50 Contact Chihiro31:21 Podcast recommendations32:28 Thank you for watching This show is for entertainment purposes only. Nothing said on the show should be considered financial advice. Before making any decisions, consult a professional. This show is copyrighted by Passive Investing from Left Field and Left Field Investors. Written permissions must be granted before syndication or rebroadcasting. Resources Mentioned:LinkedInhttps://www.linkedin.com/in/cgkurokawa/Instagramhttps://www.instagram.com/cgkurokawa/Facebookhttps://www.facebook.com/chihiro.g.kurokawa/Podcast Recommendations:Acquired https://www.acquired.fm/Advertising Partners:Left Field Investors - BEC - https://www.leftfieldinvestors.com/bec/Tribevest - https://www.tribevest.com/Rise48 - https://rise48.com/Avoiding Rookie Errors as a Left Field Investor: 20 Lessons Learned From 14 Years of Passive Investing in Private Syndications by Steve Suh: https://www.leftfieldinvestors.com/books/Vyzer - https://vyzer.co/
Cette semaine, la 5e de Couv’ vous emmène dans une librairie. Pour la sortie du tome 11 du manga Spy x Family, l’éditeur Kurokawa avait organisé une journée spéciale en librairies. Le Renard Doré, librairie... L'article Espions de papier : l’analyse du manga Spy x Family ! – #5DC – S9E10 est apparu en premier sur La 5e de Couv' - Le podcast de débat autour du manga !.
Zoom sur le manga "My Home Hero" aux éditions Kurokawa. Sur un père ordinaire qui va tuer par accident le petit ami violent de sa fille.
Ohayoooo ! J'ai décidé, de temps en temps, d'inviter sur mon podcast, un.e abonné.e, un.e auditeur.ice ou un.e collègue podcasteur.euse pour échanger, entre 25 et 45 minutes, autour d'un manga que nous avons lu & aimé (ou pas) tous.tes les deux. Une discussion chill & sans prise de tête ! ✌
Director Hirokazu Kore-eda joined me for an episode of Carolyn Talks..., to share his persptives on what the monster is in his latest dramatic feature MONSTER (Kaibutsu), starring Hiiragi Hinata as Hoshiwaka Yori a young boy whom no one understands or seems to care for, Sōya Kurokawa as Mugino Minato a shy boy who believes he's become a monster, Sakura Andō as his mother whose actions to protect her child lead to extreme unintended consequences.Co-written with Sakomoto Yuji, #Monster was scored by Sakomot Ryuichi before his passing in 2022. The film had its North American premiere at the 2023 Toronto International Film Festival.Visit the official TIFF.net site to learn more about the festival and regular film programming throughout the year.Follow me on Twitter, Instagram and TikTok at: @CarrieCnh12My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #SHWHCarolynTo offer monetary support of my work donate to my GoFundMe at https://gofund.me/1bd5b682or give to my PayPalwww.paypal.com/paypalme/carolynhinds0525Any and all financial support is deeply appreciated and valued.Go to https://authory.com/CarolynHinds to find links to all of my published writing, and podcasts; So Here's What Happened!, Carolyn Talks..., Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.
As fans continue to play and praise Aliens: Dark Descent, Patrick and Christian sat down to talk to the Deputy Director herself, Maeko Hayes, voiced by Julianna Kurokawa (The Peripheral, The Witcher, Avenue 5). In this episode we peek behind the curtain of video game production to learn how the team at Tindalos Interactive worked with the actors, and what it took to bring this new chapter of the Alien Saga to life. You can learn more about Julianna by following her Instagram account here: @julianna_kurokawa // Apple Podcasts: bit.ly/perfectorganismitunes // For more on this and our other projects, please visit www.perfectorganism.com. // If you'd like to join the conversation, find us on our closed Facebook group: Building Better Worlds // To support the show, please consider visiting www.perfectorganism.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.08.03.551802v1?rss=1 Authors: Tojima, T., Suda, Y., Jin, N., Kurokawa, K., Nakano, A. Abstract: Cargo traffic through the Golgi apparatus is mediated by cisternal maturation, but it remains largely unclear how the cis-cisternae, the earliest Golgi sub-compartment, is generated. Here, we use high-speed, high-resolution confocal microscopy to analyze the spatiotemporal dynamics of a diverse set of proteins that reside in and around the Golgi in budding yeast. We find many mobile punctate structures that harbor yeast counterparts of mammalian endoplasmic reticulum (ER)-Golgi intermediate compartment (ERGIC) proteins, which we term "yeast ERGIC". It occasionally attaches onto the ER exit sites and gradually matures into the cis-Golgi. Upon treatment with the Golgi-disrupting agent brefeldin A, the ERGIC proteins form larger aggregates corresponding to the Golgi entry core compartment in plants, while cis- and medial-Golgi proteins are absorbed into the ER. We further analyze the dynamics of several late Golgi proteins. Together with our previous studies, we demonstrate a detailed spatiotemporal profile of the cisternal maturation process from ERGIC to Golgi and further to the trans-Golgi network. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
One of this year’s most stunning anime episodes featured Akane Kurokawa, a young actress character in Oshi no Ko, being torn to shreds on social media for slapping a castmate on a reality show and mirroring a real-life situation involving wrestler Hana Kimura. It brought up so many questions and thoughts for our team that… Read More Tangle x Cast 18: Hana Kimura, Akane Kurokawa, and Responding to Social Media Criticism
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.07.10.548399v1?rss=1 Authors: Suda, Y., Tachikawa, H., Suda, T., Kurokawa, K., Nakano, A., Irie, K. Abstract: Gametogenesis in budding yeast involves large-scale rearrangement of membrane traffic to allow de novo formation of a membrane, called the prospore membrane (PSM). However, the mechanism underlying this event is not fully elucidated. Here, we show that the number of endoplasmic reticulum exit sites (ERES) per cell fluctuates and switches from decreasing to increasing upon the onset of PSM formation. Reduction in ERES number is accompanied by a transient stall in membrane traffic, resulting in loss of the preexisting Golgi apparatus from the cell, as well as local ERES regeneration, leading to Golgi reassembly in nascent spores. We have revealed that protein phosphatase-1 (PP-1) and its development-specific subunit, Gip1, promote ERES regeneration through Sec16 foci formation. Furthermore, a mutant with impaired ERES formation showed defects in PSM growth and spore formation. Thus, ERES regeneration in nascent spores facilitates the segregation of membrane traffic organelles, leading to PSM growth. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
Zoom sur les mangas Darwin's Incident chez Kana et My Home Hero aux éditions Kurokawa.
Konbanwaaaa!
ACTUABD - bande dessinée, manga, comics, webtoons, livres, BD
Dans la famille des smartoons, voici Piccoma, deuxième opérateur francophone après Naver-Webtoon, présente en France depuis mars 2022, filiale européenne de Kakao Piccoma Corp., la branche japonaise de Kakao, N°1 du manga numérique dans l'archipel. Piccoma se veut une plateforme ouverte à tous, un peu comme Netflix, des smartoons (terme générique qui englobe webtoons et mangas numériques) où toutes les créations du monde sont présentes de diffusion. On y trouve ainsi la version numérique légale des mangas publiés par Kurokawa, Pika ou Glénat. La structure est dirigée par Kim Hyung-Rae qui travailla longtemps pour Delitoon avant de prendre la direction de Piccoma Europe voici un an. Dans cet entretien, il le dit sans ambages : le marché du smartoon en France est encore balbutiant. Mais il va se développer et deviendra un jour rentable, voilà pourquoi Piccoma, qui veut accompagner son développement, investit sur ce segment de marché. Une interview de Didier Pasamonik et Kelian Nguyen- Une production d'ActuaBD.com - Montage : Oussama Karfa - Photo : Kelian Nguyen Song : We March Together –urtesy of Patrick Patrikios -- Youtube audio library SI VOUS AVEZ AIMÉ, LIKEZ, PARTAGEZ ET ABONNEZ-VOUS !!!
Épisode sponsorisé par Kurokawa, tous les livres de la maison d'édition | Lisez!Ce dont on parle dans l'épisode :Le Mad GolfLa rubrique beauté de MadmoizelleLe podcast Matières PremièresLe kif d'Anthony (36:47) : le restaurant brEATheLe kif de Sophie (46:47) : My Happy Marriage :My Happy Marriage - Tome 1 | Akumi Agitogi,Tsukiho Tsukioka,Rito Kohsaka | Kurokawa (lisez.com)Le kif de Mathis (1:02:55) : Composer les musiques des podcasts MadmoizelleLe podcast Mon corps, ce poidsLe podcast La 6ème extinctionLe podcast Ce que j'aurais dû dire à mon exL'article sur le kakapoL'appel à témoins pour le podcast Ce que j'aurais dû dire à mon exLe soundcloud de Mathis avec la bande originale complète du podcast La 6ème extinction et Humbles et engagéesLe podcast de Mymy sur les sériesLa page de Pope musicLe soundcloud de Valentin NortierLe kif de Mymy (1:17:03) : cuisiner des aspergesLe podcast Le film clubRetrouve-nous Laisse moi kiffer sur InstagramAbonne-toi sur :Apple Podcasts • Deezer • SpotifyCrédits : Laisse moi kiffer est un podcast de Madmoizelle présenté par Mymy Haegel. Avec Anthony Vincent, Alix Martineau, Mathis Grosos. Réalisation, production, musique et édition : Mathis Grosos. Rédaction en chef : Marie-Stéphanie Servos. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Ohayooo les copains ! Dans cette review manga, je vous parle de pas mal de titres cette semaine :
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022). Amid the decline of many of Japan's rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community. Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa's ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women's studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies
Deadly fungus! This can kill a patient fast. Can you recognize the imaging features in time? In this week's podcast, Dr. Ross Frederick summarizes a very important paper on Invasive Fungal Sinusitis- don't miss this one! Deadly Fungi: Invasive Fungal Rhinosinusitis in the Head and Neck. Kurokawa and Kurokawa et al. RadioGraphics 2022; 42:2075–2094.
3ème retour sur les maisons d'édition françaises en cette année 2022 ! Des tops et des flops dans cette troisième partie (sur quatre) où l'on revient sur les maisons d'édition de K à M (Komikku, Kurokawa, Le lézard noir, Mangetsu, Maho edition, Mano books, Meian, Michel Laffon). Mes invités pour cette émissions : Doz et Max de PCF mangas @pcfmangas et Seb @ypdlm_podcast Merci également à tous ceux qui laisse des notes et des commentaires (positifs :p) ! Intro (00:00) Komikku (04:07) Kurokawa (13:30) Le lézard noir (58:37) Maho édition (01:19:00) Manga player (01:21:40) Mana Books (01:27:13) LE QUIZZ (01:35:30) Mangetsu (01:46:07) Meian (02:13:01) Michel Laffon (02:26:20) On se retrouve très vite ! Retrouvez tous mes liens ici : https://linktr.ee/decaseencase Le discord du collectif : https://discord.gg/NBVPZTFBAJ Pour les intéressés, 10 euros de réduction dès 20 euros d'achats sur Rakuten avec ce code (pour tout nouveau compte Club R) : 127JAF70H
Momokichi Momoi, the mob boss owner of a professional baseball team known as "the Peach Twisters", has a unique way of dealing with ineffective players: killing them. His daughter, Momomi, is twice as twisted as her father. Mikura and the Danger Service Agency are hired by a mysterious old man to kidnap Momokichi. But during that attempt they run afoul of Momomi. Before the resulting firefight, Momokichi dies when his head falls on a ventilation pipe. Now Mikura and the D.S.A. have to come up with a new plan before they end up as Momomi's next target. Mikura, Kurokawa, and Harada are the three members of the Danger Service Agency (DSA). Mikura is the brawn of the group, Harada is the brains, and Kurokawa is just a bitter ex-cop who likes to think he's in charge. They'll take on any job as long as it involves much danger and, of course, money. Their biggest case, however, could prove to be finding out why someone wants Kurokawa assassinated. The DSA's headquarters is an old red British double-decker bus that has been converted into living quarters for the three main characters. It has been placed on the rooftop of a two-story building which houses Mugiyama's barber shop on the ground floor. They drive an old-style pink Volkswagen Beetle. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/no-country-for-otakus/support
durée : 00:01:48 - BD bande dessinée - Chaque dimanche, Laetitia de Germon vous fait découvrir un manga "feel good", léger, et qui met de bonne humeur. Premier épisode : "Yotsuba & !", de Kiyohiko Azuma, chez Kurokawa.
Le podcast qui décrypte les premiers chapitres des mangas Bienvenue dans ce 15e numéro de Y'a-t'il un pilote dans le Manga ! Aujourd'hui, on vous parle du manga SPY X FAMILY de Tatsuya ENDO édité chez Kurokawa.Pour parler de cette nouvelle œuvre, on reçoit un invité très cool : Chris de Tomodachi Ca parle de quoi ?Twilight, le plus grand espion du monde, doit pour sa nouvelle mission créer une famille de toutes pièces afin de pouvoir s'introduire dans la plus prestigieuse école de l'aristocratie. Totalement dépourvu d'expérience familiale, il va adopter une petite fille en ignorant qu'elle est télépathe, et s'associer à une jeune femme timide, sans se douter qu'elle est une redoutable tueuse à gages. Ce trio atypique va devoir composer pour passer inaperçu, tout en découvrant les vraies valeurs d'une famille unie et aimante. Trailer SPY X FAMILY : https://youtu.be/FMnLBAN8GCUExtrait : https://fr.calameo.com/read/00618950112cfdc962578?authid=XdFeRs60AjoH Tomodachi c'est le média 100% Manga / Animé / Gaming / Food / Lifestyle & Pop-Culture AsiatiqueC'est tout les jeudi à 19H45 l'émission TOMODACHI CLUBLien : https://linktr.ee/tomodachi_fr N'hésitez pas à aller nous suivre sur nos réseaux sociaux Twitter : https://twitter.com/YPDLM_podcastInstagram : https://www.instagram.com/ypdlm_podcastDiscord : https://discord.gg/rfcN7af5qU Opening Spy X Family Extrait de G.P.R Beat - KatanaTéléchargement gratuit : bit.ly/3ajczQ1Musique proposée par Audio Libre : youtu.be/c20Lo1gG5FQ Crédit musique de fondWilliam Rosati - Lonely TroutmanTéléchargement gratuit :https://bit.ly/3erKCrnMusique proposée par Audio Libre : https://youtu.be/Wpppq_WYS6s
Chihiro Kurokawa started multifamily investing in 2017 and has been a principal in four multifamily transactions totaling 479 units and $28.9 million in purchase volume. He has also invested as a limited partner in mobile home parks, development, multifamily, retail and self-storage. He was previously an analytics professional and holds an MBA from UCLA Anderson. He is training to qualify for the Boston Marathon and enjoys alpine skiing. In this episode Chihiro talks about leveraging the power of relationships and mentorship to enter the multifamily space and manage his first syndication deal in 2019 for a 128 unit property. He also talks about cash flow as a syndicator or primary sponsor and the experience of quitting your W2 job. Connect with Chihiro: Instagram: @cgkurokawa LinkedIn: Chihiro Kurokawa, MBA Facebook: Chihiro G Kurokawa Partner with us: www.pac3capital.com Follow the show on Instagram: @themultifamilytakeoff
I love to have listeners join me on the show and today Stacy Kurokawa and I are talking about life in Japan and how she has incorporated “Forest Therapy” into her life and is now showing others how to enjoy it too. If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Take a screenshot of yourself listening to the episode on your device, post it to your Instagram Stories, and tag me https://www.instagram.com/transformationswithjayne/?hl=ja (@transformationswithjayne), or https://www.speakpipe.com/TransformationswithJayne (send us a message here.) In this episode you'll hear: How Stacy came to be in Japan Cycling 100 km from Mie to Kyoto!! What she likes about Japan and how she is helping people to reconnect with nature through Forest Therapy We have shout outs to Stacy's friends and listeners of the show About Stacy: In 1999 Stacy moved to South Korea to help adult English learners. In 2003, Stacy moved to Japan in 2003 to work for AEON, an adult conversation school. Stacy is a qualified forest therapy guide and continues to teach English online. Connect with Stacy: LinkedIn: https://www.linkedin.com/in/stacy-k-aa4b32186/ (https://www.linkedin.com/in/stacy-k-aa4b32186/) Connect with Jayne: PodLaunch with Jayne:https://www.jaynenakata.com/podcastconsulting ( https://www.jaynenakata.com/podcastconsulting)
#SabikuiBisco #Anime #AnimeVersalReviews #AVRPodcast #LRMOnline #TheGenreVerse NOW ON THE GENREVERSE YOUTUBE CHANNEL! SUBSCRIBE HERE: www.youtube.com/channel/UCnGVcI3Swk6XdnkgLLPEySg Join Kyle (Daily COG), Christine (No Mercy Podcast) and Brian (PulpMythos on YouTube) as they discuss one of the strangest Anime to ever Anime, Sabikui Bisco. There is no way to describe what happened here without needing 1000 words. So, let's get right to our Sabikui Bisco Episode 9 Review! Be sure to check out our sponsor Grow Generation: Where the Pros Go to Grow. www.GrowGeneration.com (00:00)- Intro & Initial Reactions (05:18)- Kurokawa's Plan Is F****D Up! (10:09)- The Guv And Jabi- More Mushroom Keeper Lore (14:24)- Bisco To The Rescue (18:04)- A Wild Milo Appears & OMG, They Did THAT?!? (22:14)- What Will Happen Next & Final Thoughts Grades: WILL GRADE SERIES/SEASON AT THE END Welcome to LRM's Anime-Versal Reviews Podcast! Anime is a broad category of cartoons, traditionally made in Japan, that has captivated millions worldwide. The contributors at LRM Online are some of those millions and are proud to present a new review series dedicated to ANIME! This one is odd though, we may have several reviews going on at one time! How cool is that? Do you have a suggestion for us to discuss? Is there a fall or winter seasonal Anime you suggest we review? Let us know in the comments or on social media! Did you miss the last Anime-Versal Review? Get it here: open.spotify.com/episode/6Q4olANI…l5ToWYO47gNhrngg Question of the week: What are your feelings on Sabikui Bisco after this episode? Support: The GenreVerse has a lot of entertaining podcasts to offer! LRM's No Mercy covers Cobra Kai and the Marvel craze continues on Marvel Multiverse Mayhem. Also, classics like BGRtP, The Cantina Podcast, and The Daily COG are still going! Check out the new podcast, The Dragon Reviewed as well! Please like, share, and SUBSCRIBE to the podcast. This will help us help you! Also, by getting more visibility, with more feedback, and a bigger audience, we can provide more content for YOU! Seriously… You're just gonna skip the subscribe/follow button? Fine, your loss… Visit our websites: www.lrmonline.com www.genreverse.com Follow us on twitter: twitter.com/LRM_Exclusive twitter.com/TheGenreVerse Kyle: twitter.com/ThatKyleMalone Christine: twitter.com/adorabledoom Brian YouTube: www.youtube.com/channel/UCPmuColevvFf2mKNuT7jACw Spotify: open.spotify.com/artist/4h1ngeRAmfYxWdzeblFmNe Soundcloud: @los-fanboys Stitcher: www.stitcher.com/show/lrm-online Apple: podcasts.apple.com/us/podcast/lrm-…1082156294?mt=2
#SabikuiBisco #Anime #AnimeVersalReviews #AVRPodcast #LRMOnline #TheGenreVerse NOW ON THE GENREVERSE YOUTUBE CHANNEL! SUBSCRIBE HERE: www.youtube.com/channel/UCnGVcI3Swk6XdnkgLLPEySg Join Kyle (Daily COG), Christine (No Mercy Podcast) and Brian (PulpMythos on YouTube) as they discuss one of the strangest Anime to ever Anime, Sabikui Bisco. If you had issues with last week's episode, this week's should set things right. There is a lot of action, some cool character moments, and more questions about the giant freaking creatures in this series! Be sure to check out our sponsor Grow Generation: Where the Pros Go to Grow. www.GrowGeneration.com (00:00)- Intro & Sabikui Bisco Episode 7 Review (06:02)- Fantastical Elements & Mushroom Keeper Blood (09:07)- The Guv & Theories On His Motives (15:11)- Milo Vs. Bisco: Some Cool Classic Anime Clichés (19:17)- Thoughts On Next Week's Teaser & More About Gov. Kurokawa (21:34)- Brian Started Watching Mushoku Tensei & Final Thoughts Grades: WILL GRADE SERIES/SEASON AT THE END Welcome to LRM's Anime-Versal Reviews Podcast! Anime is a broad category of cartoons, traditionally made in Japan, that has captivated millions worldwide. The contributors at LRM Online are some of those millions and are proud to present a new review series dedicated to ANIME! This one is odd though, we may have several reviews going on at one time! How cool is that? Do you have a suggestion for us to discuss? Is there a fall or winter seasonal Anime you suggest we review? Let us know in the comments or on social media! Did you miss the last Anime-Versal Review? Get it here: https://open.spotify.com/episode/0RIe78TBIekHko9yrCkzta?si=1P5Dh2c6Tp656pEKOFqE6g Question of the week: What are your feelings on Sabikui Bisco after this episode? Support: The GenreVerse has a lot of entertaining podcasts to offer! LRM's No Mercy covers Cobra Kai and the Marvel craze continues on Marvel Multiverse Mayhem. Also, classics like BGRtP, The Cantina Podcast, and The Daily COG are still going! Check out the new podcast, The Dragon Reviewed as well! Please like, share, and SUBSCRIBE to the podcast. This will help us help you! Also, by getting more visibility, with more feedback, and a bigger audience, we can provide more content for YOU! Seriously… You're just gonna skip the subscribe/follow button? Fine, your loss… Visit our websites: www.lrmonline.com www.genreverse.com Follow us on twitter: twitter.com/LRM_Exclusive twitter.com/TheGenreVerse Kyle: twitter.com/ThatKyleMalone Christine: twitter.com/adorabledoom Brian YouTube: www.youtube.com/channel/UCPmuColevvFf2mKNuT7jACw Spotify: open.spotify.com/artist/4h1ngeRAmfYxWdzeblFmNe Soundcloud: @los-fanboys Stitcher: www.stitcher.com/show/lrm-online Apple: podcasts.apple.com/us/podcast/lrm-…1082156294?mt=2
11e épisode consacré à FMA (Fullmetal Alchemist) écrit et dessiné par Hiromu ARAKAWA.Perfect Edition en cours de parution chez Kurokawa.Tome 10 disponible en Mars 2022 ici : https://www.kurokawa.fr/fullmetal-alchemist-perfect-t10-tome-10 N'hésitez pas à aller regarder l'anime ! FMA dispo sur Netflix & FMA Brotherhood n'est plus sur les plateformes de streaming.. Crédit Audio : Again - YUI (Opening 1 FMA Brotherhood)Intermission Fullmetal AlchemistSong of the Samurai - Elijah Nang––––––––––––––––––––––––––––––Extrait deG.P.R Beat - KatanaTéléchargement gratuit : bit.ly/3ajczQ1Musique proposée par Audio Libre : youtu.be/c20Lo1gG5FQ
Tại Pháp, « manga » – truyện tranh Nhật Bản, giờ là một trong những món quà không thể thiếu trong các dịp lễ Noel, Tết mừng năm mới. Năm 2021, số lượng manga bán ra ở Pháp đã đạt con số kỷ lục : 50% truyện tranh bán ra là các tập manga Nhật Bản. Vì sao người Pháp lại mê truyện tranh Nhật Bản đến thế ? Ngày 08/12/2021, tập thứ 100 của One Piece – bộ truyện tranh Nhật Bản bán chạy nhất tính từ năm 1997 (25 triệu bản tại Pháp) – đã ra mắt giới hâm mộ với 250.000 ấn bản. Một con số tương đương với một tác phẩm văn học được trao giải Goncourt. Đây chỉ là một phần trong thị trường manga đang nở rộ tại Pháp. Khủng hoảng dịch tễ không thể ngăn cản mức tăng trưởng với ba con số ấn tượng trong thị trường truyện tranh ở Pháp : 124%. Năm 2021, lần đầu tiên số đầu sách bán ra đạt mức kỷ lục 28 triệu bản trong giai đoạn từ tháng 1 đến tháng 8/2021, so với con số 20 triệu bản truyện tranh truyền thống, theo số liệu từ Viện GfK. Manga : Truyện ba xu đổ bộ đến lãnh địa của Tintin Đối với các nhà phát hành tại Pháp, « thị trường manga đang trong thời kỳ hoàng kim ». Xuất hiện lần đầu ở Nhật Bản trong những thập niên 1930, « Manga » - còn có nghĩa là mạn họa, du nhập vào Pháp vào những năm 1990. Vào thời điểm đó, thể loại truyện tranh Nhật Bản này bị phản đối, từng bị ví là loại truyện tranh ba xu, rẻ tiền, ngôn từ nghèo nàn, bạo lực. Đến mức tại nước láng giềng, đích thân vua Bỉ tìm cách cấm đoán loại truyện tranh mà ông cũng cho là bạo lực và vô bổ. Nhưng bất chấp những chỉ trích mạnh mẽ, thị phần manga Nhật Bản không ngừng tăng. Mười lăm năm sau ngày « đổ bộ », manga chiếm đến 38% thị trường truyện tranh ở Pháp. Tính đến 31/12/2005, đã có đến 628 đầu sách của 231 tác giả được dịch sang tiếng Pháp. Và 15 năm tiếp theo, năm 2021, thị phần manga Nhật Bản lên đến 50%. Làm thế nào mà manga, một thể loại truyện tranh dân gian dài tập, chủ yếu dựa trên những hình thức thái quá, đối đầu, và khoái cảm nhục dục, lại có thể gây được tiếng vang ở Pháp ? Trước hết, giới chuyên ngành đều nhìn nhận công đầu thuộc về Jacques Glénat và Dorothée. Người thứ nhất đã cho du nhập lọai truyện tranh từ Nhật Bản. Người thứ hai đã biết cách thổi bùng ngọn lửa nhu cầu. Để rồi từ đó, lần lượt các bộ One Piece, Naruto, Dragon Ball – 7 viên ngọc rồng… lần lượt đổ bộ lên mảnh đất của Tintin, Gaston Lagaffe hay Asterix. Trả lời báo Les Echos, bà Marion Glénat, Corveler, con gái Jacques Glénathồi tưởng : « Vào cuối những năm 1980, cha tôi có một chuyến đi đến Tokyo. Trong va-li của mình, ông mang theo bộ truyện tranh "Les passagers du vent" với hy vọng bán được cho các nhà xuất bản Nhật. Họ nghe ông ấy một cách rất lịch sự, nhưng lại nói với cha tôi rằng họ cũng có vài thứ để đề nghị. Cuối cùng, cha tôi đi về với chiếc va-li chất đầy manga và tự nhủ : Thử xem sao ! » Nhưng nhà nghiên cứu Jean-Marie Bouissou, trong một bài viết đăng trang mạng CAIRN.INFO hồi năm 2006, từng lưu ý rằng công nghệ văn hóa Nhật Bản là nhà vô địch về « truyền thông hỗn hợp », chia nhỏ lợi nhuận và mở nhiều kênh tuyên truyền để có thể luồn lách các chính sách bảo hộ tại nhiều nước. Tại Pháp, đất nước mà manga vấp phải thái độ thù nghịch từ các bậc phụ huynh, các nhà giáo dục, giới truyền thông, các cơ quan công quyền và nhiều nhà xuất bản truyện tranh lớn, việc thâm nhập được tiến hành thông qua các loạt phim hoạt hình nhiều tập, tiếp đến là các loại trò chơi điện tử và các lá bài như Pokemon, Yu Gi Oh. Nghiên cứu của Jean-Marie Bouissou nhận thấy 95% những người được hỏi cho biết họ đã đến với manga đều thông qua các phương tiện trên. Về điểm này, Grégoire Hellot, giám đốc sưu tập nhà xuất bản Kurokawa, trong một chương trình của đài France Inter hồi năm 2018, có nhớ lại như sau : « Điều này cũng tương tự cho tất cả các nước khác Tây Ban Nha, Ý, bắt đầu từ loạt phim Goldorak, Candy, Albator, đổ vào Pháp cuối những năm 1970. Trẻ em thời kỳ đó rất thích những bộ phim này. Rồi sau đó, còn có chương trình truyền hình câu lạc bộ Dorothe kết hợp với các loạt phim hoạt hình như Những hiệp sĩ của cung hoàng đạo, Những kẻ sống sót, v.v… Phim hoạt hình Nhật Bản cung cấp một phong cách kể chuyện và những câu chuyện sâu sắc hơn nhiều so với phim hoạt hình Mỹ thời bấy giờ, phải nói là quá nghiêm túc. Trong khi đó, phim hoạt hình Nhật Bản nói đủ chuyện, người ta có thể nói là họ cố gắng không đánh lừa trẻ em. Họ giới thiệu nhiều câu chuyện giàu cảm xúc, khiến trẻ em cảm động. Những câu chuyện đó đi theo trẻ cho đến khi chúng trở thành thanh thiếu niên vào cuối những năm 90. Nhưng nghị sĩ thời kỳ đó là Ségolène Royal đã làm đảo lộn mọi thứ khi cho rằng phim hoạt hình Nhật Bản làm cho người ta trở nên điên rồ và thế là không còn phim hoạt hình Nhật Bản trên truyền hình nữa. Do vậy, có một nhu cầu và nhờ vậy mà vào thời điểm đó những bộ truyện tranh giấy đầu tiên được xuất bản. Những người trẻ tuổi, thanh thiếu niên đã từng được xem phim hoạt hình và không còn xem phim hoạt hình nữa, nhưng vẫn tiếp tục yêu thích chúng đã đắm mình vào truyện tranh và rồi từ đó mà truyền tai nhau. » Manga và những phân khúc thị trường Một điểm khác khiến manga dễ dàng chinh phục thị trường truyện tranh Pháp đó là sự đa dạng phân khúc thị trường, theo giới tính, đủ mọi lứa tuổi… Trong thể loại này, người ta có « shônen manga » (dành cho nam thiếu niên) và « shôjo manga » (dành cho thiếu nữ). Rồi còn có những loại manga dành cho các đối tượng trưởng thành hơn như « seinen manga » (dành cho người lớn trẻ tuổi), loạt truyện dài tập lịch sử, rồi còn có « shakai manga » (chuyên nói về những vấn đề xã hội) hay như « gekiga » (chuỗi tập truyện cho người lớn thường bạo lực và u tối). Đối với anh Grégoire Hellot, đây chính là thế mạnh để manga Nhật Bản có thể cạnh tranh trực diện với các thể loại « Comics » của Mỹ và truyện tranh truyền thống Pháp – Bỉ. « Manga Nhật Bản bắt đầu từ cho trẻ nhỏ và có rất nhiều phân khúc thị trường. Có những tập truyện dành cho nam giới, nhưng cũng có loại truyện dành cho nữ giới. Truyện cho phụ nữ đi làm, cũng như là truyện cho các bà nội trợ. Nhưng đối tượng chính của manga vẫn là lứa tuổi thanh thiếu niên. Truyện tranh phương Tây, bất kể là Mỹ hay Pháp người ta thường có xu hướng xấu hổ hay bối rối khi nói về những câu chuyện yêu đương trong lĩnh vực giải trí. Trong khi đó manga Nhật Bản không ngần ngại đi sâu vào tâm lý của các nhân vật. Nghĩa là quý vị có thể sẽ thấy những nhân vật siêu anh hùng có thể đấm vỡ một bức tường, hay một cô gái xuất hiện nói ấp a ấp úng. Những nhân vật mà một thanh thiếu niên có thể dễ dàng tìm thấy chính mình. » Điểm cuối cùng làm nên lợi thế cho manga Nhật Bản là có kích cỡ nhỏ, dễ dàng bỏ túi để có thể đọc trên tầu điện ngầm. Giá một tập manga cũng « mềm » chỉ tầm từ 6-10 euro, thay vì là từ 15-19 euro đối với một tập truyện tranh có kích cỡ lớn hơn một chút một tờ giấy khổ A4. Manga : Một phần di sản văn học Với hơn 28 triệu ấn bản (40 triệu theo Les Echos) trong năm 2021, nước Pháp được ví như là « tổ quốc » thứ hai của manga. Truyện tranh Nhật Bản gần như là sản phẩm văn hóa không thể thiếu tại các hiệu sách, bất kể quy mô lớn nhỏ. Tại Montpellier, hiệu sách Sauramps, lớn nhất của thành phố, từ 15 năm qua đã dành hẳn một gian riêng cho manga Nhật Bản. Trả lời RFI Tiếng Việt, Leslie Bonnet, một nhân viên phụ trách gian sách manga cho biết, mỗi tháng hiệu sách bán ra khoảng 16.000 quyển manga cho khoảng 300 đầu sách, cho đủ mọi lứa tuổi từ 8 đến trên 50. Theo lời cô Bonnet, nhu cầu về sách tăng vọt đến mức hiệu sách phải tính đến chuyện mở rộng thêm gian hàng trong sắp tới : « Từ hai năm nay, nhu cầu về truyện tranh Nhật Bản bất ngờ bùng phát. Đến mức hiện tại chúng tôi thiếu cả chỗ để sách. Nếu muốn đáp ứng được nhu cầu thị trường, sớm hay muộn gì chúng tôi cũng sẽ phải nới rộng gian hàng. Đúng là trong vòng có hai năm, gian hàng này đã được cơi nới thêm gần như một gian rưỡi nữa. » Cũng theo Leslie Bonnet, doanh thu từ manga hiện nay là bằng một nửa của truyện tranh. « Về mặt doanh số, đúng là doanh số bán ra của manga là bằng một nửa truyện tranh. Điều đó có nghĩa là để có thể bằng với doanh số của truyện tranh truyền thống, số đầu sách manga bán ra phải nhiều hơn gấp 3 lần. Bình thường một tập truyện tranh giá khoảng 15 euro, trong khi một tập manga chỉ có 6 đồng. » Trước nhu cầu ngày càng lớn và thế hệ « phim hoạt hình Nhật Bản » nay cũng đã trưởng thành, một thế hệ nhà bán sách mới, đam mê manga, ra đời. Một lợi thế cho nhiều nhà sách nhỏ để có thể cạnh tranh, đồng thời cho phép nhiều người hâm mộ được chìm đắm trong thế giới nhân vật ưa thích của mình. « Đúng vậy, cần phải hiểu rõ lĩnh vực này để có thể hướng dẫn khách hàng. Điểm lợi hiệu sách manga ở đây thường chúng tôi là những fan hâm mộ, rất thích đọc manga nữa. » Để vinh danh nền nghệ thuật thứ 9 này, một bức ảnh cỡ lớn (XXL) nhân vật chính Kaiju trong bộ truyện cùng tên đã được dán một bên tường kính của BNF. Một cách thức để nhìn nhận manga Nhật Bản giờ cũng là một phần của di sản văn học, như lời nhận định của bà Marine Planche, Trung tâm Văn học Quốc gia dành cho giới trẻ, thuộc Thư Viện Quốc Gia Pháp (BNF), trên đài TV5Monde. « Đó cũng là một phần của những điều tạo nên ngành xuất bản sách, một phần của di sản văn học Pháp, có thể sánh ngang vai cùng với bao thể loại khác. Ở đây có một lĩnh vực đang ngày càng được công nhận một cách hợp pháp. »
Pat Kurokawa joined us this episode. We discussed current military events, our POG Pro, the Scum Bag SM's of the week, and our Military Movie Review. Pat educated us about the in's and out's of being a volunteer firefighter. Semperhooah.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/semperhooah/message Support this podcast: https://podcasters.spotify.com/pod/show/semperhooah/support
Are you looking for a new career or want to jump start your retirement funds? Chihiro was stuck in his old job as a claims adjuster for 10 years and then as a financial analyst. He felt trapped and unfulfilled. But he made the decision to make a change, and it paid off! Now he's living his dream life as an investor, working with people just like you who are ready to take their lives into their own hands. You can do it too! The truth is that there are no shortcuts when it comes to success in real estate investing. It takes time, effort, patience…and sometimes sacrifices along the way. But if you're willing to work hard now so that you can live your best life later – then this might be right up your alley! Listen and learn from someone who has been where you are today – but didn't let fear stop him from making a meaningful sacrifice for success. For links and resources discussed in this episode, please visit our show notes at https://darinbatchelder.com/sacrifice-for-success
Ohayo les nakamas ! ⛩
Durée : 0:29:53 | Publié le : 11/10/21 Interventants : Jérôme WICKY | Traducteur de comics et auteur du livre Gō Nagai - Mangaka de légende édité par FANTASK. Grégoire HELLOT | Directeur de collection des éditions KUROKAWA et auteur du magazine Animeland Hors-Série N° 01 (Spécial Go Nagai). Documentations : Nom : Gō Nagai | Mangaka de Légende Format : Livre Auteur : Jérôme Wicky Date de sortie : 7 juillet 2017 Éditeur : Éditions Fantask Broché : 472 pages Langue : Français ISBN-10 : 2374940128 ISBN-13 : 978-2374940120 Nom : Gō Nagai | Le Diable du manga (ATOM #13) Format : Mook Auteur : Collectif Date de sortie : 30 janvier 2020 Éditeur : Custom Publ Broché : 132 pages Langue : Français ISBN-10 : 2490308181 ISBN-13 : 978-2490308187 Nom : Jump | L'Âge d'Or du Manga Format : Livre Auteur : Hiroki Gotô Traductrice : Julie Seta Date de sortie : 4 juillet 2019 Éditeur : Kurokawa Collection : KuroPop Broché : 472 pages Langue : Français ISBN-10 : 236852827X ISBN-13 : 978-2368528273 Nom : Hors Série Spécial Go Nagai (Animeland Hors-Série #01) Format : Magazine Auteur : Collectif Coordinateur : Grégoire Hellot Date de sortie : 11 octobre 1997 Éditeur : Ynnis Edition Collection : ANIMEland Agrafé : 100 pages Langue : Français Couverture : Double Nom : Rumiko Takahashi | Reine du manga Format : Livre Autrice : Pauline Croquet Date de sortie : 27 novembre 2020 Éditeur : Édition Pix'n Love Broché : 250 pages Langue : Français ISBN-10 : 2371880841 ISBN-13 : 978-2371880849 Musiques : Nom : 鉄腕アトム (Tetsuwan Atom) Tiré de : Tetsuwan Atom Original Sound Track Format : Cassette audio Chant : Atoms Parolier : Shuntaro Tanikawa Compositeur : Tatsuo Takai Arrangeur : Shigeaki Saegusa Date de sortie : 21 décembre 1980 Label : For Life Records Langue : Japonais Numéro de catalogue : 25C-2 Nom : オープニング (ouverture) Tiré de : Cyborg 009 Original Soundtrack 1 (Shōtarō Ishinomori Manga Ongakutaizen 5) Format : Compact disc Compositeur : Taichirou Kosugi Arrangeur : Taichirou Kosugi Date de sortie : 20 février 1999 Label : Columbia Réalisation : NIPPON COLUMBIA CO., LTD. Langue : Japonais Numéro de catalogue : COCX-30304~5 Code-barres : 4988001284796 Nom : デビルマンのうた (カラオケ) (La chanson de Devilman (Karaoké)) Tiré de : DYNAMIC PRO FILMS ETERNAL EDITION File No.11 & 12 DEVILMAN Format : Compact disc Compositeur : Go Misawa Arrangeur : Go Misawa Date de sortie : 23 juillet 2003 Label : Columbia Music Entertainment Réalisation : Columbia Music Entertainment Langue : Japonais Numéro de catalogue : COCX-32285~6 Code-barres : 4988001922636 Nom : オープニング～(歌) マジンガーZ (Ouverture ~ (chanson) Mazinger Z) Tiré de : Mazinger Z Original Soundtrack-ban Format : Cassette audio Chant : Ichiro Mizuki Parolier : Fumihiko Azuma Compositeur : Chumei Watanabe Arrangeur : Chumei Watanabe Date de sortie : 10 avril 1978 Label : Columbia Réalisation : NIPPON COLUMBIA CO., LTD. Langue : Japonais Numéro de catalogue : CPY-504 Documents d'archives : Nom : マジンガーZ (Mazinger Z) Format : Série Animée Nombre d'épisodes : 92 Durée des épisodes : 25 minutes Auteur : Gō Nagai Réalisateur : Tomoharu Katsumata Compositeur : Michiaki Watanabe Date de sortie : 3 décembre 1972 Langue : Japonais Diffuseur : Fuji Television Studio d'animation : Tōei Animation Nom : マジンカイザー (Mazinkaiser) Format : Série Animée Nombre d'épisodes : 7 Durée des épisodes : 30 minutes Auteur : Gō Nagai Réalisateur : Masahiko Murata Compositeur : Kazuo Nobuta Date de sortie : 25 septembre 2001 Langue : Japonais Diffuseur : Dynamic Planning Studio d'animation : Brains Base, Dynamic Planning et Bandai Visual Nom : マジンガーＺ対暗黒大将軍 (Mazinger Z contre l'armée des ténèbres) Format : Film d'Animation Nombre d'épisodes : 1 Durée des épisodes : 43 minutes Auteur : Gō Nagai Réalisateur : Tomoharu Katsumata Compositeur : Michiaki Watanabe Date de sortie : 3 décembre 1972 Langue : Japonais Diffuseur : Fuji Television Studio d'animation : Tōei Animation Nom : グレートマジンガー (Great Mazinger) Format : Série Animée Nombre d'épisodes : 56 Durée des épisodes : 25 minutes Auteur : Gō Nagai Réalisateur : Tetsuo Imazawa, Masayuki Akechi, Nobuo Onuki, Takeshi Tamiya, Tomoharu Katsumata et Yasuo Yamayoshi Compositeur : Michiaki Watanabe Date de sortie : 8 septembre 1974 Langue : Japonais Diffuseur : Fuji Television Studio d'animation : Tōei Animation Nom : 宇宙円盤大戦争 (La grande bataille des soucoupes volantes) Format : Film d'Animation Nombre d'épisodes : 1 Durée des épisodes : 29 minutes Auteur : Gō Nagai Réalisateur : Yugo Serikawa Scénariste : Chiaki Imada Compositeur : Shunsuke Kikuchi Producteur : Shozo Uehara Date de sortie : 26 juillet 1975 Langue : Japonais Diffuseur : Fuji Television Studio d'animation : Toei Doga et Tōei Animation Nom : UFOロボ・グレンダイザー (UFO Robot Grendizer) Format : Série Animée Nombre d'épisodes : 74 Durée des épisodes : 25 minutes Auteur : Gō Nagai Réalisateur : Tomoharu Katsumata et Masayuki Akehi Scénariste : Shozo Uehara, Mitsuru Majima, Tatsuo Tamura, Keisuke Fujikawa et Toyohiro Ando Compositeur : Shunsuke Kikuchi Producteur : Chiaki Imada et Toshio Katsuta Date de sortie : 5 octobre 1975 Langue : Japonais Diffuseur : Fuji Television Studio d'animation : Tōei Animation et Dynamic Planning
How do we think about our customers? How authentic are our communications as a result? Are we telling enough stories about them? In this week's show, we will see how a master of communication does it. I am sure you have you seen notices explaining that this location is going to close while the building is being reconstructed and that it will reopen at a specified day in the future? One notice however has become much talked about locally amongst Japanese retailers. Toraya are a famous traditional Japanese sweets manufacturer and retailer. Mr. Mitsuhiro Kurokawa is the 17th generation of his family to lead the business and his “we are rebuilding” notice is considered outstanding, even in a country where omotenashi or unparalleled service is renowned. Most such notices tell facts, supply relevant data, maps and provide the obligatory greetings about serving us again when they reopen. Kurokawa san did all of that but much more. He put the current change in historical perspective, noting the business started in Kyoto in 1586, moving to Tokyo in 1869 and to this location in 1964. By doing this he is assuring us of their long traditions, longevity and capacity to change with the times when needed. He then started to tell some stories about the customers they have had at this shop on Aoyama Street in Akasaka, over the last 51 years. What stories are you currently telling to your clients? He mentioned that every three days, a male customer visited the shop to enjoy oshiruko (bean paste sweet soup with grilled mochi). Another customer, a kindergarten aged boy came with his mother to the shop every day and bought a bite sized yookan (sweet bean paste block). A 100 year old lady regularly came by wheelchair to the shop. She later became hospitalized and her family came to buy namagashi (fresh Japanese sweets) and higashi (a dried sugar sweet), to take to the hospital for her. Even after she couldn't eat anything anymore, they found if they crushed the dried sugar sweet she could still enjoy it. He mentioned that he couldn't include all of the episodes they have shared over these 51 years with their customers, but he said he and the staff keep them, one by one, in their hearts forever. Telling customer stories is powerful. Kurokawa san made the customers experiences come alive and he subtly linked them to the products they enjoyed. The feeling of the notice is that there is a special bond they feel with all of their customers and even though they won't reopen on that site for another three years, they won't have forgotten them and look forward to serving them forever. Are we communicating we feel a special bond with our customers? Are we weaving enough customer stories into our communications? Kurokawa san's notice gets attention in Japan because of the sincerity in the message. He is regarded as really epitomising the spirit of a family that has served customers for 17 generations. We may not be the 17th generation in our business, but we can bring more heart into the service we provide our customers. Action Steps Are we really thinking about creating an emotional connection with our clients Are we telling enough happy client stories in our communications Are we fully aware of the content of all the touch points we have with our buyers Are we serving from the heart or just the head Are we instilling the right frame of reference into our staff, regarding how to properly serve the client.
Title: Grinding in the Multifamily Space with Chihiro Kurokawa Chihiro founded his firm in 2017 and has since acquired, owned, and operated three multifamily properties, which all have profitably gone full cycle. Let's tune in to his story! [00:01 - 06:10] Opening Segment Get to know my guest Chihiro Kurokawa How Chihiro began with Multifamily Space Corporate world can't sustain you forever Tasting freedom Getting the proper education The motivation [06:11 - 14:17] Why Multifamily? Making “real” money “Financial Independence” money Equity Multifamily is Hard (yet rewarding) Losing tracks before getting a successful deal [14:18 - 22:33] Multifamily is Hard: Closing Deals Rolling along with the Situation Adapting to inevitable change Turning property around Incremental progress Having the right partners Pleasing the buyers [22:34 - 25:02] Closing Segment Final words Connect with my guest, Chihiro in the links below Resources Mentioned The Most Important Thing by Howard Marks Tweetable Quotes “You don't make real money without taking risks.” - Chihiro Kurokawa “There's always these issues that come up with deals, it seems inevitable. There's always some sort of quirk and you've got to figure out how to roll with the punches and just adapt.” - Chihiro Kurokawa “Investing is about the more value you create, the more you're going to get paid.” - Chihiro Kurokawa ------------------------------------------------------------------------ Connect with Chihiro through Instagram and LinkedIn Learn more from his website www.BlackRiverEP.com and psandpartners.com Send Bronson an email cgk@blackriverep.com WANT TO LEARN MORE? Connect with me through LinkedIn Or send me an email sujata@luxe-cap.com Visit my website www.luxe-cap.com or my Youtube channel Thanks for tuning in! If you liked my show, LEAVE A 5-STAR REVIEW, like, and subscribe!
Cinema_PSYOPS_EP298: Sex and Fury 1973 The first of two films in which Japanese exploitation star Reiko Ike played the character of Inoshika Ocho. After the murder of Ocho’s policeman father, it is revealed that she has grown up to become a professional gambler as she searches for her father’s killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina (Christina Lindberg), an American spy posing as a gambler. Legion Patreon: https://www.patreon.com/LegionPodcasts/posts Spotify: https://open.spotify.com/show/0PhshKRtKhh4ESfKhrer6s?si=7M_fLKDsRomBgiowA0WWOA Apple Podcasts: https://podcasts.apple.com/us/podcast/cinema-psyops/id1037574921?mt=2&ls=1 Stitcher: http://www.stitcher.com/podcast/cinema-psyops Android: https://subscribeonandroid.com/www.legionpodcasts.com/category/cinema-psyops/feed/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubGVnaW9ucG9kY2FzdHMuY29tL2NhdGVnb3J5L2NpbmVtYS1wc3lvcHMvZmVlZC8 iHeartRADIO: https://www.iheart.com/podcast/269-cinema-psyops-77894788/ Pandora: https://www.pandora.com/podcast/cinema-psyops/PC:60333 Podchaser: https://www.podchaser.com/podcasts/cinema-psyops-24413 Subscribe By Email: https://subscribebyemail.com/www.legionpodcasts.com/category/cinema-psyops/feed/ Cinema PSYOPS Main page: http://www.legionpodcasts.com/cinema-psyops/ RSS: https://www.legionpodcasts.com/category/cinema-psyops/feed/ Email feedback to Matt: psyopmatt@gmail.com Cort : cinemapsyopscort@gmail.com Find on twitter Cort: @Cort_PSYOP Matt: @psyopmatt Join the FaceBook group: https://www.facebook.com/groups/1616282625298374/ Instagram: cinema_psyops
Cinema_PSYOPS_EP298: Sex and Fury 1973 The first of two films in which Japanese exploitation star Reiko Ike played the character of Inoshika Ocho. After the murder of Ocho’s policeman father, it is revealed that she has grown up to become a professional gambler as she searches for her father’s killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina (Christina Lindberg), an American spy posing as a gambler. Legion Patreon: https://www.patreon.com/LegionPodcasts/posts Spotify: https://open.spotify.com/show/0PhshKRtKhh4ESfKhrer6s?si=7M_fLKDsRomBgiowA0WWOA Apple Podcasts: https://podcasts.apple.com/us/podcast/cinema-psyops/id1037574921?mt=2&ls=1 Stitcher: http://www.stitcher.com/podcast/cinema-psyops Android: https://subscribeonandroid.com/www.legionpodcasts.com/category/cinema-psyops/feed/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubGVnaW9ucG9kY2FzdHMuY29tL2NhdGVnb3J5L2NpbmVtYS1wc3lvcHMvZmVlZC8 iHeartRADIO: https://www.iheart.com/podcast/269-cinema-psyops-77894788/ Pandora: https://www.pandora.com/podcast/cinema-psyops/PC:60333 Podchaser: https://www.podchaser.com/podcasts/cinema-psyops-24413 Subscribe By Email: https://subscribebyemail.com/www.legionpodcasts.com/category/cinema-psyops/feed/ Cinema PSYOPS Main page: http://www.legionpodcasts.com/cinema-psyops/ RSS: https://www.legionpodcasts.com/category/cinema-psyops/feed/ Email feedback to Matt: psyopmatt@gmail.com Cort : cinemapsyopscort@gmail.com Find on twitter Cort: @Cort_PSYOP Matt: @psyopmatt Join the FaceBook group: https://www.facebook.com/groups/1616282625298374/ Instagram: cinema_psyops
Cinema_PSYOPS_EP298: Sex and Fury 1973 The first of two films in which Japanese exploitation star Reiko Ike played the character of Inoshika Ocho. After the murder of Ocho’s policeman father, it is revealed that she has grown up to become a professional gambler as she searches for her father’s killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina (Christina Lindberg), an American spy posing as a gambler. Legion Patreon: https://www.patreon.com/LegionPodcasts/posts Spotify: https://open.spotify.com/show/0PhshKRtKhh4ESfKhrer6s?si=7M_fLKDsRomBgiowA0WWOA Apple Podcasts: https://podcasts.apple.com/us/podcast/cinema-psyops/id1037574921?mt=2&ls=1 Stitcher: http://www.stitcher.com/podcast/cinema-psyops Android: https://subscribeonandroid.com/www.legionpodcasts.com/category/cinema-psyops/feed/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubGVnaW9ucG9kY2FzdHMuY29tL2NhdGVnb3J5L2NpbmVtYS1wc3lvcHMvZmVlZC8 iHeartRADIO: https://www.iheart.com/podcast/269-cinema-psyops-77894788/ Pandora: https://www.pandora.com/podcast/cinema-psyops/PC:60333 Podchaser: https://www.podchaser.com/podcasts/cinema-psyops-24413 Subscribe By Email: https://subscribebyemail.com/www.legionpodcasts.com/category/cinema-psyops/feed/ Cinema PSYOPS Main page: http://www.legionpodcasts.com/cinema-psyops/ RSS: https://www.legionpodcasts.com/category/cinema-psyops/feed/ Email feedback to Matt: psyopmatt@gmail.com Cort : cinemapsyopscort@gmail.com Find on twitter Cort: @Cort_PSYOP Matt: @psyopmatt Join the FaceBook group: https://www.facebook.com/groups/1616282625298374/ Instagram: cinema_psyops
Cette semaine dans MangaDiscovery, votre podcast sur le manga favoris, on vous parle d'une bande dessinée qui a fait les beaux jours du Shonen Jump aux cotés de Bleach, Naruto ou One Piece.elle a un peu sombré dans l'oubli à cause de sa fin décevante mais elle réapparait dernièrement grâce à une nouvelle édition mais surtout a un nouvelle anime : Shaman King ! On commence l'émission avec les mini reviews, chaque membres de l'équipe vous parle d'un titre qui l'a marqué dernièrement. les mini reviewJudas vous présente Samurai Deeper Kyode Akimine Kamijō édité chez Kana en en 38 tomes Diane vous parle de The ancient magus bridede Kore Yamakazi que vous pouvez retrouver chez Komikku en 15 tomes Julian lui a eu un coup de cœur pour Spy X Familyde Tatsuya Endo édité par Kurokawa avec 3 tomes pour l'instant James vous parle de Hajime no Ippode Georges Morikawa édité aussi par Kurokawa en 130 tomes c'est Eva qui finit avec Gisele Alainde Sui Kasai que vous retrouverez chez Ki-Oon en 5 tomes Ensuite on s'intéresse au petit nouveaux de l'équipe Julian qui nous rejoint pour vous parler de manga dans MangaDiscovery. Julian est libraire a Montpellier mais il est aussi vidéaste. Il tient la chaine YouTube CARAVANSÉRAIL qui vous explique en animation comment marche le petit monde du livre. N'hésitez pas a allez regardez sa chaine et a vous abonnez, en voici le lien : https://www.youtube.com/channel/UCHPhsDS5lHFhXPt471LNkTQ On passe enfin au sujet de l'émission : Shaman King de Hiroyuki TakeiYoh Asakura est un lycéen tranquille qui ne souhaite que mener une vie tranquille où il pourrait admirer les étoiles. Malheureusement pour lui, il a grandit dans une famille de Shaman et il a le pouvoir de voir les fantômes et à cause de ça il va devoir participer au Shaman Fight. Le tournoi qui a lieu tout les 500 ans qui désigne qui va devenir le prochain Shaman King.c'est le pitch du manga de Hiroyuki Takei dont on vous parle cette semaine dans MangaDiscovery, c'est un pur shonen nekketsu avec tout les clichés du genre : le tournoi, les différentes évolutions de pouvoirs, le sacrosaint pouvoir de l'amitié ou les rivaux qui vont devenir amis. Par certains cotés, il change un peu des autres manga du Shonen Jump, avec un héros plus calme ou une philosophie du zen qui est distillée tout le long de Shaman king mais surtout des personnages haut en couleurs. On finit l'émission avec un petit débat sur les fins des mangas dans le Shonen Jump, car Shaman King a marqué par une fin un peu brouillonne que l'auteur a eu la chance de pouvoir réécrire après la fin dans le Jump. Le mot de la finComme toujours nous vous invitons à découvrir le titre et à venir en parler avec nous ou bien encore à partager votre avis sur les news pour continuer le discussion ^^Si vous êtes sur Montpellier et que vous avez envie de venir passer un bon moment avec nous le mardi soir à partir de 20h , contactez-nous sur : comicsdiscovery@gmail.com Vous pouvez nous retrouver sur nos réseaux sociaux :Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/ Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryItunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :Youtube : https://www.youtube.com/c/ComicsDiscoveryTwitch : https://www.twitch.tv/jamesetfaye Si vous voulez nous soutenir vous pouvez le faire sur :Tipeee:https://fr.tipeee.com/james-et-faye Vous pouvez venir discuter avec nous sur notre serveur discord :Discord : http://discordapp.com/invite/GsBTkDS Et pour retrouver tout notre contenu vous avez notre site web :Le site de James & Faye : https://jamesetfaye.fr/
Starting his career as medical practitioner, specializing in nephrology (kidney disease) , Kiyoshi's field of activities took a big leap beyond the medical practice. At 84 years strong, Kiyoshi is one of the most globally recognized opinion leaders from Japan. He was the chairman of the Fukushima Nuclear Accident Independent Investigation Commission. “How could this happen in Japan, a country with reputation for excellence in engineering and manufacturing,” questions Kiyoshi. "Japan has to show leadership to learn from failure and disaster." Kiyoshi encourages the young people of Japan to “take a leap!” Getting college credit or not is irrelevant. It is the experience that should be valued, gaining new perspectives about Japan. For the world, Kiyoshi sends his greetings. “There are many young eager stars in Japan. Come work with us, come study with us.” We live in a connected world."
Second épisode de notre série dédié au manga de ONE et Yusuke MURATA. Les 23 Tomes du manga sont distribués et disponibles chez les éditions KUROKAWA.Lien vers le Tome 1 : https://www.kurokawa.fr/one-punch-man-tome-01-tome-1Disponible aussi en librairie et points de vente dédiés Crédit Audio :Extrait de l'Openning de l'anime ONE PUNCH MANTitre - THE HERO !! ～怒れる拳に火をつけろ～Artiste - JAM ProjectAlbum - AREA ZAuteurs-compositeurs - Hironobu KageyamaConcédé sous licence àLantis Company, Limited (au nom de Lantis); Polaris Hub AB, LatinAutorPerf, Sony ATV Publishing, NirvanaDigitalPublishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, UMPI, LatinAutor - SonyATV, PEDL, Create Music Publishing et 15 sociétés de gestion des droits musicaux ––––––––––––––––––––––––––––––Extrait deG.P.R Beat - KatanaTéléchargement gratuit : bit.ly/3ajczQ1Musique proposée par Audio Libre : youtu.be/c20Lo1gG5FQ
Chihiro started his commercial real estate journey in early 2017. Since then he has closed two multifamily deals, with one being under contract to sell as of this writing. Nothing gives him as much joy as providing outstanding risk-adjusted returns to his investors. In this episode, we talk about Social Media Networking for Real Estate Investors. Chihiro talks about the strategies he uses for his investments and how he builds his investment network. [00:01 – 07:44] Chihiro and BlackRiver Equity Partners I talk briefly about great values that await you in this episode I welcome our guest, Chihiro Kurokawa Chihiro talks about his real estate investing experienceEstablished BlackRiver Equity Partners back in 2017 The shift from buying existing multifamily assets to real estate development Building capable teams throughout the deals they’ve done [07:45 – 20:45] Social Media Networking for Real Estate Investors The power and impotence of teams and networking in real estate Strategies Chihiro uses to put his teams together, build relationships, and establish a larger networkUtilizing social networking platforms like Linkedin Generating more organic engagements in Linkedin compared to other social media apps Expanding to other social media platforms Staying on tasks and avoiding distractions brought on by social media platforms The worth of being part of Facebook to find groups and people you want to work with [20:46 – 27:03] Closing Segment Quick break for our sponsors What is the best investment you've ever made other than your education? What is the worst investment you ever made? What is the most important lesson that you've learned in business and investing?Enjoy making money, more than you enjoy spending it Connect with our guest. See the links below. Tweetable Quotes: “The heart of success in real estate is definitely relationships.” - Chihiro Kurokawa “You have to enjoy making money, more than you enjoy spending it.” - Chihiro Kurokawa Resources Mentioned: Black River Equity Partners Connect with Chihiro on Linkedin, and Instagram. Visit https://www.blackriverep.com/ LEAVE A REVIEW + help someone who wants to explode their business growth by sharing this episode or click here to listen to our previous episodes.
In this week's episode I discuss the gut-microbiome-brain axis and how it affects different aspects of our health and well-being. I begin by talking about the how the microbiome is one of the five natural defense systems in the body and ways that it is impacted by the foods we eat and how we digest them. I also highlight the impact of an imbalanced microbiome on a host of mental and physical health problems in ourselves, as well as its impact intergenerationally. Throughout this episode I highlight scientific research that demonstrates the connection between our gut and our brain – emotionally and physiologically - and weave in evidence-based principles and strategies drawn from Eastern and Western medicine for taking care of this gut-microbiome-axis in order to promote longevity, holistic wellness, and healing. I close with a brief mindfulness practice intended to help ground us before and/or after meals, and to enhance awareness of the internal emotions, sensations, and thoughts we may be experiencing and bringing in to mealtime, in order to enhance our ability to digest and more fully process foods and their nutrients. To connect more with Dr. Foynes: Check out the free 4-part video series on building resilience: https://melissafoynes.com/free-series 1:1 Coaching Program: https://melissafoynes.com/1-1-program Follow @drfoynes on Instagram. References & Additional Resources Bear, T. L., Dalziel, J. E., Coad, J., Roy, N. C., Butts, C. A., & Gopal, P. K. (2020). The role of the gut microbiota in dietary interventions for depression and anxiety. Advances in Nutrition, 11(4), 890-907. Cryan, J. F., & Dinan, T. G. (2012). Mind-altering microorganisms: the impact of the gut microbiota on brain and behaviour. Nature reviews neuroscience, 13(10), 701-712. Li, William W. Eat to Beat Disease: The New Science of How Your Body Can Heal Itself. Hachette UK, 2019. Mayer, E. (2018). The mind-gut connection: How the hidden conversation within our bodies impacts our mood, our choices, and our overall health. HarperCollins. Sanada, K., Nakajima, S., Kurokawa, S., Barceló-Soler, A., Ikuse, D., Hirata, A., ... & Kishimoto, T. (2020). Gut microbiota and major depressive disorder: A systematic review and meta-analysis. Journal of affective disorders, 266, 1-13. Simpson, C. A., Diaz-Arteche, C., Eliby, D., Schwartz, O. S., Simmons, J. G., & Cowan, C. S. (2020). The gut microbiota in anxiety and depression–A systematic review. Clinical Psychology Review, 101943. Yang, B., Wei, J., Ju, P., & Chen, J. (2019). Effects of regulating intestinal microbiota on anxiety symptoms: a systematic review. General psychiatry, 32(2). Please note that the information provided in this episode does not constitute professional advice or therapy, mental health services, or health care services, and is not intended to serve as a substitute for professional advice or services. If you are struggling with a mental health crisis or need immediate assistance, please call 911 or go to your nearest emergency room.
Join the Verb Japan team as they dive into the topic of the Direct Sales market in Japan. Verb has been dedicated to that market for quite some time, and in this episode you'll learn about the successes they've seen, pitfalls to avoid, and ways that you can start to tap into that market yourself.
We proposed a study on whether Malaysian architects, urban designers and planners refer to precedents of urban shophouses in the inner city streets of Malacca and George Town when coming up with concept and ideas in their work. Based on Michael Gibert's doctoral thesis, Kisho Kurokawa said that: "the difference between Western and Japanese concepts of space is the difference between spatial confrontation and spatial continuity", so do we Malaysian architectural designers think about these theories and put into practice and further that "the Japanese concept of space, on the contrary, reaches out to embrace nature, and to achieve unity and harmony with it, with always a conscious effort made to allow inner and outer space to inter-penetrate", so is that similar to our streets? I believe that the Malaysian precedents mentioned provided this sense of scale, intimacy, sense of proportion and materiality when I walked on those five-foot way and entering in and out those shophouses. Kurokawa also said: Asian public space is the street (no spatial or functional clear demarcations), and I felt that too when walking around in, it's close up and personal, but does that inspire Malaysian designers at all?© 2021 Talk Architecture, Author: Naziaty Mohd Yaacob
durée : 00:22:18 - Le Réveil culturel - par : Tewfik Hakem - Bilan 2020. Rencontre avec l'auteur Nicolas Tellop pour la parution de "Astro Boy, cœur de fer" aux éditions Impressions nouvelles, et Grégoire Hellot, directeur de collection des éditions Kurokawa et spécialiste du manga. - réalisation : Vincent Abouchar - invités : Grégoire Hellot directeur éditorial des éditions Kurokawa, éditeur des mangas Pokémon; Nicolas Tellop Auteur, critique et essayiste
durée : 00:22:18 - Le Réveil culturel - par : Tewfik Hakem - Bilan 2020. Rencontre avec l'auteur Nicolas Tellop pour la parution de "Astro Boy, cœur de fer" aux éditions Impressions nouvelles, et Grégoire Hellot, directeur de collection des éditions Kurokawa et spécialiste du manga. - réalisation : Vincent Abouchar - invités : Grégoire Hellot directeur éditorial des éditions Kurokawa, éditeur des mangas Pokémon; Nicolas Tellop Auteur, critique et essayiste
Acquisitions may often be the hardest part of starting your syndication business, and without determination and relentlessness, you may never get to where you want to go. Our guest today is known for his relentlessness and discipline. He has worked incredibly hard and it has definitely paid off. Welcome back to another episode of the Real Estate Syndication Show. Our guest today is Chihiro Kurokawa. Chihiro is a real estate private equity investor focused on multifamily.Our gracious sponsor: Gene Trowbridge and Jonathan Nieh, founding partners of the top syndication firm Trowbridge Law Group LLP have a legal team with over 50 years of combined experience in real estate syndication and the practice of real estate securities law. Over this time Gene and his partners, in several past firms and currently, have helped clients raise close to $5.0 billion dollars in offerings by empowering entrepreneurs to raise capital legally. To learn more about Trowbridge Law Group LLP, visit our website at www.trowbridgelawgroup.com or follow us on Facebook, Instagram, or Twitter.
Voici venu le Mangacast n°78 qui parle des 15 ans de Kurokawa ! 5 ans après avoir reçu l'éditeur, il revient pour nous parler. Entre anecdotes, décisions éditoriales, discussions, évolutions, on en apprend encore plus sur cet éditeur d'Univers Poche qui persiste et signe !
En 2015 nous avions enregistré le dossier Mangacast N°24 – Saga : Kurokawa, retour sur les 10 ans de la collection manga d’Univers Poche. 5 ans plus tard, l'équipe de Mangacast est toujours présente, tout comme l'éditeur d'Univers Poche, et il est donc temps de faire un point en cette année 2020 sur les éditions Kurokawa pour leur 15ème anniversaire. Dans ce dossier n°78, on aborde pour vous, notamment la ligne éditoriale, les différentes collections, les évolutions internes mais aussi, plus passionnant encore : les tops, les flops, les coup de cœur et les coups de gueule... Tout cela en compagnie de Grégoire Hellot une nouvelle fois présent parmi nous et dans les 2h qui nous étaient imparties pour respecter le nouveau couvre-feu actuellement en place. Bonne écoute à tous, en espérant que cela satisfera votre curiosité !
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.09.28.317461v1?rss=1 Authors: Aghasafari, P., Yang, P.-C., Kernik, D. C., Sakamoto, K., Kanda, Y., Kurokawa, J., Vorobyov, I., Clancy, C. E. Abstract: Exciting developments in both in vitro and in silico technologies have led to new ways to identify patient specific cardiac mechanisms. The development of induced pluripotent stem cell-derived cardiomyocytes (iPSC-CMs) has been a critical in vitro advance in the study of patient-specific physiology, pathophysiology and response to drugs. However, the iPSC-CM methodology is limited by the low throughput and high variability of resulting electrophysiological measurements. Moreover, the iPSC-CMs generate immature action potentials, and it is not clear if observations in the iPSC-CM model system can be confidently interpreted to reflect impact in human adults. There has been no demonstrated method to allow reliable translation of results from the iPSC-CM to a mature adult cardiac response. Here, we demonstrate a new computational approach intended to address the current shortcomings of the iPSC-CM platform by developing and deploying a multitask network that was trained and tested using simulated data and then applied to experimental data. We showed that a deep learning network can be applied to classify cells into the drugged and drug free categories and can be used to predict the impact of electrophysiological perturbation across the continuum of aging from the immature iPSC-CM action potential to the adult ventricular myocyte action potential. We validated the output of the model with experimental data. The method can be applied broadly across a spectrum of aging, but also to translate data between species. Copy rights belong to original authors. Visit the link for more info
Stacy Kurokawa had a childhood living off the land in rural Canada, did an Environmental Studies Degree and is now trained to be a Forest Therapist. Here Stacy introduces some of her favorite sustainable brands, causes, and organizations as we discuss the challenges of living a sustainable life that helps people (and animals) as well as the environment. https://youtu.be/JsHvJmk3YkQ (Watch the video of our talk here) Support this podcast
I am sure you have you seen notices explaining that this location is going to close while the building is being reconstructed. One notice however has become much talked about amongst Japanese retailers. Toraya are a famous traditional Japanese sweets manufacturer and retailer. Mr. Mitsuhiro Kurokawa is the 17th generation of his family to lead the business and his “we are rebuilding” notice is considered outstanding, even in a country where omotenashi is renowned. Most such notices tell facts, supply relevant data and provide the obligatory greetings about serving us again when they reopen. Kurokawa san did all of that but much more. He put the current change in historical perspective, noting the business started in Kyoto in 1586, moving to Tokyo in 1869 and to this location in 1964. He then started to tell some stories about the customers they have had at this shop on Aoyama Street in Akasaka, over the last 50 plus years. He mentioned that every three days, a male customer visited the shop to enjoy oshiroko (bean paste sweet soup with grilled mochi). Another customer, a kindergarten aged boy came with his mother to the shop every day and bought a bite sized yookan (sweet bean paste block). A 100 year old lady regularly came by wheelchair to the shop. She later became hospitalized and her family came to buy namagashi (fresh Japanese sweets) and higashi (a dried sugar sweet), to take to the hospital for her. Telling customer stories is powerful. Kurokawa san made the customers experiences come alive and he linked them to the products they enjoyed. The feeling of the notice is that there is a special bond they feel with all of their customers. Are we communicating we feel a special bond with our customers? Are we weaving enough customer stories into our communications, real episodes that the reader can visualise in their mind's eye? We know the human touch is so important but often we can get tied up with the spec, the data, the details and lose sight of how we can differentiate ourselves in the market. Is your communication all about you and what you can do and nothing about your customers? We may not be the 17th generation in our business, but we can bring more heart into the service we provide our customers. We can start right now with the service we provide and how we communicate that service.
Qui sont ces animaux qui vous regardent avec de grands yeux? Quelle est la place des animaux dans les mangas? Ont-ils des pouvoirs magiques?Nancy Ypsilantis reçoit Grégoire Hellot, directeur éditorial des éditions Kurokawa, éditeur des mangas Pokémon.
Dans ce Mangacast #Omake n°78 saison 8, notre équipe est de retour après ces trois mois de confinement/déconfinement, masqués mais prête à vous parler des nouveautés tant attendues en ce retour à la "normale" avec cette fin de mois de mai/début juin : Assistant Assassin, À tes côtés, Anonyme !, Show me love, Dragon Metropolis, Act-age, Golden Sheep, Second Summer, never see you again, Autour d'elles, Just not Married, Called Game, Orient - Samurai quest, Demon Tune et Peuples invisible. Pour les animés on vous propose deux séries et un film : My Next Life as a Villainess: All Routes Lead to Doom!, Kaguya-Sama Love is War S2 et Nous, les chiens. Environ 2h30 d'émission pour partager, avec vous, nos conseils manga et animés en ce mois de Juin, et continuer de vous proposer des titres bien sympathiques. Sans oublier nos coups de cœur et coups de gueule bien entendu ! ON A LU : 02:34 = Assistant Assassin 10:00 = A tes côtés 17:31 = Anonyme 23:26 = Show me love 28:36 = Dragon Metropolis 36:13 = Act-Age 42:20 = Golden Sheep 47:52 = Second summer never see you again 55:06 = Autour d’elles 1:00:34 = Just not Married 1:08:20 = Called Game 1:15:32 = Orient Samurai Quest 1:22:30 = Demon Tune 1:29:58 = Peuple Invisible ON A VU : 1:37:05 = My next life as a villainess 1:44:55 = Kaguya-sama S2 1:52:22 = Nous les chiens 2:00:40 = Coup de coeur / coup de gueule Mangacast Omake n°78 : Juin 2020 est présenté par Thundergeek, Echo, Sweety, Dareen, Midine et Kobito. Omaké Books Akata Editions Soleil manga Éditions Chattochatto Ki-oon Éditions Delcourt/Tonkam Kazé Pika Édition Kurokawa Éditions Cornélius Crunchyroll.fr ADN WAKANIM Les Bookmakers
durée : 00:26:38 - Le Réveil culturel - par : Tewfik Hakem - Rencontre avec l'auteur Nicolas Tellop pour la parution de "Astro Boy, cœur de fer" aux éditions Impressions nouvelles, et Grégoire Hellot, directeur de collection des éditions Kurokawa et spécialiste du manga - réalisation : Vincent Abouchar - invités : Nicolas Tellop Auteur, critique et essayiste; Grégoire Hellot Directeur des éditions Kurokawa, spécialiste du manga, traducteur du japonais
durée : 00:26:38 - Le Réveil culturel - par : Tewfik Hakem - Rencontre avec l'auteur Nicolas Tellop pour la parution de "Astro Boy, cœur de fer" aux éditions Impressions nouvelles, et Grégoire Hellot, directeur de collection des éditions Kurokawa et spécialiste du manga - réalisation : Vincent Abouchar - invités : Nicolas Tellop Auteur, critique et essayiste; Grégoire Hellot Directeur des éditions Kurokawa, spécialiste du manga, traducteur du japonais
Join us as we welcome Dr. Hiroyuki Kurokawa, a research scientist at the Earth-Life Science Institute in Tokyo, Japan, who studies the formation and evolution of planets. Dr. Kurokawa received his PhD from the Tokyo Institute of Technology, as well as studying at the Max Planck Institute for Astronomy in Heidelberg, Germany. Hiro is currently working on JAXA's Hayabusa 2 mission, as well as future endeavors, such as the Martian Moons eXploration (MMX) mission. Check out our website for the full transcript of this podcast, plus the full YouTube version of this episode: https://astrobiology.nasa.gov/ask-an-astrobiologist/episodes/36/
“When everyone zigs, zag” ― Stephen Anderson This is the philosophy of Black River Equity Partner Founder and Managing Partner Chihiro Kurokawa. While most multifamily investors are weary of deep value-add deals, Chihiro and his partners are actively pursuing them. Get in touch with him here: Facebook Instagram Website Show Mentions: Slight Edge by Jeff Olson How To Create Lifetime Cashflow through Multifamily - Rod Khleif If you're looking for ways to be passive in real estate, look no further! I help busy professionals navigate the, sometimes confusing, world of passively investing in real estate syndications. We give you clarity on what you should and shouldn't do when first getting started. Get your guide on going from $0 to over $40k/ year in passive income in less than five years: https://mailchi.mp/d9a9684d46ce/freemfguide My website: www.BannockCapital.com Fear Free Passive Investing Podcast: https://apple.co/2TGQ41R
Alors que le livre Jump - L'âge d'or du manga est sorti cet été en France, dans la collection Kuropop des éditions Kurokawa, l'équipe de Mangacast souhaitait en savoir encore plus sur le sujet du Jump. C'est donc lors de son voyage au Japon, que Kobito a pu rencontrer l'auteur pour une interview riche en information. Bonne écoute !
Alors que le livre Jump - L'âge d'or du manga est sorti cet été en France, dans la collection Kuropop des éditions Kurokawa, l'équipe de Mangacast souhaitait en savoir encore plus sur le sujet du Jump. C'est donc lors de son voyage au Japon, que Kobito a pu rencontrer l'auteur pour une interview riche en information. Bonne écoute !
The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo, Japan
Customer service is a crowded field, with so many consumer products and services duking it out for survival. How do you stay in operation and how do you sustain that over hundreds of years? The thinking behind how you regard your customers is going to be paramount to consistent success. How do you demonstrate that philosophy toward your customers? Here is a classic example of how to stand out from the crowd and be a leader in customer service. Welcome back to this weekly edition every Tuesday of "THE Cutting Edge Japan Business Show" I am your host Dr. Greg Story, President of Dale Carnegie Training Japan and best selling author of Japan Sales Mastery. We are bringing the show to you from our High Performance Center in Akasaka in Minato-ku, the business center of Tokyo. Why the Cutting Edge? In this show, we are looking at the critical areas for success in business in Japan. We want to help advance everyone's thinking so that we be at the forefront, the Cutting Edge, of how to flourish here in this market. Before we get into this week's topic, here is what caught my attention lately. Japan's agricultural workforce has shrunk by fifty percent in the last ten years. In 2007 there were three point one two million farmworkers. The shortage of workers is a result of the aging of the farmer population. In 2017 it had become one point eight one million. The solution – robots. The Toyohashi University of Technology has created a one meter high handcart type robot, equipped with three cameras and two infrared radar devices to follow flower pickers, pick up the flowers and deliver them to designated collection points. They are extending the scope to picking fruit, and vegetables and delivering components in factories. This is episode number 43and we are talking about Old School Japanese ServiceSoredewa ikimasho, so let's get going. I am sure you have you seen notices explaining that this location is going to close while the building is being reconstructed and that it will reopen at a specified day in the future? Given the increasingly stringent earthquake code here in Tokyo, we are seeing many businesses opting to re-build their premises. One notice however has become much talked about amongst Japanese retailers. Toraya are a famous traditional Japanese sweets manufacturer and retailer. Mr. Mitsuhiro Kurokawa is the seventeenth generation of his family to lead the business and his “we are rebuilding” notice is considered outstanding, even in a country where omotenashi is renowned. Most such notices tell facts, supply relevant data and provide the obligatory greetings about serving us again when they reopen. Kurokawa san did all of that but much more. He put the current change in historical perspective, noting the business started in Kyoto in Fifteen eight six toward the end of the Muromachi period which was thirteen thirty eight to fifteen seventy three, moving to Tokyo in eighteen sixty nine and to this location in nineteen sixty four. By doing this he is assuring us of their long traditions, longevity and capacity to change with the times when needed. He then started to tell some stories about the customers they have had at this shop on Aoyama Street in Akasaka, over the last fifty one years. He mentioned that every three days, a male customer visited the shop to enjoy oshiroko (bean paste sweet soup with grilled mochi). This is considered a bit unusual in Japan, because men don't normally have such a sweet tooth, so this customer stood out from others. Another customer, a kindergarten aged boy came with his mother to the shop every day and bought a bite sized yookan (sweet bean paste block). One day he came by himself to shop. The staff were worried about him and so they went out with him and found that the mother was secretly hiding and watching that he was OK. Find out more when we come back from the break Welcome backA one hundred year old lady regularly came by wheelchair to the shop. She later became hospitalized and her family came to buy namagashi (fresh Japanese sweets) and higashi (a dried sugar sweet), to take to the hospital for her. Even after she couldn't eat anything anymore, they found if they crushed the dried sugar sweet she could still enjoy it. He mentioned that he couldn't include all of the episodes they have shared over these fifty one years with their customers, but he said he and the staff keep them, one by one, in their hearts forever. Telling customer stories is powerful. Kurokawa san made the customers experiences come alive and he linked them to the products they enjoyed. Rather than just a cold statement of the facts, he crafted a statement of love for their customers. The feeling of the notice is that there is a special bond they feel with all of their customers and even though they won't reopen on that site for another three years, they won't have forgotten them and look forward to serving them forever. Are we communicating we feel a special bond with our customers? Often, corporate communications becomes machine like and wrapped up in what can sound like marketing department dross. Kurokawa san conveys a lot of heart felt feelings in this simple notice about the main store being rebuilt. Are we weaving enough customer stories into our communications? I don't mean fake propaganda stories, but real episodes that the reader can visualise in their mind's eye? Kurokawa san's notice get attention in Japan because of the sincerity in the message. He is regarded as really epitomising the spirit of a family that has served customers for seventeen generations. We may not be the seventeenth generation in our business, but we can bring more heart into the service we provide our customers. We can start right now with the service we provide and how we communicate that service. THE Cutting Edge Japan Business Show is here to help you succeed in Japan. Subscribe on YouTube, share it with your family, friends and colleagues, become a regular. Thank you for watching this episode and remember to hit the subscribe button. Our website details are on screen now, enjapan.dalecarnegie.com, it is awesome value, so check it out. In episode 44 we are talking about Middle managers Are Your Firm's Lifeblood. Find out more about that next week. So Yoroshiku Onegai Itashimasu please join me for the next episode of the Cutting Edge Japan Business Show We are here to help you and we have only one direction in mind for you and your business and that is UP!!!
Dan Handford with PassiveInvesting.com discusses the 128-unit Riatta Ranch apartment investment that acquired by Chihiro Kurokawa with Blackriver Equity Partners. This asset was acquired with in-place occupancy of 94%. The market cap rate was 6.4% and this was low due to the high expense % of 76% upon acquisition. The adjust going-in cap rate assuming a 52% expense ratio was 9.8%. The projected returns for passive investors on the 5 year hold was great.
Dan Handford with PassiveInvesting.com discusses the 128-unit Riatta Ranch apartment investment that acquired by Chihiro Kurokawa with Blackriver Equity Partners. This asset was acquired with in-place occupancy of 94%. The market cap rate was 6.4% and this was low due to the high expense % of 76% upon acquisition. The adjust going-in cap rate assuming […]
In this episode, we head back for a quick stop over in the Kumamoto prefecture. Kumamoto is located in the center of Kyushu along the western coast. Among the attractions of Kumamoto are Mount Aso, one of the largest active volcanoes in the world, Kumamoto Castle in the capital city of Kumamoto, and Kurokawa Onsen (or hot spring baths). Our adventures took us through Kumamoto twice; once to visit Mt. Aso and Kurokawa, and another trip to visit Kumamoto castle. Highly recommend Kurokawa – such an amazing town with charming ryokan inns in a delightfully natural setting. Definitely a must stop to experience traditional Japanese hospitality and rejuvenate your spirit. Next we stopped over in Kumamoto city for a quick visit to the castle. Unfortunately, the castle was damaged by two powerful earthquakes in 2016 so the inner grounds were closed to the public but we were still able walk around the outside of the castle to get an idea of the sheer size of the complex as well as view the restoration in progress. In addition, the shops at the entrance to the castle offer a great spot to get some refreshments or souvenirs. And don't forget to check out our pics as well. Enjoy!
Après un hiatus indépendant de notre volonté, voici le deuxième numéro de la saison 2 de Cases sur table.Ou on parle de trucs et de machins mais vu que ça date d'avant hier, j'ai oublié le détail. 08:40 : "Solitude d'un autre genre", de Kabi Nagata - Pika20:35 : "Edens Zero"; de Hiro Mashima - Pika31:18 : "Deep sea aquarium Magnell", de Kiyomi Sugishita - Vega36:43 : "Survivant - L'histoire du jeune S", de Takao Saitô (scénario) et Akira Miyagawa (dessins) - Vega44:10 : "Peleliu", de Kazuyoshi Takeda (avec le concours de Masao Hiratsuka) - Vega56:00 : "Brigands et dragons", de Sebastien Girner (scénario) et Galaad (dessins) - Hi Comics01:03:40 : "Real Girl", de Mao Nanami - Pika01:08:27 : "Princesse détective", de Mayumi Anan - Nobi nobi !01:15:26 : "Murci"lago", de Yoshimurakana - Ototo01:27:58 : "Good night, I love you", de John Tarachine - Akata01:35:19 : "Dog End", de Yurikawa - Kana01:38:20 : "Dark King of Kings", de Miyuki Aramaki - Delcourt/Tonkam01:48:10 : "Tant qu'il est encore temps", de Keiko Notoyama - Nobi nobi !01:54:20 : "Batman White Knight", de Sean Murphy (scénario et dessins) et Matt Hollingsworth (couleurs) - Urban Comics02:01:33 : "God Country", de Donny Cates (scénario), Geoff Shaw (dessins) et Jason Wordie (couleurs) - Urban Comics02:09:25 : "Détonations", de Tsutomu Takahashi - Pika02:20:20 : "Le rêve de mon père", de Taiyô MAtsumoto - Kana02:26:35 : "Fool's Paradise", de Nijamu (scénario) et Misao (dessins) - Kana 02:35:20 : Vite fait, pouf, comme ça, Chris nous parle du tome 4 de Tortues Ninja (mou) chez Hi Comics.02:36:40 : Et Necro parle de "Ippo", sur un mec qui boxe depuis 110 tomes chez Kurokawa, et quand même, faut une sacrée endurance pour y arriver. Merci à Pika, Vega, Hi Comics, Nobi nobi !, Kana et Delcourt/Tonkam pour nous avoir envoyé leurs nouveautés ! Comme promis, le lien de l'article de Lire en Bulles sur "Dark King of Kings", parce qu'on a vraiment du mal à en parler nous :https://lireenbulles.wordpress.com/2018/11/30/critique-manga-dark-king-of-kings-tome-1-signal-100-tome-1-iron-hammer-against-the-witch-tome-1/ Suivez nous aussi sur le compte twitter de l'émission : @Cases_sur_Table N'hésitez pas à regarder les Let's play intermittents de la chaîne twitch "Gamer's bizarre adventure" :https://www.twitch.tv/gamers_bizarre_adventure On parle aussi de cinéma dans notre autre podcast, La guerre des claps !Podcloud : https://podcloud.fr/podcast/la-guerre-des-clapsYoutube : https://www.youtube.com/watch?v=hPKAKSeNytgTwitter : @guerredesclaps Le blog de Chris, avec des artiscles sur un peu tout :https://augredesbulles.wordpress.com Et Issam (le génial et heureusement unique Archiviste du cinéma) a une chaîne youtube :https://www.youtube.com/channel/UCntDC5Hp_XYNy-7shfkUtnw Vous pouvez aussi retrouver les membres de l'équipe sur twitter :Sally : @LeSaleHibouAlex : @GreensuroChris : @augredesbullesIssam : @cinemarchivisteNecro : @NecronomiCore
Au programme de cet épisode 9 d’Harukiya : L’INSTANT PILULES où l’on parle ce mois-ci de nos manga de l’année : Cyno : Le Couvent des Damnés de Minoru Takeyoshi Inès : Tokyo Kaido de Minetaro Mochizuki Otcho Stan : To Your Eternity de Yoshitoki Oima NOS CHRONIQUES (16MIN) : -D’ENCRE ET DE FEU de CAB et KTA, global manga fini en 2 tomes, 1 sorti chez H2T. -LADY SNOWBLOOD de Kazuo Kamemura, gekiga en 1 tome chez Kana Sensei. (41MIN) -SPACE BROTHERS de Chuya Tokoma, seinen en 20 tomes en cours chez Pika. (1H13) -SNEGUROCHKA de Hiroaki Samura, seinen en un tome chez Casterman. (1H34) -MOI, QUAND JE ME REINCARNE EN SLIME de Taiki Kawakami, shonen en 2 tomes en cours chez Kurokawa. (1H52) LE TOTALLY CRAZY, le moment extra-manga (2H06) : Stan : Lady Snowblood, film de Toshiya Fujita avec Kaji Meiko sorti en 1973. Inès : Rise of the Tombraider Cyno : CTRL+T : Art Book d’Inio Asano LES REMERCIEMENTS : Kensington Café, 12 rue de la Faïencerie à Nancy, où vous pouvez déguster les meilleurs cafés de Nancy. Atout Manga, 8 cour des Arts à Nancy, le manga shop qui fleure bon la passion et le bon son. Et Otcho Production pour la mise à disposition technique. Reportages, Docs, Teasers/Trailers, Films d’entreprise. www.otchoprod.com Et une grosse dédicace à Ben Peno l’artiste de l’ombre que vous pouvez retrouver sur Facebook.
Au programme de cet épisode 10 d’Harukiya : L’INSTANT PILULES où l’on parle ce mois-ci de nos manga de l’année : Cyno : Tetsumin de Keita Sugahara Otcho Stan : Berserk de Kentaro Miura Nico : Attaque des Titans de Isayama Hajime NOS DEBATS (20MIN) : -RAFNAS de Yumiko Shirai, shonen en 2 tomes fini, chez Komikku Latitudes -PERE FOUETTARD CORPORATION de Hikaru Nakamura, seinen en 1 tome en cours chez Kurokawa. (39MIN) -VERS L’OUEST de Zheng Jianhe, manhua en 3 tomes en cours chez Urban China. (1H01) -DERNIERE HEURE de Yû, seinen en 4 tomes fini chez Akata. (1H16) -SILVER WOLF de Tatsukazu Konda et Shimeji Yukiyama, shonen en 1 tome en cours chez Kurokawa. (1H28) LE TOTALLY CRAZY, le moment extra-manga (1H46) : Cyno : Memoires d’un Yakuza de Saga Junichi Stan : Expositions Japan Ness et Japanorama Nico : Editions Mana Books LES REMERCIEMENTS : Kensington Café, 12 rue de la Faïencerie à Nancy, où vous pouvez déguster les meilleurs cafés de Nancy. Atout Manga, 8 cour des Arts à Nancy, le manga shop qui fleure bon la passion et le bon son. Et Otcho Production pour la mise à disposition technique. Reportages, Docs, Teasers/Trailers, Films d’entreprise. www.otchoprod.com Et une grosse dédicace à Ben Peno l’artiste de l’ombre que vous pouvez retrouver sur Facebook.
Épisode 37, on a décidé de ne pas faire comme tout le monde: on ne parle pas politique. Par contre, on a décidé de sauver non pas le pays mais la Terre toute entière en consacrant un épisode entier aux sentaï. De Bioman aux Power Rangers, on passe en revue cette passion. Notre invité et ami … Continuer la lecture de « Episode 37 : Go Go Power Haters »
THE Sales Japan Series by Dale Carnegie Training Tokyo, Japan
Omotenashi: Real Japanese Customer Service I am sure you have you seen notices explaining that this store location is going to close while the building is being reconstructed and that it will reopen at a specified date in the future? Given the increasingly stringent earthquake code here in Tokyo after 2011, we are seeing many businesses opting to re-build their premises. One notice however has become much talked about locally amongst Japanese retailers. Toraya are a famous traditional Japanese sweets manufacturer and retailer. Mr. Mitsuhiro Kurokawa is the 17th generation of his family to lead the business and his “we are rebuilding” notice is considered outstanding, even in a country where omotenashi or customer first service is renowned. Most such notices tell facts, supply relevant data and provide the obligatory greetings about serving us again when they reopen. Kurokawa san did all of that but much, much more. He put the current change in historical perspective, noting the business started in Kyoto in 1586 toward the end of the Muromachi (1338-1573) period, moved to Tokyo in 1869 and to this location in 1964. By doing this he is assuring us of their long traditions, longevity and capacity to change with the times when needed. He then started to tell some stories about the customers they have had at this shop on Aoyama Street in Akasaka, over the last 50 plus years. He mentioned that every three days, a male customer visited the shop to enjoy oshiruko (bean paste sweet soup with grilled mocha or pounded rice). This is considered a bit unusual in Japan, because men don't normally have such a sweet tooth, so this customer stood out from others. Another customer, a kindergarten aged boy came with his mother to the shop every day and bought a bite sized yookan (sweet bean paste block). One day he came by himself to shop. The staff were worried about him and so they went out with him and found that the mother was secretly hiding and watching that he was okay. A 100 year old lady regularly came by wheelchair to the shop. She later became hospitalised and her family came to buy namagashi (fresh Japanese sweets) and higashi (a dried sugar sweet), to take to the hospital for her. Even after she couldn't eat anything anymore, they found if they crushed the dried sugar sweet she could still enjoy it. He mentioned that he couldn't include all of the episodes they have shared over these 50 plus years with their customers, but he said he and the staff keep them, one by one, in their hearts forever. Telling customer stories is powerful. Kurokawa san made the customers the centerpiece and their experiences come alive. He linked the customers to the products they enjoyed. Rather than just a cold statement of the facts, he crafted a statement of love for their customers. The feeling of the notice is that there is a special bond they feel with all of their customers and even though they won't reopen on that site for another three years, they won't have forgotten them and look forward to serving them forever. What can we learn from this excellent customer focus? Are we communicating we feel a special bond with our customers? Often, corporate communications becomes machine like and wrapped up in what can sound like marketing department dross. Kurokawa san conveys a lot of heart felt feelings in this simple notice about the main store being rebuilt. Are we weaving enough customer stories into our communications? I don't mean fake propaganda stories or plastic stories that politicians love to use these day, but real episodes that the reader can visualise in their mind's eye? Even in a country like Japan, with such high levels of customer focus, Kurokawa san's notice gets attention because of the sincerity of his message. He is regarded as really epitomising the spirit of a family running a retail business, that has served customers for 17 generations. We may not be the 17th generation in our business, but we can bring more heart into the service we provide our customers. We can start right now with the service we provide and how we communicate that service. What does your current customer communication say about you? Can it be improved? Action Steps Are we really thinking about creating an emotional connection with our clients Are we telling enough happy client stories in our communications Are we fully aware of the content of all the touch points we have with our buyers Are we serving from the heart or just the head Are we instilling the right frame of reference into our staff, regarding how to properly serve the client. Engaged employees are self-motivated. The self-motivated are inspired. Inspired staff grow your business but are you inspiring them? We teach leaders and organisations how to inspire their people. Want to know how we do that? Contact me at greg.story@dalecarnegie.com If you enjoy these articles, then head over to www.japan.dalecarnegie.com and check out our "Free Stuff" offerings - whitepapers, guidebooks, training videos, podcasts, blogs. Take a look at our Japanese and English seminars, workshops, course information and schedules. About The Author Dr. Greg Story: President, Dale Carnegie Training Japan In the course of his career Dr. Greg Story has moved from the academic world, to consulting, investments, trade representation, international diplomacy, retail banking and people development. Growing up in Brisbane, Australia he never imagined he would have a Ph.D. in Japanese decision-making and become a 30 year veteran of Japan. A committed lifelong learner, through his published articles in the American, British and European Chamber journals, his videos and podcast “THE Leadership Japan Series”, he is a thought leader in the four critical areas for business people: leadership, communication, sales and presentations. Dr. Story is a popular keynote speaker, executive coach and trainer. Since 1971, he has been a disciple of traditional Shitoryu Karate and is currently a 6th Dan. Bunbu Ryodo (文武両道-both pen & sword) is his mantra and he applies martial art philosophies and strategies to business.
Au programme : Tokyo Game Show : les choses à retenir (et les recommandations : Le film Jikka Wa Tsurai Yo, Terrace House sur Netflix et Nozoki Ana chez Kurokawa) Les sorties du moment Oculus et les vicissitudes de Palmer Luckey Et plus ! Plus d'infos sur l'épisode : Les animateurs sont JK Lauret (@jklauret), Gregoire Hellot (@Goldengreg) et Patrick Beja (@NotPatrick). Le générique est de Daniel Beja (@misterdanielb). Sa musique libre de droit est sur MusicInCloud.fr. La mise en ligne est assurée par Florent Berthelot (@Aeden_). Commentez cet épisode et retrouvez d'autres émissions sur http://frenchspin.fr ! See acast.com/privacy for privacy and opt-out information.
THE Leadership Japan Series by Dale Carnegie Training Tokyo, Japan
Mr. Kurokawa's Real Japanese Customer Service I am sure you have you seen notices explaining that this location is going to close while the building is being reconstructed and that it will reopen at a specified day in the future? Given the increasingly stringent earthquake code here in Tokyo, we are seeing many businesses opting to re-build their premises. One notice however has become much talked about amongst Japanese retailers. Toraya are a famous traditional Japanese sweets manufacturer and retailer. Mr. Mitsuhiro Kurokawa is the 17th generation of his family to lead the business and his “we are rebuilding” notice is considered outstanding, even in a country where omotenashi is renowned. Most such notices tell facts, supply relevant data and provide the obligatory greetings about serving us again when they reopen. Kurokawa san did all of that but much more. He put the current change in historical perspective, noting the business started in Kyoto in 1586 toward the end of the Muromachi (1338-1573) period, moving to Tokyo in 1869 and to this location in 1964. By doing this he is assuring us of their long traditions, longevity and capacity to change with the times when needed. He then started to tell some stories about the customers they have had at this shop on Aoyama Street in Akasaka, over the last 51 years. He mentioned that every three days, a male customer visited the shop to enjoy oshiruko (bean paste sweet soup with grilled mochi). This is considered a bit unusual in Japan, because men don't normally have such a sweet tooth, so this customer stood out from others. Another customer, a kindergarten aged boy came with his mother to the shop every day and bought a bite sized yookan (sweet bean paste block). One day he came by himself to shop. The staff were worried about him and so they went out with him and found that the mother was secretly hiding and watching that he was OK. A 100 year old lady regularly came by wheelchair to the shop. She later became hospitalized and her family came to buy namagashi (fresh Japanese sweets) and higashi (a dried sugar sweet), to take to the hospital for her. Even after she couldn't eat anything anymore, they found if they crushed the dried sugar sweet she could still enjoy it. He mentioned that he couldn't include all of the episodes they have shared over these 51 years with their customers, but he said he and the staff keep them, one by one, in their hearts forever. Telling customer stories is powerful. Kurokawa san made the customers experiences come alive and he linked them to the products they enjoyed. Rather than just a cold statement of the facts, he crafted a statement of love for their customers. The feeling of the notice is that there is a special bond they feel with all of their customers and even though they won't reopen on that site for another three years, they won't have forgotten them and look forward to serving them forever. Are we communicating we feel a special bond with our customers? Often, corporate communications becomes machine like and wrapped up in what can sound like marketing department dross. Kurokawa san conveys a lot of heart felt feelings in this simple notice about the main store being rebuilt. Are we weaving enough customer stories into our communications? I don't mean fake propaganda stories, but real episodes that the reader can visualise in their mind's eye? Kurokawa san's notice gets attention in Japan because of the sincerity in the message. He is regarded as really epitomising the spirit of a family that has served customers for 17 generations. We may not be the 17th generation in our business, but we can bring more heart into the service we provide our customers. We can start right now with the service we provide and how we communicate that service. Action Steps Are we really thinking about creating an emotional connection with our clients Are we telling enough happy client stories in our communications Are we fully aware of the content of all the touch points we have with our buyers Are we serving from the heart or just the head Are we instilling the right frame of reference into our staff, regarding how to properly serve the client.
2ème émission de la saison 2 du site manga-news.com. Avec comme invité Gregoire Hellot, responsable éditorial des éditions Kurokawa
Grégoire Hellot, directeur de collection pour Kurokawa et rédacteur chez Gamekult et Famitsu revient au podcast après son premier passage, il y a quatre ans. Retour sur le TGS, le manga Ippo, Silver Spoon et tout un tas de surprises… dont un double Japamiam !
#IAC2014 Hayabusa2 is the Japanese Space Agency's second sample return mission to an asteroid, following a successful mission with Hayabusa1. It launches at the end of November 2014. #JAXA
Day 19 - Aso, la ville qui gaze
Day 18 - Kurokawa, la ville du spa
Day 00 Présentation du voyage
Ça y est, le second épisode du Podcast Mangavore.fr est en ligne ! Avec notre invité du mois, Grégoire Hellot - directeur éditorial de Kurokawa, nous ferons le tour de l'actualité du manga et de l'entertainment nippon. Au passage, cet expert du jeu vidéo nous donnera son ressenti sur le Tokyo Game Show, avant d'aborder divers sujets autour du manga.
Podcast manga review of Biomega Volume 2 by Tsutomu Nihei. Translated by John Werry. Adapted by Stan! Originally published in Japan by Shueisha. Published in the US by Viz Signature, $12.99, Rated M for Mature. From the back cover:"In Tsutomu Nihei's nightmare vision of the future, the N5S virus has swept across the Earth, turning most of the population into zombie-like drones. Zoichi Kanoe, an agent of Toa Heavy Industry, is humanity's last hope, and he's not even human! With the help of Fuyu, a digitized intelligence built into the computer system of his heavy dual coil motorcycle, Zoichi's search for the key to salvation will take him on a journey across surreal landscapes and hurl him into battle against mind-bending evil. Prepare yourself for the ultimate trip-- Prepare yourself for the world of Biomega. After capturing Eon Green, DRF forces are amassing around Toa Heavy Industry headquarters and have taken Dr. Kurokawa and his daughter into custody. Zoichi must attempt a rescue--Dr. Kurokawa's laboratory may yield critical information on Eon Green. Elsewhere, Toa Heavy Industry agent Nishu Mizunoe searches for Kozlov Grebnev and the secrets he knows about the DRF's research, origins and their apocalyptic plan for the entire human race!"My Grade: A
Talking Robots - The Podcast on Robotics and Artificial Intelligence
In this episode we talk to Haruhisa Kurokawa, who is the head of the Distributed System Design Research Group, Intelligent Systems Institute, National Institute of Advanced Industrial Science and Technology (AIST) in Japan. He presents one the leading robots in the area of self-reconfigurable modular robotics, the M-TRAN III (Modular Transformer). Their robots can change shape to walk, slither or crawl and why not become the cup of coffee you so badly need?
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