Podcasts about Homestead Records

Stephen Malkmus of Pavement and The Hard Quartet supergroup discusses his record collecting history and hobby, the curation and rarities of his collection and more. Topics Include: Discussion of California fires affecting friends and family Malkmus planning upcoming Australia tour dates Past experiences touring Australia - good venues and hospitality Planning to watch Australian Open tennis in Melbourne Record store habits in Chicago area Sold eight feet of records to Portland dealer Keeps records with sentimental value over others Considering organizing valuable records for emergency evacuation Owns rare Australian records from Bondi Beach dealer Band of Light, Buffalo, Carson among Australian collection Collecting New Zealand Flying Nun and Expressway records Prefers finding records in wild over online purchases Interest in outsider music and private press records The Shags mentioned as reference for outsider music Gary Higgins' "Red Hash" mentioned as great private press Values original pressings over reissues, condition less important Not particularly interested in promo or white label releases Discusses Led Zeppelin records and Robert Ludwig pressing Moved from LA to Stockton around age eight Played in Stockton punk band Straw Dogs Opened for major hardcore bands like Black Flag Tales of Terror band mentioned as influential Authorities from Stockton discussed - "Soundtrack for Trouble" First vinyl appearance was Slay Tracks release Early Matador Records special releases with dinosaur stamps Influenced by Swell Maps and Beat Happening Early Sub Pop and Homestead Records were influential Hard Quartet project confirmed as ongoing, not one-off Band recorded together, avoiding remote recording methods Discusses song "Renegade" and its evolution Compression techniques used on "Renegade" discussed Looking for Roy Rutanen record while in Australia Found Bram Stoker record in Gold Coast charity shop Uses phone to research records while shopping Values surprise discoveries in record stores most Tickets for The Hard Quartet Australian tour Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

This week, we talk to author and music critic MARC MASTERS (High Bias: The Distorted History Of The Cassette Tape, Pitchfork, The Wire) about the film THE DEVIL AND DANIEL JOHNSTON and the cassette tape culture surrounding Daniel. We also discuss our elaborate tape trading stories and sequencing your perfect mixtape, Bananafish magazine, Sebadoh, Homestead Records, ordering Daniel Johnston cassettes directly, Daniel's religious upbringing, agruging with his Mom and how he put it directly into his music, Sun City Girls, why Daniel's music benefited from being on cassette vs vinyl/cd, how home recording allowed you to hear the physical space of the aritst's bedroom or garage, how the film initially was going to be a Grey Gardens vérité sytled film, Daniel's muse Laurie, director Jeff Feurezeig's stunning recreations in this film and Daniel's help in art directing them, Chris' real time experience on seeing Daniel on both airings of The Cutting Edge and how different those two performances were, Daniel and his childhood friend David's relationship, rock n' roll's weird fascination with people's mental struggles from Syd Barrett to Roky Erickson, how a Jeff Feurezeig documentary is unilke any other documentaries, the myth of Daniel recording his tapes over and over again each time he gave one away, Kurt Cobain changing Daniel's life forever with a t-shirt, Daniel's major label bidding war, why Metallica gave the movie a chance to use their own music within it, Sonic Youth driving around looking and finding a missing Daniel Johnston in NYC, cataloging all of Daniel's tapes, Chris going through all of Robert Pollard's cassette archives, Danny & The Nightmares and more!So reach into your McDonald's bag and pull out a Daniel Johnston cassette as we discuss one of the greatest documentaries of our lifetime on this week's episode of Revolutions Per Movie.Marc Masters: https://uncpress.org/book/9781469675985/high-bias/@marcissistREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Back in March, 2021 when TRGMH was still a two-man operation, musician & human Bob Fay (Sebadoh, Deluxx, Folk Implosion) joined Rob and Barry to discuss The Frogs and their controversial 1989 cult classic 'It's Only Right and Natural'. That episode was never released. Until now... Songs discussed in this episode: Homos - The Frogs (Live at The Knitting Factory, Los Angeles CA 05-16-2003); Not Too Amused - Sebadoh; I'm Just A Bill - Deluxx Folk Implosion; I've Got Drugs (Out Of The Mist), I Don't Care If U Disrespect Me (Just So You Love Me), Hot Cock Annie, These Are the Finest Queen Boys (I've Ever Seen), Rosy Jack World - The Frogs; Songs For Swinging Larvae - Renaldo & The Loaf; Someone's Pinning Me to the Ground, Baby Greaser George, (Thank God I Died in) The Car Crash, Gather 'Round for Savior #2, Richard Dick Richards, Men (Come on Men), Christian With A Gun, Dykes Are We - The Frogs; Diary Of A Shiteater (Excerpt) - Girls Who Hate Their Mothers and The Chicken Fucks; Been a Month Since I Had a Man - The Frogs; Homos (Live) - The Lemonheads; Homos - The Frogs; Sforzando! - Bob Fay

Discussion on using homestead records in genealogical research.

Originally released as a cassette in 1987 under the Sentridoh name, 'Weed Forestin' is a beautifully eclectic collection of home-recordings by songwriter Lou Barlow (Sebadoh, Dinosaur Jr). This week's guest Dave Gebroe of the Discografitti Podcast joins us as we unpack this weirdly wonderful indie classic. Songs discussed in this episode: Brand New Love - Ben Lee/Superchunk/Death Cab For Cutie; I Have Been Floated - The Olivia Tremor Control; Healthy Sick - Sebadoh; How Loft I Am - Guided By Voices; Metal Machine Music Pt. 1 - Lou Reed; Albuquerque '89, New Worship, My Own Religion, More Simple, Jealous Of Jesus, Mr Genius Eyes, Perfect Power, Feeding Evil, Sexual Confusion, Broken, Waited Forever - Sentridoh; Place To Be - Nick Drake; Slightest Suggestion, It's So Hard To Fall In Love - Sentridoh; It's So Hard To Fall In Love - Superchunk; Brand New Love - Sentridoh; Brand New Love - Sebadoh

Sneaking into punk clubs, recording with Don Zientara in high school, working with a record label run by a woman, and the intersection of time, age, and notoriety are part of Hilary's conversation with guitarist and vocalist, Thalia Zedek. Huge thanks to this episode's sponsors! EarthQuaker Devices- extra special effects pedals made by hand in Akron, OH! Stompbox Sonic- personalized pedal curation and sales in Somerville, MA! Holcomb Guitars- custom guitars and mobile guitar repair in RI/MA! Distrokid- get your music on streaming services (Mid-Riff listeners get 30% off with this link!)! THALIA's BIO Guitarist/vocalist Thalia Zedek began playing in bands and recording soon after moving to Boston from Washington D.C. in 1979. In 1986, Thalia's 3rd band, Uzi, released an EP on Homestead Records called “Sleep Asylum” which was later reissued by Gerard Cosloy on Matador Records in 1993. After Uzi broke up Thalia joined established noise rock band Live Skull on lead vocals and relocated to New York. She recorded 2 albums and an EP with them before returning to Boston and founding the band Come in 1991. Come released 4 albums and numerous EP's and singles on the Matador, Sub Pop, Domino, Glitterhouse and Placebo labels. Their full catalogue is currently being reissued on Fire Records. In 2001 Thalia started releasing solo records under her own name, first on Matador and Kimchee Records and then on the Thrill Jockey label where she continues as an active recording artist to this day. In addition to her solo work Thalia also records and performs with the Thalia Zedek Band and her newer band E, a trio that she started in 2013 with Jason Sanford of Neptune. She was also a member of the now defunct experimental group tK E has released 2 singles, a cassette, 3 LP's and an EP and are currently working on their 4th LP. Thalia continues to tour in the US and internationally with the Thalia Zedek Band and E, as well as the band Come, who reunited to tour in support of their recent reissues. Her most recent releases are 2021's “Perfect Vision” LP on Thrill Jockey by the Thalia Zedek Band, and 2022's “Any Information” EP by E on the Czech label Silver Rocket. In 2023's E released 7inch “Live at Cave 12” on the 100% Breakfast label. THALIA's MENTIONS The Cramps / Urban Verbs / Patti Smith / The Ramones / Deceits / The Razz / The Nurses / Fingers of Shame / The Shirkers / Limp Records / Stiff Records / Don Zientara / Inner Ear Studio / Jason Sanford / Alec Tisdale / Volcano Kings / Gavin McCarthy / Karate / Ernie Kim / Bob Dylan / Eric Clapton / Dave Davenport / Steve Miller Band / Berklee / Mr. Music / Bettina Richards / Thrill Jockey Records / Boston RPM / Karen Sarkisian / Handsy / Nurse and Soldier / Hidden Fountain / Cortez / Gibson / Peavey / Fender / Danelectro / Silvertone / Hagstrom / Kent / Ampeg / Music Man / Other Space Electronics / Dwarfcraft Devices / Electro-Harmonix / EarthQuaker Devices / Tokai / Ibanez / Boss THALIA's LINKS Thalia Zedek Band website Thalia Zedek Band Facebook E website E Bandcamp E Facebook tK Bandcamp tK Facebook MID-RIFF LINKS Website Instagram Facebook Newsletter Blog  Handsy Gender and Music Gear Experiences Report Thanks for rating/reviewing on Apple Podcasts! Support Mid-Riff by shopping on Reverb! Check out more from Ruinous Media! Bumper Music: “Smoked” by Thalia Zedek Band Theme Music: "Hedonism" by Towanda Artwork by Julia Gualtieri

Sintonía: "Big Noise From Winnetka" - Cozy Cole"Cats In A Bowl", "Repulsion", "Gargoyle" y "Severed Lips", extraídas del primer álbum del guitarrista J. Mascis y el bajista Lou Barlow, titulado simplemente "Dinosaur" (Homestead Records, 1985)"Sludgefeast", "The Lung" y "Raisans", extraídas del 2º LP,  "You´re Living Over Me" (SST Records, 1987)"Freak Scene", "They Always Come", "Let It Ride", "Pond Song", "Budge" y "Keep The Glove", extraídas del tercer disco, "Bug" (SST/Merge Records, 1988/2005)Todas las músicas compuestas e interpretadas por Dinosaur Jr.Escuchar audio

Greetings! According to the Miriam-Webster dictionary, one of the possible definitions of the word "multiples", when used as a noun, is "something in units of more than one or two".  That will be the conceptual thread tying today's program together.  Pieces of music that are primarily played by multiples of the same instrument, though several composers took the idea of multiples to new limits, such as Henry Brandt and Karlheinz Stockhausen who created compositions for multiple orchestras. This will likely be the first in a series of "multiples" programs since there were many other potential selections and only 1 hour and 59 minutes at hand. (If you have other "multiples" selections you'd like to hear, please drop me a line.) Enjoy! Joel   e-mail: pushingtheenvelopewhus@gmail.com Twitter: https://twitter.com/envpusher1      6-3-23 PTE Playlist   Music For Pieces of Wood (for five pairs of tuned claves) - Group 180 / composer: Steve Reich - Group 180 - Hungaroton (1980) https://stevereich.com/composition/music-for-pieces-of-wood/    We Know You Know: Reverie for Mahavishnu - Los Angeles Guitar Quartet / composer: Brian Head - LAGQ's Guitar Heroes - Telarc (2004) https://www.lagq.com/    Extensions RC (Reach) - Jon Gibson - Relative Calm - New World Records (2016) https://www.newworldrecords.org/products/jon-gibson-relative-calm    Trinity of Spheres - Denver Symphony Orchestra / Bruce Hangen, Carl Topilow, and Henry Brant, conductors /composer: Henry Brant - The Henry Brant Collection, Vol. 3 - Innova Records (2006) https://www.innova.mu/albums/henry-brant/henry-brant-collection-vol-3    Inner Time II: Homage to Calder for 7 B flat clarinets (excerpt) - Armand Angster Clarinet System / composer: Horatiu Radulescu - Inner Time II - Audivis / Montaigne (1994) https://www.europeanluceroensemble.com/biography    Die Donnergötter (for 6 electric guitars, electric bass & drums) - composer/conductor: Rhys Chatham - Die Donnergötter - Homestead Records (1989) https://www.rhyschatham.net/works-projects/die-donnergotter/    Fathom - accordions: Bratko Bibic, Lars Hollmer, Maria Kalaniemi, Guy Klucevsek & Otto Lechner - Accordion Tribe - Intuition (1998) https://www.schott-music.com/de/accordion-tribe-accordion-tribe-no64540.html    Adagio For Strings - Robert Hohner Percussion Ensemble / composer: Samuel Barber - Lift Off - DMP (1993)    Shell Shock (for 3 conch shells) - conchs: Stuart Dempster, Moc Escobedo, Chad Kirby - Underground Overlays From The Cistern Chapel - New Albion Records (1995) http://www.newalbion.com/blog/-stuart-dempster-underground-overlays-from-the-cistern-chapel    The Sound of Burning Chairs - Tilted Axes - Music for Mobile Electric Guitars - Peppergreen Media (2016) http://tiltedaxes.com/tiltedaxes.html    Lacquer Prints, No. 3: A Burnt Offering - Northwestern University Cello Ensemble / composer: Zachary Wadsworth - Shadow, Echo, Memory - Sono Luminis (2016) https://www.sonoluminus.com/store/shadow-echo-memory    Music for Voices - voice: Mabou Mines Theater Company / composer: Philip Glass - Early Voice - Orange Mountain Music (2002) https://philipglass.com/recordings/early_voice/ 

David Grubbs - Squirrel Bait, Codeine & The Red Krayola - in conversation with David Eastaugh American composer, guitarist, pianist, and vocalist. He was a founding member of Squirrel Bait, Bastro, and Gastr del Sol. He has also played in Codeine, The Red Krayola, Bitch Magnet and The Wingdale Community Singers. Grubbs then formed a hardcore punk band called Squirrelbait Youth that later evolved into the influential Louisville, Kentucky group Squirrel Bait, releasing a 12" EP and an album on Homestead Records. Grubbs's next group was the post-punk power trio Bastro, which released an EP and two albums on Homestead

The Dogmatics were on a roll in the mid eighties with two great albums out on Homestead Records, huge college radio support, and tour dates across America, when tragedy struck and leader/bassist Paul O' Halloran was killed in a motorcycle accident. They would play occasional shows over the years but returned with a vengence in 2018 signing with RumBar Records. They have been on a roll ever since releasing a series of great EP's garnering radio play and renewed fan support. It was an honor to have 4 of the 5 members in the studio for a fun and lively conversation. Enjoy! Music Milquetoast & Co "Cigarette Burns"(theme song) The Dogmatics "Sister Serena" The Dogmatics "Drop That Needle" Recorded by Mike Nash at Voice Motel, Somerville MA on November 26, 2022 This show as supported by Baby Loves Tacos(Pittsburgh PA), Spectacle Eyeware(Boston MA), and Joe's Albums(Worcester/Northampton MA) Blowing Smoke with Twisted Rico is brought to you by Light Street Media --- Support this podcast: https://anchor.fm/blowingsmoketr/support

When Malibu Lou sent me an advance of the new Dogmatics single, “Drop That Single”, I knew I had to create something special to highlight it’s debut on The Ledge. After all, I’ve been a fan of the band since I first discovered their Homestead Records’ releases while DJ’ing on KAUR way back in the mid-80’s.  Given that the tune celebrates one of my favorite passions, playing records, it seemed natrual to create a show dedicated to my favorite physical format. So tonight’s broadcast is all about records, and not just the format itself. There are tunes about record stores, record thieves, record collectors, turntables, needles.  I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion! For more info and setlists head to http://scotthudson.blogspot.com

Homestead Records était un sous-label de Dutch East India Trading Dutch East India Trading a été crée en 1983 par Barry Tenenbaum Il a commencé adolescent, depuis sa chambre en important des disques des Beatles et d'autres artistes d'Angleterre qu'il revendait aux États-Unis. Petit à petit, il a mis en place un vaste réseau de distribution, qu'il appelé Dutch East India Trading. Lorsque la loi sur le droit d'auteur de 1976 a restreint sa capacité d'importer des artistes qui avaient déjà des labels américains, il a commencé à octroyer des licences pour les disques labels et il a créé Homestead Records à cette fin. Sam Berger, qui a travaillé pour Dutch East, est devenu le premier manager du nouveau label il a rapidement quitté Homestead en 1984 et il sera remplacé par Gerard Cosloy, le créateur du fanzine d'art underground Conflict. Gerard Cosloy dirigera un long moment label et marquera Homestead de son empreinte. Un label principalement consacré à la production de musique expérimentale et considéré comme un des principaux acteurs du lancement du noise rock. Par manque d'argent et aussi à cause de sa réputation sulfureuse le label a mis la clef sous la porte en 96 avec comme dernière sortie Cama de Terra d'Ivo Perelman. Même si Homestead Records était connu pour ne pas payer ses artistes et pour ne pas dépenser de l'argent sur la promotion, il fut un découvreur de talents de la musique alternative américaine en sortant notamment le premier album de Dinosaur Jr, les trois premiers albums de Sebadohet le deuxième album de Sonic Youth. Le label était aussi présent aux débuts de la scène de Seattle avec Green River et Screaming Trees et aussi sortis les disques des figures de proue du free-jazz new-yorkais avec David S. Ware et William Parker. Naked Raygun/Rat Patrol Volcano Suns/Balancing Act Uzi/Gabrielle Sonic Youth/I'm Insane Squirrel Bait/Sun God Beat Happening/Tales of Brave Aphrodite Bastro/Tobacco in the Sink Big Black/Kerosene Live Skull/5-D Bratmobile/Kiss And Ride (from Pottymouth) Seam/Sky City Honor Role/Absolve Merci à Guillaume (alias Jed Robin jedrobin.bandcamp.com) de nous accueillir dans son studio improvisé.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter This episode features an interview with saxophonist Ivo Perelman, which is important because he's one of the artists on Polarity, a CD which I'll be putting out through my new label, Burning Ambulance Music, in February 2021. It's a duo album with trumpeter Nate Wooley, and it's intensely beautiful music unlike anything else you've ever heard, I promise. Pre-order your copy now. I’ve known about Ivo Perelman for about 25 years; the first record of his I heard was Cama de Terra, which came out in 1996. It was actually the very last release on Homestead Records, right before Steven Joerg, who was running the label at the time, left and started AUM Fidelity. That album featured Perelman with Matthew Shipp on piano and William Parker on bass, and they’re two of the people he’s continued to work with ever since, along with many others, including Joe Morris, Nate Wooley, Mat Maneri, Whit Dickey, and a whole slew of other players. See, Ivo’s discography is massive. He puts out albums in bunches, sometimes as many as eight at a time, sometimes three and even four-CD sets. He just recently passed the 100 release mark, which puts him in relatively rarefied company, up there with Duke Ellington, Anthony Braxton, David Murray, and very few others. It can be hard to know where to begin with his catalog, frankly, but his music has evolved a lot over time – he’s really on a lifelong creative journey, which is why he’s constantly collaborating with people in new combinations and changing his approach to the horn and just generally trying new things. So you’re probably best off starting with something recent and then moving backwards, deciding what to listen to based on who’s on a given record. He’s been living in Brooklyn for many years, but he’s originally from Sao Paulo, Brazil, and when the pandemic got rolling, he went back to Brazil, which is where we connected for this interview. It was conducted via Skype, so there are a few points at which the sound warps a little, or cuts in and out. Still, I’m sure you’ll be able to figure out what he’s saying in those moments. We had a really fascinating conversation, about his creative philosophy and his practice regimen and the role of improvisation in Brazilian music and a lot of other things. I hope you’ll enjoy listening to it as much as I enjoyed having it. If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Ivo Perelman/Nate Wooley, "Four" (Polarity) Ivo Perelman/Matt Shipp/Whit Dickey, "Garden of Jewels" (Garden of Jewels)

Monday's Bombshell (Bombshell Radio)Generating Steam HeatBombshell Radio 4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat#Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioCuir-La Femme (From the self released digital single ‘Single, Single’ 2019)Teenage Hearts-Stupid Life (From the self titled Primator Crew Records EP 2019)The Proletariat-Incarceration Incentive (From the Boss Tuneage Records album ‘Move’ 2019)The Interrupters-Bad Guy (Hellcat Records digital single 2019)Joy Division-The Eternal (From the Factory Records album ‘Closer’ 1980)X-Ray Spex-The Day The World Turned Day-Glo (EMI Records 7’’ 1978)French Vanilla-Move Along, Move Ahead (From the Danger Collective Records album ‘How Am I Not Myself?’ 2019)Fresh-Punisher (From the Specialist Subject Records album ‘Withdraw’ 2019)Muncie Girls-High (From the Specialist Subject Records album ‘Fixed Ideals’ 2018)The Lambrettas-Runaround (From the Rocket Records album ‘Beat Boys In The Jet Age’ 1980)Lusine feat Jenn Champion-Not Alone (Ghostly international digital single 2019)Dinosaur-Repulsion (From the self titled Homestead Records album 1985)Deep Wound-I Saw It (From the self titled Radiobeat Records EP 1983)Sebadoh-Gimme Indie Rock (Homestead Records 7’’ 1991)Peaness-Ugly Veg (From the Alcopop! Records album ‘Are You Sure?’ 2017)The Defects-Survival (WXYZ Records 7’’ 1982)Bob ‘Miff’ Smith-No Room For You (Live 2015)

Today's episode of Research Like a Pro is about United States Homestead Records. Do you have anyone in your family who took advantage of the Homestead Law of 1862? It is estimated that 2 million individuals applied for up to 320 acres of free land and your ancestor might be among them. We talk about two applicants for 320 acres in New Mexico about 1906 and 1911 and the details we learned about their family from the case files obtained from the National Archives. Links BYU Conference on Family History and Genealogy - conference website Those Valuable Homestead Records article by Diana at Family Locket United States Land and Property article at the FamilySearch Wiki Rectangular Surveys article at the FamilySearch Wiki BLM GLO Records Website - search for land patents at the Bureau of Land Management General Land Office Records website Research Like a Pro eCourse Study Group - more information and email list Research Like a Pro: A Genealogist's Guide by Diana Elder with Nicole Dyer on Amazon.com Thank you Thanks for listening! We hope that you will share your thoughts about our podcast and help us out by doing the following: Share an honest review on iTunes or Stitcher. You can easily write a review with Stitcher, without creating an account. Just scroll to the bottom of the page and click "write a review." You simply provide a nickname and an email address that will not be published. We value your feedback and your ratings really help this podcast reach others. If you leave a review, we will read it on the podcast and answer any questions that you bring up in your review. Thank you! Leave a comment in the comment or question in the comment section below. Share the episode on Twitter, Facebook, or Pinterest. Subscribe on iTunes, Stitcher, Google Play, or your favorite podcast app. Sign up for our newsletter to receive notifications of new episodes.

The experimental guitarist and music promoter from a rural Louisiana refinery town found a community of like minds in the heyday of college radio. He went on to help establish a thriving improvisational music scene in New Orleans. Rob takes the biggest chance yet as he enters the Ring Room and puts his faith in the Troubled Men. Topics include a damaged pet, a vacation mystery, a recovered phone, college radio, Kidd Jordan, Free Jazz, Alvin Fielder, the Art Ensemble of Chicago, Homestead Records, Zeitgeist, festival security, bad dancing, Norco, La., Sonic Youth, No Wave, Gibby Haynes, Kramer, Bong water, Eugene Chadbourne, the German Coast, porn soundtracks, Dr. Demento, Rev. Fred Lane, Tuscaloosa absurdists, the Music Box Village, the Secret, the High Holidays, Passover, favorite plagues, the Process, cults, True Detective, Malevitus, Anxious Sound, and much more. Rate and review Follow and share Intro music:Styler/Coman Night of the Dog: Malevitus

The experimental guitarist and music promoter from a rural Louisiana refinery town found a community of like minds in the heyday of college radio. He went on to help establish a thriving improvisational music scene in New Orleans. Rob takes the biggest chance yet as he enters the Ring Room and puts his faith in the Troubled Men. Topics include a damaged pet, a vacation mystery, a recovered phone, college radio, Kidd Jordan, Free Jazz, Alvin Fielder, the Art Ensemble of Chicago, Homestead Records, Zeitgeist, festival security, bad dancing, Norco, La., Sonic Youth, No Wave, Gibby Haynes, Kramer, Bong water, Eugene Chadbourne, the German Coast, porn soundtracks, Dr. Demento, Rev. Fred Lane, Tuscaloosa absurdists, the Music Box Village, the Secret, the High Holidays, Passover, favorite plagues, the Process, cults, True Detective, Malevitus, Anxious Sound, and much more. Rate and review Follow and share Intro music:Styler/Coman Night of the Dog: Malevitus

Rock à la casbah est une émission de rock/garage/punk/surf/folk/blues contemporains Bass drum of death - Third coast dreaming Mesa Cosa - 666 Daniel JOHNSTON. Casper. Continued story (LP). Homestead Records, 1991. The mystery lights - Flowers in my hair, Demons in my head WASHINGTON DEAD CATS. Does your werewolf bark ? Go ! Vegetables go ! (LP). Bondage records, 1986. Yves Bernard - Les zombies du supermarché Zombies - Extranos Juegos (La contra Ola) Murder by death - True dark Miraculous mule - Where monsters lead Squeleton band - Monstro monstro Johnny mafia - Sometimes 666 Timber timbre - Demon host Artic monkeys - The world’s first ever Monster truck front flip Mesa Cosa - Monstro del mar The warlocks - Zombie like lovers The SONICS. The witch (45). Etiquette records, 1964. Vampire

Matador Records est un label indépendant que Chris Lombardi a créé dans son appartement new yorkais en 89. Il sort l’EP « and there was light » d’HP Zinker en 90, suivi de l’EP de Dustdevils, puis du 1er album Superchunk. En 91, Gerard Cosloy rejoindra Lombardi. Leur collaboration dure toujours à l’heure actuelle. Avant d’arriver chez Matador, Gerard Cosloy était l’ancien manager du label Homestead Records qui a entre autre hébergé des artistes comme Sonic Youth, Daniel Johnston ou GG Allin. Matador connaîtra son 1er succès médiatique et commercial en 90 en sortant le 1er album de Teenage Fan Club : « A Catholic Eduction ». En 1993, le label commence un partenariat avec Atlantic Records qui durera une paire d’années. Capitol possèdera un temps des parts dans le label, revendu depuis. Depuis 2002, Matador est copossédé avec Beggars Group, et opère à présent aussi bien à New York qu’à Londres. En 2010, Matador a organisé une série de concerts à Las Vegas pour fêter son 21ème anniversaire. Lors de cet événement de nombreux artistes ont exprimé leur admiration pour Matador. Notamment Damian Abraham a dit que Matador leur a donné de la crédibilité en tant que groupe, que c’était un des plus grand label indé de tous les temps. Ira Kaplan dira "C’est dur à raconter sans avoir recours à des clichés, mais pour moi, Matador aime vraiment la musique". Ses louanges prouvent l’importance du label dans la musique indépendante. Bullet LaVolta/Mother Messiah Come/Bell Pavement/Grounded Unsane/White hand Techno Animal/Cruise Mode 101 Ft. Rubberoom Yo La Tengo/You Can Have It All Shearwater/Rook Sonic Youth/Sacred Trickster Savages/Shut Up

Amphetamine Reptile Records est une maison de disque. On la nomme plus souvent sous son diminutif « Am Rep ». Tom Hazelmyer a fondé « Am Rep » en 86 dans l’état de Washington. C’est un ancien marine de l’armée américaine. Il jouait dans le groupe Halo of Flies. Au départ, « Am Rep » a été crée dans le but d’héberger les disques de son groupe puis rapidement son catalogue s’est enrichit avec des groupes comme les Melvins , Helmet ou Chokebore. « Am Rep » a déménagea ensuite à Minneapolis et le label deviendra un référence de la musique américaine underground des années 90’s. Lorsqu’il a débuté l’aventure « Am Rep »,Tom Hazelmyer avait deux labels comme référence : Dischord Records, le label de Ian Mackaye ainsi qu’ Homestead Records un label de noise expérimental qui a eu dans son catalogue des groupes comme GG Alin, Dinosaur Jr, Big Black , Einstürzende Neubauten, Daniel Johnston, Sonic Youth, les Swans et bien d’autres. Il a toujours voulu faire un label dont les artistes auraient un son similaire, une identité commune. Etant musicien lui même il laissait un grosse liberté aux artistes. A la fin des années 90 lorsque l’activité d’ « Am Rep » baissa, Tom Hazelmyer deviendra patron de bar puis co-gérant d’une galerie d’art. Il a réalisé des pochettes d’albums et il s’est même lancer dans le design de Zippo. Il a d’ailleurs sorti un livre sur le sujet. De nos jours, l’activité du label est très réduite. Il ne signe plus de nouveaux groupes. Le label sert à la sortie d’enregistrements rares des groupes de son catalogue notamment les Melvins qui se servent du label pour sortir leurs 45T collectors. Guzzard/Ditch Diggers Too God Bullies/I Want To Kill You Chokebore/A Taste For Bitters Surgery/Maldia Hammerhead/Swallow Lowercase/She Takes Me Lydia Lunch With H.O.F/God's Other Son Today Is The Day/Willpower Cows/El Shiksa Melvins &cLe Butcherettes/The Devil Lived Janitor Joe/Pest

Bill and Brian kick off Indie August with podcaster Josh Flanagan (ifanboy.com) joining them to discuss Dinosaur Jr's You're Living All Over Me (1987, SST). Josh explains how his 'mid-life crisis' helped him dive into a band that has been circling him for decades. Then Bill, Brian, and Josh discuss the band's interpersonal dynamics, Murph suffering under J's dictatorial arrangements, the band's tenuous relationship with Homestead Records, how J Mascis' guitar shredding skills are integral to his songwriting, referencing a Big Muff that isn't a vagina, which album Brian would pick if he had to choose between Lou Barlow's many projects, and more as we make way through the album track by track!

My guest this week is Weird Paul. He’s a Pittsburgh-based musician that’s been putting out amazing albums since the mid-80’s. We first met when we played a show together in Pittsburgh in 2005. He talks about releasing about his first homemade tapes in high school, and making his live debut at a Beat Happening show in 1988. He tells me about Homestead Records putting out his Lo Fidelity / Hi Anxiety album in 1991, and the confusion he felt after severing ties with that label. He explains the feeling of being on a windy/rocky path toward success, and says he feels more confident than ever that music is his calling. Mike Riley’s art this week is an homage to Too Short’s “Cocktails.” This episode is hosted by Splice Today.

Did your ancestor homestead land a century ago? You may be able to find genealogical gold in his or her homestead record. Here’s how. Show Notes: https://ancestralfindings.com/federal-homestead-records-and-what-you-might-find-in-them/ 

Join in this week as Damian chats with his friend and “record-puter-outer”; Matador Records boss, Gerard Cosloy. The two discuss Gerard's adolescents in the nascent days of Boston punk, and hardcore. Also covered in this episode: -The Dead Kennedys bringing the 'core to Boston -The importance of the institution of WBCN -Almost being in SSD -The superior "Radio Cart" versions of songs -Being at the Negative FX Riot at the Mission To Burma show -The spectacle that was the only Last Rights show -The burden of nostalgia -Managing the unbelievable talent of Deep Wound (pre Dinosaur Jr. and Sebadoh) -Vile: the most hated band in Boston. -The victories and regrets of Homestead Records. -Why is Breaking Circus so overlooked? -Taking pride in having put out The Frogs. -Conflict Zine: pride and shame -The wisdom of the "asshole record store clerk" - Patrick Amory's Too Fun Too Huge -The perils of ridding in van's with Keith Morris in the early 80's

The experimental guitarist and music promoter from a rural Louisiana refinery town found a community of like minds in the heyday of college radio. He went on to help establish a thriving improvisational music scene in New Orleans. Rob takes the biggest chance yet as he enters the Ring Room and puts his faith in the Troubled Men. Topics include a damaged pet, a vacation mystery, a recovered phone, college radio, Kidd Jordan, Free Jazz, Alvin Fielder, the Art Ensemble of Chicago, Homestead Records, Zeitgeist, festival security, bad dancing, Norco, La., Sonic Youth, No Wave, Gibby Haynes, Kramer, Bong water, Eugene Chadbourne, the German Coast, porn soundtracks, Dr. Demento, Rev. Fred Lane, Tuscaloosa absurdists, the Music Box Village, the Secret, the High Holidays, Passover, favorite plagues, the Process, cults, True Detective, Malevitus, Anxious Sound, and much more. Rate and review Follow and share Intro music:Styler/Coman Night of the Dog: Malevitus