Podcast appearances and mentions of katie rife

On Truth & Movies this week, we discuss the James Mangold's Bob Dylan biopic A Complete Unknown and then review Leigh Whannell's Wolf Man. Finally, for film club, we revisited Inside Llewyn Davis.Joining host Leila Latif are Adam Woodward and Katie Rife.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Hello New Hollywood hippies and malaise monkeys and all the ships at sea and welcome to A Very Good Year. If you've been listening you know we're retiring A Very Good Year and coming back with a whole new show for 2025.In the meantime we're looking back at the past 100 episodes by revisiting some of our favorite guests and our favorite movies by decade. This episode is massive, but it's the 1970s, arguably the greatest decade for film in the entire short life of the medium. The 70s years were always the first to go when we were booking guests for the show and they do not disappoint.In this episode we've got podcasting superhero Blake Howard, author Charles Bramesco, author Alexandra Heller-Nichols, production designer Judy Becker who is currently getting rave reviews for The Brutalist, filmmaker Zach Clark, writer Jason Diamond, podcaster Brian Saur, writer/director Isabel Sandoval, historian Kevin Kruse, critic Sean Burns, writer/director and actor Noah Seegan, writer Alexandra West, critic Jordan Hoffman, media superstar Soraya Nadia McDonald, critic Katie Rife, author Scott Drebit, and director of photography Bradford Young with what might be the movie that has impacted me the most across the entire series. Enjoy! For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

Happy New Year, to all our beloved, black-gloved bellezze!Accademia Giallo is back with a special "Credito Extra" look at The Music Box Theatre's latest edition of its wildly popular "January Giallo" film series--kicking off this Monday, January 6!Co-programmers William Morris and Katie Rife join Ian to talk about how this terrifying tradition made its way to Chicago and what genre fans can expect from this year's lineup.Far from being a 40-minute infomercial, Will and Katie pull back the curtain on the surprising challenges of putting together an annual film series; reveal why Giallo has become so popular with younger audiences; offer a delicious tease of untapped international gialli, which may be coming soon to a classroom near you! If you're in Chicagoland on any Monday this month, treat yourself to a lurid evening of backstabbing, front-stabbing, J&B Scotch, and bumbling cops! January Giallo is back!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow Links Watch the trailer for The Music Box Theatre's "January Giallo 2025" series!And get your tickets to these scream-worthy screenings every Monday, starting January 6!Support our guests's creative and critical exploits! William Morris of Music Box of Horrors and Oscarbate Film Collective.Katie Rife, of too many things to list! So here's a handy Muckrack page with all the links.You can also follow Katie on X.If you haven't seen our interview with legendary director Sergio Martino from “January Giallo 2024”, you can check it out here.Support all of our terrifying teachers' axe-tracurricular activities!Stay studious with Aaron Christensen at Horror101 with Dr. AC!And subscribe to his YouTube channel!If you dare, venture down into Kitley's Krypt with Jon Kitley! And listen to Jon's scary-good podcast, Discover the Horror!Stalk Bryan Martinez in The Giallo Room!Buy J. Blake Fichera's "Scored to Death" Volume I and II on Amazon (mentioned in the show).Catch up with classic episodes of his Saturday Night Movie Sleepovers podcast!Continue your education with our "Accademia Giallo" Playlist!

Host Gil Gross speaks with Indigenous Historian Jordan Clark, acting Executive Director of Harvard University's Native American program, regarding the ample but little discussed history of the Wampanoag Nation's interactions with Europeans long before the Pilgrims landed and how those interactions shaped the Wampanoag response to the Pilgrims' arrival.Then Gil talks with film critic Katie Rife about the horrible horror films that have chosen Thanksgiving as the setting for such campy lines as “That's not cranberry sauce.”And then Food and Wine writer Chandram Ram shares a bevy of winter holidays around the globe detailing the special cuisines that accompany the celebrations.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On Truth & Movies this week Fede Alvarez takes the reigns of the latest entry in the Alien Franchise and we spoke to the director about the Alien Romulus. There's also a killer on the loose in Chinese film noir Only The River Flows and on Film club we return to one of the modern film noirs from the man behind one of the more controversial entries of the Alien films with David Fincher's Zodiac.Joining host Leila Latif are LWLies Editor-At-Large Adam Woodward and film critic Katie Rife.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Jane Schoenbrun's I Saw the TV Glow with special guest Katie Rife. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Film critic and writer Katie Rife joins me to discuss very different two portraits of serial killers: the highly fictionalised The Boston Strangler (1968), starring Tony Curtis, and the acclaimed Henry: Portrait of a Serial Killer (1986), with the iconic Michael Rooker. Discover what films we're covering next on our Letterboxd.Produced and presented by Anna Bogutskaya. ***Artwork: Ewa Ferdynus.Music: "Erebus" by Karl Casey @ White Bat Audio.***The Final Girls is a weekly podcast exploring the history of horror film.→ Find out more about our projects here: thefinalgirls.co.uk→ Listen to our weekly horror film podcast.→ Follow us on Twitter and Instagram.→ Support us on Patreon for bonus content. 

What does a powerless gofer in 2020s Romania have in common with a powerful studio executive in 1990s Hollywood? Radu Jude's new DO NOT EXPECT TO MUCH FROM THE END OF THE WORLD may concern a very different type of moviemaking than that in Robert Altman's satire THE PLAYER, but it takes a similarly cynical — and humorous — stance on the compromises involved in commercialized art. That's the main connection that inspired returning guest Katie Rife to suggest this pairing to us, but there's much more about Jude's film to get into first, from its focus on quotidian details to its various nods to Romanian art and culture. After that, we dive into these two films' complementary takes on capitalism, commodification, and cameos, and in Your Next Picture show offer a trio of otherwise-unrelated films with ties to this pairing.  Please share your comments, thoughts, and questions about THE PLAYER, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD,  or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Alex Garland's CIVIL WAR and Danny Boyle's 28 DAYS LATER Learn more about your ad choices. Visit megaphone.fm/adchoices

Romanian director Radu Jude's new DO NOT EXPECT TO MUCH FROM THE END OF THE WORLD is set in Bucharest, not Hollywood, but its cynicism about the act of capturing something on film nonetheless put us in mind of Robert Altman's 1992 industry satire THE PLAYER. We're joined by returning guest Katie Rife to discuss these two very different yet complementary movies about moviemaking, beginning with THE PLAYER's caustically meta take on the Hollywood grind during a transitional moment for studio filmmaking. And we stay on theme moving into Feedback, bringing the film's cynical outlook on Hollywood to a listener's question about the very existence of movie remakes. Please share your comments, thoughts, and questions about THE PLAYER, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD,  or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

The whip-smart and hysterically funny Katie Rife joins us to talk about the movies of 1978 — from the terrifying precision to “Halloween” to the sweaty muscularity of “The 36th Chamber of Shaolin” to the impeccable formalism of “Les Rendez-vous d'Anna” — and why ‘70s genre cinema holds up so well.  Become a member for Bonus Episodes, personal stories of working in the industry, and yes - EVEN MORE MOVIES. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

Who better to join our Halloween special than film critic Katie Rife, aficionado of all things horror? She proves her strong stomach by exposing us to two of the most harrowing serial killer films ever made, starting with 1986's hugely influential HENRY: PORTRAIT OF A SERIAL KILLER. We discuss its revolutionary approach to depicting violence, how it comments on the true crime genre, and one of its most repulsive descendants: Fatih Akin's 2019 stomach-churner THE GOLDEN GLOVE. You can find more from Katie at https://x.com/RifewithKatie Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unwatchablespod/message

Classical percussion and drumming seem worlds apart, but are they really? This week on The Drum Department we're digging into the similarities between drummers and percussionists, and what we can learn from each other.

This week Mitchell and Mia discuss their growing watchlists including Violent Night, The Eternal Daughter and Emancipation. Mia also talks about the sexification of Santa. After a quick look back at recent releases and community reviews, they shuffle their watchlists and discuss watching depressing movies. Weekend Watchlist – Updated Weekly list > movies mentioned in this episode. Letterboxd reviews and links mentioned: Transcripts of podcast episodes available Servedthendied & Lia's Violent Night reviews David Sims & Fran Hoepfner's The Eternal Daughter review Marco's Glass Onion review Ryan Silberstein's Clearcut review Lunchmoney's Angst review Jessica's When Harry Met Sally… review Gemma's Puss in Boots: The Last Wish review James Gray's Four Favorites episode Katie Rife's latest Shelf Life column Jack's Top 50 of 2022 list Credits: This episode was recorded in LA and Delaware, and edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘IZON' by Trent Walton.

We're talking New French Extremity on this week's episode on HIGH TENSION (2005)! Katie Rife joins us again to discuss this Alexandre Aja film that doesn't work, Aja's other films and link everything back to Pierre Escargot. Twitter: @AlmostMajor Kevin: @kevbonesy on Twitter/Letterboxd Bryden: @BrydenDoyle on Twitter + @JDoyle on Letterboxd Charlie: @ctnash91 on Twitter/Letterboxd Our guest, Katie Rife: @RifewithKatie on Twitter + @katierife on Letterboxd

Rest easy, as there are no *NSYNC jokes in this week's episode on MAY (2002)! The excellent film writer Katie Rife joins us to talk about this horror gem and Angela Bettis' fantastic performance. Twitter: @AlmostMajor Kevin: @kevbonesy on Twitter/Letterboxd Bryden: @BrydenDoyle on Twitter + @JDoyle on Letterboxd Charlie: @ctnash91 on Twitter/Letterboxd Our guest, Katie Rife: @RifewithKatie on Twitter + @katierife on Letterboxd

This week on Truth & Movies we check in on Babak Anvari's latest I Came By, see whether there's still something wrong with Esther in Orphan: First Kill and in our film club we revisit all timer The Silence of the Lambs. Joining our host Leila Latif this week are freelance writers Katie Rife and Katherine McLaughlin. Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by Little Dot Studios Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Bill talks to writer/editor/podcaster/programmer Katie Rife about her many endeavors, from co-founding Everything Is Terrible, inventing puns for Mr. Skin and presenting films at Facets Night School to writing/podcasting for The A.V. Club, programming for The Music Box Theatre and freelancing for outlets like Rolling Stone, Vulture and Roger Ebert.com. Topics include: Mike McPadden, Daily Grindhouse, gatekeepers, Odd Obsession Movies, her book IF YOU LIKE QUENTIN TARANTINO…, William Morris, Film Club, Fantastic Fest 2017, online harassment, Elizabeth Purchell, ironically working for Jerry Springer and getting judged for renting THE WIRE. Follow Katie Rife on Twitter:https://twitter.com/rifewithkatie Keep up with the latest articles by Katie Rife on Muck Rack:https://muckrack.com/rifewithkatie/articles Read Katie Rife on GHOST WORLD:https://www.avclub.com/20-years-on-a-self-proclaimed-enid-looks-back-at-ghost-1848132541 Watch Everything Is Terrible: “Flirting With Magic”https://vimeo.com/34270515 Watch Everything Is Terrible: “Moms On The Net!”https://vimeo.com/34523789 Watch Everything Is Terrible: “Rock Music And The Occult”http://everythingisterrible.blogspot.com/2009/06/rock-music-and-occult.html Read Katie Rife on TAKE IT OUT IN TRADE's controversial screening at Fantastic Fest 2017:https://www.avclub.com/an-unseen-ed-wood-movie-ignites-a-firestorm-of-controve-1818767773 Read Katie Rife's 4-part series on CARMILLA:https://www.fangoria.com/what-girls-do-when-theyre-left-alone-150-years-of-carmilla/ Buy Katie Rife's book IF YOU LIKE QUENTIN TARANTINO… https://www.abebooks.com/book-search/author/KATHERINE-RIFE Watch Katie Rife talk about LADY SNOWBLOOD on The Brandon Peters Show:https://www.youtube.com/watch?v=yQxBWuiG2a0&t=1400s Watch the Film Club Podcast with Katie Rife and A.A. Dowd:https://www.youtube.com/playlist?list=PLslxeOGneMPsb4FjarRN8DByJi_xxYYni Read Katie Rife on her time working for THE JERRY SPRINGER SHOW:https://www.avclub.com/trash-class-and-free-cigarettes-my-life-with-the-jer-1828530477 Listen to Katie Rife on Drinks On Monday with The Strike Team:https://drinksonmonday.libsyn.com/whats-high-in-the-middle-and-round-on-both-ends Read Katie Rife on The A.V. Club:https://www.avclub.com/author/katierife

In a bit of a departure, this week's episode is a live recording of The Past, Present, and Future Of Horror panel that took place July 7, 2022 at the Chicago FanExpo convention in Rosemont, IL.  Adam and Mike were joined by Katie Rife and Cati Glidewell of The Blonde In Front in a panel hosted by Kyle Anderson, senior editor at Nerdist to discuss our favorite horror pictures, the genre today, and where we think it will head in the future. 

When you've got best little horror house fever, there's only one cure... and that's Cure! Katie Rife (Rolling Stone, Polygon, Vulture, & RogerEbert.com) is here to talk about the chilling meditation on alienation and anti-smoking PSA precursor to the j-horror movement that will having you saying "who are you?" MK Ultra, the isolation of the internet age, and much more! Is the cure worse than the disease? Listen now to find out!!    Twitter: @LittleHorrorPHL  PLUS: Check out the BLHHiP Patreon to get bonus episodes and more!  

Ti West's new X is very much inspired by Tobe Hooper's 1974 shocker THE TEXAS CHAINSAW MASSACRE (and to an extent, Hooper's lesser-known EATEN ALIVE), following another bunch of ill-fated van passengers, this one a group filming a low-budget porno, who wind up on the wrong side of the owners of a remote Texas farmhouse. The film's late-'70s setting invites all sorts of analysis and interpretation about sex, death, and their intersection with cultural and religious conservatism at the dawn of the 1980s, which we dig into, once again with the help of film writer and horror aficionado Katie Rife, before turning our focus to some of the specific echoes between X and TEXAS CHAINSAW MASSACRE. Please share your comments, thoughts, and questions about THE TEXAS CHAINSAW MASSACRE, X, or anything else in the world of film, by sending an email to comments@nextpictureshow.net. We may respond to it on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes, a weekly newsletter, recommendations, and more.  Outro music: Blue Oyster Cult, “Don't Fear the Reaper” Next pairing: The Daniels' EVERYTHING EVERYWHERE ALL AT ONCE and Krzysztof Kieslowski's BLIND CHANCE Learn more about your ad choices. Visit megaphone.fm/adchoices

Ti West's new horror film X is very openly inspired by THE TEXAS CHAINSAW MASSACRE, carrying through the spirit of Tobe Hooper's 1974 shocker more capably than most of the subsequent films in what would become a nine-film franchise (in particular this year's dreadful remake). Before getting into how it does that next week, this week we're revisiting Hooper's film with the help of film critic and series expert Katie Rife, to consider what made this film hit the way it did at the time, why it so often gets lumped in with the slasher genre it preceded, and whether it's a film that gets more brutal — or, perhaps, more comforting — with time. Please share your comments, thoughts, and questions about THE TEXAS CHAINSAW MASSACRE, X, or anything else in the world of film, by sending an email to comments@nextpictureshow.net. We may respond to it on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes, a weekly newsletter, recommendations, and more.  Works Cited  • “For nearly 50 years, the Texas Chainsaw Massacre movies have made a meal out of raw panic,” by Katie Rife (avclub.com) • “Every Texas Chainsaw Massacre movie psychoanalyzes the original,” by Daniel Dockery (polygon.com) Outro music: Kesha, “Cannibal” Learn more about your ad choices. Visit megaphone.fm/adchoices

The episode which you are about to listen to is an account of the conversation which befell a group of four friends. It is all the more tragic in that the topic was Comfort Horror. Had they all recorded very, very long episodes, they could not have expected as much of the mad and macabre as they were to discuss. For them an idyllic winter chat became a Comfort Horror episode. The events of that day were to lead to one of the most bizarre entries in the feed of Psychoanalysis, The Texas Chain Saw Massacre. RESEARCH LINKS For nearly 50 years, the Texas Chainsaw Massacre movies have made a meal out of raw panic Follow us on Facebook | Twitter | Instagram Music notes: "Infinite Perspective" by Kevin MacLeod "Long Note Three" by Kevin MacLeod "Emotion Picture" by Bill Ironfield Logo artwork by Jess Snively

December is fast winding down, and here at The A.V. Club, that means one thing: We're looking back on the pop-culture we loved these past 12 months. The site's big staff list on the best films of 2021 goes up early next week. Before we unveil that, however, two of our contributing critics have sat down to discuss their own personal favorite films of this rapidly elapsing year. On the final, extra-long episode of Film Club before we all break for the holidays, A.A. Dowd and Katie Rife run down their respective top-10 lists, seeing where they align and where they diverge, and waxing rhapsodic on the 18 different movies represented across both.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Last week was 2001 Week at The A.V. Club, and as part of this multi-day retrospective of the pop-culture of two decades ago, we voted on the best movies from the second year of the new century. On a brand new episode of Film Club, critics A.A. Dowd and Katie Rife continue that discussion of the bygone year in cinema, including thoughts on their respective favorites of Y2K1: David Lynch's beloved dream-of-nightmare Hollywood reverie Mulholland Drive, and Wes Anderson's melancholy NYC family fable The Royal Tenenbaums.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Last week, Film Club dived into the two Paul Thomas Anderson movies starring Daniel Day-Lewis. This week, in the final installment of our four-week series on the movies of this essential filmmaker, critics A.A. Dowd and Katie Rife tackle the other major director-star collaboration of Anderson's career: the one-two punch of The Master and Inherent Vice. Then we close this month-long retrospective with our respective choices for the best of PT Anderson. Surprising spoiler alert: It might be the same film.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“More bizarre than Battle Royale and far bloodier than The Ring”: Japanese shocker “Suicide Club” can be seen in two midnight showings at Music Box Theatre next weekend.   Joining me to talk about Suicide Club is AV Club Senior Writer Katie Rife!

The A.V. Club Senior Writer Katie Rife joined me tonight to talk about Japanese shocker "Suicide Club," from 2001. See it in two midnight shows in all of its 35mm glory at the legendary Music Box Theatre over Thanksgiving weekend! Katie and I talked about horror (she practically has a PhD in horror), the now-ongoing "Music Box of Horrors" series, and why Marvel movies are now the Foo Fighters of film.

What happens when the reigning Method actor of our time joins forces with one of America's most celebrated filmmakers? On the third installment in our four-part series on the films of Paul Thomas Anderson, critics A.A. Dowd and Katie Rife discuss the two towering collaborations between Anderson and three-time Oscar winner Daniel Day-Lewis: the oil-man epic There Will Be Blood and the fashion-world romance Phantom Thread.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our four-part series on the films of Paul Thomas Anderson continues this week on Film Club, as A.A. Dowd and Katie Rife look back on what can be succinctly described as the second half of the first half of Anderson's career. After the success of Boogie Nights, Anderson got a blank check for his next feature, the sprawling three-hour emotional rollercoaster Magnolia (1999). By comparison, the 94-minute Punch-Drunk Love (2002) is positively slight.Join our critics as we sail this relatively choppy period in Anderson's career, looking back on the early ‘00s wave of what we dub “we're all connected” movies, the deep well of rage inside Adam Sandler characters, and whether Magnolia really deserves its reputation as a masterpiece.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every new movie from Paul Thomas Anderson is an event. That's certainly how we've treating Licorice Pizza, the writer-director's latest picture, which hits theaters at the end of November. All month long, in the run-up to its release, critics A.A. Dowd and Katie Rife will be revisiting all of Anderson's other movies. The four-part series kicks off with a look back at his first two features, which happened to open the same year: the low-key gambler/crime drama Hard Eight, and the porn-industry epic Boogie Nights.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's a scary time to be alive, and to go to the movies. But have the movies themselves been scary? With Halloween coming this weekend, critics A.A. Dowd and Katie Rife discuss the year in horror movies—the state of the genre in these uncertain times, the trends that defined these past few months of fright fare, and our spooky favorites of 2021.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Esse é o segundo episódio do nosso Especial de Dia das Bruxas 2021, abordando Saint Maud (2019), escrito e dirigido por Rose Glass e protagonizado por Morfydd Clark e Jennifer Ehle. Conversamos sobre o estudo de personagem que o filme propõe, o uso de religião no horror, o autoflagelo como body horror e as ambiguidades da narrativa. O programa é apresentado por Isabel Wittmann e a convidada especial Beatriz Saldanha, da revista Les Diaboliques. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-153-saint-maud Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann e Beatriz Saldanha Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Amanda Menezes http://www.behance.net/tupiguarana Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata e Tiago Maia Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [BLURAY] Vingança https://amzn.to/30iIVKt Mencionados: [VOTAÇÃO] Troféu Alice 2021 https://forms.gle/W6qARomNNSySXbor6 [SITE] Revista Les Diaboliques http://www.lesdiaboliques.com.br/ [REPORTAGEM] Os curtas-metragens de Rose Glass, por Beatriz Saldanha para Les Diaboliques http://www.lesdiaboliques.com.br/os-curtas-metragens-de-rose-glass/ [ENTREVISTA] Writer-director Rose Glass on the holy terror of Saint Maud, por Katie Rife para AV Club https://www.avclub.com/writer-director-rose-glass-on-the-holy-terror-of-saint-1846188864 Lista completa no site Relacionados: [PODCAST] Feito por Elas #09 Especial Dia das Bruxas 2016 https://feitoporelas.com.br/feito-por-elas-09-especial-dia-das-bruxas-2016/ [PODCAST] Feito por Elas #35 Especial Dia das Bruxas 2017 https://feitoporelas.com.br/feito-por-elas-35-especial-dia-das-bruxas-2017/ [PODCAST] Feito por Elas #62 Especial Dia das Bruxas 2018 https://feitoporelas.com.br/feito-por-elas-62-especial-dia-das-bruxas-2018/ [PODCAST] Feito por Elas #84 Especial Dia das Bruxas 2019 https://feitoporelas.com.br/feito-por-elas-84-especial-dia-das-bruxas-2019/ [PODCAST] Feito por Elas #124 Em Minha Pele https://feitoporelas.com.br/feito-por-elas-124-em-minha-pele/ [PODCAST] Feito por Elas #125 Quando Chega a Escuridão https://feitoporelas.com.br/feito-por-elas-125-quando-chega-a-escuridao/ [PODCAST] Feito por Elas #138 Bela Vingança https://feitoporelas.com.br/feito-por-elas-138-bela-vinganca/

This week, Chicago film historians Adam Carston and Mike Vanderbilt are joined by A.V. Club senior writer Katie Rife as they look back at a nasty, mean-spirited infamous exploitation double feature of, I Spit on Your Grave and The Children that opened at the Luna Theatre on July 11, 1980.  

Our week-long look at the remainder of the first season of Tales From The Crypt starts today! And joining for the second episode “And All Through The House” is the person who pitched me this idea earlier this year – The AV Club's Katie Rife! Katie is a huge EC comics nut and a lover […]

The fall movie season is in full swing, and that means we're getting a look at some of the most buzzed-about movies of the rest of 2021. On this week's episode of Film Club, critics A.A. Dowd and Katie Rife review three of October's major auteur works: Denis Villeneuve's enormous adaptation of the sci-fi novel Dune, which is now in theaters and on HBO Max; Wes Anderson's foray into anthology storytelling, The French Dispatch, which is also on the big screen now; and the latest genre-blender from Edgar Wright, Last Night In Soho, which opens next Friday. Did these big names deliver with their big, highly anticipated, COVID-delayed fall movies? Let's discuss.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Halloween the holiday is still two weeks away. But the movie franchise named after it is back this very weekend. On a special bonus episode of Film Club, critics A.A. Dowd and Katie Rife discuss the latest entry in this undying slasher saga, the middle entry in David Gordon Green's reboot trilogy, Halloween Kills. And for their thoughts on the series as a whole, including the original and the remake, check out this week's full episode of the podcast.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's episode of Scarred For Life, MB and Terry chat with AV Club writer and Music Box programmer Katie Rife! They chat the wild production history of Honey, I Shrunk The Kids, the trauma of being a child, worm farms, and being weird kids.Follow Katie on Twitter.View the full Music Box of Horrors at the Drive-In schedule.Follow Mary Beth, Terry and the Podcast on Twitter. See acast.com/privacy for privacy and opt-out information.

This weekend, No Time To Die brings to an end the Daniel Craig era of James Bond, putting a lid on a story that began 15 years ago with the reboot origin story Casino Royale. This is, of course, just one stretch of a franchise that's been running since the early 1960s, with no more than a few years ever passing between subsequent installments. In honor of this latest turned page in the ongoing book of Bond, we've programmed a prospective marathon of 007 adventures, selecting one movie for each of the six actors that have played the superspy. To discuss this daunting, nearly day-long block of espionage blockbusters, critics A.A. Dowd and Katie Rife welcome a special guest: fellow A.V. Club staffer and lifetime James Bond superfan Cameron Scheetz. Fair warning: We do not see eye to eye on Goldeneye.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Now in its 16th year, Fantastic Fest is probably the biggest and more prominent genre-centric film festival in America. But it offers a lot more than just raw meat and geysers of blood for the midnight-movie crowd. On this week's episode of Film Club, critics A.A. Dowd and Katie Rife discuss the evolution of this annual destination summit for fans of the weird, the wild, the extreme, and the outrageous. And they take a close look at three of the most prominent selections of the program this year, including an ultra-violent COVID-era zombie movie, the latest character study from a hometown indie-film hero, and the big, controversial winner of another festival across the pond.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

North America's largest and most prominent film festival winds down this weekend. Experienced in person or virtually, the fest was a typically mixed bag of a movie marathon, offering the usual range from triumphs to follies. The A.V. Club's critics, A.A. Dowd and Katie Rife, caught their share of both over the last eight days. On this brand new episode of Film Club, they talk about a few they both saw, including a delicate French familial drama, a confounding German experiment, and a batshit found-footage horror movie featuring one of the most obnoxious protagonists in recent cinema history. The two also offer a couple of recommendations for movies to watch out for as the fall festival season spills out into the wider world of film releasing.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For almost as long as there have been movies, there have been movies based on literature. Even in the age of superhero spectaculars, novels remain one of Hollywood's prime sources of source material. But transporting a story from page to screen isn't always so simple. On this week's brand-new episode of Film Club, critics A.A. Dowd and Katie Rife explore the tricky art of adaptation, identifying the pitfalls of this common practice, and why the expression “The book is better” still rings plenty true much of the time.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Labor Day is traditionally thought of as the unofficial end of the summer movie season. It's also generally a dead zone for new Hollywood releases, with the studios accepting the conventional wisdom that many Americans want to spend the holiday outdoors, not seated in a movie seater. Nonetheless, this strange year brings at least two major options for those feeling comfortable enough to head for the multiplex right time. On a brand new episode of Film Club, critics A.A. Dowd and Katie Rife discuss these franchise competitors: this week's addition to the Marvel canon, Shang-Chi And The Legend Of The Ten Rings, and last week's reboot of a '90s horror sensation, Candyman.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As summer begins to wind down and the crisp breezes and scented candles of autumn beckon, we're taking a week to circle back and talk about what has (thus far) been the horror event of the summer: Netflix's trilogy of Fear Street movies. Set in 1994, 1978, and 1666, each of the entries in director Leigh Janiak's teen-centric series combines a period setting, abundant needle drops, and queer romance for a YA riff on slasher movies. Our critics A.A. Dowd and Katie Rife dig in to all this in their discussion of Fear Street, as well as the layers of homage that go into these films.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"The apparent desire by the core creative team to break from their wilder, messier material by giving FALSE POSITIVE A24 gloss--is understandable. But for a movie with this much blood, it doesn't leave much of a stain." We disagree, Katie Rife of the AV Club. For if we can't count on Pierce Brosnan as an evil gynecologist in a movie... what new releases can we count on? So get in your stirrups and prepare for the warm touch of our LAST Opening Weekend Wasted. Until something really good comes out. BUT UNTIL THEN... we leave you with praise for Gretchen Mol as a dedicated employee and one host getting to blather on about ROSEMARY'S BABY for a bit. Enjoy. Subscribe on Apple Podcasts/Spotify Twitter @offscreendeath Instagram @theoffscreendeath Letterboxd: @daveagiannini and @projectingfilm Artwork by Nathan Thomas Milliner Music by Joplin Rice Find out more at https://offscreendeath.pinecast.co This podcast is powered by Pinecast.

Negative reviews are fun to read—just asks the scores of film fans that have purchased Roger Ebert's bestselling collection of them, I Hated, Hated, Hated This Movie. Truth is, they can be very fun to write, too, at least for a critic who finds cathartic pleasure in chronicling their own torturous experience with a bad movie, book, meal, etc. But there is an art to penning a pan—and maybe a code of conduct the critic should follow, lest scathing analysis shade into mean-spirited invective. On this week's very inside-baseball episode of Film Club, critics A.A. Dowd and Katie Rife take the listener behind the curtain of their critical process and discuss how to write about bad movies right.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Late summer is not, normally speaking, a time to expect exceptional cinema; by the onset of August, blockbuster season is winding down and awards season hasn't yet begun, leaving audiences stranded in a purgatorial middle zone, heavy on Hollywood's less promising releases. But against all odds, in these abnormal times, the dog days of summer are bringing some big movies to the big screen that are very much worth seeing. On this week's episode of Film Club, critics A.A. Dowd and Katie Rife talk about a trio of new releases giving the summer movie calendar a good name: M. Night Shyamalan's nightmarish aging thriller Old, which came out last week; David Lowery's hypnotic Arthurian fantasy epic The Green Knight, which opens today; and James Gunn's gory, funny new addition to the DC superhero universe, The Suicide Squad, which will hit theaters and HBO Max next Friday.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

M. Night Shyamalan is one of the few Hollywood directors working today who qualifies as a household name. But what reputation does that name now carry? Since bursting into the public eye with his third feature, the Oscar-nominated box-office phenomenon The Sixth Sense, Shyamalan has experienced ups and downs, disappointments and comebacks. Today, he's sometimes treated like an industry punchline and punching bag, even as his movies continue to do good business and satisfy a faithful critical fanbase. On this week's episode of Film Club, A.A. Dowd and Katie Rife discuss the career of this divisive blockbuster auteur, whose latest thriller, Old, is now playing in theaters.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we don't put out! Well actually, were putting out a podcast about LADIES AND GENTLEMEN… THE FABULOUS STAINS with A/V Club writer Katie Rife. Katie talks about STAINS being a once lost movie – its a secret handshake. There's chatting about how this influenced the Riot Grrrl movement in punk. How popular would this have been if it had a bigger release? Did it need to be a cult film to have its powerful influence? Lots of talk about producer Lou Adler. Is this where The White Stripes got their band name? Everyone has a hard time pinning down which character is the most cynical. And Raquel complains that the punk are too clean cut and that Miley Cyrus is just ripping off The Stains.   The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through and through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/former music journalist, & current film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a film to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at thegenerationsplice@gmail.com or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com The show is produced by The Martinez Family & the show's theme song was written, performed, & produced by Raphael.

I've been meaning to have Katie Rife from The A.V. Club onto the show since it started, but alas here we are, half a year into this and BAM – she has arrived. And with an absolutely delicious pick of a movie to boot. Though, I had no doubt in her picking something to bring […]

THE WAIT IS OVER! Dr. Albert Beck is BACK and this time he's.. singing and dancing?! STALKED BY MY DOCTOR: PATIENT'S REVENGE is the THIRD part of the legendary STALKED BY MY DOCTOR series, and this time our favorite doc is in a WHOLE HEAP of trouble. You get DOUBLE ERIC ROBERTS, an almost-castration, fantasy threesomes, and the weirdest LA LA LAND tribute you will EVER experience. For all this goodness we needed a special guest, and they don't come much more special than Katie Rife from The AV Club! TIME TO LISTEN!  The post Episode 77: Stalked by My Doctor: Patient's Revenge (2018) (/w Katie Rife) appeared first on Eric Roberts is the Man.