Podcasts about nhk

「「FIFA ワールドカップ 2026」いよいよ今週末から。NHKでは特設サイトもオープン」　世界最高峰のサッカー国際大会「FIFA ワールドカップ 2026」が、いよいよ日本時間の今週末6月12日（金）に開幕。NHKではすでに1次リーグの放送日程を発表しており、ワールドカップ関連コンテンツをまとめた特設ページや、放送日程の一覧表などを公開している。

NHK「みんなで筋肉体操」でおなじみの谷本道哉先生が、筋トレ「ランジ」をイチオシしています。人生100年時代と言われますが、実は筋肉は、40代ごろから加齢とともに落ちていきます。つまづきや転倒によって、QOL（生活の質）が低下することも。「つまずくことが増えた」「バランスをとりにくくて、階段を下りるのが怖い」「昔より速く歩けない」などの背景には、実は筋肉の衰えがあります。とくに落ちやすい筋肉が、下半身です。腸腰筋・大殿筋・大腿四頭筋などが健康的な生活を送る上で重要ですが、足腰を鍛える筋トレの代表「スクワット」でさえ、すべてを一度に鍛えることができません。そこで、おすすめしたいのが「ランジ」です。谷本道哉（たにもと・みちや）順天堂大学大学院スポーツ健康科学研究科 先任准教授2006年東京大学大学院総合文化研究科博士課程修了。博士（学術）。国立健康・栄養研究所特別研究員、順天堂大学博士研究員、近畿大学生物理工学部准教授などを経て、現職。専門は身体運動科学、筋生理学。メディア出演も多く、NHK「みんなで筋肉体操」「おはよう日本 おはSPO×筋肉体操」やテレビ朝日「モーニングショー」など数多くの番組で、筋肉の働きや体を鍛えることの重要性を伝えている。商品名：別冊NHKきょうの健康　はじめよう ランジ筋トレ　スクワット超えの「健脚効果」で、もうつまずかない、転ばない！著者：谷本道哉出版社：NHK出版発売日：2022年10月19日定価：990円（税込）判型：B5判並製ページ数：96ページ（内カラー48ページ）⇒「ランジ筋トレ」とはランジ筋トレは、体を支え、速く歩くために重要な筋肉のほぼすべてを鍛えることができる、画期的な筋トレです。次：やり方も簡単！やり方も簡単。まずは、片方の足を大きく前に一歩踏み出して、腰を落とします。体勢としては不安定になりますが、机に手を添えることで転ばずに行えます。踏み込む距離などを調節することで、誰でも行うことができます。手軽なのに効果がスクワットを超えるとなると、続けるしかないですね。ちなみに、机を使わない通常のランジは以下の通り。

ナイキ新宿のポップなあのロゴ、作ったのは現役の新宿駅警備員・佐藤修悦さん。独自のフォントである「修悦体」は警備現場のニーズから生まれたデザイン。後半はNHK「いないいないばあ」で実践されている、赤ちゃんが好むキャラクターや音のデザインについて話しました00:53 ”現代のフランク・シナトラ”だとマイケル・ブーブレを推したら、シナトラ自体が通じずショック01:57 「Unforgettable」亡き父 ナット・キング・コールとナタリー・コールが共演する名曲05:11 「西洋人がいうハンサム（と言われる顔）に一度も納得したことがない」上野が好きな俳優の顔は…10:55 ナイキ新宿の特徴あるロゴは現役の新宿駅警備員・佐藤修悦さん（72歳）とアートディレクターのコラボ11:39 ガムテープ文字「修悦体」は十数年前から話題になり、印刷博物館にも収蔵されているアート14:43 修悦体誕生の背景 − 工事中によく道を聞かれ、怒られたら剥がせばいい、という警備現場のリアルなニーズ15:27 一見崩れたように見える独特の文字でも「新宿」と読めるのは、脳がフォルムで文字を認識しているから17:20 AIに修悦体のような独特なフォントが作れるか − AIフォント制作の現在位置25:49 NHK「いないいないばあ」赤ちゃんが好むキャラクターをどう生み出しているのか？の方法論が面白い27:49 物理法則に反する積み木の動きに、0〜2歳が指差し親を振り返り「今の見た?」28:36 キャラクターが努力する姿をあえて見せることは、赤ちゃんに諦めないことを学ばせる意味がある32:45 「どんぶらこ」だけで桃と分かる：桃に音をつけるオノマトペ文化のすごさ34:12 緊急地震速報の不気味な音は、不安や恐怖を喚起するように絶妙にデザインされている36:50 長調＝明るい・短調＝暗いと感じるのは、人間が本能的に持っている感覚エピソード内で取り上げた情報へのリンク： ナイキロゴ誕生の舞台裏と佐藤修悦さん いないいないばあの舞台裏テック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います。及川卓也 @takoratta プロダクトマネジメントとプロダクト開発組織づくりの専門家関信浩 @NobuhiroSeki アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋上野美香 @mikamika59 マーケティング・プロダクトマネジメントを手掛けるフリーランスhttps://x-crossing.com

You probably didn't know there was an Emily of New Moon anime. Unless, that is, unless you live in an Arabic-speaking country, where it just happens to be one of the most popular anime series of this century despite being forgotten in every other region. I'll admit, I was kind of dreading the obligation of sitting through TMS and NHK's 2007 adaptation featuring Lucy Maud Montgomery's second most popular precocious child from PEI, but I kind of loved it despite some surprising changes from the source material. Mike Toole and Sherly Kyorkis also loved it, and they join me to talk about its surprising pedigree and ponder its runaway cross-cultural success on Spacetoon.

Cinematographer Steven Poster, ASC has spent five decades behind the camera, and helped lead the industry from film into digital along the way. He's shot for Ridley Scott, Steven Spielberg, and John Carpenter, and served as president of both the American Society of Cinematographers and the International Cinematographers Guild. He also oversaw one of the first digital intermediates ever finished, lensed the cult classic Donnie Darko, and shot the iconic "Like a Prayer" video for Madonna.We explore his origins learning his craft from a Chicago newsreel shooter, his career-long drive to innovate new technologies and techniques, his approach to daylight and diffusion, and why he thinks DPs shouldn't operate their own cameras.Grab Sweet Spot, my free exposure tool that gives you simple, scene-accurate metering in stops, for every camera: https://cullenkellycolor.com/toolkit/sweet-spot. Steven called it a “game-changer” after using it on his most recent project.Chapters 0:00 — Welcome0:24 — Chicago beginnings and union politics5:55 — Seeing digital coming: NHK, Sony, and the HD experiments9:51 — Stuart Little 2 and one of the first digital intermediates14:00 — Three weeks on the soccer field: working blind20:22 — Donnie Darko: 22 days, anamorphic, and an untested film stock27:35 — Shooting daylight: polarizers and diffusion30:34 — Coming up with Vilmos Zsigmond33:42 — Blade Runner: the tunnel shot44:00 — Collaborating with Richard Kelly on Donnie Darko50:28 — Why a DP shouldn't operate their own camera51:55 — Working with Sophia Loren56:09 — Lessons from Ridley Scott59:51 — Core principles: don't be afraid1:02:30 — Next-generation display technology

This week, Detective Conan and Precure team up for some crossover action, the 2026 Crunchyroll Anime Awards winners, and McDonald's Japan teaming up with Mega Man! Also, Netflix to stream 20 NHK drama titles, Crunchyroll Japan profit drops 63 percent, and The Pokémon Company to require government ID for purchases? Meanwhile in Japan, a temple burns to the ground, sacred fire safely unharmed, and KFC Japan lists three "American" burgers on its menu?

Documentary filmmaker Ivy Meeropol (“Bully. Coward. Victim.: The Story of Roy Cohn”, “After The Bite”) returns for her 3rd visit to the podcast. Her latest film “Ask E. Jean” which recently had a very successful festival run and is currently in theaters. https://www.youtube.com/watch?v=SgyI8GStcao Ivy Meeropol is the Director and Producer of “Ask E. Jean”, a feature documentary film about the advice columnist and journalist E. Jean Carroll who sued Donald Trump for rape and defamation and won. In 2023, she completed “After The Bite” (HBO), a feature documentary about the explosion of great white sharks and seals on Cape Cod. She premiered her HBO documentary “Bully. Cward. Victim.: The Story of Roy Cohn” at the 2019 New York Film Festival and in 2020 the film was nominated for an Emmy for Outstanding Historical Documentary. She was the Senior Story Producer on the CNNFilms documentary “The End: Inside the Last Days of the Obama White House” , which premiered at the National Archives in Washington, DC. She directed and produced the feature “Indian Point”, about an aging nuclear power plant close to New York City, which was honored with the Frontline Award for Journalism in a Documentary Film and aired on NHK during the anniversary of Fukushima in Japan. Ivy created and directed the 6-part nonfiction series “The Hill” (Sundance Channel), about Congressman Robert Wexler (D-FL) and his young staff (nominated for best series by the International Documentary Association). She produced the feature documentary “Museum Town”, which premiered at SxSW, and has produced and directed for the Emmy Award winning climate change series “Years of Living Dangerously” (National Geographic) and for “Death Row Stories” (CNN). Ivy's debut film, “Heir to an Execution” (HBO), explored the legacy of her grandparents Ethel and Julius Rosenberg. It premiered at Sundance and was shortlisted for an Academy Award. She is a member of the Academy of Motion Pictures Arts & Sciences and serves on the Professional Advisory Board of The Jacob Burns Film Center.

※AIによる概要回線速度が「10Mbps」から「120Mbps」へ劇的改善したメンバーを迎え、話題のVRデバイス「Oculus Go」を大特集。2万円台で手に入る没入感や、アバター同士で会話する未来の会議スタイルに、30代男性たちが興奮気味に語り合います。後半はパパ世代必聴の運動会撮影ハックや、懐かしのNHKキャラの豆知識も。しかし、ラスト数分でまさかの通信トラブル発生！？完璧な伏線回収となる衝撃の結末まで、約50分のドキュメンタリーをお楽しみください。

Meet James Farrer, Professor of Sociology and Global Studies at Sophia University. He sits down to talk to us his sociology study in China and Shanghai, before moving to Tokyo and finding his own community by studying the third spaces that exist in the restaurants around train stations.--0:00 Intro0:44 Meet James3:32 Shanghai in the 90s8:27 Studies at Fudan University12:18 Coming to Japan15:34 Finding community in Tokyo18:14 The reality of Midnight Diner21:20 Experiences as an outsider28:42 Differences in Tokyo neighborhoods33:53 Street food in Japan?37:02 James's NHK program41:42 Differences between Tokyo and Shanghai46:23 Foreigner-run restaurants50:50 Challenges telling stories on TV55:10 Kabukicho nightlife59:30 How comparable are Tokyo and Shanghai really?1:02:36 Have you found your place in Tokyo?1:09:24 The paradoxical freedom of big cities--Follow James:https://www.nishiogiology.org/https://www.instagram.com/japanfoodresearch/https://www.linkedin.com/in/jamesfarrer/Follow us:https://unpacking.jp/https://www.instagram.com/unpacking_japanhttps://www.tiktok.com/@unpackingjapanhttps://www.facebook.com/unpackingjapanhttps://www.youtube.com/@unpackingjapanshortshttps://www.x.com/unpacking_japanhttps://creators.spotify.com/pod/profile/unpackingjapanSubscribe for more in-depth discussions about life in Japan! Interested in working at a global e-commerce company in Osaka? Our parent company ZenGroup is hiring! To learn more, check out https://careers.zen.group/en/

NHKテレビ「あさイチ」で老害特集をやってました。他人事ではありませんが、とは言え「許してくれ」という思いもあります。個人差が大きいそうですが、原因は「前頭葉」の働きの低下とのこと。じゃあ、それを防ぐにはどうしたらいいの？

※認定NPO法人Dialogue for Peopleの取材活動、及び動画配信はみなさまのご寄付によって支えられています。詳しくは以下のリンクをご覧ください。https://d4p.world/donate/___________________________________________　【親子をときほぐす】親子とはなんだろう。私たちがいつの間にか前提としている「親子」観は、親子にまつわる暴力や分断を容認するものになってはいないだろうか。國學院大学で哲学を教える小手川正二郎さんが、私たちがとらわれがちな「親子」について、哲学的観点から解きほぐします。（全５回）＜今回のテーマ＞第３回 子どもを生むのは自分勝手？「『よい親』と『毒親』ー利己的か利他的かを越えて」私たちは「毒親」や「虐待親」とされる人たちを、自分とは異なる「ひどい親」と見なしてしまいがちです。しかし、どんな親もそうしたことと無縁ではなく、「利他的」な親が必ずしも「よい親」であるとも言えません。そもそも誰もが同意なく生み出される以上、子を生むことは利己的なのではー？反出生主義や「利己／利他」という枠組みから考えます。＜参考文献＞田房永子『なぜ親はうるさいのか―子と親は分かりあえる？』筑摩書房、2021年田房永子・斎藤環「母と闘うということ」、斎藤環編『母と娘はなぜこじれるのか』NHK出版、2014年小手川正二郎「反出生主義における現実の難しさからの逸れ――反出生主義の三つの症候」、『現代思想』（特集「反出生主義を考える」）vol. 47-14、2019年所収Onora O'Neill, Begetting, Bearing, and Rearing, in: Onora O'Neill & William Ruddick (edd.), Having Children: Philosophical and Legal Reflections on Parenthood, Oxford University Press, 1979.小手川正二郎『現実を解きほぐすための哲学』トランスビュー、2020年竹端寛『家族は他人、じゃあどうする?―子育ては親の育ち直し』現代書館、2022年＜出演者プロフィール＞小手川 正二郎（こてがわ・しょうじろう）國學院大学文学部哲学科教授。1983年、東京生まれ。慶應義塾大学大学院文学研究科後期博士課程修了。博士（哲学）。フランス近現代哲学、現象学を専攻。近年は、性差別や人種差別、親子関係や難民をめぐる社会問題に哲学的観点から取り組んでいる。著書に『現実を解きほぐすための哲学』（トランスビュー）、『甦るレヴィナス――「全体性と無限」読解』（水声社）、共著に『フェミニスト現象学――経験が響きあう場所へ』（ナカニシヤ出版）、『ジェンダーとLGBTQの哲学』（丸善出版）、共訳書にヘレン・ンゴ『人種差別の習慣――人種化された身体の現象学』（青土社）などがある。★「親子をときほぐす」への感想・メッセージをお待ちしています！https://tayori.com/feedback/89cc5e2f70a22ca1550010ab5624be623950436b/★小手川正二郎さん×D4P『感情と対話の哲学』はこちらhttps://youtube.com/playlist?list=PLMSNCUpS-DdsVo87qCAN_7lvCi4Ic5JcL&si=H8nRx8BHAZfo5FeL出演：小手川正二郎（國學院大学文学部教授）撮影・編集：佐々木想企画・編集：Dialogue for People___________________________________________【世界の「無関心」を、「関心」に変える】本チャンネルは皆さまからのご支援によって支えられています。ご寄付を通して『伝える』活動に参加いただけますと幸いです。▼認定NPO法人Dialogue for Peopleへのご寄付はこちら▼⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://d4p.world/donate/#donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠（ご寄付は寄付金控除等の対象になります。）___________________________________________Webサイト ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://d4p.world/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/DialogueforPeople⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X(旧Twitter) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/dialogue4ppl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/d4p.world/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/Dialogue4People/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

米津玄師 「烏」6月15日(月) 配信リリース決定／Lyric Visual解禁／新アーティスト写真公開Photo by Yohji Uchida本日からちょうど1ヶ月後——6月15日(月)、サッカー日本代表が「FIFAワールドカップ2026」初戦・オランダ戦(日本時間 同日午前5:00キックオフ)を迎えるこの日に、2026 NHKサッカーテーマとして米津玄師が書き下ろした新曲「烏」(読み：からす)が配信リリースされることが決定した

■【次回公演情報】『もっと！新ニッポンの話芸スピンオフvol.8』2026年9/26(土)19時開演＠文京シビックホール※6/27よりカンフェティにて予約開始■参考動画https://www.youtube.com/@%E6%B8%8B%E8%B0%B7%E3%82%89%E3%81%8F%E3%81%94/videos■レギュラーメンバー・広瀬和生（ひろせ かずお）1960年生まれ。埼玉県出身。へヴィーメタル雑誌「BURRN！」編集長年に300席以上の高座に接し、現在進行形の「今の落語」の魅力を語る第一人者として知られる。2008年『この落語家を聴け！いま、観ておきたい噺家51人』（アスペクト）を皮切りに、『噺家のはなし』（小学館）『現代落語の基礎知識』（集英社）など、落語に関する著書多数。2012年よりライブ盤「この落語家を聴け！」公演を北沢タウンホールで行いインタビューをまとめたものが『落語家という生き方』（講談社）として書籍化した。プロデュース興行も多数。近著に『噺は生きている 名作落語進化論』（毎日新聞出版）など。・鈴々舎馬るこ（れいれいしゃ まるこ）1980年生まれ　山口県出身2003年5月鈴々舎馬風に入門「馬るこ」2006年5月二つ目昇進2017年3月真打昇進落語協会所属。「落語初心者も落語マニアも大爆笑」をモットーに、"エンターテイメント"として楽しい落語を貪欲に追及する。新作・古典どちらも取り組み、アグレッシブな演目もあるが、確かな技術に裏打ちされた高座は常に成長を続けている。BS日テレ「笑点特大号」若手大喜利、文化放送ラジオ「くにまるジャパン」レギュラー。2010年「さがみはら若手落語家選手権」優勝、2013年「NHK新人演芸大賞」＆「読売杯争奪二つ目バトル」優勝。 新ニッポンの話芸ポッドキャストを提案した張本人。安定したMCぶりを発揮している。・柳亭信楽（りゅうてい　しがらき）1983年生まれ　東京都出身2014年6月 柳亭楽輔に入門「楽ちん」2014年7月下席楽屋入り2018年8月中席より二ツ目昇進「信楽」落語芸術協会が誇る広瀬和夫絶賛の新作落語家。一つの設定を軸に力技で押し通す信楽落語は、非凡な発想と確固たる実力が合わさって確立されている。特技は洋楽カラオケ（フレディ・マーキュリーなど）・ナツノカモ（なつのかも）作家。1983年生まれ。主にコント舞台脚本、演出。他にテレビ番組の構成、ゲームシナリオ制作、創作落語など幅広く活動。また自らプレーヤーとして舞台に出演、ラジオCMのナレーターなどもこなす。好きな季節は夏、好きな動物は鴨。・立川かしめ（たてかわ　かしめ）1989年生まれ　愛知県出身2015年6月　立川こしらに入門「仮面女子」2016年10月　命名権満了により改名「かしめ」2020年4月　二つ目昇進落語立川流の落語家として、立川談志初のひ孫弟子となる。師匠こしらと同様に改作落語を得意とし、可笑しくもどこか小気味悪い後味を残す独特の世界観を持つ。特技はその人が求める商品を精一杯検索して提案すること。■殿堂入り・立川こしら（たてかわ こしら）1975年生まれ　千葉県出身1996年5月立川志らくに入門「らく平」2002年5月二つ目昇進「こしら」2012年12月真打昇進落語立川流の落語家として、談志の孫弟子初の真打となる。落語家らしからぬ見た目と行動力で「立川流の異端児」の異名をとるが、独自の道を開拓し、観客に楽しい落語を提供することに徹底している。アナログからデジタルまで使いこなすマルチクリエイター。WEB製作をおこなう合同会社第プロの設立、ラジオDJの経験、無農薬農業など多角的に活躍。エイベックスよりCDを発売中。「高速落語 R-30(Vol.1〜3)」「真打昇進記念版 高速落語 大ネタ十(じゅう)」「死神」・三遊亭萬橘 （さんゆうてい　まんきつ）1979年生まれ　愛知県出身2003年7月三遊亭圓橘に入門「橘つき」2006年10月二つ目昇進「きつつき」2013年3月真打昇進4代目「萬橘」襲名五代目圓楽一門会に所属。円楽党のホープとも称される抜群の実力派。論理的に落語を分析し、独自の演出を加えた高座は奇をてらうことなく、それでいて爆笑を誘う。ポッドキャストであつい議論を展開することも。2007年3月「さがみはら若手落語家選手権」優勝　2014年から3年連続で国立演芸場花形演芸大賞（金賞）、2016年彩の国落語大賞ほか受賞多数。

「NHK「ドキュメント72時間」、5/22放送回で渋谷の巨大レコード店“音楽の塔”を特集」　NHKのドキュメンタリー番組「ドキュメント72時間」が、5月22日（金）放送回で“渋谷の巨大CD・レコード店”を特集する。

News Connect（ニュースコネクト）あなたと経済をつなぐ5分間1日1つ、5分間で、国際政治や海外のビジネスシーンを中心に、世界のメガトレンドがわかる重要ニュースを解説。朝の支度や散歩、通勤、家事の時間などにお聴きいただけるとうれしいです。▼出演：新井里菜（オーディオジャーナリスト）　https://twitter.com/RinaAraiLevia子ども向けニュース番組『Kids' News - キッズニュース』https://open.spotify.com/show/1I9MfdGDCgbSj0NUupLjxq音声ドキュメンタリー『越境家族 - Transnational Family』https://open.spotify.com/show/42rkNGnYDASc315Ph3W7XL▼支援プログラム「Chronicleサポーター」については、こちらをご参照ください。https://chronicle-inc.net/supporthttps://note.com/t_nomura/n/n43e514e703b4▼新刊書籍『プロ目線のPodcastのつくり方』⁠https://amzn.asia/d/0n3gLJN▼参考ニュース：トランプ大統領 中国へ出発 イラン情勢の打開糸口見いだせるか（NHK）https://news.web.nhk/newsweb/na/na-k10015120171000The World's 2 Most Powerful Men Are Set to Meet Again. Here's What to Know.（NYT）https://www.nytimes.com/2026/05/09/world/asia/trump-xi-china-us-summit.htmlトランプ氏、イラン問題巡り習氏と協議へ　「助け必要ない」とも（Reuters）https://jp.reuters.com/world/taiwan/GF7IG3JS5VJ45BCAVJIJH7HO4I-2026-05-12/▼Podcast Studio Chronicle公式サイトhttps://chronicle-inc.net/

【主なニュース】▽磐越道21人死傷事故 “事故前から危険な運転”生徒が証言　▽14日から米中首脳会談 米高官“中国はイラン支援 圧力かける”　▽高市内閣支持率61％ 不支持23％ NHK世論調査　など

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第31回NHKマイルカップの大口投票は混戦に反して一騎打ちムード。 当日午前の段階でダイヤモンドノットが単勝4.7倍で1番人気に推され、エコロアルバが2番人気5.1倍で、ロデオドライブが6.0倍の3番人気、カヴァレリッツ...The post 【NHKマイルC／大口投票】ダイヤモンドノ…

今年もこの季節がやってきました！ ダービーもオークスもこれからですが、POG大魔王・丹下日出夫さんに2027年のクラシックを目指す2歳馬たちの情報をうかがいました。前編の今回は種牡馬について。エピファネイア、キタサンブラック、キズナ、サートゥルナーリア、コントレイルに、エフフォーリアなど新種牡馬の話題も。フライトラインやバーイードといったマル外種牡馬にも要注目だそうですよ！ 週末重賞予想はNHKマイルカップ。スタジオ担当は大関隼アナです。今週も競馬キャスター・鈴木淑子さんと一緒に、幅広い競馬情報と素敵なおしゃべりをお楽しみください！

第31回NHKマイルカップ（10日／GI、東京芝1600m）には、重賞2勝のダイヤモンドノット、朝日杯FS勝ち馬のカヴァレリッツォ、D.レーンを背にGIに臨むロデオドライブなどが出走予定。 本記事では、出走各馬の追い切り...The post 【NHKマイルC／追い切り診断】回転力の高さで…

第31回NHKマイルカップ（10日／GI、東京芝1600m）には、重賞2勝のダイヤモンドノット、朝日杯FS勝ち馬のカヴァレリッツォ、D.レーンを背にGIに臨むロデオドライブなどが出走予定。 本記事では、出走各馬の追い切り...The post 【NHKマイルC／追い切り診断】ロデオドライブ…

News Connect（ニュースコネクト）あなたと経済をつなぐ5分間1日1つ、5分間で、国際政治や海外のビジネスシーンを中心に、世界のメガトレンドがわかる重要ニュースを解説。朝の支度や散歩、通勤、家事の時間などにお聴きいただけるとうれしいです。▼出演：新井里菜（オーディオジャーナリスト）　https://twitter.com/RinaAraiLevia子ども向けニュース番組『Kids' News - キッズニュース』https://open.spotify.com/show/1I9MfdGDCgbSj0NUupLjxq音声ドキュメンタリー『越境家族 - Transnational Family』https://open.spotify.com/show/42rkNGnYDASc315Ph3W7XL▼支援プログラム「Chronicleサポーター」については、こちらをご参照ください。https://chronicle-inc.net/supporthttps://note.com/t_nomura/n/n43e514e703b4▼新刊書籍『プロ目線のPodcastのつくり方』⁠https://amzn.asia/d/0n3gLJN▼参考ニュース：トランプ氏、ホルムズ通過支援計画を一時停止－対イラン合意見極め（Bloomberg）https://www.bloomberg.com/jp/news/articles/2026-05-05/TEL6EQKJH6V400#gsc.tab=0米のホルムズ海峡通過取り組みにイランけん制 緊迫の状況続く（NHK）https://news.web.nhk/newsweb/na/na-k10015114601000Trump Looks for a Silver Bullet to End the Iran War. There May Be None.（NYT）https://www.nytimes.com/2026/05/05/world/middleeast/trump-blockade-iran-war.html▼Podcast Studio Chronicle公式サイトhttps://chronicle-inc.net/

VOV1 - Hầu hết các cơ quan báo chí lớn nhất Nhật Bản số ra hôm nay (2/5) đã đồng loạt đưa tin chi tiết về cuộc hội đàm giữa Thủ tướng Nhật BảnTakaichi Sanae và Thủ tướng Việt Nam Lê Minh Hưng, đồng thời đánh giá cao kết quả hội đàm.Trong 1 chương trình được phát sóng chiều nay 2/5, Hãng phát thanh và truyền hình Nhật Bản NHK đã đưa tin chi tiết về cuộc hội đàm vừa diễn ra giữa Thủ tướng Nhật Bản Takaichi Sanae và Thủ tướng Việt Nam Lê Minh Hưng. Theo NHK, mở đầu hội đàm, Thủ tướng Takaichi đã nhấn mạnh “rất coi trọng quan hệ với Việt Nam – đất nước đang phát triển mạnh mẽ với tư cách một trung tâm quan trọng của chuỗi cung ứng quốc tế” và bày tỏ mong muốn tiếp tục chung sức với Việt Nam.NHK cũng cho biết, tại hội đàm, khung hỗ trợ năng lượng dành cho các nước châu Á, có tên gọi POWERR Asia, với trọng tâm là một khoản hỗ trợ lên tới 10 tỷ USD từ Tokyo, do Thủ tướng Takaichi công bố hôm 15/4, đã trở thành chủ đề thảo luận đầu tiên, và sự hợp tác của Việt Nam trong việc đảm bảo nguồn cung dầu mỏ và các sản phẩm có nguồn gốc từ dầu mỏ, bao gồm cả vật tư y tế… đã được khẳng định.Trong khi đó, các báo khác, bao gồm Mạng lưới Tin tức Fuji (FNN)… đưa tin, hai vị Thủ tướng đã nhất trí thúc đẩy hợp tác an ninh kinh tế, với các lĩnh vực chiến lược như trí tuệ nhân tạo (AI), chất bán dẫn, năng lượng, khoáng sản thiết yếu, chuỗi cung ứng… Các báo Nhật Bản đặc biệt coi trọng những thỏa thuận đạt được giữa hai nhà lãnh đạo liên quan đến các lĩnh vực nêu trên, cũng như việc Thủ tướng Lê Minh Hưng bày tỏ sự ủng hộ đối với những nỗ lực đóng góp cho hòa bình, ổn định trong khu vực và trên thế giới của Nhật Bản, trong đó có sáng kiến về khu vực Ấn Độ Dương – Thái Bình Dương tự do và rộng mở (FOIP).Truyền thông Nhật Bản cũng dẫn lời của hai vị Thủ tướng tại hội đàm và tại cuộc họp báo chung sau hội đàm, trong đó, Thủ tướng Nhật Bản nhấn mạnh sự vui mừng sau khi khẳng định được quyết tâm tiếp tục thúc đẩy mối quan hệ đối tác chiến lược toàn diện song phương, còn Thủ tướng Việt Nam xác định lại việc Nhật Bản là một trong những đối tác quan trọng nhất và người bạn chân thành, đáng tin cậy. Dư luận Nhật Bản cho rằng những thỏa thuận và phát ngôn nêu trên sẽ là bảo chứng, là cơ sở và động lực cho sự phát triển mạnh mẽ hơn nữa của quan hệ Nhật – Việt trong tương lai./.Tuấn Nhật/ VOV Nhật BảnQuang cảnh hội đàm giữa hai Thủ tướng Nhật Bản và Việt Nam do NHK đăng tải

News Connect 土曜版、今回のゲストは、『ハゲタカ』シリーズなどで知られる小説家・真山仁さんです。2017年に刊行された小説『オペレーションZ』で、日本の財政破綻を正面から描きました。この作品が、2026年の今、リアルに迫ってきています。「国債は絶対破綻しない」という神話の正体から、実際に破綻したときに私たちの生活に起きることの予測まで、真山さんが財務省・厚労省・総務省の官僚たちと向き合いながら5年かけて取材した、日本財政の構造的問題を読み解きます。▼日本の“破綻”を読者と共に描くー真山仁『デフォルトピア』共同制作プロジェクト　クラウドファンディングはこちらhttps://camp-fire.jp/projects/911582/view▼新著『プロ目線のPodcastのつくり方』の購入は⁠⁠⁠こちら⁠⁠⁠から！https://amzn.asia/d/5A0NQEj▼Podcast Studio Chronicle YouTubeチャンネル⁠https://www.youtube.com/@PodcastStudioChronicle▼出演：野村高文（Podcastプロデューサー／Podcast Studio Chronicle代表）⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/nmrtkfm【ゲストプロフィール】真山仁／小説家1962年大阪府生まれ。同志社大学法学部卒業後、新聞記者、フリーライターを経て2004年に『ハゲタカ』でデビュー。企業買収の実態を描いた同作はNHKドラマ化され大きな反響を呼ぶ。以降、経済・政治・医療・原発など、社会の構造的問題を徹底取材に基づいたフィクションで描き続ける。主な著作に『ハゲタカ』シリーズ、『売国』『コラプティオ』『ベイジン』『プライド』など。▼News Connect 土曜版・日曜版 Spotifyプレイリストはこちら

News Connect（ニュースコネクト）あなたと経済をつなぐ5分間1日1つ、5分間で、国際政治や海外のビジネスシーンを中心に、世界のメガトレンドがわかる重要ニュースを解説。朝の支度や散歩、通勤、家事の時間などにお聴きいただけるとうれしいです。▼出演：新井里菜（オーディオジャーナリスト）　https://twitter.com/RinaAraiLevia子ども向けニュース番組『Kids' News - キッズニュース』https://open.spotify.com/show/1I9MfdGDCgbSj0NUupLjxq音声ドキュメンタリー『越境家族 - Transnational Family』https://open.spotify.com/show/42rkNGnYDASc315Ph3W7XL▼支援プログラム「Chronicleサポーター」については、こちらをご参照ください。https://chronicle-inc.net/supporthttps://note.com/t_nomura/n/n43e514e703b4▼新刊書籍『プロ目線のPodcastのつくり方』⁠https://amzn.asia/d/0n3gLJN▼参考ニュース：UAEがOPECから脱退へ 国営通信報じる 協調体制に打撃か（NHK） https://news.web.nhk/newsweb/na/na-k10015110641000ＵＡＥが5月1日にＯＰＥＣ脱退、イラン紛争下で結束に亀裂（ロイター） https://jp.reuters.com/markets/commodities/BGXR45BOLJLCROGOH6XGJYCALE-2026-04-28/United Arab Emirates Says It Will Leave OPEC in Blow to Oil Cartel（NYT）https://www.nytimes.com/2026/04/28/world/middleeast/uae-opec.htmlUAE：2024年に続き、2025年も日本の最大の原油調達先に（中東調査会）https://www.meij.or.jp/kawara/2025_118.html▼Podcast Studio Chronicle公式サイトhttps://chronicle-inc.net/

Radio Ruedaのおっちー（https://x.com/occi_tristar）と初出演のこばやし先生（https://x.com/maru1koba2m）と、ノンテーマの雑談会。ポストカードを無断で作られた話やNHKについてなどひたすらに雑談をしました。番組内で話した内容を

VOV1 - Hôm nay 27/4, tại Tokyo, Đại sứ Quán Việt Nam tại Nhật Bản đã tổ chức buổi gặp mặt với giới truyền thông Nhật Bản và các cơ quan báo chí Việt Nam trên địa bàn. Đây là hoạt động quan trọng trong khuôn khổ các nỗ lực nhằm không ngừng thắt chặt quan hệ giữa hai nước.Cuộc gặp lần này thu hút đại diện của hầu hết các cơ quan thông tấn – báo chí lớn nhất Nhật Bản như báo Akahata của Đảng Cộng sản Nhật Bản, Hãng thông tấn Jiji Press, Kyodo, Nihon Denpa News, Asahi Shinbun, Mainichi Shinbun, Hãng Phát thanh và Truyền hình Nhật Bản NHK, Thời báo kinh tế Nhật Bản Nikkei… Đặc biệt, lần này còn có sự tham gia của đại diện của các cơ quan báo chí địa phương Nhật Bản như đài phát thanh Narita và đài truyền hình Ishikawa.Các nhà báo Nhật Bản và Việt Nam chụp ảnh lưu niệm với đại diện Đại sứ quán. Ảnh VOV Tokyo

VOV1 - Hôm nay 23/4, với đa số áp đảo của liên minh cầm quyền, Hạ viện Nhật Bản đã thông qua dự luật thành lập Cơ quan tình báo quốc gia – một trong những trụ cột nhằm nâng cao năng lực an ninh – quốc phòng của Tokyo.Nội dung chính của dự luật là việc thành lập “Hội đồng tình báo quốc gia” do đích thân Thủ tướng đương nhiệm của Nhật Bản làm Chủ tịch, với sự tham gia của 9 quan chức cấp bộ trưởng gồm Chánh Văn phòng Nội các, Bộ trưởng Tư pháp, Ngoại giao, Tài chính, Kinh tế và Công Nghiệp, Giao thông, Quốc phòng, Bộ trưởng phụ trách vấn đề tiền tệ, Chủ nhiệm Ủy ban Công an quốc gia.Hội đồng này có nhiều chức năng và nhiệm vụ quan trọng như chỉ huy hoạt động tình báo liên quan đến an ninh, chống khủng bố, đối phó với các tác động tình báo từ nước ngoài, chỉ huy chống gián điệp… Bên cạnh đó, dự luật còn quy định “tất cả các Bộ trưởng có nghĩa vụ cung cấp kịp thời mọi thông tin, tài liệu cần thiết khi Thủ tướng yêu cầu”.Một nội dung khác của dự luật là việc nâng cấp “Phòng điều tra tình báo” trực thuộc Phủ Nội các hiện nay lên thành “Cục tình báo quốc gia” vào trao cho cơ quan mới này nhiều quyền hạn, trong đó có quyền điều phối tập trung các bộ ngành và cơ quan trong hoạt động thu thập và phân tích thông tin.Dự luật này đang gây tranh cãi và chia rẽ do những lo ngại về khả năng xâm phạm quyền riêng tư, tiếp cận dữ liệu bí mật, gây bất lợi hoặc tạo lợi ích cho một số chính đảng trong những trường hợp cụ thể… và cả những ảnh hưởng tới quan hệ ngoại giao. Trả lời chất vấn tại Ủy ban Nội các Hạ viện Nhật Bản về vấn đề này, Bộ trưởng Kihara Minoru – Chánh Văn phòng Nội các Nhật Bản nhấn mạnh:“Đạo luật này vô cùng cần thiết đối với việc nâng cao năng lực tình báo quốc gia, hoàn thiện khả năng tình báo đối ngoại, tăng cường chính sách tình báo nhằm phòng chống những can thiệp không chính đáng từ nước ngoài. Đạo luật này dựa trên sự tôn trọng và bảo vệ quyền riêng tư, bí mật cá nhân của người dân, không tạo lợi ích hoặc gây bất lợi cho bất cứ đảng phái nào… Đây là những điều được cân nhắc, tính toán trong quá trình soạn thảo dự luật”Mặc dù được thông qua một cách chóng vánh tại Hạ viện, do liên minh cầm quyền giữa đảng Tự do Dân chủ (LDP) và đảng Duy Tân (Ishin no Kai) đang nắm quyền kiểm soát với đa số ghế áp đảo, tuy nhiên, do phe cầm quyền vẫn đang “lép vế” với vị thế thiểu số tại Thượng viện, dự luật này có được thông qua ngay tại kỳ họp hiện nay của Quốc hội Nhật Bản hay không, đang thu hút sự chú ý đặc biệt của dư luận./. VOV Nhật BảnHạ viện Nhật Bản thông qua dự luật thành lập Cơ quan tình báo quốc gia. Ảnh NHK

Estonian conductor Paavo Järvi is one of the most in-demand maestros in the world, and one of Alec’s favorite conductors. Järvi is currently the chief conductor of the NHK symphony orchestra in Tokyo and the Tonhalle Orchester-Zürich. Over his career, he’s led orchestras in Paris, Frankfurt, Stockholm, Malmö, and, for the decade between 2001 and 2011, here in the United States, as the musical director of the Cincinnati Symphony Orchestra. He and his musical family are pillars of the thriving classical music scene in his home country of Estonia. Paavo Järvi talks to Alec about how slowing down in the pandemic offered Paavo time to think, his early love of music, what it was like to come to the United States from Soviet-era Estonia as a 17-year-old, and what he took away from a decade of conducting the Cincinnati Symphony Orchestra. Originally aired November 29th, 2021. Recorded June 2021.See omnystudio.com/listener for privacy information.

VOV1 - Tại Nhật Bản lại vừa xảy ra thêm một trận động đất rất mạnh, gây chấn động cho một cả 1 khu vực rộng lớn.Thông thông báo khẩn cấp của Cơ quan khí tượng Nhật Bản, vào lúc khoảng 16h 53 theo giờ địa phương, tức 14h53 theo giờ Hà Nội, tại khu vực ngoài khơi tỉnh Aomori – miền Bắc Nhật Bản, đã xảy ra một trận động đất rất mạnh. Tâm chấn của động đất là ở khu vực Sanriku với độ sâu khoảng 10km, chấn động ghi nhận được tại tâm chấn lên tới 7,4 độ.Trận động đất này đã khiến một khu vực rất rộng lớn phải chịu chấn động từ 3 đến 5 độ. Cho đến thời điểm này, vẫn chưa có thông tin cụ thể về thiệt hại, nhưng giới chuyên môn dự báo, với chấn độ nêu trên, động đất sẽ gây nhiều tổn thất.Ngay sau khi xảy ra địa chấn, Cơ quan khí tượng Nhật Bản đã ban bố cảnh báo sóng thần tại nhiều khu vực và yêu cầu cư dân các địa phương nằm trong vùng ảnh hưởng phải sơ tán đến nơi an toàn. Theo nhận định ban đầu, hoạt động địa chấn này sẽ gây sóng thần cao khoảng từ 1 đến 3m.Do động đất, nhiều tuyến tàu cao tốc (shinkansen) đã phải dừng hoạt động, đồng thời, các cơ quan chức năng của Nhật Bản cũng đang tiến hành kiểm tra an tòa của các nhà máy điện hạt nhân. Chính phủ Nhật Bản đã phải thành lập Văn phòng liên lạc khẩn cấp để đối phó với những diễn biến tiếp theo. Tuấn Nhật/ VOV Nhật BảnBản đồ cảnh báo sóng thần do NHK đăng tải

VOV1 - Chỉ trong vòng chưa đầy 3 giờ đồng hồ, tại khu vực phía Bắc tỉnh Nagano – miền Trung Nhật Bản, đã xảy ra 3 trận động liên tục, gây lo ngại cho cư dân địa phươngTrận động đất đầu tiên xảy ra vào lúc 13h20 hôm nay 18/4, theo giờ địa phương. Theo Cơ quan khí tượng Nhật Bản, chấn độ ghi nhận được của trận động đất này là khoảng 5 độ, tâm chấn nằm ở khu vực thị trấn Ogawa, độ sâu tâm chấn khoảng 9km.Tiếp đó, vào lúc 14h54, cũng ở khu vực phía Bắc tỉnh Nagano, lại xảy ra trận động đất thứ 2 mạnh 5,1 độ và độ sâu tâm chấn khoảng 10km. Chưa dừng ở đó, vào lúc 15h33, khu vực nêu trên lại đón nhận trận động đất thứ 3 với sức chấn động khoảng 3,2 độ và độ sâu tâm chấn cũng vào khoảng 10km.Do Nagano là 1 trong 8 địa phương của Nhật Bản không nằm trên bờ biển, nên các trận động đất nêu trên không gây ra nguy cơ sóng thần. Tuy nhiên, hiện tượng này vẫn bị coi là dị thường, do đã từng có tiền lệ động đất mạnh tới 6,7 độ xảy ra tại cùng một khu vực vào năm 2014, kèm theo đó là những lo ngại về động đất chuỗi sẽ tiếp tục xảy ra.Trong cuộc họp báo khẩn cấp vừa được tổ chức, đại diện Cơ quan khí tượng Nhật Bản nhấn mạnh: “Tại những khu vực bị chấn động mạnh, nguy cơ xảy ra sạt lở đất đá là rất cao. Kèm theo hoạt động địa chấn sẽ là mưa lớn. Trong vòng 1 tuần tới vẫn có khả năng xảy ra động đất mạnh khoảng 5 độ. Toàn bộ cư dân trong khu vực cần đặc biệt chú ý”.Mặc dù chưa gây ra thiệt hại cụ thể về người và tài sản, nhưng loạt động đất này cũng đủ mạnh để gây ảnh hưởng trực tiếp đến giao thông đường sắt. Cụ thể, tuyến tàu cao tốc (shinkansen) Hokuriku đã buộc phải tạm dừng hoạt động trong nhiều giờ đồng hồ. Ngoài ra, còn 4 tuyến đường sắt cao tốc liên tỉnh khác cũng đang bị đình chỉ./.Tuấn Nhật/ VOV Nhật BảnBản đồ vùng ảnh hưởng của động đất do NHK đăng tải.

VOV1 - Chuyến thăm cấp Nhà nước đến Trung Quốc của Tổng bí thư – Chủ tịch nước Tô Lâm và Phu nhân cùng cuộc hội đàm thượng đỉnh Việt – Trung vừa diễn ra đã trở thành tiêu điểm của truyền thông Hàn Quốc và Nhật Bản trong những ngày gần đây.Trong chương trình thời sự sáng nay 16/4, Hãng phát thanh và truyền hình Nhật Bản NHK đã dành một thời lượng lớn để thông tin về hội đàm giữa Tổng bí thư – Chủ tịch nước Việt Nam Tô Lâm và Tổng bí thư – Chủ tịch nước Trung Quốc Tập Cận Bình. Tại hội đàm, ông Tập Cận Bình khẳng định Trung Quốc luôn coi Việt Nam là đối tượng ưu tiên trong chính sách ngoại giao.Trong khi đó, những tờ báo lớn nhất Nhật Bản như Thời báo kinh tế Nhật Bản (Nikkei), Sankei … dẫn nguồn tin từ Bộ Ngoại giao Trung Quốc cho biết hai nhà lãnh đạo Việt Nam và Trung Quốc khẳng định sẽ thắt chặt hợp tác trên hàng loạt các lĩnh vực, bao gồm thương mại, an ninh năng lượng, đường sắt, cơ sở hạ tầng…. những thỏa thuận đạt được tại hội đàm là cơ sở để hai nước thúc đẩy hợp tác trong thời gian tới.Các báo dẫn việc Tổng bí thư – Chủ tịch nước Việt Nam Tô Lâm cùng Tổng bí thư – Chủ tịch nước Trung Quốc Tập Cận Bình đã chứng kiến lễ ký nhiều văn bản hợp tác song phương trên hàng loạt các lĩnh vực như chuỗi cung ứng, khoa học – kỹ thuật, kinh tế… và coi đây là biểu hiện cho sự phát triển thực chất của hợp tác Việt – Trung trong tương lai.Truyền thông Hàn Quốc cũng dành sự chú ý đặc biệt cho sự kiện ngoại giao được đánh giá là có tầm vóc quốc tế, chứ không chỉ riêng cho 2 nước Việt Nam và Trung Quốc. Tờ Korea JoongAng Dayly – một trong những tờ báo uy tín hàng đầu Hàn Quốc, cùng một số tờ báo khác số ra hôm nay coi phát ngôn của Tổng bí thư – Chủ tịch nước Trung Quốc Tập Cận Bình tại hội đàm thượng đỉnh Việt – Trung về việc coi trọng quan hệ với Việt Nam là điểm nhấn quan trọng của sự kiện.Dư luận Hàn Quốc cũng nhận định hợp tác Việt – Trung sẽ phát triển mạnh mẽ hơn, không chỉ dừng ở các lĩnh vực truyền thống như cơ sở hạ tầng…, mà sẽ mở rộng sang các lĩnh vực trí tuệ nhân tạo (AI) bán dẫn, internet vạn vật… Báo chí Hàn Quốc cũng đánh giá cao sáng kiến lấy giai đoạn 2026 đến 2027 làm “Năm hợp tác du lịch Việt – Trung”./.VOV Nhật BảnẢnh Tổng bí thư – Chủ tịch nước Trung Quốc Tập Cận Bình đón Tổng bí thư – Chủ tịch nước Việt Nam Tô Lâm trước thềm Đại lễ đường nhân dân ở thủ đô Bắc Kinh do hãng thông tấn Nhật Bản Jiji Press đăng tải

VOV1 - Tiến trình thực hiện cam kết với cộng đồng quốc tế về việc giảm phát thải khí hiệu ứng nhà kính của Nhật Bản đã có những kết quả đáng ghi nhận và được đánh giá cao.Theo báo cáo do Bộ Môi trường Nhật Bản vừa công bố, trong năm 2024, lượng phát thải khí gây hiệu ứng nhà kính thực chất của nước này là 900.009.400 tấn, giảm 1,9% so với năm trước đó. Đây là lần đầu tiên tính từ năm 2013 lượng phát thải của Nhật Bản giảm xuống dưới 1 tỷ tấn, đồng thời cũng là mức thấp nhất tính từ năm 1990 đến nay.Trong đó, lượng phát thải ở khu vực công nghiệp và dân sinh có mức giảm lần lượt là 2,5% và 0,7%, trong khi lượng hấp thu của rừng là 52.300.000 tấn. Đây được coi là một trong những kết quả khả quan trong quá trình thực hiện cam kết với cộng đồng quốc tế về việc giảm phát thải khí hiệu ứng nhà kính của Nhật Bản.Thông tin với báo chí về vấn đề này, Bộ trưởng Môi trường Nhật Bản Ishihara Hirotaka cho biết: “Chúng tôi đã gửi báo cáo về số liệu phát thải của Nhật Bản trong năm 2024 lên Văn phòng Công ước khung của Liên Hợp Quốc về Biến đổi Khí hậu (UNFCCC). Lượng phát thải trên GDP của Nhật Bản ở trong xu hướng giảm 12 năm liên tục và Nhật Bản được đánh giá cao về điều này. Chính phủ sẽ tiếp tục nỗ lực để hiện thực hóa mục tiêu đã cam kết”.Chính phủ Nhật Bản cam kết sẽ giảm 46% lượng phát thải vào năm 2030 và đưa lượng khí gây hiệu ứng nhà kính về 0% vào năm 2050. Với những kết quả đạt được đến thời điểm này, những mục tiêu nêu trên có khả năng sẽ được thực hiện triệt để.Tuy nhiên, giới chuyên môn vẫn tỏ ra thận trọng khi cảnh báo việc Nhật Bản phải tăng công suất nhiệt điện sử dụng than đá trong năm tài chính 2026, nhằm đối phó với sự gián đoạn nguồn cung nhiên liệu do chiến sự Iran – Trung Đông gây ra, có khả năng sẽ ảnh hưởng tới tiến độ của việc hiện thực hóa mục tiêu đã cam kết./.Tuấn Nhật và Ngọc Huân/ VOV Nhật BảnBộ trưởng Môi trường Nhật Bản Ishihara Hirotaka. Ảnh NHK

◇京都　雑木林で子どもと見られる遺体 ◇今夜　アメリカが海上交通を封鎖へ ◇ハンガリー議会選挙　政権交代へ ◇NHK世論調査　内閣　支持６１パーセント　不支持２２パーセント 特集のテーマは「子どもの行方不明どう防ぐ？安全対策は？」。新生活が始まる４月。登下校時の安全対策や家庭での安全に関わる取り決めの方法などについて専門家に聞きます

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

話題になったNetflixのWBC独占配信。サブスク加入や管理について、アラサー3人で話します。お試しで加入したときは、解約日をスケジュール管理しているメンバーも。定期的に契約を見直すのも、大切そうです。 ※2026年3月23日に収録しました。このシリーズは原則毎週金曜日の配信で、次回は4月10日に配信します。前回は〈新年と新年度、区切りを感じるのは？　手帳や環境、それぞれの心機一転 #1052〉です。 【関連記事】国民の関心高いスポーツは無料で「視聴可に」61%　若年層は少なめhttps://www.asahi.com/articles/ASV3L1BP7V3LUZPS001M.html?iref=onmy.WBCのネトフリ500円は高い？　専門家「NHKの受信料は…」https://www.asahi.com/articles/ASV3F4DS5V3FUCVL043M.html?iref=omny.ネトフリVS旧メディアの構図が「エンタメ化」WBC独占配信の波紋https://www.asahi.com/articles/ASV3G2R16V3GUTQP00KM.html?iref=omny. ★月200円で読み放題★スタンダードコース（月額1,980円）が4カ月間は月額200円！https://digital.asahi.com/pr/cp/2026/spr/?ref=cp2026spr_podcast_gaiyoran ※初めてお申し込みの方限定です 【出演・スタッフ】杢田光（MC）https://buff.ly/u9JyLwM 松沢拓樹望月愛実（音源編集）https://bit.ly/4pULt8J 【朝ポキ情報】アプリで記者と対話 http://t.asahi.com/won1 交流はdiscord https://bit.ly/asapoki_discord おたよりフォーム https://bit.ly/asapoki_otayori朝ポキTV https://www.youtube.com/@asapoki_official メルマガ https://bit.ly/asapoki_newsletter 広告ご検討の企業様は http://t.asahi.com/asapokiguide番組検索ツール https://bit.ly/asapoki_cast 最新情報はX https://bit.ly/asapoki_twitter 番組カレンダー https://bit.ly/asapki_calendar 全話あります公式サイト https://bit.ly/asapoki_lp See omnystudio.com/listener for privacy information.

Meet Peter Frankl, a Hungarian mathematician living in Japan. Peter sits down to talk to us about his life and journey to Japan, his NHK series for children, and why he thinks the Japanese have a mathematician's mindset.--0:00 Intro0:44 Meet Peter5:14 Arriving in Japan in 198210:08 Researching in Japan15:04 Peter's fascination with math19:51 Japanese people are kind of like mathematicians29:28 Peter's autobiography39:37 Peter's NHK show Mathematica52:07 Being an independent mathematician57:25 Current work1:03:09 Working with Japanese mathematicians1:10:21 Peter's juggling career1:27:35 Looking backFollow Peter:http://peterfrankl.com/Follow us:https://unpacking.jp/https://www.instagram.com/unpacking_japanhttps://www.tiktok.com/@unpackingjapanhttps://www.facebook.com/unpackingjapanhttps://www.youtube.com/@unpackingjapanshortshttps://www.x.com/unpacking_japanhttps://creators.spotify.com/pod/profile/unpackingjapanSubscribe for more in-depth discussions about life in Japan! Interested in working at a global e-commerce company in Osaka? Our parent company ZenGroup is hiring! To learn more, check out https://careers.zen.group/en/

「イランで拘束の日本人1人が帰国　残る1人はNHK支局長か　茂木外相「早期解決に向け努力している」」　イランで拘束されていた日本人2人のうち1人が解放され、22日午前、帰国しました。日本人の解放は、22日朝の「日曜報道 THE PRIME」に出演した茂木外相が明らかにしました。茂木外相：1名については、私もアラグチ外相に強く申し入れまして、18日に拘束を解かれ、釈放された。釈放されたのは2025年6月に拘束された日本人で、外務省によりますと午前8時半ごろに帰国し、健康状態などに問題ないということです。2026年1月に拘束されたもう1人は、NHKのテヘラン支局長とみられますが、茂木大臣は、「早期解放に向け努力しているところだ」と説明しました。

吹雪で急遽Zoom対応となったNHKのテレビ取材で、テレビカメラとインタビューアーのZoomの位置関係のミスから目線が不自然になり、撮り直しになった話。後半はイマーシブフォート東京の閉館や話題のジャングリアの体験設計を題材に、エンタメ施設のユーザー体験について語りました01:49 NHKワールドの英語インタビュー、吹雪でインタビュアーがフライトキャンセル→急遽Zoom出演に02:58 Zoomのカメラ位置が悪くて目が泳ぎまくり不自然な話し方になってインタビューやり直しに04:20 目線が不自然なところは編集後の映像でカットされ、インタビュアーの映像に切り替え（映像編集のスキルの高さ）05:32 映像の編集と音声編集（ポッドキャスト）の違い10:05 番組が3月で放送終了だった：月刊アスキー最終号に続く「最後の最後」のタイミングでインタビューされるジンクス発動11:22 2月末で閉館したイマーシブフォート東京、ラストセレモニーのライブ配信が同時視聴5000人で驚愕13:01 全キャラが左右に立って作る花道を観客が通って”世界から出て行く”フィナーレ演出16:42 沖縄のジャングリアに行きたい？ 時期をずらしているうちになくならないかという妙な不安19:30 以前のUSJを振り返りつつ、暑い時期を避けながら3人でジャングリアへ行く案が浮上？20:41 ジャングリアの公式サイト、トップ写真がAI生成画像っぽくてちょっと萎える22:13 ジャングリアは2024年7月25日開業、ジャングル感より絶叫系アトラクション多め24:11 整理券が取れれば面白い体験ができるが、入場者数とアトラクションのキャパが問題25:56 演目数を絞って客単価を高くする戦略だったが、イマーシブフォートが「ライト層」とした層は本当にライトだったのか27:07 ジャングリアのプレミアムパスと整理券：アトラクション1つごとに2700円で整理券を買うエピソード内で取り上げた情報へのリンク： 関さんインタビュー出演（NHKワールド） ジャングリアテック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います。及川卓也 @takoratta プロダクトマネジメントとプロダクト開発組織づくりの専門家 関信浩 @NobuhiroSeki アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋 上野美香 @mikamika59 マーケティング・プロダクトマネジメントを手掛けるフリーランス

durée : 01:28:38 - Nicolas Altstaedt, les explorations d'un virtuose - par : Aurélie Moreau - Lauréat d'un Grammy Award, Fabio Luisi est actuellement directeur musical de l'Orchestre Symphonique de Dallas, chef principal de l'Orchestre national du Danemark, de l'Orchestre de la NHK de Tokyo et chef émérite de l'Orchestre de la RAI de Turin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

VOV1 - Từ sau khi Mỹ và Israel phát động cuộc tấn công nhằm vào Iran, đặc biệt là từ khi bước vào tuần thứ 2 của tháng 3 – tháng cuối cùng trong năm tài chính 2025 của Nhật Bản, kinh tế nước này đang phải gánh chịu những thiệt hại to lớn.“Chứng khoán nhảy múa”, “đồng Yên lao dốc”, “giá xăng dầu leo thang”… là những từ khóa mà giới chuyên môn sử dụng để mô tả bức tranh kinh tế Nhật Bản trong gần 2 tuần qua. Liên quan đến chứng khoán, trong các phiên giao dịch hôm nay 12/3, có thời điểm chỉ số chứng khoán trung bình Nikkei tại Sàn giao dịch Tokyo mất tới hơn 1.229 Yên, tăng thêm thiệt hại vốn đã nghiêm trọng của các nhà đầu tư, kể từ khi chiến sự Iran bùng phát.Tỷ giá Yên và USD ngày 12-2 (ảnh NHK)

【主なニュース】▽「エチレン」国内生産に影響 イラン情勢 原油の安定供給懸念で　▽株価 一時4200円超の急落 円や国債も売られ「トリプル安」に　▽高市内閣 支持6ポイント下がり59％ 不支持26％ NHK世論調査　など

「性的暴行容疑で逮捕のNHK職員は「意欲的に取り組むチーフディレクター」出勤前に犯行に及んだか　会見でNHKが謝罪」　NHKのチーフディレクターが、面識のない女性に性的暴行を加えた疑いで逮捕されたことを受けて、NHKが会見を開き謝罪した。NHKのチーフディレクター、中元健介容疑者（50）は1月、東京・渋谷区で、面識のない20代の女性に性的暴行を加えた疑いがもたれている。中元容疑者は、路上で見かけた女性を近くのビルの階段下の踊り場に連れ込み「俺、危ないものを持っているから」と脅して犯行に及んだという。調べに対し中元容疑者は、「無理やりさせたということはない」と話し容疑を一部否認しているということだ。職員の逮捕を受けて、NHKは6日午後会見を開き、「職員が逮捕されたことは誠に遺憾であり、被害にあわれた方、視聴者の皆様に深くおわびいたします。このたびは本当に申し訳ありませんでした」と謝罪した。NHKによると、中元容疑者は2000年にNHKに入局。事件発生時の所属は報道局スポーツ情報番組部のチーフディレクターで、スポーツ番組を制作していたという。働きぶりについては、「番組制作においてはすごく意欲的に取り組むチーフディレクター。特に何か勤務上問題はなかった」としている。NHKによると、事件当時は日曜日だが、中元容疑者は午後から編集業務のために東京・渋谷にあるNHK放送センターに出勤しており、その出勤前に犯行に及んだとみられるという。中元容疑者は、逮捕前日の今月3日まで普通に勤務しており、その様子については、「なにか様子がおかしかったなどはなかった」としている。NHKは、「警察の捜査には全面的に協力してまいります。事実関係を早急に確認し　厳正に対処致します」とコメントしている。

「イスラエル・テルアビブのいま　徐々に飲食店営業再開　イランの反撃減少で政府が規制緩和　戦況優位アピールか」　アメリカ・イスラエルとイランの攻撃の応酬は6日目に入りました。ここにきて、日本に関連する新たな情報が入っています。イスラエル・テルアビブから、加藤崇FNNイスタンブール支局長が中継でお伝えします。まずイランについてですが、茂木外相は日本人2人がイランで拘束されていると明らかにした上で、2人の安全は確認していて早期の解放を求める考えを強調しました。2人の身元は明らかにされていませんが、そのうち1人は1月に拘束されたNHKのテヘラン支局長とみられています。一方、金子国交相はホルムズ海峡の入り口にあたるオマーン湾に停泊している日本関係の船舶に落下物による損傷が見つかったと明らかにしました。けが人はなく、船の運航に支障はないとのことです。――戦闘開始から7日で1週間となるわけですが、今のイスラエルの様子は何か変化がありますか？数日前の中継では多くの飲食店が閉まっていましたが、5日から徐々に営業している店が増えています。イスラエル政府はイランへの攻撃を続けた結果、反撃される回数が減ってきたとして規制を緩めたのです。規制の緩和はこれまで集会は禁止されていましたが「シェルターが周辺にあるのを条件に50人までならOK」など職場への出社も限定的に認められました。また、日曜からは空港も再開することになっていて、イスラエル政府は戦況が優位であることをアピールしたい狙いがあります。ただ飛行機に乗れるのは50人で、預け荷物は禁止、学校などの教育機関は引き続き閉鎖となっていて、通常の生活に戻る見通しは立っていません。

VOV1 - Cuộc tấn công quân sự của Mỹ và Israel nhằm vào Iran đang thu hút sự chú ý đặc biệt của công luận Nhật Bản, với nhiều ý kiến phản đối từ phía các chính trị gia tên tuổi của nước này.Trong chương trình “Luận bàn Chủ nhật” – một chương trình chính luận nổi tiếng của Hãng phát thanh và truyền hình Nhật Bản NHK vừa được phát sóng hôm nay 1/3, nhiều chính trị gia Nhật Bản đã lên tiếng phản đối và chỉ trích cuộc tấn công quân sự của Mỹ và Israel nhằm vào Iran.Thượng nghị sỹ Nishida Makoto – Tổng thư ký đảng Công minh (Komei) nhấn mạnh “Về mặt nguyên tắc, việc sử dụng vũ lực để tấn công một quốc gia có chủ quyền là vi phạm luật pháp quốc tế”, đồng thời kêu gọi các bên liên quan giải quyết vấn đề thông qua đối thoại để tránh căng thẳng leo thang.Thượng nghị sỹ Nishida Makoto (ảnh NHK)

12 antennes géantes situées au centre de la France diffusent les programmes de RFI en ondes courtes. Ces ondes, qui parcourent des milliers de kilomètres, continuent d'informer des millions d'auditeurs, notamment zones rurales ou dans des pays qui se ferment. En écho à la Journée mondiale de la radio, L'atelier des médias s'intéresse aux ondes courtes. À l'heure du tout numérique, la radio par ondes courtes (OC) ou shortwave (SW) n'est pas encore reléguée au passé. C'était l'idée d'une table ronde qui s'est tenue le 31 janvier 2026 au festival Longueur d'ondes, à Brest, dont cet épisode de L'atelier des médias fait entendre des extraits choisis. Aux côtés de Steven Jambot se trouvaient Carlos Acciari, chargé de la planification des ondes courtes à RFI, et Jérôme Hirigoyen, directeur du développement et des radios internationales chez TDF. Le rebond sur l'ionosphère : une technologie qui fait fi des frontières Le secret de la puissance des ondes courtes réside dans la physique. Contrairement à la FM, dont la portée excède rarement 70 kilomètres, les ondes décamétriques (entre 3 et 30 MHz) utilisent l'ionosphère – une des couches de l'atmosphère – comme un miroir. Depuis le centre émetteur de TDF à Issoudun (Saint-Aoustrille), en région Centre, 12 antennes géantes ALLISS de 80 mètres de haut diffusent les programmes de RFI par bonds successifs sur des milliers de kilomètres. Cette infrastructure, l'une des plus performantes au monde, permet de cibler des zones jusqu'à 15 000 km de distance.  À écouter aussiOndes courtes: à la découverte des antennes géantes qui diffusent RFI à travers le monde HFCC et géopolitique des ondes courtes La gestion des fréquences mondiales repose sur une coordination internationale rigoureuse. Deux fois par an, les grands diffuseurs mondiaux (Américains, Chinois, Russes, Japonais, Français...), qui représentent des radios comme BBC, VOA, DW, NHK, KBS se réunissent au sein de la HFCC (High Frequency Coordination Conference) pour s'accorder sur les plans de fréquences et éviter les brouillages. Jérôme Hirigoyen décrit ces rencontres comme des « accords entre gentlemen » essentiels pour assurer la clarté du signal. Dans un contexte de tensions mondiales, la HF (haute fréquence) redevient un enjeu de souveraineté. Si un satellite peut être brouillé par une simple antenne au sol, il est extrêmement complexe et coûteux de neutraliser totalement les ondes courtes. C'est aussi le média de « dernier recours » lors de crises ou de blackouts. Jérôme Hirigoyen souligne cette permanence stratégique : « Quand on a besoin de communiquer, ça reste un média extrêmement robuste. » Un futur numérique : DRM et DRM Cast L'innovation ne délaisse pas les ondes courtes avec la norme DRM (Digital radio mondiale). Ce format numérique offre une qualité audio supérieure, réduit la consommation d'énergie de 30 à 40 % et permet la transmission de données (images, textes). RFI et TDF expérimentent actuellement le projet DRM Cast, pensé comme un véritable « serveur de podcasts ». Ce boîtier autonome, couplé à un panneau solaire, capte le signal DRM et stocke les données reçues afin de pouvoir les rediffuser en WiFi. Dans un camp de réfugiés ou une zone sans internet, les utilisateurs peuvent ainsi télécharger gratuitement des contenus sur leur smartphone.

Silver, Gold and Crypto (oh my) Hang on – Wild ride here Superbowl, Olympics- Wait until you hear about the CAPex spending! Shakeup in Dietville PLUS we are now on Spotify and Amazon Music/Podcasts! Click HERE for Show Notes and Links DHUnplugged is now streaming live - with listener chat. Click on link on the right sidebar. Love the Show? Then how about a Donation? Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter Interactive Brokers  Warm-Up - Silver, Gold and Crypto (oh my) - Need a stock for CTP - Hang on - Wild ride here - Superbowl, Olympics- Wait until you hear about the CAPex spending! - Shakeup in Dietville Markets - Massive moved during the week - - Bitcoin clipped $60k before rebounding - DJIA tops 50,000 for the first time - Wait until you hear about the CAPex spending! - CAT == 1,100 points on the DJIA in 2026 Superbowl and Superbowl ads - Game review - Any ad stick out? - $10M per ad this year - Half Time with Bad Bunny? - Anthropic busting on OpenAi Last Week! - Massive moved - quick calc showed that about $1T was wiped from market caps in the sell-off, particularly in tech names. - HOWEVER - Friday alone is estimated to have added $1.5T to market cap AI Ripping Through - Plenty of names getting cooked over AI announcements - First it was the software companies - Now there are names in legal and finance that got clocked - Today - Altruist.ai can do tax planning and that hurt companies in financial space Earnings Season Update - Reporting so far: 59% of S&P 500 companies have reported Q4 2025 results. - Beat rate: 76% have topped EPS estimates (vs. 5-yr average: 78% (slightly lower) vs. 10-yr average: 76% (in line) - Magnitude of beats (aggregate): earnings are 7.6% above estimates vs. 5-yr average: 7.7% (about the same) vs. 10-yr average: 7.0% (a bit better) - Nothing great,  like Goldilocks Earnings Highlights - Palantir (PLTR): Reported strong Q4 results early in the week , beating estimates with revenue ~$1.41B (vs. ~$1.33B expected) and EPS $0.25 (vs. $0.23). Guidance for 2026 was upbeat (~61% revenue growth). Shares rallied sharply initially (~7–11% post-earnings), but gave back some gains amid broader tech volatility (e.g., down ~11–22% in parts of the week from peaks). - AMD: Reported mid-week, beating EPS (~$1.53 vs. lower expectations) with solid data center growth (~39%). However, Q1 guidance disappointed relative to high expectations in the AI chip space. Shares sank dramatically — down ~15–17% the next day, with some reports noting up to 20%+ drops at points, contributing to broader chip sector pressure. - Alphabet (GOOGL/GOOG): Reported beating on revenue (~$113.8B) and EPS (~$2.82), with strong core performance. But capex guidance for 2026 ($175–$185B, roughly double prior levels) sparked AI spending worries. Shares dipped post-earnings (down ~0.5–5% initially, flat to lower the next day, with some volatility pulling it below key moving averages). - Amazon (AMZN): Reported after hours on February 5, with mixed results — EPS ~$1.95 (narrow miss vs. ~$1.97 expected), but solid overall. The big negative was a surprise $200B capex forecast for 2026 (well above expectations), tied to AI/cloud buildout. Shares plunged sharply — down ~7–10% in after-hours/extended trading, with Friday moves around -5–8% in some sessions. Recent Tech CAPEX announcements - Amazon (AMZN) — Guided to approximately $200 billion in capex for 2026 (a massive jump from ~$125–131 billion in 2025, with ~80% likely AI-related per analyst commentary). This was the largest single-company figure and a major surprise, contributing heavily to the week's "wild" reactions. - Alphabet (GOOGL/GOOG) — Guided to $175–185 billion in capex for 2026 (roughly double the $91 billion spent in 2025, far above analyst expectations of ~$115–119 billion). Emphasis was on AI compute capacity, servers, data centers, and networking to meet demand for Gemini and cloud services. - Meta Platforms (META) — Guidance from late January (but heavily discussed last week): $115–135 billion for 2026 (up significantly from ~$70–72 billion in 2025, potentially an ~87% increase). - Microsoft (MSFT) — No new full explicit 2026 guidance in early February (fiscal year runs July–June), but recent quarterly run-rate and analyst projections put it around $97–145 billion (with some sources citing ~$105 billion or higher based on Q2 spending trends and signals of continued growth from prior levels of ~$88 billion in FY2025). ------!!!!Combined 2026 capex projected at $635–665 billion (low/high ends) or up to $650–700 billion in some reports — a ~60–74% increase from their collective ~$381 billion in 2025. Market Reaction from all of this.... - Markets were a bit spooked on the Anthropic announcement earlier in the week - software sold off and set a sour mood - Microsoft dumped pretty hard as the amount of spend was higher than anticipated, especially with some slower growth in Azure. - Amazon took a beating on the increased spend they anticipate *(extra by $50B) - BUT: Friday markets rallied as there was realization that the $200B spend by Amazon would seep into the economy and fuel infrastructure spending along with chips, tech etc. Other Earnings of Interest -  Reddit reported fourth-quarter earnings on Thursday in which the social media company beat on the top and bottom lines. - The company said it expects first-quarter sales to come in the range of $595 million to $605 million, which is higher than Wall Street expectations of $577 million. - Reddit also announced a $1 billion share repurchase program. - Reddit gets about $250 million a year from OpenAi and Google to have your data for training their LLMs While we are on the subject - Friday, DJIA hit 50,000 - first time ever! - Up 1,200 point of which approx 350 was from caterpillar and 280 was from Goldman Sachs Hats off to WalMart - Walmart Inc. shares pushed its market capitalization past $1 trillion on Tuesday for the first time ever| - Big transformation over the pst year - Walmart has maintained its appeal to households looking for value, its online offerings are drawing new, wealthier shoppers seeking convenience. Google Bond Offering - Issuing several tranches of bonds, denominated in Stirling - one as long as 100 years - Would you buy that? - The Google parent is set to raise $20 billion from a US dollar bond offering on Monday — more than the $15 billion initially expected — and is also pitching investors on what would be its first ever offerings in Switzerland and the UK. - The latter would include a rare sale of 100-year bonds, the first time a tech company has tried such an offering since the dotcom frenzy of the late 1990s Fat Profits in Dietville - Really interesting sequence of events happening... - Hims launches compounded pill at prices as low as $49 per month - Analysts cite questions on efficacy, legality of pill - Hims' move shifts focus from Novo's strong Wegovy pill launch - Broader obesity market whipsawed as pricing pressure rises THEN.. - Hims and Hers Health shares dive 14% after hours on Friday (Down 25% on Monday) - FDA cites concerns over quality, safety, federal law - The U.S. Food and Drug Administration said on Friday it would take action against telehealth provider Hims & Hers, for its $49 weight-loss pill, including restricting access to the drug's ingredients and referring the company to the Department of Justice for potential violations of federal law. AND.... - Eli Lilly last Wednesday posted fourth-quarter earnings and revenue and 2026 guidance that blew past estimates, as demand for its blockbuster weight loss drug Zepbound and diabetes treatment Mounjaro soars. - The pharmaceutical giant anticipates its 2026 revenue will come in between $80 billion and $83 billion. Analysts expected revenue of $77.62 billion, according to LSEG. - Meanwhile, NOVO had a really bad outlook that took the shares down 13% after the report. Japan Markets Soar - Japanese stocks jumped to a record high Monday, leading gains in the region after Prime Minister Sanae Takaichi won a landmark election victory. - The ruling Liberal Democratic Party captured a two-thirds supermajority in the 465-seat lower house, public broadcaster NHK reported. - Japan's Nikkei 225 jumped past 57,000 for the first time before paring gains to close 3.9% higher at 56,363.94, while the Topix also notched a record high, closing at 3,783.94, up 2.3%. Employment Report? - Government shutdown is forcing them to postpone again (Which is dumb) - Number due this Wednesday - Maybe because of this:U.S. employers announced 108,435 layoffs for the month, up 118% from the same period a year ago and 205% from December 2025. The total marked the highest for any January since 2009. - At the same time, companies announced just 5,306 new hires, also the lowest January since 2009, which is when Challenger, Gray & Christmas began tracking such data. - Also, job openings fell sharply in December to 6.54 million, to their lowest since September 2020. - Available jobs are down by more than 900,000 just since October. - NO! Ai and advancements in tech have noting to do with this! NO NO NO M&A - Texas Instruments Inc. has reached an agreement to buy Silicon Laboratories Inc. for about $7.5 billion, deepening its exposure to several markets for chips. - Silicon Labs investors will receive $231 in cash for each share of the company's common stock and the transaction is expected to close in the first half of 2027. - The transaction still needs to win approval by investors in Silicon Labs and shares of Silicon Labs surged by 51% to $206.48 after the announcement. Inflation - This helps - PepsiCo (PEP.O), opens new tab will cut prices on core brands such as Lay's and Doritos by up to 15% following a consumer backlash against several previous price hikes, the snacks and beverage maker said on Tuesday after it topped fourth-quarter results. Miran - Moving - Federal Reserve Governor Stephen Miran is leaving his post as chair of the Council of Economic Advisers, CNBC has confirmed. - He joined the CEA in January 2025, but had been on leave from that post since last September when he filled the unexpired term of former Fed Governor Adriana Kugler.- He reamins on Fed board No Biggie???? - There are some astonishing cased being reported of Bad AI in the operating room - JNJ's TruDi Navigation System - Since AI was added to the device, the FDA has received unconfirmed reports of at least 100 malfunctions and adverse events. - At least 10 people were injured between late 2021 and November 2025, according to the reports. Most allegedly involved errors in which the TruDi Navigation System misinformed surgeons about the location of their instruments while they were using them inside patients' heads during operations. - Cerebrospinal fluid reportedly leaked from one patient's nose. In another reported case, a surgeon mistakenly punctured the base of a patient's skull. In two other cases, patients each allegedly suffered strokes after a major artery was accidentally injured. Cuba - The main airport has putt out a bulletin that they are out of Jet Fuel - Blackouts and lack of other fuels are creating big problems - No airlines have stopped running at this point, but many will as they cannot refuel - This is a bigger problem for cargo planes (supplies) that may not be able to risk flying to Cuba as they will not be able to get out. Love the Show? Then how about a Donation? ANNOUNCING THE WINNER OF THE THE CLOSEST TO THE PIN CUP 2025 Winners will be getting great stuff like the new "OFFICIAL" DHUnplugged Shirt!     FED AND CRYPTO LIMERICKS   See this week's stock picks HERE Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter

Today's top stories, with context, in just 15 minutes.On today's podcast:1) The Seattle Seahawks won their second Super Bowl title on Sunday, beating the New England Patriots by a score of 29-to-13 at Super Bowl LX at Levi's Stadium in Santa Clara, CA. The Seahawks' defense came out strong, recording six sacks and forcing two interceptions against Patriots quarterback Drake Maye. Seahawks RB Kenneth Walker III was named Super Bowl MVP for his offensive efforts, becoming the first running back to win the award since the Denver Broncos' Terrell Davis in 1998.2) Chinese regulators have advised financial institutions to rein in their holdings of US Treasuries, citing concerns over concentration risks and market volatility, according to people familiar with the matter. Officials urged banks to limit purchases of US government bonds and instructed those with high exposure to pare down their positions, the people said, asking not to be identified discussing private deliberations. The directive doesn’t apply to China’s state holdings of US Treasuries. Communicated verbally to some of the nation’s biggest banks in recent weeks, the guidance reflects growing wariness among officials that large holdings of US government debt may expose banks to sharp swings, the people said. The worries echo those made by governments and fund managers elsewhere amid a brewing debate over the safe haven status of US debt and the appeal of the dollar.3) Japanese Prime Minister Sanae Takaichi secured a historic election triumph, positioning her as the nation’s strongest leader in the postwar era in an outcome that sent stock prices and bond yields soaring. Her ruling Liberal Democratic Party achieved the biggest post-war victory for a single-party in a general election in Japan, an extraordinary transformation of fortunes for a party that was on the ropes last summer before getting behind the nation’s first ever female premier in October. The LDP secured a two-thirds super majority in the 465-seat lower house by itself, according to public broadcaster NHK. A tally of results by NHK early Monday showed that the ruling coalition had won 352 seats in the lower house, expanding its previous razor-thin majority of 233 by a considerable margin. The LDP’s haul of 316 seats gives it a higher proportion of representatives in the lower house than any other party in post-war Japan.See omnystudio.com/listener for privacy information.

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Estonian conductor Paavo Järvi is one of the most in-demand maestros in the world, and one of Alec’s favorite conductors. Järvi is currently the chief conductor of the NHK symphony orchestra in Tokyo and the Tonhalle Orchester-Zürich. Over his career, he’s led orchestras in Paris, Frankfurt, Stockholm, Malmö, and, for the decade between 2001 and 2011, here in the United States, as the musical director of the Cincinnati Symphony Orchestra. He and his musical family are pillars of the thriving classical music scene in his home country of Estonia. Paavo Järvi talks to Alec about how slowing down in the pandemic offered Paavo time to think, his early love of music, what it was like to come to the United States from Soviet-era Estonia as a 17-year-old, and what he took away from a decade of conducting the Cincinnati Symphony Orchestra. Originally aired November 30, 2021See omnystudio.com/listener for privacy information.