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Macon's Angel Ocasio, Jr. found his love for music in The House of God Church and its Sacred Steel sound. Now he shares his passion and love for that sound with the world.
Hoy escuchamos: Avalanch- Cambaral, Avalanch- Xana, Eluveitie- The prodigal ones, Dream Theater- Midnight Messiah, Sacred Steel- Ritual supremacy, Ciclonautas- Huellas, Canciones con Historia: Saurom- El principito, Extale Apio- El club de la lucha, Lacuna Coil- Gravity.Escuchar audio
Our episode begins with a $400 million mystery in the state budget.Folklorist and musician Robert Stone joins us. He helped bring the steel guitar music popular in the House of God and Church of the Living God communities in South Florida and around the South to greater prominence. Birds of a Feather Talk TogetherA podcast all about birds. Two bird experts, John Bates and Shannon Hackett, educate...Listen on: Apple Podcasts Spotify
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/aj-ghentSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeAJ Ghent's uniquely inspired Singing Guitar has its roots in the Sacred Steel musical style and African-American gospel traditions that developed out of a group of Pentecostal churches across the South. Ghent comes from a long line of innovative players, including his father, Aubrey Ghent Sr., and grandfather, Henry Nelson. His great uncle Willie Eason is credited as the founder of the Sacred Steel rhythmic guitar style.Ghent invited John Bohlinger and the PG team to his soundcheck before his show at Nashville's City Winery to talk through his rig and play some inspiring music on his lap and pedal steels. Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/aj-ghentSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr & XPND Pedalboard: https://www.daddario.com/XPNDRR]0:00 - D'Addario: When You Know You Know0:15 - John Bohlinger Introduction0:52 - A.J. Ghent Playing Intro3:27 - Asher Lap Steel10:52 - Rocky Mountain Slide13:10 - Pedals13:19 - Eventide H9015:40 - Boss Loop Station RC-517:05 - D'Addario: When You Know You Know17:58 - Quilter Amps Overdrive 20219:22 - Milkman Sound The Amp20:47 - Jackson Maverick Pedal Steel27:21 - A.J. Ghent Pedal Steel Play off27:36 - D'Addario: When You Know You Know© Copyright Gearhead Communications LLC, 2024#guitar #rigrundown #guitarist #guitarplayer #slideguitar #lapsteel #pedalsteelguitar #ajghent
| Artist | Title | Album Name | Album Copyright | Doug MacLeod | Children Like You | Raw Blues 1 | | Dave Arcari | Walk the Walk | Devil May Care | | Nico Bacton | Right Here | Down The Line | | The Pawn Shop Saints | Lynyrd Skynyrd | 'Ordinary Folks' | Pete Rea | Cork From The Bottle | Zero Hour | | Clayton Doley | Starting Right Now | Bayou Billabong | | Delta Generators (Advanced Copy) | Hot Tickets! | Get On the Horse | | Mike Morgan And The Crawl | Where's The Love | Stronger Every Day | | Amos Milburn | Donald's Idea | Complete Aladdin Recordings 1994 CD4 | Cory Luetjen & The Traveling Blues Band | Hurt All Over Again | Just The Blue Notes | | The Campbell Brothers | Oooh Ooooh | Sacred Steel on Tour | Bo Diddley | You Don't Love Me | Jungle Music (The Blues Collection) | Duane Eddy | Ramrod (Al Casey Version) | The Rocking Guitar Man | Bob Bradshaw | Somebody Told Me A Lie | The Art Of Feeling Blue (mp3)
| Artist | Title | Album Name | Album Copyright | Dave Arcari | (Looks like you're) Walkin' on Water | Devil May Care | | Trevor Babajack | Ambler Gambler | Not Far To Go | | Willie Borum | Alone In The Evening Hours | The Blues - Sam Charters Field Recordings | Robert Johnson | Hell Hound On My Trail | The Complete Recordings; The Centennial Collection | The 2:19 | No Smoke No Fire | We Will Get Through This | Chris James | Shake That Booty (James) | Angel In The Mirror | | J.J. Cale | Teardrops In My Tequila | #8 | | | Tony Campanella | Taking it to the street | Tony Campanella | | Charles -Cow Cow- Davenport | Texas Shout | Complete Recorded Works, Vol. 2 (1929-1945) | Emma Swift | Queen Jane Approximately | Blonde On The Tracks | The Campbell Brothers | Morning Train | Sacred Steel on Tour | Freddie Bell And The Bellboys | I Said It And I'm Glad | Debut Recordings (1956-57) | Duane Eddy | Sweet Little Sixteen | 50s Juke Box Hits | | Mick Pini & Audio 54 | Time After Time.mp3 | Way Ahead | | King Bee and the Stingers | Break That Spell | Don't Move So Fast | | Joe Flip | Toxic - Feat. Swanny Rose | Home Sweet Home |
The Martha Bassett Show welcomes Liz Longley, Bill West, and DaShawn Hickman Presents Sacred Steel to the Reeves Theater in Elkin, NC! We have two great singer-songwriters on this one. Liz Longley joins us from Nashville, TN and Bill West returns to the show from Chapel Hill, NC. And our friend and bandmate, DaShawn Hickman, brings his new project to the show which features Wendy Hickman, Charlie Hunter, Brevan Hampden, & George Sluppick.
A "slide guitar potentate of unparalleled proportions", Sonny's slide work is known far and wide for his signature technique. As evidenced by his influential work with John Hiatt, Landreth's amazing playing always serves the song first. Eric Clapton says, “Sonny Landreth is probably the most underestimated musician on the planet, and also probably one of the most advanced.” His own albums have featured Mr. Clapton, along with Eric Johnson, Vince Gill, and others. He tells Greg about his journey from Chet Atkins to Delta Blues and beyond in today's gristle-filled conversation.2:08 - Sonny's relationship with John Hiatt; what brought them together, and the fun of reuniting7:52 - Sonny's slide playing; how it developed, cool tips and tricks, and thumb pickin'16:10 - Influences and adding to that stew of tasty morsels to feast upon21:29 - The magic of Sacred Steel slide guitar25:05 - Sonny's tone, and how it lends to his creative voice28:12 - Digging through old videos to discover the secrets of tone and creativity and the gear acquisition conundrum35:48 - TONE TALKTotal Length: 40:50Fishman Dedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood Guitars One of the world's premier retailers of exceptional electric and acoustic guitars.
DASHAWN HICKMAN is one of today's foremost Sacred Steel players who channels the blues traditions of the '30's on his debut album DRUMS, ROOTS, & STEEL. Hailing from North Carolina, his album was produced by guitar-phenom Charlie Hunter and released through Little Village Foundation, a non-profit cultural record label. ADAM WEINBERG is a singer and fingerstyle guitarist who is most notably known on the live music circuit as Matisyahu‘s five years of worldwide tours. Weinberg's first lyrical record, LAUGH, CRY, GRIEF, HOPE run across the genres of Americana, Leo-Kottle-inspired instrumentals, reggae, and family music. WoodSongs Kid Brannock McCarton is a 16 year old banjo player from Kentucky.
Falamos sobre as discografias de: KISS, Bulldozer, Soziedad Alkoholika, Sacred Steel, Evanescence e Moonspell.
Artist/Producer/Multi-instrumentalist Jairus Mozee embodies natural born talent never once forgoing the importance of nurturing his exceptional gift. Born in Indianapolis, Indiana to two musical parents, Jairus grew up in church and experienced his father's guitar-playing skills throughout his life--inspiring his love for the instrument. This young teenager would share the stage with Prince, a testament to his captivating love affair with the guitar. After an unbelievable five-month journey playing under the Purple One's magic and guidance, Jairus toured and wrote songs for artists including Anderson Paak, Kendrick Lamar, Janet Jackson, Lil Wayne, Nicki Minaj, Anthony Hamilton, Cee Lo, Fantasia, Robin Thicke, and Boney James name a few. Further demonstrating his respect throughout the industry, he earned a Grammy nomination for Best R&B Song as co-writer of Best of Me with Anthony Hamilton And Won 2 Grammy's For His Work With Anderson Paak on "Ventura". Thanks to his entrepreneurial spirit, Jairus also founded Swag Sample–an innovative company that provides royalty-free live music samples allowing producers to affordably create big sounds.https://www.jairusmozee.com/https://www.swagsample.com/ Dante' Harmony Podcast is produced, edited, created, & directed by: Danté L. Harmon Sr.Theme Music "Dagape" performed by: Danté L. Harmon Sr. @Dante Harmon#dantesharmonypodcast #dantesharmony #sacredsteelnation #jairusmozeeSponsor: Be.Apparel Use the Discount Code: Harmon2110% off Purchasehttps://beapparelbrand.com/discount/HARMON21Follow Us:https://linktr.ee/dantethemusicianPatreon: https://www.patreon.com/Danteharmon (Exclusive Video Podcast Content)
AJ's melodic and inspired steel guitar playing has brought the sound of the Sacred Steel tradition to a whole new audience. AJ was raised within that heritage, as his great uncle Willie Eason and his grandfather Henry Nelson were the founders of the style. Now, with fans like Tosin Abasi supporting and sharing his music the world over on Instagram and YouTube, AJ Ghent is bringing peace through music everywhere he can be heard!1:25 - The Sacred Steel guitar method, AJ's own personal style, and his live album6:20 - Growing up in a family of Sacred Steel players within the Church, and the genesis of the style12:47 - The technical prowess that goes into Sacred Steel playing, and AJ's transition from lap steel to electric guitar20:20 - AJ's Abasi Lareda w/ Fluence pickups, and his go-to amps24:37 - Living in Atlanta, hanging with Col. Bruce Hampton, and the fear of flying36:35 - The COVs, how AJ has been getting through, and playing his part in bringing peace through music59:25 - AJ's ear for vocal melodies, and the importance of ‘singing'Total Length: 67:48Fishman Dedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood Guitars One of the world's premier retailers of exceptional electric and acoustic guitars.
For exclusive video content of Dante's Harmony Podcast, subscribe to:https://www.patreon.com/Danteharmon (Exclusive Video Podcast Content)In this episode of Dante's Harmony Podcast, Danté is joined by Daric Bennett and Carlton Campbell of The Campbell Brothers. These phenomenal musicians, and professors in their own right, talk candidly about their contribution to The Campbell Brothers, A Love Supreme, musicianship, sage advise for fellow musicians, their professions as entrepreneurs and music professors. Daric Bennett, a respected player and educator, Daric began his musical career playing gospel. Mostly self-taught, learning by ear, his playing advanced quickly when he began studying music during his early years of school. Daric is well known for his unique percussive style, and for combining funk, blues, gospel and even jazz fusion into his playing. Having appeared on numerous albums, countless live and televised performances Daric now also maintains a regular touring schedule. www.daricbennett.comCarlton Campbell, Carlton continues to develop his musicianship by assimilating the classic rudiments of drumming with his improvisational upbringing in church to formulate a style that is all its own, that always finds itself in the groove. It is Carlton's passion to continue to share his musical talents as a musician, producer, and recording & mixing engineer, around this great world for as long as possible.Carlton's experience includes performances with a variety national & international recording artists across various genres, such as The Campbell Brothers, Sonny Landrith, Derek Trucks, Robert Randolph, Robben Ford, Warren Haynes, Charlie Hunter, John Medeski, Dr. Bobby Jones, Ricky Dillard, Karen Clark-Sheard, Dorinda Clark-Cole (of the legendary Clark Sisters), Otis Taylor, and Bill Frisell to name a few.@carltoncampbellDante' Harmony Podcast is produced, edited, created, & directed by: Danté L. Harmon Sr.Theme Music "Dagape" performed by: Danté L. Harmon Sr. @Dante Harmon#dantesharmonypodcast #dantesharmony #sacredsteelnation #daricbennett #carltoncampbellSponsor: Be.Apparel Use the Discount Code: Harmon2110% off Purchasehttps://beapparelbrand.com/discount/HARMON21Follow Us:https://linktr.ee/dantethemusicianPatreon: https://www.patreon.com/Danteharmon (Exclusive Video Podcast Content)
In this episode of Dante's Harmony Podcast, Danté is joined by Sacred Steel legends Chuck Campbell, and Phil Campbell of the Campbell Brothers. With over two decades of sacred steel music, and having traveled to over 25 countries, these masters bring the spirit, and churchy feel to their latest album, The Campbell Brothers Present, John Coltrane's, A Love Supreme. We talk about their new album, how the album came to be, the legacy of Darick Campbell, and so much more.Dante's Harmony Podcast is produced, edited, created, & directed by: Danté L. Harmon Sr.Theme Music by: Danté L. Harmon Sr. @Dante Harmon#dantesharmonypodcast #dantesharmony #sacredsteelnation #thecampbellbrothers Sponsor: Be.Apparel Use the Discount Code: Harmon2110% off Purchasehttps://beapparelbrand.com/discount/HARMON21 Follow Us:https://linktr.ee/dantethemusicianPatreon: https://www.patreon.com/Danteharmon (Exclusive Video Podcast Content)
In this episode of Dante's Harmony Podcast, Danté is joined by Sacred Steel legends Chuck Campbell, and Phil Campbell of the Campbell Brothers. With over two decades of sacred steel music, and having traveled to over 25 countries, these masters bring the spirit, and churchy feel to their latest album, The Campbell Brothers Present, John Coltrane's, A Love Supreme. In this episode, we talk about their new album, how the album came to be, the legacy of Darick Campbell, and much more.Produced, edited, created, & directed by: Danté L. Harmon Sr.Theme Music by: Danté L. Harmon Sr. @Dante Harmon#dantesharmonypodcast #dantesharmony #sacredsteelnation #thecampbellbrothers Sponsor: Be.Apparel Use the Discount Code: Harmon2110% off Purchasehttps://beapparelbrand.com/discount/HARMON21 Follow Us:https://linktr.ee/dantethemusicianPatreon: https://www.patreon.com/Danteharmon (Exclusive Video Podcast Content)
Scott digs up an old treasure from his music vaults -- the gospel music of Florida which features an unusual instrument, the steel guitar. Played with a tonebar pressed over a horizontal neck with 6 or more strings, the steel guitar is usually found cooing and whining behind country western troubadours, but in sacred steel gospel, it's the primary instrument and often played as the sole accompaniment to the congregation's singing.
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can't Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In this episode, Jerrell speaks with guitar virtuoso A.J. Ghent, a musician hailing from Fort Pierce, Florida. When growing up, was all about the music. Music has truly been running through his family for generations; such as his great uncle Willie Eason, the creator of the “Sacred Steel Tradition,” and his grandfather Henry Nelson, the founder of the “Sacred Steel” rhythmic guitar style. This style is played by many names today, such as Robert Randolph, The Campbell Brothers, and more. A.J. Ghent talked about his journey in how the guitar impacted him, his passion for performing to heal others and emphasizing to make music freely, without any labels attached. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Blues Radio International With Jesse Finkelstein & Audrey Michelle
Here is Roosevelt Collier in this special interview with Jesse Finkelstein discussing the history of sacred steel, playing music in church and at home with family members & how he ended up playing sacred steel when it wasn't even his first choice. He also plays for us four solo instrumentals in this edition of the Blues Radio International Podcast.For more live music & interviews visit: BluesRadioInternational.net You can also find us anywhere you consume social media.#KeepingTheBluesAlive#RooseveltCollier#BluesRadioInternational
Welcome back to Make More Music, the podcast that connects people to music & one another. Today we chat with the incomparable, Robert Randolph. Robert is a multi-grammy nominated artist, bandleader, pedal steel guitar virtuoso famous for blending genres and increasing international aware the Sacred Steel tradition that was born in the American Black pentecostal church. He shares his musical backstory of growing up with pentecostal pedal steel & hip-hop, to growing as an artist, to responding to coronavirus, to the issues in this world & understanding from a spiritual perspective. Also, stick around 'til the end for a great new music shout-out from Pyeng Threadgill. You really don't wanna miss this one! Check out Robert Randolph & The Family Band website (http://www.robertrandolph.net/) Follow RRTFB on instagram (http://instagram.com/rrtfb) Listen to Robert Randolph on Spotify (https://open.spotify.com/artist/4xac3zhHlBm5QDxbZeqgeR) Listen to Robert Randolph on Apple music (https://music.apple.com/us/artist/robert-randolph-the-family-band/955096) Take an online lesson from Robert (https://app.squarespacescheduling.com/schedule.php?calendarID=3775428&owner=19297243) Request a cameo from Robert (https://www.cameo.com/rrtfb?_branch_match_id=725889265666342452&utm_source=share&utm_campaign=profile_share&utm_medium=ios_app) Check out this article (https://reverb.com/news/6-modern-pedal-steel-guitar-players?utm_source=rev-ios-app&utm_medium=ios-share&utm_campaign=blog_) that ft. Robert by Emily from Get Offset Podcast (https://getoffsetpodcast.com/) New music shoutout: "Loose Change in my shoes" by Pyeng Threadgill Check out Pyeng Threadgill on Bandcamp (https://pyengthreadgill.bandcamp.com/album/head-full-of-hair-heart-full-of-song) Follow Pyeng on IG (https://www.instagram.com/pyengthreadgill/) Check out Pyeng Threadgill's website (https://pyengnyc.com) Check out her Facebook page (https://www.facebook.com/pyeng.threadgill) Support the show: For free: It helps a ton if you leave a rating and review on your podcast player! Also, text this episode to a friend/family member/coworker/stranger/etc. Watch & Subscribe on YouTube (https://www.youtube.com/channel/UCi7UYtpHvziPZs3GTa5A0Lg?view_as=subscriber) Follow us on instagram @make.more.music (https://www.instagram.com/make.more.music/) Paid options: Donate to directly support the show (https://www.paypal.me/makemoremusic) Get your MMM Merch (https://teespring.com/stores/makemoremusic) Contact: Subscribe here (https://makemoremusic.fireside.fm/subscribe) & join the mailing list (https://docs.google.com/forms/d/e/1FAIpQLSemWoDjnTSjvceuNbJd5A8r4QMvlloc-s54k7-qedbSr0WxUA/viewform) Email us makemoremusicpodcast@gmail.com & nominate a guest here (https://docs.google.com/forms/d/e/1FAIpQLSeTLLEN_4d6vqq1poWgyzbA-0ar9jKRSpCFYkT-77K5TUwFHw/viewform) Give more grace. Share more love. Make. More. Music.
Guitar Geeks Podcast: Mer än du vill veta om gitarrer, förstärkare och allt däremellan.
Andreas träffade amerikanen Roosevelt Collier på Umeå Jazzfestival. De pratar om Roosevelts karriär, Sacred Steel, stämningar och hur pedalerna på hans pedalsteel funkar. Mycket Nöje!!
Curious on how to get the most out of your booth set up at the next big event, go no further. Jason Wilson of Sacred Steel Bikes is here to guide you.DangerSportster GiveAway Details: For every month you are a Patron at 5$ a month you will get a number for every 5$. I will bring in a third party to help me draw the winner next Thanksgiving or around then so you can get your bike before Christmas. FREE delivery in the 48 and FREE delivery to the port in Houston for people out of the country.https://www.patreon.com/DangerDansTalkShop^^^^^^^^^^^^ Patreon! Giveaways from Knives By Nick, JP Rodman, and No School Choppers!!!https://www.patreon.com/DangerDansTalkShopDangerDansTalkShop.comMCshopTs.comKnivesMadeByNick.comMCshopTs.com Your T-shirt of the month club. OLD SHOPS, NEW ART, and FRESH T's EVERY MONTH!!!! Only 25$ a month, sign up at MCshopTs.com Don't miss another month!!!SUPPORT EVERY LOCAL MOTORCYCLE SHOPGo to DangerDansTalkShop.com and become a Patreon Supporter for your chance to win next month. You could win a knife by KnivesbyNick or a custom painted tank by JP Rodman!!! DangerDansTalkShop.comMCshopTs.comChemicalCandyCustoms.com Permalink
In Episode 2 of Sacred Steel we will sit down and discuss unfortunately some of Velvet's favorite Sex Moves & speak with Legend Trevelen from Super Co. Also we have some breaking news from India from Dr. Punjabi regarding the Moon Eyes Japan Show.
Well good day to you AaA Fans and welcome to another exciting episode. Mick purchased 2 preamps, the Focusrite 2i4 and the Apogee 96K, he gives his honest review of both products. Then it's directly on to the guest of the week. He has been a part of the "Sacred Steel" music scene (a term Jeff and Mick have never heard of) and now he's killing it on social media with his incredible bass playing, so please welcome, Mr Daric Bennett!!!
We talk about attending the Charlotte EasyRiders Bike Show. Rico was unable to attend, but Rich and Jon were joined by one of the Riders of Loud Pipes - Mike (aka 18two4ever). This is the third year that the Loud Pipes team has attend the show and have to say this is the largest one so far. A few cherry pops happened - first bike show for Mike and first long ride for Jon in a rain storm.A few observations from the show:Big Wheel baggers are still here, but conversations with a few builders hint that they are ready to be done with big front wheelsCustom vintage bikes are growingSupercharged/Turbo bikes are growingA few pictures of bikes the guys liked. If you want to see more, become a patreon at the $5 level to get access to a shared drive with all the images. 2013 Suzuki Hayabusa Fire Rod - Harley-Davidson V-Rod Slingshot from Backyardbaggers.net Morgan with a Shovelhead Mike (18two4ever) favorite bike of the show. - Lone Star Chopper "El Ray" Board Tracker - floor board controls EasyRider Chopper with Mike testing it out. Victory Cross-Country - Corvette inspired twin-turbo Bike Exchange 2017 Street Glide M8 - wrapped in leather with a turbo. Digger from Sacred Steel Indian Lighting Bolt from Indian Motorcycles of Charlotte Harley sportster with side-car The Predater The Monster Indigo Moon from Sacred Steel Sacred Steel bike Bike in middle - Willy G first motorcycle EVENTS:American Flat Track Race - Charlotte, NC April 1, 2017Moto Vlogger Spring Mountain Ride - April 7, 2017 - Going to be staying in Pigeon Forge, TN.Barber Vintage Festival - October 6th-8th, 2017 - Leeds, AlabamaSupport the show and receive rewards for your contribution by visiting loudpipes.net/donate. Patreon is our focus and is an ongoing support model. There is also a link for one time donations and support of any size is greatly appreciated.Running time: 1 hour 30 minutesQuestions or comments: feedback@rdubstudios.com or the
Official Website: Podcast-In this episode we discuss the Discovery Channel series called Sacred Steel Bikes. The show released in late 2016 for a 6 episode run. At the time of this article, Discovery Channel has yet to renew Sacred Steel Bikes for a second season. Nobody is sure if the show will even be renewed. Sacred Steel Bikes is based out of East LA and is about a group of guys that are part of a motorcycle club called Douche Larouche. It seems the members have full-time jobs and after work and on weekends they get together to build bikes in a shared shop space. Jason Wilson is the organizer of these custom bike build jobs and is a union sheet metal worker by day. He is trying to take Sacred Steel Bikes to the next level as a business, but can't seem to drum up any buyers. The bikes Sacred Steel build are old school custom choppers. They are really cool to look at and much respect goes out to these guys for their talents. However, in a saturated market of custom bike builders, it's going to be hard to find buyers for these niche bikes and Jason is learning that. The bikes they build are custom "bar hoppers" at best and not built with any comfort, rideability, or reliability considerations. They'd be fun to ride local and to look at while drinking a beer with buddies. They're definitely not for any sort of distance riding. It seems Jason knows this issue and by the October 17th season finale episode, he's attempting to build a custom bike that's more rideable to appeal to a larger biker consumer base. In early episodes, Jason is purposely poking fun at older Discovery Channel bike build shows such as American Choppers and their endless episodes of always having to make a deadline. Funny thing is, after several episodes Jason himself is running bike build deadlines and the show tends to focus on that. So, it mimics several other past Discovery Channel motorcycle build shows now. It seems that to sell commercial spots there has to be exciting down to the minute deadlines. The show is fun to watch, so I say give it a try. There are many things that will make you laugh and many sacred-steel-no-ball-slappingshenanigans that go on around the shop and very similar to things that go on around here at Law Abiding Biker™ Podcast & Media. Make sure and listen in as we talk further about the show and a few other topics. New Free Video Release: Install Bullet Rear Turn Signals LED & Brake Light Bar on Harley Davidson Touring-DIY Additional Subject Matter: SKULLY HELMETS GOES BANKRUPT Original Skull Helmets Podcast Episode #66 LAB-66-Skully AR-1 Motorcycle Helmet vs. Harley Boom!™ Box Infotainment System New Patrons: Chris MacPhee of Scotland Bill Houser Brady Dehn of Henderson, Nevada Preston Sunday of Owasso, Oklahoma Kevin Karley of Rapid City, South Dakota Patreon Biker Motorcycle Podcast If you appreciate the content we put out and want to make sure it keeps on coming your way then become a Patron too! There are benefits and there is no risk. Thanks to the following bikers for supporting us via a flat donation: Bill Houser Alejandro Guevara of HIALEAH, FL Arrowhead Photography of Lakeway, TX Richard Gross of JULESBURG, CO Aaron Jarrett of Conifer, Colorado Malcolm Godfrey of Mexborough, South Yorkshire , UK _________________________________________________ CHECK US OUT AND SUBSCRIBE: Website: http://www.LawAbidingBiker.com Email & Voicemail: http://www.LawAbidingBiker.com/Contact Phone Hotline: 509-731-3548 Twitter: https://twitter.com/LawAbidingBiker Facebook: https://www.facebook.com/lawabidingbiker YouTube: http://www.youtube.com/scrappy587 Google Plus Page: https://plus.google.com/b/104041070580228657262/+Lawabidingbiker587 Instagram: http://instagram.com/lawabidingbiker RSS: feed://www.LawAbidingBiker.com/feed iTunes Direct Link to Podcast: https://itunes.apple.com/us/podcast/law-abiding-biker-podcast/id622424087 Stitcher Radio: http://www.stitcher.com/podcast/law-abiding-biker-podcast TuneIn Radio: http://tunein.com/radio/Law-Abiding-Biker-p562288/
This time I had the great fortune to speak with Sacred Steel legend Calvin Cooke.This interview was so much fun I can't wait to talk with him again. Check out his clipson YouTube and his music here: The Slide BrothersYouTube:Calvin Cooke at Michigan Folk FestMore YouTube:Calvin Cooke:The Gospel of Sacred Steel
This time I had the great fortune to speak with Sacred Steel legend Calvin Cooke.This interview was so much fun I can't wait to talk with him again. Check out his clipson YouTube and his music here: The Slide BrothersYouTube:Calvin Cooke at Michigan Folk FestMore YouTube:Calvin Cooke:The Gospel of Sacred Steel
Sacred Steel Sacred steel is a musical style and African-Americangospel tradition that developed in a group of related Pentecostal churches in the 1930s. The Church of the Living God, the Pillar and Ground of the Truth, was founded in 1903 by Mary Magdalena Lewis Tate. Following her death in 1930, the church divided into three branches, known as the Keith, Jewell and Lewis dominions. The steel guitar was embraced in the worship of two of these dominions, the Keith Dominion (officially, The House of God Which Is the Church of the Living God the Pillar and Ground of the Truth Without Controversy), headquartered in Nashville[1] and the Jewell Dominion (Church of the Living God, Sacred Steel was something I heard but had no ideal what it was or where it originated from