Podcasts about The Complete Recordings

Play Episode Listen Later Dec 1, 2024 59:03

The Brothers Grim Punkcast

Winterland Arena, 51 years ago, second set highlights: Mississippi Half-Step and Beyond

Deadhead Cannabis Show

Play Episode Listen Later Nov 13, 2024 94:11

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day A very famous show from a very famous year. Many feel 1973 was the peak of the band's post psychedelic era. Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run. In 2008 the Dead released the box set: “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973. This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band). The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band. They were on fire for these three days. A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness. It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.” INTRO: Promised Land (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind) Track #1 0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995. Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out. I especially love Keith's piano which is featured prominently in this clip. Played: 430 timesFirst: May 28, 1971 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 1: To Lay Me Down (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee Track #6 2:21 – 4:20 David Dodd: “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to. Jerry's voice is still so young and strong. And the group singing works really well. Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played: 64 timesFirst: July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS: Music Intro: Brain Damage Pink Floyd Pink Floyd - Brain Damage (2023 Remaster) 0:00 – 1:47 "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4] The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts. The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.” Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival. More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3. Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride. The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green). “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA. SHOW No. 2: Weather Report Suite Prelude (out of China >Rider/Me & My Uncle/Loose Lucy Track #14 3:10 – end INTO Weather Report Suite Part I (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break - 16 songs Track #15 0:00 – 1:03 David Dodd: This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played: 46 timesFirst: September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast: October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3: Mississippi Half Step Uptown Toodeloo (Second Set Opener/into Big River/Dark Star) Track #17 3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special. Great story. Great lyrics: “what's the point of calling shots, this cue ain't straight in line. Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert. ½ Step>Franklin's were especially fun as a one two show opener punch. Played: 236 timesFirst: July 16, 1972 at Dillon Stadium, Hartford, CT, USALast: July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS: INTRO MUSIC: Willin' Little Feat Little Feat - Willin' sung by Lowell George Live 1977. HQ Video. 0:10 – 1:32 1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists. George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem. And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1. Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2. Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3. Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4. Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract: Dulce Limon – hyrbrid sativa dominant Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4: Dark Star (Mind Left Body Jam) Track #18 34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then. The truly improvisational side of the Dead and their live performances. Played: 9 timesFirst: October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast: March 24, 1990 at Knickerbocker Arena, Albany, NY, USA INTO Eyes of the World (into China Doll/Sugar Mag as second set closer) Track #19 0:00 – 2:25 David Dodd: “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song. The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise. A perfect jam tune. Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses. First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros. We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention. I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes. Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes. Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set. Any '73 Eyes will leave you in awe and this one is one of the best. Played: 382 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO OUTRO: And We Bid You Goodnight (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!! Track #25 :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard. Great reaction from the Deadheads. Kind of a chills down your spine thing. I was with One armed Lary and Alex, both had been with us at Deer Creek right before. Lary stayed for all three nights but Alex had to take off after the first show. Great times. Played: 69 timesFirst: January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast: September 26, 1991 at Boston Garden, Boston, MA, USA Thank you for listening. Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

american new york california canada world friends chicago english uk los angeles england mexico san francisco new york times michigan home loss seattle fun ny moon north carolina united kingdom oregon alabama new orleans dead celebrate strange portland track rising mexican missouri wake cleveland south carolina matrix tool mothers shoes exploring mississippi stanford cannabis rolling stones liverpool southern columbus oz birmingham wizard dark side released bay area stanford university garcia flood rainbow luck castle arena wa marijuana eyes swing played bob dylan billboard suite muse invention young adults pulse raleigh promised land pink floyd tucson arizona taxi afghan madison square garden oklahoma city years ago nye albany makes developed colombian saskatchewan mgm cue norfolk grateful dead newport andersen hartford rock and roll hall of fame alpine library of congress ripple joni mitchell appearing greyhound indica frank zappa lowell remaster chuck berry gorge birthday bash lunatic weir possessing legalization chariot abbey road saskatoon live performances roger waters music history tba sub zero strains zappa soldier field emerald city capitol records jerry garcia high times weather reports brain damage dark star david gilmour gilmour inherently blaise pascal pro tools rock hill deadheads warlocks styrofoam alo might as well squadcast imho abbey road studios lebo syd barrett little feat mill valley ken kesey bob weir uncle john tonight show starring jimmy fallon greatest albums johnny b goode newport folk festival big river noblesville boston garden greatest songs lary steve adams robert hunter winterland let it grow peter watts uniondale hampstead heath china dolls deer creek north east england willin cashbox lowell george second set jack straw fillmore west halfstep alpine valley why florida mann act paul kantner maryland heights eric andersen limonene sailin run rudolph run patrick carr complete recordings wabash cannonball brokedown palace sugar magnolia linalool harvest records marijuana research nassau veterans memorial coliseum estimated prophet here comes sunshine tea leaf green sweetwater music hall carene row jimmy they love each other weather report suite black throated wind to lay me down loose lucy mississippi half step uptown toodeloo mind left body jam

Remembering Quincy Jones and The Grateful Dead having fun on Stage with the The Jones Gang Incident

Deadhead Cannabis Show

Play Episode Listen Later Nov 8, 2024 77:03

Phil Lesh: A Tribute to a Musical IconIn this episode of the Deadhead Cannabis Show, Larry Mishkin discusses the significance of the Grateful Dead's concert on November 4, 1977, at Colgate University, along with various music news updates, tributes to Phil Lesh, and reflections on Quincy Jones's legacy. The conversation highlights the dynamics of the band during the concert, the impact of newer jam bands like Goose, and the importance of preserving musical legacies through releases like Dave's Picks. In this episode, Larry discusses the latest music news, particularly focusing on the Grateful Dead's legacy and their recent box set releases. He reflects on the band's unique performances and the significance of their music. The conversation then shifts to marijuana legalization efforts, particularly in Florida, where a recent ballot measure was rejected despite public support. Larry expresses disappointment in the political landscape surrounding marijuana and emphasizes the benefits of legalization. The episode concludes with a deep dive into a specific Grateful Dead performance, highlighting the band's improvisational style and the joy their music brings to fans.TakeawaysThis episode was recorded on Election Day, November 5th.The Grateful Dead's show on November 4, 1977, is a highlight.The Jones Gang incident showcased the band's playful dynamics.Goose represents the new generation of jam bands.Phil Lesh's influence on music and improvisation is profound.Quincy Jones's legacy in music is celebrated.Dave's Picks Volume 52 features a remarkable concert.The importance of preserving musical history through recordings.Larry reflects on his personal experiences with the Grateful Dead.The episode blends cannabis culture with music appreciation. Music brings joy and relaxation after a long day.The Grateful Dead's legacy continues to inspire new generations.Unique performances can redefine classic songs.Marijuana legalization faces political challenges despite public support.The benefits of marijuana legalization are well-documented.Music and cannabis culture often intersect in meaningful ways.The improvisational nature of the Grateful Dead's music is a hallmark of their performances.Public sentiment can sometimes clash with political decisions.The Grateful Dead's music remains timeless and relevant.Engaging with music and cannabis responsibly enhances the experience.Sound Bites"This is a special episode being taped on Election Day.""It's just a big love fest with all these guys.""Phil has changed my life.""Quincy was the man I won my first Grammy with.""It's a wonderful, wonderful show.""You just don't know what you're missing out on.""It's just cool to hear it.""This is a pretty amazing second set.""It's a very cool segue from one into the other.""It's a must hear.""It's a wonderful part of the show.""It's a very unfortunate thing that this happened.""People in Florida are gonna smoke marijuana anyway.""It's a great way to end this wonderful show."Chapters00:00Introduction and Context of the Episode03:45Exploring the Grateful Dead's November 4, 1977 Show11:34The Jones Gang Incident and Band Dynamics16:49Music News: Goose and Gen 3 Jam Bands20:51Tributes to Phil Lesh and Reflections on Legacy25:30Remembering Quincy Jones: A Musical Legend30:06Dave's Picks Volume 52: A Review36:30Celebrating Music and New Releases38:53Exploring the Grateful Dead's Legacy44:17Marijuana News and Legalization Efforts01:01:01Deep Dive into Grateful Dead Performances01:09:55Closing Thoughts and Reflections LARRY'S NOTES:Grateful Dead November 11, 1977 (47 years ago)Cotterrell GymnasiumColgate UniversityHamilton, NYGrateful Dead Live at Cotterrell Gym, Colgate U on 1977-11-04 : Free Download, Borrow, and Streaming : Internet Archive Dave's Picks #12 This show literally “popped up out of nowhere” during the very famous fall tour of the very famous 1977 year of touring. On November 1st they played in Detroit's legendary Cobo Hall. The next night up in Toronto. They had Nov. 3 set for Utica, NY but the show fell through a few weeks before. They were still set for Rochester on Nov. 5th (which was released as Dick's Picks #34) and Binghamton on Nov. 7th. So less than 4 weeks before this show, while already hitting the road, negotiations began for this show which were only finalized the night before. Cotterrell gym on the Colgate campus is a small venue. Think large high school gym with pull out bleachers. There were only 3,000 folks at the show. But 2300 of them were held for Colgate students so only 700 were sold to the public or really the Deadheads. A tough ticket as the Heads used to say. But those who made it in had a ball and saw one of the best shows of the year. One of those shows that lots of Deadheads wished they had seen. This version of the show from Archive, is an audience tape and a great contrast to other episodes where we have featured Dead show clips from audience tapes. This one was taped by Jerry Moore who was set up directly behind the soundboard. Go to Archive and check out the entire show. On a personal note, glad to see that Archive is back up and running after its hacking episode a few weeks ago. INTRO: Dupree's Diamond Blues Track #8 2:50 – 4:52 "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922.The song is the second track on the Grateful Dead's third album, Aoxomoxoa (1969). As with most of the songs on the album, Dead lyricist Robert Hunter wrote the words and Dead frontman Jerry Garcia wrote the music.Well when I get those jelly roll bluesThe term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. Debuted in January, 1969 and played a total of 17 times that year. Then dropped until Oct 2, 1977 at the Paramount Theater in Portland, OR, played 4 times that year, this version being the last one of the year. Played twice in 1978, then put back on the shelf until Aug. 28, 1982 at the Oregon County Fair in Veneta, OR (home to the famous show from August 27, 1972 to support the Creamery). From '82 to '90 played at least once a year, '85 was the outlier with 16 performances Only played two more times, both in 1994. This is a great version with Jerry's lyrics and playing both very strong. The 8th song of the first set following: GO TO ARCHIVE LINK A beautiful Bertha opening but I have featured that song so much, and it is such a common opener, that I needed to go with something else today. I love it from the 1969 Fillmore West shows where two of the nights the second set would start with DuPree's into Mountains of the Moon before jumping into the fabulous Dark Star/St. Stephen/11/Lovelight suite (in my humble opinion, the best suite of songs ever played by the Dead and certainly the one that best defines the band and the basic foundation that supports so much of their music. Played: 82 timesFirst: January 24, 1969 at Avalon Ballroom, San Francisco, CA, USALast: October 13, 1994 at Madison Square Garden, New York, NY, USA SHOW No. 1: Tuning (start of second set, stage banter re Jones Gang) Track #10 :15 – End Why did Phil do this? To kill time, he was dosed, adding a bit of levity to the evening's proceedings. Or there is this:Two nights before the Dead played in Toronto at Seneca College's Field House. The night before was at Cobo Hall in Detroit. So they took the 3d off while traveling from Toronto to Hamilton, NY to play this show. Apparently, the band could not or did not want to try to take their stash into Canada. Keith Richards of the Stones had just been busted in Canada for possession and no one wanted to take any chances. SO . . . . it seems they were “jonesing” from something, weed, acid, or whatever. Many of the Deadhead reports of the show in Archive and at the Dead Setlist Program note that the guys seemed very stoned or, more likely, dosed. They were wearing sunglasses indoors in the evening. Good friend Henry was a student at Colgate in 1977 and attended the show. In telling me about it, he basically began with the Jones Gang episode. So it was cool to finally hear the show and hear Phil do his thing. A great way to keep everybody entertained while waiting for some technical issues to be resolved. And something that was sadly missing in their later years when basically none of them said anything while on stage, Bobby sporadically with a comment and Jerry I saw speak from the stage maybe 5 times out of 110 shows. This is the kind of stuff that normalized them and separated them from the button down rock acts that showed up, played the same set list that they had played all tour and would keep playing When they spoke it was all pre planned, “Thank you (insert name of city where they are playing). And then launched into a killer Samson (even though it was a Friday). Just part of another great Dead experience and the kind of thing that makes it easy to remember the show even years later. Everyone talks about the Jones Gang show, maybe more than they think of it as a Colgate show or Hamilton, NY show. Sure took Henry back. MUSIC NEWS: Music Intro: Cold Rain & Snow Goose 10.25.2024 LJVM Coliseum Winston-Salem, N.C. Goose - “Cold Rain and Snow” (10/25/24 - LJVM Coliseum - Winston-Salem, NC) (youtube.com) 0:10 – 1:05 Another Phil tribute by one of the most promising Gen3 (Gen1 = Dead; Gen2=Phish) jam bands on the scene. Not the first time they have covered the Dead, but it's a damn good cover of a tune that traces its Dead roots to their very first album and even before that. Jerry loved it. Phil made it happen and restarted his singing career on the closing chorus in 1982 at MSG. And Goose nails it here. They really bring it every time they play. The jam band that I figure will outlast me! Mickey and Mike Gordon statements on Phil's passing: Quincy Jones dies: Quincy Delight Jones Jr. (March 14, 1933 – November 3, 2024 at 91) was an American record producer, songwriter, composer, arranger, and film and television producer.[1] Over his course of his career he received several accolades including 28 Grammy Awards, a Primetime Emmy Award and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards.[2] Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie. Jones produced three of the most successful albums by pop star Michael Jackson: Off the Wall (1979), Thriller (1982), and Bad (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims of famine in Ethiopia.[3] Jones composed numerous films scores including for The Pawnbroker (1965), In the Heat of the Night (1967), In Cold Blood (1967), The Italian Job (1969), The Wiz (1978), and The Color Purple (1985). He won the Primetime Emmy Award for Outstanding Music Composition for a Series for the miniseries Roots (1977). He received a Tony Award for Best Revival of a Musical as a producer for the revival of The Color Purple (2016). Throughout career he was the recipient of numerous honorary awards including the Grammy Legend Award in 1992, the Jean Hersholt Humanitarian Award in 1995, the Kennedy Center Honors in 2001, the National Medal of the Arts in 2011, the Ordre des Arts et des Lettres in 2014, and the Academy Honorary Award in 2024. He was named one of the most influential jazz musicians of the 20th century by Time.[1] "I woke up today to the Terrible news that we lost Quincy Jones.. Genius is a description loosely used but Rarely deserved. Point blank, Quincy was the MAN. I won my 1st Grammy with Quincy and I live with his Wisdom daily," Ice-T on X. Dave's Picks, Volume 52 (The Downs At Santa Fe, Santa Fe, NM • 9/11/83)Time to order Dave's Picks 2025 subscription. I say it every year. SHOW No. 2: Eyes of the World Track #15 11:10 – END INTO Estimated Prophet Track #16 Start - :20 The unique thing in this segment is that it is the first, and one of the only times, that the band played Eyes into Estimated as it was almost always played as Estimated>Eyes. This is the end of Eyes jam and segue into Estimated. Very cool to hear it played “backwards”. This entire Eyes (all 13 minutes of it), is magnificent and a must hear if you are looking for some great Dead jamming to rock to. On this night, the boys were apparently in a state of mind that let them do a bit of exploring away from the norm for them, if there even is a “Dead norm”. It sure worked out well for the rest of us. SHOW No. 3: The Other One Track #17 :52 – 3:00 We've featured this song so many times, discussed the whole That's It For The Other One suite and all of its subparts. This one is the opposite, a 4 minutes 20 seconds version, with the first 3+ minutes just a hard jam. They only sing the first verse of the standard Other One and then head straight into Drums. This clip just features the jam with Jerry leading the way. So clean and powerful, if 1977 is the best year ever for the band, then this has to be one of its peaks. Maybe not the best of '77 because Barton Hall, but still way up there for nights when the band was truly smoking hot and holding nothing back. Some of the best post-1970 psychedelic Dead that you will ever hear. Everyone in sync and making the magic that kept us all coming back for more until there was no more to come back to. Just buckle in and enjoy the ride. Played: 550 timesFirst: October 31, 1967 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago MJ NEWS: SHOW No. 4: Playin Reprise Track #21 3:00 – 6:34 "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan). During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it".[ It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with 581 performances. In the Grateful Dead's live repertoire, all songs featured musical improvisation and many featured extended instrumental solos; but certain key songs were used as starting points for serious collective musical improvisation—the entire band creating spontaneously all at once. In this regard "Playing in the Band" was of major importance, second only to "Dark Star". During "Playing in the Band" the Grateful Dead would play the planned verses and choruses of the song itself; then they would improvise and explore brand new musical territory, sometimes for twenty minutes or more; and then the chorus would usually be reprised, to bring the song to its end. Sometimes during these extended "jams", the band would even perform other entire songs, before at last coming back around to the final chorus aka the “Reprise”. On some occasions, more early on than later, the band would play the main song, jam for some amount of time and slide back in for the reprise. Its performance in this style on 21 May 1974 at the Hec Edmundson Pavilion in Seattle has been cited as the longest uninterrupted performance of a single song in the Grateful Dead's history, clocking in at 46 minutes and 32 seconds.[3][4] It was released in 2018 on the boxset Pacific Northwest '73–'74: The Complete Recordings and as its own LP. Very cool – an entire album just for one song. Like Phish' Ruby Waves at Alpine Valley in 2019 got its own album. Then later they might add a song or two in between the main portion and the reprise. Then later they might hold it for the encore the same night the main song had been performed. Then later, they might hold it until the night after the main song had been performed and then two nights later and sometimes 3. Not uncommon for play the main song the first night of a multi-night run and then the reprise the last night. Usually during the show, but as stated, sometimes in the encore. Then they might forget to ever get back to it, play the main song again and the whole process would repeat as everyone would wait to see if and when they would finally play the reprise. David Dodd: To me, the unpredictability of a “Playin” jam was always a highlight of a show. It could get incredibly far out there—completely away from anything—and then, just like that, snap back in, quietly and cautiously or slam-bang, or later, after they'd played most of another song, or a whole set, into the “Playin Reprise.” Sometimes the reprise would never occur. While it usually ran 3 or 4 minutes, this show's reprise went almost 7 minutes with an extended jam before they every got to the reprise lyrics. For Phish fans, think Twe-pri. For non Phish fans that's the song Tweezer and its “reprise” and that band takes all sorts of liberties with it. Not so unlike the Dead's style as previously discussed but most famously, at least as far as I know as a still neophyte Phish head, during their 13 show Baker's Dozen run at MSG, Phish played Tweezer the very first night on July 21st to open the second set and then the Twi-Pri finally showed up on August 6th as the second song of the encore after On The Road Again to close out the entire 13 night run. Reprises are great! Played: 648 times (no separate breakdown for how may Reprises were played but I'm sure there were times they never got back to a reprise although one year April Fools 1985 at Cumberland County Civic Center in Portland MA – actually March 31st but called it their April Fools joke even though they did play again the next night, April 1, at the same venue - they played the reprise first and then the main song)First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: July 5, 1995 at the Riverport Amphitheater in Maryland Heights (St. Louis), MO OUTRO Johnny B. Goode (Bob – “Happy Homecoming”) Track #22 0:12 – 2:08 We've also featured this song quite a bit, a Chuck Berry classic covered by almost every rock n roll band that ever played a set of music and even some that never did. Its guitar intro is as famous a song opening as any in the genre. I love this version because of Bobby's greetings to the students wishing them a happy homecoming! Imagine going to your high school or college homecoming dance and the band is the Grateful Dead. Now that's a story to tell. Not sure and I don't think it really matters whether that weekend was or was not Colgate's homecoming. It just showed that stoned and all, Bobby knew he was on a college campus. Almost always played as an encore or show closer if no encore. Unlike another Chuck Berry classic covered by the Dead, The Promised Land, which could be played as a show opener, set closer, second set opener, encore, it would pop up just about anywhere. Great way to end a great show. The boys just blow the walls down on this one. Or, as commenter RFKROX posted back in 2008 about this version, “Oh, and the Johnny B. Goode is the most incredible rockin' version I've ever heard this band play!! It's the fucking SHIT!!” I couldn't have said it any better myself! Played: 283 timesFirst: September 7, 1969 at Family Dog on the Great Highway, San Francisco, CA, USALast: April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL, USA - very interesting, not played at all on the final summer tour. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

united states music american new york time canada world chicago man wisdom san francisco seattle toronto ny playing moon arts public night detroit reflections african americans dead portland grammy band track stage wall heat musical unique hamilton series snow gang shit cannabis engaging terrible genius birmingham heads context mountains stones marijuana election day eyes incident april fools ethiopia rochester archive promised land tuning goose drums santa fe msg authorities grateful dead morton nm quincy jones reprise borrow dozen chuck berry ice t utica keith richards phish weir winston salem live performances colgate lettres music history playin david crosby soldier field estimated jerry garcia binghamton dupree dark star music news colgate university love light deadheads creamery squadcast marijuana legalization bob weir fieldhouse johnny b goode reprises phil lesh seneca college robert hunter jam bands mike gordon veneta tweezers jelly roll morton on the road again paramount theater my party other one twe port chester best revival fillmore west alpine valley cobo hall complete recordings outstanding music composition jerry moore estimated prophet

Brothers Grim Punkcast #479

Play Episode Listen Later Oct 14, 2024

Archive was fuct for an eternity, so we have a few past episodes to post. New rippers from XGRIFOX, STFU, and many more. Remember you can catch the BGP each week on Punk Rock Demo and Ripper Radio if it's not posted here. Hit us up at brothersgrimpunk@gmail.com and download our music on our Bandcamp page.479 Playlist:XPUNKXFUX...XGRIFOX-destruindo fronteiras (destroying borders) 0:49 XGRIFOX/ODIAR "destruindo fronteiras" split ODIAR-nao vai sobrar (there won't be any left) 0:55 XGRIFOX/ODIAR "destruindo fronteiras" split WA Punishing Life 1:16 Dekrepit Terrorizers Of The Common Populous (Demos) SC Gluttony 1:03 Larva Nothing Of Reality demo 2024 ولا شيء Wala Shae (bkgrd) 4:49 Shafrah بنات المدينه Bnat El Medinah General Speech Damaging Noise 1:43 The Swankys The Very Best Of Hero The Swankys Sweden På andras bekostnad (at the expense of others) 1:00 Bödel Välkommen till avrättningen Las Vegas In the Ghetto 1:54 Terror Attack Terror Attack Finland Läpinäkyvää (transparent) 1:07 Valinta Jännitteet kasvaa Calgary Cursed 1:27 CLOSETALKERS Demonstration '23 Indonesia Another Terror 1:33 Pro-life Control Pro-life Rules [Raw2024] Spain We Gotta 1:17 Poodator, Güeros 10 Minutes THE WORST KIND OF DUMBASS IS THE ONE THAT THINKS THEYRE SMART 0:31 Shut the Fuck Up Faster is Always Better Farewell (RIP) 1:44 BGP Crickets EP Pump n' Dump (bkgrd) 3:08 Munchkin Head One Way Ticket to Pound Town Catatonic Pisser 2:13 PAPRIKA ST_Iron Lung Recs Echo Chamber 1:14 IGNORANCE Nothing Changed_Iron Lung Recs SIASATS - War In Hell 1:30 V/A Crust Punk 2024 D-BEATING Vol.5 Häpeä (Shame- Finnish)- Myrkky (poison) 0:57 Sewercide Records Misanthropic Minds / Häpeä Split EP NYNY Senseless Murder 1:51 Matar Demo Italy Disuguaglianza (inequality) 1:17 GOLPE Subisci. Conformati. Rassegnati. Symphony of Destruction Industrialized Meat Production 1:57 GLOBAL THERMONUCLEAR WAR Total Demonstration Meatbreath 1:29 ROTBUS 76 Chambers of Death [NTR 435] AU Enough 1:15 Hunny Hunny Time FACELESS KILLERS (bkgrd) 4:05 EAGLE SPITS THE HOLY GHOST IN THE MACHINE OC CA I gave you everything 1:07 Audio Poison capital is a virus... kill it Brazil 11/09/2001 2:00 Final Trágico FURIA E ODIO NO MORE GENOCIDE 0:34 DISHxRAG split with BRAVAS 187 Berlin Orden mundial (world order) 1:36 Antes de las guerras DEMO2020 Combat Gun Shot 0:51 Close Combat Demo Hungary Munkásprés (work press) 0:56 24/24 Munkásprés Live A Lie 1:34 Techno Demo_NY Skate Skate 1:36 White Suburban Youth Complete Recordings Germany PLANET 666 2:27 TTT-TURBO SPACE BUMMERS Dirtbag Distro Dead End Town 1:29 JACKET BURNER TERMINAL DEPRESSION Contention (bkgrd) 3:50 Callous Neglect Suburban American Tract Home Project Burgers Gone Wild - I Gave Up On The Human Race 2:24 Knuckles On Stun Degenerates & Dickweeds comp Other ways to hear BGP:Archive.org#479 on ArchiveApple PodcastsYouTube PodcastsPunk Rock Demonstration - Wednesdays 7 p.m. PSTRipper Radio - Fridays & Saturdays 7 p.m. PSTContact BGP:brothersgrimpunk@gmail.com@Punkbot138 on Instagram@BrosGrimPunk on XMore Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of our punk playlists, from Anarchy to Zombies!

The Complete Recordings of Sonny Johnson – Part 2

Echoes of Indiana Avenue

Play Episode Listen Later Jul 7, 2024 13:51

Listen to the second episode in a two-part series exploring the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery. Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones. On this week's episode, hear live recordings of Johnson performing in Indianapolis with Wes Montgomery.

new york city indianapolis hampton quincy jones david baker wes montgomery freddie hubbard indiana avenue complete recordings

The Complete Recordings of Sonny Johnson – Part 1

Echoes of Indiana Avenue

Play Episode Listen Later Jun 30, 2024 13:51

For the next two weeks on Echoes of Indiana Avenue, listen to the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery. Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones. On this week's episode, hear Johnson's early recordings with the Art Farmer Septet.

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Episode 618: ACOUSTIC BLUES CLUB #594, JUNE 26, 2024

dreams hearsay blues club complete recordings acoustic blues

Play Episode Listen Later Jun 26, 2024 59:00

Episode 598: ACOUSTIC BLUES CLUB #583, APRIL 10, 2024

Play Episode Listen Later Apr 10, 2024 59:00

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Back to The Capitol Theater in 1971 For More Breakouts; First show without Mickey, Pig Does His Thing, Lots of LSD. More states break records for total annual and monthly marijuana sales.

Deadhead Cannabis Show

Play Episode Listen Later Feb 19, 2024 67:27

"Reflecting on the Grateful Dead's Capitol Theatre Shows and Toby Keith smoking with Willie Nelson"Larry Michigan discusses the Grateful Dead's historic show at the Capitol Theatre on February 19, 1971. Larry reminisces about the atmosphere of the venue and the significance of the performance, highlighting the debut of several iconic Dead songs. The discussion delves into the band's evolving musical style, particularly the transition from psychedelic blues to Americana influences. He explores the historical context surrounding the show, including Mickey Hart's departure from the band and the impact of manager Lenny Hart's embezzlement. He also touches upon the significance of the show's release in the "From the Vault" series and discuss other notable releases in the Dead's catalog. Additionally, Larry provides updates on Bob Weir and Wolf Brothers' postponed performances with the National Symphony Orchestra and share news about upcoming music releases. Grateful DeadFebruary 19, 1971 (53 years ago)Capitol TheatrePort Chester, NYGrateful Dead Live at Capitol Theatre on 1971-02-19 : Free Borrow & Streaming : Internet Archive The second of the legendary six night run at the Capitol Theatre in late February, 1971:Feb. 18, 19, 20, 21, 23, and 24 INTRO: Loser Track #3 2:55 – 4:24 Hunter/Garcia tune that was released on “Garcia”, Jerry's first solo album, in January, 1972, the last song on side one of the album. It was a standard first set tune, part of a rotating number of Jerry first set ballads including Candyman, It Must Have Been The Roses, High Time, Row Jimmy, To Lay Me Down and others. A very sweet melodic tune that tells a great story by way of a beautiful piece of music. SECOND time playedPlayed a total of 353 timesFirst time: “Last”night 2.18.71Last: June 28, 1995, The Palace of Auburn Hills, outside Detroit THIS SHOW: Last year we covered the Feb. 18th show famous as the debut for Bertha, Greatest Story, Loser, Wharf Rat and Playin In The Band and the Beautiful Jam out of Wharf Rat and back into Dark Star. It was also Mickey's last show before his almost three year hiatus before he returned for the final 1974 show before the band's 1975 year off February 19th show is just as historical: The band's first show without Mickey since he joined the band in 1967. Many people theorize that this was Mickey's response to his father, Lenny Hart who was the band's manager stealing almost $155,000 of the band's assets before disappearing. Although he was eventually located by a private detective hired by the band and arrested in San Diego on July 26, 1971, convicted and spent six months in jail, the money was never returned. The song, “He's Gone” is based on Lenny Hart's embezzlement and disappearance. Ashamed by his father's actions, Mickey left the band after the 2.18.71 Capitol Theater show returning full time in 1975. Lenny died of natural causes on Feb. 2, 1975. According to Dennis McNally, "Mickey went to the funeral home, cleared the room, took out the snakewood sticks that had been his inheritance, played a traditional rudimental drum piece, "The Downfall of Paris" on Lenny's coffin, and split." Starting with this show, the band became a very lean mean fighting machine with just five members (Jerry, Bobby, Phil, Bill and Pig) until Keith jointed the band seven months later in September. On this night, the band played the five songs debuted the night before and debuted Deal and Birdsong. Pig also has a strong showing this night leading the band through four standouts: Hurts Me Too Smokestack Lightning: the third to last time it would be played with Pig in the band Easy Wind: the second to last time it would be played without Pig in the band Good Lovin This really marked the beginning of the band's hard shift away from psychedelic blues (Primal Dead) to the more Americana style music that began with Workingman's and American Beauty. Within a year, Pig would be very ill with just enough energy left for the Europe '72 tour. But this night, he was rocking the house like only he could do. Here is the first of his four featured songs: SHOW No. 1: Hurts Me Too Track # 5 2:08 – 3:42 Great showcase number for Pig featuring his singing and harp playing. We got just a bit of Jerry's lead but all this great music is too long to fit into one clip – don't want Dan getting mad at me! "It Hurts Me Too" is a blues standard that is "one of the most interpreted blues [songs]".[1] First recorded in 1940 by Tampa Red in Chicago, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists. Release on May 10th with Tired of Your Reckless Ways on the B-side. In 1949, Tampa Red recorded a variation of "It Hurts Me Too", titled "When Things Go Wrong with You".[9] It was recast in the style of a Chicago blues, with electric guitar and a more up to date backing arrangement. The song was a hit and reached number nine on Billboard'sRhythm & Blues Records chart in 1949.[10] (The original "It Hurts Me Too" was released before Billboard or a similar reliable service began tracking such releases, so it is difficult to gauge which version was more popular, although the former's title won out over the latter's.) Although the song retained the refrain "When things go wrong, so wrong with you, it hurts me too", Tampa Red varied the rest of the lyrics somewhat. This would become the pattern for future versions, in which succeeding artists would interpret the song with some of their own lyrics. Noted covers: Elmore James Junior Wells Grateful Dead – with Pig singing the vocals. Was first released by the Dead on Europe '72 album. After Pig left the band, the song was retired. The Dead played the song a total of 59 times First: May 19, 1966 at the Avalon Ballroom, San Francisco Last: May 24, 1972 at the Lyceum Ballroom in London (last show of Europe '72 tour “FROM THE VAULT”: This entire show was released by the Dead as “Three From The Vault” in 2007. The “From The Vault” series, launched by the Band in 1991 with One From The Vault – August 13, 1975 at The Great American Music Hall, with first live performance of the songs from Blues For Allah. In 1992 the Dead released “Two From The Vault” – August 23 and 24, 1968 at the Shrine Auditorium in Los Angeles. Then, along came Dick Latvala and his Dead scene changing Dick's Picks series which was wildly popular, so much so that the In The Vault Series was put on hold. For 15 years. Until 2007 when they circled back to the original series of live releasees with Three From The Vault which features the same show we are talking about today from the Capitol Theatre. That was it for In The Vault releases. The Dead did have several other “Vault” like releases – multi-track recordings including Hundred Year Haul, Dozin' At The Knick, Fallout From the Phil Zone, Terrapin Station, Live At the Fillmore East 2.11.69, Ladies and Gentlemen, the Grateful Dead, Nightfall of Diamonds, Trucking Up To Buffalo and so many more. They just stopped calling them “From The Vault”. Dick's Picks, of course would go on to have a total of 36 releases, the last few releases coming after Dick's death in 1999. Which led into the still wildly popular Dave's Picks from David Lemieux who took over for Dick and now has 49 releases and still going strong. And “short” lived, but generally popular “Roadtrips” series. And all of the box sets that are all amazing but too numerous to name except for the Complete Recordings, the four-night run at the Fillmore West from Feb. 27 to March 2, 1969 – four shows with the band at the peak of Primal Dead, and Europe '72 which consists of the live recordings for all of the shows on that tour. Another milestone for the Dead in terms of their ever expanding reputation for Jam Band, psychedelic, and amazing song catalogue, even at that “early” stage of the band's existence. SHOW No. 2: Playin In The Band Track # 7 2:23 – 4:05 By: Weir and Hunter "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan).The instrumental break of "Playing in the Band" was introduced as early as the February 19, 1969 "Celestial Synapse" show at the Fillmore West, in which it appears somewhat indistinct from the preceding and following jams.[5] The completed song was also included on Mickey Hart's 1972 solo album Rolling Thunder within "The Main Ten", making reference to the song's time signature of 10/4. "The Main Ten" appears on Dick's Picks Volume 16, from their performance at the Fillmore West on November 8, 1969. On that set, it appears in the middle of "Caution (Do Not Stop On Tracks)".During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it" It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire, usually as a second set pre-drums jumping off point for jams to who knows where. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with over 600 performances. If you download this show from Archive.org, and play this track, at the 3:20 mark during the mid-song jam, they get to the point where they would normally dive back in but instead, Bobby plays on for an almost additional 30 seconds and then just dives back in to the song. He is clearly still working it out. Over the course of the Europe '72 tour, it was played almost every night as Bobby finally worked it outThis is all really good stuff. SECOND time ever played 661 times (No. 1) First – “last: night's show, Feb. 18, 1971 Capitol Theatre Last: July 5, 1995 at Riverport Amphitheater, Maryland Heights, MO outside of St. Louis. SHOW No. 3: Greatest Story Ever Told (The Pump Song) Track #13 Start – 1:41 By Weir, Hart and Robert Hunter (some give credit to Rev. Gary Davis) Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972),[1] was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah"[2] and "Death Don't Have No Mercy" Released on:AceRolling Thunder, as "The Pump Song"Dead SetDick's Pick's, vol. 6Europe '72 box setLots of other releases Per Hunter: "Also known as "Pumpman" and "Moses"--I wrote this to the rhythm of the pump in Mickey Hart's well." Released on Ace on May 1, 1972 First song on the album with Bobby setting a rocking tone Another tune that was played almost every night of and refined during the Europe '72 tour 283 times First: “last night” 2.18.71 Last: June 27, 1995 at the Palace at Auburn Hills outside Detroit SHOW No. 4: Bird Song Track #15 :42 – 2:15 By Garcia and Hunter Second song on Garcia Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead A regular for the Dead, and still played by Dead and Co., Bobby and Phil and Friends. Beautiful song, even for the fist time you know it's going to be special. Played 301 tines First: This is it! Last: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA OUTRO: Deal Track #17 Start – 1:33 May 16, 2023 by Chris Huber of Chill One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel. Although it would move around a bit in the set list early on, this debut version is consistent with the ultimate tradition of the song closing out the first set. Even in JGB sets it was a first set closer. And would always leave you waiting through the break to see how they were going to kick off the second set and keep the show moving along. For a first time played, this version stays true to the version we all know and love from a few years later. Played 428 times First: This is IT Last: June 18, 1995, Giants Stadium in East Rutherford, NJ Thank you. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

american new york friends chicago europe starting los angeles christianity playing north carolina san diego dead band ladies reflecting states south carolina rev pittsburgh tired records released road trips wheel losers garcia hart palace played billboard gentlemen vault americana archive durham diamonds candyman downfall ashamed pig lenny grateful dead janis joplin weir first show toby keith laurens american beauty piedmont david crosby birdsong breakouts greatest stories jerry garcia nightfall dark star working man squadcast rolling thunder high time bob weir jam band east rutherford phil lesh national symphony orchestra capitol theatre auburn hills robert hunter fillmore east mickey hart giants stadium from the vault david lemieux capitol theater marijuana sales fillmore west jgb great american music hall jerry garcia band maryland heights when things go wrong shrine auditorium outthis tampa red dennis mcnally complete recordings terrapin station sugaree death don wharf rat it hurts me too row jimmy easy wind to lay me down it must have been the roses

Episode 583: ACOUSTIC BLUES CLUB #575, FEBRUARY 14, 2024 (Valentine's Day Special).

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Play Episode Listen Later Feb 14, 2024 59:00

Free Alex Stokes + Russian Anti-War Sabateur Ruslan Siddiqui

The Final Straw Radio

Play Episode Listen Later Feb 4, 2024 66:02

This week on the show, we're starting out with an interview with Lo and Meghan, two supporters of Jewish independent journalist, artist and antifascist leftist from Albany, NY, Alex Stokes Contompasis. Alex is serving a 20 year sentence for defending himself and 3 other community members attacked by Proud Boys and Oath Keepers at the New York state capital on January 6th, 2021. For the hour, we speak with Lo and Meghan, two friends and supporters of Alex who talk about Alex's media work, the politically-charged court case and his ongoing appeal. More on his case can be found at FreeAlexStokes.Com, you can order his artwork to support his case there as well. They mentioned getting support & attention from the International Anti-Fascist Defence Fund. Then, you'll hear an interview from our comrades at Frequenz-A in so-called Germany with a recent interview of Anya of the grassroots group called Solidarity Zone that offers legal, media and other support to people facing charges for anti-war direct actions inside of Russia to speak about their work and the case of Ruslan Siddiqui, an anarchist who does not deny railway sabotage against the Russian war efforts in Ukraine. This first aired on episode 75 of B(A)D News: Angry Voices From Around The World from the A-Radio Network. Solidarity Zone Links Facebook: https://www.facebook.com/solidarityzone Telegram: https://t.me/solidarity_zone Patreon: https://www.patreon.com/solidarity_zone LinkTree: https://linktr.ee/solidarity_zone Email: solidarity_zone(at )riseup.net Finally, you'll hear Sean Swain reading from an incomplete list of people killed by law enforcement in the USA during the month of April 2023. Announcements Red Onion Hunger Strike Phone Zap The saga at Red Onion continues, with more than 30 participants. Participants are asking supporters to call the Governor and the Virginia Department of Corrections to demand that the Red Onion follows state restrictions on solitary confinement. Kevin "Rashid" Johnson is additionally requesting his treatment for congestive heart failure and prostate cancer that he be moved from Red Onion to a facility like Sussex I or Buckingham that are near to large medical facilities. You can hear a recent interview we had with a comrade of Rashid and see a roundtable of comrades of Rashid on Black Power Media recently talking about his situation. Here's a social media post with all of the pertinent information: https://kolektiva.social/@BlueRidgeABC/111868911724769356 VADOC Central Administration USPS P.O. Box 26963; Richmond, VA 23261 David Robinson Phone: 804-887-8078 Email: david.robinson@vadoc.virginia.gov VADOC Director, Chadwick S Dotson Phone: 804-674-3081 Email: Chadwick. Dotson@vadoc.virginia.gov VADOC Central Administration Rose L. Durbin Phone: 804-887-7921 Email: Rose. Durbin@vadoc.virgina.gov Beth Cabell, Division of Institutions Phone: 804-834-9967 Email: beth.cabell@vadoc.virginia.gov Governor of Virginia Glenn Youngkin Phone: 804-786-2211 Email: glenn.youngkin@governor.virginia.gov Sample script: I am calling in support of the hunger strikers at Red Onion State Prison. I am concerned about the serious health effects of long-term solitary confinement and other illegal and brutal methods of confinement including sensory deprivation. Please end the use of these practices. I am also seriously concerned for the health of Kevin ‘Rashid' Johnson, as he is being prevented from accessing care for his health conditions. Please move him back to Sussex I or to Buckinghm, near a major medical facility, so that he can resume cancer and cardiac treatment. Thank you. Support Guarani M'Bya in Brazil from FireFund.Net: This campaign aims to support two native land in São Paulo south and also, others in state interior and coastal zones. Our goals is to restore and expand the prayer house (Opy'i) and communal kitchen, plant native trees and subsistence foodsuch as corn, rice, potato and others, distribute water and generate clean energy collected from surrounding rivers, support the cerimonies, and other constructions such as houses and other demands that the comunitie brings to us. Also carry out the construction of ecological bathrooms and support the school located in the land. These are some of the missions and commitments we have to native people here in São Paulo. . ... . .. Featured Tracks: Get It Together (Buck Wild Instrumental) by The Beastie Boys High Water Everywhere, Part 2 by Charlie Patton from Complete Recordings 1929-1934

united states new york germany russia ukraine ny russian brazil jewish prison va governor richmond telegram linktree albany corrections stokes proud boys anarchists buckingham rashid oath keepers dotson antiwar radio network durbin siddiqui ruslan virginia department antifascist red onion complete recordings charlie patton black power media alex stokes kevin rashid johnson sean swain

Bandana Blues #1033 - Blues Masters

Bandana Blues, founded by Beardo, hosted by Spinner

Play Episode Listen Later Jan 14, 2024 101:59

Show #1033 Blues Masters 01. Big Bill Broonzy - Where The Blues Began (2:56) (78 RPM Shellac, Columbia Records(?), 1945) 02. Magic Sam - Love Me With A Feeling (2:07) (45 RPM Single, Cobra Records, 1957). 03. JB Lenore & His Combo - I'll Die Tryin' (3:04) (45 RPM Single, JOB Records, 1953) 04. John Lee Hooker - Sugar Mama [1952] (3:15) (House Of The Blues, Chess Records, 1959) 05. Little Walter - Flying Saucer [1956] (3:04) (Boss Blues Harmonica, Chess Records, 1972) 06. Koko Taylor - Love You Like A Woman (2:10) (Koko Taylor, Chess Records, 1969) 07. Muddy Waters - She's 19 Years Old [1971] (11:00) (The Lost Tapes, Blind Pig Records, 1999) 08. Buddy Guy - I Smell A Rat [1979] (9:11) (Stone Crazy!, Alligator Records, 1981) 09. George 'Harmonica' Smith - Blues In The Dark [1955] (2:55) (Oopin' Doopin' Doopin', Ace Records, 1982) 10. Bessie Smith - Gin House Blues [1926] (3:13) (St. Louis Blues CD+DVD, Musicpro/Unforgettable, 2005) 11. BB King - Walking Dr. Bill (3:36) (My Kind Of Blues, Crown Records, 1961) 12. Tommy McClennan - Bottle It Up And Go (2:47) (78 RPM Shellac, Bluebird Records, 1939) 13. Junior Wells - You Say You Love Me (3:15) (Southside Blues Jam, Delmark Records, 1970) 14. Otis Spann - It Must Have Been the Devil (2:39) (45 RPM Single, Checker Records, 1954) 15. John Lee "Sonny Boy" Williamson - Apple Tree Swing [1948] (2:29) (The Original Sonny Boy, Saga Blues, 2004) 16. Sonny Boy Williamson II - Peach Tree [1960] (2:27) (In Memoriam, Chess Records, 1965) 17. Lowell Fulson - Reconsider Baby [1954] (3:11) (Chess Chartbusters Vol.6, Chess Records, 2008) 18. Freddie King - Reconsider Baby (4:01) (Texas Cannonball, Shelter Records, 1972) 19. Memphis Slim - Living Like A King [1952] (2:48) (Boogie Uproar-Gems from the Peacock Vaults, One Day Music, 2014) 20. Howlin' Wolf - Moanin' At Midnight [1951] (2:53) (Chess Chartbusters Vol.1, Chess Records, 2008) 21. Elmore James - Whose Muddy Shoes [1953] (3:16) (Slidin'-A Collection Of Blues 'Slide' Guitar, Chess/Charly Records, 1991) 22. Champion Jack Dupree - Can't Kick The Habit (3:43) (Blues From The Gutter, Atco Records, 1959) 23. Walter Horton - Groove Walk (3:15) (The Soul Of Blues Harmonica, Argo Records, 1964) 24. T-Bone Walker - Evenin' (2:36) (T-Bone Blues, Atlantic Records, 1959) 25. The Big Three Trio - Big Three Stomp [1949] (3:05) (Poet Of The Blues, Columbia Records, 1998) 26. Robert Johnson - Cross Road Blues [1936] (2:40) (The Complete Recordings, Columbia Records, 1996) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Today, the Spotlight shines On EMBER, a trio featuring saxophonist and trumpeter Caleb Wheeler Curtis, bassist Noah Garabedian and drummer Vincent Sperrazza. Their latest album, August in March, came out August 11, 2023 on Imani Records and is “a vivid representation of the musical, interpersonal and community-oriented ideas that the three forward-thinking musicians that make up EMBER…care deeply about.”Today's conversation explores the heady thematic elements of EMBER's music: humanism, community, place, and the importance of being a band of equals. Stick around after the discussion to hear the track “Flotation Device and the Shivers” from August in March, by EMBER. ------------------Dig DeeperVisit EMBER at emberband.comListen to EMBER's August In March on Bandcamp or your favorite streaming platformFollow EMBER on InstagramAlso on Instagram: Caleb Curtis, Noah Garabedian, and Vinnie SperrazzaVinnie Sperrazza's Chronicles email newsletter (Substack)Frank Zappa & Rahsaan Roland Kirk - Improvisations, Boston 1969Alice Coltrane Documentary (1970)Complete Recordings of Sam Cooke with the Soul StirrersOscar Peterson Trio with Milt Jackson - Very TallThe state of Utica's jazz sceneJoe Henderson's The State of the TenorBe sure to check out other musical projects from Caleb Curtis, Noah Garabedian, and Vinnie Sperrazza------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. Hosted on Acast. See acast.com/privacy for more information.

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EMBER are a jazz trio with a collective mindset

Spotlight On

Play Episode Listen Later Aug 31, 2023 44:59

Today, the Spotlight shines On EMBER, a trio featuring saxophonist and trumpeter Caleb Wheeler Curtis, bassist Noah Garabedian and drummer Vincent Sperrazza. Their latest album, August in March, came out August 11, 2023 on Imani Records and is “a vivid representation of the musical, interpersonal and community-oriented ideas that the three forward-thinking musicians that make up EMBER…care deeply about.”Today's conversation explores the heady thematic elements of EMBER's music: humanism, community, place, and the importance of being a band of equals. Stick around after the discussion to hear the track “Flotation Device and the Shivers” from August in March, by EMBER. ------------------Dig DeeperVisit EMBER at emberband.comListen to EMBER's August In March on Bandcamp or your favorite streaming platformFollow EMBER on InstagramAlso on Instagram: Caleb Curtis, Noah Garabedian, and Vinnie SperrazzaVinnie Sperrazza's Chronicles email newsletter (Substack)Frank Zappa & Rahsaan Roland Kirk - Improvisations, Boston 1969Alice Coltrane Documentary (1970)Complete Recordings of Sam Cooke with the Soul StirrersOscar Peterson Trio with Milt Jackson - Very TallThe state of Utica's jazz sceneJoe Henderson's The State of the TenorBe sure to check out other musical projects from Caleb Curtis, Noah Garabedian, and Vinnie Sperrazza------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. Hosted on Acast. See acast.com/privacy for more information.

mindset state chronicles collective acast bandcamp spotlight utica sam cooke shivers spotlight on jazz trio complete recordings

Episode 538: ACOUSTIC BLUES CLUB #550 AUGUST 09, 2023

Robert Pollard's Guide To The Late 60s

Play Episode Listen Later Aug 9, 2023 59:00

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030 The Complete Recordings (The Attack) / Seven Lonely Street (Andromeda)

Play Episode Listen Later May 21, 2023 33:38

Join us on episode 30 as we unpack tracks by The Attack and then zoom off into the Andromeda galaxy.

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Episode 512: ACOUSTIC BLUES CLUB #535 MAY 10, 2023

Play Episode Listen Later May 10, 2023 59:00

Episode 510: WEDNESDAY'S EVEN WORSE #602 MAY 03, 2023

Bandana Blues, founded by Beardo, hosted by Spinner

Play Episode Listen Later May 3, 2023 58:59

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Bandana Blues #992 - Detour Thru The Past Once More

Play Episode Listen Later Apr 2, 2023 91:43

Show #992 Detour Thru The Past Once More Spinner produced another episode with only very old blues music. Every track is at least 60 years old and a lot of it is even much older. 01. Mamie Smith - Goin' Crazy With The Blues [1931] (3:02) (Bill Wyman's Blues Odyssey, Document Records, 2001) 02. Otis Rush - I Can't Quit You Baby (3:04) (45 RPM Single, Cobra Records, 1956) 03. Rosa Henderson - Can't Be Bothered With No Sheik [1931] (3:27) (Blue Ladies, Fat Boy Records, 1995) 04. 'Roosevelt' Antrim - Station Boy Blues [1937] (3:06) (Carolina Blues Guitar 1936-1939, Old Tramp Records, 1994) 05. Sonny Boy Williamson II - Do It If You Wanta (2:30) (78 RPM Shellac, Trumpet Records, 1951) 06. Red Nelson - Detroit Special [1935] (2:55) (Red Nelson 1935-1947, Old Tramp Records, 1995) 07. Buster Brown - I Get The Blues When It Rains [1959] (2:17) (The Sky Is Crying-The Fire Records Story, One Day Music, 2014) 08. Bo Carter - Pin In Your Cushion (3:04) (78 RPM Shellac, Okey Records, 1931) 09. James De Berry & his Memphis Playboys - Zugity Zugity Stomp [1939] (2:39) (Complete Recordings 1939, Old Tramp, 1993) 10. Earl Hooker - Tanya [1962] (2:56) (Slidin'-A Collection Of The Blues 'Slide' Guitar, Chess/Charlie, 1991) 11. Charlie Spand - Rock And Rye [1940] (2:40) (Charlie Spand / Big Maceo 1940-1952, Old Tramp Records, 1994) 12. Riff Ruffin - All My Life [1959] (2:17) (The Sky Is Crying-The Fire Records Story, One Day Music, 2014) 13. Barrel House Annie - If It Don't Fit Don't Force It [1937] (2:53) (Blue Ladies, Fat Boy Records, 1995) 14. Elmore James - My Best Friend [1953] (2:44) (Slidin'-A Collection Of The Blues 'Slide' Guitar, Chess/Charlie, 1991) 15. Doctor Clayton - Angels In Harlem [1946] (3:09) (Complete Recordings 1946-1947, Old Tramp Records, 1995) 16. Larry Davis - Angels In Houston [1959] (2:23) (I Pity The Fool-The Duke Records Story, One Day Music, 2013) 17. Jimmie Gordon - Little Red Dress (Mary Usta Wear) [1936] (2:49) (The Remaining Titles 1934-1938, Old Tramp, 1993) 18. Sarah Vaughan - Black Coffee [1949] (3:17) (Lady Sings The Blues, Virgin/Circa Records, 2002) 19. Cedar Creek Sheik - Don't Credit My Stuff [1936] (2:52) (Carolina Blues Guitar 1936-1939, Old Tramp Records, 1994) 20. Little Sonny - I Gotta Find My Baby [1958] (2:34) (I Pity The Fool-The Duke Records Story, One Day Music, 2013) 21. Jimmy Reed - Boogie In The Dark [1954] (2:32) (You Got Me Dizzy, Charly Records, 1981) 22. Eddie Boyd - Got Lonesome Here [1951] (3:17) (Blues Roots Vol. 20, Chess Records, 1982) 23. Charlie Burse & his Memphis Mudcats - It's Against The Rule [1939] (2:34) (Complete Recordings 1939, Old Tramp, 1993) 24. Memphis Slim - Sitting And Thinking [1952] (2:59) (Boogie Uproar-Gems from the Peacock Vaults, One Day Music, 2014) 25. Joe Turner - Teenage Letter [1957] (2:26) (Jumpin' With Joe, Charlie Records, 1984) 26. Big Maceo - It's All Up To You [1941] (2:22) (Charlie Spand / Big Maceo 1940-1952, Old Tramp, 1994) 27. Edgar Blanchard & the Gondoliers - Creole Gal Blues [1950] (2:30) (Boogie Uproar-Gems from the Peacock Vaults, One Day Music, 2014) 28. John Lee 'Sonny Boy' Williamson - Sloppy Drunk Blues [1941] (3:17) (The Original Sonny Boy, Saga Records, 2004) 29. Willie Mabon - I Don't Know (3:05) (78 RPM Shellac, Parrot Records, 1952) 30. Lonnie Johnson - Playing With The Strings (3:09) (78 RPM Shellac, Okey Records, 1928) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

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November 23rd...Robert Johnson and Poon Lim

The Year Was

Play Episode Listen Later Nov 23, 2022 8:13

Here is the latest from The Year Was, which is that thing I do every week. We are up to episode 196. This time we examine the years 1936 as Robert Johnson begins his recording sessions in San Antonio, and 1942 as Poon Lim begins his 133 days lost at sea. - Theme music by The Tim Kreitz Band https://www.youtube.com/c/TimKreitzAdventures/ https://www.reverbnation.com/timkreitz - iTunes: https://podcasts.apple.com/us/podcast/the-year-was/id1458174084 Podbean: https://theyearwas.podbean.com/ Spotify: https://open.spotify.com/show/0Qdd00m2NWvrViVIfAh6kA YouTube: https://www.youtube.com/channel/UCCzWavt8mqXHsC_uRNpU3lQ - Sources: https://en.wikipedia.org/wiki/Robert_Johnson https://www.thecurrent.org/feature/2016/11/18/today-in-music-history-robert-johnsons-first-recording-session https://www.britannica.com/biography/Robert-Johnson-American-musician https://www.biography.com/musician/robert-johnson https://www.inaraft.com/blog/a-remarkable-story-of-survival-at-sea-poon-lim/ https://www.historydefined.net/poon-lim/ https://www.ststworld.com/poon-lim/ https://www.grunge.com/587076/the-unbelievable-story-behind-a-man-who-was-lost-at-sea-for-133-days/ https://en.wikipedia.org/wiki/History_of_Doctor_Who - Photo: By Copyright © 1989 Delta Haze Corporation.[2]The photograph was taken in 1936 by the Hooks Brothers Photographers studio, owned by Henry and Robert Hooks, located on Beale Street in Memphis.[3] In 1974, Johnson's half-sister Carrie Thompson entered a copyright transfer agreement with Stephen LaVere in which she represented herself as Johnson's sole and closest heir.[4] She agreed to transfer to LaVere "[a]ll of her right, title and interests, including all common law and statutory copyrights, in and to ... a photograph of Robert L. Johnson taken by Hooks Brothers Photography in Memphis, Tennessee, and showing Johnson in a sitting position with a guitar running diagonally across his body ..."[5]The photo was first published in 1989 in the journal 78 Quarterly (Vol. 1, No. 4) with LaVere's permission.[6] It was most notably featured as the cover artwork for the 1990 release of The Complete Recordings, distributed by Columbia Records under license from LaVere.[7] In a series of subsequent court decisions, the Mississippi court system identified Claud Johnson of Crystal Springs, Mississippi as Robert Johnson's sole heir and determined that he was entitled to royalties from LaVere's 1974 contract. Claud Johnson died on June 30, 2015;[8] upon his death, the interest passed to his heirs, including Michael Johnson.[9], Fair use, https://en.wikipedia.org/w/index.php?curid=12948079

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Complete Recordings On Archiv Produktion - Reinhard Goebel

Le Disque classique du jour

Play Episode Listen Later Nov 9, 2022 7:29

durée : 00:07:29 - Le Disque classique du jour du mercredi 09 novembre 2022 - Retrouvez pour la première fois l'intégrale des enregistrements de Reinhard Goebel pour Archiv Produktion dans un coffret de 75 CD, dont plusieurs inédits. C'est notre disque du jouer et on en écoute quelques extraits.

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Herbert Von Karajan : Complete Recordings on Deutsche Grammophon and Decca 1960

Disques de légende

Play Episode Listen Later Nov 7, 2022 14:38

durée : 00:14:38 - Disques de légende du lundi 07 novembre 2022 - Herbert Von Karajan et l'Orchestre Philharmonique De Berlin

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Ep. 257 Robert Johnson "The Complete Recordings"

The Midnight Cinephile

Play Episode Listen Later Oct 24, 2022 71:32

Ep. 257 Robert Johnson "The Complete Recordings"

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Episode 442: WEDNESDAY'S EVEN WORSE #574 OCTOBER 19, 2022

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Play Episode Listen Later Oct 19, 2022 58:59

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Sateli 3 - Complete Decca Recordings of L. Armstrong All Stars (6/6) - 31/08/22

Sateli 3

Play Episode Listen Later Aug 31, 2022 59:51

Sintonía: "My Bucket´s Got A Hole In It" - Louis Armstrong All Stars "Twelfth Street Rag" - "Panama" - "That´s For Me" - "Bugle Call Rag/Ole Miss" - "I Surrender Dear" - "Russian Lullaby" - "Baby, Won´t You Please Come Home" y "New Orleans Function: -Flee as a Bird y Oh Didn´t He Ramble" Todas las músicas interpretadas por Louis Armstrong All Stars Adjuntamos relación de fechas de emisión de los cinco programas anteriores, amén del vinilo que reunía todas las grabaciones de Louis Armstrong con Velma Middleton: 1.- CD 6: emitido el 08/02/2022 2.- CD 5: emitido el 23/03/2022 3.- CD 4: emitido el 05/04/2022 4.- CD 2: emitido el 10/05/2022 5.- The Complete Recordings of Louis Armstrong and Velma Middleton (1946-1959) (Sound Factory-Vinyl Passion, 2019) 6.- CD 3: emitido el 19/07/2022 7.- CD 1: emitido el 31/08/2022 Escuchar audio

Episode 427: DRIVE TIME BLUES VOL4 #15

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Play Episode Listen Later Aug 22, 2022 60:03

The Brothers Grim Punkcast #336

The Brothers Grim Punkcast

Play Episode Listen Later Apr 17, 2022

Episode 336... Easter Day show, but nothing too special. Tried to find some tax tunes for the season, but failed (all in background though). Brand new one from Arame (Brazil) and a set of 2022 stuff from Bandcamp... the norm. Enjoy!Download safely and stream here from your device (iTunes and Google Podcasts as well):BROS GRIM 336!!!!!!Airing Wednesdays 7pm PST on PUNK ROCK DEMONSTRATION & Fridays 7pm PST on RIPPER RADIO.Send us stuff to brothersgrimpunk@gmail.com.Holiday Punk killer...Brazil What a Waste 1:12 ARAME Prison Dead split with FARCADALesson Learned 1:34 Rat Bastards Remove Unwanted ElementsYou're A Punk 1:48 Liquids terminaldiarrheaYou're So Punk 1:08 DeYoung & Jones Winepress- Complete RecordingsBACK TAXES AND ANAPHYLAXIS (bkgrd) 2:33 ISS ISSGood Friday 1:09 Guttermouth Musical MonkeyMattress Back 1:22 Pig Pen Killing The Record Industry Vol 1Aborto Chino 1:04 Gripe GripeAgent Orange 1:47 Skism 2021Laughing Boy 1:43 Poison Idea Record Collectors Are Pretentious AssholesTax Return (bkgrd) 3:23 New Mexican Disaster Squad Self-Titled (AF032)Give My Taxes Back 0:55 D.R.I. Dealing With ItFree Tax 2:22 Tom & Boot Boys Punks Are AlrightTaxes 1:30 The Ejections 'The Second Coming' EPPublic Trust 1:05 Antibodies LP 2021Berge Aus Plastik 0:56 Stresstest DemoDon't Pay The Poll Tax (bkgrd) 4:27 The Exploited The MassacreFrance Immondice 2:04 Bombardement Le Futur Est Là2014 Indonesia Beauty Fades 1:31 Runstate Tapes SADIST - Blood Song 2084Richmond VA Nightmare Life 1:10 Invertebrates DEMODirtbag Distro 1312 1:51 FOIL FULL BAND DEMOKC FUCK YOUR WAR, WORM 2:27 PISS KINKS DEMOTax Free (bkgrd) 4:58 Jimi Hendrix 1997-South Saturn DeltaHangman's Noose 3:36 Hemorage Death Toll Corp.Nik Nak Combat 0:46 Army Of Flying Robots DiscographyEquality Grinder 2:11 Panzer Squad Coming To Your TownFlat Earth Blues 0:32 Hässelhoff Die Höffnung stirbt zuletztLA BAD TASTE - Fuck yourself. End 0:36 FUCKING KILL RECORDS F.K.R.#08 - VA - A fucking tribute to SLAP A HAMYACÖPSAE - Slap-A-Ham Pogo (remastered) 0:33 F.K.R.#08 - VA - A fucking tribute...no poll tax (bkgrd) 3:05 Sedition fe 12.5 - Sedition Pink Turds in Space - split lpIt's Your Fault 0:29 Nazi Killer s/tUntil Death 2:03 Skumstrike Pure CoercionUnder The Bed 1:09 Wild Child Demo 7"Dead Inside 1:29 Question S/T LPGore Hound 1:05 The Ills Killing The Record Industry Vol 1YOU'VE GOT RED ON 3:10 JASON AND THE KRUEGERS SPECIAL EDITION: HAIL TO THE HMFIC

Episode #231 - 60 Years

The Next Track

Play Episode Listen Later Mar 23, 2022 23:21

A rock band is embarking an a tour to celebrate 60 years of music making. That's a long time. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Support The Next Track (https://www.patreon.com/thenexttrack). ‌Show notes: Fan buys Tom Brady's "last" touchdown football for $518,628 — then Brady unretires (https://www.cbsnews.com/news/tom-brady-leland-auction-500000-nfl/) Fillmore West 1969: The Complete Recordings (https://en.wikipedia.org/wiki/Fillmore_West_1969:_The_Complete_Recordings) Rolling Stones VIP tickets (https://shop.axs.co.uk/QfhxBwAAAABn6A6uAAAAAAAh%2fv%2f%2f%2fwD%2f%2f%2f%2f%2fDWFlZ3ByZXNlbnRzdWsA%2f%2f%2f%2f%2f%2f%2f%2f%2f%2f8%3d/shop/search) Watch Keith Richard reunite with the X-Pensive Winos at New York show (https://www.nme.com/news/music/watch-keith-richard-reunite-with-the-x-pensive-winos-at-new-york-show-3182178) Our next tracks: Marc Johnson: Overpass (https://amzn.to/3D3R7gS) Still Little Fingers: Fly the Flag (https://amzn.to/3JDQNrO) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

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E88: Grateful Dead — 'Fillmore West 1969: The Complete Recordings'

Rock Talk with Dr. Cropper

Play Episode Listen Later Mar 15, 2022 137:44

In this episode, we discuss the Grateful Dead's famed February 27 through March 2, 1969 run at the Fillmore West in San Francisco, officially released in full in 2005 as 'Fillmore West 1969: The Complete Recordings.' Prior to that, it had produced most of their classic 1969 live album, 'Live/Dead.'Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.comSupport the show (https://www.buymeacoffee.com/dr.cropper)

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Sateli 3 - Janis Martin-The Female Elvis: Complete Recordings (1956-60) - 18/11/21

Sateli 3

Play Episode Listen Later Nov 18, 2021 60:03

Sintonía: "All Right, Baby" - Janis Martin "Drugstore Rock ´n´ Roll" - "Will You, Willyum" - "Love and Kisses" - "My Boy Elvis" - "Cracker Jack" - "Bang Bang" - "Ooby Dooby" - "Barefoot Baby" - "Good Love" - "Little Bit" - "Two Long Years" - "Billy Boy, My Billy Boy" - "Let´s Elope Baby" - "Love Me, Love" - "Love Me To Pieces" - "William" - "Here Today And Gone Tomorrow" - "Teen Street" - "Hard Times Ahead" - "Just Squeeze Me (But Don´t Tease Me)" - "One More Year To Go" - "I´ll Never Be Free" Todas las canciones cantadas por Janis Martin Escuchar audio

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Episode 89: The Complete Recordings of Robert Johnson with John Nesbit

The Notes McGotes Podcast

Play Episode Listen Later Oct 8, 2021 45:15

Today, the guys talk with West Michigan area businessman and friend, John Nesbit, to talk about the music that shaped him as a musician and how the music of Robert Johnson shaped music as we know it today. If your vehicle is in need of auto glass replacement, please do not hesitate to reach out to them. They provide quality service that both Brandon and Steve can attest to. You can reach them at 616-777-0331 Monday through Friday. --- Send in a voice message: https://anchor.fm/thenotesmcgotespodcast/message

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The Crossroads and Robert Johnson's Complete Recordings

Last Fair Deal: The Robert Johnson Podcast

Play Episode Listen Later Sep 9, 2021 89:36

Elijah Wald and Preston Lauterbach discuss the most irritating myth associated with Robert Johnson and conclude that the deal with the devil at the crossroads is not it. They do, however, shed light on the importance of the crossroads to Robert Johnson, and it's not what you think. The featured guest is Larry Cohn, producer of Robert Johnson: The Complete Recordings who tells a tale of big record company sloth and indifference to music of historical and artistic greatness that makes dealing with the devil seem preferable by comparison. For a deeper dive into the crossroads, check out the research of Harry Middleton Hyatt, who interviewed hoodoo conjurors in the South during Robert Johnson's life and found a surprising number of the artist's lyrical inspirations. So, stuff some hot food powder into that nation sack and let's go: https://thechitlincircuit.substack.com/p/hoodoo-at-the-crossroads.

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Down Home Cajun Music- Amede Ardoin & Dennis McGee Part One

Down Home Cajun Music

Play Episode Listen Later Aug 4, 2021 33:49

Down Home Cajun Music- Amede Ardoin & Dennis McGee Part OneThis week we are coming up on the anniversary of Amede and Dennis's last recordings together in 1934. On this episode we reflect back to their first recordings, starting in 1929 and ends in the middle of their 1930 recordings. Their music represents some of the most intense music ever produced out of the pre war era. Their style was unmatched, and their music went on to influence Cajun music even up to today. Any Cajun song you hear today, more than likely stems from a Amede Ardoin song.1. Taunte Aline (Dec. 9 1929)2. Two Step De Mama (Dec. 9 1929)3. Madame Atchen (Dec. 9 1929)4. Two Step De La Praire Soileau (Dec. 9 1929)5. La Valse Ah Abe (Dec. 9 1929)6. Two Step De Eunice (Dec. 9 1929)7. Amadie Two Step (Nov. 20 1930)8. La Valse A Austin Ardoin (Nov. 20 1930)9. Blues De Basile (Nov. 20 1930)10. La Valse A Thomas Ardoin (Nov. 20 1930)11. Two Step D'Elton (Nov. 20 1930)*All Selections from The Complete Recordings of Amede Ardoin 1929-1934

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Down Home Cajun Music- Delma Lachney and Blind Uncle Gaspard: Complete Recordings Part Two

Down Home Cajun Music

Play Episode Listen Later Mar 15, 2021 25:40

Down Home Cajun Music- Delma Lachney and Blind Uncle Gaspard Complete Recordings Part TwoWe continue on with Lachney and Gaspard's recorded output on this episode. With the first two songs we complete their first session in Chicago. "Marksville Blues" is one of the most compelling numbers Gaspard recorded along with "Sur Le Borde De L' Eau". The duo travelled to New Orleans for their second session. After this session the Depression hit and they didn't record again sadly. But by the time labels started recording Cajun music again in 1934, it seems we lost much of the originality of early Cajun music. These recordings offer us a window into a time when this music existed.January 26 1929 Chicago, ILMarksville Blues Vo 5320 Jan 29Baltimore Waltz Vocalion 5320March 5, 1929 New Orleans, LaAvoyelles Vocalion 5314Je M'En Vas Dans Le Chemin Vocalion 5314Natchitoches Vo 5333 March 5 29Sur Le Borde De L'Eau Vocalion 5333 March 5 29L'Aurevoir D' Une Mere Vocalion 5347Je Me Trouve Une Jolie Fille Vocalion 5347

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Down Home Cajun Music- Delma Lachney and Blind Uncle Gaspard: Complete Recordings Part One

Down Home Cajun Music

Play Episode Listen Later Mar 11, 2021 24:12

Down Home Cajun Music- Delma Lachney and Blind Uncle Gaspard: Complete Recordings Part OneOne of the most fascinating duos to record in the early era of Cajun recordings was Delma Lachney and Blind Uncle Gaspard. Their recordings sound out of this world; archaic and raw. Their music is of a earlier tradition of dance and ballad songs that was older than the music we get from the other Cajun music recorded in 1928 and 1929. They were from the Marksville area, which consisted of early colonial French settlers. They recorded two sessions in 1929, before the depression hit. Their music gained interest after "La Danseuse" was included on the highly influential collection from Harry Smith called the Anthology of American Folk Music. This first set documents their first recordings in Chicago in 1929.January 26 1929 Chicago, ILAssi Dans La Fenetre De Ma Chambre (Vocalion 5280)Baoille (Vocalion 5280) Mercredi Soir Passe (Vocalion 5281)River Rouge (Vocalion 5281)Cher Ami Ma Vie Est Ruini (Vocalion 5302)La Louisianne (Vocalion 5302)La Danseuse (Vocalion 5303)Le Bebe Et Le Gambleur (Vocalion 5303)

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#Robert Johnson the complete recordings

THE MISTERman's Take

Play Episode Listen Later Feb 22, 2021 11:16

#Robert Johnson one of the godfathers of the Blues,haunting guitar and vocal tones,amazing songs,respect --- Support this podcast: https://anchor.fm/mr-maxxx/support

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Episode 420: ACOUSTIC BLUES CLUB #420, JANUARY 27, 2021.

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Play Episode Listen Later Jan 28, 2021 58:55

Artist Title Album Name Album Copyright Duke Robillard Backyard Paradise The Acoustic Blues & Roots Of Duke Robillard Chris Flegg Her Favourite Flower Twenty's Plenty Robert Johnson Traveling Riverside Blues (alternate) The Complete Recordings; The Centennial Collection Rick Fines 04 Laundry on the Line Solar Powered Too Blind Willie McTell B & O Blues, No. 2 [#1] Complete Recorded Works, Vol. 3 (1933-1935) Howlin' Wolf Ooh Baby Total Blues - 100 Essential Songs Vernon Harrington w The Dave Thomas Band Find A Job Blues In Britain 2012: Shakedown Blues Blind Blake Brownskin Mama Blues - Take 2 All The Recorded Sides Charlie Spand Back To The Woods Blues The Paramount Masters - CD 4/4 Big Bill Broonzy When The Sun Goes Down/Going Down This Road Feeling Bad The Bluesmen Baby Tate Bad Blues The Blues - Sam Charters Field Recordings Stomping Dave Allen and Earl Jackson I'm Ready Stompin' The Blues Andres Roots Snake Girl Blues Mississippi to Loch Lomond Sonny Terry and Brownie McGhee People Get Ready From Phonic Workfolder RC and The Moonpie Band Older Women All This Claude Bourbon Bolero (Instrumental Guitar Piece) Over the Mountains

01 Lord of the Rings

My Brother is a Nerd

Play Episode Listen Later Dec 7, 2020 66:22

Steven and Karl Discuss the Lord of the Rings and one of its influences, the Ring Saga by Wagner.rohan theme downloads.khinsider.com/game-soundtra…ic-soundtrackShore, Howard “Prologue: One Ring to Rule Them All.” The Lord of the Rings: The Fellowship of the Ring - the Complete Recordings. By Howard Shore. 2000.Shore, Howard “The Shire.” The Lord of the Rings: The Fellowship of the Ring - the Complete Recordings. By Howard Shore. 2000."Ride of the Rohirrim." YouTube, uploaded by Bram Groeneveld, 6 February 2010, youtu.be/EmTz7EAYLrs.

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Bandana Blues #872 - Blues Deal

Bandana Blues, founded by Beardo, hosted by Spinner

Play Episode Listen Later Dec 7, 2020 92:38

Show #872 Blues Deal 01. McKee Brothers - Whistleblower Blues (5:08) (A Time Like This, self-release, 2020) 02. Jason Vivone & the Billy Bats - What Did Love Ever Do (5:12) (The 5th, self-release, 2020) 03. Tomás Doncker - Have Mercy Baby Please (3:49) (Wherever You Go, True Groove Records, 2020) 04. Randy Casey - I Got Lucky (4:14) (Record Time, self-release, 2020) 05. Johnny Never - Last Fair Deal (3:11) (Blue Delta, self-release, 2020) 06. Robert Johnson - Last Fair Deal Gone Down [1936] (2:37) (The Complete Recordings, Columbia Records, 1996) 07. BluesBones - Whiskey Drinking Woman (11:13) (Live On Stage, Naked Productions, 2020) 08. Wily Bo Walker & Danny Flam - Time to Forget You (Bourbon & Candlelight Mix) (5:28) (Single, Mescal Canyon Records, 2020) 09. Gráinne Duffy - Tick Tock (3:29) (Voodoo Blues, self-release, 2020) 10. Ron Thompson - One More Chance With You (4:35) (From The Patio-Live At Poor House Bistro Vol 1, Little Village Foundation, 2020) 11. Robert Connely Farr - All Good (3:32) (Country Supper, self-release, 2020) 12. Blues Bianco - Slippin' (5:52) (Hard To Get By, Blue Shadow Records, 1987) 13. Bob Dylan - In My Time Of Dyin' (2:37) (Bob Dylan, CBS Records, 1962) 14. Chicken Shack - Tears In The Wind (2:43) (100 Ton Chicken, Blue Horizon Records, 1969) 15. Sonny Green - Cupid Must Be Stupid (5:31) (Found! One Soul Singer, Little Village Foundation, 2020) 16. Billy J - Boomerang (5:06) (Rise Above, self-release, 2020) 17. Miss Emily - Blue Is Still Blue (4:17) (Live At The Isabel, self-release, 2020) 18. Danny Brooks & Lil' Miss Debi - Let Me Know (3:22) (Are You Ready-The Mississippi Sessions, His House Records, 2020) 19. Denny Freeman - Soul Street (5:58) (Out Of The Blue, Amazing Records, 1987) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

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Samson François - Complete Recordings

NDR Kultur - Neue CDs

Play Episode Listen Later Oct 22, 2020 4:52

Eine CD-Box von Samson François - vorgestellt auf NDR Kultur.

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ACOUSTIC BLUES CLUB #404, OCTOBER 07, 2020.

Play Episode Listen Later Oct 7, 2020 58:59

Artist Title Album Name Album Copyright Robert Johnson Me And The Devil Blues (alternate) The Complete Recordings; The Centennial Collection Richard Koechli Anyway The Wind Blows The Real Chill, Remembering J.J. Cale Roger Hubbard Make Me A Pallet On The Floor Brighton Belle Blues Booga Red Rip And Run Booga Red Elizabeth Cotton Going Down the Road Feeling Bad Freight Train and Other North Carolina Folk Songs and Tunes Richard Koechli Don't Go To Strangers The Real Chill, Remembering J.J. Cale Mary Lane Bad Luck And Trouble Mary Lane -Travelin' Woman Richard Koechli River Runs Deep The Real Chill, Remembering J.J. Cale Trevor Babajack Steger Runaway Train Sawdust Man Matt Walklate Out Of The Sun Sea Of Blues Richard Koechli These Blues The Real Chill, Remembering J.J. Cale Seasick Steve & The Level Devils Hobo Blues Cheap Washboard Sam Just Got To Hold You Mississippi Jook Joint Blues, disc 3 Eric Bibb We Don't Care Global Girot Richard Koechli After Midnight The Real Chill, Remembering J.J. Cale Doc Watson Beaumont Rag Vibraphonic Acoustic March 2005

ACOUSTIC BLUES CLUB #403, SEPTEMBER 30, 2020

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Play Episode Listen Later Sep 30, 2020 58:59

Artist Title Album Name Album Copyright Lon Eldrige & Steven Troch Kind Hearted Woman Lon Eldridge and Steven Troch Colin James Tears Came Rolling Down Miles to Go (Release Date - November 9 2018) Raphael Callaghan's Blue Cee Long Tall Sally Long Tall Sally Robert Johnson Ramblin' On My Mind (alternate) The Complete Recordings; The Centennial Collection SeanTaylor The Path Into Blue Live In London Booga Red Been On The Job Too Long Booga Red Dave Peabody Trio Look On Yonder Wall Flea Biting Blues Lightnin' Hopkins Letter To My (Back Door Friend) Morning Blues - Charley Blues Masterworks Vol. 8 Heavy Petrol & The Greyhounds (Luxembourg) Walking Blues 3rd European Blues Challenge 2013 Hubert Dorigatti Bring Me Home Memphisto Ramblin' Jack Elliot Arthritis Blues Elizabeth Cotton Spanish Flang Dang Freight Train and Other North Carolina Folk Songs and Tunes Lonnie Johnson Can't Sleep Any More Why Should I Cry Eric Bibb Grateful Global Girot Libby Rae Watson & Bert Deivert Big Joe She Shimmy

ACOUSTIC BLUES CLUB #400, AUGUST 26, 2020

truth blues club complete recordings acoustic blues

Play Episode Listen Later Sep 2, 2020 58:58

Artist Title Album Name Album Copyright Elizabeth Cotton Ain't Got No Honey Baby Now Freight Train and Other North Carolina Folk Songs and Tunes Raphael Callaghan's Blue Cee Slow Down Long Tall Sally Roger Hubbard Crow Jane Brighton Belle Blues Robert Johnson Love In Vain Blues (alternate) The Complete Recordings; The Centennial Collection SeanTaylor This is England Live In London RC and The Moonpie Band I Need You Baby All This Booga Red Four On The Floor Booga Red Libby Rae Watson & Bert Deivert Bye Bye Baby Blues She Shimmy Masked Marvel I've Got The Blues All Over Me Vibraphonic Acoustic March 2005 Brownie McGhee and Sonny Terry Love, Truth, And Confidence At the Bunkhouse Lazy Lester Drive It Home Live in Boulder - CD1 - 2009 - 320 Lightnin' Hopkins Ride In Your New Automobile [MORNING BLUES: CHARLY BLUES MASTER Morning Blues - Charley Blues Masterworks Vol. 8 Eric Bibb Remember Family Global Girot Tony Joe White Heartbreak Hotel Bad Mouthin' (2018) Brother Dege Whiteboy Farmers Almanac Matt Walklate So Deep In Trouble Sea Of Blues Edward Thompson Up On The Hill Blues The Paramount Masters - CD 4/4

Ring Cycle 2.0: The Lord of the Rings Soundtrack

Attention to Detail: The Classical Music Listening Guide

Play Episode Listen Later Aug 19, 2020 49:02

On this episode, we take a break from our SparkNotes-style reviews of Wagner's Ring Cycle to look at the popular soundtrack to The Lord of the Rings, Tolkien's famous three-part story that is based on Wagner's epic saga. We examine the use of themes and leitmotifs, rank our famous moments of music, and look at similarities and differences in the plots of these two great masterpieces. All LOTR clips come from the Complete Recordings of the Lord of the Rings Soundtrack, composed and conducted by Howard Shore. www.attentiontodetailpod.com

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ACOUSTIC BLUES CLUB #393, JULY 01, 2020

Play Episode Listen Later Jul 1, 2020 58:58

Artist Title Album Name Album Copyright Charley Patton Banty Rooster Blues Total Blues - 100 Essential Songs Roger Hubbard Satisfied Brighton Belle Blues RC and The Moonpie Band You Leave Me To Be All This SeanTaylor Hard Time Killing Floor Blues Live In London Charley Patton Down The Dirt Road Blues Total Blues - 100 Essential Songs Libby Rae Watson & Bert Deivert Cuckoo Crowed She Shimmy Charley Patton I Shall Not Be Moved (alt. take) The Paramount Masters - CD 2/4 Colin James Still a Fool Miles to Go (Release Date - November 9 2018) Midnite Johnny Betcha By Now Long Road Home Robert Johnson Stop Breakin' Down Blues (alternate) The Complete Recordings; The Centennial Collection Charley Patton Stone Pony Blues Various Artists: Acoustic Blues Slide Tracked You Can't Keep It Hid Hoping for Grace Hubert Dorigatti Give Me Soul Memphisto Tony Joe White Down The Dirt Road Blues Bad Mouthin' (2018) Charley Patton Mississsipe Bo Weavil Blues Total Blues - 100 Essential Songs

ACOUSTIC BLUES CLUB #390, JUNE 10,2020

Play Episode Listen Later Jun 10, 2020 58:56

Libby Rae Watson & Bert Deivert That's All Right She Shimmy Eric Bibb Mole In The Ground Global Girot Hubert Dorigatti Mr Slowhand Memphisto Roger Hubbard Hellhound On My Trail Brighton Belle Blues Matt Walklate Playing With Myself Boogie Sea Of Blues Booga Red '59 Zodiac Booga Red Robert Johnson Come On In My Kitchen (alternate) The Complete Recordings; The Centennial Collection SeanTaylor Basho Anji / Hit the Road Jack Live In London Lazy Lester That's Alright Live in Boulder - CD1 - 2009 - 320 Ruth Wyand & The Tribe Of One The Last Nail Tribe Of One Half Deaf Clatch Astrally Challenged Short Songs for the Barely Conscious Midnite Johnny That'S All Your Gonna Get Long Road Home Tony Joe White Stockholm Blues Bad Mouthin' (2018) Dave Arcari Nine Pound Hammer Single RC and The Moonpie Band Cheated On Me All This

The Worlds Best Rock Albums

Robert Johnson/The Complete Recordings

Play Episode Listen Later Nov 26, 2019 7:38

The Worlds Best Rock Albums We regularly feature every album that you might consider for your collection. From Black Sabbath to Metallica, and from Jethro Tull to Meatloaf, it's all here. The elusive rock album, the popular rock album, and the ones that make it because they just should. If you have requests, please send a message. https://www.youtube.com/channel/UCymI0DF_RA6nAd58dw6XeDg #slowhand #clapton #cream #thebeatles #beatles #ringo #sgtpeppers #acdc #backinblack #hellsbells #bonscott #eagles #hotelcalifornia #zztop #eliminator #meatloaf #batoutofhell #pinkfloyd #thewall #gilmour #waters #nirvana #rock #rockalbums #americanrock #albumrock #bestalbums #britrock #heavymetal #coolalbums #bestalbums #hottestalbums #hotalbums #bestrock #nevermind #defleppard #scorpions #acdc #backinblack #traditionalmetal #metal #Grunge #blacksabbath #rockguitar #fender #strat #ibanez #telecaster #usarock #pinkfloyd #classicrock #classicmetal #dio #gibsonguitars #lespaul --- Support this podcast: https://anchor.fm/steviej/support

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Daystar

Casting for Two Podcast

Play Episode Listen Later Oct 29, 2019 28:45

Stopping by for episode 352 is a very talented Singer/Musician Derek Phillips from the band "Daystar"! Things talked about in this episode we're having computer issues, creating a wedding party, the new album "The Complete Recordings", dealing with negative reviews, an artist state of mind, working with a booker, City living, giving a hoot about the environment, doing the creative and business, connecting with the audience and asking the little question.

stopping daystar complete recordings

Episode 22 - Robert Johnson's The Complete Recordings (2012 List)

The Sound Logic Podcast

Play Episode Listen Later Sep 21, 2019 46:55

Would you sell your soul to the devil in order to be the best guitarist of your generation? So goes the myth of Robert Johnson, one of the great artists of his generation, but a figure surrounded by mystery, racial bias, and misunderstandings. Join us as we journey back in time with our listen of this great compilation album that Rolling Stone named #22 on their list of the 500 greatest albums. You can check out Rolling Stone's full list right here. We'd love it if you would review us in your favorite podcast app, and while you're at it, give us a like on our Facebook Page or Instagram, follow us on Twitter, and send us a message if you have any comments or questions. --- Send in a voice message: https://anchor.fm/soundlogic/message Support this podcast: https://anchor.fm/soundlogic/support

rolling stones robert johnson complete recordings

"Devil" Cryptids of New Hampshire

Homewrecker Podcast

Play Episode Listen Later Sep 11, 2019 54:42

This week, we talk about our recent trip to the International Cryptozoology Museum, then get into a discussion about different cryptozoological creatures from New Hampshire: The Woods Devil, Devil Monkey, and yes…the Pukwudgie! This Week’s Links: This Week’s Intro Music…Creedence Clearwater Revival – Bad Moon Rising: https://www.youtube.com/watch?v=5BmEGm-mraE International Cryptozoology Museum: http://cryptozoologymuseum.com/ “The Cryptozoologist” Loren Coleman: www.lorencoleman.com Exploring American Monsters: New Hampshire: https://mysteriousuniverse.org/2016/02/exploring-american-monsters-new-hampshire/ The Pukwudgies of New England: http://ghostsofnewengland.blogspot.com/search/label/Pukwudgies The Devil Monkey of Danville, New Hampshire: https://newenglandfolklore.blogspot.com/search?q=devil+monkey This Week’s Outro Music…Crispian St. Peters (with Alex & Monique) – The Pied Piper (Pukwudgie): https://www.youtube.com/watch?v=5kBj_SiZIrA Support Us By Buying Through Amazon: Creedence Clearwater Revival – Chronicle: The 20 Greatest Hits: https://amzn.to/2PZwMof Crispian St. Peters – Pied Piper: Complete Recordings 1965-1974: https://amzn.to/32wZ4b9 Cryptozoology A to Z: The Encyclopedia of Loch Monsters, Sasquatch, Chupacabras, and Other Authentic Mysteries of Nature: https://amzn.to/2Lo5Udh Mysterious America: The Ultimate Guide to the Nation’s Weirdest Wonders, Strangest Spots, and Creepiest Creatures: https://amzn.to/2NPUZuB Follow us on Twitter https://twitter.com/homewreckerpod See us on Instagram https://www.instagram.com/homewreckerpodcast Thanks for listening and help spread the word about the Homewrecker Podcast! Please subscribe and rate on iTunes. We really appreciate your support!

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#547, emitido el 7 de agosto de 2007

lostfrontier.org

Play Episode Listen Later Feb 16, 2019 126:08

01 Something Completely Different: Microwaves 1999, ©1998 '25. Complete Recordings 1981-2006? 02 Delago: Ejh Saltmarch, ©2005 ‘Salzwelten' 03 Banco de Gaia: Obsidian, ©2000 ‘Igizeh' 04 Arcanum: Berlin, ©1999 ‘Space Trance Tronics Night 1999' 05 Christopher Dean: Japanese Affair, ©1997 ‘Moments of a Journey' 06 Art of Noise: Peter Gunn, ©1986 ‘In Visible Silence' 07 Craig Chaquico: Acoustic Traveler, ©1996 ‘A Thousand Pictures' 08 David Salvans: Oceanic Garden, ©2005 ‘Blue Zone' 09 Erik Wøllo: Poles, ©1995 ‘Transit' 10 Ginkgo Garden: Journey of the Clouds, ©2005 ‘Faith, Hope & Love' 11 Jean Michel Jarre: Chronologie part 4, ©1993 ‘Chronologie' 12 Jesse Cook: Mario Takes a Walk, ©1996 ‘Gravity' 13 Mike Oldfield: Tears of an Angel, ©2005 ‘Light and Shade' 14 Amarok: Neo Way II, ©2003 ‘Neo Way' 15 Sally Oldfield: Flaming Star, ©2001 ‘Flaming Star' 16 Medwyn Goodall: Invocation part 2, ©1998 ‘Medicine Woman II' 17 Tangerine Dream: Catwalk, ©1995 ‘Tyranny of Beauty' 18 Peter Mergener: Skylistening, ©1999 ‘Noises in the Sky' 19 Peter Mergener: Into the Great Wide Open, ©1999 ‘Noises in the Sky' 20 Yanni: Nostalgia, ©2005 ‘Live at the Acropolis' 21 The Alan Parsons Project: Chomolungma, ©2004 ‘A Valid Path'

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Bandana Blues #767 - Another Detour Thru The Past

Bandana Blues, founded by Beardo, hosted by Spinner

Play Episode Listen Later Dec 2, 2018 94:56

Show #767 Another Detour Thru The Past This Bandana Blues episode is filled with old and real old music. So get ready for another detour thru the past! 01. Joe Turner - Morning Noon And Night [1955] (2:40) (Jumpin' With Joe, Charlie Records, 1984) 02. Jimmie Gordon - You're Bound To Look Like A Monkey [1937] (1934-1938 The Remaining Titles, Old Tramp, 1993) 03. Slim Harpo - Blues Hangover (3:07) (Rainin' In My Heart, Excello Records, 1961) 04. Taj Mahal - Done Changed My Way Of Living (7:04) (The Natch'l Blues, Columbia Records, 1968) 05. Doctor Clayton - Ain't Gonna Drink No More [1946] (Doctor Clayton & his Buddies Complete Recordings 1946-1947, Old Tramp, 1995) 06. Eddie Floyd - If You Gotta Make A Fool Of Somebody (2:39) (Knock On Wood, Atlantic Records, 1967) 07. Red Nelson - You Done Me Wrong [1947] (2:51) (Red Nelson 1935-1947, Old Tramp, 1995) 08. Charlie Musselwhite - Fell On My Knees (5:40) (Louisiana Fog, Kent Records, 1968) 09. Little Frankie Lee & The Saxtons - Taxi Blues [1965] (2:47) (If It's Not A Hit I'll Eat My Hat, Ace Records, 1985) 10. Sonny Jones - I'm Pretty Good At It [1939] (2:51) (Carolina Blues Guitar 1936-1939, Old Tramp, 1994) 11. James Brown - No No No No [1956] (2:15) (Please Please Please, King, 1958/Sing, 1988) 12. Charlie Burse & his Memphis Mudcats - Oil It Up And Go [1939] (Complete Recordings 1939, Old Tramp, 1993) 13. Mississippi John Hurt - Cow Hooking Blues (6:04) (Avalon Blues, Rounder Records, 1963) 14. Virgil Childers - Who's That Knockin' At My Door [1938] (2:45) (Carolina Blues Guitar 1936-1939, Old Tramp, 1994) 15. Curtis Jones - Good Woman Blues (3:17) (In London, Decca / Beat Goes On, 1964) 16. Gwen Foster & Tom Ashley - Bay Rum Blues [ca. 1930] (2:54) (Old Time Harmonica Classics, Country Records, 1991) 17. Chicken Shack - You Ain't No Good (3:34) (Forty Blue Fingers, Freshly Packed And Ready To Serve, Blue Horizon, 1968) 18. Sony Parker - Money Ain't Everthing [1952] (2:30) (Boogie Uproar-Gems From The Peacock Vaults, One Day Music, 2014) 19. Spencer Davis Group - On The Green Light (3:04) (Autumn '66, Fontana Records, 1966) 20. Jan Akkerman - On The Green Light (2:55) (Talent For Sale, Imperial Records, 1968) 21. Tramline - Sorry Sorry (8:57) (Somewhere Down The Line, Island Records, 1968) 22. Wild Jimmy Spruill - Hard Grind [1959] (The Sky Is Crying-The Fire Records Story, One Day Music, 2014) 23. Josh White - Mean Mistreater (4:51) (The House I Live In, Elektra Records, 1960) 24. Dr. Horse - Jack, That Cat Was Clean [1962] (The Sky Is Crying-The Fire Records Story, One Day Music, 2014) Bandana Blues is and will always be a labor of love. Please help me deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

ROTOCLASSICA 29 novembre 2018

Rotoclassica

Play Episode Listen Later Nov 29, 2018 72:02

Recensioni di Zaum_percussion e Daniele Ghisi (Festival Milano Musica), Festival Liederìadi alla Palazzina Liberty, intervista a Salvatore Sciarrino (ospite di Divertimento Ensemble). Recensioni CD di "Complete Recordings on Deutsche Grammophon" di Eugen Jochum e "Symphony No.2" di Leonard Bernstein. Presentazione di Tête d'or con Francesco Bossaglia per 900presente Radiotelevisione svizzera (RSI).

leonard bernstein presentazione rsi symphony no recensioni deutsche grammophon zaum complete recordings salvatore sciarrino eugen jochum divertimento ensemble rotoclassica

ROTOCLASSICA 29 novembre 2018

Rotoclassica

Play Episode Listen Later Nov 28, 2018 72:02

Recensioni di Zaum_percussion e Daniele Ghisi (Festival Milano Musica), Festival Liederìadi alla Palazzina Liberty, intervista a Salvatore Sciarrino (ospite di Divertimento Ensemble). Recensioni CD di "Complete Recordings on Deutsche Grammophon" di Eugen Jochum e "Symphony No.2" di Leonard Bernstein. Presentazione di Tête d'or con Francesco Bossaglia per 900presente Radiotelevisione svizzera (RSI).

leonard bernstein presentazione rsi symphony no recensioni deutsche grammophon zaum arthur honegger complete recordings salvatore sciarrino eugen jochum divertimento ensemble rotoclassica

ROTOCLASSICA 29 novembre 2018

Rotoclassica

Play Episode Listen Later Nov 28, 2018 72:02

Recensioni di Zaum_percussion e Daniele Ghisi (Festival Milano Musica), Festival Liederìadi alla Palazzina Liberty, intervista a Salvatore Sciarrino (ospite di Divertimento Ensemble). Recensioni CD di "Complete Recordings on Deutsche Grammophon" di Eugen Jochum e "Symphony No.2" di Leonard Bernstein. Presentazione di Tête d'or con Francesco Bossaglia per 900presente Radiotelevisione svizzera (RSI).

leonard bernstein presentazione rsi symphony no recensioni deutsche grammophon zaum arthur honegger complete recordings salvatore sciarrino eugen jochum divertimento ensemble rotoclassica

Episode #124 - Deluxe Editions

The Next Track

Play Episode Listen Later Sep 28, 2018 33:08

Deluxe editions, super deluxe editions, and more. The record industry is trying hard to get us to buy our favorite music again. Show notes: Fleetwood Mac: Rumours (Deluxe Edition) (https://amzn.to/2QgkOlo) Durutti Column: Without Mercy (Deluxe Edition) (https://amzn.to/2Qfi47J) Grateful Dead: Europe '72 (https://www.kirkville.com/coming-soon-grateful-dead-complete-europe-72-box-set/) Rhino Records (https://www.rhino.com) Bob Dylan: 1965-1966, The Cutting Edge, Bootleg Series Vol. 12 (6 disc edition) (https://amzn.to/2zCA6vn) Bob Dylan: The Basement Tapes Complete: The Bootleg Series Vol. 11 (https://amzn.to/2QelRSN) Frank Zappa: You Can't Do That On Stage Anymore Vol. 1 (https://amzn.to/2zC4gyW) Brian Eno: Music for Installations (https://amzn.to/2ImSb33) Grateful Dead: Pacific Northwest '73 - '74, The Complete Recordings (http://www.dead.net/store/music/new-releases/pacific-northwest-73-74-complete-recordings-boxed-set) Miles Davis: Kind of Blue: 50th Anniversary Edition + DVD (https://amzn.to/2QgzK2V) Yes: Progeny: Seven Shows From Seventy-Two (https://amzn.to/2OkycHO) The Who: Live at Leeds, Super Deluxe Edition (https://amzn.to/2Qe7Nsw) Humble Pie: Performance: Rockin' the Filmore - The Complete Recordings (https://amzn.to/2xVEx2c) Mozart 225 (https://www.kirkville.com/big-classical-box-set-mozart-225-complete-mozart-and-more/) Bach 333 (https://www.kirkville.com/coming-soon-an-even-bigger-classical-box-set-bach-333/) After we recorded this episode, the new version of the White Album, by the Beatles (https://www.kirkville.com/a-new-version-of-the-white-album-with-demos-outtakes-and-more/), was announced. It's a super deluxe edition with demos, outtakes, and more Our next tracks: Bob Dylan: Trouble No More: The Bootleg Series Vol. 13 (https://amzn.to/2OhiqgU) The Reflex Revision - Stevie Wonder: I Wish (https://www.youtube.com/watch?v=14vptYYYlTY&list=RDsKqdMAxjKs4&index=2), The Reflex YouTube Channel (https://www.youtube.com/channel/UCn_2xFz9HCOnyj-JlGLpuAA) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

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Stymie: The Complete Recordings, Volume 1

Here in Seattle

Play Episode Listen Later Aug 1, 2018 26:49

Track Listing: True Thrill ('92) Creepy Boss Toil and Folly One Proud Stout Caked Pretty Now Girl Same Thing Systematic Break ('93) France

france stymie complete recordings

Stymie: The Complete Recordings, Volume 2

Here in Seattle

Play Episode Listen Later Aug 1, 2018 31:08

Track Listing Squalor True Thrill Arbor Day Faulty Design Sour Apples Punch and Judy Systematic Break ('92) SKUQ Frogs Hair of Gold

gold stymie complete recordings

Un Androide para gobernarlos a todos

Apple Coding

Play Episode Listen Later Jul 30, 2018 63:45

El pasado 19 de julio, la Unión Europea (desde su sede en Bruselas) hacía pública la mayor multa jamás impuesta por esta institución: 4.343 millones de euros. La comisaria europea de la competencia, Margrethe Vestager no solo anunciaba esta multa. Da 3 meses a Google para frenar sus prácticas abusivas alrededor del sistema operativo Android y su imposición a los fabricantes de una serie de condiciones que la Comisión Europea ha considerado ilegales. Pero, ¿qué sucede realmente? ¿Qué hay detrás de esta multa? ¿Realmente ha hecho algo Google que sea reprobable? Vamos a analizar desde el desarrollo esta multa y dar respuestas a esto, de una forma razonada. ---------------- Enlaces de interés: Android, ¿dónde está el daño? (Artículo de Enrique Dans) Google’s iron grip on Android: Controlling open source by any means necessary (Artículo de Ron Amadeo en ARS Technica) Antitrust: Commission fines Google €4.34 billion for illegal practices regarding Android mobile devices to strengthen dominance of Google's search engine (Nota de prensa oficial de la sanción) Descubre nuestras ofertas: "Aprendiendo Swift" en Udemy por solo $74,99/74,99€. Apple Coding Academy Suscríbete a Apple Coding en nuestro Patreon. Canal de Telegram de Swift. Acceso al canal. --------------- Tema Musical: "Final Frontier", compuesto por Thomas Bergersen. Con voces de Merethe Soltvedt, del álbum "Sun". (Música libre de derechos, bajo uso no comercial) Tema Musical: "Prologue: One Ring To Rule Them All", compuesto por Howard Shore del álbum "The Fellowship of the Rings, Complete Recordings". (Música usada en fair use, con fines educativos) Descubre nuestras ofertas para oyentes: "Concurrencia en iOS con Swift" en Udemy por $20,99/20,99€. "Swift de lado servidor con Vapor" en Udemy por $69,99/69,99€. "Desarrollo Seguro en iOS con Swift" en Udemy por $124,99/124,99€. "Aprendiendo Swift 5.2" en Udemy por $74,99/74,99€. Apple Coding Academy Suscríbete a Apple Coding en nuestro Patreon. Canal de Telegram de Swift. Acceso al canal. --------------- Consigue las camisetas oficiales de Apple Coding con los logos de Swift y Apple Coding. Logo Apple Coding (negra, logo blanco) Logo Swift (negra, logo blanco) Logo Swift (blanco, logo color original Swift) Logo Apple Coding (blanco, logo negro) --------------- Sigue nuestro canal en Youtube en: Canal de Youtube de Apple Coding Tema musical: "Final Frontier", compuesto por Thomas Bergensen. Usado con permisos de fair use. Escúchalo en Apple Music o Spotify.

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Muziek voor Volwassenen 154

voor muziek etta james johan derksen sam dave complete recordings

Play Episode Listen Later May 10, 2017 58:00

Om 20:00 uur drie uur lang Muziek Voor Volwassenen met Johan Derksen. Muziek van Bill Kirchen & Austin De Lone, Sam & Dave, Tielman Brothers, Margriet Eshuys en Etta James. Album van de week is “The Complete Recordings van Johnny Darrell”.

Muziek voor Volwassenen 155

voor muziek etta james johan derksen sam dave complete recordings

Play Episode Listen Later May 10, 2017 57:56

Om 20:00 uur drie uur lang Muziek Voor Volwassenen met Johan Derksen. Muziek van Bill Kirchen & Austin De Lone, Sam & Dave, Tielman Brothers, Margriet Eshuys en Etta James. Album van de week is “The Complete Recordings van Johnny Darrell”.

Muziek voor Volwassenen 156

voor muziek etta james johan derksen sam dave complete recordings

Play Episode Listen Later May 10, 2017 58:00

Om 20:00 uur drie uur lang Muziek Voor Volwassenen met Johan Derksen. Muziek van Bill Kirchen & Austin De Lone, Sam & Dave, Tielman Brothers, Margriet Eshuys en Etta James. Album van de week is “The Complete Recordings van Johnny Darrell”.

♫ Episode #20 – You Think You Know about the Blues? Eliah Wald on the History of the Blues

The Next Track

Play Episode Listen Later Sep 30, 2016 30:16

We welcome musician, historian, and author Elijah Wald to discuss the history of the blues. Sponsor: Master iTunes with Kirk’s ebook and save 30% on Take Control of iTunes 12: The FAQ, the indispensable guide to iTunes. Show notes: Elijah Wald’s website Elijah Wald’s Songobiography Escaping the Delta: Robert Johnson and the Invention of the Blues Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties Inside Llewyn Davis The Mayor of McDougal Street Inside Dave van Ronk (the album with the cat on the cover) Robert Johnson, The Complete Recordings Kirk’s review of Dylan Goes Electric Robert Palmer: Deep Blues: A Musical and Cultural History of the Mississippi Delta Howlin’ Wolf on Shindig, May 20, 1965: Our next tracks: Kirk: Hot Tuna Doug: Howlin’ Wolf: The London Howlin’ Wolf Sessions If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Elijah Wald.

Muziek voor Volwassenen 043

voor drie muziek hollies shooter jennings johan derksen shelby lynne doug sahm complete recordings

Play Episode Listen Later Aug 24, 2016 58:12

Muziek Voor Volwassenen met Johan Derksen is er weer vanavond. Drie uur het beste op gebied van blues. soul, country en americana. Muziek van Shooter Jennings, Shelby Lynne, Doug Sahm, The Hollies en het album van de week is The Complete Recordings van Unit 4 + 2, een aanrader volgens Johan.

Muziek voor Volwassenen 044

voor drie muziek hollies shooter jennings johan derksen shelby lynne doug sahm complete recordings

Play Episode Listen Later Aug 24, 2016 58:12

Muziek Voor Volwassenen met Johan Derksen is er weer vanavond. Drie uur het beste op gebied van blues. soul, country en americana. Muziek van Shooter Jennings, Shelby Lynne, Doug Sahm, The Hollies en het album van de week is The Complete Recordings van Unit 4 + 2, een aanrader volgens Johan.

Muziek voor Volwassenen 045