Podcast appearances and mentions of simon brew

Few filmmakers can ever match the output of the late Rainer Werner Fassbinder, a German filmmaker who died at the age of just 37, with several lifetimes of work to his name. He's in the spotlight in this episode of STUDIOCANAL Presents, with two movies in particular - In A Year Of 13 Moons and Lola - going under our microscope. Regular host Simon Brew, of Film Stories, is joined by film writer and curator Sarah Cleary to examine the work of Fassinder. Plus, a fresh double bill, and the latest STUDIOCANAL news too...

Welcome to the brand new season of STUDIOCANAL Presents, kicking off in style as Paul Merton joins regular host Simon Brew to talk about comedy legend Tony Hancock. In particular, two films that Hancock made at a pivotal point in his career: 1961's The Rebel and 1963's The Punch & Judy Man, both arriving on STUDIOCANAL's Vintage Classics DVD and Blu-ray label.  Wearing terrific socks, which might not come across in the audio, Paul Merton explains just what makes the two films special. Plus, a whole lot more in here too...

In the final episode of STUDIOCANAL Presents for 2024, regular host Simon Brew is joined by film historian and critic Henry K Miller. Between them, they're digging into some of the early work of Alfred Hitchcock. They pick out the highlights from a brand new Blu-ray boxset of Hitchcock films, not least the film that straddled the line between silent cinema and talkies. Plus, there's time too for a double bill recommendation, and the latest STUDIOCANAL news...

In 1981, 11-year-old Matt De Meritt got a phone call that would change his life. He wasn't a child actor, or a performer of any kind. He was just a suburban kid enjoying his summer before he had to go back to school. But Matt had something no other kid had — something Steven Spielberg needed in order to embark on his most ambitious movie yet.  Note: This episode contains discussions of suicide. Please take care while listening. * VERY SPECIAL CREDITSHosted by Dana Schwartz, Zaron Burnett, and Jason EnglishWritten by Jake RossenProduced by Josh FisherStory Editor is Marisa BrownEditing and Sound Design by Jonathan Washington and Josh FisherMixing and Mastering by Baheed FrazierVoice Actors are Jess Krainchich and Juliet EnglishOriginal Music by Elise McCoyResearch and Fact Checking by Jake Rossen and Austin ThompsonShow Logo by Lucy QuintanillaExecutive Producer is Jason English Special thanks to Simon Brew. Check out the Film Stories podcast! Thanks for listening! If you're enjoying Very Special Episodes, please leave us a rating and review on your favorite podcast platform. You can reach us at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.

In 1981, 11-year-old Matt De Meritt got a phone call that would change his life. He wasn't a child actor, or a performer of any kind. He was just a suburban kid enjoying his summer before he had to go back to school. But Matt had something no other kid had — something Steven Spielberg needed in order to embark on his most ambitious movie yet.  Note: This episode contains discussions of suicide. Please take care while listening. * VERY SPECIAL CREDITSHosted by Dana Schwartz, Zaron Burnett, and Jason EnglishWritten by Jake RossenProduced by Josh FisherStory Editor is Marisa BrownEditing and Sound Design by Jonathan Washington and Josh FisherMixing and Mastering by Baheed FrazierVoice Actors are Jess Krainchich and Juliet EnglishOriginal Music by Elise McCoyResearch and Fact Checking by Jake Rossen and Austin ThompsonShow Logo by Lucy QuintanillaExecutive Producer is Jason English Special thanks to Simon Brew. Check out the Film Stories podcast! Thanks for listening! If you're enjoying Very Special Episodes, please leave us a rating and review on your favorite podcast platform. You can reach us at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.

In 1981, 11-year-old Matt De Meritt got a phone call that would change his life. He wasn't a child actor, or a performer of any kind. He was just a suburban kid enjoying his summer before he had to go back to school. But Matt had something no other kid had — something Steven Spielberg needed in order to embark on his most ambitious movie yet.  Note: This episode contains discussions of suicide. Please take care while listening. * VERY SPECIAL CREDITSHosted by Dana Schwartz, Zaron Burnett, and Jason EnglishWritten by Jake RossenProduced by Josh FisherStory Editor is Marisa BrownEditing and Sound Design by Jonathan Washington and Josh FisherMixing and Mastering by Baheed FrazierVoice Actors are Jess Krainchich and Juliet EnglishOriginal Music by Elise McCoyResearch and Fact Checking by Jake Rossen and Austin ThompsonShow Logo by Lucy QuintanillaExecutive Producer is Jason English Special thanks to Simon Brew. Check out the Film Stories podcast! Thanks for listening! If you're enjoying Very Special Episodes, please leave us a rating and review on your favorite podcast platform. You can reach us at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.

The work of the late screen legend Alain Delon is the focus of the latest episode of STUDIOCANAL Presents. Regular host Simon Brew is joined by broadcaster and journalist Christina Newland to chat about Delon's films, with Plein Soleil and Mr Klein in particular a focus of conversation. There's also time for more news from the world of STUDIOCANAL, and a fresh double bill recommendation too...

A real treat in this episode of STUDIOCANAL Presents, as host Simon Brew gets to go behind the scenes of the eagerly-awaited Paddington In Peru! He heads to a top secret location in London where the film was having its final touches put to it. He also finds out more from producer Rosie Alison, and the film's director, Dougal Wilson. Just enough time too for a news round-up from STUDIOCANAL as well. Paddington In Peru arrives in UK cinemas from 8th November 2024.

The work of Spanish film director Pedro Almodovar moves into the limelight in this episode of the STUDIOCANAL Presents podcast - in particular, a pair of his earlier movies. Kayleigh Donaldson joins regular host Simon Brew, examining and discussing both Women On The Verge Of A Nervous Breakdown and Kika. There's also time for the latest STUDIOCANAL news, as well as a fresh double bill recommendation as well...

Founded back in 1999 by Tomm Moore, Paul Young and Nora Twomey, Irish animation studio Cartoon Saloon has earned a worldwide reputation off the back of films such as The Secret Of Kells, Song Of The Sea and The Breadwinner. In a very special episode of STUDIOCANAL Presents, the trio join regular host Simon Brew to talk about the story of Cartoon Saloon, its films, and its birthday. It's quite the tale...

Agents Scott and Cam, along with guest operative Simon Brew from Film Stories magazine and podcast, help Robert Redford and his gang use Scrabble tiles to unlock a criminal conspiracy while decoding the 1992 heist comedy-thriller Sneakers.    Directed by Phil Alden Robinson. Starring Robert Redford, Dan Aykroyd, Ben Kingsley, Mary McDonnell, River Phoenix, Sidney Poitier, David Strathairn and Stephen Tobolowsky.  Make sure to visit Film Stories online, and their podcast is available everywhere. You can also follow Simon and Film Stories on Twitter. And don't forget to check out Simon's podcast deep dive into Sneakers, as well as his retrospective review of the film.  Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

In this episode of Film Stories with Simon Brew, two films that were - in the end - turned around to very tight deadlines. One slightly more expensive than the other!The challenge with 2015's Spectre was to follow up the most successful James Bond film of all time. Skyfall had grossed over $1bn: but its director, Sam Mendes, wasn't keen originally to return for Spectre. And when the film did get filming, star Daniel Craig was covering the fact that he had a broken leg.Less high profile drama followed 1996's When Saturday Comes, but the Sean Bean-headlined football drama still faced some uphill challenges of its own...This is the last Film Stories episode before a summer break. In true James Bond style, Film Stories will return...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a hugely risky studio movie, and a bit of a breakthrough role for Daniel Craig.The Insider, from Michael Mann, was telling a story about a piece of modern history just years old when the movie was made. As such, there was a huge risk of litigation, and whichever studio took the movie on was opening itself to huge risks, with no obvious box office upside. Incredibly, Disney said yes.Matthew Vaughn meanwhile had come to prominence producing Lock, Stock & Two Smoking Barrels and Snatch, that Guy Ritchie had directed. A trip to a football match unlocked the path to a new project, Layer Cake, that he'd planned for Ritchie to direct too. But when Ritchie said no? Vaughn swiftly moved to plan B...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, we're digging into the story of a much-loved modern classic.Two films in 1990 arrived based around the story of real-life gangster Henry Hill. Martin Scorsese's Goodfellas though is something very special: Scorsese took a rare co-writing credit on the film, although at one stage, it was being suggested that Tom Cruise and Madonna take lead roles...In the second half of the episode, we're joined by Kathleen Kennedy and Frank Marshall, chatting not just Indiana Jones, but also films such as Noises Off, Jurassic Park III and Alive.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of films that might just have had a bit of overlap to them!Olympus Has Fallen began life many years before it got to the screen, but it had an added advantage over its rival in that it had a movie star in place - and Gerard Butler wanted to up the violence quotient a little too. Sony meanwhile was spending a lot more money on a rival project, White House Down, that started filming last, but tried to release first. Turns out it had a bit of a film story of its own to it, too.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of films that both hit problems with one of their lead roles...2004's Spider-Man 2 is (rightly) regarded as one of the finest superhero films, and that's impressive in itself given the tight turnaround that Sony wanted on the film. However, just weeks before filming was about to begin, there was even sizeable doubt that its leading man would be returning.2022's The Menu meanwhile did have to change things around, having originally been set up in 2019 with a different director and a different star in one of its lead roles. And when it did come back together, there were serious doubts about whether people were even going out to the cinema to watch films like it too...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a massive hit sci-fi movie that came from smaller origins, and a baseball film that, well, hit problems.The story of I, Robot the movie - in theory based on the work of Isaac Asimov - started with an indie script that was set effectively in one room. But over time, the film escalated, at one stage attracting Arnold Schwarzenegger. Still, when it got made, there was a disagreement ahead...There was a hell of a disagreement on 1999's baseball movie For Love Of The Game too, regarded as the forgotten Kevin Costner baseball movie. Directed by Sam Raimi, things were going find - right up until very different views on the final cut of the film...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two relatively low budget films that both proved bigger hits than expected.For writer/director Zach Cregger, he was in 'director jail' following the commercial disappointment of his first couple of films. Still, he managed to get his new film, Barbarian, into place (with a bit of help from a spreadsheet). The problem? Funding fell away just days before filming...In the case of Superbad, Seth Rogen and Evan Goldberg were teenagers when they first wrote the script. In fact, Rogen at one point was going to star - but it took a little too long to get to the screen for that to happen.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, the difficult journey back to Middle Earth, and the first animated film from DreamWorks.Following the success of the Lord Of The Rings trilogy, it seemed straightforward that at some point, The Hobbit would make it back to the screen. But the path there would prove far more difficult than originally thought, thanks to legal issues, financial issues, and a late change of director.With Antz, the first animated film from DreamWorks had a lot of pathfinding to get through just to get made - and then its release date was moved forward, meaning it was a race against time to get the film completed, before Pixar's A Bug's Life stole its thunder.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

Ellen E Jones and Mark Kermode explore sport on screen, from Field of Dreams to Ted Lasso. Ellen looks at the life lessons to be gleaned from baseball movies such as Field of Dreams, The Natural and A League of Their Own, with the help of film critic Simon Brew and the first woman to coach men's baseball in the US - trailblazer Justine Siegal. And Mark focuses on football in film and TV, speaking to Ted Lasso co-creator and star Brendan Hunt about the inspirations for the sitcom about an American football manager hired to manage a fictional Premier League team. He also talks to critic and programmer Ashley Clark about his favourite screen depictions of the beautiful game, from Escape to Victory to Sunderland 'Til I Die. Pioneering BBC Sport broadcaster and journalist Eleanor Oldroyd shares her Viewing Notes. Producer: Jane Long A Prospect Street production for BBC Radio 4

In this episode of Film Stories with Simon Brew, the continued attempt to find box office life in the Terminator films, and a modestly-priced movie that demonstrated the power of a trailer.For the third attempt to make a new Terminator trilogy of movies, the plan this time was more straightforward: bring James Cameron back to the series, and give him a big chunk of creative power again. With Deadpool director Tim Miller also on board, hopes were high - but problems were mounting.The simple concept of a bear taking a lot of cocaine meanwhile became fuel for a very R-rated studio film - even if there was some dispute about the title for a while...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two very big blockbuster films, one of which had more joy finding an audience than the other.1996's Independence Day came together at surprising speed, with creative duo Roland Emmerich and Dean Devlin wary that Mars Attacks! was on the way too. And there was the small matter of getting the film's Superbowl trailer right as well.Battleship was to be the first of up to six pictures based on board games and Hasbro properties at Universal, but at one stage, the studio's new chairperson had a choice: accept a $30m write-off, or carry on with the picture.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of 2014 releases: one of which sent a movie star grey, the other sending its director to movie jail.Collateral marks one of the darker leading roles in Tom Cruise's career. But for a while, the film was actually set to feature Russell Crowe and Adam Sandler in its lead roles. Furthermore, the spark for the movie came when its writer was in his late teens.The idea of bringing the hugely successful TV show Thunderbirds to the screen in a bigger budget movie had been around for a while. But when Spy Kids and the Harry Potter movies went big, so did plans for Thunderbirds - even if it didn't involve the people who created the show in the first place.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two successful movies, one of which cost a lot more money than the othert!2005's Batman Begins gave filmmaker Christopher Nolan the latitude to properly reboot and reinvent Batman on the big screen. But he still insisted on building part of the film in his garage, and he wasn't Warner Bros' initial choice either.With The Guard, writer/director John Michael McDonagh was coming off the back of a bad experience on 2003's Ned Kelly movie. This time, he was going to direct the film himself - even if investors didn't entirely appreciate what they might be getting.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of hit films that hit at the box office, but also that each met a challenge or two.The idea of a Hollywood take on TV show The Equalizer had been knocking around since the mid-2000s, and for a while it looked as if Russell Crowe was going to take on the lead role. But then the idea of Denzel Washington starring was mooted - leading to eight months of intensive script work to try and win him over.It was in 1992 that the rights were picked up to remake 1940 romantic comedy The Shop Around The Corner. But it'd take the advent of widespread email use to work out a modern way forward for the story. That, and the touch of the late Nora Ephron.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two films that were released in unusual times for the pair of them!1990's The Hunt For Red October is a cold war thriller, that landed as the Cold War was thawing. It had a different problem too: a week or two into filming, its leading man needed very quick replacing - and a fax went over to Sean Connery...The idea of bringing together Godzilla and King Kong for a movie together meanwhile led to a bit of studio jostling - and then, of course, when Godzilla Vs Kong finally landed, a global pandemic had significantly changed Warner Bros' release strategy.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a hit Spider-Man spin-off, and the film that tried to capitalise on the success of Basic Instinct.The first talk of a Venom movie came about in the late 1990s. But eventually, Sony would start developing the film as part of its Spider-Man rights package. The problem? It kept rebooting Spider-Man, and that kept resetting its Venom plans.Big things were expected of 1993's erotic thriller Sliver, meanwhile. But a hugely ambitious final act was originally shot involving a volcano, that nearly led to the death of two people. And, well, let's just say that on set, not everyone was getting along...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a much-loved original, and its subsequent remake.1969's The Italian Job came about in part due to Paramount Pictures wanting to make movies in the UK. But it was tough to get cooperation from the manufacturer of Mini cars, its famous ending came about very late in the day, and apparently - 30 years after its release - the film was still in debt!Still, a planned remake went ahead, but the story of it for a long time was that of one of its co-star - Edward Norton - who famously didn't want to appear in the film (but ended up having to do so, under threat of legal action). 2003's The Italian Job was not without one or two other stories behind it too...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two modestly-costed movies from 2014 that turned out to be really rather successful.Writer Derek Kolstad had got his first screen credit on a Dolph Lundgren-headlined movie. And he had a plan for a slimmed down action movie, with a 75-year old lead character. Things changed though when a man called Keanu Reeves got interested in it.With It Follows, writer/director David Robert Mitchell had actually planned to do a different movie, until it became clear that it'd be easier to get his horror project funded. But it was still low budget enough to give him absolute control over how he wanted to shoot it...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two films that were adapted for the screen - albeit in very different ways.Author Frank Miller wasn't looking to let Hollywood bring his acclaimed Sin City to the big screen. Yet filmmaker Robert Rodriguez had an unusual approach, and his own film studio to help him realise it. Plus, he wasn't strictly looking to do an adaptation anyway.A little more straightforward was The Fault In Our Stars, adapted by John Green's novel. The trick here was to go quicker, and to have a division of a studio - the much-missed Fox 2000 - able to get the film made on a low budget. There was still a tiny permission problem when it came to filming, though...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a sequel that took a long time to come together, and an attempt by Sylvester Stallone to change direction.1992's Basic Instinct didn't immediately seem an obvious candidate for a sequel. A huge box office take soon changed that - but the path to the follow-up would involve a bankruptcy, a legal case, and a lot of people turning the project down. Until all of a sudden, it came together...Daylight was a quicker film to come together, and for Sylvester Stallone, a very lucrative one. He secured a huge pay packet, but also signalled a change in direction for his career. Things didn't quite go to plan.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, the belated return of Indiana Jones, and a smart British zombie film that faced a fair few challenges.After the huge success of the much-loved Indiana Jones And The Last Crusade at the end of the 1980s, there was an ongoing clamour for a fourth Indiana Jones adventure. But George Lucas, Steven Spielberg and Harrison Ford had packed schedules - and didn't always see eye to eye on where to go next.Things were more straightforward story-wise with The Girl With All The Gifts. Author M R Carey was pretty much writing the novel and the screenplay of the story at the same time. And with a tenacious producer, funding slowly came together...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, how James Bond responded to Star Wars, and a comedy that onlookers had all but written off.Moonraker wasn't expected to be the Roger Moore James Bond adventure to follow up The Spy Who Loved Me. But then Star Wars happened, and a co-production deal opened up some funding too. 007 was going to space.More down to earth was comedy sleeper hit Look Who's Talking, a genuinely sleeper success that in turn made Bruce Willis very rich for four days of work. It's also the first film on this podcast that involves puppeteers operating sperm. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, how the Die Hard franchise came to a crashing end, and an Elvis Presley biopic finally got over the line.There's not a lot of love out there for A Good Day To Die Hard (2013), and with good reason. But the intent behind it was sound, and the man who landed the director's chair was a clear fan of the series.Producer Gail Berman meanwhile was the person who did a lot battling to bring 2022's Elvis to the screen - not least securing the necessary music rights to Presley's catalogue twice to ensure the project kept moving. And then Baz Luhrmann got involved...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, the film that gave Tim Burton his first hit in over half a decade, and a golfing comedy that took a bit of a path to the screen.Director Tim Burton lost around a year of his working life when the planned Superman Lives film with Nicolas Cage collapsed. Which is when a script to Sleepy Hollow - that had been sat in Hollywood development for years - was sent in his direction.The script for the charming The Phantom Of The Open originally got no traction at all. As such, its story was published in a book, an option was taken out on said book, and the process had to pretty much start all over again.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a sequel that wasn't originally in the plans, and a comedy where more spin-offs were due to follow.After the very, very difficult shoot of The Bourne Identity, the key creatives weren't rushing to return for The Bourne Supremacy. There was little chance of director Doug Liman coming back either - and that meant a turn in a slightly different direction for the franchise.With Bad Moms meanwhile, the hit comedy lost its original studio backer and then found a home that worked: but plans for spin-offs and further sequels soon hit the buffers. But not before a hit movie came together.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of hit movies, with a religious edge to each.Filmmaker M Night Shyamalan admitted he came to Signs off the back of the mixed response to his previous film, Unbreakable. He came up with a project initially for an older actor, that blended two key ideas - and the bidding war in Hollywood for the film was a swift one.There was a bidding war too for the screen rights to Dan Brown's extraordinarily successful book, The Da Vinci Code. At first, there was a chance it could go to TV, but $6m of Sony's money did the job - and a whole lot of controversy was just around the corner...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, an action film that took time to find its audience, and a Formula 1 movie made as a British independent film.Road House (1989) saw Patrick Swayze battling with a knee that had to be regularly drained, and also saw producer Joel Silver on the hunt for a Die Hard-size hit. Plus: the most expensive scene in this action favourite didn't involve any fighting at all.Up until he directed Rush (2013), Ron Howard had made his films for Hollywood studios and within the Hollywood system. When he stepped in to take on this film, though, the financial safety nets were long, long gone...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew. Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two hugely acclaimed and much-loved movies, that each had their challenges.When writer/director Michael Mann first happened upon the story that would become Heat, he wasn't in a position to turn it into a major feature film. But he clearly had some unfinished business with the material.Alexander Payne had planned to make Sideways after his success with Election. But even get the source novel published had proven to be a challenge. The film adaptation? Well, that ended up with some waiting to do as well...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two films from top notch filmmakers take centre stage.1992's The Last Of The Mohicans, from Michael Mann, wasn't the easiest of productions. From personnel leaving and the threat of strike action, to the months of required training and the difficulty landing the score, it proved quite the challenge.The Coen Brothers' O Brother Where Are Thou? was a lot calmer by comparison. George Clooney, for instance, signed on without reading the script. But there was still a bit of groundbreaking technical work that needed to be done - and a lot of music that needed to be recorded before filming could begin...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a dash of the festive spirit as two Christmas-set movies take centre stage.The first Lethal Weapon movie came together in just a few years, sparked by then-twentysomething Shane Black's script. The project was offered to Leonard Nimoy to look at before Richard Donner signed on the dotted line to direct - and it remains a casting masterclass too.Jingle All The Way meanwhile came together even quicker, with Arnold Schwarzenegger suddenly having a gap in his schedule once a planned Planet Of The Apes movie he was attached to fell apart. Just six months after filming began, the film would be in cinemas - and that didn't help the movie's merchandising plans.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a much-loved box office disappointment, and a film that burned through a lot of directorsThe late, great Jim Henson earned a success with The Dark Crystal, but he knew he wanted his next film to be a bit lighter, and to have human characters in it too. 25 drafts of the script and story later, Labyrinth went before the cameras - but with a lot of challenges in its path.Uncharted meanwhile started its way to the big screen in 2008. By the time cameras rolled over a decade later, six different directors would have left the project. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two films from the 1990s that attracted awards attention - one with less controversy than the other.After the way his first film was treated, writer/director Paul Thomas Anderson was adamant things would be different with his second. But who would give a twentysomething filmmaker $15m and creative control for a film on the surface about making adult movies? And why would Burt Reynolds get so upset?Things were more straightforward with 1992's Unforgiven, the film that finally bagged Clint Eastwood an Oscar he never expected to see. However, Eastwood nearly missed the script altogether when he was recommended to avoid it. And even when he read it, it'd be a long, long wait for the film.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of 1990s summer blockbusters - one of which proved more problematic than the other.Come 1990 and there were three competing Robin Hood projects on the way from Hollywood. But it was 1991's Robin Hood: Prince Of Thieves that won the race to the screen. It'd be fair to say it was not an easy journey to get there.Off the back of making GoldenEye, Pierce Brosnan was looking for new projects - and he settled on a remake of The Thomas Crown Affair. Small problem though about trying to make a movie about a museum heist: museums don't seem very keen to let you film on their premises...Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two films that hardy set the box office alight - although the fallout from one was a lot, lot louder than the other!Ed Wood was a movie Tim Burton decided to make when he walked away from a higher profile project. However, the studio paying for the movie panicked a month before production and tried to box Burton into a deal. He wasn't playing ball, though.The Last Duel was a movie project that took over a decade to reach the screen, with the source book optioned three different times (Martin Scorsese circled the project for a while). But then in came Ridley Scott, in come disappointing box office, and in came quite the aftermath...Stories of both are told in this episode.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a sequel that was a beast to make, and a British book adaptation that Tom Hanks sort-of-unlocked.Aliens remains the template for how to make an excellent sequel - but heck, was it beset by problems. Not least that writer/director James Cameron and the crew at Pinewood Studios making the film were not exactly on each other's Christmas card lists.Starter For Ten was a bit more straightforward, but even then, it took American money to bring a very British book to the screen. All in a film that had a hand in launching a lot of big name careers...Stories of both are told in this episode.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two hit films come under the microscope - but one of them nearly fell apart days before filming was due to begin.Teenage Mutant Ninja Turtles would become for a long time the most successful independent film of all time in terms of box office returns. Yet none of the major studio would commit to the film, and it'd take a late deal to save the movie.Timecop had a much clearer path the big screen, and this was Jean-Claude Van Damme trying to emulate the success of Arnold Schwarzenegger and cross over into the mainstream. Just don't ask him about the plans for a sequel...Stories of both are told in this episode.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two very successful films - one of which nearly lost the confidence of its parent studioThe tale behind Hidden Figures had seemingly been all but lost to history. That was until one writer went digging, and then a producer won a bidding war for movie rights in which barely anyone else was interested. A late release date change also would prove inspired.The LEGO Movie meanwhile would take some negotiating to even get off the ground. And when it did? Warner Bros brought in two funding partners and sold off a sizeable percentage of its box office receipts too. It was not the studio's wisest move...Stories of both are told in this episode.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, a pair of films that faced their challenges, but one came out of it all better than the other.A third Blade film was announced even before Blade II had arrived in cinemas. David S Goyer took on the director's chair, but to say the production had a few problems would be quite the understatement. Gulp.Things were a little smoother with 1992's Candyman, although writer/director Bernard Rose was first approached about a different Clive Barker story to adapt. But three different financiers meant there were differing opinions about the film behind the scenes - and distribution wasn't entirely straightforward either.Stories of both are told in this episode.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Film Stories with Simon Brew, two films that hit much bigger than expected - each of which changed a lot in post-production.Horror hit Paranormal Activity actually first debuted on screen in 2007. But it'd be two years before it got a full wide release in cinemas, and by then the ending would have undergone changes (and a planned remake abandoned).20th Century Fox was having doubts about 1985's Cocoon, meanwhile, to the point where Robert Zemeckis was fired as its director (making Back To The Future instead!). In came Ron Howard though, and changes would get underway...Stories of both are told in this episode.Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information.