Podcast appearances and mentions of The Thomas Crown Affair

Jeff Goldblum boards Alan Air for one of the most gloriously unpredictable flights yet. From Old Hollywood legends and Mulholland Drive nightmares to pickles, sandwiches and impromptu singing, Jeff goes full Goldblum - charming, curious and wonderfully maverick. They talk about his new album Night Blooms, touring with orchestras around the world, and the timeless magic of jazz standards. Along the way there's Sharon Stone, Billie Holiday, a surprising Bloody Mary debate… and Alan pitches Jeff a brand-new horror film: An American Were-MILF in London. Expect name-dropping, movie love, musical nostalgia and one very enthusiastic conversation about pickles.  00:00 Intro  00:18 Jeff Goldblum boards Alan Air  01:14 The Windmills of Your Mind & The Thomas Crown Affair  01:59 Jeff's frozen yoghurt meeting with Faye Dunaway  03:29 Crisps, pickles and snack food debates  05:30 Jeff Goldblum's favourite sandwiches  05:58 The “Bloody Alan” cocktail  07:30 Jeff's love of Lauren Hutton and gabby teeth  10:12 Horoscopes, science and star signs  11:41 Jeff's new album Night Blooms  12:59 Jeff and Alan singing classics like Misty and Bewitched  13:37 Nosferatu, horror films and Alan's Were-MILF pitch  15:03 Jeff agrees to star in Alan's movie  16:23 Touring the UK, Royal Albert Hall and Sydney Opera House  17:41 What happens at a Jeff Goldblum live show  19:41 Touring food: fish & chips and British roasts  20:29 Jeff's favourite drink: the Virgin Mary  21:14 Time machines, classic films and Total Recall  23:34 Sharon Stone, Casino and Scorsese movies  24:48 Old Hollywood, Chateau Marmont and Hollywood history  27:21 Mulholland Drive and David Lynch  29:15 Alan's middle name reveal  30:31 Quick-fire round  33:39 Final descent  #LifesABeach #AlanCarr #JeffGoldblum #Podcast #TravelPodcast #NightBlooms #Jazz #ClassicHollywood #MovieLegends #CelebrityPodcast #MulhollandDrive #OldHollywood #RoyalAlbertHall #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Tyler Johns and Lance Taylor are back talking movies, TV, and what's worth your time—from a fresh Scream 7 theater trip to deep-cut classics and streaming picks on the FIRST episode of The Next Reel! In this episode:

Michael B. Jordan is so busy right now he'd actually benefit from having a twin to help lighten the workload. The actor, a self-proclaimed workaholic, is nominated for his first Oscar for his performance as twin brothers in Ryan Coogler's Sinners, and he's also in post-production on a project he's both directing and starring in, The Thomas Crown Affair. Rebecca caught up with him after the Academy Nominees Luncheon to talk about why Sinners was the hardest role of his career, how therapy has helped him as an actor, and how he protects his personal life. Plus, he answers a slew of rapid-fire questions about movies and filmmaking. Learn about your ad choices: dovetail.prx.org/ad-choices

Michael B. Jordan is so busy right now he'd actually benefit from having a twin to help lighten the workload. The actor, a self-proclaimed workaholic, is nominated for his first Oscar for his performance as twin brothers in Ryan Coogler's Sinners, and he's also in post-production on a project he's both directing and starring in, The Thomas Crown Affair. Rebecca caught up with him after the Academy Nominees Luncheon to talk about why Sinners was the hardest role of his career, how therapy has helped him as an actor, and how he protects his personal life. Plus, he answers a slew of rapid-fire questions about movies and filmmaking. Learn about your ad choices: dovetail.prx.org/ad-choices

Editor - Michael P. Shawver Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler.  Together the two have collaborated on Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners.  Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fruitvale Station, would prove invaluable as they worked to blend the real horror of racial injustice with the fantastical horror of a vampire onslaught. Taking place in 1932, Sinners follows identical twins, and World War I veterans, Elijah "Smoke" and Elias "Stack" Moore as they return to Clarksdale, Mississippi after spending seven years in Chicago. Using money stolen from criminal syndicates, they purchase a sawmill from a landowner to start a juke joint for the local Black community. Their younger cousin Sammie, a singer and guitarist, joins them despite his pastor father's warnings about the sins of blues music.  His warnings would prove prophetic, as the twins and their friends face foes both familiar and supernatural. MICHAEL P. SHAWVER Originally from Rhode Island, Sinners editor Michael Shawver developed an early working relationship with director Ryan Coogler during their time together at the University of Southern California School of Cinematic Arts. Shawver initially edited Coogler's short film, Fig, and later went on to cut his feature debut, Fruitvale Station, starring Michael B. Jordan. The film garnered two of the Sundance Film Festival's top prizes, the Audience Award and the Grand Jury Prize, and went on to receive numerous awards and nominations at film festivals worldwide. Shawver also edited All Summers End, a debut feature film by director Kyle Wilamowski; Warren, by director Alex Beh; Tell, for director J.M.R. Luna; and Fourth Man Out, for Andrew Nackman. Shawver's next collaboration with Coogler and Jordan was Creed, for which he received a nomination for Best Editing in the Independent Critics Poll. Michael then reunited with Coogler and Jordan on Black Panther, a box office smash, which was nominated an outstanding 43 times, including for Best Picture at the Academy Awards and Best Motion Picture Drama at the Golden Globes. His work on this project also earned him a Saturn Award Nomination for Best Editing and an Alliance of Women Film Journalists Nomination for the Best Editing EDA Award. In addition, the film won Movie of the Year at the AFI Awards. Following Black Panther, Shawver edited A Quiet Place: Part II, directed by John Krasinski. He later returned to the Marvel universe for Black Panther: Wakanda Forever, again collaborating with Coogler and Jordan. Shawver's recent work includes Abigail, a genre-bending thriller directed by Matt Bettinelli-Olpin and Tyler Gillett. He is currently editing The Thomas Crown Affair directed by and starring Michael B. Jordan. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Twin Pete’s It's time for TWIN PETE's!!! Is this a long running semi-horror-based series set in a bizarre small town in the mountainous areas of America, where a disappearance leads to bizarre occurrences? NO! it’s something much sillier! You know those weird twin films where the exact same idea is committed to celluloid at basically the exact same time? Well we are digging deep and talking about them: Is it Megamind of Despicable Me? Volcano or Dante’s Peak? and the all-time classic; Armageddon or Deep impact? In this show we are going through our survey of a bunch of the best or worst Twin films, filled out by YOU the listeners, to find which is most loved!  So if you voted in the survey, listen in. or if you are just down for a change of pace and some fun list related humour… Get amongst it! The whole team is in for this show and we have SO many movies to talk about! https://youtu.be/6cQRHqPkJhc Here’s the whole list of the films too, so you can follow along at home! Deep Impact or Armageddon? Friends with Benefits or No Strings Attached Top Gun or Iron Eagle? Platoon or Full Metal Jacket? K-9 or Turner & Hooch? Kalifornia or Natural Born Killers? Tombstone or Wyatt Earp? Gordy or Babe? The Adventures of Priscilla, Queen of the Desert or To Wong Foo, Thanks for Everything! Julie Newmar? Braveheart or Rob Roy? Antz or A Bugs Life? Depsicable Me or Megamind? Showgirls or Striptease? Tornado! or Twister? Executive Decision or Air Force One? Dante’s Peak or Volcano? Saving Private Ryan or The Thin Red Line? The Truman Show or EdTV Entrapment or The Thomas Crown Affair? Red Eye or Flight Plan? Godspell or Jesus Christ Superstar? Mission to Mars or Red Planet? Capote or Infamous The Zodiac or Zodiac? The Prestige (October 20, 2006) or The Illusiionist? (September 1, 2006) Skyline or Battle: Los Angeles? Jobs or Steve Jobs? Olympus Has Fallen or White House Down This is the End or The World’s End? The Equalizer or John Wick?* A huge thank you to all the twins who join each episode of the show, especially those of you and you… who join in on the live-chat during the Twitch stream this week (and every week!). If you haven't done so before join the weekly zoom chat (on twitch) next week for our live show! Special love and thanks goes to those who have doubled their donation of critical cash directly into our Ko-Fi cup and now also by subscribing on Twitch! Your generosity is always appreciated! If you feel so inclined drop us a sub! The more likes and subscribes we get the more emotes, you get! Every bit of your support helps us to just keep walking through each of our podcasts. Don't fret if you can't be there for the recording though as you can catch them on Youtube usually within a day or so. Make sure to subscribe there, so you don't miss them! https://youtu.be/fYaWS6s9S_Q?si=4pWoDu4caPx5RJih https://youtu.be/4_SiSA-M2rc?si=bjqAvxdqCiyl9rNv WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/

Twin Pete's It's time for TWIN PETE's!!! Is this a long running semi-horror-based series set in a bizarre small town in the mountainous areas of America, where a disappearance leads to bizarre occurrences? NO! it's something much sillier! You know those weird twin films where the exact same idea is committed to celluloid at basically the exact same time? Well we are digging deep and talking about them: Is it Megamind of Despicable Me? Volcano or Dante's Peak? and the all-time classic; Armageddon or Deep impact? In this show we are going through our survey of a bunch of the best or worst Twin films, filled out by YOU the listeners, to find which is most loved!  So if you voted in the survey, listen in. or if you are just down for a change of pace and some fun list related humour... Get amongst it! The whole team is in for this show and we have SO many movies to talk about! https://youtu.be/6cQRHqPkJhc Here's the whole list of the films too, so you can follow along at home! Deep Impact or Armageddon? Friends with Benefits or No Strings Attached Top Gun or Iron Eagle? Platoon or Full Metal Jacket? K-9 or Turner & Hooch? Kalifornia or Natural Born Killers? Tombstone or Wyatt Earp? Gordy or Babe? The Adventures of Priscilla, Queen of the Desert or To Wong Foo, Thanks for Everything! Julie Newmar? Braveheart or Rob Roy? Antz or A Bugs Life? Depsicable Me or Megamind? Showgirls or Striptease? Tornado! or Twister? Executive Decision or Air Force One? Dante's Peak or Volcano? Saving Private Ryan or The Thin Red Line? The Truman Show or EdTV Entrapment or The Thomas Crown Affair? Red Eye or Flight Plan? Godspell or Jesus Christ Superstar? Mission to Mars or Red Planet? Capote or Infamous The Zodiac or Zodiac? The Prestige (October 20, 2006) or The Illusiionist? (September 1, 2006) Skyline or Battle: Los Angeles? Jobs or Steve Jobs? Olympus Has Fallen or White House Down This is the End or The World's End? The Equalizer or John Wick?* A huge thank you to all the twins who join each episode of the show, especially those of you and you... who join in on the live-chat during the Twitch stream this week (and every week!). If you haven't done so before join the weekly zoom chat (on twitch) next week for our live show! Special love and thanks goes to those who have doubled their donation of critical cash directly into our Ko-Fi cup and now also by subscribing on Twitch! Your generosity is always appreciated! If you feel so inclined drop us a sub! The more likes and subscribes we get the more emotes, you get! Every bit of your support helps us to just keep walking through each of our podcasts. Don't fret if you can't be there for the recording though as you can catch them on Youtube usually within a day or so. Make sure to subscribe there, so you don't miss them! https://youtu.be/fYaWS6s9S_Q?si=4pWoDu4caPx5RJih https://youtu.be/4_SiSA-M2rc?si=bjqAvxdqCiyl9rNv WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/

Michael B. Jordan talks about working with his longtime collaborator Ryan Coogler, challenging himself with “Sinners,” and what his next ventures will be, including “Miami Vice” and “The Thomas Crown Affair.” Later, “Sentimental Value” star Renate Reinsve talks about the movies that influenced her, her ambitions as an actor and possible director, and her connection to Mother Earth. And the Roundtable shares what it's most thankful for this weekend. Learn more about your ad choices. Visit megaphone.fm/adchoices

When there's a successful jewel heist such as the Louvre break-in, museum directors around the world take another look at their own patches. Auckland is no exception. Auckland War Memorial Museum might not be dripping in stunning jewellery, but it still contains priceless artifacts that need protectingGuest: David Reeves - Auckland War Memorial Museum Chief Executive The film clips used in this podcast were from Entrapment (1999) Ocean's 11 (2001) Mission: Impossible (1996) The Thomas Crown Affair (1999).Find The Detail on Newsroom or RNZ Go to this episode on rnz.co.nz for more details

The Morning Show is back to bring us its version of 2024. Can any of us possibly be ready to go back there? Maybe not, but we don't have the strength to resist gorging on The Morning Show's baloney, either. Morning Show-ologist Christina Tucker returns to talk about it. Around The Dial clicks through Futurama S13, Rivals, and Celebrity Weakest Link, then takes a trip to the cinema for Downton Abbey: The Grand Finale. Margaret pitches The Fresh Prince Of Bel-Air episode "The Big Four-Oh" -- yes, the one where Aunt Viv slays a dance audition in a clip you've probably watched at least once if not 20 times -- for induction into the Canon. Then, after naming the week's Winner and Loser, we close on a Game Time everyone should swipe right on. Get yourself the strongest coffee commercially available and join us! GUESTS

The Thomas Crown Affair was the 31st-highest grossing movie of 1999, coming in one slot below another entry, Galaxy Quest, opening August 6th at number 3 at the box office behind the debut of the juggernaut The Sixth Sense at number one and Runaway Bride at number 2. The first of two 1999 film besides (besides The 13th Warrior, which we also recently discussed) from Die Hard director John McTiernan, The Thomas Crown Affair is a remake of the 1968 Steve McQueen-Faye Dunaway caper of the same name. Starring Pierce Brosnan in the title role - at the height of his Bond tenure -  alongside Rene Russo, the film was praised for featuring two (very attractive) actors who were north of 40 and portraying them in an overtly sexy light, with particular ink spilled on how refreshing it was to see the then 45-year-old Russo presented as a femme fatale. The Thomas Crown Affair was pretty well received at the time, which is interesting because it has not, on a number of fronts, aged very well. What did people see in it at the time? And does it hold up at all today? John and Julia invited critic/writer/internet pioneer Sarah Bunting, the co-creator of Television Without Pity (among many other things) to take a trip down memory lane with us as we talk sex scenes in the 1990s, the importance of getting the right director, and what separates a "heist" from a "caper". Sarah is on Bluesky @sarahdbunting

ACK ACK!! Mars Attacks Full Movie Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ With Tim Burton returning to Netflix for Wednesday Season 2, Coy & Aaron RETURN to give their Mars Attacks Reaction, Recap, Commentary, Analysis & Full Movie Spoiler Review!! Coy Jandreau & Aaron Alexander react to Tim Burton's zany and satirical 1996 sci-fi comedy Mars Attacks! — a cult classic that blends alien invasion mayhem with over-the-top performances and Burton's signature visual flair. Based on the 1962 Topps trading card series, the film follows a global crisis as Earth is visited by Martians whose intentions are anything but peaceful. Despite humanity's best diplomatic efforts, the aliens launch a chaotic and comedic war on Earth, resulting in outrageous destruction and unforgettable moments. Featuring an all-star ensemble cast, Mars Attacks! stars Jack Nicholson (The Shining, Batman) in a dual role as President James Dale and Vegas tycoon Art Land, Glenn Close (Fatal Attraction, 101 Dalmatians) as First Lady Marsha Dale, Annette Bening (American Beauty, The Kids Are All Right) as a New Age-obsessed gambler's wife, and Pierce Brosnan (GoldenEye, The Thomas Crown Affair) as pompous scientist Professor Donald Kessler. Also starring are Danny DeVito (Batman Returns), Sarah Jessica Parker (Sex and the City), Michael J. Fox (Back to the Future), Martin Short (Only Murders in the Building), Natalie Portman (Black Swan, Star Wars), Jim Brown (The Dirty Dozen), Pam Grier (Jackie Brown), Tom Jones (yes, that Tom Jones), and more. Famous scenes include the Martians' deceptive “We come in peace” moment, the destruction of major landmarks like the White House, and the hilariously bizarre finale where Slim Whitman's yodeling proves to be humanity's secret weapon. With its unique blend of retro sci-fi homage, biting political satire, and offbeat humor, Mars Attacks! remains one of Tim Burton's most wildly imaginative and divisive films. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Anthony Hopkins trolls Kim Kardashian's new face shapewear, And Just Like That has been cancelled after 3 seasons and Kim Zolciak opens up about where her children's money has gone. Plus Michael B. Jordan and Taylor Russell around the new Thomas Crown Affair. Kendall's Husband's birthday cake almost got ate and Dating Coach Michelle is back to talk Dating Profile Tips! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Kevin Feige telling half truths about MCU's past, present and future. James Gunn's recent DC comments and if he's STILL putting himself too front and center. Our Malcolm Jamal Warner tribute, Ana Nogueira tapped to write 'WONDER WOMAN' for DC, Adria Arjona cast in The Thomas Crown Affair remake with Michael B. Jordan after Taylor Russell exits the project and more.____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:14 Malcolm Jamal Warner Tribute5:00 Kevin Feige's Marvel Updates and Retconning20:44 James Gunn's Latest DC Updates, Wonder Woman News and Jimmy Olsen Show42:33 Adria Arjona Cast in Thomas Crown Affair with Michael B. Jordan 49:05 Predator Badlands Trailer and Movie/TV RecommendationsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

We battle dinosaur fatigue with Jurassic World: Rebirth plus we also discuss F1, M3GAN 2.0, Dark City, Copycat, Le Mans and Jaws at 50. 0:00 - Intro 30:45 - Review: Jurassic World: Rebirth 1:18:05 - What We Watched: F1: The Movie, Once Upon a Time in Hollywood, Dark City, Le Mans, M3GAN 2.0, The Thomas Crown Affair, Jaws at 50, Copycat 1:54:30 - This Week on DVD, Blu-ray and VOD 1:55:20 - Outro

In this episode, host Richard Roeper dives into the chilling legacy of John Wayne Gacy and previews the upcoming limited series. Plus, a look at Hollywood's reboot obsession, including a new Thomas Crown Affair and Jon Chu to Direct a new live-action Hot Wheels movie. In segment two of the podcast, Roeper gives his reviews for the following releases: Superman (Theaters) Dexter: Resurrection (Paramount+) The Richard Roeper Show is brought to you by Americaneagle.com Studios.

This episode is a first for Decoder Ring: a live show, recorded at the WBUR Festival in Boston, Massachusetts. Given the setting, we decided to take on a Boston-based cultural mystery: namely, the “Boston movie.” Beginning in the late 1990s and early 2000s, Hollywood has churned out a whole cycle of films drenched in Beantown's particularities, crimes, crops, class conflicts, and accents, from The Departed to The Town. Why does a city smaller than El Paso or Jacksonville loom so large in the cinematic imagination? Why does Boston have a movie subgenre all its own? What makes a Boston movie a Boston movie? With the help of three guests—film critic Ty Burr; Lisa Simmons, founder of the Roxbury International Film Festival; and Boston University linguist Danny Erker—we look closely at the history and heyday of the Boston movie: how The Friends of Eddie Coyle set the template, Good Will Hunting shoved the door wide open, and Mystic River ushered in an imperial phase. We discuss the importance of race and class to the Boston movie and the city itself, the role of homegrown movie stars like Ben Affleck and Mark Wahlberg, and, of course, the best and worst of Boston accents on film. This episode of Decoder Ring was produced by Willa Paskin and Max Freedman. Our team also includes Katie Shepherd and supervising producer Evan Chung. Merritt Jacob is Slate's Technical Director.  If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Films referenced in this episode: The Thomas Crown Affair (1968) Love Story (1970) The Friends of Eddie Coyle (1973) The Brink's Job (1978) The Verdict (1982) Quiz Show (1994) Good Will Hunting (1997) Squeeze (1997) Monument Ave. (1998) The Boondock Saints (1999) Southie (1999) Lift (2001) Blue Hill Avenue (2001) Mystic River (2003) Fever Pitch (2005) The Departed (2006) Gone Baby Gone (2007) The Fighter (2010) The Town (2010) Ted (2012) Ted 2 (2015) Black Mass (2015) Spotlight (2015) Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a first for Decoder Ring: a live show, recorded at the WBUR Festival in Boston, Massachusetts. Given the setting, we decided to take on a Boston-based cultural mystery: namely, the “Boston movie.” Beginning in the late 1990s and early 2000s, Hollywood has churned out a whole cycle of films drenched in Beantown's particularities, crimes, crops, class conflicts, and accents, from The Departed to The Town. Why does a city smaller than El Paso or Jacksonville loom so large in the cinematic imagination? Why does Boston have a movie subgenre all its own? What makes a Boston movie a Boston movie? With the help of three guests—film critic Ty Burr; Lisa Simmons, founder of the Roxbury International Film Festival; and Boston University linguist Danny Erker—we look closely at the history and heyday of the Boston movie: how The Friends of Eddie Coyle set the template, Good Will Hunting shoved the door wide open, and Mystic River ushered in an imperial phase. We discuss the importance of race and class to the Boston movie and the city itself, the role of homegrown movie stars like Ben Affleck and Mark Wahlberg, and, of course, the best and worst of Boston accents on film. This episode of Decoder Ring was produced by Willa Paskin and Max Freedman. Our team also includes Katie Shepherd and supervising producer Evan Chung. Merritt Jacob is Slate's Technical Director.  If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Films referenced in this episode: The Thomas Crown Affair (1968) Love Story (1970) The Friends of Eddie Coyle (1973) The Brink's Job (1978) The Verdict (1982) Quiz Show (1994) Good Will Hunting (1997) Squeeze (1997) Monument Ave. (1998) The Boondock Saints (1999) Southie (1999) Lift (2001) Blue Hill Avenue (2001) Mystic River (2003) Fever Pitch (2005) The Departed (2006) Gone Baby Gone (2007) The Fighter (2010) The Town (2010) Ted (2012) Ted 2 (2015) Black Mass (2015) Spotlight (2015) Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a first for Decoder Ring: a live show, recorded at the WBUR Festival in Boston, Massachusetts. Given the setting, we decided to take on a Boston-based cultural mystery: namely, the “Boston movie.” Beginning in the late 1990s and early 2000s, Hollywood has churned out a whole cycle of films drenched in Beantown's particularities, crimes, crops, class conflicts, and accents, from The Departed to The Town. Why does a city smaller than El Paso or Jacksonville loom so large in the cinematic imagination? Why does Boston have a movie subgenre all its own? What makes a Boston movie a Boston movie? With the help of three guests—film critic Ty Burr; Lisa Simmons, founder of the Roxbury International Film Festival; and Boston University linguist Danny Erker—we look closely at the history and heyday of the Boston movie: how The Friends of Eddie Coyle set the template, Good Will Hunting shoved the door wide open, and Mystic River ushered in an imperial phase. We discuss the importance of race and class to the Boston movie and the city itself, the role of homegrown movie stars like Ben Affleck and Mark Wahlberg, and, of course, the best and worst of Boston accents on film. This episode of Decoder Ring was produced by Willa Paskin and Max Freedman. Our team also includes Katie Shepherd and supervising producer Evan Chung. Merritt Jacob is Slate's Technical Director.  If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Films referenced in this episode: The Thomas Crown Affair (1968) Love Story (1970) The Friends of Eddie Coyle (1973) The Brink's Job (1978) The Verdict (1982) Quiz Show (1994) Good Will Hunting (1997) Squeeze (1997) Monument Ave. (1998) The Boondock Saints (1999) Southie (1999) Lift (2001) Blue Hill Avenue (2001) Mystic River (2003) Fever Pitch (2005) The Departed (2006) Gone Baby Gone (2007) The Fighter (2010) The Town (2010) Ted (2012) Ted 2 (2015) Black Mass (2015) Spotlight (2015) Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a first for Decoder Ring: a live show, recorded at the WBUR Festival in Boston, Massachusetts. Given the setting, we decided to take on a Boston-based cultural mystery: namely, the “Boston movie.” Beginning in the late 1990s and early 2000s, Hollywood has churned out a whole cycle of films drenched in Beantown's particularities, crimes, crops, class conflicts, and accents, from The Departed to The Town. Why does a city smaller than El Paso or Jacksonville loom so large in the cinematic imagination? Why does Boston have a movie subgenre all its own? What makes a Boston movie a Boston movie? With the help of three guests—film critic Ty Burr; Lisa Simmons, founder of the Roxbury International Film Festival; and Boston University linguist Danny Erker—we look closely at the history and heyday of the Boston movie: how The Friends of Eddie Coyle set the template, Good Will Hunting shoved the door wide open, and Mystic River ushered in an imperial phase. We discuss the importance of race and class to the Boston movie and the city itself, the role of homegrown movie stars like Ben Affleck and Mark Wahlberg, and, of course, the best and worst of Boston accents on film. This episode of Decoder Ring was produced by Willa Paskin and Max Freedman. Our team also includes Katie Shepherd and supervising producer Evan Chung. Merritt Jacob is Slate's Technical Director.  If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Films referenced in this episode: The Thomas Crown Affair (1968) Love Story (1970) The Friends of Eddie Coyle (1973) The Brink's Job (1978) The Verdict (1982) Quiz Show (1994) Good Will Hunting (1997) Squeeze (1997) Monument Ave. (1998) The Boondock Saints (1999) Southie (1999) Lift (2001) Blue Hill Avenue (2001) Mystic River (2003) Fever Pitch (2005) The Departed (2006) Gone Baby Gone (2007) The Fighter (2010) The Town (2010) Ted (2012) Ted 2 (2015) Black Mass (2015) Spotlight (2015) Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

August 1999's The 13th Warrior was (mostly) directed by legendary Predator and Die Hard director – and occasional felon – John McTiernan, and released just three weeks after his other (far more successful) 1999 film The Thomas Crown Affair. Based on the 1976 novel "Eaters of the Dead" by Michael Crichton (who also took over to direct several scenes), The 13th Warrior stars Antonio Banderas, Vladimir Kulich, Dennis Storhoi, Diane Venora, Richard Bremmer, Tony Curran, and Omar Sharif It took two decades to finally get Crichton's reimagining of "Beowulf" to the screen, and the film is best remembered as a fascinating failure – a $160 million epic that earned about $100 million shy of that globally, making it the biggest flop of the year. But over the years The 13th Warrior has achieved cult status, with many defenders arguing that, while imperfect, what actually winds up on the screen is still very worthwhile. We took that theory to task with writer/critic Peter Raleigh, who you can find on Bluesky at @petreraleigh You can also listen to Graeme Revell's vastly superior original score to The 13th Warrior here, thanks to YouTube user deavonw: The 13th Warrior (Rejected Score)

This week we can't get enough of a saucy Irishman. We watched The Thomas Crown Affair (1999)...the Bond movie, he stepped away from James Bond to do...or was that the Taylor of Panama....or The Matador....sorry, I was getting lost in his eyes. This is a dusting off of an old, behind the Patreon Paywall episode, so be kind about the fact that my voice has aged terribly.  Make sure to like and subscribe wherever you are getting this! Please leave us a review and follow us everywhere! How will The Thomas Crown Affair hold up?  Host: Jon Panel: Nic, Matt, Daniel   Directed by John McTiernan Starring: Pierce Brosnan, Rene Russo, Denis Leary, Ben Gazzara, Frankie Faison, Fritz Weaver, Charles Keating, Mark Margolis, Faye Dunaway

In this conversation, Nique discusses the anticipation surrounding upcoming films, particularly focusing on Michael B. Jordan's involvement in remakes like 'The Thomas Crown Affair.' The discussion transitions into the broader topic of remakes in cinema, exploring their significance and the balance between originality and nostalgia. The conversation then shifts to an in-depth analysis of the 1994 film 'Jason's Lyric,' highlighting its themes of love, family dynamics, and the struggles of growing up in a challenging environment. Nique emphasizes the film's portrayal of black love and the importance of character development, making a case for its status as a classic in 90s cinema.

In this episode of The Tales From Hollywoodland Podcast, the crew explores the legendary career of Steve McQueen, the iconic actor known as The King of Cool. From his breakout roles in Bullitt, The Great Escape, and The Thomas Crown Affair to his lasting impact on Hollywood and pop culture, they discuss what made McQueen […] The post Steve McQueen: The King of Cool – Tales From Hollywoodland appeared first on The ESO Network.

In this episode of The Tales From Hollywoodland Podcast, the crew explores the legendary career of Steve McQueen, the iconic actor known as The King of Cool. From his breakout roles in Bullitt, The Great Escape, and The Thomas Crown Affair to his lasting impact on Hollywood and pop culture, they discuss what made McQueen a cinematic legend. Join us for a deep dive into his rebellious spirit, on-screen charisma, and the legacy he left behind in the world of film. Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland   Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #SteveMcQueen #KingOfCool #HollywoodLegend #ClassicCinema #Bullitt #TheGreatEscape #TheThomasCrownAffair #FilmIcon #MovieLegend #TalesFromHollywoodland #CinemaHistory #ActionStar #HollywoodStories #FilmIndustry #ClassicHollywood #IconicActor #MoviePodcast #LegendaryPerformances #RebelIcon

"Mark WahlTURD & the Yucky Bunch" rolls along into 2003, when a much-in-need-of-a-comeback Mark Wahlberg decided to hop on the then popular trend of remaking classic '60s heist movies, with a modern update of the beloved Michael Caine crime caper The Italian Job. Here, Wahlberg and a crew of fellow eccentric thieves (a "funky bunch," if you will) seek to pull off a heist as revenge against a former compatriot who has done them wrong. The movie's action scenes undeniably started a Mini Cooper popularity boom, but what about the rest of the movie? Is it as sexy as The Thomas Crown Affair? Is it as cool as Ocean's Eleven? Why did one of its stars hate being in it? And, most importantly for our theme, did it reignite Wahlberg's flailing movie star career? We discuss all this, and more! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

Here I go again, Bivol the magnificent, reading the signs, the tragedy of the five seasons, viddy well little brother, beer is overrated, a new drug on the horizon, an epic dig from Johnny Carson, I'm big in Paris, the rhythm method, the genius of Michel Legrand, the amazing Agnes Varda, a goofy ass yet enjoyable Pierce Brosnan curio, it's all about the traction, more made up quotes, and some wisdom from George Carlin. Stuff mentioned: Whitesnake "Here I Go Again" (1982), Dmitry Bivol vs. Artur Beterviev II (February 22, 2025), Derek and the Dominos "Bell Bottom Blues" (1970), Somebody Up There Likes Me (1956), The Box (2009), Frankie Valli and the Four Seasons "Opus 17/Don't You Worry 'bout Me" (1966), A Clockwork Orange (1971), Danny Sugerman and Jerry Hopkins No One Here Gets Out Alive (1980), Anthony Burgess A Clockwork Orange (1962), The Chevy Chase Show (1993), Hudson Hawk (1991), Howard the Duck (1986), An American in Paris (1951), Liza: A Truly Terrific Absolutely True Story (2024), Gene Kelly "I Got Rhythm" (1951), Michel Legrand "The Windmills of Your Mind" (1968), The Thomas Crown Affair (1968), The Thomas Crown Affair (1999), Die Hard (1988), The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), Michel Legrand "Devant le Garage" (1964), Michel Legrand "Chanson des Jumelles" (1967), Cleo from 5 to 7 (1962), Vagabond (1985), The Gleaners and I (2000), Taffin (1988), and Sayonara (1957).

Friend of the Podcast Kelly returns to collect the winnings of her 2024 Oscar Pick 'Em title: Watching 1999 remake of "The Thomas Crown Affair" starring Pierce Brosnan, Rene Russo, and Denis Leary. What to the guys think?

In this episode, CJ interviews Nigel Glenday, CFO, COO, and board member at Masterworks, a company that allows investors to buy shares in high-value artworks. He sheds light on the art market and Masterworks's business model. They discuss the intricacies of art as an asset class, its historical significance, and its potential as an investment. Nigel explains the process of securitizing art, comparing it to other unique asset classes like racehorses and athlete contracts. He highlights the importance of data in valuing art and the company's approach to managing a large portfolio of art investments, before discussing the evolution of Masterworks' business model. The episode provides insights into the unique aspects of this asset class and the innovative ways Masterworks is scaling its business.—SPONSORS:Vanta's trust management platform takes the manual work out of your security and compliance process and replaces it with continuous automation. Over 9000 businesses use it to automate compliance needs across over 35 frameworks like SOC 2 and ISO 27001. Centralize security workflows, complete questionnaires up to five times faster, and proactively manage vendor risk. For a limited time, get $1,000 off of Vanta at vanta.com/metrics.Tropic is an intelligent spend management solution that consolidates your spend data and processes into one unified offering, enabling insights and decisive action. It doesn't just show you where the problems are—it helps you solve them. From spotting hidden optimization opportunities, like duplicative spend, to automating those painful procurement workflows, to giving you the best market data that turns every vendor negotiation in your favor. Tropic combines smart insights with real human expertise to keep you ahead of the curve. Visit tropicapp.io/mostlymetrics to learn howRightRev automates the revenue recognition process from end to end, gives you real-time insights, and ensures ASC 606 / IFRS 15 compliance—all while closing books faster. Whether it's multi-element arrangements, subscription renewals, or complex usage-based contracts, RightRev takes care of it all. That means fewer spreadsheets, fewer errors, and more time for your team to focus on growth. For modern revenue recognition simplified, visit rightrev.com and schedule a demo.Planful is a financial performance management platform designed to streamline financial tasks for businesses. It helps with budgeting, closing the books, and financial reporting, all on a cloud-based platform. By improving the efficiency and accuracy of these processes, Planful allows businesses to make better financial decisions. Find out more at www.planful.com/metrics.Brex offers the world's smartest corporate card on a full-stack global platform that is everything CFOs need to manage their finances on an elite level. Plus they offer modern banking and treasury as well as intuitive expenses and accounting automation, bill pay, and travel. Brex makes it easy to control spend before it happens, automate annoying tasks, and optimize your finances. Find out how Brex can help you make every dollar count at brex.com/metrics.—FOLLOW US ON X:@cjgustafson222 (CJ)—TIMESTAMPS:(00:00) Preview and Intro(02:23) Sponsor – Vanta | Tropic(04:53) Overcoming the Thomas Crown Affair(06:22) Finance Within the Art World(07:34) The Most Expensive Piece of Art Ever Purchased(09:15) The History of Art as an Asset Class(10:51) The Data-Rich Nature of Trading Art(12:46) The Performance of the Art Market Compared to Other Markets(15:37) Emotional Dividends in Art Investing(17:13) Sponsor – RightRev | Planful | Brex(20:55) Securitizing Anything with a Cash Flow(24:45) Securitizing Art(27:28) Determining When to Sell(30:03) Museums: Owned Versus Loaned(30:55) Masterworks' Revenue Streams(34:21) How Masterworks Services Their Investors(36:06) Data and How It Informs What Masterworks Buys and Sells(41:55) Evaluating the Value of the Art(43:04) The Trading Market(44:59) The Scaling and Evolution of Masterworks(49:24) Long-Ass Lightning Round: Auto-Renewal Contract Mistakes(50:43) Advice to Younger Self: No Style Points(53:52) Finance Software Stack(57:31) Craziest Expense Story: Defend Your Spend Get full access to Mostly metrics at www.mostlymetrics.com/subscribe

On this episode, we look back at 2005's The Matador - a really unique black comedy starring Pierce Brosnan and Greg Kinnear, directed and written by Richard Shepherd. Before getting into the plot of the movie, we also discuss some other Pierce Brosnan movies such as The Long Good Friday, Nomads, Taffin, The Thomas Crown Affair, GoldenEye, and The Tailor of Panama. We also decided to talk about another hitman comedy, Confessions of a Dangerous Mind on Patreon. That bonus episode is available, along with dozens more, exclusively on our Patreon at: www.patreon.com/almostcultclassics.  You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

The Bloody Awesome Movie Podcast The Bloody Awesome Movie Podcast This week, we review Flight Risk, discuss Sundance Buzz in Concessions of a Cinephile, and more! The Bloody Awesome Movie Podcast delivers a spoiler-free review of a film, usually a new release with some exceptions, every week. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from disappointment media will introduce a variety of movies or pop-culture-related topics in a series of segments. Review of Flight Risk Director, writer, and cast provided by Letterboxd.com IMDb.com Synopsis: A U.S. Marshal escorts a government witness to trial after he is accused of getting involved with a mob boss, only to discover that the pilot who is transporting them is also a hitman that had been sent to assassinate the informant. After they subdue him, they're forced to fly together after discovering that there are others attempting to eliminate them. RATINGS: 21% RT critic 62% RT audience 38 Metascore 5.7 IMDb user score 2.3 Letterboxd Where to watch? Theaters Concessions of a Cinephile In this segment, we switch to movie-motivated conversations of a large variety that could include headlines, trailers, top five lists, best of, competitions, etc… Topic: Sundance Buzz coming out of the festival Letterbox article Deadline article Letterboxd List Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt's consumption The Baby in the Basket, The Damned Jon's consumption The Last Emperor, 12 Years a Slave, The Thomas Crown Affair (1968), Dark Match, Anastasia, Analyze That Severance S2E2 Anastasia the Musical (local theater production)

Donald Macleod delves into the life and music of Michel Legrand Michel Legrand is best known for creating the soundtracks for over 200 films, including The Umbrellas of Cherbourg, The Thomas Crown Affair and The Go-Between. But he had an insatiable creative spirit that led him into the world of theatre, ballet, opera and more.Donald is joined by theatre director and composer Jeremy Sams, who recalls collaborating with Legrand on the Broadway musical Amour - and avoiding going to restaurants with him.Music Featured: Les Moulins de Mon Coeur Summer Me, Winter Me Vian: Luna Rossa - Blushing Moon (arr. Legrand) Capua: O Sole Mio (arr. Legrand) Serrapi: Sentir De La Alhambra (arr. Legrand) Falla: Le Danse Du Feu (arr. Legrand) Rodor/Scotto: Sous les ponts de Paris (arr. Legrand) Battaille/Schertzinger: Paris je t'aime d'amour (arr. Legrand) Piaf/Louiguy: La vie en rose (arr. Legrand) Porter: I Love Paris (arr. Legrand) Durand: Mademoiselle de Paris (arr. Legrand) Bernheim: Paris (arr. Legrand) Kosma: Les feuilles mortes (arr. Legrand) Lafarge: La Seine (arr. Legrand) F. Waller: The Jitterbug Waltz (arr. Legrand) Reinhart: Nuages (arr. Legrand) Count Basie: Blue and Sentimental (arr. Legrand) Sampson/Goodman: Stompin' at the Savoy (arr. Legrand) Thelonious Monk: ‘Round Midnight (arr. Legrand) Ellington: Don't Get Around Much Anymore (arr. Legrand) Beiderbecke: In A Mist (arr. Legrand) Dans le magasin de parapluies Chez Dubourg, le joailier Devant le garage Chanson de Lola Blues Chez le Bougnat You Must Believe in Spring Windmills of Your Mind His Eyes, Her Eyes How do you keep the music playing? Watch what happens What are you doing with the rest of your life? The Go Between (Main Title) The Summer Knows The Hands of Time Overture from The Three Musketeers Songs from Yentl Nobody Knows After the Rain Amore (excepts) Once Upon a SummertimeMichel & Melissa at Work Now and Then Concerto pour violoncelle I Will Wait For YouPresented by Donald Macleod Produced by Alice Mckee for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michel Legrand (1932-2019) https://www.bbc.co.uk/programmes/m0026kjgAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) explore the life and career of Canadian filmmaker Norman Jewison. Born in 1926 in Toronto, Jewison acted out movies as a boy and was involved in school productions at a young age. He studied at the Royal Conservatory and worked as a radio actor before he began writing, directing, and producing shows for the network CBC. He made his feature film debut in 1962 and began directing shortly after. He's known for films like The Cincinnati Kid (1965), The Russians Are Coming (1966), The Thomas Crown Affair (1968), Fiddler on the Roof (1971), Jesus Christ Superstar (1973), Rollerball (1975), Justice for All (1979), A Soldier's Story (1984), Agnes of God (1985), Moonstruck (1987) The Hurricane (1999), and more, receiving Academy Award nominations for best director three separate times.  To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website. And check out our Instagram, @cinemasoundspod! 

Watch Here: https://youtu.be/IjlhXzO9QIoAbout the Guest(s): Jamie Simpson is a co-founder of Monopoly Capital, known for his distinctive journey from working in various jobs, like door-to-door sales and configuring holiday packages, to becoming a pivotal player in the mergers and acquisitions (M&A) sector. With extensive experience across private equity, business turnarounds, and a creative approach to consulting for equity, Jamie has demonstrated a unique ability to transform underperforming companies into successful ventures. His hands-on experience in acquiring and rolling up businesses into profitable entities reflects his commitment and expertise in driving shareholder value. Jamie leverages his skills through Monopoly Capital to assist small to medium-sized enterprises (SMEs) in enhancing their operations and preparing for acquisitions or successful exits.Summary: Jamie Simpson, co-founder of Monopoly Capital, joins Ronald Skelton to discuss strategic growth through M&A and consulting for equity. Jamie shares his journey from a young entrepreneur inspired by "The Thomas Crown Affair" to a seasoned business owner. He emphasizes the importance of building strong foundational systems before pursuing acquisitions, and how his company helps small businesses achieve significant growth through a hands-on approach.Key Takeaways:Transition Story: Jamie Simpson's non-traditional journey from sales to M&A illustrates the power of inspiration and resilience in career development.Consulting for Equity: Monopoly Capital's innovative model prioritizes performance-based equity acquisition over upfront capital injection.Importance of Systems: Foundational systems and processes are crucial for business growth and preparedness for mergers and acquisitions.Industry Focus: Jamie targets service-based industries, especially those with recurring revenue models, to maximize long-term business valuation.Learning from Mistakes: Jamie's initial failed attempt in acquiring a care home emphasizes the necessity of due diligence and adaptability in the business acquisition process.--------------------------------------------------Contact Jamie onLinkedin: www.linkedin.com/in/jamiemonopoliWebsite: https://monopolicapital.com/--------------------------------------------------How2Exit Joins IT ExchangeNet's Channel Partner Network!-Why IT ExchangeNet?Since 1998, IT ExchangeNet has created $5 billion in value by selling more than 225 IT businesses in 20 countries. IT ExchangeNet works exclusively with IT-enabled businesses generating between $5M and $30M who are ready to be sold, and M&A decision-makers who are ready to buy. For over 25 years IT ExchangeNet has developed industry knowledge that helps them determine whether a seller is a good fit for their buyers before making a match."Out of all of the brokers I've met, this team has the most experience and I believe the best ability to get IT service businesses sold at the best price" - Ron SkeltonThe IT ExchangeNet M&A Marketplace we partnered with has a proprietary database of 50,000+ global buyers seeking IT Services firms, MSPs, MSSPs, Software-as-a-Service platforms, and channel partners in the Microsoft, Oracle, ServiceNow, and Salesforce space.If you are interested in learning more about the process and current market valuations, complete the contact form and we'll respond within one business day. Everything is kept confidential.Are you interested in what your business may be worth? Unlock the value of your IT Services firm, visit https://www.itexchangenet.com/marketplace-how2exit and complete the contact form.Our partnership with IT ExchangeNet focuses on deals above $5M in value.If you are looking to buy or sell a tech business below the $5M mark, we recommend Flippa.--------------------------------------------------

The League returns to see what Tommy Crown is up to this time! We talk about the 1999 version of The Thomas Crown Affair and compare (and contrast!) it to the 1968 version. Does the glider scene still play? Is it cooler to steal art than rob a bank? Is Faye Dunaway a better therapist than insurance investigator, or chess player? Listen and find out!

Join hosts Matt Dursin, John Hunt, and Boston Police Detective Clay N. Ferno as they prepare to compare the original movie to its 1999 remake! The League highlights Steve McQueen's fashion, Faye Dunaway's style, and the iconic sexy chess match. Don't miss this entertaining classic heist film filmed in and around Boston, North Dakota! Is Faye Dunaway too beautiful? Can a movie like this ever end? Does it have an end? Stay tuned for the direct-to-DVD sequel: The Thomas Crown Affair Rises! Who has a better laugh, Steve McQueen or Dursin as Lex Luthor? Brett Calhoun will do! Glide right into your dune buggy and Think Dirty!

On Episode we talk about El Segundo and the newly opened Intuit Dome. We then take a quick look at the 2024 Emmy's and discuss the craziness from a recent Jane's Addiction concert. We've also got news about a new Thomas Crown Affair version and James Cameron's next non-Avatar project. What We're Watching: The Perfect Couple (Netflix) Civil War Speak No Evil

This week on The Nerdpocalypse Podcast, the guys return to discuss the new Ultimates comic series, Blink Twice, Fight Night, Dune 3 is officially underway, another reboot of The Thomas Crown Affair with Michael B. Jordan, Jared Leto rumored to be in the running for Skeletor in Masters of the Universe film, Disney being sued over using Peter Cushing's likeness, David Zaslav brags about doing almost nothing, trailers for Wolf Man, Salem's Lot, Venom: The Last Dance, The Apprentice, and much more.CHECKED OUTThe Ultimates (2024 - ) #1-4Blink TwiceFight Night: The Million Dollar HeistTOPICS - Section 1Dune 3 is officially in the works with Denis Villeneuve returningMovie theaters forced to implement waterproof seating upon new announcementFake Italian doofus to like screw-up roleTNP STUDIOS PREMIUM(www.TheNerdpocalypse.com/premium)$5 a month or $50 for the yearAccess to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcastTOPICS - Section 2Disney Sued For Using Peter Cushing's Face In Star Wars: Rogue OneReal world comic book villain congratulates himself from not destroying thingsTRAILERSWolf ManSalem's LotVenom: The Last DanceThe Apprentice

ICYMI: Hour Three of ‘Later, with Mo'Kelly' Presents – A look at the “blockbuster” streaming package Disney+ is launching prior to the platform's next major price hikes…PLUS – Thoughts on Michael B. Jordan signing on to Direct and Star in a remake of the ‘Thomas Crown Affair' AND the passing of 'Karate Kid' Star Chad McQueen - on KFI AM 640…Live everywhere on the iHeartRadio app

MUSICMTV celebrated the 40th anniversary of its Video Music Awards with plenty of looks back at classic moments and a few glimpses of what we might be seeing in the future.Jon Bon Jovi had an interesting encounter while in Nashville Tuesday. While crossing the John Seigenthaler Pedestrian Bridge over the Cumberland River around 6 p.m. for a video shoot, he came upon a woman who appeared to be getting ready to jump. He reportedly spoke with her and convinced her otherwise. Jerry Cantrell hinted to 'Loudwire' about what's coming from Alice in Chains. He's focused on celebrating his new solo album, 'I Want Blood', for now but said, "There's a couple of things that we're working on, like non-album related. We're going to jump on a call [soon], we've got a few creative irons in the fire."  MOVING ON INTO MOVIE NEWS:Michael B. Jordan signed on to direct a remake of The Thomas Crown Affair for Amazon MGM Studios, which will release the film exclusively in theaters worldwide.   Pharrell Williams attended the Toronto International Film Festival for a screening of his Lego biopic Piece By Piece.    Judd Apatow will direct "Cola Wars", a movie about the rivalry between Pepsi and Coke. Progress on Cola Wars is bubbling up, as Steven Spielberg to produce, The Hollywood Reporter has confirmed.  AND FINALLYPeople are having ‘shower thoughts' about how the cowboy hat came to be. Funny enough, no one can really agree on the actual answer. But there are some great theories: Theory #1 . . . Cowboys would roll up the sides so three of them could comfortably sit next to each other in a pickup truck without their hats touching... AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC MTV celebrated the 40th anniversary of its Video Music Awards with plenty of looks back at classic moments and a few glimpses of what we might be seeing in the future. Jon Bon Jovi had an interesting encounter while in Nashville Tuesday. While crossing the John Seigenthaler Pedestrian Bridge over the Cumberland River around 6 p.m. for a video shoot, he came upon a woman who appeared to be getting ready to jump. He reportedly spoke with her and convinced her otherwise.  Jerry Cantrell hinted to 'Loudwire' about what's coming from Alice in Chains. He's focused on celebrating his new solo album, 'I Want Blood', for now but said, "There's a couple of things that we're working on, like non-album related. We're going to jump on a call [soon], we've got a few creative irons in the fire."   MOVING ON INTO MOVIE NEWS: Michael B. Jordan signed on to direct a remake of The Thomas Crown Affair for Amazon MGM Studios, which will release the film exclusively in theaters worldwide.   Pharrell Williams attended the Toronto International Film Festival for a screening of his Lego biopic Piece By Piece.     Judd Apatow will direct "Cola Wars", a movie about the rivalry between Pepsi and Coke. Progress on Cola Wars is bubbling up, as Steven Spielberg to produce, The Hollywood Reporter has confirmed.   AND FINALLY People are having ‘shower thoughts' about how the cowboy hat came to be. Funny enough, no one can really agree on the actual answer. But there are some great theories:  Theory #1 . . . Cowboys would roll up the sides so three of them could comfortably sit next to each other in a pickup truck without their hats touching...  AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jon Negroni unpacks a few big news stories in the world of film this week, including some weird drama and false rumors about Spider-Man: Beyond the Spider-Verse. James Earl Jones passes away at age 93. Disney is making a new Ice Age movie. Judd Apatow and Steven Spielberg are making a Cola Wars movie about Pepsi and Coke. Michael B. Jordan to direct and star in remake of Thomas Crown Affair for Amazon MGM Studios. Spider-Man 4 (real name TBD) starring Tom Holland will be directed by Destin Daniel Cretton, director of Shang-Chi. Denis Villeneuve maintains he won't do another Dune movie after Dune: Messiah, but he wants another director to take it over. No, Sony didn't scrap most of Spider-Man: Beyond the Spider-Verse. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord and chat with us! We have a Cinemaholics channel here. Want to hear yourself on the show? Leave us a voicemail using The “Swell” App. You can ask us questions, bring up a news topic, or share whatever else might be on your mind. Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Maru Zavala, Yamile Chaul, Adrian Murra y Fernando Veloz hablan de Todo Que Ver con Las Galerías de Arte. Hablaremos de: Juan Gabriel, Love is Blind, Velvet Buzzsaw, Catalina Aguilar Mastretta, Bellas Artes, Station Eleven, Nadie Nos Va A Extrañar, The Thomas Crown Affair y mucho más.

Right smack in the middle of his run of playing James Bond in four consecutive movies, Pierce Brosnan took a SLIGHT detour in this remake of a sorta-classic from 1968, the romantic thriller of the same name starring Steve McQueen and Faye Dunaway.  This is a somewhat modernized remake as we follow the exploits of a billionaire playboy named Thomas Crown (Brosnan) who also moonlights as an art thief....and the crafty art bounty hunter who's on his tail (in more ways than one) Catherine Banning played by Rene Russo.  And wouldn't you know it...these two take a liking for each other.  Not only that but could THIS be the best Bond-life performance ever given by Brosnan, even better than when he actually played bond? Inquiring minds want to know in this breezy romantic caper directed by John McTiernan.  Yes the SAME McTiernan who had directed action classics such as Predator and Die Hard more than a decade prior....who knew that he also had a romantic streak? :)   Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a Text Message.https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In this episode of the TILT Parenting Podcast, I'm excited to share with you a conversation I recently had with filmmaker Tom Ropelewski. Tom is the director of the highly acclaimed documentary 2e: Twice Exceptional, which came out in 2015, and he's currently wrapping up post-production on a follow-up film, called 2e2: Teaching the Twice Exceptional. Tom's films center around Bridges Academy, a school for twice-exceptional kids in Studio City, CA that seems to have figured out the best way to meet the educational needs of these unique learners. In our conversation, Tom shares his story and personal why behind making these films, talks about the educational model at Bridges, describes how his films are helping to bring awareness of 2e kids' into the mainstream, and gives us a sneak peek at his new film coming out later this year.   About Tom: Thomas Ropelewski has written and directed for both film and television. He wrote and made his feature directorial debut with the Orion Pictures comedy MADHOUSE, starring John Larroquette and Kirstie Alley. Other film credits include LOVERBOY, THE KISS, LOOK WHO'S TALKING NOW and THE NEXT BEST THING. His television work includes serving as writer/executive producer for three seasons of Paramount TV's action/sci-­‐fi series SEVEN DAYS. Recently, Ropelewski produced and directed the documentary, CHILD OF GIANTS: My Journey with Maynard Dixon and Dorothea Lange. The film has been screened at film festivals, colleges and museums around the world. It has also aired on KCET/San Francisco's “Truly CA” documentary series. He currently resides in Berkeley, CA and is married to screenwriter Leslie Dixon (MRS. DOUBTFIRE, HAIRSPRAY, THE THOMAS CROWN AFFAIR, LIMITLESS).   Things You'll Learn From This Episode: Tom's personal why for creating documentaries How Bridges Academy successfully supports 2e kids The story behind Tom's film, 2e: Twice Exceptional The focus of Tom's follow-up documentary, coming in 2018: 2e2: Teaching the Twice Exceptional How Tom's documentary helped to expand general awareness of 2e / twice-exceptional Why it's critical to use a strengths-based approach when educating 2e kids Get Exclusive NordVPN deal here → https://nordvpn.com/tilt - It's risk-free with Nord's 30-day money-back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Thomas Crown Affair (1999)Description:Chris, Jeremy, and Aaron have found some things to recommend to you.1) Small Recommends:The Last Duel (2:00)Civil War (6:30)Near Dark (9:34 )2) The Big Recommend: The Thomas Crown Affair (11:49)3) Surprise Double Feature: ????????  (47:49)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A Fiji water bottle. “Sinnerman” by Nina Simone. That Magritte painting with the bowler hat. A SCINTILLATING, AGE-APPROPRIATE ROMANCE WITH TWO OF THE GREATEST HEIST SEQUENCES IN MOVIE HISTORY. We're talking Tommy C (1999), baby! The delightful Amanda Dobbins joins us for her long-awaited Blank Check debut, and this episode is about as fun as you'd expect. Do we think this movie is better than the Norman Jewison original? Yes. Do we go long on the filmography of Rene Russo? Yes. Do we explain how Pierce Brosnan fit the Monet canvas into his briefcase? Sort of. Does Amanda know the plot of “Wicked”? Surprisingly, no! This episode is sponsored by: ExpressVPN (ExpressVPN.com/check) MUBI (mubi.com/blankcheck) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! 

We are back!  Filmmaker Jason Wise and wine expert Jonah Beer dive back into famous moments where wine makes appearances in Film and Television.  On today's podcast we breakdown a champagne in “Jurassic Park”, Pierce Brosnan's  wine taste in “Thomas Crown Affair”, Nazi wine in “Band of Brothers”, and a crazy counterfeit wine scene in the famous 90s TV Show: “Northern Exposure”.  Be sure to subscribe to sommtv.com for the best in wine education and entertainment.

A movie obsession, a deathbed confession, and a 50-year-old transgression. Ted Conrad robbed a bank in 1969 and was never caught, a crime inspired by the original "The Thomas Crown Affair" film. Thomas Randele claimed to be Ted just months before his death. Was Tom really Ted? Was he really a master criminal? Or maybe the luckiest man alive?This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4106013/advertisement