Podcasts about sports movies

Steve and Frank discuss the classic movie Karate Kid.  This is considered a classic 80's movie and we both love it!!!  Kasey, not so much.  Also, who started the beef: Johnny or Daniel?  Ejoy!

On this episode the guys review their CFB Week 2 Pick Em's, chat about the surprises of the NFL thru week 2, Brett Favre stealing welfare money, Aaron Judge, Daily Poeltl/Weddle and rank the best Sports Movies! Be sure to follow us on our socials here! https://solo.to/thacookout so you can watch our shows live on Twitch and YouTube every Tuesday and Thursday at 8pm ET --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bo-tillmon/support

This week on the PayneCast:- Braves Pennant Race- College Football Mayhem- UT/UF College Gameday - Guest Picker?- Mike Evans Ejected- Falcons Youth Football Group Text - Cobra Kai Season 6 Review (Spoilers)- Mt Rushmore of Sports MoviesBe sure you leave us a review and a rating. You can follow us on Spotify, Apple Podcast, YouTube, Facebook, & Instagram! Please send your comments, topics, and ideas to thepaynecast1@gmail.com.

Have you ever watched a movie and felt like you could take on the world? Full of emotion and energy and inspired toward greatness? Then chances are strong that the movie you watched was a sports movie. Today, the boys sit down and talk about some of the greatest sports movies that have graced the silver-screen! Have an opinion? Share it with us on social media @bestthingspod, TAP HERE to leave us a voice message OR email us at feeback@bestthingspod.com and you could hear your opinion on an upcoming episode.

In this episode, it's time for our highly anticipated Sports Movie Draft! We bring in our good friend Jay and the four of us pick our favorite sports films in a six round snake draft. Just to shake things up, we can only pick one movie for each sport. Listen now!

Gather 'round to listen to the boiz put together a tier ranking list for some beloved sports movies. Did they forget any big ones? Maybe. But that's not the point. See where classics like Air Bud and Like Mike get ranked. Listen to find out which classics the boiz have the biggest fights over. Don't forget to rate, review and subscribe. Go Chiefs.

Welcome to Dad Talks! Where we send you some knowledge to digest. Could be conspiracies, could be recipes, could be movie summaries, could be life lessons. Who knows what you'll find. This week, our top 5 sports movies! You can find us on Instagram, Twitter, and Facebook @Bigdadenergypod and email us at bigdadenergypod@gmail.com Thanks to Planet Ant Media for having us on their network! @planetantpodcasts @planetantdet @PlanetAntDigital

Rudy and Noah dive into all things involved with the making of the movie "Rudy"! Things like: - Where the inspiration to sell there film came from - How he got the writer of Hoosiers & ND on board - How much he sold the script for - His involvement with the making of the movie - Casting the movie - Joe Montana's negative comments about the movie ....5 best sports movies.....5 pillars of being a walk-on....Brian Kelly & Lou Holtz...& so much more! See omnystudio.com/listener for privacy information.

Yeee the title sums it up on this one !! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

(0:00) Moving up the list for top 50 sports movies. (12:50) Can the Patriots start the season 2-0? (24:14) Patriots season predictions with Perillo. (35:00) Fake Promo Friday.

(0:00) Celtics talk and Baseball Intro songs (14:14) Hardy, Perillo and McKone discuss the Top 50 sports movies all-time. (24:14) Continue talk on the Top 50 sports movies of all-time (35:00) Breaking News with McKone

This week, we're welcoming back a woman I had so much fun dissecting Roger Moore's Bond era with the last time she appeared on the podcast towards the end of Season 2. Julia Ricci is a Senior Programmer at Heartland Film in Indianapolis, Indiana, which organizes the Heartland International Film Festival and the Academy Award-qualifying Indy Shorts International Film Festival. She has been part of the programming team since 2018, selecting films for the festivals' shorts, features, and retrospective slates, and has programmed 17 short films that went on to become Oscar nominees and winners in the Live Action, Documentary, and Animated Short categories.Prior to Heartland Film, Julia was a researcher for Turner Classic Movies and The Criterion Collection's former streaming platform FilmStruck, and appeared on TCM as a Guest Fan Programmer. She has a degree in History from Ball State University and is a regional Emmy nominee for the documentary short "Legacies of Perfection: Auburn, Cord, Duesenberg," from 2013.Returning to celebrate three classic underdog sports stories set in Indiana, in this episode, we look at beloved family favorites Breaking Away, Hoosiers, and Rudy, and also investigate our relationships to these films and sports in general, and discuss what makes the genre so timeless and compelling.Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveLogo: Kate Gabrielle (KateGabrielle.com)Originally Posted on Patreon (9/2/22) here: https://www.patreon.com/posts/71424071

(0:00) Celtics talk and Baseball Intro songs (14:14) Hardy, Perillo and McKone discuss the Top 50 sports movies all-time. (24:14) Continue talk on the Top 50 sports movies of all-time (35:00) Breaking News with McKone

(0:00) Moving up the list for top 50 sports movies. (12:50) Can the Patriots start the season 2-0? (24:14) Patriots season predictions with Perillo. (35:00) Fake Promo Friday.

On the today's episode of the ten's Keem and Fame reveal their top 10 sports movies

"In all the history of the boxing game, you'll find no human interest story to compare with the life narrative of James J Braddock"For this week's episode, we discuss one of Trevor's top boxing movies of all time, Cinderella Man.

With guests Andy Rodriguez from the Blackspinner Circle Podcast and Charles Traynor from Oasis. We Make our The Ultimate Anthrax 11 Song Album. Before that We get into the BS!! about Tommy Lee's bender' Bret Michael's owning up they were glam plus Sports Movies and other BS!! #anthrax #tommylee #bretmichaels #ratsaladreview #marcandjerrybssessions #subcribe #mötleycrüe #nfl #mlb #oasis #stadiumtour #metal #thrashmetal --- Send in a voice message: https://anchor.fm/rat-salad-review/message

In this classic episode, Anney finally redeems herself in Samantha's eyes and watches the 1992 feminist classic A League of Their Own. There is definitely crying in podcastingSee omnystudio.com/listener for privacy information.

The boys get into end of the year awards and breakout players for the upcoming season.  Our top 5 sports movies as well!Support the show

The "Sports Flix" guys are here to provide a public service. They want to share with you what sports movies you should never watch while drunk (and some that you should). Pop open a beer (if you're 21) and listen to this exciting brand new episode of "Sports Flix, Just Give Us Clix". Email: sportsflixjustgiveusclix@gmail.com Twitter: @sportsflixpod Instagram: @sportsflixpod

Jeffrey starts the second hour with The List. He and Connor close out the segment with a Top 5 Sports Movies snake draft. Also, Jason Smith joins the show.

On this Listener Takeover episode of the Where to Stick It Podcast, the man known as Beeper Bob has finally submitted a movie for the boys to review. Slap Shot! Paul Newman plays Reggie Dunlop, a hockey player and coach who is pulling out all the stops to increase attendance and save the Charlestown Chiefs from going under.

GC Show w/...John continued on Bronny, then Herrington on Grizz excitement for schedule, Sports Movies later with Jeffery & Frederick Taylor

it's time for another top 5 list, my top 5 sports movies of all time. Do you agree with my top 5 list? Do you have a suggestion of a top 5 list that I should do next?

(0:00) Hardy and Tim McKone open up the third hour of the show continuing their conversation for classic sports movies and phone in a few callers to give their takes.  (10:00) The guys go back to talking about James White and his Patriots career and more on their classic sports movies. (22:33) We take all of your calls on sports movies to see which one Tim McKone likes the best, as we find out he is not a huge fan of them.  (33:33) The guys close out the hour with some Celtics trade talk, regarding Kevin Durant, and what the Celtics are willing to give up to acquire him. 

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition.  Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial. In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War. Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition.  Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial. In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War. Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition.  Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial. In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War. Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition.  Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial. In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War. Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition.  Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial. In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War. Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition.  Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial. In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War. Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, Casey takes you on a very personal journey through his Top 10 favorite sports movies of all time. Bring tissues.

Join me today as we strap up our work boots and put on our hard hats to discuss all things real! I break down my top 5 Sports Movies, along with the sudden passing of Vin Scully Dodger legendary broadcaster and will discuss current events as they happen! All brought to you by Betonline.ag & Cannadipscbd.com

In this week's episode, the guys discuss who the Lakers should start at shooting guard next season. They then count down their top-five sports movies. Enjoy. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

AUDIO: Former Temple baseball star turned movie producer extraordinaire, Fredrick Taylor joins us to talk sports, sports movie and more. 

The Drive PODCAST HR 2 "Top 5 Sports Movies" 7/25/22 by FOX Sports Knoxville

Beach babes, international intrigue, and bumps, sets, and spikes. It's all in a day's work when you're trying to get a place on the US Men's Volleyball Team. And it's exactly what we're talking about this week, as we watched Spiker, which might have been a recruitment tool for the actual US Men's Volleyball Team. Join us as we discuss the bratty protagonists, the lack of actual volleyball being played, and question whether or not the coach is all that bad. Find us on Twitter and Instagram @TCTAMPod and on TikTok @theycalledthisamovie. We are a proud member of Geek Vibes Nation and you can find them at gvnation.com.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

The dudes draft their favorite sports movies --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dudesmissingthemark/message

The "Sports Flix" guys discuss their Top 5 lists in regards to sports movies. So of the movies you would have guessed. Some are complete surprises. What is on your Top List of sports movies? Email: sportsflixjustgiveusclix@gmail.com Twitter: @sportsflixpod Instagram: @sportsflixpod

It's a stacked late-June pod. The guys offer up some perspective on Ole Miss winning the College World Series and lay out the SEC expectation for baseball/football titles in the 2020s. Florida recruiting has been a hot topic of discussion, so the guys dig into what Billy Napier's open letter means in the grand scheme of things. With Arch Manning expectations running wild, Connor did a deep dive on 5-star QBs in the 21st century. SEC Network's Mike Morgan joined the show to discuss Will Levis' rise, Billy Napier's expectation level, sports movies and a whole lot more. The guys close with healthy food in #FiguringItOut and Lad of the Week.