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18 episodes with Sarah Ruden
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2 episodes with Sarah Ruden
2 episodes with Sarah Ruden
2 episodes with Sarah Ruden
Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button. This week we have Sam Miller, manager at Carmichael's Bookstore in Louisville, with us to chat about books readers might want to consider for their summer reading. It is always fun to hear what is new and notable from Sam. This is our last episode of the season. We will be back in July after our summer hiatus with all new episodes. Happy Reading! Books Mentioned in this Episode: 1- The Sweet Life in Paris by David Lebowitz 2- Northern Spy by Flynn Berry 3- Big Girl Small Town by Michelle Gallen 4- Factory Girls by Michelle Gallen 5- Cat's People by Tanya Guerrero 6- The View from Lake Como by Adriana Trigiani 7- Big Stone Gap by Adriana Trigiani 8- Atmosphere by Taylor Jenkins Reid 9- Beautiful Ruins by Jess Walter 10- So Far Gone by Jess Walter 11- A Language of Limbs by Dylin Hardcastle 12- A Lesser Light by Peter Geye 13- Murder Takes a Vacation by Laura Lippmann 14- El Dorado Drive by Megan Abbott 15- Big Bad Wool by Leonie Swann 16- Three Bags Full by Leonie Swann 17- First Gentleman by Bill Clinton and James Patterson 18- King of Ashes by SA Cosby 19- Bury Our Bones in the Midnight Soil by VE Schwab 20- Katabasis by RF Kuang 21- Country Under Heaven by Frederic Durbin 22- A Witch's Guide to Magical Innkeeping by Sangu Mandanna 23- Isabella Nag and the Pot of Basil by Oliver Darkshire 24- The Magician of Tiger Castle by Louis Sachar 25- Baldwin: A Love Story by Nicholas Boggs 26- Plato and the Tyrant by James Romm 27- Turning to Birds by Lili Taylor 28- Is A River Alive? by Robert McFarlane 29- Mark Twain by Ron Chernow 30- Charlottesville by Deborah Baker 31- Prairie Fires by Caroline Fraser 32- Murderland: Crime and Bloodlust in the Time of Serial Killers by Caroline Fraser 33- Fulfillment by Lee Cole 34- If You Love It, Let it Kill You by Hannah Pittard 35- The Fire Concerto by Sarah Landenwich 36- Black Cohosh by Eagle Valiant Brosi 37- Big Swiss by Jen Beagin 38- I Am the Arrow: The Life and Art of Sylvia Plath in Six Poems by Sarah Ruden 39- Red Comet by Heather Clark 40- Bad Badger : A Love Story by Maryrose Wood Media mentioned-- 1- Derry Girls (Netflix, 2018-2022) 2- Christoph Waltz on Jimmy Fallon --https://www.youtube.com/watch?v=F0jr-HQeT74 3- Floyd Collins Broadway show--https://floydcollinsbroadway.com
In an age where attention spans are decreasing and reliance on digital media is becoming increasingly prevalent, how do scholars make historic sources accessible to audiences today? Sarah Ruden is a leading translator of ancient literature. Her work includes translations of the Gospels, the "Aeneid," and more. She'll be a guest of SUNY Brockport on Wednesday, but first, she joins us on "Connections" to discuss her process and its significance. Our guest:Sarah Ruden, author and translator
Psyche & Eros is out now: https://amzn.to/3KULp5P Find Luna: Website: https://www.lunamcnamarawriter.com Instagram: https://www.instagram.com/luna_mcnamara_writer X: https://x.com/McnamaraLuna Find Jean: Website: www.jeanmenzies.com YouTube: www.youtube.com/jeansthoughts TikTok: www.tiktok.com/@jeansthoughts Instagram: www.instagram.com/jeansthoughts/ Follow the podcast on X: twitter.com/thatsancient You can support the podcast via... Ko-fi: ko-fi.com/jeansthoughts Patreon: www.patreon.com/bookishthoughts The Books We Talked About: The Golden Ass (tr. Sarah Ruden): https://amzn.to/4bfjqJ0 Jason and the Golden Fleece (The Argonautica): https://amzn.to/3zeOKdv The Wolf Den: https://amzn.to/45FhKr6 Apuleius in European Literature (Dr Regine May): https://amzn.to/3XyQecA The Last Tale of the Flower Bride: https://amzn.to/4eOgSEL
For centuries, Machiavelli has been viewed as everything from an insightful pragmatist to the mouthpiece of Satan. In this episode, Jacke talks to Italian scholar Gabriele Pedullà about his book On Niccolò Machiavelli: The Bonds of Politics, which offers a surprising new take on a 500-year-old literary and political giant. PLUS Vergil translator and biographer Sarah Ruden (Vergil: The Poet's Life) stops by to discuss her choice for the last book she will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Virgil (or Vergil) was the most celebrated poet of Ancient Rome - and also one of the most enigmatic. In this episode, Jacke talks to biographer and translator Sarah Ruden about her book Vergil: A Poet's Life. PLUS some thoughts on Charles Darwin's last book, and a chat with acclaimed historian Tom Holland (Pax: War and Peace in Rome's Golden Age) about his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
In which I talk about Ash Wednesday as a re-formation of creaturely identity. Bibliography: Anglican Church in North America. The Book of Common Prayer. Huntington Beach, CA: Anglican Liturgy Press, 2019. Augustine. Confessions. Translated by Sarah Ruden. New York: The Modern Library, 2017. Brueggemann, Walter. “Remember, You are Dust.” Journal for Preachers 14, no. 2 (Lent 1991): 3-10. Accessed April 1, 2023. Atla Religion Database. Chittister, Sister Joan. The Liturgical Year. Nashville, TN: Thomas Nelson, 2009. Clark, John C. and Marcus Peter Johnson. A Call to Christian Formation: How Theology Makes Sense of Our World. Grand Rapids, MI: Baker Academic, 2021. Smith, James K. A. Desiring the Kingdom: Worship, Worldview, and Cultural Formation. Vol. 1 of Cultural Liturgies. Grand Rapids, MI: Baker Academic, 2009. ———. Imagining the Kingdom: How Worship Works. Vol. 2 of Cultural Liturgies. Grand Rapids, MI: Baker Academic, 2013. Wells, David F. God in the Wastelands: The Reality of Truth in a World of Fading Dreams. Grand Rapids, MI: Eerdmans, 1994. ———. No Place for Truth: Or Whatever Happened to Evangelical Theology. Grand Rapids, MI: Eerdmans, 1993. Beneath The Willow Tree is a podcast dedicated to the pursuit of Truth through wisdom and imagination. Join host Sophie Burkhardt as she, fuelled by wonder and a quest for the beautiful, explores philosophy, theology, the arts and all things worthy of thought beneath the willow tree. If you might ever be interested in talking about any such things, or a specific book or movie, etc. please reach out to me at sdburkhardt321@gmail.com
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In this episode of the Yale University Press Podcast, we talk with Sarah Ruden, author of Vergil: The Poet's Life (Ancient Lives Series).
Adjani Salmon is the writer of the award-winning web-series Dreaming Whilst Black, now on BBC Three. He tells Tom Sutcliffe about the reality and his fictional portrayal of the everyday struggles of being an aspiring filmmaker. Also on Front Row - the Aeneid, the epic poem written by Virgil more than 2000 years ago. As well as being one of the great works of classical literature, it's also one of the earliest examples of a work commissioned as political propaganda. Maria Dahvana Headley - the writer behind Vergil! A Mythological Musical, a new audiobook that fuses the life of the poet with that of his greatest work, and Sarah Ruden, who recently updated her translation of the Aeneid and publishes a new biography of the poet in October, discuss why the Aeneid still packs a punch today. And - the Twitter sensation known only as West End Producer, has finally removed his mask and revealed his true identity - one of the theatre industry's biggest secrets. He's... actor Christian Edwards and he's telling Tom about life behind the mask and why he did it. Presenter: Tom Sutcliffe Producer: Harry Parker
David Bentley Hart is an American writer, philosopher, religious scholar, critic, and theologian who has authored over 1,000 essays and 19 books, including a very well-known translation of the New Testament and several volumes of fiction. In this conversation, Tyler and David discuss ways in which Orthodox Christianity is not so millenarian, how theological patience shapes the polities of Orthodox Christian nations, how Heidegger deepened his understanding of Christian Orthodoxy, who played left field for the Baltimore Orioles in 1970, the simplest way to explain how Orthodoxy diverges from Catholicism, the future of the American Orthodox Church, what he thinks of the Book of Mormon, whether theological arguments are ultimately based on reason or faith, what he makes of reincarnation and near-death experiences, gnosticism in movies and TV, why he dislikes Sarah Ruden's translation of the New Testament, the most difficult word to translate, a tally of the 15+ languages he knows, what he'll work on next, and more. Recorded March 23rd, 2023. Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.
The idea of “Western civilization” looms large in the popular imagination, but it's no longer taken seriously in academia. In her new book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won't die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.” Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d'Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies. Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.Go beyond the episode:Naoíse Mac Sweeney's The West: A New History in Fourteen LivesWe have covered Greece and Rome in previous episodes, as well as Njinga of AngolaIn our Summer 2023 issue, Sarah Ruden considers how modern biographers distort VergilTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.
Robert Erickson and James Panero discuss Plutarch, plays, pastrami, and more. The second of our podcasts on the Hilton Kramer Fellowship. The texts used in the New Criterion classics reading group are as follows: —Histories, Herodotus, Landmark Edition, tr. Andrea L. Purvis, ed. Robert B. Strassler —Persians, Aeschylus, tr. Janet Lembke & C. J. Herrington —Theogony and Works & Days, Hesiod, tr. M. L. West —Parallel Lives, Plutarch, tr. John Dryden, ed. Arthur Hugh Clough —Metamorphoses, Ovid, tr. Charles Martin —Aeneid, Vergil, tr. Sarah Ruden
Here are 5 books from the church fathers that are great starting points for those seeking to grow in their knowledge of church history. 1) Augustine's Confessions: https://www.amazon.com/Confessions-Penguin-Classics-Saint-Augustine/dp/014044114X/truthunites-20 2) Athanasius' On the Incarnation: https://www.amazon.com/Incarnation-Saint-Athanasius-Popular-Patristics/dp/0881414271/truthunites-20 3) Irenaeus' On the Apostolic Preaching: https://www.amazon.com/Apostolic-Preaching-Irenaeus-Saint-Bishop/dp/0881411744/truthunites-20 4) Gregory the Great's Book of Pastoral Rule: https://www.amazon.com/Book-Pastoral-Rule-Gregory-Patristics/dp/0881413186/truthunites-20 5) John of Damascus' Three Treatises on the Divine Images: https://www.amazon.com/Treatises-Vladimirs-Seminary-Popular-Patristics/dp/0881412457/truthunites-20 See Trevin Wax's comment on Sarah Ruden's new translation of Augustine's Confessions: https://www.thegospelcoalition.org/blogs/trevin-wax/augustine-the-lover-sarah-rudens-new-translation-of-confessions/ Truth Unites is a mixture of apologetics and theology, with an irenic focus. Gavin Ortlund (PhD, Fuller Theological Seminary) serves as senior pastor of First Baptist Church of Ojai. SUPPORT: Become a patron: https://www.patreon.com/truthunites One time donation: https://www.paypal.com/paypalme/truthunites FOLLOW: Twitter: https://twitter.com/gavinortlund Facebook: https://www.facebook.com/TruthUnitesPage/ Website: https://gavinortlund.com/
Article from Cannon Walker Connections - https://canyonwalkerconnections.com/forging-a-sacred-weapon-how-the-church-became-anti-gay-hub/ed-oxford/ Paul Among the People by Sarah Ruden - https://amzn.to/3NHdIUR Yass Jesus Podcast - https://podcasts.apple.com/us/podcast/yass-jesus/id1506093101 David and Johnathan - https://podcasts.apple.com/us/podcast/yass-jesus/id1506093101?i=1000477897835 Joseph from Genesis - https://podcasts.apple.com/us/podcast/yass-jesus/id1506093101?i=1000484396191 2 Samuel 1:26 Verse of the day - John 13:35 Follow Lina on TikTok - https://www.tiktok.com/@linathejesuswitch Follow Lina's backup TikTok - https://www.tiktok.com/@jesuswitchpodcast Follow The Jesus Witch Podcast on Instagram - https://instagram.com/thejesuswitchpod Follow Lina on Instagram - https://instagram.com/linathejesuswitch Donate to the show - https://www.paypal.com/paypalme/thejesuswitchpodcast or Cash App $thejesuswitchpodcast Become a Patreon Supporter - https://www.patreon.com/thejesuswitchpodcast The Sun & Moon Oily Co. Etsy Shop for Bible based spells, Astrology and Tarot readings - https://www.etsy.com/shop/SunAndMoonOilyCo Shop Young Living with Me - https://www.myyl.com/astrologywitchlina or book your FREE 15 minute consultation with me here - https://www.appointfix.com/book/Sun-Moon-Oily-Co-692739439db8 (please send me a DM on Instagram @linathejesuswitch prior to your consultation to discuss the focus of our time together). Shop my witchy Amazon favorites - https://www.amazon.com/shop/itscrunchylina Send me a gift - https://www.amazon.com/hz/wishlist/ls/3G2WLKHQR16HH?ref_=wl_share Join our Discord community - https://discord.gg/4x3DJjRNqC --- Support this podcast: https://anchor.fm/thejesuswitchpodcast/support
Happy New Year! A recap of our first year recording Following the Fire (and a few book suggestions from Nathan) Intro * Takin' a break until the new year (for realz) * Facebook group is the BEST! (https://www.facebook.com/groups/487826142679626/) * Don't forget the Patreon! (https://www.patreon.com/followingthefire) * Contact us at followingthefirepodcast@gmail.com * Leave a review! (https://podcasts.apple.com/us/podcast/following-the-fire/id1555148658) Following the Fire - Origin Story No idea what we're doing Steve carries this baby Go Read it, Every One! * Book: "Jesus and the Disinherited" by Howard Thurman (https://amzn.to/3EwzWUp) * Book: "Amoralman" by Derek Delgaudio (https://amzn.to/3qxTumh) * Book: "Why We Can't Wait" by Dr. Martin Luther King Jr. (https://amzn.to/3n09pJt) * Book: "A Church Called TOV" by Laura Barringer and Scot McKnight (https://amzn.to/3FN65bC) Asterisk * Book: "Affirming" by Sally Gary (https://amzn.to/3HgCxDN) * Book: "Jesus and John Wayne" - Kristin Kobes Du Mez (https://amzn.to/3Hm16Pw) * Book: "The Making of Biblical Womanhood" by Beth Allison Barr (https://amzn.to/3H9Bplo) * Book: "Faith After Doubt" by Brian McLaren (https://amzn.to/3mFaJkG) * Book: "Reading While Black" by Esau McCaulley (https://amzn.to/3mAxXIr) * Book: "Torn" by Justin Lee (https://amzn.to/3FAO6VP) * Book: "What if Jesus Was Serious?" by Skye Jethani (https://amzn.to/3z9AZc2) Just for Me * Book: "Born a Crime" by Trevor Noah (https://amzn.to/3quCv4y) * Book: "Paul Among the People" by Sarah Ruden (https://amzn.to/3HjLBrq) * Book: "Love Wins" by Rob Bell (https://amzn.to/3px3XPQ) * Book: "Erasing Hell" by Francis Chan and Preston Sprinkle (https://amzn.to/3JoJaWx) * Book: "Pax" by Sara Pennypacker (https://amzn.to/32K3UHa) All the Scriptures (https://www.biblegateway.com/) See you next year!
Pastor Clint Schnekloth, with Good Shepherd Lutheran Church in Fayetteville, suggests two new translations: The Gospels by Sarah Ruden and Tao Te Ching Power for the Peaceful by https://vimeo.com/571236436" target="_blank">Marc S. Mullinax.
We arrive at the final book of Vergil's epic. We consider the meaning of conquest and Roman identity, considering that it is the Trojans, not the Latins, whom Jove decrees will lose their language and identity, despite being the victors in battle. What is it about the synthesis of two losers – the Trojans, defeated by the Greeks, and the the Latins, defeated by the Trojans – which gives rise to the Romans? We continue to consider questions of synthesis. Vergil is attempting to synthesize so many strands of history, myth, tradition, politics, nature, and poetry, can it be any surprise that the final results do not manage to tie everything into a neat bow? Is this fractiousness an artistic failing on Vergil's part, or is it intentional? Is it this very failing which saves his poem from descending to the status of Imperial propaganda? We end with some fascinating general reflections about the epics we have read so far on our quest for the Key. As always, the frustrated listener is encouraged to stick around. The end is the best part.
One the most memorable movies during my growing-up years was Charlie and the Chocolate Factory. As an adult, the movie has some racial undertones and slavery symbolism that you can't un-see, but these go right over your head as a child. It was about candy and joy and of course, chocolate! For those who may not remember the movie, it was about a young boy named Charlie Bucket who was one of a handful of children who received a Golden Ticket to enter into the mysterious factory of Willy Wonka (played by Gene Wilder in the movie). One by one, these children are revealed to be selfish or uncaring, and end up in vats of chocolate, or turned into blueberries, other similar punishments. Until at last, the only one left is Charlie, who Wonka reveals gets to inherit the whole thing. The factory, the chocolate, everything is his! Which is, of course, a movie all about the Holy Trinity? Obvious, isn't it? Today is Trinity Sunday, which is a Sunday that many preachers dread every year. They dread the pressure and expectation of taking one of the most complex and unclear doctrines of the faith and turning it into a 25 minute sermon. And if you think it is hard for preachers, imagine the task in front of those who have to do the children's sermon! Try and explain the Trinity in three minutes or less! With an object lesson, if possible! And I think that this dread is shared…by preachers on Trinity Sunday, or parents trying to explain it to their kids, or Christians trying to explain it to friends or co-workers who don't share the faith. Trying to explain the substance and personhood and nature of God is something that seminary professors and big-time theologians have struggled to do over the years, let alone the rest of us! But let me suggest something perhaps a little radical today. Maybe our job this morning isn't to explain the Trinity. I think that part of where this dread comes from is that we think we have to have this airtight, crystal clear, doctrinally sound theological explanation, that sparkles from the pulpit, or wows our neighbors. We think that our salvation depends on some unambiguous theological understanding of who God is…as Creator, as Christ, and as Spirit. With an object lesson, if possible! And maybe a chart. And some long Greek words. But look at how the Bible talks about the Trinity. It is very much chart-free. And metaphor-free. And even free of the actual word “Trinity.” But we have seen examples from the lectionary today as a handful of the passages that reference this “multiple” nature of God: · The call of Isaiah has this three-fold, singular-yet-plural nature of God, as the prophet is called in the power of this Temple experience. · Then Psalm 29 is a creation psalm—it would fit just as well in our Season of Creation at the end of the summer—but again speaks of God in this plural and eternal and omnipresent way. · And John 3 is one of the most famous, as Jesus the Son talks about God as Father and references the Spirit. · And there are plenty of others. One of my favorites is the baptism of Jesus in Mark especially, and the Two-Way named others, including the first creation story in Genesis one and the spirit of God hovering over the deep, and John 1 and “the Word was with God and the Word was God.” But, again, there is this distinct lack of tables and charts and complex theological language. These passages seem to point to a truth off in the distance, but one shrouded in a mist. Maybe the point of the Trinity is not to take that truth and package it into something that can be stenciled onto a wall, or printed in a greeting card, or placed on a doo-dad at a Christian bookstore. But the point of the Trinity seems to be that its fullness exists beyond that mist: · Like the smoke-filled Temple of Isaiah, where even this prophet, this powerful speaker, this wordsmith, cannot help but say, “I am a man of unclean lips.” · Or the psalmist, who finds the best language to describe God comes from Creation, with phrases like “holy splendor” and “flames of fire” and wilderness. · Or Nicodemus, who was a wise and learned scholar of his day, who just. didn't. get it. Who Jesus chides for being unable to understand what it means to be born from above. In Nicodemus' confusion, Jesus uses language of wind and water and slippery serpents, in conjunction with the words of salvation and eternity. If these words of Scripture say one thing with utmost clarity, it is this: we cannot speak of God with utmost clarity. Our words cannot be perfect. Our understanding cannot be complete. Even here in Romans 8, Paul, who never shies away from sounding like he has all the answers, shares this language of Trinity that is humble and open and full of mystery. When you don't know how to pray, when the ways of the world and the ways of God are a mystery, the Spirit will intercede “with sighs too deep for words.” When you don't understand, you are not alone. When you cannot explain what is happening, the Triune God is with you. The God beyond our explaining is not a God beyond our knowing. “God with us.” Maybe that's all the theology you need to understand of the Trinity. The God of “with”… “Jesus with the One he called Father”… “Christ with the power of the Spirit”…God with God with God… is also God with us. The “withness” of God is what you need to remember from Trinity Sunday. God who has always been God in relationship, in community, in family, is the God who invites you into that family, to share that relationship. Which is exactly where Paul goes in his theological treatise in Romans. At the time that Paul writes, according to scholar Sarah Ruden, a popular form of literature is what is sometimes called “adoption fantasy.” In the midst of a people who were under the thumb of the Romans, often living in poverty and despair, there was a popular genre of story that suggested a form of salvation. The short version of these stories is that a normal nobody—like you and me—would get adopted by a high-ranking Roman official. They would get noticed for their virtue or their giftedness, and this rich Roman patron would adopt this nobody. Instead of giving their money to their own rotten children, they would give it all to this adopted child. We see a similar story in our own culture. Little orphan Annie? Not abandoned and left in the cruel, hard-knock orphanage, but adopted by the gracious Daddy Warbucks! Or Harry Potter? Not an unloved orphan, locked in a closet by his uncaring aunt and uncle, but a boy with incredible power and true family heritage! Or, you waited so patiently for it…Charlie and the Chocolate Factory! The best known adoption narrative of my generation. This poor boy who wasn't rich, or powerful, or charismatic, or smart. Those kids all went by the wayside. Willy Wonka chose him! Adopted him as his protégé. To receive his paradise. Paul asks, what if that story came true? What if we were loved so dearly…not just by a Roman patron, or a family of wizards, or millionaire with a candy factory? What if we were loved so dearly by the Creator of the universe, that we would be adopted into the Family of God? What if we could leave behind the emptiness and the brokenness of the world around us, and instead enter into the eternity of that Family? Of that relationship? Of that love? What if that adoption meant that we were children of God? What if that adoption meant that Jesus—the One and Only—became our brother? What if the Holy Spirit of God dwelt in us? Isn't that the kind of family that we yearn for in our wildest dreams? The kind of family that Paul wistfully wrote about…that Isaiah glimpsed in that Temple, that the psalmist saw in Creation, and that even old Nicodemus could figure out. And it's true. That's the truth of the Trinity. That God with God with God…is God with us. That we are grafted into the Family of God. That our inheritance is beyond that of Willy Wonka or Daddy Warbucks…it is the eternity of God's heaven! There is a song that Gene Wilder sings in Charlie and the Chocolate Factory. It is a little silly in parts, but I can imagine the Holy God singing it today, in three-part harmony… Come with me and you'll be In a world of pure imagination Take a look and you'll see Into your imagination We'll begin with a spin Travelling in the world of my creation What we'll see will defy explanation… May it be so! Even as the God that we see defies explanation, it is with the fullness of our hearts and minds and hopes and imaginings that we see that God with God with God…with us…invites us into the eternal love and grace and family of faith, where God waits to bring us home.
For millennia, the first four books of the New Testament have not only supported the central tenets of Christianity but have also proved to be formative texts for the modern Western world. The Gospels of Matthew, Mark, Luke, and John tell of the life and ministry of Jesus Christ—but they are perhaps best understood as four separate versions of the same story, showing complex origins, intricate interweavings, and often inherent contradictions. Faithfully pointing the reader back to the original Greek, this masterful new translation from the renowned scholar and acclaimed translator Sarah Ruden is the first to reconsider the Gospels as books to be read and understood on their own terms. Mediating between the authors of the Gospels and present-day readers with unprecedented precision and sensitivity, Ruden gives us the most accessible version of the text available to date. Illuminating footnotes and a discursive glossary explain new word choices and phrasings, and present the Gospels as they originally were: grounded in contemporary languages, literatures, and cultures, full of their own particular drama, humor, and reasoning, and free from later superimposed ideologies. The result is a striking and persuasive reappraisal of the accounts of these four evangelists, and presents a new appreciation of the ancient world as the foundation of our modern one. This robust and eminently readable translation is a welcoming ground on which a variety of readers can meet, and a resource for new debate, discussion, and inspiration for years to come.
One of the questions that Maybe I'm Amazed host James Howell gets asked most often is what is the best translation of the Bible? Is it King James? Revised Standard? Or do we need a translation with a more modern version? James' guest on today's show is professional translator Sarah Ruden, who has translated everything from ancient novels and hymns to Plato. James and Sarah talk about how Sarah got into her professional (hint: it takes lots of studying different languages), what the benefits are of multiple Bible translations, and why the use of language is so crucial in sharing ideas, stories, traditions and culture.
On this episode we discuss the meaning of the funeral games Aeneas hosts to honor his father Anchises. The funeral games are a trope of Epic poetry, appearing in both the Iliad and the Odyssey, and were obviously rituals of great importance to ancient peoples. We try to think about why this was. Is some quality of Aeneas' leadership displayed here? Is there something distinctly “Roman” about these games, as compared to the games in those other Epics? We also consider the strange scene which ends this book, where the Trojan woman, left to mourn on the beach while the men compete in the funeral games, are driven into a frenzy by the appearance of the goddess Iris, and attempt to burn the ships. Is this more than just another example of the poem's unsubtle linking of women and femininity to irrationality, passion, and chaos?
We begin our discussion of the Aeneid by considering the nature of Aeneas as a hero. Compared to the previous heroes of the epic tradition, such as Odysseus, Achilles, or Hector, Aeneas seems to lack some of their heroic excellences. Of course, Vergil is writing from a very different historical and cultural position – he is composing his poem many centuries further from the events of the Trojan war than the Odyssey and the Iliad were composed, and he writes from within the Roman empire at the moment of its greatest triumph. How does this change the nature of what Vergil attempts in his epic? Why did he chose Aeneas, a loser, as his hero, and as the mythic founder of Rome, and of the lineage of Julius Caesar? We also consider the poem's treatment of Dido, the queen who founds Carthage (a city which Rome will eventually defeat in battle and destroy). Are we meant to feel empathy with her? What is the relationship between the poem's depictions of Carthage, and the prophecy of Jupiter that the Romans are fated to become the eternal masters of the world?
We continue to consider the essential questions posed by the Aeneid. Chief among them, perhaps, is an ancient question central to the epic tradition as a whole. What is the relationship between the individual and fate? Another way to say it: is the true hero acting in pursuit of their own glory, or are they carrying the weight of a family, a nation, even a destiny? Another way: can exemplary people stand against the direction of history, or is history driving human affairs, while single people – even the great ones – are merely stones swept before it? (If they can stand against history, should they?) And another: who destroyed the great city of Troy? Ulysses and the Greeks, Venus, Jupiter, and the other deities, or vast, impersonal fate itself? We consider such questions as these, as well as connected topics, such as wondering if the suffering of the defeated people at Troy is justified by the eventual triumph of the Roman empire. We also discuss the meaning of the famous Trojan Horse, and the many signs and omens surrounding it, as the Trojans take the horse inside the city walls, thus sealing their fate. Or perhaps their fate was already sealed? All depends on how you look at it.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
It's here: the final episode of the Aeneid. The battle isn't over... Bloodshed, meddling goddesses, and angry dudes. Aeneas vs. Turnus... last man standing.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
The war between the Trojans and their allies and Turnus, the Latins, and theirs, continues. Pallas, Lausus, and Mezentius enter the fray and things don't go well for any of them. Plus, ghost Aeneas!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
The war rages on, Trojans vs. Latins. Jove convenes a meeting of the gods and Juno and Venus each make their case. And finally, FINALLY, Aeneas is on the horizon.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
It's time for war... Fortunately, though, the future's pretty clearly laid out on Vulcan's shield for Aeneas. The war with Turnus and the Latins begins.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Finally, finally, Aeneas and the Trojans reach Latium. But Hera isn't finished with them yet!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
The eponymous unlikely marriage is that of marriage—with Christianity. After assembling an impressive number of reasons why we should have expected the Christian faith to want nothing whatsoever to do with exclusive sexual pairing, we then change directions and show why, after all, Christianity opted for marriage, and in so doing once again engaged in a doctrinal revision of inherited notions of God. In light of which, we then engage a contemporary Catholic theologian's take on Christian marriage. Spoiler alert: we don't even go near the usual hot-button topics. If you feel the need for outrage, Twitter is waiting for you. Support us on Patreon! Notes: 1. Some relevant stuff I've written: "Marriage Matters," "Blessed Are the Barren," and "Luther's Hagiographical Reformation of the Doctrine of Sanctification in His Lectures on Genesis" 2. See also Dad's Luther and the Beloved Community, ch. 8 on "The Redemption of the Body: Luther on Marriage" 3. Kant ruined Christian ethics with The Critique of Practical Reason 4. For the range of Luther's take on the nature of divine and Christian love, see the Heidelberg Disputation (esp. #28) and his explanations of the Fourth and Sixth Commandments in the Large Catechism 5. Sarah Ruden, Paul among the People 6. Matthew Levering, Engaging the Doctrine of Marriage More about us at sarahhinlickywilson.com and paulhinlicky.com!
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Aeneas travels to the Underworld to speak with his father and learn the future of his descendants including, once again, Caesar and Augustus themselves!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
For the next episode in Spooky Season, we travel to Thessaly where their king, Erysichthon gets a horrifying punishment for his crimes against Demeter. Plus, Lamia and Empusa... monstrous and vampiric women of mythology.CW/TW: eating disorders; and as usual: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds (A Sourcebook) by Daniel Ogden, Theoi.com, Ovid's Metamorphoses, translated by Allen Mandelbaum, and Apuleius's The Golden Ass, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Abandoning queens! Burial anniversary celebrations! Funereal ship races! Aeneas and the Trojans set off from Carthage, but there is more in their way. They must land on Sicily where they take the opportunity to hold some anniversary funereal rites for Aeneas's father, Anchises. Plus, a ghost!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: The Aeneid by Virgil, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Dido's fate is determined by Aeneas's stubbornness and the far too potent love spell of Venus... Things get sad and dark for Carthage.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden; the Dido song mentioned is called My Lover's Gone.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
The "relationship" of Dido and Aeneas continues with the affects of the love potion only increasing. Juno and Venus begin to form a plan of how to handle Carthage.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Guess who's back, back again? It's time to return to the Aeneid. Aeneas is in Carthage with its queen, Dido, and things are going well... for now. A brief recap of the earlier Aeneid episodes is included in the episodes, but for a list of those past episodes, see below.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sponsor! for 20% off your first order, go to NativeDeo.com/MYTHSBABY or use code MYTHSBABY at checkout!Sources: Virgil's Aeneid, translated by Sarah Ruden. For past episodes on the Aeneid and Dido/Carthage, listen to:LXXI: He’s Greek & He’s Roman, He’s Making Juno Angry, He's Aeneas, Baby! (The Aeneid Part 1)LXXII: Dido, the Badass Queen of Carthage (The Aeneid Part 2)Mini Myth: Who Let a Woman Found a City?! Dido Beyond the AeneidLXXIII: Not That Damn Horse Again! (The Aeneid Part 3)LXXVI: Aeneas Had a Wife in Troy! Ghost Creusa’s Got Shit to Say (The Aeneid Part 4)Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.MY BOOK! mythsbaby.com/book See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
This is a re-airing of the fan favourite episodes on Cupid and Psyche, combined into one epic episode. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Apuleius' The Golden Ass, translated by Sarah Ruden. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
This is a re-airing of the fan favourite episodes on Cupid and Psyche, combined into one epic episode.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Apuleius' The Golden Ass, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Aeneas tells the story of the end of the Trojan War, and where to go from there. He's visited by ghosts, quite a few ghosts. It's a vibe. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Virgil's Aeneid, translated by David Ferry, and Virgil's Aeneid, translated by Sarah Ruden. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Aeneas tells the story of the end of the Trojan War, and where to go from there. He's visited by ghosts, quite a few ghosts. It's a vibe.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Virgil's Aeneid, translated by David Ferry, and Virgil's Aeneid, translated by Sarah Ruden.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Translating the Bible is more than just about being woodenly accurate. We’re humans after all. In this episode, Pete and Jared talk to Sarah Ruden, who talks about using our imaginations to put ourselves in the place of the biblical writers, emotions and aesthetics and all. With a background in translating classical literature, she helps us read the Bible within a fuller context, both humanly and literarily. Show Notes →
Why only two-thirds? In this episode we look at a specific aspect of the immensely complex literary work known as the Acts of the Apostles: namely, the Holy Spirit’s gathering in of all human communities that have been estranged from God. The story begins with the Spirit’s gathering of the Jews, moves on to Samaritans and proselytes, then Gentiles in the form of Cornelius the centurion… at which point you might think all the possibilities have been covered. But wait! There’s one more group. Any guesses? You’d have to read Luke-Acts pretty closely to figure it out. Or you could just listen and we’ll give away the answer for free. Notes: 1. Ernst Haenchen, The Acts of the Apostles 2. “Wie es eigentlich gewesen ist” (or sometimes "wie es eigentlich geschehen ist"): Dad quoted this bit of German, which means “how it actually was/happened,” as the ideal to which the discipline of history aspires. 3. Oscar Cullmann, Christ and Time 4. Hans Conzelman, Acts of the Apostles 5. Krister Stendahl, Paul among Jews and Gentiles 6. Ernst Käsemann, Perspectives on Paul 7. Joseph Fitzmyer, The Acts of the Apostles 8. Cheryl Peterson, Who Is the Church? 9. Paul R. Hinlicky, Beloved Community (see especially pp. 348–355 where he talks about Peterson’s book) 10. The Institute for Ecumenical Research in Strasbourg undertakes scholarly and dialogue work with other Christian churches on behalf of the world’s Lutherans. I worked there for 7½ years and continue as a Visiting Professor. For resources specifically on Lutheran-Pentecostal dialogue, take a look here, or check out my book, A Guide to Pentecostal Movements for Lutherans. 11. We talked briefly about the difference between “apocalyptic” and “salvation history.” For more about this, see Lutheran and the Beloved Community, ch. 7. 12. Pentecost = Shavuot in the Jewish tradition. 13. Troy Troftgruben is my Acts guru and teaches at Wartburg Theological Seminary. He’s working on a book on Acts… we’ll let you know as soon as it’s out! In the meanwhile, check out his book Rooted and Renewing. 14. Sarah Ruden, Paul among the People 15. For more on this topic generally, see my articles “The Second Pentecost” and “The Acts of St. Alban’s in Strasbourg.” More about us at sarahhinlickywilson.com and paulhinlicky.com!
John J. Miller is joined by Sarah Ruden to discuss Augustine's 'Confessions.'
#33 Dr. Sarah Ruden; Augustine's Confessions by Wesley Seminary Podcast
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Psyche is given maniacal tasks to prove herself to Venus, she makes some mistakes and tries to make even bigger ones. But surprise surprise, there's a man to save the day! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Apuleius' The Golden Ass, translated (brilliantly!) by Sarah Ruden. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Cupid is clumsy and Psyche has incredibly awful siblings. Things... heat up with the couple. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Apuleius' The Golden Ass, translated (brilliantly!) by Sarah Ruden. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Cupid and Psyche, the timeless tale of lies, horrible relatives, and the pettiness of the gods. Venus can't handle other beautiful women and Psyche's life is just not ideal, but that won't last long. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Apuleius' The Golden Ass, translated (brilliantly!) by Sarah Ruden. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine's Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus' Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine's Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine's Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus' Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine's Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
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