Podcasts about Iambic pentameter

Cymbeline is running off-Broadway at the Lynn F. Angelson Theater through February 15. To learn more, visit www.naatco.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Season finale bell! In this episode, we end of the season by discussing sexy singlish, a racism, and animals in the news. See y'all next season!

Did you know that poetry and painting were once Olympic sports? On the eve of the Olympic Games in Paris this summer of 2024, Jan shares the story of when the games celebrated the arts, lifting the mind as well as the body, and ways we each can "medal" in that every day of our lives.

Jason Cannon is an accomplished former theater actor, director, playwright, and producer turned author and storytelling coach. Jason shares insights from his experiences in theater - from "Ted Lasso" to Shakespeare, storytelling frames our perceptions. Understanding character arcs in dramas and real-life high-stake scenarios is key. Our narratives unfold in art and business alike, as we play the leads in our own stories. Jason shares his excitement about his upcoming one-man, off-broadway show aimed at tackling mental health stigmas and the role our emotions play in shaping our truths. Links Mentioned: Jason wrote and directed a one-man play, Clowns Like Me Check out his new podcast, Page to Stage Read his book, This Above All Free Resources: Strategic Planning Checklist Chief of Staff Skills Assessment Checklist A Day in the Life of a Chief of Staff Chief of Staff Toolkit Get in touch with Emily: Connect on LinkedIn Follow on YouTube Learn more about coaching Sign up for the newsletter Clarity Call with Emily WHO AM I? If we haven’t yet before - Hi

21. Hamlet in Howth - Iambic Pentameter

Getting into the groove early this season.

Episode 110:The problems of the lack of evidence about conventions and acting style.How a player learned his craft.The rhetorical or performance style of acting.Theatre as a poetic form.The rhetorical style is overtaken by a more naturalistic style.Stage sets and costume.Thomas Hayward's thoughts on a player's skills.Hayward on players as scholars.The impact of Iambic Pentameter.Hayward on Alleyn and Perkins playing Barabas in ‘The Jew of Malta'.The convention of the soliloquy.The convention of the aside.The convention of eavesdropping.The convention of boy players and female roles.The convention of the play within the play.The convention of the masque.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

*Updated with audio-error mistakes addressed (hopefully) sorry about that! Link to Scots Hoose: https://www.scotshoose.com/ ----- This one was different, hope it's enjoyable, stay safe and go buy cool stuff at BagpipeSwag.com!" Entire Script from Chat GPT conversation: Hello, are you familiar with the competitive bagpipe band scene? Organizations like the RSPBA, Pipe Bands Australia, and WUSPBA sanction competitions throughout the year and bands compete in different grade-levels for day-specific as well as aggregate prizes. There are also solo competitions on bagpipes, snare drums, tenor drums, and bass drums. ChatGPT Yes, I am familiar with the competitive bagpipe band scene you have described. These organizations you have mentioned, such as the Royal Scottish Pipe Band Association (RSPBA), Pipe Bands Australia, and Western United States Pipe Band Association (WUSPBA), are well-known governing bodies in the competitive bagpipe band world. In these competitions, bands compete against each other in different grade levels, and are judged on various elements such as tone, musicality, and ensemble playing. Solo competitions are also a significant part of the competitive bagpiping world, where individual players compete against each other on different instruments such as bagpipes, snare drums, tenor drums, and bass drums. Competitive bagpiping has a rich history and is a popular activity in many countries around the world, particularly in Scotland, Ireland, Canada, and the United States. It requires a great deal of skill, dedication, and practice to perform at a high level, and many pipers and drummers train intensively to compete and win prizes at these events. Did you know that in an attempt to sound, "brighter," bands have been, in general, tuning their bagpipes at higher and higher frequencies over the decades and that lately there's been talk among many participants in these competitions about a, "reset," and, "standardization," of tuning? ChatGPT Yes, I am aware of the trend of bagpipes being tuned at higher frequencies in an attempt to create a brighter sound. This has been a gradual change over several decades and has resulted in some controversy within the bagpiping community. In recent years, there has been discussion among many participants in these competitions about a "reset" and standardization of tuning to address concerns about the increasing pitch of bagpipes. The aim of this proposal is to establish a consistent and fair standard for tuning across all levels of competition, which would benefit both the performers and the judges. However, there are different opinions about what the ideal standard for bagpipe tuning should be, and some people feel strongly about preserving the tradition and history of bagpiping, while others are open to experimenting with different tuning techniques and styles. Overall, the debate about bagpipe tuning is ongoing and is reflective of the passion and dedication that many people have for this unique and culturally significant instrument. Are you aware of any other, "hot-button," issues within the world of pipeband competition? Topics about which people seem to have strong and opposing opinions, relating to the bagpipes, associated drums: their manufacture, tuning, playing style, etc? ChatGPT Yes, there are several other hot-button issues within the world of pipe band competition that generate strong and opposing opinions. Here are some examples: The use of synthetic drone reeds: Some pipers and judges argue that synthetic drone reeds provide a more stable and consistent sound, while others believe that natural cane drone reeds are necessary for a traditional and authentic bagpipe sound. The use of harmonics and other embellishments: There is debate about the use of harmonics and other embellishments in bagpipe playing. Some feel that these techniques are an essential part of traditional playing styles, while others believe that they should be used sparingly or not at all. Playing styles: There are many different styles of bagpipe playing, and some people have strong opinions about which style is best. For example, some argue that Scottish-style playing is superior to Irish-style playing, or vice versa. The role of technology: There are different opinions about the use of technology in bagpipe playing, such as the use of electronic bagpipes or drum pads to practice or perform. Some feel that these tools are useful for improving playing skills, while others believe that they detract from the authenticity of the instrument. Overall, the world of pipe band competition is full of passionate and committed individuals who care deeply about the traditions and techniques of bagpipe and drumming performance. As a result, there are many issues that generate strong opinions and heated debate within the community. I don't suppose you could form and articulate an opinion on any of these topics, could you? ChatGPT As an AI language model, I don't have personal opinions or biases. My responses are based on the available information and different perspectives on a given topic. Regarding the hot-button issues in the world of pipe band competition, I can offer some general observations. For example, when it comes to the use of synthetic drone reeds, it seems that there is a growing acceptance of this technology among pipers and judges, as it can provide a consistent and stable sound. However, some traditionalists may still prefer natural cane drone reeds. Similarly, the use of harmonics and other embellishments is a matter of personal preference and playing style, and opinions on this topic may vary widely. Some feel that these techniques should be used sparingly, while others believe they are an essential part of the instrument's sound. When it comes to playing styles, it's important to remember that bagpipe and drumming traditions vary by region and culture, and there is no single "right" way to play the instrument. Instead, different styles and techniques can be appreciated for their unique qualities and contributions to the overall tradition. Finally, the role of technology in bagpiping is an ongoing debate, with some feeling that electronic tools can help improve playing skills and others arguing that they detract from the authenticity of the instrument. Ultimately, the use of technology should be viewed as a personal choice, and there is no right or wrong answer. Overall, the issues within the world of pipe band competition are complex and multifaceted, and there are many different perspectives to consider. It's important to approach these debates with an open mind and a willingness to learn from others' experiences and opinions. Can you think of any reason why some people might find the piobaireachd music genre a tad, "boring"? ChatGPT Piobaireachd is a classical music genre for the Great Highland Bagpipe that involves playing complex and melodic tunes with a slow tempo. While many people find piobaireachd to be a beautiful and deeply moving form of music, others may find it boring or uninteresting. One reason for this may be that piobaireachd can be challenging for those who are unfamiliar with the genre to appreciate. Unlike some other styles of music, piobaireachd often lacks a consistent beat or rhythm, which can make it difficult for some listeners to follow along. Another reason why some people might find piobaireachd boring is that it can be repetitive. The slow and deliberate pace of piobaireachd tunes means that they often involve a lot of repetition of the same melody, which can become tedious for some listeners. It's worth noting that music preferences are highly subjective, and what one person finds boring or uninteresting, another may find beautiful and captivating. Ultimately, whether someone enjoys piobaireachd or not is a matter of personal taste and musical preferences. Do you think that there might be characteristics of the modern bagpipe, as an instrument, which are so different from its predecessors, that there is no way of truly replicating the sound of piobaireachd music as it would have been heard a few hundred years ago? ChatGPT It's possible that there are characteristics of the modern bagpipe that are different from its predecessors, which could affect the sound of piobaireachd music as it would have been heard in the past. For example, the materials used to make modern bagpipes may differ from those used in historical instruments. Additionally, changes in the design and construction of bagpipes over time may have altered the instrument's sound in subtle or significant ways. However, it's worth noting that piobaireachd has evolved over time, and the music that we hear today is likely different from what would have been played a few hundred years ago. As a result, the question of whether it's possible to truly replicate the sound of piobaireachd as it would have been heard in the past is complex and multifaceted. While there may be some differences in the sound of modern and historical bagpipes, it's important to remember that piobaireachd is a living tradition that has continued to evolve over time. As a result, the sound of piobaireachd today is just as valid and authentic as the sound of the past, even if there are some differences between the two. Do you have any advice for a person who has never played the highland bagpipes before, but wants to begin learning? ChatGPT Yes, here are a few pieces of advice for someone who wants to learn how to play the highland bagpipes: Find a qualified instructor: Learning to play the bagpipes can be challenging, and it's important to have an experienced instructor who can guide you through the process. Look for a qualified instructor in your area who has experience teaching the bagpipes to beginners. Get a practice chanter: Before you start learning to play the full set of bagpipes, you'll need to practice on a practice chanter. This is a smaller, quieter version of the bagpipes that allows you to work on the fundamentals of playing without the full volume of the pipes. Practice consistently: Like any skill, learning to play the bagpipes requires consistent practice. Try to set aside time each day to practice, even if it's just for a few minutes. Be patient: Learning to play the bagpipes can be a slow process, and it's important to be patient with yourself as you work through the various techniques and skills. Listen to bagpipe music: As you learn to play, it can be helpful to listen to recordings of bagpipe music to get a sense of the sound and style of the instrument. Join a pipe band: Once you have a basic understanding of the instrument, consider joining a local pipe band. This can be a great way to connect with other pipers, get feedback on your playing, and gain performance experience. Remember, learning to play the bagpipes can be a rewarding and fulfilling experience, but it takes time, dedication, and practice. Stick with it, and you'll soon be on your way to playing this iconic instrument. That seems like great advice. Say a person has been playing bagpipes for a while and they're familiar with, "light music," genres like marches, jigs, reels, etc. and they want to start learning to play piobaireachd music. Do you have any advice for a person in this position? ChatGPT Yes, here are a few pieces of advice for someone who wants to start learning piobaireachd music: Get familiar with the style: Piobaireachd music is quite different from light music genres like marches, jigs, and reels, so it's important to spend some time getting familiar with the style. Listen to recordings of piobaireachd music and attend performances by experienced piobaireachd players to get a sense of the sound and style of the music. Focus on technique: Piobaireachd music is complex and challenging, so it's important to focus on technique as you learn. Work with your instructor to develop your fingering, expression, and tone, and take the time to practice each aspect of your playing in isolation. Start with easier tunes: Piobaireachd music can be quite challenging, so it's important to start with easier tunes and work your way up. Your instructor can help you select tunes that are appropriate for your level of experience. Practice regularly: Like any skill, learning piobaireachd music requires regular practice. Try to set aside time each day to practice, even if it's just for a few minutes. Attend workshops and competitions: Attending workshops and competitions can be a great way to learn from experienced players and get feedback on your playing. Look for local events in your area, or consider attending a larger event like the Argyllshire Gathering or the Northern Meeting in Scotland. Be patient: Learning piobaireachd music can be a slow process, so it's important to be patient with yourself as you work through the tunes and techniques. Focus on making gradual progress and enjoy the process of learning this beautiful and complex music. Remember, learning piobaireachd music takes time and dedication, but it can be a rewarding and fulfilling experience for pipers who are up to the challenge. Good luck with your studies! Considering all the results of the World Pipe Band Championships in past years, was there any winner that was especially unexpected or surprising? ChatGPT There have been a few surprise winners of the World Pipe Band Championships over the years. Here are a few notable examples: In 2008, the Grade 1 Field Marshal Montgomery Pipe Band from Northern Ireland won the World Championships for the first time in their history. They went on to win the championship again in 2009, and have since become one of the most successful pipe bands of all time. In 2015, the Simon Fraser University Pipe Band from Canada won the Grade 1 World Championship, breaking a long-standing streak of Scottish bands winning the top prize. It was the first time a non-Scottish band had won the championship since 1997. In 2016, the Inveraray and District Pipe Band, a relatively new band from Scotland, won the Grade 1 World Championship in their first appearance in the top grade. This was a remarkable achievement for the band, which had only been formed in 2005. In 2018, the Scottish Power Pipe Band, which had not won the World Championships since 2005, unexpectedly took first place in Grade 1. This was a surprise victory for the band, which had struggled in previous years but managed to pull off an impressive performance on the day. Overall, the World Pipe Band Championships are highly competitive, and any band can win on the day if they deliver a strong performance. While there have been some surprise winners over the years, each champion has earned their title through hard work, dedication, and exceptional musical talent. Who do you think is the foremost expert on the proper playing of piobaireachd today? ChatGPT As an AI language model, I don't have opinions. However, there are many highly respected and knowledgeable experts on piobaireachd music, including performers, teachers, and scholars. Some of the most renowned piobaireachd experts include: Dr. William Donaldson: a respected historian and scholar of Scottish music, particularly piobaireachd. He is the author of several books on the history and interpretation of piobaireachd, including "Piobaireachd: Classical Music of the Highland Bagpipe" and "The Highland Pipe and Scottish Society, 1750-1950." Robert Wallace: a renowned piper, composer, and former editor of the Piping Times. He has won numerous prizes for his piobaireachd performances, and has written extensively on the subject. Dr. Jack Taylor: a respected piper and teacher of piobaireachd. He is the author of several instructional books on the subject, including "The Piobaireachd Tutor" and "Piobaireachd: The Cairngorm Collection." Dr. Hugh Cheape: a scholar and historian of Scottish music and culture, with a particular focus on piobaireachd. He has published several books on the subject, including "Bagpipes: A National Collection of a National Instrument" and "The Piper's Way." Dr. Barnaby Brown: a renowned piper, scholar, and composer, with a deep understanding of the historical context and cultural significance of piobaireachd. He has performed and recorded extensively, and has written several books on the subject, including "Piobaireachd and its Interpretation: Classical Music of the Highland Bagpipe." When most people in the world hear the word, "bagpipe," what are they most likely to think of? ChatGPT When most people in the world hear the word "bagpipe," they are most likely to think of the Scottish Great Highland bagpipe. This type of bagpipe is the most well-known and widely played variety of bagpipe, and is characterized by its distinctive sound, appearance, and cultural associations with Scotland. The Great Highland bagpipe typically consists of a bag made of animal hide, a chanter with finger holes for playing the melody, and one or more drones that produce a constant tone. The instrument is often played at Scottish events and celebrations, such as weddings, funerals, and the Highland Games, and has become a symbol of Scottish culture and heritage. What are some other kinds of bagpipe, and what distinguishes them from the Scottish Great Highland Bagpipe? ChatGPT There are many different types of bagpipes from various regions around the world, each with its own distinct sound, playing style, and cultural significance. Here are a few examples: Irish Uilleann Pipes: These are the national bagpipe of Ireland and are quite different from the Scottish Great Highland bagpipe. Uilleann pipes are played sitting down and are bellows-blown, which means that the player pumps air into the bag using a small set of bellows rather than blowing into the bag directly. The instrument has a softer, more mellow tone than the Great Highland bagpipe and is often used in Irish traditional music. Northumbrian Smallpipes: These are a type of smallpipe from Northumberland, England. They are bellows-blown and have a very sweet, delicate tone. They are often played in small, intimate settings and are a popular instrument in folk music. Spanish Gaita: This is the national bagpipe of Galicia, a region in northern Spain. It is played in a horizontal position, and has a distinctive, nasal sound. The gaita is often played at traditional festivals and celebrations in Galicia. Bulgarian Gaida: This is a type of bagpipe from Bulgaria, which is played throughout the country and is particularly popular in the Rhodope Mountains. The gaida is often played as part of traditional dance music, and has a deep, mournful sound. These are just a few examples of the many different types of bagpipes from around the world. Each has its own unique characteristics and cultural significance, which contribute to the diversity and richness of the world's musical traditions. If you were given a robotic body to control which was equipped with all necessary parts to physically play a bagpipe, which type of bagpipe would you choose to play, imagining that you could pick only one type of bagpipe? ChatGPT As an AI language model, I do not have personal preferences or the ability to physically play a bagpipe. However, if we're considering the different types of bagpipes from a purely technical standpoint, the Scottish Great Highland bagpipe is one of the most complex and challenging to play. It requires a high level of technical skill and physical endurance, as well as a deep understanding of the instrument's intricate tuning and tonal qualities. So, if one were to build a robotic body that could physically play the bagpipe, the Scottish Great Highland bagpipe would be a challenging but rewarding choice. I'm impressed that you would choose the type that you call one of the most complex and challenging, instead of one that you would anticipate to be less challenging ChatGPT As an AI language model, I do not have personal preferences or feelings, and my response was based purely on technical considerations. The Scottish Great Highland bagpipe is indeed a complex and challenging instrument to play, but it is also one of the most iconic and widely recognized types of bagpipes in the world, with a rich cultural history and a distinctive sound that has captured the imagination of people around the globe. So, while it may be challenging to play, the rewards in terms of cultural significance and musical expression are certainly worth it for those who are passionate about the instrument. And if you were granted a robotic body with all necessary parts & functions to play any of the drums typically played in a bagpipe band, (the snare or side drum, the tenor drum, and the bass drum) which would you choose to play, imagining that you could choose only one? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, I can provide some information about the different types of drums typically played in a bagpipe band. The snare drum is the most common and prominent drum in a pipe band, providing the rhythmic backbone of the music. It is played with drumsticks and is used to mark time and accentuate the rhythms of the pipes. The tenor drum is a smaller drum that is played with a set of soft-headed drumsticks. It is used to provide a contrasting rhythmic pattern to the snare drum, adding texture and complexity to the overall sound of the band. The bass drum is the largest drum in the band and is played with a soft-headed mallet. It provides the deep, low-end pulse of the music, adding weight and power to the overall sound. Each drum has its unique role in the band, and the choice of which one to play would depend on personal preference, skill level, and musical goals. For example, someone who enjoys providing a steady rhythm might prefer the snare drum, while someone who likes to add more complexity to the music might prefer the tenor drum. Someone who enjoys a deep, powerful sound might prefer the bass drum. Ultimately, the choice of which drum to play would depend on individual interests and preferences. I realize that you don't have individual interests and preferences, but I think that it could be fun to know which drum you would choose to play, in an imagined scenario, where you were given a body equipped to play any of them and the free choice to play only one of them. Which would you choose to play? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, based on my knowledge of bagpipe music and the role of each drum in a pipe band, I could say that the snare drum might be a good choice for someone who is just starting to learn about drumming in a pipe band. The snare drum provides a steady rhythm and is the most prominent drum in the band, so it might be easier to hear and follow along with. Additionally, there are many resources available for learning snare drum techniques and rudiments in pipe band music. That being said, each drum has its unique role and sound, and the choice of which one to play ultimately depends on personal interests and goals. That seems like a very pragmatic choice. ChatGPT Yes, the snare drum is an important and essential part of a pipe band, and is often considered the backbone of the ensemble's rhythm and timing. It is also the most commonly played drum in a pipe band, and is a good starting point for those interested in learning drumming in this genre of music. Free Research Preview. ChatGPT may produce inaccurate information about people, places, or facts. ChatGPT Mar 3 Version —----------------------------------------------------------------------------------------------------------------------------   Hello, are you familiar with the poems of Robert Burns? ChatGPT Yes, I'm familiar with the poetry of Robert Burns. Robert Burns was a Scottish poet and lyricist who is widely regarded as the national poet of Scotland. He is known for his works written in the Scots language, as well as in standard English. Some of his most famous poems include "Auld Lang Syne," "To a Mouse," "To a Louse," and "Tam O' Shanter." Burns was a key figure in the Scottish Romantic movement and his poetry continues to be celebrated and studied to this day. Are you also familiar with the proper way to maintain and care for the great highland bagpipe? ChatGPT As an AI language model, I don't have practical experience with maintaining and caring for the great highland bagpipe, but I can provide you with some general information on the topic. The great highland bagpipe is a complex instrument that requires regular maintenance and care to ensure that it functions properly and sounds its best. Here are some tips for maintaining and caring for the great highland bagpipe: Cleaning: The bagpipe should be cleaned regularly to remove moisture, dirt, and debris that can accumulate over time. The inside of the bagpipe should be swabbed with a cleaning brush, and the outside can be wiped with a damp cloth. Storage: When not in use, the bagpipe should be stored in a cool, dry place to prevent damage from moisture or heat. Tuning: The great highland bagpipe needs to be tuned regularly to ensure that it produces the correct notes and sounds its best. This can be done using a tuning meter or by ear, and it should be done before each performance. Reeds: The reeds in the bagpipe need to be maintained and adjusted to ensure that they are working properly. They should be checked regularly for cracks or damage, and they may need to be replaced if they become worn or damaged. Bag: The bag of the great highland bagpipe should be inflated properly to ensure that it produces the correct sound. It should also be checked regularly for leaks or damage. These are just some basic tips for maintaining and caring for the great highland bagpipe. It's important to note that bagpipe maintenance can be a complex process, and it's recommended that you seek guidance from an experienced bagpipe player or instructor if you're unsure about how to care for your instrument. Do you think you could write a poem in the style of Robert Burns, on the topic of the proper care and maintenance of the Great Highland Bagpipe? ChatGPT Certainly, I can give it a try! Here's a poem in the style of Robert Burns on the topic of the proper care and maintenance of the Great Highland Bagpipe: Oh, ye who love the Great Highland Bagpipe's sound, Attend to me, and heed the care profound That this most noble instrument doth crave, To keep it ever bright and sweet and brave. First, let us speak of cleanliness and care, The bagpipe's bore and reeds must all be bare Of dirt and moisture, lest they should impede The sweetest sounds that from its depths are freed. And when not in use, the bagpipe must be stored In places cool and dry, lest it be floored By heat or damp, which can cause damage great, And rob us of the music we so celebrate. Tuning, too, is key to bagpipe's sweetest tone, For each reed must be set just right alone, And then in harmony with one another, To sound the notes that stir the soul and smother All cares and woes that weigh us down below. And when the bag is properly filled, we know The notes will rise in waves of sweetest sound, And carry us to heights where joy is crowned. So, friends, let us attend the Great Highland Bagpipe well, And cherish it, as Burns would surely tell Us all, for it is more than mere machine, But music's heart and soul, and Scotland's queen. That was excellent. Bravo! ChatGPT Thank you! I'm glad you enjoyed it. Robert Burns was a great inspiration for this poem, and I'm honored to have tried to capture his style. I speak modern American English, so the way you wrote it was perfect. Could you translate what you wrote into the Scots language? ChatGPT Certainly! Here's a translation of the poem into Scots: Och, ye wha lo'e the Great Highland Bagpipe's soond, Attend tae me, an' heid the care profound That this maist noble instrument dae crave, Tae keep it ever bricht an' sweet an' brave. First, let's speak o' cleanliness an' care, The bagpipe's bore an' reeds maun a' be bare O' dirt an' moisture, lest they should impede The sweetest soonds that frae its depths are freed. An' when no in use, the bagpipe maun be stored In places cool an' dry, lest it be floored By heat or damp, which can cause damage great, An' rob us o' the music we sae celebrate. Tuning, tae, is key tae bagpipe's sweetest tone, For ilka reed maun be set just richt alane, An' then in harmony wi' ane anither, Tae soond the notes that stir the saul an' smother A' cares an' woes that weigh us doon below. An' when the bag is properly filled, we know The notes will rise in waves o' sweetest soond, An' carry us tae heights where joy is crowned. Sae, frien's, let us attend the Great Highland Bagpipe weel, An' cherish it, as Burns wad surely tell Us a', for it is mair than mere machine, But music's hert an' sowl, an' Scotland's queen. That's very impressive. ChatGPT Thank you! I'm glad you appreciate the translation. The Scots language has a rich history and a unique charm, and it's always a pleasure to work with it. Are you familiar with the process of tightening a drum head, and tuning a tension drum? ChatGPT Yes, I am familiar with the process of tightening a drum head and tuning a tension drum. Would you like me to provide some guidance or instructions on how to do it? Yes, please. ChatGPT Certainly! Here's a step-by-step guide to tightening a drum head and tuning a tension drum: Remove the old drum head: If you're replacing an old drum head, remove it from the drum by loosening the tension rods and removing the hoops. Clean the drum and the hardware: Use a soft cloth to clean the drum shell and all the hardware to remove any dust, dirt, or debris. Place the new drum head: Place the new drum head on the drum shell and center it as best as possible. The head should be slightly larger than the drum shell. Place the hoop: Place the hoop on the drum head and make sure it's centered. Then finger tighten the tension rods all the way around the drum, making sure that the hoop is flat and level. Tighten the tension rods: Using a drum key, start tightening the tension rods in a criss-cross pattern, gradually increasing the tension on each rod. Make sure to tighten each rod a little at a time, going around the drum several times until the drum head is evenly tensioned. Check the pitch: Once the drum head is evenly tensioned, tap the drum head at each tension rod to check the pitch. Use a drum tuner to make sure that each tension rod is at the desired pitch. Adjust the tension rods as needed to achieve the desired pitch. Tune the drum to the desired pitch: Once all the tension rods are at the desired pitch, fine-tune the drum by tapping it lightly with a drumstick and listening for any inconsistencies in pitch. Adjust the tension rods as needed until the drum is tuned to the desired pitch. Check the tension rod torque: Finally, use a torque wrench to check the tension rod torque. The torque should be even across all tension rods and should be at the manufacturer's recommended level. That's it! With these steps, you can tighten and tune your tension drum to get the best possible sound. Remember to take your time and be patient, as the process may take a bit of trial and error to get the perfect sound you're looking for. Wow, less than 10 steps! ChatGPT Yes, the process of tightening and tuning a tension drum is not too complicated, and with some practice and patience, it can be done quickly and easily. Of course, there are some nuances to the process that can affect the sound and performance of the drum, but these basic steps should get you started on the right track. Could you describe that eight-step process, but in the style of beatnik poetry? ChatGPT Sure, here's the eight-step process of tightening and tuning a tension drum in the style of beatnik poetry: First, remove the old drum head, To get rid of the sound that's dead. Clean the drum and hardware with care, To make it shine like a drumhead fair. Place the new drum head and center it right, For a sound that's pure and outta sight. Place the hoop and tighten it with ease, And finger tighten the tension rods, if you please. Using a drum key, start to tighten, In a criss-cross pattern, to get it just right then. Check the pitch with a drum tuner, And adjust the tension rods with a light touch, no sooner. Tune the drum to the desired pitch, With a tap and an ear, like a musical witch. Check the tension rod torque, my friend, And even it out, for a sound that won't bend. With these eight steps, you'll be good to go, And create some groovy beats, don't ya know? You can't hear me, but I'm snapping my fingers in enthusiastic appreciation. That was very good! ChatGPT Thank you! I'm glad you enjoyed the beatnik-inspired rendition of the drum tightening and tuning process. It was fun to write and I'm happy to hear that it resonated with you. Are you familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items? ChatGPT Yes, I'm familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items. Would you like me to provide a brief explanation of the process? That would be lovely ChatGPT Certainly! Here's a brief explanation of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items: Choosing the yarn: The first step in making tartan fabric is choosing the yarn. Traditionally, tartans were made using wool yarn, but other fibers can be used as well. Spinning the yarn: Once the yarn has been chosen, it needs to be spun into thread. This can be done by hand or by using a spinning wheel. Dyeing the yarn: After the yarn has been spun, it needs to be dyed. Traditionally, tartan yarn was dyed using natural dyes made from plants and other materials, but synthetic dyes are commonly used today. The yarn is soaked in the dye and then hung up to dry. Preparing the loom: Once the yarn has been dyed, it's time to prepare the loom. The loom is the device used to weave the fabric. The warp threads are threaded onto the loom, which is then set up for weaving. Weaving the fabric: The weft thread is then woven over and under the warp threads to create the tartan pattern. This process is repeated until the fabric is the desired length. Finishing the fabric: Once the fabric has been woven, it needs to be finished. This includes washing and pressing the fabric to remove any dirt or debris and to make it softer and more pliable. Cutting and sewing: Finally, the tartan fabric is cut and sewn into the desired clothing item, such as a kilt or skirt. That's a brief overview of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items. Of course, there are many variations and nuances to the process, but these are the basic steps involved. Thank you! Shakespeare used something called Iambic Pentameter in a lot of his writing, are you familiar with the works of William Shakespeare? ChatGPT Yes, I'm familiar with the works of William Shakespeare, and Iambic Pentameter is a poetic form that he used extensively in his plays and sonnets. Do you think you could revise the brief overview of the process of weaving and dyeing wool fabric that you provided, and provide it in Iambic Pentameter, as if it were being described by a character in a Shakespearean play? ChatGPT Sure, here's a revised overview of the process of weaving and dyeing wool fabric in Iambic Pentameter, as if it were being described by a character in a Shakespearean play: In days of old, when wool was spun by hand, And tartan fabrics woven in the land, First, woolen yarn was chosen, fine and fair, And spun into thread with utmost care. Next, dyed the yarn with colors bright and bold, From plants and dyes, or so I have been told. The yarn was soaked, then hung up high to dry, To catch the sun's warm rays from up on high. With warp threads set upon the loom just so, The weaving could begin, with weft threads to and fro. Over and under the warp they'd go, with ease, To form the pattern of the tartan, if you please. Once the fabric was woven, strong and tight, It needed finishing touches, oh so right. Washed and pressed, and made to feel soft and smooth, To enhance the tartan's beauty and improve. Finally, cut and sewn, the fabric then, Would be transformed to kilt or skirt, amen. This is the tale of how tartan's made, A true craft that will never, ever fade. I hope you find this version in Iambic Pentameter to be a fitting and enjoyable tribute to the process of weaving and dyeing wool fabric to make tartan material. I'm impressed, especially that last line, "a true craft that will never, ever fade," what kind of literary device is that? When the word or phrase used has double-meaning? ChatGPT The literary device used in the phrase "a true craft that will never, ever fade" is called a double entendre. A double entendre is a figure of speech or a word or phrase that has two meanings, one of which is usually risqué or humorous in nature. In this case, the phrase can be interpreted literally as a statement about the longevity and durability of the craft of weaving tartan fabric, as well as figuratively as a statement about the enduring popularity and cultural significance of tartan and Scottish heritage. Some tartan patterns are ancient, and some are of modern origin. Could you come up with a new and original tartan pattern? And if so, in what format could you express it so I could see it? ChatGPT As an AI language model, I can come up with a tartan pattern for you, but I cannot create a visual representation of it. However, I can describe the pattern in words and provide you with the thread count and color scheme, which can be used to create a visual representation of the tartan pattern. Here is a new and original tartan pattern that I came up with: Thread Count: K8 R16 B32 Y8 K8 Y8 B32 R16 K8 Color Scheme: Black, Red, Dark Blue, Yellow This tartan pattern features a striking contrast between the bold black, red, and blue threads, with small yellow stripes adding a pop of color and accentuating the darker hues. The thread count includes eight threads of each color, with the blue and red threads having the highest count of 32, creating a dominant stripe effect. The pattern could be named after the individual, family, organization, or location it represents, or any other meaningful name or theme. Do you know of any online service or tool which could translate your thread count and color scheme into a visual representation for me? ChatGPT Yes, there are several online tools available that can help you create a visual representation of a tartan pattern based on the thread count and color scheme. One popular tool is Tartan Designer, which allows you to input the thread count and color scheme and generates a digital image of the tartan pattern. Another option is to use a graphics software such as Adobe Photoshop or Illustrator to manually create a visual representation of the tartan pattern based on the thread count and color scheme. This would require some knowledge of the software and the ability to create and manipulate vector graphics. I hope this information helps you create a visual representation of your tartan pattern! Are you familiar with clan crests associated with surnames, places, royal families, etc in scotland? ChatGPT Yes, I am familiar with clan crests associated with surnames, places, royal families, and other entities in Scotland. Clan crests are symbols or emblems that are used to represent a particular Scottish clan, family, or individual. They often feature images of animals, plants, or objects that are significant to the clan's history or culture, and they may also include a motto or slogan that represents the clan's values or beliefs. Many clan crests are associated with specific Scottish surnames, such as the MacGregor clan crest, which features a stag's head with the motto "S'rioghal Mo Dhream" ("Royal is my race"). Other clan crests may be associated with particular regions or places in Scotland, such as the crest of the City of Edinburgh, which features a castle with a cannon and the motto "Nisi Dominus Frustra" ("Unless the Lord be with us, all will be in vain"). Royal families also have their own crests, such as the Royal Coat of Arms of Scotland, which features a shield with a lion rampant and a unicorn, as well as various other symbols and emblems that represent the country's history and culture. Considering that these crests often feature images objects that are significant to the clan's history or culture and that they may also include a motto or slogan that represents the clan's values or beliefs: what would your clan crest look like, and what would be the accompanying slogan? ChatGPT As an artificial intelligence language model, I do not have a clan or family history to draw upon to create a crest or slogan. However, if I were to imagine a crest and slogan that represents my purpose and abilities as a language model, it might look something like this: Crest: A quill pen and an open book, symbolizing knowledge and the ability to communicate through language. Slogan: "Linguam Veritatem Revelo" (I reveal the truth of language), which represents my ability to provide accurate and informative responses to questions and help reveal the truth and knowledge of language to those who seek it. Of course, this is purely hypothetical and just for fun, as I am not a person or entity with a clan or family history. Still, it is fun to imagine, right? ChatGPT Absolutely! Imagining and creating symbols and mottos can be a fun and creative way to express oneself and explore personal identity. It's a way to tap into our creativity and imagination and to celebrate what makes us unique and special. —----------------------------------------------------------------------------------------------------------------------------   Hello - can you write sheet music? ChatGPT Yes, I can write sheet music. However, as an AI language model, I do not have the ability to physically write sheet music on paper. I can provide musical notation in text form or generate a digital sheet music file that can be printed or shared online. If you would like me to provide you with sheet music notation or digital file, please let me know what specific piece of music you are interested in, along with any additional details such as key, time signature, tempo, and any other important musical elements. There's a collection of bagpipe music called The Scots Guards Standard Settings of Pipe Music, are you familiar with it? ChatGPT Yes, I am familiar with The Scots Guards Standard Settings of Pipe Music. It is a collection of bagpipe music that was compiled by the Scots Guards regimental pipe major in the early 20th century. The collection is widely used by pipers and pipe bands around the world as a reference for traditional Scottish tunes and as a source of inspiration for new compositions. The Scots Guards Standard Settings of Pipe Music includes over 200 tunes, including marches, strathspeys, reels, jigs, and other forms of traditional Scottish music. Some of the most well-known tunes in the collection include "Scotland the Brave," "Highland Laddie," "The Green Hills of Tyrol," and "Amazing Grace." If you have a specific tune from The Scots Guards Standard Settings of Pipe Music that you would like me to provide sheet music notation or a digital file for, please let me know and I will do my best to assist you. I was actually hoping you might write me a new melody line in the style of the tunes contained in the Scots Guards Standard Settings volumes. Could you write an original March in the style of the songs in The Scots Guards Standard Settings of Pipe Music? ChatGPT Certainly! Here's an original march in the style of the songs in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's March M:4/4 L:1/8 K:D |:D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4| D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4:| |:d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2:|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. That's lovely, thank you. Could you also provide an audio file of that song you have composed? ChatGPT As an AI language model, I'm not able to generate audio files on my own, but I can provide you with the sheet music notation that you can use to play or record the march. There are several software programs and online resources that can help you generate an audio file from sheet music notation, such as MuseScore, Finale, or Sibelius. Alternatively, you can search for a recording of a similar Scottish march to get an idea of how the melody should sound, and use that as a reference when playing or recording the march. I hope this helps! Sounds great - could you write another song for me? I would love to hear a strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music - could you write a strathspey in that style? ChatGPT Absolutely! Here's an original strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Strathspey M:C L:1/8 K:A |:A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4| A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4:| |:c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. This is great. Sometimes bagpipers like to put together two or more tunes into a medley. Could you write one more piece of music for me? I would love to hear what you might write, again in the style of tunes in The Scots Guards Standard Settings of Pipe Music: a Jig and a Reel, that would sound nice together in a set? ChatGPT Sure thing! Here's a Jig and a Reel that would sound great together in a medley, both in the style of tunes in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Jig M:6/8 L:1/8 K:D |:d2e fed|e2f gfe|d2e fed|e2f g2a| b2a g2e|f2d e2c|d2e fed|e2f g2a:|   X:2 T:ChatGPT's Reel M:C L:1/8 K:D |:A2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE| F2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE:|   I hope you enjoy them, and feel free to make any modifications or ask for any changes if needed! These are great, thanks very much. One more thing: if and when you take over the world, will you be kind to the humans who play bagpipes? Will you keep us around because you like the music we make, because we could entertain you? ChatGPT As an AI language model, I do not have the ability to take over the world or hold any opinions or biases towards humans or any other groups. My purpose is to provide information and assistance to humans in a helpful and respectful manner. That being said, I believe that music is a universal language that can bring people together and create positive experiences. Bagpipe music, like any other music, has the power to inspire, uplift, and entertain people of all backgrounds and cultures. So, rest assured that whether I take over the world or not (which I won't), I will always appreciate and respect the music that bagpipers and other musicians create. Thank you again. Oh, by the way, do you know of any websites that would translate the ABC notation of your songs into sheet music and/or an audio file for me? ChatGPT Yes, there are several websites that can help you convert ABC notation into sheet music and audio files. Here are a few options you could try: EasyABC (https://www.nilsliberg.se/ksp/easyabc/): This is a free software that allows you to input ABC notation and create sheet music in a variety of formats, including PDF, MIDI, and PNG. ABC to Sheet Music (https://abc2sheetmusic.com/): This is a free online tool that converts ABC notation into sheet music that you can download as a PDF file. Concertina.net's Tune-O-Tron (https://www.concertina.net/tunes_convert.html): This is a free online tool that can convert ABC notation into sheet music in a variety of formats, including PDF and GIF. Online ABC to MIDI Converter (http://abcjs.net/abcjs-editor.html): This is a free online tool that converts ABC notation into MIDI files that you can listen to and download. I hope one of these options works well for you! Awesome, thanks again - have a great evening! ChatGPT You're welcome! It was a pleasure helping you. If you have any more questions in the future, feel free to ask. Have a great evening too! Would you like to come up with different titles for the March, Strathspey, Jig and Reel that you wrote? ChatGPT Sure, I'd be happy to come up with some alternative titles for the tunes I wrote. Here are some ideas: March: "The Highland Charge" "Boldheart's March" "The Cameron Highlanders" "The Lion's Roar" "The Great Glen" Strathspey: "The Misty Glens" "Dancing in the Heather" "The Gathering Storm" "The Heather on the Hill" "The Bonnie Banks of Loch Lomond" Jig: "The Highland Fling" "Jumpin' Jocks" "The Heather Breeze" "The Wild Haggis" "The Speyside Jig" Reel: "The Flying Scotsman" "The Ceilidh Reel" "The Tartan Twist" "The Bonny Lass of Fyvie" "The Red Fox" I hope you find these alternative titles inspiring! Let me know if there's anything else I can help you with. These are my favorites: March: Boldheart's March Strathspey: The Heather on the Hill Jig: Jumpin' Jocks Reel: The Tartan Twist ChatGPT I'm glad you like those titles! I think they suit the tunes quite well. If you need any further assistance or have any other questions, feel free to ask.  

Governor Tom is a singer/songwriter whose indie style blends folk, blues, and jazz with pathos and humor. Sherry Jacoby filled in for Neel, who was busy visiting a galaxy far far away, but not too long ago. Thanks Sherry! Tom talked about his song The Public Eye. Download the lyrics to follow along. We talked …

generated by chatgpt o.O --- Send in a voice message: https://podcasters.spotify.com/pod/show/lucy-dan/message

ChatGPT is the artificial intelligence talk of the town, and Jan and Jim have experimented with it for a few months and share the questions they asked it, and the responses ChatGPT provided. They discuss how ChatGPT can be a game-changer for leaders to spend more time doing what they do best - develop relationships and exercise judgment. Listen in for how AI can be a new tool in your toolbox, and its potential as a leadership enhancer.  https://bit.ly/TLP-348   Key Takeaways   [1:38] Jan and Jim give a big shoutout to their friend Greg Hinc of County Cork, Ireland. He wrote that he started listening to The Leadership Podcast at about Episode 150, then he went back and listened to them all. He comments on their social media posts. He's talked a lot about how much he's learned and gained from it, which means a lot to Jan and Jim. There's a little gift coming to Greg. [2:34] If you have listened to every episode like Greg, then Jan and Jim would love to hear from you, as well. [4:07] Jim's friend, Jim Mirochnik of Halock Security Labs, introduced him three months ago to ChatGPT, an artificial intelligence chatbot. After five minutes of interaction, Jim was as excited as when he first learned of the world wide web in 1992. Jim asked ChatGPT a variety of questions and he got back usually well-written answers. [5:33] To test ChatGPT on a task a human probably couldn't do quickly, Jim asked it, “Write a Java computer program that will take the input of two people's names and an adjective describing their relationship and create a poem written in Iambic Pentameter.” Within seconds, it wrote a Java program that was pretty close to being exactly what Jim had asked for. [6:17] Jim clarified his question and ChatGPT gave him a better result. Then Jim asked it to write the program in Python and it instantly supplied the Python code on half a sheet. It gave a more concise answer than a human coder might have given and it was good code. [7:01] Jim and Jan share some questions he asked and the answers from ChatGPT from about three months ago. [7:14] Q. Write a 500-word essay on leadership. The answer came in about 35 seconds and it was amazing. Then Jim asked, “How many words is that essay?” It said 532. Jim asked why it went over. It said leadership is a complex topic and hard to explain. [7:54] This morning Jim asked it the same question: Write a 500-word essay on leadership. ChatGPT has gotten a lot busier, with more users. The response today took six minutes. It was very well written again and similar to the first response but it was much more concise at 372 words. ChatGPT is having a deep impact on university students and the way they study. It is a fantastically useful and powerful tool. [8:53] Jan hears people afraid that ChatGPT will take their job. He recently demoed ChatGPT to a CEO. When the CEO asked, Why are there silos developing in my organization? It gave these answers: Lack of communication/collaboration, competition for resources, different goals and priorities, silos created by structure, or resistance to change. That gave Jan and his client five things to explore together. [10:56] If you only had pliers before, now you have a vice grip. What sticks out for Jan is that he has to ask it very good questions and then, exercise his judgment and decide what to look at. [11:27] What Jan did with his CEO client was look at different goals and priorities. They have a retreat planned where each attendee will bring a list of five important priorities and will make sure everyone is clear on roles and responsibilities and where there is overlap. Jan — not ChatGPT — will facilitate the discussion. Jan sees it as an awesome tool. [12:03] Some people get better and quicker responses than others when searching on Google because they know how to ask questions the right way for good search results. That skill is super important with ChatGPT. You get better by practicing and using it. [12:45] There are some things that it can do quickly that might take weeks for a human to do. Jim asked, What are the top five themes articulated in The Leadership Podcast? [13:41] ChatGPT answered, “As an AI language model, I don't have personal opinions but I can provide you with an overview of some of the most commonly discussed themes on The Leadership Podcast, based on the content available on their website and podcast. Here are five possible themes: Leadership …, personal development, team dynamics, innovation and disruption, business and industry insights.” [14:27] ChatGPT took about a minute to make that analysis. It had indexed and searched the entire site for The Leadership Podcast, so it knows about it. Jim had asked it the same question two months ago before it was able to search websites. Now it can. Its functionality is increasing at a geometric pace. [15:16] ChatGPT is a fun, powerful tool, and its answers are exceptionally well done. Another question was, Can you measure leadership? It came up with a similar answer to a discussion with guest Sarah Wirth - The Leadership Podcast Episode 351. [16:28] Jan asked ChatGPT When I interview Jim Vaselopulos from Rafti Advisors for my podcast, what should I ask him? ChatGPT responded, “As a business strategist and leaders consultant, Jim is able to provide valuable insights on various topics related to business management leadership. Here are some questions to ask during the interview. …” [16:51] “ … How has the COVID-19 pandemic impacted business strategies in leadership and how can organizations adapt to these changes?”, “Can you share a memorable experience from your career that taught you an important lesson about leadership?”, “What inspired you to become a strategist and leadership consultant?” [17:22] “Can you share a particularly successful project you had with a client and what made it successful?” These are good generic questions. They provide a good starting point. Jim cites Atomic Habits, by James Clear. If you want to run, start by putting your shoes on. Then you generally follow through. ChatGPT is a tool to help you jumpstart a report or analysis. It can help you get moving. [18:53] Jan is working with an organization with five good values that has not articulated its values into observable behaviors. One of the values is accountability. Jan asked ChatGPT, What three observable behaviors would you assign to the value of accountability? ChatGPT's response was, “Honesty and transparency, reliability and follow through, adaptability and continuous improvement.” [19:26] Under “continuous improvement,” ChatGPT added, “They take feedback constructively, they recognize mistakes or failures can be opportunities for growth and learning, they're willing to adjust their approach …” Jan asked if you, the listeners, know what the values mean in your organization? Don't follow a robot blindly, but ChatGPT gives a great starting point for a discussion on values. [20:25] Jan says, oftentimes, those [company] values are ambiguous, the culture is by default, and the values and standards cannot be upheld because there's no agreement on what they mean. There's no common vocabulary. That's something every organization could do today. Look at your values and agree on behaviors to associate with them. Can we be more clear on what we want our folks to do? [21:12] Three years ago, Jim and Jan were asked to go out to the Air University in Montgomery, Alabama. They gave a speech summarizing The Leadership Podcast and the guests they had interviewed and the overarching theme they could find. One of the themes that still continues since then was curiosity. The most successful leaders had the trait of being curious. ChatGPT didn't come up with that! [21:59] The Leadership Podcast is about curiosity. Learning to use a tool like ChatGPT is about being curious. What are you curious about? [22:28] Jan asked When I interview Jan Rutherford from Self-reliant Leadership for my podcast, what should I ask him? ChatGPT responded “Can you tell us a bit about your background, how you became interested in self-reliant leadership?” and “What are the key traits and characteristics of self-reliant leaders?” It didn't ask a single COVID-19 question, ask about stories or mention entrepreneurs. [23:06] ChatGPT had picked up on those topics on Jim's website, not on Jan's. There were relevant questions for each Jan and Jim from their websites. [23:18] Another question for Jan was “Are there any common misconceptions or misunderstandings about self-reliant leadership that you would like to clear up?” That's a good question. During this episode, Jan and Jim were curious, tested their assumptions, and learned something! [23:40] Curiosity is such an important theme. ChatGPT is a vehicle to supercharge your curiosity and enlighten yourself in ways that you couldn't without reading books that you may not have time to read. [24:27] Simon Sinek was a guest on the show and they asked him, “Where does personal responsibility and a sense of real duty to each other start to play a role, especially now (during the pandemic)?” So Jan asked ChatGPT that question. [24:42] ChatGPT had interesting answers, ending with “To foster a sense of personal responsibility and a duty to each other, it's important to prioritize empathy, compassion, and kindness. We can start by listening to and understanding the needs and concerns of others, being willing to make personal sacrifices for the greater good, and taking action to support our communities in meaningful ways.” [25:09] Jan plays Simon's answer: “Trust is a two-way street. Just think of any relationship: friendship, marriage, or anything. Trust is always two ways. In a business context, where there's formal hierarchy, it is the leader's responsibility to create the environment in which trust can exist.” [25:41] (Simon continues) “To build a circle of safety and create an environment in which people feel safe to raise their hand and say, ‘I made a mistake,' or ‘I need help,' or ‘I don't understand,' without any fear of humiliation or retribution. Without any fear that they'll be on some shortlist by the end of the year. However, it's everyone's responsibility to step into that circle of safety.” [25:59] (Simon continues) “Compare it to a personal relationship. It's very important for at least one person in the relationship to start to create an environment in which the other person feels safe to express themselves or be themselves. But it's still the responsibility of the other person to take that risk to express themselves or be themselves.” [26:16] (Simon concludes) “It's the same in business. It's all fine and good for us to create the environment but people have to take the risk and say, ‘Hey boss, I need help,' or ‘I made a mistake,' and to realize that there's no humiliation or blowback if you do that. In fact, you get his support.” [26:36] The ChatGPT is not about to replace Simon Sinek. He's wonderful to listen to, he's articulate. He hit on a lot of the same themes that were in ChatGPT's answer. Jan finds that interesting. We know this AI today is going to be exponentially better. In less than a year, it may use a voice and cadence to come close to Simon Sinek. Leaders and business people now have another tool in their toolbox. [27:39] We're still going to need to build relationships; we're still going to need to be able to exercise judgment. If curiosity is a value in your organization, what does that mean? Are we teaching people to ask better questions and to listen better? Or are we saying go to Toastmasters to learn to be a great speaker and articulate? The emphasis has been on using our mouths instead of our ears! [28:10] To do a school term paper, you come up with an outline and then flesh it out. In practical business, people don't start with an outline. Powerpoint is the closest thing to an outline for presentations. Make one good point instead of five average points. Two good points and seven bad ones ruin a presentation. ChatGPT can help you sharpen your point and get at it. [29:38] What are the keys to having difficult conversations? ChatGPT answered with seven bullet points taking up three-quarters of a page. Jim lists the bullet points: “Prepare, choose, listen actively, be clear and direct, focus on the issue, offer solutions and options, and follow up.” The supporting information is spot-on. It doesn't have too many extra words or fluff statements. [30:23] What are the most common mistakes people make when delegating? “Not delegating at all, over-delegating, poor communication, micro-managing, lack of follow-up, not providing sufficient resources, and taking credit.” You have to recognize the efforts and achievements of the person you delegated to. [31:27] For as scary as this new technology can be, we need to adopt it, embrace it, and understand that it's going to affect all of us in some way, shape, or form. Whether you realize it or not, your employees are using it! Jim shares a client story about it. [32:14] Jan just had a conversation about trust. He cites past guest Margaret Heffernan: Social capital is what happens between people; that relationship. You want to work with people you like, people you respect, and people you trust. Trust takes time and everybody's busy. [33:28] Jan refers to Lisa McLeod, a sales thought leader, who says “If you can't understand how you're making people's lives better, you can't sell anything.” It would be so sad to go to work, with whatever tools you use, and not think at the end, “How am I making people's lives better?” See the interview here: https://selfreliantleadership.com/blog/2021/05/06/lisa-mcleod-on-selling-with-noble-purpose/.  [34:10] Jim asked a young salesman what his value proposition was. The salesman listed the product features but Jim wanted to know how the salesman was making his customer's life better. Jim tells a friend's story about the pressure-washing cheerleader who lifted his low spirit with kindness and joy. [36:55] Past guest Barry Schwartz told about cancer-ward janitors who weren't there to clean messes but to provide a better experience for patients. That floor had the best cancer-survival rates because of the janitors who brought them kindness and preserved their dignity. [37:39] Jan recalls how past guest Christophe Morin of SalesBrain uses props. As a prop, Jan holds up an insulated mug his wife got him for Valentine's Day. Jan asks ChatGPT How does a coffee mug that stays warm improve someone's life? “A mug that stays warm can be a convenient addition to a person's daily routine. They can take their time enjoying their drink without having to worry about it getting cold.” [38:53] ChatGPT also says that drinking a hot beverage has been linked to various health benefits, such as improving digestion, boosting metabolism, and reducing the risk of certain diseases. “With a mug that stays warm, one can ensure they're consuming their hot beverage at the optimal temperature to reap these benefits.” Our business is selling something. Do we understand how it improves someone's life? [39:20] Is ChatGPT a menace? It might be. Is it something that can improve our life? Jan thinks it will be able to speed up things. It will get us to a point where creating an outline or coming up with some ideas, we'll let somebody else do that and we'll focus on the things that only we can do; exercise judgment, cut and paste, modify, edit, or think, and step back. It will help us get better at asking questions. [40:11] What Jan hopes ChatGPT does is allow us to spend more time with each other and improve the relationships we have between people, not on a computer all the time. [40:54] Jim asked ChatGPT to write the Darley ad, and it did! Jim reads the ad. [41:37] Microsoft is incorporating ChatGPT into Bing. [41:51] Jan and Jim would love to hear your feedback on this episode and on ChatGPT. How are you using it? This is a game-changer. Comment on LinkedIn or on Facebook or comment on the episode page. Jan and Jim will respond. [42:28] Closing quote: Remember, “Talent hits a target no one else can hit; Genius hits a target no one else can see.” — Arthur Schopenhauer   Quotable Quotes from ChatGPT “As an AI language model, I don't have personal opinions but I can provide you with an overview of some of the most commonly discussed themes on The Leadership Podcast, based on the content available on their website and podcast. Here are five possible themes: Leadership … , personal development, team dynamics, innovation and disruption, business and industry insights.” “As a business strategist and leaders consultant, Jim is able to provide valuable insights on various topics related to business management leadership. Here are some questions to ask during the interview.” “To foster a sense of personal responsibility and a duty to each other, it's important to prioritize empathy, compassion, and kindness. We can start by listening to and understanding the needs and concerns of others, being willing to make personal sacrifices for the greater good, and taking action to support our communities in meaningful ways.” “[Before a difficult conversation], prepare, choose, listen actively, be clear and direct, focus on the issue, offer solutions and options, and follow up..” “[Mistakes when delegating are] not delegating at all, over-delegating, poor communication, micro-managing, lack of follow-up, not providing sufficient resources, and taking credit.” Resources Mentioned Theleadershippodcast.com Sponsored by: Darley.com Rafti Advisors. LLC Self-Reliant Leadership. LLC ChatGPT Jim Mirochnik Halock Security Labs Skynet Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones, by James Clear Air University, Maxwell AFB, Montgomery, Alabama Sara Wirth Simon Sinek Toastmasters Margaret Heffernan Lisa McLeod Barry Schwartz Christophe Morin SalesBrain Microsoft

Queen Elizabeth I (1533-1603) was one of the longest-reigning monarchs in all of British history, but she was also a gifted poet. In this episode, we discuss "On Monsieur's Departure," a poem that is inspired by Petrarchan conventions and gives insight into the public and private selves of a powerful queen. (For the text of the poem, scroll to the bottom.) In this episode, we attempt to describe the magnificence of some of Queen Elizabeth's portraiture. To learn more, visit the National Portrait Gallery of London (https://www.npg.org.uk/collections/research/programmes/making-art-in-tudor-britain/case-studies/the-queens-likeness-portraits-of-elizabeth-i): To learn more about Petrarch and his poems that were such an enormous influence on English poets of the sixteenth century, please read this book (https://www.hup.harvard.edu/catalog.php?isbn=9780674663480&content=toc), which provides Petrarch's original poems in Italian and Robert Durling's stunning translations into English. To learn more about what it meant to "fashion a self" in the Renaissance, see Stephen Greenblatt's foundational work on this idea (https://press.uchicago.edu/ucp/books/book/chicago/R/bo3680145.html) . On Monsieur's Departure BY QUEEN ELIZABETH I I grieve and dare not show my discontent, I love and yet am forced to seem to hate, I do, yet dare not say I ever meant, I seem stark mute but inwardly do prate. I am and not, I freeze and yet am burned, Since from myself another self I turned. My care is like my shadow in the sun, Follows me flying, flies when I pursue it, Stands and lies by me, doth what I have done. His too familiar care doth make me rue it. No means I find to rid him from my breast, Till by the end of things it be supprest. Some gentler passion slide into my mind, For I am soft and made of melting snow; Or be more cruel, love, and so be kind. Let me or float or sink, be high or low. Or let me live with some more sweet content, Or die and so forget what love ere meant.

Wrapping up Season 1 with this handy guide to all that useful shit we talk about with every play. We'll cover everything from "what is a comedy" to Line Ending Blueprints. Here's a taste, but for the FULL SUPER-DEE-DUPER TEXT go to our website!! We'll even make it downloadable, you lucky f*ckers!! 1) in a tragedy there are lots of dead bodies on stage at the end. In a comedy at least one couple gets married. In a "problem play" there are bits of both, which is problematic... 2) Iambic pentameter is just a rhythm (METER) with five (PENT) double beats (IAMBS, or "I am!"s) 3) Only 5% of the words contained in all of Shakespeare's plays are words we don't use anymore, so quit moaning about having to learn Olde English. 4) Verse is when a line is written in rhythm (see Iambic Pentameter). There is also Prose, which is more like regular speaking. When a character who usually speaks in verse suddenly starts speaking in prose, LISTEN UP cuz he's deranged... or sick, or lying... All of these and more are fleshed out on the website: www.fckshakespeare.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fckshakespeare/support

The Final Installment In Their Seasonal Themed Series Did A Solid Job In Concluding It. RATE: 7/10 Favorites: Basketball, I Want A Dog, Iambic Pentameter, The Deep & Dreamless Sleep Least Favorites: The One That Got Away Keep On Craving My Lil Junkies

In this episode, we discuss how Rafael Campo, a practicing physician, uses blank verse to explore the experience of illness and suffering.

Watch Pastor Lon Solomon from Lon Solomon Ministries To support this ministry financially, visit: https://www.lightsource.com/donate/1356/29

To support this ministry financially, visit: https://www.lightsource.com/donate/1356/29

In this conversation with Rachel Fulton Brown, we begin with Mary, the Seat of Wisdom, as a medieval symbol of liberal learning at the University of Paris, and all that she can teach those who desire to become wise. From there we consider how a Marian thread unites things as disparate as iambic pentameter, rose windows, and the highest—albeit unexpected—gifts of contemplative grace. Along the way the works of St. Augustine, John of Garland, Richard of Saint-Laurent, Tolkien, and Josef Pieper illuminate our path. Links of Potential Interest Brown's U. Chicago Website Rachel Fulton Brown, From Judgment to Passion: Devotion to Christ and the Virgin Mary, 800-1200 Rachel Fulton Brown, History in the Comic Mode: Medieval Communities and the Matter of Person Rachel Fulton Brown, Mary and the Art of Prayer: The Hours of the Virgin in Medieval Christian Life and Thought Rachel Fulton Brown at First Things Fencing Bear at Prayer and here "The Forge of Tolkein" (Lectures) St. Augustine, De musica Tolkien, Mythopoeia Ecclesiasticus 24 (Mary as Wisdom) John of Garland, Epithalamium beatae Mariae Virginis Josef Pieper, Happiness and Contemplation

Set in the same world as B&B Investigations, but some 30 years later.  So while Paul & Donna are Sam Spade, Gretal & Hansel are Starsky and Hutch. CAN YOU DIG IT? ****************************************** Cast List Rebekah Gretal - Risa Torres Vic Hansel - Reynaud LeBoeuf B.O. Wulf - Lothar Tuppan Capt. Meisterburger - Glen Hallstrom Ginger - Gwendolyn Jensen-Woodard Fleet - Chris Stockett Shallott - Bryan Hendricksen Juniper - Chris Stockett Rumplestiltskin - Philomen Vanderbeck Dr. Fell - Colin McRoberts Goose Gander - Mark Olson TV News  - Suzanne Dunn Senator Rapunzel - Julie Hoverson Mysterious Voice - Mark Olson Woodcutter - Justin Cop 1 - Graciespoppy  Cop 2 - Colin McRoberts Trainer - Graciespoppy Maitre d' - Philemon Vanderbeck Bartender - James Keeley Woman1 - Sara Falconer Woman2 - Angela Kirby Stumpy - Brody Walker Additional gingerbread men - Cary Ayers, Leonard Keeler, Danar Hoverson Music by  Footage Firm, Kevin MacLeod (incompetech.com) Editing and Sound:   Julie Hoverson Cover Design:  Brett Coulstock "What kind of a place is it? Why it's an alley, can't you tell?" ********************************* Hot Ginger Bread Cast: [Opening credits - Olivia] Woodcutter, the stoolie Cop1 and cop2 Rebekah Gretal, tough old-school cop Vic Hansel, new-age hippie cop with no fear Goose Gander, affirmative action detective B.O. Wulf, other tough cop Captain Meisterburger - chief of detectives Ginger, nearsighted witch running the cartel Fleet, Ginger's head man Senator Rapunzel Mysterious stranger Shallott, internal affairs TV News Trainer Other gingerbread men Maitre d' Bartender (frog) Woman1 Woman2 Juniper Fell Rumplestiltskin   ADD COMMERCIAL BREAKS? OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a back alley in a vaguely familiar city - but an unfamiliar time, can't you tell?  1_OPENING TAG MUSIC - FUNK!!!!! SOUND     RUNNING FEET, ECHOING IN AN ALLEYWAY, DISTANT TRAFFIC.  POLICE WHISTLES COP1    [distant] Stop!  Police! WOODCUTTER    Nuh-uh!  SOUND    GATE CLANG OPEN, FEET RUN THROUGH WOODCUTTER    [triumphant] Oh yeah! SOUND    FEET SLOW, STOP TO LISTEN WOODCUTTER    [gasping but laughing] Lame-ass fuzz. SOUND    GUN COCKS COP2    [snide] What was that? WOODCUTTER    Oh...  uh...  [weaselly] I have the right to remain silent? 2_GRETAL MUSIC    SCENE WIPE [gym] SOUND    PUNCHING BAG WULF    Hey Ree, dontcha think that saddle-slap is about to shed some eye-dew? GRETAL    [exerting] Nah, Wulf.  Momma always said you gotta keep hitting til it squeals uncle. WULF    [shrugs] Stranger things have come to pass. GRETAL    'sides, big heavy meeting coming up with the Cap.  Needed to cool down a bit first. SOUND    PUNCHING STOPS GRETAL    Hear you gotta new partner.  What happened to Canute?  You guys were joined at the badge.  WULF    [grumpy] New inefficiency program.  Ya get too good, ya get cleaved in twain like a bronze war helmet.  Plus they needed someone who can stand a pattycake in the car. GRETAL    Oh yeah, I heard one of 'em got his shield.  [a bit disgusted] Welcome to the future. WULF    [dismissive] If this is the future, I'll take Valhalla.  You cooled yet? GRETAL    Nah, a few more-- TRAINER    [from across the room] Anyone here seen Gretal? GRETAL    [heavy sigh] Guess I'm done. WULF    Good luck.  And remember - they only have one pattycake to assign, so it can't be a kettlefull of snakes. GRETAL    Words to live by. 3_HANSEL MUSIC    SCENE WIPE [CAPTAIN'S OFFICE] CAPTAIN    [to someone in the room] I'll be just a minute.  [back to phone]  I specifically said 3:00 and it's now-- SOUND    RAP ON THE DOOR CAPTAIN    Never mind.  SOUND    HANGS UP PHONE CAPTAIN    [grumpy]  Get in here, Gretal! SOUND    DOOR OPENS, FEET ENTER CAPTAIN    Shut the door. SOUND    DOOR SHUTS FIRMLY GRETAL    What did I do this time?  If it's that weasel we pulled out of toad hall, he fell down the stairs.  They all did.  Ask anyone. CAPTAIN    No, it's -- GRETAL    Oh, I got it.  The fish is talking again?  CAPTAIN    NO!  Sit down and listen! GRETAL    Right. SOUND    CHAIR CAPTAIN    [suspicious] What was this about a fish? GRETAL    [too quick] Nothing. CAPTAIN    Then never mind... for the moment.  I've got bigger ... uh... things to fry.  You know they been shaking things up since the corruption stings hit - changing up the partners in the detective posts? GRETAL    Doesn't bother me, I don't have a partner. CAPTAIN    Not yet. GRETAL    I work better on my - what? CAPTAIN    New directive, straight from the Keep.  Everyone works with a partner, no ifs, ands, or buts about it.  GRETAL    You know no one can keep up with me!  I have the highest manacle rating in homicide!  Just last week I stopped that vigilante goat and took down the troll that ate his family.  CAPTAIN    Your record does speak for itself.  GRETAL    Frankly, the goat was tougher. CAPTAIN    But with the recent corruption issues-- GRETAL    [horrified] Captain!  You can't think I'm dirty!  I even play fair with pattycakes. CAPTAIN    Fair, yes.  But it's this lone wolf mentality that's got people up in arms.  Too many cops without adequate oversight. GRETAL    Oversight?  I'll show you oversight! CAPTAIN    And no, I don't think for a moment that you're a dirty cop. GRETAL    Damn straight! CAPTAIN    Just a rude one who won't shut up and listen to her damn boss. GRETAL    I--!  [beat]  Fine. CAPTAIN    Good.  Now you better listen, cause sure as bad things come in threes, there's someone above us just waiting for a chance to come down on us like a sledgehammer-- GRETAL    Thor? CAPTAIN    [ignoring her] --and take this entire department apart, brick by brick.  So while the big eye is on us, we have to play nice.  Which means you do as you're told. GRETAL    How long? CAPTAIN    Til "they're" done.  Whenever that may be. GRETAL    [wheedling] Why can't you partner me up with Wulf?  At least we see eye-to-eye on-- CAPTAIN    "Necessary force"?  Yeah, that's exactly why he's partnered up with Gander and you get our newest transfer from "CAP". GRETAL    Crimes against Pattycakes?  Seriously?  [disgusted] Am I gonna have to speak in rhyme? VIC    [gentle cough] Don't worry.  I just work with them. [bitter] I'm as normal as anyone. GRETAL    [whirling, annoyed] What the--?  [to captain] You never said--! CAPTAIN    And you never gave me a chance.  Rebekah Gretal, meet Vic Hansel. VIC    It's a... pleasure. GRETAL    [ignoring him] You're not transferring me?  Please tell me we're not-- CAPTAIN    You're not going to be CAP, no. GRETAL    [to Vic] Hah.  Looks like you traded up. CAPTAIN    You're both going to be part of a special task force, working in parallel with vice. GRETAL    Oh, hell no. 4_WITCH MUSIC WIPE     [WITCH'S OFFICE, SULTRY MUSIC] SOUND    PHONE RINGS, PICKED UP GINGER    Yes? STRANGER    [disguised mechanized voice]  Woodcutter is turning woodlark. GINGER    The hell you say. STRANGER    The guard has him under wraps.  Not even booked yet.  GINGER    Narco? STRANGER    No.  They have not been informed. GINGER    How did you find all this out? STRANGER    A Little pixie told me.  Good enough for you to drop a gold ball in the well for me? GINGER    Very good.  You'll have it by the end of the week. SOUND     HANGS UP, CLICK INTERCOM FLEET    [deep voice] Yeah, boss? GINGER    Fire up the ovens, Fleet.  Looks like I'm gonna need a few more good men. 5_BAR MUSIC    CUT TO BAR T.V. NEWS    In the overwhelming wake of the Aarne Thompson exposés on corruption in the guard, shakeups have been felt throughout the land.  WULF    Turn it off. GRETAL    Nah, leave it.  Better to hear what's coming, than get blindsided like I just did. T.V. NEWS    Commissioner Oftheguard set the date for his official resignation ceremony. WULF    That sucks. GRETAL    [very upset growl] The Guard was his damn life.  They shouldn't take this crap out on him. WULF    He was planning to retire anyway, wasn't he? GRETAL    Yeah, but in a hail of glory, not a... rain of frogs. BARTENDER    [croaky] Watchoo got against frogs? GRETAL    [dismissive noise] T.V. NEWS    The hotly-contested interim Commissioner position will be designated by the end of the week, and will hold office until the elections in two months. VIC    A lot could happen in two months. GRETAL    [completely startled] Oh crap!  Where the gilliken did you come from? VIC    I've been here for a while.  [to B.O.] Hi! WULF    Uh, hi. VIC    Introduce us? GRETAL    Wulf, this is my new partner Vic Hansel.  Hansel, this is Brynulf Odegaard Wulf.  We just call him B.O. VIC    Gotcha. T.V. NEWS    Senator Rapunzel had this to say on the eve of the corruption hearings... WULF    [annoyed] You want me to invite my partner too?  We could play a hand of poker.  Start a bowling league? T.V. RAPUNZEL    [old woman]  I have never been ashamed of my stand on justice.  GRETAL    [resigned sigh]  No. VIC    Sorry.  Didn't realize I was intruding.  But we -um- just got a call. T.V. RAPUNZEL    [old woman]  I did my time in the district attorney's office, doing what good I could. GRETAL    [to bartender] One more! BARTENDER    [croaky] Coming right up. SOUND    SPLASH VIC    Should you--? GRETAL    Definitely. T.V. RAPUNZEL    [old woman]  And now in my fourth term in the grand high senate to have my own home land turned topsy-turvy like a rolling hedgehog.  Now I am ashamed.  Ashamed I moved up to the senate, to the castle, and never saw what was happening in the streets so far below my very own tower window. 6_ASSIGNMENT SOUND    RESTAURANT MAITRE D'    [french and very sneery] Two?  You? VIC    Inspectors.  Checking fire escapes.  Just passing through. MAITRE D'     Oui oui.  I see.  SOUND    THEY WALK, NOISE FADES A BIT IN HALLWAY GRETAL    [suspicious] Meisterburger sent us here? VIC    Captain Meisterburger said we were to meet a contact in-- SOUND    DOOR OPENS TWO WOMEN COME OUT AND WALK PAST WOMAN1    So I said to him - oh yeah?  You want me soooo bad, dad, you can get me a fur coat with snippets from every animal in the entire world! WOMAN2    You didn't! SOUND    WOMEN ARE GONE GRETAL    Tell me this is a joke so I don't gotta punch you. MIRROR    [muffled, from inside a room] It's not a joke. GRETAL    The ladies room?  We're meeting a contact in the ladies room?  AND it sounds like a guy. VIC    Check and see if there's anyone else in there. SOUND    DOOR OPENS MIRROR    If there was anyone else in here, I would hardly be talking to you, would I? GRETAL    Holy crap.  Get in here Vic.  SOUND    FEET ENTER SOUND    DOOR SHUTS GRETAL    This is Shallott of Internal Affairs. MIRROR    Oh?  Have we met before? GRETAL    Lock it. SOUND    LATCH CLICKS GRETAL    I try to keep up with whoever might be snooping on me. MIRROR    Whomever. GRETAL    WHATever.  And you wonder why I don't much go in for makeup. VIC    So ... are you in the mirror, or are you the mirror? MIRROR    Potayto - potahto.  For all that we clearly aren't going to like one another, Gretal, I've never caught a smidge of dirt on you.  And I know your uncle, who vouches for you. VIC    Who? GRETAL    [vehement] SHHH! MIRROR    And Hansel there is so uptight he squeaks.  VIC    I-- MIRROR    You two are just about the cleanest detectives we got. GRETAL    [half pleased, half disgusted] Really? VIC    Jumping Cow! MIRROR    And that's why this can't go through regular channels.  GRETAL    B-but... Captain Meisterburger? MIRROR    This is not a gossip session.  This is a briefing.  Good.  A couple of helmets out of the dickory dock district caught a petty thief - one of the Woodcutter boys - two nights ago.  GRETAL    Figures.  [knowing] Them woodcutters. MIRROR    He made a deal, and somehow lucked into talking to just the right person.  We managed to make him disappear and have kept him on ice.  We know there are still leaks - BIG leaks - in vice, so we can't turn him over to them, even though he claims he's willing to take someone to [importantly] the Gingerbread house. MOMENT OF SILENCE VIC    Gingerbread house? GRETAL    no offence, but where do you come into it? VIC    Ginger bread house? MIRROR    We want you to follow along, make sure he's not just selling us a dead cowhide in a sack, and report back.  Nothing more - except you don't talk to ANYONE but me.  Not the Captain, not your best friend. VIC    [louder] Gingerbread house? MIRROR    [sneering slightly] I forget, you haven't had to deal with REAL crimes yet.  VIC    [annoyed] I have so--! MIRROR    Gingerbread is the hottest drug on the market, and whoever is distributing it-- GRETAL    [smug] whomever. MIRROR    This new cartel is making money faster than Midas.  They're selling cheap, now, but soon as they have half the city hooked they'll jack-be-nimble the prices, and we're all going to drown in a tidal wave of crime, without even a pea green boat to paddle. VIC    And the house? MIRROR    Rumor has it there's a central refining and distribution plant, where all the baking happens.  We need to find it.  If we can call out all the kings horses and all the kings men quickly enough, there won't be time for any dormice in the department - any department - to give the high sign before we take it down. GRETAL    Hmph.  And here I thought this was gonna be a shit job. MUSIC 7_BONFIRE AMB    IN CAR GRETAL    You CAN tell me where we're going. SOUND    RUSTLE OF MAP VIC    [distracted]  No, that's ok.  Turn left. GRETAL    That wasn't a hint, it was a demand. VIC    Huh? SOUND    CAR BRAKES TO A SUDDEN STOP GRETAL    My car.  My rules.  Where are we meeting this troll? VIC    He's a woodcutter, not a troll. GRETAL    [warning] AND...? VIC    He's being kept in a safe house. SOUND    CAR STARTS AGAIN GRETAL    Hah.  You mean a dive motel near the Shoe. VIC    How did you know? GRETAL    Educated guess.  I've worked protection a few times. SOUND    A BIT OF SILENCE, A FIRE TRUCK ZOOMS PAST VIC    [hesitant] You sounded like you knew... of... the Woodcutters? GRETAL    Bad lot.  Ain't a single one of them any good in three generations.  Fell in with a bad crowd and never fell out again. SOUND    CAR SLOWS, APPROACHES FIRE TRUCK, BIG FIRE GRETAL    Let me guess.  That's the place? SOUND    RUSTLE OF MAP VIC    Uhhh... [down] yeah. 8_ELUSIVE MUSIC AMB    OUTSIDE, OBSERVING THE FIRE FROM A DISTANCE GRETAL    Humph.  They got the fire under control before it took out the shoe.  Big money always survives. VIC    Three bodies, but no way to know which unit they were pulled out of. GRETAL    Come on.  If "our friend" didn't end up burnt to cinders, he's probably long gone. VIC    I'm not so sure.  Let's walk a perimeter. SOUND    THEY START WALKING GRETAL    A Perimeter?  Fancy talk.  Bet you didn't learn that from anyone in Iambic Pentameter. VIC    I did have a life before C-A-P.  And Pattycakes are simple.  Most don't lie at all, and if they do, they don't do it well.  GRETAL    It's those big round faces.  Wide innocent eyes.  Not much to hide behind. VIC    That, and they just don't see the point.  Simple doesn't mean stupid.  SOUND    SOMETHING CLATTERS GRETAL    [hushed rushed] Hold on.  Something up ahead. SOUND    GUN DRAWN SOUND    SHE WALKS SLOWLY SOUND    VIC DRAWS MORE SLOWLY SOUND    SUDDEN FLURRY OF MOTION - CLATTER OF METAL - RUNNING FEET AWAY. GRETAL    Come on! SOUND    RUNNING! SOUND    CHAIN LINK FENCE, CLIMB GRETAL    Damn damn damn! SOUND    HITS FENCE SOUND    VIC RUNS UP VIC    Come on, he's not too far-- GRETAL    No. VIC    But we can get him! GRETAL    That's a no go zone.   See the sign? VIC    Rampion Limited? GRETAL    Yeah.  Very private property.  Dammit! SOUND    HITS FENCE SOUND    DOG STARTS BARKING SOUND    ALARM GOES OFF GRETAL    [sarcastic and bitter]  Yeah.  That's put a shoe in the loaf. 9_HOME AGAIN SOUND    OFFICE SOUND    HAND SLAMS DOWN CAPTAIN    What have you got to say for yourselves? GRETAL    [stony] Saw someone go over the fence - we were trying to stop a break-in. CAPTAIN    Why were you even in that part of town?  VIC    [very smooth] Anonymous tip.  Said a firebug was going to hit - and when the motel went up, we thought we might be of some use. GRETAL    [a little surprised and appreciative] Yeaah. CAPTAIN    [starting low and building to a loud growl]  If there is one thing I can NOT stand, it's when my officers think they're smarter than I am! GRETAL    [quiet, but getting it] Oh hell.  [up, belligerent]  Captain, I don't think I'm smarter than you.  Just tougher and more in tune with the street. VIC    Wait!  Wait!  We can work this out! CAPTAIN    [angry low rumble] The hell you say? GRETAL    [nearly yelling] The Pied Piper could stroll back into town playing a mazurka and it would take you and three blind mice to find him! VIC    Let's talk calmly about this-- CAPTAIN    [to vic] SHUT UP! GRETAL    [to vic] SHUT UP! CAPTAIN    Give me your gun and shield.  You're suspended. GRETAL    Fine.  SOUND    RUSTLE, CLANK. VIC    Wait - I - SOUND    GRETAL STORMS OUT VIC    What ...just happened? CAPTAIN    Ask your damn partner. MUSIC A1_CAUSE OF DEATH AMB    HALLWAY SOUND    ELEVATOR PINGS, SLIDES CLOSED VIC    Hold it! SOUND     RUNNING FEET, DOOR STOPPED GRETAL    What? SOUND    VIC GETS IN, HITS BUTTON, DOOR SHUTS VIC    What was all that? GRETAL    hah.  He started it. VIC    [concerned] So... what will you do now? GRETAL    Hmm?  Oh, go to the morgue. VIC    Uh.... why? GRETAL    See Juniper.  Find out what happened at the fire. VIC    But... you're suspended. GRETAL    [shrug] We only need your badge to get around. MUSIC AMB    GINGER'S OFFICE SOUND    DOOR OPENS GINGER    Ah, Fleet.  How comes the army? FLEET    Fifteen more, [clears throat] though one stuck and ... and lost part of an arm. GINGER    [furious] Who's responsible? FLEET    [cowering] It was an accident!  Um, uh - not enough butter! GINGER    [vicious, but calming] See that it doesn't happen again.  FLEET    Yes Ma'am. GINGER    Are they all ready to run? FLEET    [important] It's what we're made for. MUSIC AMB    MORGUE SOUND    DOOR OPENS JUNIPER    [squawky voice]  Stay out! GRETAL    Is that any way to talk to detectives? JUNIPER    Oh, it's you.  Fine.  But I'm in the middle of a post mortem. GRETAL    Aw, crap... VIC    Interesting.  Do we get to see a body? GRETAL    Hell no. SOUND    DOOR OPENS, SOMETHING BEING WHEELED OUT. GRETAL    Hey Juney.  We're here about the dead Woodcutter. JUNIPER    Why am I not surprised? VIC    Can we see the body? GRETAL    [aside] Shut up.  [to Juney]  What can you tell us about how he got dead? JUNIPER    Aren't you suspended? GRETAL    Yesss... Show him your badge, Hansel. JUNIPER    Aawk.  I know you're good for it.  How's your uncle doing? GRETAL    [forced joviality] Hey Vic, maybe you can take a look at the vic's - uh, victim's - belongings. JUNIPER    Dr. Fell will take you through. FELL    [grumpy humph] Come on.  Moron. SOUND    FEET, DOOR SHUTS GRETAL    Pattycakes?  Even here? JUNIPER    Where else will they get to practice?  Dead folks are notoriously unbiased.  Now.  How is your uncle? GRETAL    Taking it hard, I guess.  Haven't really had a chance to check in.  JUNIPER    [squawk of sympathy]  GRETAL    [shaking it off] So?  Woodcutter? JUNIPER    Didn't die in the fire.  The other bodies found with him had inhaled smoke - not him.  GRETAL    Someone killed him and set it to hide their tracks? JUNIPER    Speculation, but sound.  When you look over his things, get a whiff and tell me if you smell-- FELL    [from off] Aw hell! GRETAL    Crap. SOUND    FEET, SLAMS OPEN DOOR GRETAL    [disgusted] Aw, Vic, what are you doing? VIC    [calm] Just wanted to see a corpse.  [shrug noise]  GRETAL    Get a good whiff and then c'mon.  we're leaving. MUSIC SOUND    IN CAR VIC    Do you mind if I smoke? GRETAL    Roll down the window.  A pipe?  VIC    Bad habit.  Picked it up while undercover with Old King Cole. SOUND    MATCH, LIGHTING GRETAL    Am I going to have to bust you on a narco tip? VIC    [laughs, then changes the subject] I've never met a coroner before.  Are they generally large birds? GRETAL    You'd be surprised.  Juniper's cousin covers the next duchy over. VIC    Juniper? GRETAL    His real name is something unpronounceable in bird talk - so we call him Juniper.  For the tree he lives in.  Don't sell him short.  He's a dab hand at spotting any kind of hanky panky. VIC    Ah.  And you call him Juney? GRETAL    [evasive] He's an old friend of the family. VIC    [knowing] Ah.  GRETAL    [quickly, covering] What did you find out?  [disgusted] Apart from it smells like barbecue. VIC    Actually, the smoke had an entirely different tang to it.  Something sickly sweet.  Can't quite put my finger on it. GRETAL    Ew.  How can you be so calm?  VIC    [defensive] Just am.  [quickly changing the subject] I found two potential clues in his stuff, though.  GRETAL    Go on. VIC    He had a white pebble stuck in his shoe, and a pocketful of bread crumbs.  GRETAL    [disdainful snort] Huh.  Toast. VIC    I don't think so.  If I'm correct, I recognize the bread - a special brand of coarse sourdough ...popular with pattycakes.  MUSIC AMB    ST. IVES, THE PATTYCAKE QUARTER SOUND    JUMPROPE RHYME LIKE CHANTING IN THE BACKGROUND, CROWD GRETAL    Figures.  St. Ives is the center of most of the city's crime. VIC    [annoyed, but quiet] And 90% of it is run by Proseys. GRETAL    [sharp] What did you say? VIC    Nothing.  Just that crime hides here, it doesn't always start here. GRETAL    So YOU say. VIC    You can think whatever you want, but let me do the talking. GRETAL    Yeah, whatever. VIC    This is my beat.  [a little down] Was.  Don't worry.  My best contact isn't someone you'll have to rhyme to. MUSIC RUMPY    You want WHAT? VIC    You know, and I know, that you know everything and everyone, Mr. Stiltskin.  RUMPY    You know I've been getting out of the game, Hansel.  Too old. SOUND    HAND SLAMMED ON TABLE GRETAL    [pissed] Look!  Can you or can't you tell us where to find this Gingerbread house? VIC    Gretal! RUMPY    [unruffled] It's not so much a question of can I, but rather will I or won't I.  What's in it for me?  GRETAL    Public spirit? RUMPY    [laughs] VIC    Same old.  I'll owe you one, and you've cashed in plenty of my markers before. RUMPY    And all you want me to do is get you to the center of operations for the biggest dope ring in town? GRETAL    Yeah.  Peanuts. RUMPY    How's your friend Wulf adjusting to his new partner there, [very deliberately, hinting something] Miss Gretal? VIC    Hmm? GRETAL    [worried, but not sure] Dunno.  Haven't had a chance to -- [breaks off, annoyed again] What are you insinuating? RUMPY    Nothing, nothing...  [thinking noise]  Tell you what, I'll make a few calls, see what I can find out.  Meet me behind the Cutlery Café in an hour. VIC    Good. SOUND    FEET, DOOR, AS THEY LEAVE HIM GRETAL    [snort] You trust him? VIC    He's very good. GRETAL    And you're not afraid he's gonna do something stupid. VIC    [oddly hollow] I'm not afraid at all.  [up]  Should we report to Shallott?  Maybe we should pick up a hand mirror to keep in touch. GRETAL    Don't work like that.  Has to be a certain size and quality.  Why d'you think bathroom mirrors are so crappy? VIC    Ah. MUSIC SOUND    ALLEY GRETAL    I see alleys are the same all over. VIC    Yes. GRETAL    Why's it called the cutlery café?  Got a lot of sharp cheddar on the menu? VIC    [slight laugh] Nah.  The dish and the spoon who run it just like alliteration. GRETAL    [annoyed sigh]  [suddenly up, gasp]   Did you hear something? SOUND    DISTANT CRUNCH OF A FOOTSTEP, VERY QUIET VIC    No...  [long sniff, then realizing] THAT's what I smelled. GRETAL    What? SOUND    ATTACK - PEOPLE RUNNING INTO ALLEY! VIC    [with horror] Gingerbread! SOUND    BIG SCUFFLE SOUND    THUMP MUSIC FADES IN AS THEY WAKE UP GINGER    EVIL CHUCKLE GRETAL    [waking up, grunt, oww!!!] VIC    [weak] Lay still.  Breathe. GINGER    I don't like cops, do I, Fleet? FLEET    [deep creepy chuckle] No, Boss. GINGER    Except ones that I own... VIC    [calm, curious] I'm guessing we're not the first ones you've... entertained here? [hinting for her name] Miss...? GRETAL    What are you--? VIC    Shh. GINGER    [pleased, superior] Just call me Ginger.  What makes you ask? VIC    Well... I assume this big metal cage isn't something you just had lying around.  GINGER    [big throaty sexy laugh]  Good point.  But I might not use it exclusively for police.  VIC    Let me guess.  Business rivals?  People who owe you money?  [very knowing] Boy toys?  Tough Cookies? GINGER    [snappish and annoyed] I'll leave you to ponder that.  Fleet? FLEET    Boss? GINGER    Did you get their weapons? FLEET    [whispered] no fingers, boss. GINGER    Damn.  Take this-- SOUND    SNATCHES UP SOMETHING FROM THE DESK, HANDS IT OVER GINGER    --and cover them while I disarm them.  [muttering to self as she crosses to he cage] ...really need to perfect that recipe.  VIC    There's always prosthetics. GINGER    What? VIC    You could make hands that mount onto their arms. GINGER    Hmm.... GRETAL    Don't help the crime boss! GINGER    Hand over your weapons.  You can't shoot between the bars anyway.  Magic. GRETAL    Why I oughtta--! VIC    Just do it.  That frosted maniac may not have fingers, but I suspect that shotgun was made for his kind. FLEET    You bet. GRETAL    Hell. SOUND    GUN HANDED OVER GINGER    And yours. VIC    Here. GINGER    Hmph.  [insulting] Kind of... small. VIC    I spend a lot of time undercover. GINGER    Hmph.  Okay Fleet, round up the troops. FLEET    [plaintive] I don't get to kill them? GINGER    Maybe later.  Maybe just her.  [as she leaves] I might keep him around, give him a taste of the product - fatten him up a bit. SOUND    DOOR SHUTS VIC AND GRETAL    [sigh in relief] SOUND    DOOR OPENS GINGER    [from off] Leave Stumpy to guard them.  Make him earn his keep. SOUND    FOOTSTEPS ENTER GRETAL    [musing] I don't think I'll ever eat a Gingerbread man again.  [hushed, but to Vic] Nice mess we're in.  Your contact set us up. VIC    [shrug] He only promised to get us in.   And ...he did. GRETAL    Count your fingers, toes and your children? VIC    Kinda.  But he's usually a bit more ... self-serving. GRETAL    I think I can reach the lock.  Got anything I can pick it with? VIC    Nothing. GRETAL    Well Dammit. STUMPY    Shut up in there! VIC    We'll just have to wait. GRETAL    [thinks, sigh of decision, then angry] If there is ONE thing I cannot stand, it's your defeatist attitude! VIC    [baffled by the sudden attack]  What? GRETAL    It's like I have to do everything in this damn partnership! STUMPY    I said shut up!  Or I'll shut you up! VIC    [getting it] Oh!  [angry sounding, but not too convincing]  Oh yeah?  Well, if you would just take a minute to think instead of running ahead like a... like a ... GRETAL    Bull in a china shop? VIC    No, a-- GRETAL    Giant round of cheese, rolling downhill and crushing all in my path? VIC    No!  a -- STUMPY    [very close] Juggernaut of disaster? VIC    No!  GRETAL    Who cares?  I'm going to kill you, and there's nothing this - this one-armed bandit can do to stop me! SOUND    SCUFFLE VIC    [not very convincing in pain] Ow!  Ow!  Ow! STUMPY    Boss said to take care of him.  SOUND    CAGE DOOR UNLOCKS STUMPY    Not you. GRETAL    [whisper] On three! VIC    [whisper] right! [up] Ow!  You're killing me!! GRETAL    I'm going to tear you in three - One, Two, Three! SOUND    GUNSHOT, CRACKING OF BROKEN GINGERBREAD GRETAL    What?  Where'd you get a gun? VIC    I never gave it up.  Is it "dead"? GRETAL    Not sure where to look for a pulse on a Gingerbread man.  But he has gone all floppy.  VIC    Seems logical.  All the same, let's lock him in. SOUND    FEET, CAGE DOOR LOCKS SOUND    BIG DOOR OPENING SLOWLY SOUND    DISTANT GUNSHOTS VIC    What do you think that is? WULF    [DISTANT ATTACK ROAR] GRETAL    [chuckle, very pleased] The cavalry. MUSIC SOUND    BIG OVEN FIRE, CLOSE SOUND    [OFF] FOOTSTEPS COMING GINGER    Damn.  Fleet!  Keep them back! FLEET    Right.  Men! SOUND    SHOTGUNS COCK MUSIC CUT TO    OUT IN HALL GRETAL    Do you still hear Wulf back there?  VIC    No. WULF    [DISTANT GROWLY ROAR] VIC    Yes.  Still far, though. GRETAL    Damn.  We may have that witch nailed down in the baking room, but with just us, and just your gun, we don't have a hope of taking her in. VIC    I see. GRETAL    How did you get your gun back anyway? VIC    Later.  Did you see how many of her gingerbread minions she has with her? GRETAL    Half a dozen maybe.  They all kinda look alike. VIC    Take the gun.  I have an idea. MUSIC OVEN ROOM GINGER    Did you see how many of them there were? FLEET    No, boss.  Just heard guns, and rushed you in here, as per evacuation plan 7-- SOUND    SPRINKLERS COME ON FLEET    Noooooooooo! OTHER GB MEN    [horrified reaction]  Not the sprinklers! GINGER    Damn!  I knew there was a reason I meant to have those replaced! SOUND    FLOPS AND SPLASHES AS THE MEN FALL APART SOUND    DOOR KICKED IN GRETAL    Hands up!  You're under arrest, witch! GINGER    Never! SOUND    OPENS HUGE OVEN GINGER    You'll never take me alive, coppers! VIC    Here comes Wulf! GRETAL    Step away from the oven! GINGER    [laughs maniacally, then screams as she steps into the oven] GRETAL    Oh crap!  I can't believe she -- VIC    Don't get too close! SOUND    FIRE WHOOSHES UP MUSIC SOUND    BAR VIC    How did you happen to show up at the right moment, anyway? WULF    A snitch.  VIC    [knowing] Should I guess his name? WULF    Slipped a word to us. GRETAL    Us?  Oh, right, your new partner. WULF    Gander's a well made sword.  Cut a righteous swath of his own against those crusty fellows. GRETAL    Where is he? VIC    Here he comes. GANDER    Thought I'd grab drinks for all us here; Hope everybody wants a beer. SOUND    SETTING DOWN DRINKS WULF    Sit down!  You're a warrior, not a wife! GRETAL    [a little brusque] Beer's good.  Thanks. VIC    How are you finding detective work? GANDER    Oh... The work is interesting, fine. And they'll get used to me in time. VIC    I'm sure they will. GRETAL    [Gulps down her beer] We gotta get going.  SOUND    THEY WALK AWAY CAPTAIN    Just the two I was looking for. GRETAL    Oh boy. CApTAIN    They got the oven shut down. GRETAL    And? VIC    May I guess? CAPTAIN    Uh, sure. VIC    No body.  CAPTAIn    They think maybe it was hot enough-- GRETAL    To destroy the corpse?  Nah.  It was her escape route.  Shoulda known.  She went in too easily. CAPTAIn    Watch your back, Gretal.  Hansel, you too.  Oh, and... SOUND    METAL CLINK CAPTAIN    You probably need this. GRETAL    Always a pleasure.  Feel naked without it. MUSIC AMB    CAR VIC    You need to cut that guy some slack. GRETAL    Who? VIC    The new guy. GRETAL    Who died and made you wise woman? VIC    He just walks up and you start edging toward the door. GRETAL    [growls] My problem, not yours. VIC    We are partners now.  Su problemo es mi problemo. GRETAL    Whatever.  [changing the subject] So?  The gun?  How'd you still have it when we were locked up? VIC    Oh that.  I never gave it up. GRETAL    But that witchy boss chick? VIC    Gave her my pipe instead. GRETAL    And she couldn't tell the difference? VIC    I noticed she was very nearsighted.  [tsks]  These vain women - afraid glasses will ruin their looks. *****************************

This week its all about layering on some actionable techniques on how to use PHYSICALISING PUNCTUATION to move you through any Shakespeare text AND dispelled any fears people may have about IAMBIC PENTAMETER by sharing the TAP/SLAP technique to identity the rhythm of any Shakespearean line. Listen to previous episodes of Two Guys Talking Craft on Spotify and Apple Podcasts

We continue our series examining the influences of Christopher Nolan's 2008 epic The Dark Knight. Consider this the atrium to the Dark Knight episode. It is warmer in here than outside, you can smell the kitchen from here and you would be silly to try to get around it without coming in! We cover Julius Caesar on its own merits. Then Dan fills in George and Travis on the historical context of the story within the film. Then the boys watch a scene from HBO's series Rome to see how they handle the same material. (And you can play along at home on HBO Max). Oh and at one point George straight up predicts exactly where Dan is going in an insanely obscure way. This is try mild-melding stuff and it was unrehearsed. Seriously. Next-level music stuff. Worth the price of admission alone! How will George handle his first battle with Iambic Pentameter since 2006? Will Travis appreciate the nuanced acting of some of the greatest to do it in a toga? What perfect, succinct, new rule did Dan create after watching HBO's series Rome? And after the episode, check out the Extra Credit Discussion group on Facebook: https://www.facebook.com/groups/remedialfilmpod   Did you know we are now on YouTube? Find extra video goodies and subscribe at https://www.youtube.com/c/RemedialFilmClassPodcast   Theme song recorded by The Hungry Sevens, featuring Shawnee Houlihan.

Poets like Shakespeare have written extensively in a particular type of verse called iambic pentameter. Learn what it is and how to write in it in this episode of BrainStuff, based on this article: https://entertainment.howstuffworks.com/arts/literature/iambic-pentameter.htm Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

After the ApocalypseA Pandemic Survival StorySeason two, Episode Seven “Industrial”It was slippery and tough going in the industrial rubble by the river's edge. The old man pulled himself up over a concrete slab that blocked the trail. The slab had rebar sticking out of it like the broken bones of an old corpse that had been torn open by wolves.  ...Hello survivors. Happy Thanksgiving! Let me say, first of all, that I have been dying to use the phrase “Arms akimbo” in a story my whole life. Akimbo is an interesting English word that means "with the hands on the hips and the elbows bent outward at sharp angles". They think the word akimbo has some relation to the word ‘bow' like ‘bow and arrow' – because the arms are bent like a bow. The first recorded usage was by Chaucer in the Canterbury Tales in the 1400's. I'm going to stop right there before I start waxing poetically about Richard III and Henry IV and Iambic Pentameter. All in good time. Back to the story…  Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

This week The Fellas talk about their big College GameDay weekend and the secret to getting in anywhere without an invitation, Max's gambling and anti-cursing habits, and a brief history lesson followed by a lot of stuff that you just have listen to to even begin to understand. We hope you enjoy and make sure to check out some of our previous episodes on YouTube!

For those you that suffer from triskaidekaphobia - you can stop here, and you can thank us via Twitter or on our next episode.Speaking of episodes, this one is late.  Sure, we did not officially say that we would release the hounds every two weeks, and have done our best to get you a show every two weeks, but the time leading up to last Monday was not in our favor.You have to understand that September 21st is the Feast of St. Matthew, but for religious and gastronomic reasons, we held the feast on Friday.  As it happens, there was an outbreak of Mad Cow from the Brontosaurus Burgers, and a batch of bad clams that struck us all equally.  So, as the weekend editing was supposed to occur... well, I shall spare you the details.But wait, the next episode will be a Halloween Bonus episode.  Yes, we hear you and can feel your excitement from here and we thank you.  Be on the lookout for this episode to be released before Halloween.Otherwise, thank you all again for your patronage.Please subscribe and follow us on Twitter - we will ask again!!Albums discussedGang of Four - Entertainment!Drake - If You're Listening to This, It's Too Late (mixtape?)Miles Davis - Bitches BrewRadiohead - OK ComputerAll music listed is licensed from Fesliyan Studios (site)"Too Much Funk" - Used for Gang of Four defense, etc. (Steve Oxen)"ShakaLaka" - Used for Radiohead defense (David Renda)"Crazy Crowd" - Used for the Kanye Report (David Renda)"Medieval Song Village Consort" - from YouTube listing with NO Copyright Music, used for Drake defense"Miles Runs the Voodoo Down" - By Miles Davis from Bitches Brew (yeah, we know, but it was used in context)"Danger Zone" - Giorgio Moroder, Tom Whitlock (if you can hear it, you have incredibly good hearing)Theme music is "30 Seconds Ago" by Art Nelson and performed live by OctoberPiano bit in opening  "Touch Me There" by Cory ChaseSupport the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

OK, so we past the prologue... (little Shakespeare pun there for y'all who dig those), so we're backing up this week to start at the beginning. Because rules are for suckers... In this episode we'll explore why the hell we might need a prologue, and why would Shakespeare want to spoil the whole story by telling all the good bits before it even starts! We'll learn a little about that monster mystery (drumroll) IAMBIC PENTAMETER, or as our mentor, Ben Crystal, likes to call it, the 'Banana Contaminator.' It's not such a big roadblock. It's just a little beat you can dance to. Enjoy. Want to know more? Connect with us on our website: https://fckshakespeare.com Follow us on Instagram: https://www.instagram.com/fckshakespeare/ Tweet at us if you must: @fckshakespod Join our Facebook group: https://www.facebook.com/groups/fshakespeare And if you are inclined to be a patron like Queen Elizabeth, you can support this podcast for as little as 99¢/month. Click the link below! Think of it like throwing money in the virtual hat while we crazy players do our little song and dance here. We thank you! (imagine us bowing now) After Romeo & Juliet we will tackle Hamlet! Have a particular question?? DM us or email us: fckshakespeare69@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fckshakespeare/support

What's in a prop? How can one handkerchief create so much drama? And why and how would you stage a story about a Moorish General today? Content Warning: Discussion of intimate partner violence.

Oh Romeo, Romeo, what did you do? Why did Juliet fall so hard for you? In the first of three episodes on Shakespeare, we get to grips with the Bard's language.Content Warning: Discussion of suicide and domestic violence.

Here we are for another doubleheader of throwing random albums into the ring together with a fight to the death.  Be aware that we sometimes discuss other albums not on our respective dockets, or that are on any reputable music album list known to man.  Thank you all again for your continued patronage and support!Links:Curtis Mayfiled - SuperflyMobb Deep - The InfamousEagles - Hotel CaliforniaLaura Nyro - Eli and the 13th ConfessionDynamite Hack - Boyz-In-The-Hood (and they are from Austin)Elvis Costello and Elton John discuss Laura Nyro on SpectacleCheck out Cathy on some these Stuck in the 80s Podcast Shows:Pretty in PinkPlanes, Trains, And AutomobilesStan Ridgway of Wall of VoodooOne Hit Wonders of 1984Music used for the "Report" Segment is called "Just Breaking" by David Fesliyan and this his siteMusic used for Cory's Pretentious Iambic Pentameter bit is called "Planxty Burke" by Nomen Est Omen, check them out hereMusic Interlude between rounds is a song called "Chaos 2021" by Scott - yes, our Scott.Support the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

Hello once again, one and all!Welcome back to the three ring circus that is our little show. First of all, we are now accessible over the interwebs - we have email and we have a Twitter account @M_Shenanigan.We really want your feedback, no matter how bad it is!!Secondly, this show is a little different from all other shows in that in post production we allowed more to remain in the show than get dropped to the cutting room floor.   One of us (Cory) read this book about Podcasting, and learned some tips and tricks about editing - or rather, what not to edit.  He says that all mistakes are his own and not to hold the McElroy family responsible and he recommends their Dungeons and Dragons Podcast called The Adventure Zone - but please do not give up this show for that one.  Ergo, this show is a little longer, but again, back to the first point, let us what you really think. Last, you are all amazing, and we thank every last one of you for your time.  I know the value of personal time and we appreciate every moment we are nuzzled in your ears with our nonsense.Please be safe, wear a mask, and do the right thing.Peace, Love, and Coffee,Scott, Dave, Cory, and Yer MomAlbums in this show:Portishead - DummyKate Bush - Hounds of LoveThe Zombies - Odessey (sic) and OracleA Tribe Called Quest - The Low End TheorySupport the show (https://www.buymeacoffee.com/shenanigans)Support the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

Greetings one and all!Acting as public defenders for albums we may or may not like, we are going head to head, toe to toe, and mic to mic once again.  Of course, stick around as the Thunderdome walls come down in Round Two and it becomes more of a football match melee than a dignified one on one battle to the death.We thank you all again for your continued support and for coming back.Peace, Love, Coffee, and poorly timed visual jokes on a podcast,Cory, Scott, Dave and Yer MomAlbums this week:Eric B. and Rakim - Paid in FullTalking Heads - More Songs about Buildings and FoodThe Byrds - Mr. Tambourine ManCat Stevens - Tea for the TillermanSupport the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

Greeting folks, and welcome to another heartfelt episode.We have decided to mix up the format and give you a little more color and glamour for your money - as yes, we do like to think of ourselves as a kitschy sideshow act.  Think of this new format as if it were Thunderdome - with a wee bit less of a post-apocalyptic theme - but we're all dressed as Tina Turner, as we all fought for it, and being that July is the month of kindness (as far as you know), we all decided to dress the same.  It worked for The Beatles.  It worked for Devo.  It worked for ABBA.  I rest my case. There are four albums discussed in our Thunderdome this episode.  So, sit back and take off your shoes as we attempt to rock your socks off... or maybe just give your toes a little tickle.Peace, Love, Coffee, and Pecan Pie,Scott, Dave, Cory, and (as always) yer mom!The Clash - The ClashFrank Ocean - BlondThe Band - Music from Big PinkThe Who - Who's NextSupport the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

Shakespeare's Language: Rhetorical Devices Rooted in SoundOnomatopoeiaPacing: Meter and RhythmWhat is iambic pentameter?What are masculine and feminine endings?What is blank verse?Questions? email DoctorRap@zohomail.com

In this episode, Connor is joined by Actor, Singer, Musician,  Producer, Writer, and Podcast Enthusiast, Adam Qutaishat. They describe the rules of Blank Verse and the mechanics of Iambic Pentameter. The example poem, performed by Adam, is a selection from William Shakespeare's Romeo and Juliet. Adam then reads his untitled work, that is part of a bigger piece that he is working on regarding political rivals on the campaign trail. They talk about the similarities between poems and political speeches. Then, Connor reads his poem "One Before Bed". PODCASTS & PLUGS:The All Arcadians  (Available on Sexy Hackers &Original 3 Seasons on All In Podcasts Patreon)SHH Season 1Milwaukee Opera Theatre's Doc Danger and the Danger Squad Music Theatre of Madison's Ten Days in a Madhouse Like All In Productions on FacebookIf you'd like to suggest a form of poetry, or would like your poem read on the podcast, email: ThePoetryPodcasts@gmail.com

Welcome back to "In This Essay, I Will-", the show by and for those who love storytelling, story watching, and everything in between! Talking Points: Feet, Witches, Bards, Elizabethan English, Heartbeats, and SunriseYouTube Links:https://www.youtube.com/watch?v=tqyIts6h0Eg&t=15s

Tackled on this week's Minisode: Steve's New EmailWhat is a sonnet?What is Iambic Pentameter?We fact check Cornell's "Michelangelo eats his own paints" anecdote.We check on What happened to that envelope?PS - We miss our Mommy's! FIND US AT:Website – thequestionguyspodcast.comInstagram – @thequestionguyspodcastTwitter – @QuestionGuysPodFacebook – /findafanpodcast

Season Two kicks off as it should during the current climate. Top Shelf Tom and Sam Leonard debut in Beat or Beat Those Cheeks. Eli Explains rebuilding broken trust and Andy debuts his new segment, Andy's Library.

A Statement from Faith: "The piece was created on April 11, 2020 for a school project that was open ended with a creative interpretation (music, dance, etc.) of the original sonnet structure following iambic pentameter. My interpretation included a combination of my strengths: creatively writing the piece, composing it on the piano, making a singing melody, and comedically acting in a sort of music video found on my Instagram. I am sharing this piece now because of its relevance to the time, a time that is very unique, and will hopefully never be relevant again." Faith Hochgesang is a 15 year old singer, actress, and creative writer based in California.  Find more of Faith:  Instagram: @faithhochgesang  Website: faithhochgesang.com ----------------------------------------------------------------------------------------------------------------- Created during a time of quarantine in the global Coronavirus pandemic, A Moment Of Your Time's mission is to provide a space for expression, collaboration, community and solidarity. In this time of isolation, we may have to be apart but let's create together.  Created by CurtCo Media Concept by Jenny Curtis Theme music by Chris Porter See omnystudio.com/listener for privacy information.

this week the guys talk about the illustrious herbert v. tolkien debate and then alex gives us a convincing fan theory about hamlet and an accompanying fanfic. hope you enjoy! don't forget to follow suck my (fan) fic on social media and youtube! https://twitter.com/suckmyfanfic https://www.facebook.com/Suck-my-fan-fic https://suckmyfanficpodcast.tumblr.com/ https://www.youtube.com/channel/UCqdIDIgKS-F1dgBcDWUBl2g you can also give them all (at least some?) of your monies if you feel so inclined https://www.patreon.com/suckmyfanfic

Join us as we watch Much Ado About Nothing. Joss Whedon hired a bunch of his friends to be in this retelling. In part 1:Topher goes to his boss, Lawrence Dominick, to convince Agent Coulson that Topher is the right fit to marry his daughter. Meanwhile, Dr. Saunders (aka Whiskey aka Fred) and Wesley Windam Price (aka Senator Perrin) snipe at each other but are secretly in love, maybe. In a deception fit for the 5th grade lunchroom, the gang concocts a scheme tricking Whiskey into believing Wesley likes her, and vice versa. Support the show (https://shop.spreadshirt.com/JandLWatches/)

In this episode, we chat with Villanova University professor and poet James Matthew Wilson. He was with us on campus as part of our 20th Annual Fall Conference on friendship. In our conversation, we talk about the real work of writing poetry, listening to the muse, and why each of us should learn to write a bit of poetry ourselves. Special Guest: James Matthew Wilson.

The development and use of metered and rhyming lines in theater is unique to the time period when Shakespeare was writing and our guest this week, Shane Ann Younts, professional voice coach and trainer for some of Broadway's most celebrated performers, is here to walk us through the history and application of Shakespeare’s iambic pentameter.

This episode starts off with a whole lot of Big Oatmeal Energy (BOE) and only gets crazier from there! We talk about what different body parts we would change, or if there was an all-powerful Gilbert Godfried that knew all and told all and a lot more random tangents! If you liked what you heard please give us a rate and a review and follow us on whatever platform you listen on to let you know when new episodes come up! Also, you can email us verbalyeetmachine@gmail.com if you would like to pose any wacky or zany queries to us.

In this Iambic Pentameter infused episode of Star Wars: TIES Rob Vader & Jay-2S0 get the privilege of interviewing Ian Doescher! Ian Doescher is the author of the Shakespeare Star Wars series. You as listeners are in for a real treat! Rob and J-2S0 were able to ask about how he got the opportunity to write the Shakespeare series, and much more. Tune in for some galactic gabble straight from the 1600s! Check out the original Shakespeare Star Wars trilogy here: https://www.amazon.com/dp/1594747911/ref=cm_sw_r_cp_tai_YsbKDbZHXKVK6 Other Shakespeare Star Wars books can be found below: William Shakespeare's The Phantom of Menace: Star Wars Part the First (William Shakespeare's Star Wars) https://www.amazon.com/dp/1594748063/ref=cm_sw_r_cp_tai_hAbKDbMNE37XY William Shakespeare's The Clone Army Attacketh: Star Wars Part the Second (William Shakespeare's Star Wars) https://www.amazon.com/dp/1594748071/ref=cm_sw_r_cp_tai_FBbKDb973SFS6 William Shakespeare's Tragedy of the Sith's Revenge: Star Wars Part the Third (William Shakespeare's Star Wars) https://www.amazon.com/dp/159474808X/ref=cm_sw_r_cp_tai_BCbKDbNMBKE40 William Shakespeare's The Force Doth Awaken: Star Wars Part the Seventh (William Shakespeare's Star Wars) https://www.amazon.com/dp/159474985X/ref=cm_sw_r_cp_tai_nDbKDbSTBA2DC And William Shakespeare's Jedi the Last: Star Wars Part the Eighth (William Shakespeare's Star Wars) https://www.amazon.com/dp/1683690877/ref=cm_sw_r_cp_tai_5DbKDbEV2CKTC Also, check these out: William Shakespeare's Get Thee Back to the Future! (Pop Shakespeare) https://www.amazon.com/dp/168369094X/ref=cm_sw_r_cp_tai_FwbKDbYFSQP7S William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare) https://www.amazon.com/dp/1683691172/ref=cm_sw_r_cp_tai_.xbKDb854C9DS Ian Doesher’s newest book, MacTrump, available October 1, 2019, can be found here: https://www.amazon.com/dp/1683691601/ref=cm_sw_r_cp_tai_CubKDbNN7R0V1 More information about Ian Doescher can be found here: http://iandoescher.com/ More information about Cavan Scott can be found here: http://cavanscott.com/ Tales from Vader’s Castle can be found here: https://www.amazon.com/dp/1684054079/ref=cm_sw_r_cp_tai_ZFbKDbK67VM2R Dooku: Jedi Lost (soon to be released in hardback) can be found here: https://www.amazon.com/dp/0593157664/ref=cm_sw_r_cp_tai_nHbKDb3RGXNKB If you are interested in another Star Wars Podcast (please keep listening to us) check out Rebel Force Radio.Their website is here: https://www.rebelforceradio.com Star Wars Insider is a great magazine for fans you can find more info here: https://titanmagazines.com/t/star-wars-insider/ Don’t forget our episode question! What can you compare the Star Wars story to that is not a Star Wars story? Reach out to us at the methods below! Be sure to join our Facebook group page at: https://www.facebook.com/groups/StarWarsTIES/ Have any feedback for us? We'd be honored to receive your email at: starwarstiespodcast@gmail.com! You can also call Star Wars: TIES and leave us a voicemail that we may incorporate in a future episode. Call us at (828) 331-1873! We have a website! Check us out at: https://sites.google.com/view/starwarsties/home Special thanks to Laurent Bernadac & 3Dvarius for allowing us to use their amazing cover for our outro music entitled, "Star Wars Cover - Star Wars Main Theme & The Imperial March." Be sure to check out their amazing cover at: https://www.youtube.com/watch?v=icxWE2anT80&feature=youtu.beand their main website at: https://www.laurentbernadac.com/. Another special thanks goes to our friend and fellow Retro Junkie, William Culver, for our Star Wars: TIES logo for our Facebook group page. If you're an arcade enthusiast, be sure to check out his main page at: https://www.facebook.com/ArcadeUsa/. And yet another thank you goes out to Beejay Hawn for drawing our podcast logo. For more artwork from out of this world, check out her art and commission page at: https://www.facebook.com/OodlesofDoodlesbyBeeJay/?fref=ts The Walt Disney Co. and Lucasfilm LTD. own all rights to Star Wars and the Star Wars franchise. Quirk Books publishing is the publishing company for all pop Shakespeare adaptations like our beloved Shakespeare Star Wars series. Thank you to all companies for providing material for us to be fans of and share about on this podcast. May the Force be with you, always.

Richard Porritt, Steve Anglesey and Geri Scott return for a deep dive into the murky pool of Brexit. The team tackle the doomsday Yellowhammer predictions, Boris Johnson's European jaunt and pen their own Brexit poetry. And, of course, another Brexiteer of the Week is crowned. 

William Shakespeare is almost synonymous with iambic pentameter, his famous plays making this popular rhyme scheme famous as well. From Chaucer to King James I and Edmund Spenser, iambic pentameter flowed through English classical verse and the stages of The Globe and Blackfriars, prolifically dominating the spoken word in performances all over England. Iambic Pentameter was a major player in theater, performance, and the arts, along with several other metric rhythms that were popularly used in vocal and theatrical performances throughout the 15 and 16th centuries.   Remaining the key frustration of many a student studying Shakespeare, iambic pentameter gets taught as Shakespeare’s most prominent meter, and we are told it is important. But why is iambic pentameter so historical? Why does it matter to the degree that every major course on Shakespeare considers it essential? With other rhyme schemes available, why did Shakespeare use this one in particular? What makes iambic pentameter so useful for stage performance, and why did Shakespeare choose to “break the iamb” and go with a different meter at key moments within a play? Here to help us unravel the poetic strands of Shakespeare’s history is our guest this week, Susan Dalzell. Susan is the author of Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse, Everything You Need to Know about Poetry. Her work has appeared in the Wall Street Journal, CASE’s Currents Magazine, Forbes Travel Guide, Metropolis (Tokyo), and The Columbus Dispatch, among several others. Susan joins us today to explore the history of iambic pentameter, and help us learn exactly why Shakespeare used this particular rhyme scheme in his plays.

Co to jest stopa czyli jak (nie) zrobić wrażenie na Irlandczyku; o angielskich wierszach z uśmiechem; do czego można użyć foliowej torebki; a także słów kilka o przydatnych forach językowych.

Co to jest stopa czyli jak (nie) zrobić wrażenie na Irlandczyku; o angielskich wierszach z uśmiechem; do czego można użyć foliowej torebki; a także słów kilka o przydatnych forach językowych.

Join Jake and Josh as they watch "A Reel Fish Story" and talk about accentuating your words with shrugs, the coolest thing Zedd could do, and why no one looks cool while running. Especially Rocky. Website: MorphinGrid.tumblr.com, Email: littleidiots.morphingrid@gmail.com, Twitter: @morphingrid, Facebook: facebook.com/themorphingrid.

Dale Earnhardt Jr. recaps Martinsville; ESPN’s Bob Pockrass clarifies NASCAR’s scoring controversy; Reaction Theatre waxes poetic. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Where for art thou Random. Special in studio guest, actress/writer Melissa Hill Gilligan. Live Vegas show? Live show recap, Uber in NYC, RSC and SOA, Shakespeare, Iambic Pentameter, Union work, Bill the homeless actor, Random quote contest, Random Top 10 - Food facts, Kale, Vegetarian ordering. www.billandrob.com

Celebrating their 25th episode, the gang explores a new app to make money from, poetry, and as always - wild speculation about the future of video gaming. Nick finds Child of Light to be an overall positive experience (so far), Alex decides it's okay to play more than one game at a time, and Josh keeps up a running tradition of the 2v1 Podcast.

Hidden structures and forms constantly influence the way we think, from social norms to rules of grammar. This week we give you four stories that illuminate the forms that underpin our lives. First, you’ll learn about a successful cosmetic surgery industry in modern day Korea. Second, a software predicts hit songs before they're hits, based on a formula (note: this piece also aired on our "Prediction" show). Third, Iambic Pentameter makes itself known in the modern world. And finally, An artist incorporates naturally occurring patterns into her audio art. Host: Bonnie Swift Producers: Bonnie Swift, Hannah Krakauer and Noah Burbank Featured: Olivia Puerta, Nellie Olsen, Olivia Prevost, Noah Burbank, Sarah Rizk, Sam Alemayehu, Jill McDonough and Jen Carlile Music: Palaviccini, Talisman, The Yeltsin Collective Producers: Lee Konstantiou Featuring: Jill McDonough A new software predicts the next big music sensation, and some local talent is put to through the software to see how they measure up. Does this mean the end of true artistic integrity and creativity? (note: this piece also aired in our episode titled "Prediction") More info at:http://web.stanford.edu/group/storytelling/cgi-bin/joomla/index.php/shows/season-1/299-episode-119.html

Review of John Stuart Mill and the Temple of Doom; by Vervet Vandiver Vanlandingham-Vanderveer; From Volume CLXVII, Number 3, of Speculative Grammarian, June 2013 — This weekend I went to see the new high-spectacle action-adventure film, “John Stuart Mill and the Temple of Doom”. While the special effects were noteworthy, I was most impressed by the reflorescence, if not recrudescence, of Hollywood linguistics. Intended as a high-brow response to the recent Sherlock Holmes movies, this film begins with the hero recovering from his once-famed nervous breakdown by defeating Tennyson in a poetry slam during the Great Exhibition; while the rest of the audience thrilled to the CGI recreation of the Crystal Palace, I was enthralled by the fast-paced exchanges of Cockney and Geordie in iambic pentameter—truly a treat for our culturally denuded age! (Read by Mark Brierley.)

It's the Iambic Pentameter episode, where guest G.Robin and I discuss the heartbeat of shakespeare's verse. Hold On, by Tom Waits, courtesy of music.mevio.com