Podcasts about arpels

In Spanish, the word “lechuga” means lettuce. But it is also the nickname for a sacred object, a monstrance adorned with so many emeralds that it takes on the color of lettuce. These precious stones come from the famous mines of Colombia, known for centuries by the native populations. Even today, these mines are the source of some of the world's most beautiful emeralds. The monstrance, a masterpiece of goldsmithing and a symbol of the encounter between indigenous and European cultures, has survived time and history. Now a national treasure, it once almost disappeared forever. Without a doubt, it is truly miraculous that this remarkable object can thankfully be still admired today. Voice of Jewels is a podcast by L'ÉCOLE, School of Jewelry Arts, with the support of Van Cleef & Arpels. With the participation of Marie-Laure Cassius-Duranton, gemologist and art historian at L'ÉCOLE, School of Jewelry Arts, Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini, and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

En espagnol, le mot « lechuga » signifie… Salade. Mais c'est aussi le surnom d'un objet sacré, un ostensoir orné de tant d'émeraudes qu'il prend la couleur d'une laitue. Ces pierres précieuses viennent des célèbres mines de Colombie, connues depuis des siècles par les populations indigènes, et qui offrent encore aujourd'hui quelques-unes des émeraudes les plus belles au monde. Cet ostensoir, chef-d'œuvre d'orfèvrerie et symbole de la rencontre entre cultures indigènes et européennes, a traversé le temps, l'histoire. Il est devenu un trésor national… Il a pourtant failli disparaître à tout jamais. Et c'est sans doute un petit miracle qu'on puisse encore aujourd'hui l'admirer. La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels. Avec la participation de Marie-Laure Cassius-Duranton, gemmologue et historienne de l'art à l'Ecole des Arts Joailliers Écrit par Martin Quenehenne et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

"Care and respect aren't slogans; they're operating principles that shape decisions and client experiences". "Lead by approachability, using nemawashi-style one-to-ones to draw out quieter voices and better ideas". "Calm, clarity, and consistency beat volume; emotion never gets to outrank the message". "Consensus isn't passivity—done well, it's disciplined alignment that accelerates execution". "Confidence grows by doubling down on strengths, seeking honest feedback, and empowering the team". Akiko Yamamoto is the President of Van Cleef & Arpels Japan, leading the French maison's jewellery and watch business in a market it has served for over fifty years. She began her career at L'Oréal Japan, spending twelve years in marketing across brands including Kérastase, Helena Rubinstein, and Kiehl's, ultimately managing multi-brand teams. Educated in Japan with formative childhood years in the United States, she later completed a master's degree at the University of Edinburgh. Having led primarily in Japan, she now manages a multicultural team, drawing on international exposure, bilingual communication, and deep local insight to harmonise global brand culture with Japanese expectations. Akiko Yamamoto's leadership story is anchored in a simple premise: people follow leaders they can trust. That trust, she says, is earned through care, respect, and steady examples—not declarations. After a foundational run at L'Oréal Japan, where she learned the rigour of brand building and the mechanics of marketing leadership, Yamamoto stepped into the jewellery and watch world at Van Cleef & Arpels. There, she refined an approach that blends global standards with local nuance, ensuring the maison's culture of care resonates in Japan's relationship-driven marketplace. Her leadership style is deliberately approachable. Rather than "planting the flag" at the summit and expecting others to follow, she prefers to climb together, side-by-side. In practice, that means creating psychological safety, inviting dissent early, and spending time—especially one-to-one—to surface ideas that might be lost in large-group dynamics. She embraces nemawashi to build alignment before meetings, recognising that consensus in Japan is less about avoiding risk and more about creating durable commitment. Yamamoto's calm is a strategic asset. She is explicit that emotion can crowd out meaning; when leaders perform anger, the message gets lost in the display. In a culture where visible temper can be read as immaturity, she chooses composure so that the content of decisions remains audible. When missteps happen—as they do—she follows up, explains context, and converts heat into learning. The aim is not perfection but progress with intact relationships. For global leaders arriving in Japan under pressure to "turn things around," she recommends two immediate moves: become intensely reachable and cultivate a few candid truth-tellers who will share the real story, not just what headquarters wants to hear. Language helps, but fluency isn't the barrier; respect is. A handful of sincere Japanese phrases, consistent aisatsu, and an evident willingness to listen can narrow social distance faster than chasing perfect grammar. On advancing women, Yamamoto rejects tokenism yet underscores representation's practical value. Visible female leadership signals possibility; it tells rising talent that advancement is earned and achievable. Her own leap to the presidency required an external nudge, plus a disciplined shift of attention from self-doubt to strengths—past wins, trusted relationships, and demonstrated team outcomes. That reframing, combined with empowerment of capable colleagues, made the role feel both larger and more shared. Ultimately, Yamamoto treats "client experience first, results follow" as an operating model, not a motto. Decision intelligence—clear context, decisive action, and empathetic execution—converts consensus into speed. In her hands, culture is not a constraint; it's compounding capital. What makes leadership in Japan unique? Japan prizes harmony, preparation, and earned consensus. Leaders succeed by combining decisiveness with empathy, using nemawashi to socialise ideas before meetings and ringi-sho-style documentation to clarify ownership and next steps. Calm conduct signals maturity; approachability creates safety for frank input. Why do global executives struggle? Many arrive with urgency but little social traction. Defaulting to big-room debates and top-down directives can silence contributors and slow execution. The fix is proximity: sustained one-to-ones, visible aisatsu, and a small circle of candid advisors who translate context and sentiment. Uncertainty avoidance exists—but it's often rational; people hesitate when they haven't been invited into the reasoning. Is Japan truly risk-averse? It's less "risk-averse" and more "uncertainty-averse." When leaders reduce ambiguity—through pre-alignment, clear criteria, and explicit trade-offs—teams move quickly. Consensus done well accelerates delivery because dissent was handled upstream, not deferred to derail execution downstream. What leadership style actually works? Approachable, steady, and standards-driven. Yamamoto models care and respect, sets crisp direction, and empowers execution. She avoids theatrical emotion, follows up after tense moments, and insists that client experience lead metrics. Clarity + composure + collaboration beats charisma. How can technology help? Technology should reduce uncertainty and amplify learning: shared dashboards that make ringi-sho approvals transparent, lightweight digital twins of client journeys to test service changes safely, and collaboration tools that capture one-to-one insights before group forums. The goal is not more noise but better signal for faster, aligned decisions. Does language proficiency matter? Fluency helps but isn't decisive. Consistent courtesy, listening, and reliability shrink the distance faster than perfect grammar. A capable interpreter plus leaders who personally engage—in simple Japanese where possible—outperform hands-off translation chains. What's the ultimate leadership lesson? Lead with care, earn trust through example, and turn consensus into speed by front-loading listening and clarity. Focus on strengths, empower capable people, and keep emotion from overwhelming the message. Do this, and results follow. Timecoded Summary [00:00] Background and formation: Early years in the United States, schooling in Japan, master's at the University of Edinburgh. Marketing foundations at L'Oréal Japan across Kérastase, Helena Rubinstein, and Kiehl's; progression from individual contributor to team leadership. [05:20] Transition to Van Cleef & Arpels: Emphasis on a maison culture of care and respect that maps naturally to Japanese expectations; client experience as the primary driver with sales as consequence. Expanding to lead multicultural teams. [12:45] Approachability and trust: Building durable followership by remaining accessible after promotion; maintaining continuity of relationships; modelling aisatsu and everyday courtesies to embed culture. Using one-to-ones to surface ideas that large meetings suppress. [18:30] Calm over drama: The communication cost of anger; how emotion eclipses meaning. Post-incident follow-ups to turn flashes of heat into alignment and learning. Composure as credibility in a Japanese context. [24:10] Working the consensus: Nemawashi to prepare decisions; ringi-sho-style clarity to memorialise them. Consensus reframed as disciplined alignment that speeds execution once decisions drop. [29:40] Global leaders in Japan: Close the distance quickly—be reachable, secure truth-tellers, and learn enough Japanese for sincere aisatsu. Don't over-index on perfect fluency; prioritise respect, listening, and visible learning. [34:15] Women in leadership: Representation without tokenism; the confidence gap; how sponsorship and a focus on strengths help leaders step up. Empowerment as the multiplier—no president wins alone. [39:00] Closing lesson: Decision intelligence = context + clarity + care. Reduce uncertainty, empower teams, and let client experience steer priorities; results compound from there. Author Credentials Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" (2018, 2021) and recipient of the Griffith University Business School Outstanding Alumnus Award (2012). As a Dale Carnegie Master Trainer, Greg is certified to deliver globally across all leadership, communication, sales, and presentation programs, including Leadership Training for Results. He has written several books, including three best-sellers — Japan Business Mastery, Japan Sales Mastery, and Japan Presentations Mastery — along with Japan Leadership Mastery and How to Stop Wasting Money on Training. His works have also been translated into Japanese, including Za Eigyō (ザ営業), Purezen no Tatsujin (プレゼンの達人), Torēningu de Okane o Muda ni Suru no wa Yamemashō (トレーニングでお金を無駄にするのはやめましょう), and Gendaiban "Hito o Ugokasu" Rīdā (現代版「人を動かす」リーダー). In addition to his books, Greg publishes daily blogs on LinkedIn, Facebook, and Twitter, offering practical insights on leadership, communication, and Japanese business culture. He is also the host of six weekly podcasts, including The Leadership Japan Series, The Sales Japan Series, The Presentations Japan Series, Japan Business Mastery, and Japan's Top Business Interviews. On YouTube, he produces three weekly shows — The Cutting Edge Japan Business Show, Japan Business Mastery, and Japan's Top Business Interviews — which have become leading resources for executives seeking strategies for success in Japan.

In 2001, in the village of Dahong, nestled in the heart of China's Hubei province, the Lunar New Year was in full swing. As fireworks illuminated the night sky, another series of explosions, muffled and more sinister, suddenly resonated deep in the nearby mountain… The villagers immediately realized that tomb robbers were about to strike, and they alerted the police. Although the location of this tomb had been known about for a long time, its contents still remained a mystery… Upon entering the mausoleum, after the arrest of the looters by the police, the archeologists sent by the authorities discovered a veritable treasure trove, dating back to the Ming Dynasty. The find included thousands of breathtakingly beautiful objects made from gold, jade, and precious stones … as well as emeralds from the other side of the world. Voice of Jewels is a podcast by L'ÉCOLE, School of Jewelry Arts, with the support of Van Cleef & Arpels. With the participation of Bei He, art historian and lecturer at L'ÉCOLE, School of Jewelry Arts Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini, and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

En 2001, dans le village de Dahong, niché au cœur de la province chinoise du Hubei, le Nouvel An lunaire battait son plein. Tandis que les feux d'artifice illuminaient le ciel, une autre série de détonations, plus sourdes, plus inquiétantes, a soudain résonné dans la montagne voisine… Les villageois ont aussitôt compris que des pilleurs de tombes tentaient de passer à l'action, et ils alertèrent immédiatement la police. L'emplacement de la tombe était connu de longue date, mais pas ce qu'elle renfermait… En pénétrant le mausolée, après l'arrestation des pillards, les archéologues envoyés par les autorités découvrirent alors un véritable trésor, datant de la dynastie Ming. Des milliers d'objets fabuleux en or, jade et pierres précieuses… Parmi lesquelles, des émeraudes venues de l'autre bout du monde. La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels. Avec la participation de Bei He, historienne de l'art et professeur à l'École des Arts Joailliers. Écrit par Martin Quenehenne et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Ce qui me passionne toujours : découvrir les publications des journalistes et des médias sur nos clients.Encore aujourd'hui, j'adore lire et découvrir comment les journalistes et les influenceurs parlent de nos clients, de leurs produits et de leurs entreprises.Je me sens privilégiée quand des clients, comme Van Cleef & Arpels, Roche Bobois, Polestar, Moscot, Caudalie, Kérastase, Bella Vita, Annabelle et des centaines d'autres qui, au cours de ces 25 ans, nous accorde leur confiance pour FAIRE PARLER D'EUX par les journalistes et les influenceurs.Il y a une énergie, une très grande force dans tous ces articles de la presse qui demeurent souvent en ligne de nombreuses années.Encore cette semaine, nous avions proposé à une nouvelle cliente qui a ouvert la sublime boutique La Maison Générale de la rencontrer sur les lieux même.Elle nous racontait que ces clients découvraient, petit à petit, qu'ils avaient pignon sur rue et que la très grande majorité de sa clientèle ne consultait pas les médias sociaux.Et c'est pour accélérer ce processus qu'elle nous a confié le mandat de : FAIRE PARLER de La Maison Générale.Notre cliente a beaucoup à faire et à gérer et elle ne souhaite pas faire elle-même ses relations publiques.Mais pour tous ceux qui souhaitent tirer avantage des relations publiques, notre programme où je vous enseigne comment FAIRE PARLER DE VOUS par les journalistes et les influenceurs et très accessible.Je vous accompagne à chaque étape et en moins de 2 heures par semaine vous réussirez à faire parler de vous.Avec un seul article, vous rentabilisez votre investissement dans ce programme.Je vous y enseigne notre méthode en 6 étapes pour créer des communiqués vendeurs. Et nous construisons ensemble votre campagne qui aura aussi 6 étapes.Dans le programme, nous allons trouver ensemble le meilleur titre pour votre communiqué pour capter l'attention des journalistes.Je vous aide à développer votre liste de contacts et je vous montre comment les trouver.Je vous présente notre courriel « pitch » pour contacter les journalistes et les influenceurs.Déjà après la 2e semaine du programme de 6, vous saurez déjà comment approcher des médias.Comprendre et savoir comment créer vos propres campagnes de relations publiques vous donnera une nette longueur d'avance sur vos concurrents.C'est comme savoir quand ouvrir ou fermer le robinet pour vous faire connaître et générer des revenus.Car vous exposer, vous faire voir d'un plus grand nombre de clients potentiels et vous faire connaître vous fera vendre plus.C'est ce que font toutes les compagnies que vous admirez et grâce au Web et à l'IA, les RP sont plus accessibles et faciles que jamais.10 novembre 2025 -- ne ratez pas notre dernière cohorte de l'année pour apprendre à : FAIRE PARLER DE VOUS DANS LA PRESSEFAIRE PARLER DE VOUS DANS LA PRESSE ➤ https://prschool.natapr.com/evergreen_frLE MODÈLE NATA PR GRATUIT ➤ https://prschool.natapr.com/Le-Modele-NATA-PRINSCRIVEZ-VOUS À NOTRE INFOLETTRE ➤ www.natapr.comINSTAGRAM ➤ https://www.instagram.com/nata_pr_school/

What still excites me today is discovering the articles journalists and media publish about our clients.Even now, I love reading and seeing how journalists and influencers talk about our clients, their products, and their companies.I feel privileged that, over these 25 years, clients such as Van Cleef & Arpels, Roche Bobois, Polestar, Moscot, Caudalie, Kérastase, Bella Vita, Annabelle, and hundreds of others have trusted us to get them talked about by journalists and influencers.There's real energy, a great power in all those press articles that often remain online for years.Just this week, we suggested to a new client who opened the beautiful boutique La Maison Générale that we meet her on site. She told us that her customers were slowly discovering she had a physical store, and that the vast majority weren't even on social media.That's exactly why she hired us: to get people talking about La Maison Générale.Our client has a lot to manage and doesn't want to handle her own public relations.But for anyone who does want to benefit from PR, our program, where I teach you how to get journalists and influencers talking about you, is very accessible.I guide you step by step, and in less than two hours a week, you'll succeed in getting noticed.Just one article can pay back your investment in this program.I teach you our six-step method for creating powerful press releases, and together we build your campaign in six steps.In the program, we'll find the best headline for your press release to grab journalists' attention.I'll help you build your contact list and show you how to find them.I'll also share our pitch email to reach out to journalists and influencers.After just the second week of the six-week program, you'll already know how to approach the media.Understanding and mastering your own PR campaigns will give you a real competitive edge.It's like knowing when to turn the faucet on or off to get noticed and generate revenue.Being seen, reaching more potential clients, and getting known will help you sell more.That's what all the companies you admire are doing, and thanks to the web and AI, PR has never been more accessible or easier to do.Don't miss our last cohort of the year.November 10, 2025 – join me to learn HOW TO GET FEATURED IN MEDIACheck out the program:HOW TO GET FEATURED IN MEDIA ➤ https://prschool.natapr.com/evergreen_enSIGN UP TO OUR LISTS ➤ www.natapr.comINSTAGRAM ➤ https://www.instagram.com/nata_pr_school/

Since antiquity, emeralds have frequently been seen as symbols of eternity. Yet, paradoxically, they are often at the heart of stories where time is counted. As is the case here. This is the story of a dagger intended for Nadir Shah. When a story begins with a dagger, we usually expect a crime or a tragedy... But this blade is unique. Encrusted with gigantic emeralds—including some of the most spectacular ever mounted on a weapon—it fascinates. Dazzles. And for centuries, this dagger has attracted envy and attention. It even inspired a cult comedy movie by the name of Topkapi. But the story of Nadir Shah's dagger is far from a comedy. It is an epic. A fresco of war and peace, of conquests and betrayals… An adventure worthy of the greatest Hollywood stories. Voice of Jewels is a podcast by L'ÉCOLE, School of Jewelry Arts, with the support of Van Cleef & Arpels. With the participation of Marie-Laure Cassius-Duranton, gemologist and art historian at L'ÉCOLE, School of Jewelry Arts, Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini, and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Depuis la plus haute Antiquité, les émeraudes sont parfois vues comme des symboles d'éternité. Pourtant, il arrive qu'elles soient au cœur d'histoires où le temps des hommes est, lui, terriblement compté. Comme dans celle-ci. L'histoire d'une dague, celle de Nadir Shah. Quand une histoire commence par un poignard, on s'attend à un crime, à un drame… Mais cette lame est à part. Incrustée d'émeraudes gigantesques — parmi les plus spectaculaires jamais montées sur une arme, elle fascine, éblouit même. Et depuis des siècles, elle attire les convoitises. Elle a même inspiré un film culte : Topkapi. Mais l'histoire du poignard de Nadir Shah, elle, n'a rien d'une comédie. C'est une épopée, une fresque de guerre et de paix, de conquêtes et de trahisons… Une aventure digne des plus grands romans. La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels. Avec la participation de Marie-Laure Cassius-Duranton, gemmologue et historienne de l'art à l'Ecole des Arts Joailliers Écrit par Martin Quenehenne et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Avant même Poinçon 22, Jessica Mulliez dessinait déjà ses propres bijoux.Elle design et conçoit une médaille. Elle la fait sertir d'un saphir bleu. Et comprend, en la portant, qu'un bijou peut fixer un souvenir.Avant ça, il y a la Place Vendôme : Jessica travaille chez Boucheron, Van Cleef & Arpels. Elle y découvre l'exigence, la précision, le respect des matières.Puis Jessica tombe malade. Les allers-retours à l'hôpital démarrent et le travail est mis entre parenthèses. Pour tenir, Jessica se remet à dessiner. Pour s'évader et mieux traverser cette épreuve.C'est comme ça que vient l'idée de lancer sa propre Maison : Poinçon 22 est né, “à sa main”. Des pièces sur-mesure, conçues et réalisées à la commande, le tout sans ambition démesurée, mais avec un mantra : ses bijoux sont les gardiens d'un souvenir.En 2 ans, le bouche-à-oreille fonctionne, le business prend de l'ampleur, Jessica est devenue entrepreneure. Mais la réalité est aussi rude : deux grossesses sans congé, des journées trop longues, la solitude qui s'installe. Elle hésite, pèse, repousse. Puis finalement elle décide de ne plus être seule. Hugo, son mari et soutien de la première heure, investit et prend une part du pilotage. Le duo clarifie les objectifs et la trajectoire, et surtout, Jessica retrouve de l'air - et sa façon de raconter.La signature de la Maison ? Une médaille octogonale, simple et puissante, devenue emblème.Ses convictions ? Une joaillerie intime, responsable, faite pour durer.Son ambition ? Offrir aux femmes des bijoux qui racontent leur histoire — des mémoires gravées, des alliés du quotidien, des marqueurs de force.À l'animation :Solène Etienne, cofondatrice de FeuilleBlancheUn podcast conçu par FeuilleBlanche, producteur de médias, podcasts et récits stratégiques pour les marques.À vos écouteurs

In Emerald City, the enchanted city in The Wizard of Oz, everyone wears glasses with green lenses. But did you know that this practice actually dates back to ancient times? To a Roman emperor in fact, and his passion for a precious green stone: the emerald. For centuries, the emerald was believed to have almost magical properties, including the ability to improve eyesight. Fascinated by this stone, Emperor Nero always carried one with him. According to legend, he even watched chariot races while looking through an emerald. And as surprising as this may seem, some believe that this was the very first pair of sunglasses! Voice of Jewels is a podcast by L'ÉCOLE, School of Jewelry Arts, with the support of Van Cleef & Arpels. With the participation of Marie-Laure Cassius-Duranton, gemologist and art historian at L'ÉCOLE, School of Jewelry Arts, Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini, and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Dans la Cité d'Émeraude, la ville enchantée du Magicien d'Oz, chaque personne doit porter des lunettes dont les verres sont de couleur verte. Mais saviez-vous que la chose remontait à l'Antiquité ? À un empereur Romain et à sa passion pour une pierre précieuse : l'émeraude. Depuis des siècles, on prête à cette pierre des vertus presque magiques — notamment celle d'apaiser la vue. Fasciné par cette pierre, l'empereur Néron ne s'en séparait jamais. On raconte même qu'il assistait aux courses de chars en regardant à travers une émeraude. Et aussi étonnant que cela puisse paraître, certains y voient… La toute première paire de lunettes de soleil. La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels. Avec la participation de Marie-Laure Cassius-Duranton, gemmologue et historienne de l'art à l'Ecole des Arts Joailliers Écrit par Martin Quenehenne et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“Follow the yellow brick road to Emerald City…” In The Wizard of Oz, as elsewhere, the emerald is synonymous with mystery, desire, and wonder. And indeed, how could one not be awed? Its hypnotic green color, its refinement, and its preciousness... A symbol of power, protection, or love, depending on the culture, it has become one of the most iconic stones in jewelry. Since antiquity, this gem has continued to fascinate and inspire stories. This season takes us on the discovery of emeralds: enjoy front row seats at a chariot race across ancient Rome, discover the precious belt of a Chinese prince, experience the twists and turns of a diplomatic mission between the Ottoman Empire and Persia, and participate in a procession through the streets of Bogotá, where a stunning monstrance shines a miraculous green. Allow yourself to be seduced by the irresistible charms of the emerald… The Voice of Jewels is a podcast by L'ÉCOLE, School of Jewelry Arts, with the support of Van Cleef & Arpels. With the participation of Marie-Laure Cassius-Duranton, gemologist and art historian at L'ÉCOLE, School of Jewelry Arts, and Bei He, art historian and lecturer at L'ÉCOLE, School of Jewelry Arts Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini, and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

« Il suffit de suivre la route de briques jaunes pour arriver à la Cité d'Émeraude… » Dans le Magicien d'Oz et ailleurs, l'émeraude incarne un monde de mystère, de désir et de merveilles. Comment s'en étonner ? Son hypnotique couleur verte, son raffinement, sa préciosité… Symbole de pouvoir, de protection ou d'amour selon les cultures, elle est l'une des pierres les plus emblématiques de la joaillerie. Depuis l'Antiquité, cette gemme ne cesse de fasciner et d'inspirer des histoires. Cette saison vous embarque à la poursuite de l'émeraude : suivez le fracas d'une course de char à travers la Rome antique, vivez les péripéties d'une mission diplomatique entre l'empire Ottoman et la Perse, découvrez la ceinture céleste d'un prince chinois, et vibrez au rythme d'une procession dans les rues de Bogota, où un ostensoir resplendit d'un vert miraculeux. Gageons que vous serez séduits par les charmes irrésistibles de cette pierre… La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels. Avec la participation de Marie-Laure Cassius-Duranton, gemmologue et historienne de l'art à l'Ecole des Arts Joailliers et Bei HE, historienne d'art et professeur à l'École des Arts Joailliers. Écrit par Martin Quenehenne et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Back to School]Far from being round and regular, “baroque pearls” have strange and unique shapes. Long considered wonders of nature, they inspired goldsmiths throughout the Renaissance and into the Baroque and Neo-Classical periods. Anna Maria Luisa de' Medici, known as the last descendent of the House of Medici, had a passion for such pearls.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts, and Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

[La Rentrée des Bijoux]Loin d'être rondes et régulières, les “perles baroques” ont des formes étranges et uniques. Longtemps considérées comme des merveilles de la nature, elles inspirèrent les orfèvres à partir de la Renaissance et à l'âge classique.Anna Maria de Médicis, connue pour être la dernière des Médicis, avait une passion pour ces bijoux… et pour les perles baroques en particulier.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Avec la participation d'Inezita Gay-Eckel, Historienne du bijou et professeure à L'École des Arts Joailliers et de Léonard Pouy, Docteur en histoire de l'art et Responsable contenus et transmission à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Back to School]Where do new ideas come from? What is the genesis of those masterpieces that have redefined Modernity?At the beginning of the 20th century, a revolutionary artistic movement emerged, with the ambition of changing everything. This movement was Art Deco. A new style, with clean, pure lines that owes its name to an event with global repercussions, held in Paris in 1925: The International Exhibition of Modern Decorative and Industrial Arts.At the heart of this avant-garde event, and amongst the jewels that were awarded the Grand Prix, was a bracelet. Its name: Fleurs enlacées, roses rouges et blanches or “Entwined Flowers, Red and White Roses”. Signed Van Cleef & Arpels, this bracelet was the perfect combination of tradition and Modernity.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

[La Rentrée des Bijoux]D'où viennent les idées neuves ? Comment naissent les chefs-d'œuvre qui redéfinissent la modernité ? Au début du XXe siècle, un mouvement artistique révolutionnaire émerge, avec l'ambition de tout changer : l'Art Déco. Un style nouveau, aux lignes franches et épurées, qui doit son nom à un événement au retentissement planétaire qui s'est tenu à Paris en 1925 : L'Exposition internationale des Arts décoratifs et industriels modernes. Au cœur de cette manifestation avant-gardiste, parmi les bijoux sacrés par le Grand Prix, un bracelet. Nommé Fleurs enlacées, roses rouges et blanches et signé Van Cleef & Arpels, ce dernier fait s'entrechoquer tradition joaillière… et modernité.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie FrançaiseAvec la participation de Inezita Gay-Eckel, Historienne du bijou et professeur à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Michelle Hensley has made an art out of gift-giving. The idea for her business, Nifty Package Co, arrived when she needed it most. Her journey, from losing her husband to cancer to creating a heartfelt gifting business, has inspired many and provided an outlet to use her talents to spread joy.I'd love to introduce you to this remarkable and resilient woman and discuss how she can comment on stories for your outlet. Michelle's diverse expertise, as highlighted below, lends itself to many worthy topics. Her journey blends business discipline with an understanding of the human spirit, making her a trusted voice in the field of gift-giving and building personal connections.What started as a purpose-filled endeavor in 2015 at the age of 51 blossomed into a poignant side-hustle success story - one gift a time. Now, a full-fledged career, she curates gourmet gift baskets and provides luxury gift wrapping services that impresses even the most distinguished clientele and recipients! When Too-Faced Cosmetics called and asked for a large-scale gift-wrapping design, she was off and running!Nifty Package Co. offers luxury and corporate gifts and mobile gift wrapping services. Michelle's gift wrapping clientele includes names like Warner Bros., Discovery, Kim Kardashian, Kanye West, Justin Bieber, Hailey Bieber, Meta, Van Cleef & Arpels, Mont Blanc, Hugo Boss, Versace, and Coach, The current Whitehouse Administration as well as numerous homes and companies.Michelle revisited her earlier skills in the gifting industry, rekindling the entrepreneurial spirit that would allow her to run a business her way while raising kids. As a single parent, she provided for her family and expanded her horizons. She used her background in business and counseling (she has master's degrees in both) to evolve into a self-made professional. Her years as a counselor for those dealing with addiction and grief tapped into her superpowers of caring and support for others, which has manifested in a company that puts the passion for giving at the forefront.Michelle is an expert on many levels and can speak on the following topics:How to Reinvent Yourself in Times of NeedThe Best Advice I Ever Received as a WidowGift-Giving Tips for the HolidaysThe Items Celebrities are Requesting For Gift BasketsHow to Wrap a Gift That is a ShowstopperCreating a New Chapter After 50Links below:http://niftypackage.comichellemhensley.commichelle@niftypackage.coYoutube Channel: @_michellehensleyIG and Pinterest: @niftypackageco  Connect and tag me at:https://www.instagram.com/realangelabradford/You can subscribe to my YouTube Channel herehttps://www.youtube.com/channel/UCDU9L55higX03TQgq1IT_qQFeel free to leave a review on all major platforms to help get the word out and change more lives!

[Back to School]It's well known that the sword is the prerogative of knights and musketeers. But did you know that the weapon could also be transformed into a living symbol of the talents of men and women of letters? And sometimes even into exceptional pieces of jewellery...In 1955, Jean Cocteau faced a major challenge: to become the first academician to design his own sword.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With the participation of Charline Coupeau, doctor in art history, jewelry specialist, gemologist and researcher at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

[La Rentrée des Bijoux]L'épée est l'apanage des chevaliers et des mousquetaires, c'est bien connu. Mais saviez-vous que l'arme pouvait aussi se métamorphoser en vivant symbole des talents des hommes et des femmes de lettres ? Et parfois même en bijoux d'exception…En 1955, Jean Cocteau se retrouve face à un défi de taille : devenir le premier académicien à dessiner lui-même son épée.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie FrançaiseAvec la participation de Charline Coupeau, Docteure en Histoire de l'Art, spécialiste du bijou ancien, gemmologue et chercheuse à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Back to School]Some superheroes draw their powers from precious stones. Well, gems, to be more precise. Gems that are endowed with the power to control time or space, or even the mind.This is the saga of an out of this world piece of jewelry that was first published in an American comic book in the early 70's, and now brought to the silver screen by Marvel Studios. Six primordial stones which, after they have been gathered into a gauntlet, endow their owner with a super powerful weapon called the Infinity Gauntlet.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam.References :Iron Man (vol.1)Marvel Comics - 1973Captain Marvel (vol.1)Marvel Comics - 1973AvengersMarvel Studios - 2012 Hosted on Acast. See acast.com/privacy for more information.

[La Rentrée des Bijoux]Certains superhéros doivent leur pouvoirs à des pierres précieuses. Des gemmes qui permettent de contrôler le temps, l'espace ou encore l'esprit. Né d'un comics américain du début des années 1970, un bijou hors norme est porté à l'écran par le studio Marvel dans la série de films Avengers. Six pierres primordiales qui, rassemblées sur un gant, offrent à son possesseur une arme super puissante : le gant d'infinité.La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Avec la participation de Léonard Pouy, Docteur en histoire de l'art et Responsable contenus et transmission à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam.Références :Iron Man (vol.1)Éditions Marvel Comics - 1973Captain Marvel (vol.1)Éditions Marvel Comics - 1973AvengersMarvel Studios - 2012 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Summer of Epics]Where do new ideas come from? What is the genesis of those masterpieces that have redefined Modernity?At the beginning of the 20th century, a revolutionary artistic movement emerged, with the ambition of changing everything. This movement was Art Deco. A new style, with clean, pure lines that owes its name to an event with global repercussions, held in Paris in 1925: The International Exhibition of Modern Decorative and Industrial Arts.At the heart of this avant-garde event, and amongst the jewels that were awarded the Grand Prix, was a bracelet. Its name: Fleurs enlacées, roses rouges et blanches or “Entwined Flowers, Red and White Roses”. Signed Van Cleef & Arpels, this bracelet was the perfect combination of tradition and Modernity.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

[L'Été des Épopées]D'où viennent les idées neuves ? Comment naissent les chefs-d'œuvre qui redéfinissent la modernité ? Au début du XXe siècle, un mouvement artistique révolutionnaire émerge, avec l'ambition de tout changer : l'Art Déco.Un style nouveau, aux lignes franches et épurées, qui doit son nom à un événement au retentissement planétaire qui s'est tenu à Paris en 1925 : L'Exposition internationale des Arts décoratifs et industriels modernes.Au cœur de cette manifestation avant-gardiste, parmi les bijoux sacrés par le Grand Prix, un bracelet. Nommé Fleurs enlacées, roses rouges et blanches et signé Van Cleef & Arpels, ce dernier fait s'entrechoquer tradition joaillière… et modernité.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie Française.Avec la participation de Inezita Gay-Eckel, Historienne du bijou et professeur à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Summer of Epics]Far from being round and regular, “baroque pearls” have strange and unique shapes. Long considered wonders of nature, they inspired goldsmiths throughout the Renaissance and into the Baroque and Neo-Classical periods. Anna Maria Luisa de' Medici, known as the last descendent of the House of Medici, had a passion for such pearls.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts, and Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

[L'Été des Épopées]Loin d'être rondes et régulières, les “perles baroques” ont des formes étranges et uniques. Longtemps considérées comme des merveilles de la nature, elles inspirèrent les orfèvres à partir de la Renaissance et à l'âge classique.Anna Maria de Médicis, connue pour être la dernière des Médicis, avait une passion pour ces bijoux… et pour les perles baroques en particulier.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Avec la participation d'Inezita Gay-Eckel, Historienne du bijou et professeure à L'École des Arts Joailliers et de Léonard Pouy, Docteur en histoire de l'art et Responsable contenus et transmission à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Summer of Epics]It's well known that the sword is the prerogative of knights and musketeers. But did you know that the weapon could also be transformed into a living symbol of the talents of men and women of letters? And sometimes even into exceptional pieces of jewellery...In 1955, Jean Cocteau faced a major challenge: to become the first academician to design his own sword.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With the participation of Charline Coupeau, doctor in art history, jewelry specialist, gemologist and researcher at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

[L'Été des Épopées]L'épée est l'apanage des chevaliers et des mousquetaires, c'est bien connu. Mais saviez-vous que l'arme pouvait aussi se métamorphoser en vivant symbole des talents des hommes et des femmes de lettres ? Et parfois même en bijoux d'exception…En 1955, Jean Cocteau se retrouve face à un défi de taille : devenir le premier académicien à dessiner lui-même son épée.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie Française.Avec la participation de Charline Coupeau, Docteure en Histoire de l'Art, spécialiste du bijou ancien, gemmologue et chercheuse à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[Summer of Epics]Some superheroes draw their powers from precious stones. Well, gems, to be more precise. Gems that are endowed with the power to control time or space, or even the mind.This is the saga of an out of this world piece of jewelry that was first published in an American comic book in the early 70's, and now brought to the silver screen by Marvel Studios. Six primordial stones which, after they have been gathered into a gauntlet, endow their owner with a super powerful weapon called the Infinity Gauntlet.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam.References :Iron Man (vol.1)Marvel Comics - 1973Captain Marvel (vol.1)Marvel Comics - 1973AvengersMarvel Studios - 2012 Hosted on Acast. See acast.com/privacy for more information.

[L'Été des Épopées]Certains superhéros doivent leur pouvoirs à des pierres précieuses. Des gemmes qui permettent de contrôler le temps, l'espace ou encore l'esprit. Né d'un comics américain du début des années 1970, un bijou hors norme est porté à l'écran par le studio Marvel dans la série de films Avengers. Six pierres primordiales qui, rassemblées sur un gant, offrent à son possesseur une arme super puissante : le gant d'infinité.La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Avec la participation de Léonard Pouy, Docteur en histoire de l'art et Responsable contenus et transmission à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam.Références :Iron Man (vol.1)Éditions Marvel Comics - 1973Captain Marvel (vol.1)Éditions Marvel Comics - 1973AvengersMarvel Studios - 2012 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'été est la saison des escapades, des grandes aventures ! L'occasion pour la Voix des Bijoux de vous entraîner loin de chez vous… sur les flots turquoise, au cœur de jungles couleur émeraude et jusque dans les nuages aux reflets d'argent ! Partez à la redécouverte d'un impressionnant collier de griffes d'or, du porte-bonheur d'une aviatrice intrépide, d'une boucle d'oreille de pirate au cœur tendre et même d'un fabuleux trésor, englouti dans les profondeurs de la mer de Java.La Voix des Bijoux est un podcast de l'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In Paris, in the 1920s, a myriad of languages ​​was spoken. Elegant ladies from all over the world flocked to the French capital to shop to their heart's content. The city, a veritable crossroads of influences, drew inspiration from the most diverse sources. But if there was one country whose charms enchanted high society, it was China. Shanghai was on everyone's lips. The exotic name made people dream, and it inspired and offered a repertoire of new forms to designers.In the workshop of the Lacloche Brothers, a famous jewelry-making duo, traditional Chinese know-how influenced the most ambitious Art Deco creations. A door had opened onto a new world - a world that accompanied women in their desire for novelty and innovation.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.Xiaojia WANG WASZACK, Art Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

À Paris, dans les 1920, on parle toutes les langues. Les élégantes du monde entier affluent pour y faire de folles emplettes. La ville, véritable carrefour des influences, se nourrit des plus diverses inspirations. Mais s'il est un pays dont les charmes enivrent la haute société, c'est bien la Chine. Shanghai est sur toutes les lèvres. Elle fait rêver, inspire et offre un répertoire de formes nouvelles aux créateurs.Chez les frères Lacloche, célèbre duo de joailliers, les savoir-faire traditionnels chinois inspirent ainsi les créations Art déco les plus ambitieuses. Une porte ouverte sur un nouveau monde — un monde qui accompagne les femmes dans leur désir de renouveau.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie FrançaiseAvec la participation de Xiaojia WANG, Historienne de l'art et professeur à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Can jewelry be used as an instrument in liberation or a tool in the struggle for freedom? It is the early 20th century. The world is abuzz with countless battles: those that tear nations apart, but also those for women's rights.It is in this tumultuous context that the Art Deco movement emerges.The jewelry pieces born from this artistic movement become symbols of modernity, freedom, and audacity. In their own way, they accompany the emancipation of women, in particular in the 1920s, nicknamed the “Roaring Twenties”! Their elegance stems from their audacity, mixed with an apparent simplicity. Yet, some of these jewelry items hide unexpected secrets... and even sly war strategies, like the famous Zouzou bracelet worn by Josephine Baker!Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Un bijou peut-il être un instrument de libération ou un outil de lutte ? Nous sommes au début du XXe siècle. Le monde bruisse de nombreux combats : ceux qui déchirent les Nations, mais aussi celui pour les droits des femmes. C'est dans ce contexte tumultueux qu'émerge le mouvement Art déco. Les bijoux nés de ce courant artistique deviennent alors symboles de modernité, de liberté et d'audace. Ils accompagnent à leur façon l'émancipation des femmes, en particulier dans les années 1920 surnommées les “années folles” ! Leur élégance tient alors à leur air insolent, mêlé à une simplicité apparente. Pourtant, certains dissimulent des secrets inattendus… et même des ruses de guerre, comme le fameux bracelet Zouzou de Joséphine Baker ! La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie FrançaiseAvec la participation de Inezita Gay-Eckel, Historienne du bijou et professeur à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Movie stars have always worn jewelry. In the 1920s, the Art Deco style gradually took over red carpets and film reels. Worn by some of the greatest actresses of the day, from Louise Brooks to Brigitte Helm, Art-Deco jewelry was the epitome of modern beauty. Raymond Templier, one of the leading jewelry-makers of that time, seized this opportunity to free his creations from tradition, and mark his era with bold pieces, celebrating speed and pure lines.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Les stars de cinéma ont toujours porté des bijoux. Dans les années 20, c'est le style Art Déco qui s'impose peu à peu sur les tapis rouges et les bobines de film. Portés par les plus grandes actrices de l'époque, de Louise Brooks à Brigitte Helm — ces bijoux incarnent la beauté moderne. Raymond Templier, l'un des grands noms de la joaillerie de cette époque, saisit cette opportunité pour libérer son travail de la tradition, et marquer son époque avec des pièces audacieuses qui célèbrent la vitesse et la pureté des lignes.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie FrançaiseAvec la participation de Inezita Gay-Eckel, Historienne du bijou et professeur à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Where do new ideas come from? What is the genesis of those masterpieces that have redefined Modernity?At the beginning of the 20th century, a revolutionary artistic movement emerged, with the ambition of changing everything. This movement was Art Deco. A new style, with clean, pure lines that owes its name to an event with global repercussions, held in Paris in 1925: The International Exhibition of Modern Decorative and Industrial Arts.At the heart of this avant-garde event, and amongst the jewels that were awarded the Grand Prix, was a bracelet. Its name: Fleurs enlacées, roses rouges et blanches or “Entwined Flowers, Red and White Roses”. Signed Van Cleef & Arpels, this bracelet was the perfect combination of tradition and Modernity.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

D'où viennent les idées neuves ? Comment naissent les chefs-d'œuvre qui redéfinissent la modernité ? Au début du XXe siècle, un mouvement artistique révolutionnaire émerge, avec l'ambition de tout changer : l'Art Déco. Un style nouveau, aux lignes franches et épurées, qui doit son nom à un événement au retentissement planétaire qui s'est tenu à Paris en 1925 : L'Exposition internationale des Arts décoratifs et industriels modernes. Au cœur de cette manifestation avant-gardiste, parmi les bijoux sacrés par le Grand Prix, un bracelet. Nommé Fleurs enlacées, roses rouges et blanches et signé Van Cleef & Arpels, ce dernier fait s'entrechoquer tradition joaillière… et modernité.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie FrançaiseAvec la participation de Inezita Gay-Eckel, Historienne du bijou et professeur à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jewelry is often turned towards the future… In the interwar period, changes were stirring in the world of creative design. Jewelry was imbued with Modernity: radical forms, new materials, speed, lightness... These novel jewelry pieces reflected the changing standards of beauty.In this new season, Voice of Jewels takes listeners to the heart of a creative explosion, where daring women and secrets abound, told through stunning jewels in an innovative, influential style … Art Deco.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts.And, Xiaojia WANG WASZACK, Art Historian and Lecturer at L'ÉCOLE, School of Jewelry ArtsWritten by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Les bijoux sont souvent tournés vers l'avenir…Dans l'entre-deux-guerres, un vent nouveau souffle sur la création. La joaillerie s'imprègne de modernité : formes radicales, matériaux inédits, vitesse, légèreté... de nouveaux bijoux racontent alors les métamorphoses contemporaines de la beauté.Dans cette nouvelle saison, La Voix des bijoux vous plonge au cœur d'une explosion créative, à la rencontre de femmes audacieuses et d'histoires secrètes, à travers les joyaux d'un style qui a marqué son temps… l'Art déco.La Voix des Bijoux est un podcast de L'École des Arts Joailliers avec le soutien de Van Cleef & Arpels, qui vous dévoile les fascinantes histoires et les savoirs secrets que renferment les plus beaux bijoux.Interprété par Marina Hands de la Comédie Française.Avec la participation de Inezita Gay-Eckel, Historienne du bijou et professeur à L'École des Arts Joailliers. Et, Xiaojia WANG, Historienne de l'art et professeur à L'École des Arts Joailliers. Écrit par Martin Quenehen et Aram Kebabdjian et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

If we want regenerative farms and food businesses to thrive, we have to talk about money. How do we help them grow without forcing them to sell out their values?That's exactly what Claude Arpels - and Slow Money NYC - is working to solve. Claude has spent years rethinking investment strategies to support regenerative food systems. After a first career in luxury fashion, he pivoted to impact investing, helping farms and food businesses secure the land and capital they need—without compromising their mission.In this episode, Claude breaks down: Why traditional venture capital and private equity push businesses toward environmental and labor exploitation. How Slow Money NYC was created as a response to these challenges. The creative funding tools—like revenue notes—that align investment with long-term sustainability. The role of local investment in building resilient food systems. And much more…More about Claude and Slow Money:After a first career in the fashion and luxury biz, Claude chose to dedicate himself to his interests in food, the environment, social enterprise, and the arts. He has become an impact angel investor, with a focus on local economies and businesses that have a sustainable/regenerative food and agriculture mission. His portfolio of investments includes Brooklyn Grange, Matriark Foods, Raven & Boar, and Edenesque. Claude is the Co-Chair of Slow Money NYC and a founding member of Foodshed Investors New York, which is now part of Investors Circle, whose advisory board he sits on. An important part of Slow Money's work is helping small farms find access to land and capital. As part of this mission, Claude was one of the founding investors in Local Farms Fund and has led several investments in local farm projects.Claude is the Board President of International Contemporary Ensemble, the nation's pre-eminent contemporary music ensemble. Championing the works of emerging and under-represented composers, ICE has developed and performed over 1000 world premieres since its founding in 2001.Agrarian Futures is produced by Alexandre Miller, who also wrote our theme song. This episode was edited by Drew O'Doherty.

This episode is a burst of unbridled beauty to nudge us out of the winter torpor and into the spring light of March. We’ll reflect on the balance of graft and inspiration as we head to the Van Cleef & Arpels ‘Dance Reflections’ festival, discover Lebanese embroidery with the duo behind Bokja and explore the world of tarot as we embark on a journey with the cards through time.See omnystudio.com/listener for privacy information.

He is known as the most important American artist of the second half of the 20th century. A Pop icon par excellence, rumor has it that he once declared: “It would be glamorous to be reincarnated as a great big ring on Liz Taylor's finger.” In a sense, that is exactly what he did. When he died, a veritable treasure trove was discovered, hidden in his apartment, including a small diamond heart containing plenty of secrets. Proof perhaps that fame often conceals even greater gifts...Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts;Bei HE, Art Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Some treasures tell beautiful stories. Others are connected to tragedies...As is the case with the Jewish Treasure of Colmar.Hidden in dramatic circumstances, it was miraculously preserved. The treasure, comprising objects of a rare luxury, along with more modest items, is the witness to a past filled with darkness, but also with light.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Treasures have been found at the bottom of the sea, in the jungle, in fields … usually far removed from human habitation. But there have been some remarkable exceptions! A few feet underground, in the middle of one of London's busiest streets, the Cheapside wooden chest managed to conceal its secrets for three hundred years. Without doubt, the most urban treasure story imaginable.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

We revisit the iconic scents of yesteryears, like the unforgettable Van Cleef & Arpels Tsar from 1989. Step into the sensory-rich world of the early '90s department stores, and reminisce with us about classic fragrances such as Tommy for Men by Tommy Hilfiger. Our journey isn't just about the scents; it's about the stories and emotions they evoke, from our own personal connections to an amusing encounter with Richard, a coffee shop owner who was captivated by Percival.Support the showJoin Our Patreon

Some treasures disappear forever ... but others resurface.Like the sunken treasure of Belitung.Once submerged in a reef, somewhere in the Java Sea, the treasure now holds pride of place, in the heart of the Asian Civilizations Museum in Singapore.Presented in a display that evokes the benevolent and impetuous waves on which it once sailed, the Belitung Treasure contains remarkable riches.It is also connected to the great history of the Silk Roads. Synonymous with human adventure, full of wonder and peril.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts;Bei HE, Art Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

"Rien n'est impossible à ceux qui rêvent assez grand."Avec Philippe Corrot, cette conviction prend vie. Co-fondateur et CEO de Mirakl, il a bâti une licorne française en réinventant les règles du e-commerce. Mirakl, c'est bien plus qu'une entreprise : c'est une révolution. Aujourd'hui, l'entreprise collabore avec des géants comme Carrefour, la Fnac et des icônes du luxe telles que Cartier, Van Cleef & Arpels ou les Galeries Lafayette.Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.