Podcasts about Miuccia Prada

You can hear episodes early and get access to all of our giveaways for only $4 on HeroHero! Go support the show!We're back this week with our wonderful friend Tanya Ravichandran! Join Michael and Sol as they discuss the incredible team at Coach, Tanya's love for Ann D., how to host the perfect runway show, why all the guys in New York dress like shit, making the Margiela 5 Zip Exodia, Lee Alexander McQueen, some grails still eluding her collection, her wonderful boyfriend Roman's style, getting hangry, the direction of high fashion today, what it was like to work as a photographer at 14, and the very simple process to blowing up on the internet!Thanks again to Tanya for an amazing episode, and we hope you enjoy!SolSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

Miuccia Prada es una leyenda viva. Una mujer que redefinió la moda volviendo deseable lo “feo”, y que junto a su esposo Patrizio Bertelli, construyó uno de los imperios más poderosos del lujo italiano.Hoy, con la compra de Versace y la entrada de nuevos líderes, el imperio del ‘ugly chic' enfrenta su transformación más radical. ¿Se acabó la era Miuccia? ¿Qué viene para Prada?En este episodio:

This special episode was recorded live at the Miu Miu Literary Club, which took place on 9th-10th April 2025 in Milan. Under the direction of Mrs Miuccia Prada, and now in its second iteration, the Literary Club is the latest in a series of cultural experiences devised by Miu Miu to promote the arts. - Naoise Dolan is an Irish author whose first book, ‘Exciting Times', was published to widespread acclaim in 2020. Naoise followed this with the equally well-received ‘The Happy Couple' in 2023. In both books, Naoise tackles the confusion of contemporary life with precision and wit: her characters grapple with sexuality, housing instability, social media malaise, and our growing class disparities. At the same time, Naoise brings a fresh, often unpredictable perspective to the timeless topics of education, girlhood, and desire that inform this year's Literary Club curation. - Deep Reading Lists can be found at phoebe.substack.com - @phoebelovatt @phoebelovattpubliclibrary @naoisedolan @miumiu

This special episode was recorded live at the Miu Miu Literary Club, which took place on 9th-10th April 2025 in Milan. Under the direction of Mrs Miuccia Prada, and now in its second iteration, the Literary Club is the latest in a series of cultural experiences devised by Miu Miu to promote the arts. - Lauren Elkin is the translator behind Simone de Beauvoir's posthumously published book ‘The Inseparables' - a focus text for this year's Miu Miu Literary Club - and she is the author of multiple non-fiction books and novels. These include 2024's ‘Scaffolding', which explores the ethics of desire, the transition from girlhood to womanhood, and the impact that formative teachers can have on our lives. - Deep Reading Lists can be found at phoebe.substack.com - @phoebelovatt @phoebelovattpubliclibrary @lauren_elkin_ @miumiu  

In dieser Saison hat sich das Personal-Karussel in der Luxus-Liga gefühlt noch schneller gedreht als sonst. Zahlreiche Debüts, viele Designerwechsel, allen voran ein potenzieller Heilsbringer für das schwächelnde Gucci – die letzten Wochen wurden Silke Emig, stellvertretende TW-Chefredakteurin nicht langweilig. Im Gespräch mit Host Judith Kessler blickt sie zurück auf die Schauen-Saison Herbst/Winter 2025, analysiert die wichtigsten Trends und Themen und beantwortet die zentralen Fragen der Saison: Kann Demna Gucci? Und was ist mit Dario Vitale bei Versace? Kommen London und New York als Modeschauplätze noch einmal zurück? Und was meint Miuccia Prada mit "raw glamour"?

Byd a caccia di componentistica europea. E il colosso cinese sceglie l'Italia come prima tappa del road show che lo porterà a toccare tutti i Paesi europei dove c è una presenza importante di imprese del comparto automotive. Il produttore di Shenzhen ha puntato la bussola su Torino, una delle culle dell auto in Italia. La tre giorni parte oggi al Museo dell Auto di Torino, a pochi giorni dalla presentazione dell Atto 2, nuovo modello del marchio del Dragone che ha ormai ingaggiato una sfida diretta con Tesla. Sarà un confronto con le imprese che si sono iscritte all evento, realizzato in collaborazione con l Anfia. Una tre giorni da tutto esaurito: 380 le aziende della componentistica che parteciperanno. Alla plenaria ha partecipato Zhiqi He, vicepresidente e capo acquisti di Byd, che ha presentato i programmi della multinazionale cinese nel Vecchio Continente: due nuove fabbriche, una in Ungheria, che sarà operativa da questo autunno e l altra in Turchia, prevista per il 2026. Per evitare i dazi imposti dalla Ue sulle auto made in China, Byd fa il suo ingresso in Europa con due unità produttive e un ambizioso piano commerciale. A spiegare le rotte dell azienda ci sarà anche Alfredo Altavilla, special advisor di Byd e già braccio destro di Sergio Marchionne ai tempi di Fca. Altavilla, nel suo ruolo di consulente per le strategie europee, spinge perché l industria automobilistica cinese cominci, per la prima volta, a fornirsi di componentistica made in Italy. E quelle competenze, oggi frustrate dalla crisi dell auto e dal rallentamento di Stellantis, sono state individuate soprattutto nella filiera piemontese, più di 700 imprese e 20 miliardi di ricavi. Intervengono con il loro punto di vista Marco Stella, vice presidente di ANFIA e Presidente del Gruppo Componenti di ANFIA e Filomena Greco, Il Sole 24 ore.Prada, quattro settimane per l'acquisto di Versace Il gruppo Prada prova ad accelerare per l acquisizione di Versace. Secondo indiscrezioni la società del lusso che fa capo a Miuccia Prada e Patrizio Bertelli e guidata da Andrea Guerra avrebbe fissato quattro settimane di trattative in esclusiva con la multinazionale Capri Holdings, attuale proprietaria del brand di Donatella Versace. Le discussioni di Prada, anticipate dal Sole 24 Ore lo scorso 10 gennaio, entrano dunque in una fase cruciale. L unione potrebbe mettere sotto lo stesso tetto due brand leggendari e potrebbe segnare il ritorno del gruppo Prada all espansione tramite M&A: secondo indiscrezioni, all interno della famiglia sarebbe in corso una riflessione per valutare l impatto di una acquisizione di questo tipo.Il gruppo Prada è infatti cresciuto negli ultimi anni in maggior misura in modo organico. Nella prima metà degli anni 2000, invece, il gruppo aveva avviato una campagna di acquisizioni, sul modello delle grandi conglomerate del lusso francesi, per poi fermarsi successivamente. Tra le acquisizioni principali del passato ci sono state quelle di Helmut Lang per 40 milioni di dollari, di Jil Sander per 105 milioni di dollari, entrambe poi cedute, e del gruppo Church s per 170 milioni di dollari. Facciamo chiarezza con Carlo Festa, Il Sole 24 Ore.Campari corre in borsa sui 500 tagli al personale Taglio dei costi e razionalizzazione del portafoglio marchi di Campari. In attesa di presentarsi ufficialmente al mercato il 4 marzo per illustrare i conti annuali del gruppo milanese, conti che però non portano la sua firma, la sfida del top manager britannico Simon Hunt per risollevare la marginalità di Campari parte dalla sforbiciata ai costi. Secondo indiscrezioni di stampa, a un mese dal suo insediamento il nuovo ad del colosso italiano degli spirits ha preparato un primo intervento di risparmi con cui provare a invertire la china di un ebitda (590,7 milioni di euro) che a livello organico nei primi nove mesi dello scorso anno ha segnato una diminuzione del 2%, in calo drastico a due cifre (-14%) nel solo terzo trimestre. Le forbici si abbatteranno sui costi fissi e in particolare su quello del lavoro. Già a fine ottobre, in occasione della presentazione della trimestrale, Campari aveva fatto capire che la riorganizzazione avrebbe potuto coinvolgere anche il corpo dei dipendenti. Con 25 stabilimenti in giro per il mondo e una rete distributiva propria in oltre 26 Paesi, Campari impiega quasi 5 mila persone. Il piano di Hunt prevede che a livello globale venga ridotto del 10% il numero dei dipendenti, da mettere subito fuori perimetro, percentuale dunque che corrisponde a circa 500 addetti. Di questi, 100 lavoratori sono in Italia, inclusa una ventina di dirigenti. A questo potrebbe poi aggiungersi un ulteriore sforbiciata ad altri costi non ritenuti necessari. Ne parliamo con Giorgia Colucci, Radiocor.

Il legame tradonne e gioielli va oltre la semplice estetica: è una narrazione di potere, identità e cultura. In questa puntata esploriamo il rapporto tra alcune delle donne più influenti nel mondo della moda e dell'arte con il collezionismo del gioiello.Da Miuccia Prada, che ha ridefinito il lusso con uno sguardo intellettuale e anticonformista, a Patrizia Sandretto Re Rebaudengo, collezionista e mecenate che considera il gioiello come un'opera d'arte in miniatura, analizziamo come questi accessori si trasformino in simboli di innovazione e visione personale.Attraverso aneddoti, curiosità e riflessioni, in questa nuova puntata della rubrica Mondayfashinpills scopriremo insieme a Ilaria Introzzi come il gioiello sia molto più di un oggetto prezioso: è una dichiarazione di stile, un investimento culturale e un testimone della storia.Dove puoi trovare Ilaria IntrozziLa pagina instagram⁠IP Contemporary Art⁠Il profilo instagram personale⁠@ilariaintrozzi⁠Su Artibune e ESPOARTE come giornalistaLe risorse citate da Ilaria durante la puntataIl gioiello nel sistema moda (libro)Gioielli fantasia (catalogo)Nel caso non ci conoscessimo piacere, mi chiamo Beatrice e questi sono i miei canali social:⁠⁠⁠⁠⁠⁠@ravenousfashionpodcast⁠⁠⁠⁠⁠⁠Infine, se ti è piaciuta questa puntata, ti invito a iscriverti al canale e, se stai ascoltando l'episodio su Spotify o Apple Podcast, a lasciare una recensione a cinque stelline :)

En su sección de moda, Andrés Aberasturi Jr nos habla de Miuccia Prada, la directora de la firma de moda Prada. Escuchar audio

Het feest van dyspraxie barstte ook dit jaar weer los. Lies had fietsgerelateerde onhandigheden en Aaf worstelde met een kapotte roltrap. Vallen, je hoofd stoten, of geen diepte kunnen zien: Het blijft tobben als onhandig mens. Een matige, moeilijke of vermoeide week mag er ook best weleens zijn trouwens. Hoe anders dan met een bezwaard gemoed neem je het nieuws tot je dezer dagen? Vrolijk wordt je ook niet als je het beginnetje van een rolletje plakband niet kunt vinden of als plakband niet eens plakt. Niets blijft ons bespaard. Down the rabbit hole van het internet vallen en niet weten waar je uitkomt, we doen het allemaal. Is het fijn om ‘s nachts langs ijsmummies te scrollen, of om echt álles over Miuccia Prada te lezen? Ja, en soms ook: nee. We delen tips hoe je het konijnenhol weer uit kunt klimmen na een ontspannende deep dive. Een luisteraar, die in vriendschap en liefde moet leren loslaten, proberen we te helpen en Aaf bewierookt een goeroe die vaak zomaar een dansje doet, zeker nadat ze de deur van haar mans mancave zachtjes heeft dichtgedaan.ICM heeft een cadeautje voor je! Drie gratis webinars waarin jij leert om jezelf op 1 te zetten. Ga naar www.icm.nl/groeiprogramma en meld je gratis aan.

Tommaso Ebhardt è un giornalista di Bloomberg e scrittore. Il suo primo bestseller è stata la biografia di Sergio Marchionne, il manager italo-Canadese che salvà Fca dal fallimento e con il quale Tommaso - allora molto giovane – sviluppò un rapporto molto stretto, accompagnandolo spesso nei suoi viaggi. Il nuovo libro di Tommaso riguarda la storia di Prada, l'azienda di Miuccia Prada e Patrizio Bertelli, un gruppo plurimilardario nato da un negozio in centro a MIlano e diventato nel giro di pochi decenni uno dei punti di riferimento mondiali nell'industria del fashion. Tommaso racconta come è tutto sia nato da uno zainetto di Nylon e dal rocambolesco incntro fra Miuccia e Maurizio e come la leggenda si fonda alla realtà. I libri di tutti gli ospiti di PDR e qualche consiglio di lettura sono qui: https://www.amazon.it/shop/danielerielli La mia newsletter gratuita: https://danielerielli.substack.com/ Instagram - https://www.instagram.com/danielerielli/ Twitter - https://twitter.com/danielerielli Facebook - https://www.facebook.com/quitthedoner/ Il mio ultimo libro é "IL FUOCO INVISIBILE" (Rizzoli), e lo trovi qui: https://amzn.to/40VFsLB Learn more about your ad choices. Visit megaphone.fm/adchoices

Prada ist eine weltweit renommierte Luxusmarke, die für ihre elegante und zugleich innovative Ästhetik bekannt ist. Gegründet im Jahr 1913 von Mario Prada in Mailand, hat sich die Marke von einem spezialisierten Lederwarenladen zu einem internationalen Symbol für Luxus, Stil und Qualität entwickelt. Heute wird Prada von Miuccia Prada, der Enkelin des Gründers, geführt, die das Unternehmen zu einer der einflussreichsten und kreativsten Marken der Modeindustrie gemacht hat. Hört gerne rein und bewertet uns!

Oggi Gianni Morandi compie 80 anni! 30 anni fa usciva All I Want for Christmas is you, ma noi preferiamo la versione egiziana! Si è rotto lo specchio di Viganella. La nonna che ha sbagliato bambino a Pordenone. Ospite in studio lo scrittore Tommaso Ebhardt con la sua biografia su Miuccia Prada.

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A kedden publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást.  00:24 Intelligens emberek és a puskázás. Mamelukok, sameszok, famulusok és csicskák. Galla László életrajza. 04:45 Orbán Balázs még mindig nem adott interjút. Az ember, aki nem tud kikerülni a hírekből. Az ember, akit a főnöke kiküldene a barrikádra. A gyártott hoax. 08:16 A politika piszoráelmélete. Marcel Duchamp: Forrás. Magyar Péter mint piszoár. Botka László mint vécékefe. A Magyar-Orbán meccs demokratikus keretek közt. 12:02 Szájer József visszatér. Miért kellett kihozni a napfényre? Ambíció és lelki igény. Lojalitási gyakorlat éles kanyarban. 18:10 Ács Dániel: Nem tudhatod. Olvasta-e magát Csurka István? Aljas karaktergyilkosság Csurka ellen. 21:28 Csurka és az anticionizmus. Csurka és a cigányok. Csurka és Uj Péter. 25:01 Vona Gábor visszatér, de nem mond semmit. 29:29 Landeszmann rabbi visszatér. Bőgatya és fütyülős barack. Csurka István megtáncoltatja Somát. A Tiszatáj Konrád György-interjúja. Tamás Gáspár Miklós Csurka-nekrológja. 35:18 A legkommunistább milliárdos: Miuccia Prada. Az antiestablishment luxus. Tudna-e szegény lenni Bernie Sanders? 39:24 Az új gazdaságpolitika összeomlása. Az Orbán Balázs-Nagy Márton intellektuális kakasviadal. Ész és rambókés. 44:17 A Vona Gábor-szintű semmitmondás. Jó tanács mindenhez: ne piszkáld a potmétereket! A kiskereskedelmi élelmiszerláncok üzemeltetésének nehézségei. 47:43 Továbbra is várjuk a magyar wikidinasztiákat. Szia uram, náci érme érdekel? See omnystudio.com/listener for privacy information.

Medan många andra märken kämpar mot nedåtgående kurvor har Miu Miu mer än fördubblat sin försäljning under året. Kvinnan bakom, Miuccia Prada, lyckas kombinera kläder, konst och kommers men hur? Lyssna på alla avsnitt i Sveriges Radio Play. Miu Miu lanserades av Miuccia Prada 1993 som en sorts spin- off till Prada, en så kallad ”diffusion line” med lite billigare kläder. Hon beskrev det en gång som att det var kläder för de tuffa tjejerna I skolan, ”dem jag avundades”.Miu Miu vände sig i första hand till en något yngre målgrupp genom kläder och accessoarer som var lite mer flickaktiga. Kollektionerna var lite gulligare och glittrigare än Pradas stramare och damigare look och märket kallades till en början för en ”lillasyster” till Prada. Det riktar sig än idag till något yngre konsumenter, även om den idag 74 år gamla Miuccia Prada helst använder sig av uttrycket ”ungdomlig energi” för att beskriva märkets stil.Under de senaste åren har också både kläderna och imagen vässats till, inte minst tack vare en djärvare styling. Miu Miu har bland annat tagit hjälp av den framsynta och okonventionella stylisten Lotta Volkova, som tidigare arbetat för Vêtements och Balenciaga. Hon har hjälpt till med att skapa en modernare och mer samtida så kallad ”Miu Miu Girl”, en stilförebild som på ett, till synes, slarvigt sätt blandar det knasiga med det coola och får det att bli enormt eftertraktansvärt.I veckans program pratar vi med Ingrid Leander Berg, prisbelönt svensk modeskapare som fick sin drömpraktik på Miu Miu – och såg märkets arbete på nära håll. Modevetaren Lisa Ehlin förklarar varför Miu Miu, liksom många andra modehus, just nu samarbetar med artister från den megastora k-popens värld. Filosofen Sven-Olov Wallenstein lär oss hur man posera med rätt sorts filosofiböcker. Och så träffar vi Ann-Sofie Back, som nu tar farväl av sin tjugo år långa karriär som modeskapare med utställningen Go As You Please: Ann-Sofie Back 1998–2018 på Liljevalchs konsthall i Stockholm.

Oggi esploreremo la storia di una delle icone più influenti nel mondo della moda e dell'arte contemporanea: Miuccia Prada..Support the project on Tipeee or Patreon and receive transcriptions of each episode, complete with translations of the most challenging words:https://it.tipeee.com/italian-stories-with-davide/news/213375.https://www.patreon.com/posts/116437763.Donation - Paypal:https://www.paypal.com/donate/?hosted_button_id=HJF6KQ4BY27Y2.Hope you enjoy and...Ci vediamo presto!Music by Davide Emanuelli--------Sources:https://www.elle.com/it/moda/ultime-notizie/a23373051/miuccia-prada-biografia/.https://www.esquire.com/it/stile/moda-uomo/a20728946/miuccia-prada-biografia/

In conversation with Alessia of Milan based @shop_the_story on growing up with a mother dressed in Yohji Yamamoto, dancing in Margiela throughout her club era, rewarding herself with Miu Miu shoes during Uni, Dries Van Noten's honourable exit from fashion, her love for Come Des Garcons,  Miuccia Prada referencing the past the right way, Luxury brands cutting off their traditional clientele, the change in attitudes towards vintage in Milan and so much more

Another fashion month has come and gone, which means we have four-plus weeks of new collections from New York, London, Milan, and Paris to unpack. This week, Alyssa is joined by her longtime friend, colleague, and former fashion month travel buddy Tyler McCall for a delightfully unhinged recap of the Spring/Summer 2025 shows. While it was impossible to cover every high and low (Alyssa didn't even mention Bella Hadid's return to the runway at Saint Laurent, which is extremely out of character), the ladies touch upon the season's biggest topics of conversation, from the Substack discourse déjà vu to the vacant Chanel job. Tune in to hear their unfiltered takes on the most effective fashion week coverage; which brands are nailing their social media and storytelling strategies; whether we've reached Peak Tiny Mic; why Alessandro Michele's comeback at Valentino is so exciting; the season's new nepo babies; why Jonathan Anderson and Miuccia Prada are still in leagues of their own; what happened to brands having a point of view; how to put together an interesting front row; runway stunts done well and those gone awry; the most FOMO-inducing moments of the month and, inversely, the most cringe; and whether it all boils down to the fact that people just want to feel something. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thenewgarde.substack.com

Arianne Phillips is an American costume designer. Phillips was recognized for her work on the Broadway musical Hedwig and the Angry Inch, starring Neil Patrick Harris, earning her a Tony award nomination for Best Costume Design. Phillips has a long-standing relationship with Madonna, with collaborations including photo shoots, music videos and designing tour costumes for six world tours over the past two decades. She has been nominated for the Academy Award for Best Costume Design three times, for James Mangold's Walk the Line (2005), Madonna's directorial debut, W.E. (2011), and for Quentin Tarantino's Once Upon a Time in Hollywood (2019). Phillips has also received a two BAFTA Award nominations for Tom Ford's A Single Man (2009) and Quentin Tarantino's Once Upon a Time in Hollywood. Her film career also includes Tom Ford's Nocturnal Animals (2016), Matthew Vaughn's Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017), James Mangold's Girl, Interrupted (1999) and 3:10 to Yuma (2007), John Cameron Mitchell's Hedwig And the Angry Inch (2001), Mark Romanek's One Hour Photo(2002), and Milos Forman's The People Vs. Larry Flynt (1996). In between film and music projects, Phillips works as a freelance fashion editor and stylist, collaborating with photographers for publications such as Italian Vogue, V Magazine, Harper's Bazaar, German & Spanish Vogueand W Magazine. She continuously challenges herself by taking on projects that explore new expressions of her creativity. In 2018, she made her New York City Metropolitan opera debut, designing Nico Muhly's opera, Marnie. Miuccia Prada selected Phillips for her Iconoclasts project; to curate installations for the brands flagship stores in London and Beijing which included a short fashion film for the brand, which Phillips wrote and directed, called Passages. Her friend Alessandro Michele, Creative Director of GUCCI commissioned her to create content for a special issue of A Magazine he guest edited and to style a brand film directed by Gia Coppola. She has also collaborated on special projects with Van Cleef and Arpels, Cartier, Valentino and Swarovski. Phillips was an inaugural member of the TIMES UP coalition and was asked by Reese Witherspoon to design its logo. Lawrence Sher, ASC,is an American cinematographer and film director, best known for comedy films such as Garden State, The Dictator, and The Hangover series, frequently collaborating with directors Todd Phillips and Zach Braff.[ He made his directorial debut with Father Figures, which began a wide theatrical release on December 22, 2017, by Warner Bros. Pictures. He was nominated for an Academy Award and BAFTA Award for Best Cinematography for the 2019 film Joker, directed by Phillips. As cinematographer of the 2009 film The Hangover, Sher described how a scene early in the movie shows the main characters on the roof of their hotel overlooking a stereotypical shot of the Las Vegas Strip; Sher indicated that he had tried to evoke the behind-the-scenes Vegas—after the characters wake up the following morning—by shooting a scene behind the hotels where the real action takes place. Actor Bradley Cooper credited Sher's visual style with enhancing the film's comedy, noting how Sher has "a great eye, a lot of energy and he just knows what's funny" and that "Some guys just can't shoot comedies, but Larry knows exactly what he's doing." With the success of Zach Braff's Kickstarter, Sher worked on Braff's 2014 feature, Wish I Was Here. In January 2020, Sher was nominated for the Academy Award for Best Cinematography for his work on the movie Joker, but lost to Roger Deakins for 1917.

La SS25 di Prada è costruita intorno al concetto di individualità: l'essere umano rivendica se stesso mettendosi di traverso e rifiutando l'omologazione imposta dal flusso costante di contenuti a cui siamo tutti sottoposti. La chicca è il paradosso per il quale sia proprio Prada, che incarna qui l'industria moda nella sua interezza che da sempre propone i suoi modelli e ci influenza, a farsi portavoce di questa ricerca di individualità. Insomma, un trattato di filosofia as usual, dei miei due supereroi preferiti, Miuccia Prada e Raf Simons. #MFW Foro di copertina: Armando Grillo / Gorunway.com Sound Effect from Pixabay

Zoe Ghertner is a photographer renowned for captivating work blending art, fashion, and documentary storytelling. With a keen eye for detail and an innate sense of composition, Ghertner's imagery transcends conventional boundaries. A New York native based in Los Angeles, her work often reflects the vibrant energy and diverse landscapes of Southern California. Ghertner's portfolio includes collaborations with leading fashion brands, such as Miu Miu, Chloe, Wales Bonner, and Hermès, as well as publications, such as American and British Vogues, i-D, Self Service, and W. Through her lens, she invites viewers into a world where reality and imagination converge. Episode Highlights: Ghertner had a very imaginative childhood, where she learned the importance of positive, clear messaging.  Ghertner has partnered with Fee Steinvorth to create neoNutritions, a new vision of wellness rooted in spirituality and connection, with more of an interconnected focus on education compared to other health and beauty regimes. She sees what's contemporary now as a sense of connectedness that resonates despite a modern overabundance of images.  Saying that photography and consumerism go hand in hand, Ghertner speaks to the struggle to achieve and sustain commercial success while also holding to the values deeply rooted in her work, such as unwavering attention to her subjects. Despite working with digital imagery and print media across personal projects and commercial collaborations, Ghertner says each effort informs another and that she's a natural multihyphenate creator. Her first shooting of model Małgosia Bela was a breakthrough in “being able to work with someone with skills and ability.” She went through a phase of digging deeply into her subjects before garnering enough experience to represent that research and those conversations in the final imagery.  The support of women in the industry—such as Phoebe Philo, Miuccia Prada, Grace Wales Bonner, and Gabriella Hearst—has “allow[ed] me to grow and step into their worlds, which expands what my picture is about as well.”  Speaking to how images can traumatize or trigger elements of culture as a whole, Ghertner says her reaction to the male gaze and mental health advocacy are “a big part of the what and the why of how I'm making the pictures I make.” Having moved to warm and sunny California to experience a better quality of life, Ghertner experienced a shift in perspective akin to experiencing motherhood for the first time and creating a new body of work—and a new book.  Learn more about your ad choices. Visit megaphone.fm/adchoices

How a communist mime artist became the billionaire boss of a luxury fashion house. Miuccia Prada changed her name, then made it famous with one of the runway's biggest brands. BBC business editor Simon Jack and journalist Zing Tsjeng explain how the Italian fashion designer turned her grandfather's shop into a fashion powerhouse. Alongside her husband, she's run her empire from Milan for over four decades, becoming known affectionately known as ‘the master of ugly'. Simon and Zing look back on her life before deciding if they think she's good, bad, or just another billionaire.

ไม่ว่าตอนนี้เราจะไถฟีดไปที่ไหน ตอนนี้ก็เจอแต่คนถือกระเป๋าแบบบ้าหอบฟางของ Miu Miu หรือใส่รองเท้าหนังตราสามเหลี่ยมของ Prada นี่เป็นเพียงหนึ่งในหลายเทรนด์ที่ Miuccia Prada สร้างไว้ตลอดหลายทศวรรษ ผู้ให้กำเนิดคำว่า Ugly Chic และผู้ที่แนะนำให้โลกแฟชั่นรู้จักกับวัสดุไนลอนที่ครั้งหนึ่งเคยถูกมองว่าไม่แพง 7 Things We Love About… ตอนนี้เราเลยอยากพาทุกคนเข้าไปในโลกของบุคคลที่ชื่อว่า Miuccia Prada จากหลากหลายมุมมอง ทั้งนักออกแบบ อดีตสมาชิกพรรคการเมือง ผู้หญิง คนเสพศิลป์ และนักคิดแห่งโลกแฟชั่น . ติดตามฟังและชมรายการ 7 Things We Love About... ได้ในวันจันทร์ เวลา 19.00 น. ทุกช่องทางสตรีมมิงและ YouTube ของ THE STANDARD POP . #7ThingsWeLoveAbout #7ThingsWeLoveAboutXMiucciaPrada #MiucciaPrada #Prada #MiuMiu #FashionPodcast #TheStandardPop

エピソード内で話している通り、ミウッチャ・プラダという人のデザインは方程式が明確に定まっており、1stコレクションから彼女の追い求める人物像にブレが無い事にも驚かされます。 現代の社会におけるポジションや思想的な面から語られる事が多い彼女ですが、そのデザインと背景に触れる価値を強く感じました。(イチカワ)

Julie de Libran has been lauded as one of the most respected designers in the industry. From a decade under Miuccia Prada and Marc Jacobs to later becoming the artistic director of Sonia Rykiel, Julie is finally stepping out on her own.

With the Q1 results from the major fashion houses just released, we delve into the results. Who's up (again)? Who's down bad? And who's blaming a slowdown in China? Plus, our host shares her own shopping field reporting and what we want now. And at what cost. If you care about the rivalry between LVMH and the Kering group, how Hermès does it, Chanel's rep, and Miuccia Prada's reign, so do we. Deeply. --- Support this podcast: https://podcasters.spotify.com/pod/show/mosha-lundstr366m-halbert/support

On today's jam-packed episode, we discuss everything that went down at the Super Bowl including Beyonce's shock announcement, the deceptive Wicked trailer, Taylor Swift's continued domination and her new album The Tortured Poets Department, the AI-generated ad for Jesus, the confusing Kris Jenner Oreo commercial, and Usher's bachelorette party-adjacent halftime show. Also discussed: the ethics of bringing straight men into lesbian bars, Feud: Capote vs. the Swans, Chloe Sevigny's savage read of Los Angeles, the We Are the World-esque British Vogue cover, Miuccia Prada's American Vogue cover, Zac Posen's appointment at The Gap, Marc Jacobs' Polly Pocket collection, Willy Chavarria fabulosity, Altuzarra's 180, Loren Kramer at Eckhaus Latta, Anna Sui at The Strand, the Puppets and Puppets NYT article, Kanye's bootleg McQueen mask, Kim's new man, and more! Plus: an appearance from silent film aficionado Tatiana Waterford.

Prada fanatic, and Vogue writer, Laia Garcia-Furtado talks to journalist Wendell Steavenson about Vogue's March cover featuring the iconic Miuccia Prada; Steavenson wrote the cover story. Also, the Vogue Runway team joins the podcast to talk about their favorite NYFW moments (cough cough: Beyoncé).

On today's episode, Emma Chopova and Laura Lowena, of the brand Chopova Lowena, talk about their close collaboration and their cult brand. Also, director Baz Luhrmann discusses his latest project, Faraway Downs, and his friendship with Miuccia Prada. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Miuccia Prada's 1999 Fall Winter collection is everywhere today. Why is this season -- known primarily as a collector's collection -- so popular right now? For visual links to the full collection, specific looks, and shopping recommendations for today's episode visit covered.substack.com

BoF's editor-at-large and founder and editor-in-chief look back at the key moments of fashion month, from Sabato de Sarno's debut at Gucci to Sarah Burton's farewell show for Alexander McQueen.Background: This season, fashion month saw several highly-anticipated debuts (Sabato de Sarno at Gucci, and Peter Hawkings at Tom Ford) as well as goodbyes (Sarah Burton at Alexander McQueen, Fabio Zambernardi at Prada and Miu Miu, and Gabriela Hearst at Chloé). But, beyond those headline-making moments, the highlights included the slyness and humour at Prada where models walked down a runway against a backdrop of dripping slime to an Alfred Hitchcock soundtrack, Dries Van Noten's and models at JW Anderson in plasticine-made hoodies..“The best shows make you think and make you feel a little uncomfortable or they evoke some kind of emotion — but they also make you want to shop,” says Imran Amed, BoF's founder and editor-in-chief. Following the conclusion of Paris Fashion Week, Amed sat down with BoF's editor-at-large Tim Blanks to discuss the highlights of the Spring/Summer 2024 season and the hallmarks of a great fashion show. Key Insights:Sabato de Sarno's much-anticipated debut at Gucci, which included a change of venue from the streets of Milan's Brera district to Gucci's headquarters forced by inclement weather. “If those girls had been walking on cobblestones just like people going somewhere, seeing those clothes in a real environment, it would have taken on a different kind of life,” says Blanks. Alexander McQueen said goodbye to Sarah Burton, who served as a steward for the brand for more than 10 years after the death of its namesake designer. ( “ She was so umbilically connected with [McQueen] that the brand ethos was sustained to a remarkable degree. I would hate to see McQueen now become one of those brands where no one really knows what to do with it and it's in play,” says Blanks. Rick Owens show featured plumes of coloured smoke and bursts of rose petals — and a collection full of thought-provoking statement pieces. “There is really no one like him in fashion, and I don't know if there has ever been anyone like him in fashion,” says Blanks. Blanks calls Undercover's Jun Takahashi one of the industry's most fascinating designers. This year, Takahashi showed a provocative collection that played with proportions and layering, with a finale that included “terrarium” skirts, filled with plants and live butterflies. “He makes clothes that … people might consider to be avant garde, but they're so beautiful and wearable as well,” says Blanks.Prada was the “show of the season.” A few years into Miuccia Prada and Raf Simons' collaboration as co-creative directors, the show's success was a convergence of elements beyond the collection itself — from the soundtrack (Alfred Hitchcok's “Vertigo”) to the set. “It reminded us of Prada in its full glory where there was that slyness and humour and perverse glamour,” says Blanks. Hosted on Acast. See acast.com/privacy for more information.

Présentation de l'invité : Plongez dans l'univers de Benoit Bethume, l'homme aux multiples talents qui se cache derrière l'image de Marine Serre, Lemaire ou encore Patou. Ancien étudiant de La Cambre, Benoit a découvert sa véritable passion pour la création d'images et la consultation dans le domaine de la mode suite à une série de collaborations remarquables en tant que styliste photo. Grâce à ses années d'expérience et à sa connaissance approfondie des tendances actuelles, Benoit est désormais conseiller en image pour des marques de mode prestigieuses ainsi que professeur. Il est également à l'origine du magazine "Mémoire Universelle", une revue thématique expérimentale qui explore divers univers tels que l'art, la mode, la musique, l'écriture… Dans ce nouvel épisode d'Entreprendre dans la mode, découvrez comment Benoit apporte son expertise en image et en storytelling à l'industrie de la mode, travaillant en étroite collaboration avec les directeurs artistiques, afin d'apporter une perspective extérieure et à construire une histoire cohérente reflétant l'ADN de la marque. Ce que vous allez apprendre dans cet épisode : - Son parcours personnel et professionnel - Son expérience à La Cambre - Son premier stage à Paris en tant qu'assistant styliste - Son expérience chez Citizen K - Son expérience en tant que styliste chez Prada - Le rôle d'un conseiller en image - Son rôle chez Marine Serre - C'es quoi une bonne image de marque ? - Qu'est ce qui fait un bon magazine ? - L'histoire derrière Mémoire Universelle - Le contenu de ses cours d'Image à La Cambre et à l'IFM - Ses conseils pour les futurs conseillers en image "Ce qui m'intéresse ce sont les images et l'histoire et faire quelque chose de cohérent." "La créativité c'est l'instinct, et qu'en fait toute cette surinformation et cette manière de mettre les choses dans des boites ça tue un peu l'instinct." "Avec toutes ces images je trouve qu'on voit des choses qui font qu'on a l'impression d'avoir envie d'un truc alors qu'en fait c'est parce qu'on l'a vu." "Si j'ai un conseil à donner aux futurs conseillers en image, c'est d'être vraiment profondément à l'écoute et de comprendre où sont les limites de sa propre intervention au sein des marques." "Je suis un homme de l'ombre qui accompagne les créatifs et qui essaye de les conseiller du mieux que je peux, et de rendre cohérent leurs propos quand ils ont des doutes." N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com. Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode. Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode !

Visionary founder of @stylenotcom, Beka Gvishiani, grew up in the former Soviet republic of Georgia with little-to-no access to pop culture—or even basic electricity. In this episode, Beka shares his seemingly overnight success story in the fashion industry with Christopher Michael. However, his digital platform and unique voice are rooted in years of hands-on experience promoting up-and-coming international brands. With its distinctive blue and white all-caps format and its wittiness and substance, @stylenotcom instantly caught the eye of industry heavyweights; its posts reflect not only what's contemporary now but also the historical trends that have shaped fashion and culture. He still finds his stratospheric rise hard to believe, including the success of his creative agency, Ariel Bold, counting Colette co-founder Sarah Andelman and fashion editor Katie Grand among his champions, and co-creating his first Vogue covers featuring the Ukrainian flag. "I still sometimes feel it's a big dream that has happened to me." Episode Highlights: Turning Technicolor: Beka's life was turned upside down when his interest in pop culture and music collided with the revolution in his native Tbilisi, Georgia, and the “gold, shiny light” that went on the first time he saw a Vogue magazine cover. Beka built a platform for his passion first by becoming a regular on forums like The Fashion Spot and then launching the Glossy Newsstand blog on Tumblr in 2010. Faster than Light: The splash Beka made—and the attention he got—using social media tags to highlight insider information about magazine covers and content ahead of the pack. Beka's longtime collaboration with the celebrated magazine editor Katie Grand. Like a Dream: Beka's love of headlines scintillated and evolved into his distinctive, eye-catching @stylenotcom all caps, words-only title format in 2021—rapidly building a viral following, especially among industry insiders.  The Power of Formal Education: Beka doesn't attribute his success to the BA he earned in Finance and Business Administration so much as the early hands-on skills he acquired working with international brands in his native Georgia.   Arial Bold: The creative consulting agency Beka co-created based on his experience with every aspect of fashion design promotion, shoot production, and branding for up-and-coming labels. Hero Moments: Getting a hug from Tim Blanks at the Bottega Veneta show last year. One of only 200 invited to Saint Laurent's menswear show in the Marrakech Desert; being featured in a Business of Fashion article; doing his first Vogue cover; meeting many personal heroes and fashion icons.  Looking Ahead: No merchandise planned … yet! Additional content featured on extensions that build upon the Style Not Com brand and format. What Endures: Despite his digital fluency, Beka is a huge proponent of the traditional runway, media, and publications. (Hint: The physical feel, smell, and textures will never go out of style and are a snapshot in time.) Embracing the Romance: The past is a powerful inspiration for Beka, who believes without nostalgia—understanding the past—there is no future. The Fashion Icons Beka Still Dreams of Meeting: Karl Lagerfeld (unfortunately no longer a possibility), Anna Wintour, Carine Roitfeld, Kate Moss, and Miuccia Prada. What's Contemporary Now? Whatever comes authentically from the heart and mind currently but at the same time draws on and respects fashion's rich archival past.

Bate-papo com a  Maria Laura Babikian na Lapinha SPA com o tema "Estilistas mulheres italianas de sucesso". Nesse bate-papo, Maria Laura apresenta o legado inspiracional e empreendedor de Miuccia Prada, codiretora da Prada.O Caminho do Encontro. Acompanhe, siga, compartilhe! Site: https://ocaminhodoencontro.com.br Instagram: @ocaminhodoencontro

Nuova puntata dell'appuntamento domenicale di «Corriere Daily»: le repliche dell'editorialista alle domande e osservazioni che avete mandato via WhatsApp al 345 6125226.Per altri approfondimenti:I carabinieri che hanno bloccato il presunto aggressore di Termini: “Riconosciuto da scarpe e cappello"Bologna, Bolzano e Firenze le migliori città del 2022 per qualità della vitaQuella notte con Miuccia Prada e Bruce Springsteen a San Siro

Andrea Tomasetig"Maria Mulas"Milano, ritratti di fine '900Palazzo Reale, Milanofino all'8 gennaio 2023Le sale dell'Appartamento dei Principi di Palazzo Reale a Milano ospitano - fino all'8 gennaio 2023 - la mostra Maria Mulas. Milano, ritratti di fine '900, promossa dal Comune di Milano – Cultura prodotta e organizzata da Palazzo Reale e dall'Archivio Maria Mulas, con la curatela di Andrea Tomasetig. L'archivio fotografico contiene, oltre a reportage e lavori di ricerca, anche un numero imponente di ritratti – oltre 500 – di personaggi di primo piano delle arti e della cultura. In mostra ve ne sono un centinaio, giunti da una lunga esposizione al Museo Nazionale Slovacco promossa dall'Istituto Italiano di Cultura di Bratislava e frutto di una selezione che documenta lo stretto rapporto della fotografa con Milano e i suoi protagonisti nel trentennio che conclude il Novecento.Milano in quegli anni sta affermandosi come la capitale del design, della moda, dell'editoria, e non solo. È il luogo intorno a cui ruota un universo di talenti nativi o d'adozione, giunti da tutta Italia e dal mondo. Maria, arrivata poco più che ventenne nel lontano 1956 dalla natia Manerba del Garda sulla scia del fratello, li ritrae nei posti giusti e nei momenti giusti e ce li restituisce con una freschezza e intensità senza eguali, degna erede del fratello maggiore Ugo scomparso prematuramente nel 1973. Gli anni Settanta, Ottanta e Novanta sono per lei una girandola di incontri, Biennali veneziane e Kassel, allestimenti e inaugurazioni di mostre, presentazioni letterarie, feste e reportage in giro per il mondo. Ma il luogo d'osservazione privilegiato è sempre Milano che, come un magnete, accoglie e integra le varie provenienze regionali e straniere, ed è in quegli anni uno straordinario laboratorio di creatività e modernità che poi ritrasmette in Italia e nel mondo. Facendo della città il proprio epicentro, Maria Mulas ha mostrato come nessun altro il volto del mondo artistico e culturale milanese, italiano e internazionale.Sono centinaia e centinaia coloro che sono stati ritratti da lei: artisti, galleristi, critici, designer, architetti, scrittori, editori, giornalisti, stilisti, registi, attori, intellettuali, imprenditori, amici. Un elenco dettagliato ne riporta ben 539, dalla “A” di Claudio Abbado alla “Z” di Franco Zeffirelli. Non meraviglia che il Comune le abbia dedicato nel 1998 una grande mostra sempre a Palazzo Reale, consacrandola come “l'occhio di Milano”, e che oggi la celebri nuovamente come la fotografa che - pur appartata rispetto al circuito delle gallerie e del mercato dell'arte - ha colto l'anima profonda, vera di Milano, che è una città non in posa, ma dinamica, al lavoro, la città delle arti e delle professioni e dell'imprenditoria più avanzata.Per facilitare il percorso del visitatore l'esposizione è suddivisa in sei sezioni: Architettura e Design; Arte; Letteratura e Editoria; Moda; Arti dello Spettacolo; Milano cosmopolita e Maria nel mondo. È evidente che, dato lo spazio a disposizione, non ci possono essere tutti i nomi importanti che ha ritratto, né Maria Mulas poteva allora fotografare tutti quelli che noi oggi riteniamo importanti. Ma dal suo formidabile archivio emerge una sequenza altamente rappresentativa di personalità che incarnano molta parte della cultura italiana e del made in Italy. Alcuni nomi: Giorgio Armani, Gae Aulenti, Joseph Beuys, Giorgio Bocca, Roberto Calasso, Gillo Dorfles, Umberto Eco, Inge Feltrinelli, Dario Fo, Carla Fracci, Allen Ginsberg, Krizia, Vico Magistretti, Enzo Mari, Marcello Mastroianni, Ottavio Missoni, Bruno Munari, Fernanda Pivano, Gio Ponti, Miuccia Prada, Ettore Sottsass, Giorgio Strehler, Ornella Vanoni, Lea Vergine, Luigi Veronesi, Gianni Versace, Andy Warhol.La mostra è accompagnata da un catalogo pubblicato dall'editore Umberto Allemandi, con scritti di Andrea Tomasetig, Paolo Fallai, Stefano Salis e Patrizia Zappa Mulas.https://www.allemandi.com/IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Rendiamo grazie a Miuccia Prada, ma nel frattempo cerchiamo di fare il punto su Miu Miu e Prada. Miu Miu è davvero diventata il vero terreno avanguardista? Le SS23 dei due brand fanno i conti con un tema comune: la Moda dell'utile inserita nella realtà, mai superflua, ma affrontano il tema in modo molto diverso. Se da un lato l'entusiasmo, la potenza comunicativa e l'estetica dirompente di Miu Miu ci fa strizzare lo stomaco, dall'altro Prada sembra continuamente guardare in primis a se stessa, facendo mancare da troppo tempo estro e quello sguardo cinico sulla realtà che traboccava da ogni orlo. Una co-direzione, quella di Raf Simons e Miuccia che sembra somigliare alle nostre relazioni amorose finite peggio. LINK UTILI: Miu Miu SS 2023 Fashion Show - MiuMiu.com Prada SS 2023 Womenswear - Prada.com SFILATA PRADA DONNA PRIMAVERA/ESTATE 2023 TOUCH OF CRUDE - Comunicato Stampa Foto: Miuccia Prada @ Miu Miu SPRING 2023 READY-TO-WEAR, Vogue Runway --- Send in a voice message: https://podcasters.spotify.com/pod/show/fashionpizza/message

After first resisting her role in a storied Italian luxury family brand, Miuccia Prada spent the '90s transforming the company into a major fashion house. She accomplished that metamorphosis by infusing her designs with her own interests and internal contradictions, challenging traditional ideas of beauty and luxury. By embracing her own identity as a modern woman, Prada brought the world into her designs-–and captured imaginations around the globe. Joining Vogue's editorial team on this episode are, in order of appearance: Photographer Glen Luchford, designers Miuccia Prada and Lawrence Steele, fashion critic and journalist Suzy Menkes, and stylist Lucinda Chambers. For more on this week's episode and to access additional Vogue content, make sure to visit vogue.com/podcast. Don't miss out on new episodes of In Vogue: The 1990s on: Apple Podcasts: listen.vogue.com/iv-apple-podcasts Spotify: listen.vogue.com/iv-spotify Google: listen.vogue.com/iv-google-podcasts or wherever you listen to podcasts. Shop the Vogue Collection: https://shop.vogue.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Natural coral--in all its glorious color variations--is today's hot topic on Jewelry Confidential with Neil Marrs! There's white coral, angel skin coral, orange coral, red coral and oxblood coral (which is considered the most valuable.) We'll discuss pieces of coral jewelry I've handled and sold over the years both signed and not and why they are memorable. Finally, a frank discussion of global warming and how it's adversely affected the delicate marine ecosystems which produce coral and rendered it an endangered species.-----------website: https://www.neilmarrs.comemail: neil@neilmarrs.cominstagram: https://www.instagram.com/neilmarrs/linkedin: https://www.linkedin.com/in/neilmarrs/

Claudio Calò"Memoria Festival"Memoria Festival, Mirandola"La sfilata di moda come opera d'arte"Sabato 1° ottobre 2022, ore 11:00Con Claudio Calò e Marco BelpolitiGli stilisti sono considerati artisti, innovatori, e senza dubbio esistono capi d'alta moda che meriterebbero di essere esposti in una galleria: perché, allora, non considerare le stesse sfilate come opere d'arte? È la proposta dell'esperto di comunicazione di moda Claudio Calò, che ne discute con lo scrittore e critico letterario Marco Belpoliti, alla ricerca di canoni e nuove definizioniClaudio Calò si è laureato in semiotica della pittura all'Università Cattolica. Si è occupato di comunicazione di moda con incarichi presso Ralph Lauren a Ginevra ed Emilio Pucci a Firenze. Quindi assume la direzione globale della comunicazione del gruppo Armani a Milano. Oggi è consulente strategico per alcuni marchi come Umit Benan e insegna comunicazione presso i master di Fashion Promotion, Communication & Media e Fashion & Luxury Brand Management dell'Istituto Marangoni di Firenze. Ha collaborato con “Lampoon” e “Vogue Italia”. Per Einaudi ha pubblicato La sfilata di moda come opera d'arte (2022)Claudio Calò"La sfilata di moda come opera d'arte"Einaudi EditoreGuardare, guardarsi, essere guardati… Che cos'è davvero una sfilata di moda? Aggancia, su un suo palcoscenico “unico”, l'arte, il cinema, il teatro, la danza, la fotografia, il simbolo e il racconto, la politica persino e l'informazione. E legge ininterrottamente il mutare della contemporaneità, ovvero non finisce mai di rispondere alla domanda di tutti e di ognuno: «Chi davvero siamo diventati, ora?» Moda e sfilata di moda («È un po' come se la sfilata – Miuccia Prada ne conviene – fosse la mostra per il mondo dell'arte») sono riti sociali esclusivi, certo, ma le risposte che tentano ci riguardano tutti, in modo emotivo, spettacolare, leggero, splendidamente inutile. «Una sfilata di moda è uno spettacolo, è intimità, è intensità. Ed è completamente senza significato: perciò ha tanto successo», dice René Célestin, fondatore di una delle maggiori case di produzione di sfilate. Ma in ballo c'è sempre il significato della modernità, ed è per questo che, da Baudelaire in poi, se ne occupano fra gli altri anche Walter Benjamin, Roland Barthes, Jean Baudrillard… Claudio Calò ne ha uno sguardo dall'interno, che è ad un tempo in presa diretta e critico. Ci racconta di Giorgio Armani, di John Galliano, di Ralph Lauren, di Karl Lagerfeld, di Gianni Versace, di Alexander McQueen o di Antonio Marras come delle supermodel degli anni '90, e ci conduce per mano dalle vere e proprie bambole che venivano usate nel Settecento in Francia per far conoscere la moda di corte in provincia, fino agli spettacoli planetari e virtuali – avatar al posto di modelle al posto di bambole… – attraverso cui la moda ha dovuto evolversi, spinta fra l'altro dalla pandemia a trovare un nuovo equilibrio e forse una nuova forma. Calò la chiama transmoda: una moda «orizzontale e decentralizzata, veloce e atomizzata, ironizzante e collaborativa». Attraverso scenari planetari e racconti di singoli eventi o incidenti raccolti spesso dalla viva voce dei protagonisti – come la storia del termine mannequin o il segreto della camminata di Naomi Campbell – Calò disegna l'affresco di quel mondo sconosciuto che è sotto gli occhi di tutti.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Dust off your blue suede shoes, people. It's time to talk about Elvis Presley! Anytime Blaire and Marie get to talk about a Baz Luhrmann movie is a good time on this pod, and this Baz-ified biopic of The King did not disappoint. Catherine Martin designed the costumes (we talked about her in our Moulin Rouge episode), which included over 9,000 background cast looks, and over 90 for Elvis (played by Austin Butler). Fun fact: Miuccia Prada was behind several of the costumes for Priscilla Presley and Elvis. Listen to us dive into Elvis's real-life, ahead-of-his-time style, start a petition for more menz to wear lace shirts, and more, in this fun episode. For visuals of the costumes, follow us on Instagram at @fishnetflixpod and TikTok @fishnetflix ! DM or email your movie requests at info@fishnetflix.com! We love hearing from you! Don't forget to rate, subscribe, and leave a review on iTunes and wherever you listen to the show! 

“As a young architect, I hated photographs where you saw people. And now I hate photographs where you don't see people,” Jacques Herzog says. Throughout the last three decades, Herzog and Pierre de Meuron have designed some of today's best-known buildings and museums, including London's Tate Modern and Hong Kong's M+ museum. In this episode, Herzog speaks about the development of architecture over the last 30 years, what it was like to collaborate with Ai Weiwei and Miuccia Prada, his early fascination with artists like Joseph Beuys and Donald Judd, and if the era of the starchitect has come to a close.

Greg Kwiat, whose “thinking is as clear as the diamonds he's selling” is the CEO of Kwiat, a four-generation family company founded in 1907. In this interview we talk about what it was like growing up in a diamond family, the history of the diamond industry, De Beers dominating role, and the legendary advertising campaign “A Diamond is Forever” to stimulate demand in the 1950s and how Miuccia Prada, Nicole Kidman and Fred Leighton became pioneers in displaying beautiful vintage jewelry on the red carpet at the Oscars. Greg also gives us an insightful guide about the basic knowledge you need to make more educated choices, when buying diamonds, based on the four Cs; carat weight, color, clarity and cut. In 2018 Kwiat and Fred Leighton opened their combined flagship stores on Madison Avenue and at the Wynn Las Vegas, bringing two iconic brands under one roof.  

Prada started off as a humble leather goods maker in Milan. Built on the mission to craft the best leather goods possible and worn only by the elites. Just 60 years later it became a huge force to be reckoned with all thanks to the creative direction of one woman: Miuccia Prada. Who is she and what makes her so influential in the fashion world? I dive deep into Miuccia's story and the company she helped make successful. dressherpodcast.com https://www.instagram.com/dressherpodcast/ Written and hosted by Michelle Cheng Music by Alexiaction

Abbonati a Just Italian --> https://anchor.fm/justitalian/subscribe Trascrizione episodi e contenuti extra su --> https://patreon.com/justitalian Buon giorno, Buon pomeriggio e Buona sera! Una delle stiliste italiane più famose del mondo, proprietaria di uno dei gruppi di moda più influenti al mondo. Seguimi su: Instagram: www.instagram.com/justitalianpodcast Youtube: https://www.youtube.com/channel/UCL_taa1eVM0LOPXxjAtD6bA

In teoria è il mio storytelling di Prada e la review dell'ultima collezione presentata alla #MFW, in pratica sono io che cerco di nascondere tutto l'amore e l'entusiasmo che mi sale quando parlo del lavoro di Miuccia Prada (spoiler: non ce la faccio). Da tanto volevo parlarvi di questo brand, e in questa puntata cerco di dare una visione d'insieme del perché Prada ricopre da sempre un posto così importante nel mondo della Moda (e uno ancora più grande nel cuore della gente ossessionata come me). Vi lascio la mia personale dichiarazione d'amore, fatene buon uso, che ci tengo! Info e link utili: Pradasphere - https://www.prada.com/it/it/pradasphere.html#page=1&year=2022 dove potete trovare tutte le novità della maison milanese A PRIVATE PLAYGROUND OF PRADA - https://www.instagram.com/privateplaygroundof/ la community Prada del mio cuor Prada Fall 2022 Ready to Wear - https://www.vogue.com/fashion-shows/fall-2022-ready-to-wear/prada la review ufficiale di Vogue Runway Canale YouTube ufficiale Prada - https://www.youtube.com/channel/UCyKqxNOVX6e1kBKB23g8r6g Canale Spotify Prada - https://open.spotify.com/user/sz56yms9zgvax5w86re3bdmpf?si=aab0dd9630234e70 (ci trovate tutte le playlist delle sfilate!) Miuccia Prada, il mio mondo libero - https://video.d.repubblica.it/moda/miuccia-prada-il-mio-mondo-libero/3969/4106 Foto di copertina: prada.com Look 30 --- Send in a voice message: https://podcasters.spotify.com/pod/show/fashionpizza/message

Elon Musk chiude l'anno in testa alla classifica dei super ricchi pubblicata da Blomberg. Nel 2021, il suo patrimonio è salito di 114 miliardi di dollari, toccando i 270 miliardi, una ricchezza raggiunta prima di lui, in era moderna, soltanto da John D. Rockfeller. Un balzo che ha portato il fondatore di Tesla a superare sul podio della graduatoria Jeff Bezos, secondo con i suoi 192 miliardi. Al terzo posto si colloca, Bernard Arnault con 178 miliardi. Esce, invece, dal terzetto di testa Bill Gates, penalizzato dal divorzio che lo ha costretto a cedere parte delle sue fortune alla ex moglie, con 138 miliardi. Tra gli italiani si conferma al primo posto la famiglia Ferrero, con un patrimonio di 35,9 miliardi, in 37esima posizione a livello mondiale. È trentanovesimo invece Leonardo Del Vecchio con 34,5 miliardi. Staccatissimi gli altri miliardari italiani, con la famiglia Rocca che è 204esima con 11,1 miliardi, Silvio Berlusconi 301esimo con 8,77 miliardi, Miuccia Prada 477esima con 5,93 miliardi e Patrizio Bertelli 479esimo con 5,91 miliardi. In un solo anno, segnala Bloomberg, il patrimonio delle 500 persone più ricche del Paese è cresciuto di 1.000 miliardi per un totale di 8.400 miliardi. Un dato che supera il Pil globale combinato al netto di Usa e Cina. La ricchezza dei primi 10 in classifica sfiora, complessivamente, i 1.500 miliardi. ______________________________________ Ascolta “Economy News”, la rubrica semplificata di informazione economica in onda tutti i giorni su Giornale Radio. Il podcast di approfondimento di notizie di economia e di finanza, che descrive ed espone in maniera semplice e veloce gli avvenimenti di politica economica di interesse nazionale e mondiale. In redazione Ferruccio Bovio, in studio Marco Veneziani. Per i notiziari sempre aggiornati ascoltaci sul sito: https://www.giornaleradio.fm oppure scarica la nostra App gratuita: iOS - App Store - https://apple.co/2uW01yA Android - Google Play - http://bit.ly/2vCjiW3 Resta connesso e segui i canali social di Giornale Radio: Facebook: https://www.facebook.com/giornaleradio.fm/ Instagram: https://www.instagram.com/giornaleradio.tv/?hl=it Twitter: https://twitter.com/giornaleradiofm

As the founder of Nilufar Gallery, Nina Yashar is a leading voice in collectible design. Through her many programs, exhibitions, and curated spaces, she has the ability to elevate forgotten names from history and make the careers of contemporary talents. On this episode, Dan chats with Nina about her youth as a radical feminist, how she became lifelong friends with Miuccia Prada, and the most beautiful homes she's ever seen. See acast.com/privacy for privacy and opt-out information.

When it was announced the Raf Simons was joining Miuccia Prada as the co-creative director of Prada Kelly & Thomas were very excited. The debut came to mixed initial reviews from The Fashion Forward Friends, but Thomas eventually came around. We loved their next menswear show, but the love has continued to wane. With the looks from the Spring 2022 RTW show and custom Met Gala looks we are worried about what the influence Raf has had on the house. Get their thoughts and come up with your own feelings on "What Is Happening At Prada?"

Los desfiles presenciales están de regreso y esto también representó un gran cambio para las colecciones. Finalmente, estamos viendo una propuesta de moda post pandemia. Algunos diseñadores ven al futuro, como Louis Vuitton con su retrofuturismo; otros nos llevaron directo a los 90 como Chanel de Virginie Viard y Miuccia Prada de plano, le entró con todo a la nostalgia por el Y2K en Miu Miu. En este episodio analizamos las propuestas de primavera verano 2022. Esto es Hablemos de moda con Claudia Cándano y Jordi Linares, disponible en video en Youtube y en audio en todas las plataformas de podcast. Suscríbete a nuestro canal en Apple Podcast, escúchalo un día antes y ten acceso a contenidos exclusivos. 

In questo episodio di Cara Diva, la penna del misterioso ammiratore ringrazia una donna contraddistinta da una grandissima energia, creatività e genialità, che sa contaminare gli opposti per creare il nuovo. Una stilista ed imprenditrice anticonformista che ha portato il made in Italy nel mondo con il suo marchio, famosissimo ovunque. Miuccia Prada.

Sono le donne a custodire l'identità italiana. Partendo da questa convinzione, Aldo Cazzullo rievoca le figure, il carattere e le storie delle italiane che ha conosciuto. Un racconto a più voci che è anche un viaggio dentro l'animo femminile e nella comunità nazionale. Dalle centenarie che hanno fatto l'Italia, come Franca Valeri e Rita Levi Montalcini, alle giovani promesse di oggi, come Chiara Ferragni e Bebe Vio. Donne di potere, come Nilde Iotti e Miuccia Prada, e donne di parola, da Oriana Fallaci a Inge Feltrinelli. Per arrivare a oggi: chi ha salvato l'Italia nell'anno terribile della pandemia? Noi diciamo medici e infermieri, al maschile. Ma non solo la maggioranza delle infermiere sono donne; sono donne la maggioranza dei giovani medici. Neppure il lockdown ha fermato le cassiere dei supermercati, le edicolanti, le poliziotte, le farmaciste, le professoresse che hanno fatto lezione on line, le mamme che hanno lavorato e badato ai figli rimasti a casa, le nonne che hanno corso rischi pur di prendersi cura dei nipoti. In queste pagine si raccontano in prima persona attrici come Monica Bellucci e Stefania Sandrelli, cantanti come Laura Pausini e Gianna Nannini, campionesse dello sport come Valentina Vezzali e Federica Pellegrini. Scrittrici come Dacia Maraini, critiche come Fernanda Pivano, editrici come Elvira Sellerio. Ma compaiono anche figure storiche come Chiara d'Assisi, patriote, partigiane, combattenti. Alcune non ci sono più, altre hanno tutta la vita davanti. Samantha Cristoforetti ha conquistato lo spazio, Nives Meroi l'Himalaya, Sofia Viscardi la Rete. Tante hanno sofferto moltissimo, sia pure in modi diversi: Alda Merini in manicomio, Vittoria Leone nelle stanze del potere, Maria Romana De Gasperi quando il padre era nelle carceri fasciste. Molte testimoniano che l'Italia resta purtroppo un Paese maschilista; ma tutte confermano che la grande avanzata delle donne è appena cominciata. "Le italiane" di Aldo Cazzullo - Solferino

Estas mujeres levantaron su propia marca y a través de sus proyectos dieron a luz a nuevas tendencias, corrientes y estilos, convirtiéndose así en madres de la moda. Elsa Schiaparelli, Miuccia Prada, Rei Kawakubo, Stella McCartney, Diane Von Furstenberg, Vivienne Westwood y Mary Quant.

Hôm nay, 10 tháng 5 là ngày gì? Mời các bạn điểm qua các sự kiện chính đã diễn ra trong ngày này: SỰ KIỆN 1294 – Thiết Mục Nhĩ lên ngôi tại Thượng Đô, trở thành hoàng đế thứ hai của triều Nguyên và đại hãn thứ sáu của đế quốc Mông Cổ. 1872 - Victoria Woodhull trở thành người phụ nữ đầu tiên được đề cử làm Tổng thống Hoa Kỳ . 1908 – Ngày của mẹ được tổ chức lần đầu tiên ở Grafton, Tây Virginia, Hoa Kỳ 1940 – Winston Churchill được bổ nhiệm là Thủ tướng của Anh Quốc. 1941 - Hội nghị lần thứ tám của Trung ương Đảng Cộng sản Việt Nam họp tại Pác Bó (Cao Bằng) dưới sự chủ toạ của Nguyễn Ái Quốc 1962 - Marvel Comics xuất bản số đầu tiên của The Incredible Hulk . 1994 – Nelson Mandela tuyên thệ nhậm chức tổng thống, trở thành tổng thống da đen đầu tiên của Nam Phi. Sinh 1912 - Tôn Thất Tùng, bác sĩ Việt Nam chuyên về lĩnh vực gan và giải phẫu gan (c.1982). 1770 - Louis-Nicolas Davout , tướng lĩnh và chính trị gia người Pháp , Bộ trưởng Bộ Chiến tranh Pháp (mất năm 1823) 1949 - Miuccia Prada , nhà thiết kế thời trang người Ý. Cô là nhà thiết kế chính của Prada và là người sáng lập công ty con Miu Miu . Tính đến tháng 3 năm 2019, Forbes ước tính giá trị tài sản ròng của cô là 2,4 tỷ đô la Mỹ 1960 - Bono , ca sĩ kiêm nhạc sĩ, nhạc sĩ và nhà hoạt động người Ireland. Anh được biết đến với vai trò là giọng ca chính và người viết lời chính của ban nhạc rock U2 1969 - Dennis Bergkamp , cầu thủ bóng đá người Hà Lan. 1979 - Lee Hyori, là nữ ca sĩ, vũ công, người mẫu và biểu tượng gợi cảm người Hàn Quốc. Với biệt danh "Cô tiên quốc dân" khi tham gia chương trình truyền hình thực tế Family Outing, cô từng lần đầu ra mắt với tư cách nhóm trưởng của nhóm nhạc nữ huyền thoại K-pop là Fin.K.L. Năm 2003, cô cho ra mắt album riêng đầu tay Stylish đã giành được giải thưởng "Nghệ sĩ của năm". Năm 2006, cô là ca sĩ nữ được trả thù lao cao nhất tại Hàn Quốc khi ký hợp đồng với Mnet Media. Mất 2008 - Nhạc sĩ Trịnh Hưng. Ông được biết đến nhiều qua các ca khúc Tôi yêu, Lối về xóm nhỏ, Lúa mùa duyên thắm. Học trò của ông có nhiều người thành danh như Ánh Tuyết, Bạch Yến, Thanh Thúy, Đỗ Lễ, Phạm Thế Mỹ và đặc biệt là nhạc sĩ Trúc Phương. #aweektv #todayinhistory #whatistoday #homnaylangaygi --- Send in a voice message: https://anchor.fm/aweek-tv/message

In der 7. Folge unseres Modepodcasts STADT.LAND.MODE. sprechen die beiden Moderatorinnen Yola Rentzel und Sofia Pavlu über den Buchstaben „P“. Es dreht sich um die beliebte Modehauptstadt Paris und rund um ihre Klischees. Gemeinsam diskutieren sie außerdem über Miuccia Prada und die beliebten Pufferjacken. Folgt @stadtlandmode auf Instagram, um keine Folge zu verpassen! #stadtlandmode #stadtlandmodepodcast #p #paris #prada #pufferjacken Timecode: 00:15: Intro 00:16: Begrüßung 00:42: Vorstellungsrunde 02:20: Stadt: Paris 09:40: Marke: Prada 12:00: Straßenumfrage 18:12: Kleidungsstück: Pufferjacke 21:08: Farbe: Pink 27:00: Material: Pelz 39:00: Kultur: Pretty Women 43:50: Outro Folge direkt herunterladen

Over the last month designers in London, New York, Paris, Milan - and some other places - have streamed presentations of their fall/winter 2021 ready-to-wear collections. Alexander Fury - AnOther Magazine’s Fashion Features Director and the Financial Times’ Menswear Critic - joins Bronwyn Cosgrave to assess the direction of fashion for the season ahead and beyond.  Alex shares details of the interviews he has conducted over the last year for the FT with some of the most important designers at work right now, including Kim Jones, of Dior and Fendi, Givenchy’s Matthew Williams, as well as Prada’s collaborators, Miuccia Prada and Raf Simons.  He reveals his belief that London's fashion community will survive the double challenge it is facing. That's the pandemic and Brexit. He offers his expert opinion on the future of the suit, why the red carpet remains relevant as a fashion forum and some details about his forthcoming book about Dame Vivienne Westwood.

Clothes make the man/woman. Get inspired by changing up your look, even in the midst of covid. "What you wear is how you present yourself to the world, especially today when human contacts go so fast. Fashion is instant language. "-Miuccia Prada

00:24min - “I don’t like the idea of an icon” ~ Miuccia Prada-04:00min - Hast du eine “Ikone/Role-Model”?-15:06min - Meinung zu der letzten Prada show?-30:35min - Musikempfehlungen der Woche (feat. Sullii, Jay-Z)-34:00min - Fashion Week FW21 Favorites (feat. Rick Owens, GmbH, Prada etc.)-01:01:25min - Last Cops Dan: Vintage Combat Boots, Zara Heels, Maison Rose Blouson, Helmut Lang Parka, Joseph Beuys “Mein Dank an Lehmbruck”, Joseph Beuys “Beuys vor Beuys”, Kobo Abe “The Face of Another”, Egon Schiele TASCHEN-01:16:40min - Portrait: Dustin Hanke (@dustinhanke)

Jake and Ruby struggle and fail to understand GME day.... or whatever it may be called. and discuss the resurgence of Miuccia Prada on the minds of GEN Z and ladies, girls, babies everywhere. SUBSCRIBE FOR MORE EPISODES ON OUR PATREON https://www.patreon.com/thejakeandrubyshow

Well, we made it to 2021. And...We did it, Joe!!!! We promise we did!!!! For our Season 2 premiere, we're discussing the resplendent fashion looks we were blessed with on a very historic Inauguration Day. We saw major moments for Black designers and American designers as the sun came out for the dawn of a new day. From Kamala Harris wearing Christopher John Rogers to Michelle Obama making THE entrance in Sergio Hudson, optimism ruled the day when it came to fashion. In fact, Jen will never get over Michelle Obama's epic entrance in her Sergio Hudson trouser look. For J rod it was the youth and freshness of the Biden granddaughters in their monochromatic looks. Nicole confirms she's the president of the Miuccia Prada fan club, and Amanda Gorman and Ella Emhoff did her proud. Tiff is feeling the Bern, and she'll need to get on a Birkin-level waiting list for those mittens. Bring it on 2021.

Raf Simons is coming with his first men's collection in Prada with Miuccia Prada as a partner in crime. Bringing us highly creative and judged garments. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

We’re excited to bring you a new series from Vogue -- In Vogue: The 1990s. If you miss the 90s for all its nostalgia, fashion, and culture, you're going to love this episode with an intimate never-before-heard interview with Miuccia Prada. After first resisting her role in a storied Italian luxury family brand, Miuccia Prada spent the '90s transforming the company into a major fashion house. She accomplished that metamorphosis by infusing her designs with her own interests and internal contradictions, challenging traditional ideas of beauty and luxury. By embracing her own identity as a modern woman, Prada brought the world into her designs-–and captured imaginations around the globe. Joining Vogue’s editorial team on this episode are, in order of appearance: Photographer Glen Luchford, designers Miuccia Prada and Lawrence Steele, fashion critic and journalist Suzy Menkes, and stylist Lucinda Chambers. If you like what you hear, subscribe to In VOGUE: The 1990s now on your preferred podcast app: Apple Podcasts: https://podcasts.apple.com/us/podcast/id1526206712 Spotify: https://open.spotify.com/show/4uJdNOg4EtQAqlnfxLo7wX Or wherever you get your podcasts. For more on this week’s episode and to access additional Vogue content, make sure to visit vogue.com/podcast.

After first resisting her role in a storied Italian luxury family brand, Miuccia Prada spent the '90s transforming the company into a major fashion house. She accomplished that metamorphosis by infusing her designs with her own interests and internal contradictions, challenging traditional ideas of beauty and luxury. By embracing her own identity as a modern woman, Prada brought the world into her designs-–and captured imaginations around the globe. Joining Vogue’s editorial team on this episode are, in order of appearance: Photographer Glen Luchford, designers Miuccia Prada and Lawrence Steele, fashion critic and journalist Suzy Menkes, and stylist Lucinda Chambers. For more on this week’s episode and to access additional Vogue content, make sure to visit vogue.com/podcast. Don’t miss out on new episodes of In Vogue: The 1990s on Apple Podcasts, Spotify, Google, or wherever you listen to podcasts.

¿Sabías que algunos de los vestuarios de cine más icónicos han sido hechos por los más grandes diseñadores? De los icónicos looks de El quinto elemento, firmados por Jean Paul Gaultier a las memorables camisas hawaiianas de Romeo diseñadas por Miuccia Prada, hacemos un recuento de estas grandes colaboraciones.

Neste Pivô, analisamos em partes o desfile mais aguardado do ano, o verão 2021 da Prada, primeira coleção assinada pela parceria entre Miuccia Prada e Raf Simons. A apresentação, que valorizou sobretudo o encontro, a troca e o diálogo, ganha comentários neste episódio das jornalistas Erika Palomino e Vivian Whiteman, respectivamente colunista e editora especial da ELLE Brasil. E ainda: highlights das semanas de moda de Londres e de Milão; as ações da moda em prol da causa eleitoral, nos EUA; além de como o mercado Chinês deve trazer um raro balanço positivo neste ano.   Montagem e publicação: Compasso Coolab. Produção executiva: Mariana Araújo.   Este episódio usou trechos da música Get up Stand up (Bob Marley) e trechos do vídeo do desfile de verão 2021 da Prada. See omnystudio.com/listener for privacy information.

In this third episode of the Podcast Live by Crina Okumus, I talk to the beautiful Angela Lindvall. Angela is a model, actress, yogi, and a mother of two beautiful boys.She was featured on the cover of Italian Vogue in 1997, photographed by Steven Meisel. She was featured on many top magazine covers in the late 1990s and the early 2000s, such as Vogue, Elle, Harper's Bazaar, Maria Claire, Numero, W, i-D, V, and so on. And during the peak of her long career, she was always the world's top designers' favorite, such as Karl Lagerfeld, Miuccia Prada, Stella McCartney. She was a Prada Girl and a Chanel Girl. She has worked as the face of Chanel, Gucci, Valentino, Prada, Calvin Klein, Miu Miu, Dior, Louis Vuitton, Hermes, Versace, DKNY, Roberto Cavalli, Fendi, Missoni, Jil Sander, and Jimmy Choo. As an actress, she has appeared in several films, including CQ in 2001 and Kiss Kiss Bang Bang in 2005 and Small Apartments in 2010. She was the host of the fashion reality series Project Runway: All-Stars, an extension of the popular series Project Runway.Angela is a tremendously inspiring woman of many talents. While at the peak of her modeling career, she became pregnant. Voices from the industry told her she would be jeopardizing her career should she decide to continue with the pregnancy. Angela persisted in the face of pressure, became a happy mother, and never looked at the industry through the same lense. Her story is emblematic of the unique struggles women endure when chasing their dreams.Since a young age, she has always been drawn to human consciousness, metaphysics, Ancient cultures, and spirituality. She began to privately study feverishly at the age of 15- questioning life's purpose and researching as a hobby. After becoming a mother of two, and slowing down her career, she became a certified Kundalini Yoga teacher, Health coach, and recently started her certification as a Doula. Being “The Mother” she considers her true calling and purpose in life. For over 3 years she has been envisioning and creating the direction to share this purpose beyond her own children.In addition to her career, Angela openly talked about some of the most meaningful events in her life:- Her definition of BEAUTY- Another view of the fashion industry after becoming a mother- Her story with COVID-19 - The loss of her younger sister at an early age- The importance of caring for the mind and the body with discipline and commitment - What are we doing with our time and the people that we love - Her new Passion Project: Peace Begins in Meand many more topics...What struck me the most was Angela’s openness to sharing what most of us might think of as sensitive information. When you combine this openness with the curiosity that comes from years of challenging experiences, what you see is an intellectually curious, wise, and loving person who transcends herself to talk about the human condition per se. Thank you, Angela, for sharing your thoughts and experiences with me. I feel truly blessed.To all our listeners, kindly support us by liking this video and subscribing to our channel!With love and good wishes,Crina O.

"Cara anda berpakaian mempresentasikan diri anda di kehidupan" Miuccia Prada   ...   Sebuah social experiment yang dibuat oleh Unicef, mematahkan pendapat, bahwa orang seharusnya tidak dinilai dari penampilan.   Pelajaran apa yang bisa kita ambil dari eksperimen ini, yang dapat membuat potensi kita semakin tergali?   ..   Amy Cudy, seorang  social psychologist dari Amerika memberikan tip agar rasa percaya diri muncul. apa itu? ...   Dan saya penasaran, karya apa saja yang akan anda hasilkan, saat muncul rasa percaya diri, menggunakan tip sederhana yang ada di episode kali ini?   ...

Prada SS21 Campaign. The Show That Never Happened

There is a lot of excitement and buzz surrounding the news that Raf Simons will join Italian luxury brand Prada as an equal co-creator with Miuccia Prada. The talented Belgian designer has moved from one creative director position to another over the past several years, including Jil Sander, Dior and most recently Calvin Klein. The big question on the tip of everyone’s tongue…will it work? Tom Ford’s turn as the Creative Director at Gucci for ten years from 1994 to 2004, is largely credited with the introduction of the fashion designer as uber creative director. This role was now responsible for more than just designing six collections a year, but for creating marketing campaigns, store designs, and on top of that curating their own image and fame. This complete control worked so well for Gucci, that other brands followed suit. While there have been some examples of success employing this autocratic model, the end result was mostly designer burnout. It was proving an impossible task to do everything…something that Simons understands all too well. So…the announcement this week is especially interesting because the creative duties will be shared. And perhaps these two singular artists will be afforded the real luxury of more time to create ideas, share ideas, and find new inspiration in a fashion system that is ever more demanding and mass driven. Time will tell. Learn more about your ad choices. Visit megaphone.fm/adchoices

Italian fashion designer Miuccia Prada and her colleagues will be receiving mandatory racial equity training. The New York City Commission for Human Rights handed down the punishment over a 2018 incident when a Prada store displayed blackface figurines. Amanda Parker, Director of Inc Arts 00:32 #Prada #Racism #Blackface

In the third Culture Shifts Podcast, we speak to Chiara Costa. She is an art historian, researcher and the new Head of Programs of Fondazione Prada. We talk about her new position, the structure and program of the foundation and why soon neuroscientists will be influential in working with artists. And why books are still the most relevant medium of our time. February 2020.

Fra venstreorienteret feminist til en af verdens mest indflydelsesrige kvinder. Den italienske designer Miuccia Prada har ikke alene sat sit aftryk på den globale garderobe, hun har også redefineret luksusbegrebet og gjort op med ‘den gode smag’ – og så er hun en af branchens mest inspirerende kvinder. Lyt med, når modeekspert Chris Pedersen læser sit portræt af den 70-årige modelegende højt. Medvirkende: Chris Pedersen og Olivia Nepper Winther, vært. Redaktion: Olivia Nepper Winther og Christoffer Mygind Juul. Musik: Sherpa. Logo: Liv Schmidt.

Dans ce nouvel épisode, nous allons à la rencontre de Julie de Libran, créatrice de mode de sa marque éponyme. Dans cet épisode, elle nous parle de son parcours auprès de Gianfranco Ferré, Jean-Charles de Castelbajac, Gianni Versace, Miuccia Prada et de Marc Jacobs pour Louis Vuitton, du lancement de sa marque, de son processus créatif, et de beaucoup d’autres sujets. J’ai adoré interviewer Julie, j’espère que vous prendrez autant de plaisir à l’écouter !SE RETROUVER DANS L’EPISODE01:06 Julie se présente et revient sur son parcours auprès de Gianfranco Ferré, Jean-Charles de Castelbajac, Gianni Versace, Miuccia Prada et de Marc Jacobs.28:24 Comment on se construit sa propre personnalité créative lorsque l’on est aux côtés de monstres sacrés, comment elle définit son style.34:02 Son arrivée dans la Maison Sonia Rykiel, le lancement de sa marque.44:11 Par quoi elle a commencé en lan sa marque, ce qui fait une bonne robe, son ressentiment face à l’évolution de l’industrie de la mode.55:53 Comment elle s’est entourée, son modèle économique, sa vision pour le futur, le temps que cela prend de créer une de ses robes, qui souhaiterait-elle entendre dans ce podcast, son moment préféré dans sa carrière.KEYLEARNINGSToutes mes pièces sont numérotées donc je n’ai pas de grosse production, je n’ai pas de stocks. Je travaille beaucoup avec des archives de matières auxquelles je redonne une deuxième vie, donc tout est en série limitée, ou je fais faire à la commande aussi. La couture est faite à la commande, il n’y a pas de gaspillage et je trouvais ça très juste, aujourd’hui on est dans un monde où il y a trop de gaspillage et trop de déchets. On est dans un milieu de la mode où il y a une énorme créativité mais on est obligé de revoir les choses, on est obligé de revoir comment on produit, où on produit et suivre le produit le plus proche parce que c’est très important plus que jamais donc c’est ça qui m’a donné l’envie et la force de le faire seule même si c’est encore un début.Il y a plusieurs bonnes robes, mais une bonne robe c’est : la matière est importante parce que la qualité de la matière, ça dit tout, ça dit comment ça va tomber, ça dit comment ça va durer dans le temps. Une robe doit être intemporelle pour moi et donc, une bonne robe c’est un volume qui peut être porté différemment. J’adore créer des pièces qui ont différentes utilités, c’est peut être mon côté américain où une chose peut avoir différentes options, en enlevant les manches, en faisant une partie qui peut s’enlever pour que ce soit plus court, que cela crée différentes longueurs, différents portés. Cela crée beaucoup de caractère à une silhouette, à une forme. J’adore pouvoir jouer avec une pièce et la porter différemment, je trouve que c’est ça qui la rend intemporelle.Il faut revoir les choses et travailler avec des choses qui sont plus intemporelles et de qualité. C’est sûr que peut être cela reste encore niche mais il y a quand même une clientèle et des personnes qui recherchent des choses de qualité. Regardez toutes ces grandes maisons qui aujourd’hui ont un tel succès, ce sont des maisons qui font des choses de qualité. Bien sûr qu’il y a la fast fashion mais même la fast fashion est en train de changer pour refaire de la qualité, ils revoient leurs matières premières, réduisent leurs stocks, ne fabriquent qu’à la demande, donc tout le monde est obligé de changer, on ne peut pas continuer comme ça donc je pense qu’on va dans cette direction.J’ai beaucoup travaillé pour arriver là, même si je ne suis pas encore où je voudrais arriver. Si je pouvais donner un conseil aux jeunes, c’est qu’il faut beaucoup travailler pour arriver à quelque chose. On m’a souvent dit « pourquoi tu n’as pas fait ça avant ? ». Je pense qu’il faut beaucoup travailler et c’est pour tous les métiers. Mais avant de se dire « je suis directeur artistique », je pense qu’il faut quand même un certain apprentissage.J’ai toujours essayé de rester très positive et c’est vrai que c’est quelque chose qui a souvent été un plus pour moi et on me l’a souvent dit, que ce soit Miuccia Prada ou Marc Jacobs, c’est que je donnais une certaine sérénité au studio, et je trouvais toujours des solutions pour que les choses se passent et qu’on arrive au résultat, et ça, je pense que c’est une de mes forces. J’ai l’air sereine mais à l’intérieur ça bouille, mais je pense que c’est un équilibre. J’ai toujours eu la chance d’avoir une vie aussi assez équilibrée et la chance d’avoir d’autres passions sur le côté qui m’ont enrichie pour pouvoir faire mon métier à fond et rester équilibrée.REFERENCESJulie de Libran https://www.juliedelibran.comInstituto Marangoni https://www.istitutomarangoni.com/fr/Chambre Syndicale de la Couture Parisienne https://www.ifmparis.fr/fr/opinion/decouvrez-l-ecole-de-la-chambre-syndicale-et-ses-programmesGianfranco Ferré https://fr.wikipedia.org/wiki/Gianfranco_Ferr%C3%A9Matches Fashion https://www.matchesfashion.com/fr/womens/designers/julie-de-libranVivienne Westwood https://www.viviennewestwood.com/fr/Miuccia Prada https://fr.wikipedia.org/wiki/Miuccia_PradaPierre-Alexis Dumas https://en.wikipedia.org/wiki/Pierre-Alexis_Dumas

Neste 6o episódio do podcast Fashion Weekly dividido em 2 partes, Augusto Mariotti e Camila Yahn visitam a casa de Costanza Pascolato e conversam com ela sobre seu novo livro "A elegância da hora", suas origens italianas, seu primeiro emprego na moda, sua paixão por Miuccia Prada e sua opinião sobre o que a moda precisa deixar para trás. E não deixe de ouvir a segunda parte deste podcast com a papiza Costanza Pascolato.

A famous pastry shop co-owned by Italian luxury brand Prada will open a branch in Mayfair, London, this April. Pasticceria Marchesi, also known as Marchesi 1824, is a favorite hangout spot of the fashion industry's elite during Milan Fashion Week. It is a family-run pastry shop that first opened in Milan in the early 1800s. The shop is widely known for its freshly-baked artisanal pastries and sweets, as well as an aesthetic and “Instagrammable” interior with antique decorations. The new branch, which will be located at the upscale Mount Street in London, will be Marchesi 1824's first shop outside Italy. The London outlet will have a bakery, a pastry counter, and a café. It will offer the shop's iconic Italian delicacies, like the sweet bread panettone [pan-i-TOH-nee], sugared almonds, Italian hot chocolate, as well as other confectioneries. Because of its almost 200-year history, Marchesi 1824 is considered as one of the oldest and best pastry shops in Milan. The patisserie [puh-TIS-uh-ree] also continues to use cooking traditions from when it first opened in the 1800s. The London branch will be the third Marchesi 1824 store since Prada acquired majority of the patisserie in 2014. Marchesi 1824's continued expansion is in line with Prada's aim to promote the Milanese pastry shop locally and internationally. Journalists conclude that buying Milan's historic pastry shop has been a way for Prada's current head designer, Miuccia Prada, to give back to her hometown and to uphold an important piece of its culture.

In this episode, Monica and Camille introduce you to one of their fashion friends, the streetstyle star and illustrator, Jenny Walton, who is also Creative Director for Scott Schulman of The Sartorialist (her fiancé!). The girls sit down in between shows during London Fashion Week for a relaxed conversation about how Jenny came to being flown all over the world to attend the world’s most prestigious shows alongside Scott. They cover everything from her career ascent, her love of Miuccia Prada, how to remain yourself amongst all the noise on social media, and why shopping vintage is the most sustainable way of being stylish nowadays. For those who want to check out people and accounts discussed in this episode, here’s a little recap:Guest du jour: @JennyMWaltonJenny’s other half: @TheSartorialist LFW FAVOURITES: @SimoneRocha_, @Burberry, @BabbyM, @JW_Anderson, @RichardQuinn, @RejinaPyo, @PeterPilotto, @Erdem, @Loewe, @Roksandailincic, @Preenbythorntonbregazzi, @VictoriaBeckham, @MollyGoddard STREETSTYLE STANDOUTS: @JennyMWalton, @SarahHarris, @PernilleTeisbaek, @LindaTol_JENNY’S SHOUTOUTS: @Charlesvonbarksalot, @WhatMiuccia, @SimplicityCity, @SimoneRocha_, @MarcJacobs Email fashionnofilter@gmail.com or reach us on Instagram @fashionnofilter. See acast.com/privacy for privacy and opt-out information.

Photographs of the episodeThe Repeal Project, updates on instagramAnna on gender and identity in childhood, GutsJoe Corré on burning punk memorabiliaMary Beard’s Women in Power lecture……which was made into this bookScroll for a photo of Anna in a suitTavi Gevinson interviews Miuccia Prada, SystemThe Man RepellerSee you on Instagram!–––––––This episode is sponsored by…Electronic Sheep, the friendship bracelets of knitwearWorkbench by Bank of Ireland, free co-working space

Designer Julie de Libran has breathed new life into the iconic French fashion house Sonia Rykiel since she became the creative director of the brand in 2014. Her ability to reinterpret the codes of the label for a new generation of empowered women has made her one of the few designers who is able to honor a house's past while blazing a bright path into the future. During this interview, Julie opens up about a childhood split between France and California, what she learned from working with designers like Gianni Versace, Marc Jacobs and Miuccia Prada, before joining Rykiel and what her goals are for the house.

Britney Spears (1981-) kan i dagarna fira femton år som artist. Eller kanske snarare som fenomen. Med sitt debutalbum ...Baby One More Time blev hon 1999 inte bara till en av världens mest framgångsrika debutanter någonsin, bara 17 år gammal. Hon blev samtidigt någon vars stil - eller brist på stil - ALLA kunde ha synpunkter på. I veckans STIL berättar vi mer om henne, och varför modeskaparen Miuccia Prada valde att spela Britneys Spears nya låt Work Bitch under sin senaste visning. Så sent som 2012 toppade Britney Spears finanstidningen Forbes lista på det årets bäst betalda kvinnliga artister. Men inte bara tack vare musiken. Britney Spears blev snabbt till ett varumärke som kunde sälja en hel del. Hennes fjorton (!) olika parfymer är alla bästsäljare. För Britney Spears blev snabbt långt mer än en popstjärna. Hon blev en person som många plötsligt kände sig tvungna att förhålla sig till. Var hon en bra förebild? En dålig? Ja, vad stod hon egentligen för? Den unga, och vältränade, Britney Spears lyckades nämligen blanda oskuld och sex, kyskhet och kättja på ett sätt som fick det att koka i huvudet, på både fans och fiender. Och det på mindre än fyra minuter. I programmet har vi mött en av hennes låtskrivare, Alexander Kronlund, som berättar vad samarbetet med Britney gett honom, förutom en lägenhet. Vi har också träffat sångerskan Nina Ramsby som, i likhet med Britney Spears, har rakat av sig håret en gång i tiden. En symbolhandling som hon berättar mer om i programmet.  Just nu, och i två år framåt, kan man se Britney Spears uppträda i Las Vegas med en show med titeln Britney, Piece of me. Det är en 90 minuter lång föreställning i vilken hon framför en färgsprakande kavalkad av sina hitlåtar genom åren. Låtar vars texter lyder: ”smaken av dina läppar får mig i spinn, du är ett gift och jag är under påverkan” och: ”jag vet inte hur jag ska kunna leva utan din kärlek, jag föddes för att göra dig lycklig”. Om vikten av låttexter har vi talat med den firade artisten Jenny Wilson som för sin skiva Demand the Impossible! har fått hela sju Grammisnomineringar, däribland som – ja, ni fattar – årets textförfattare. Veckans gäst är Malena Rydell, musikkritiker och chefredaktör för magasinet Arena.

Elsa Schiaparelli (1890-1973) var en av det tidiga 1900-talets mest moderna designer, hypermodern, till och med. Det mesta hon gjorde då, görs idag, och alldeles självklart - samarbeta med konstnärer, resa för att inspireras, axelvaddar, synliga blixtlås, konstnärligt utformade knappar, syntetmaterial, knalliga färger och plagg med priser som gjorde dem tillgängliga för många. Trots det är hon inte alls lika känd som sin samtida kollega och konkurrent, Coco Chanel. Men snart kommer hennes namn att snurra runt igen, och hennes gärning att lyftas fram. Tillsammans med modedesignern Miuccia Prada är hon nämligen föremål för den kommande stora modeutställningen Schiaparelli and Prada: Impossible Conversations på The Metropolitan Museum of Art i New York (den börjar den 10 maj). I programmet berättar vi mer om Elsa Schiaparellis liv och karriär. I modehistorien beskrivs ofta Elsa Schiaparelli som en excentriker, och det var hon också. Men hon var även enormt ekonomiskt framgångsrik. Inte minst tack vare bra relationer med den amerikanska marknaden. I USA sålde hon som smör, och hennes namn var där välkänt ända in på 50-talet. När hon besökte huvudkontoret för det amerikanska varuhuset Neiman Marcus i Dallas, Texas, arrangerade de ett cocktailparty för 3000 gäster och hade dekorerat lokalen med ett jättelikt Eiffeltorn och tusentals nejlikor – allt i hennes signaturfärg ”Shocking Pink”. Hon var deras bäst säljande designer.  Elsa Schiaparelli var även mycket framgångsrik med sina parfymer. Hon gjorde flera och de flesta började på bokstaven ”S” – Salut, Soucis, Sleeping, Success Fou och så förstås Shocking, vars flaska i form av en kvinnotorso – eller provdocka, runt halsen hänger ett måttband– var inspirerad av den kurviga skådespelerskan Mae West, som var en av Elsas kunder.  Egentligen hade Elsa Schiaparelli inte alls tänkt sig att bli någon modedesigner. Hon föddes i en välbärgad aristokratisk familj i Rom. På besök i London blev hon blixtförälskad i en stilig polsk greve som hon omgående gifte sig med. Tillsammans bosatte de sig i USA där Elsa födde en dotter, Gogo. Men snart tog kärleken slut, liksom Elsas pengar. Hon blev ensamstående mor. I Paris halkade hon som en slump in modevärlden, som tog emot henne med öppna armar. Utom Chanel. Hon fräste ilsket ”den där italienska konstnären som gör kläder”. ”Den där trista lilla borgerliga kvinnan”, fräste Schiaparelli tillbaka.  Elsa Schiaparelli tog inte mode med en klackspark, men hon hade sinne för det humoristiska och absurda. Hon blev, inte helt oväntat, god vän med många av dåtidens konstnärer inom fauvisterna, kubisterna, futuristerna och surrealisterna. Hon samarbetade med flera av dem, bland annat Jean Cocteau vars teckningar blev broderier på hennes plagg. Salvador Dali hjälpte henne att skapa hattar i form av en telefon, lammkotletter och en sko. Och det var han som gjorde mönstret till den berömda hummerklänningen som Hertiginnan av Windsor bar. Han uppges ha blivit besviken över att inte ha fått smeta äkta majonnäs på klänningen när den var klar. Elsa Schiaparellis var den första att själv påpeka att hon inte kunde det minsta om hur man sydde kläder. Hon tecknade istället ned sina idéer som hon kläckte medan hon körde bil, eller promenerade. Hon tänkte illa mellan fyra väggar, som hon sade. Sedan förklarade hon exakt hur hon ville ha det, för dem som kunde konstruera mönster och sy. Flera kända modeskapare började sin bana hos henne, bland annat Hubert de Givenchy. Men hon ansåg att bristen på sömnadskunskap inte var någon nackdel. Det gav frihet. I programmet träffar vi den svenska modeskaparen Diana Orving som inte heller har någon formell modeutbildning – utan att det har hindrat hennes karriär det minsta. Hon har till exempel gjort kostymerna till baletten Kom ni döttrar (som ingår i föreställningen Triple Excellence) som denna helg har premiär på Operan i Stockholm. Men till skillnad från Chanel – och många andra modenamn och modehus – så har Elsa Schiaparellis namn inte återuppväckts med hjälp av nya pengar som i gamla modemärken ser en potential till ännu mer pengar genom att hamra ut deras historier till allmänheten. Det är förstås bara en tidsfråga. Namnet och märket Schiaparelli ägs sedan 2007 av det italienska modeföretaget Tod's, ett av Italiens allra mest framgångsrika. Men hennes namn har hållits levande av hennes barnbarn, Berry och Marisa Berenson. Marisa var tidigare en av världens mest berömda fotomodeller. Yves Saint Laurent kallade henne för 1970-talets it girl, modeskaparen Halston var som en bror för henne och Diana Vreeland var ett av hennes största fans. Just nu är hon aktuell med boken My Life in Pictures. En fotobok med bilder från hennes extraordinära liv, och karriär. Det berättar vi mer om. Vi har även pratat med Linda Spjut, konstnär och musiker, samt Erik Haal, musiker, som båda har samarbetat med modeskapare när det gäller att skapa musik till visningar. Veckans gäst är Anna Sara Dåvik, modeskapare.