Podcasts about Cochran

In this episode of Intermittent Fasting Stories, Gin talks to Jamie Cochran from Altoona, IA. Are you ready to take your intermittent fasting lifestyle to the next level? There's nothing better than community to help with that. In the Delay, Don't Deny community we all embrace the clean fast, and there's just the right support for you as you live your intermittent fasting lifestyle. You can connect directly with Gin in the Ask Gin group, and she will answer all of your questions personally. If you're new to intermittent fasting or recommitting to the IF lifestyle, join the 28-Day FAST Start group. After your fast start, join us for support in The 1st Year group. Need tips for long term maintenance? We have a place for that! There are many more useful spaces beyond these, and you can interact in as many as you like. Visit ginstephens.com/community to join us. An annual membership costs just over a dollar a week when you do the math. If you aren't ready to fully commit for a year, join for a month and you can cancel at any time. If you know you'll want to stay forever, we also have a lifetime membership option available. IF is free. You don't need to join our community to fast. But if you're looking for support from a community of like-minded IFers, we are here for you at ginstephens.com/community. Jamie is an 8th grade science teacher. She never really had a weight problem, but was always following the latest diet. She struggled with IBS (Irritable Bowel Syndrome), which caused daily stomach pain and digestion stress. Jamie began her IF journey in June of 2020, easing in with a 16:8 protocol. She has lost 20 pounds and her IBS symptoms have all but disappeared. Her skin, hair and nails are stronger, she has loads of energy, and has made peace with food. Jamie's advice: “Don't stress about IF! Pick a long window at first. Ease in. Take baby steps! Your body will adjust. Give yourself grace as you begin this new way of living.” Get Gin's books at: http://www.ginstephens.com/get-the-books.html, including Cleanish and New York Times Bestseller, Fast. Feast. Repeat., available wherever you buy books! Delay, Don't Deny is available on Amazon. Join Gin's community! Go to: ginstephens.com/community Share your intermittent fasting stories with Gin: gin@intermittentfastingstories.comFollow Gin on Twitter @gin_stephens Follow Gin on Instagram @GinStephens Visit Gin's website at: ginstephens.comCheck out Gin's Favorite Things at http://www.ginstephens.com/gins-favorite-things.htmlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The wickedness being solicited in society is at an all time high.  Sadly, many young people and parents are being deceived.  But, the Scripture foretold of these happenings and gives us comfort. Join Pastor B as he talks with Pastor Leonard Cochran about recent current events and how the church, families, and young people should shine in the mist of it all. Prime Time Faith is available on all major podcast platforms. Follow Pastor Baker on FaceBook https://jabmin.com Visit https://primetimefaith.com Elevate Your Mind message by Pastor Cochran https://apornewnan.podbean.com/e/elevate-your-mind/  ♻️ Show your support and share this episode with a friend!

Buddies™ is a brand you can always rely on to deliver a genuine cannabis experience. Let their decades of knowledge be the comfort in your selection of premium cannabis products. Bryan Cochran, Current COO & President of Buddies™ & repping North Carolina, Nick Capron, Key Accounts Manager of Buddies™, Check out their product at www.buddiesbrand.com & also check them out on IG @buddiesbrand. THE #1 SOURCE FOR EVERYTHING CANNABISSee omnystudio.com/listener for privacy information.

How do you feel about your relationship with money? Wouldn't it be nice if you could start making your money work for you?  On this episode of the Live Greatly Podcast Kristel Bauer sits down with Scarlett Cochran, author of 'It's Not About the Money: A Proven Path to Building Wealth and Living the Rich Life You Deserve'.  Scarlett and Kristel talk about the importance of defining what a rich life looks like to you, some key financial principles,  insights to let go of money stories that don't serve you and more! Tune in now! Key Takeaways from This Episode: - How to feel good about your finances no matter where you are on your financial journey  -  How to say goodbye to deprivation and spend your money guilt-free today while still building wealth for your financial future  - How to define your own vision of what a rich life looks like so that you can start living that life right now  - Some key financial principles - How to make your money work for you - A look into practicing possibilities to be able to have financial freedom and  live the life you truly desire.          - Tips to navigate overspending - A look into Scarlett's book, 'It's Not About the Money: A Proven Path to Building Wealth and Living the Rich Life You Deserve' About Scarlett Cochran: Scarlett Cochran built her dream life after starting off as a single teen mom living below the poverty line. After graduating from Yale Law, Founder Scarlett Cochran worked as a banking and consumer finance attorney for the Consumer Financial Protection Bureau, the Federal Deposit Insurance Corporation, and the US Department of Housing and Urban Development. She has also served her country with the Marine Corps.   Scarlett created One Big Happy Life which has 217,000 YouTube subscribers and millions of views. Scarlett is the author of, 'IT'S NOT ABOUT THE MONEY: A Proven Path to Building Wealth and Living the Rich Life You Deserve' (Penguin Random House / Avery; Feb. 14, 2023) Website: https://onebighappylife.com  Buy Scarlett's book here Youtube: https://www.youtube.com/c/onebighappy  Facebook: https://www.facebook.com/onebighappylife  Instagram: @onebighappylife About the Host of the Live Greatly podcast, Kristel Bauer: Kristel Bauer is a corporate wellness expert, in-demand Keynote Speaker and TEDx speaker with a mission of supporting companies and individuals on their journeys for more happiness, success & well-being. With Kristel's unique background in Integrative Psychiatry, business and media, she provides invaluable insights and strategies to empower, inspire and motivate companies, leadership and sales teams as well as other groups and organizations. Kristel shares key insights into high-power habits, leadership development, mental well-being, peak performance, resilience, success & a modern approach to work/life balance. Using a blend of authenticity, Psychology & Science, Kristel provides insights to excel in sales and thrive as a team leader. Kristel's messaging supports company profitability while promoting vibrant company cultures with healthier and happier employees.  Kristel is a contributing writer for Entrepreneur and she is an influencer in the business and wellness space having been recognized as a Top 10 Social Media Influencer of 2021 in Forbes.  As an Integrative Medicine Fellow & Physician Assistant, Kristel has a unique perspective into optimizing well-being and achieving success. Kristel has been featured in Forbes, Forest & Bluff Magazine & Podcast Magazine and she has contributed to Real Leaders Magazine. She has been live on ABC 7 Chicago, WGN Daytime Chicago & Ticker News. To Book Kristel as a speaker for your next event, click here. Website: www.livegreatly.co  Follow Kristel Bauer on: Instagram: @livegreatly_co  LinkedIn: Kristel Bauer Twitter: @livegreatly_co Facebook: @livegreatly.co Youtube: Live Greatly, Kristel Bauer To Watch Kristel Bauer's TEDx talk of Redefining Work/Life Balance in a COVID-19 World click here. Disclaimer: The contents of this podcast are intended for informational and educational purposes only. Always seek the guidance of your physician for any recommendations specific to you or for any questions regarding your specific health, your sleep patterns changes to diet and exercise, or any medical conditions.  Always consult your physician before starting any supplements or new lifestyle programs. All information, views and statements shared on the Live Greatly podcast are purely the opinions of the authors, and are not medical advice or treatment recommendations.  They have not been evaluated by the food and drug administration.  Opinions of guests are their own and Kristel Bauer & this podcast does not endorse or accept responsibility for statements made by guests.  Neither Kristel Bauer nor this podcast takes responsibility for possible health consequences of a person or persons following the information in this educational content.  Always consult your physician for recommendations specific to you.

In March of 1992, a vicious murder in one of Fort Worth's richest neighborhoods shook the community. Businessman and former banker Jack Koslow, along with his wife, former banker and patron of the arts Caren Koslow, were viciously attacked in their home in the middle of the night. Caren died from her injuries, but thankfully Jack survived. However, strange details at the crime scene led detectives to become suspicious of the lone survivor.Sources:Cochran, M. (1992, April 19). Murder in ritzy neighborhood plays like classic mystery novel. Los Angeles Times. https://www.latimes.com/archives/la-xpm-1992-04-19-mn-789-story.htmlCochran, M. (1993, June 3). Tale of blood, money unravels in Koslow case. The Associated Press.Cochran, M. (1993, August 9). Penalty debate is next. The Associated Press.Council, J. (1992, March 13). Socialite was beaten to death. Fort Worth Star-Telegram.Douglas, Jr, J. (1992, March 17). Caren Koslow buried; Husband visits grave, returns to hospital. Fort Worth Star-Telegram.Douglas Jr, J., & Sanders, K. (1992, March 27). Caren Koslow may have died earlier than reported. Fort Worth Star-Telegram.Douglas Jr, J. (1992, April 30). Koslow autopsy reveals slashes, 27 “wounds.” Fort Worth Star-Telegram.Family Plot (Season 7, Episode 6). (2007, February 28). In Power, Privilege & Justice. truTV.Fuquay, J., & Nuckols, C. (1992, March 13). Stunned friends remember times with Rivercrest couple. Fort Worth Star-Telegram.Korosec, T. (1993, August 3). Koslow testifies about attack, voices. Fort Worth Star-Telegram.Korosec, T. (1993, August 6). Attorneys focus on fatal Koslow injury. Fort Worth Star-Telegram.Korosec, T. (1994, June 22). Lawyer says fiance acted on Koslow's idle threats. Fort Worth Star-Telegram.Korosec, T. (1994, June 26). Koslow's boyfriend testifies. Fort Worth Star-Telegram.Korosec, T. (1994, June 28). Attorneys mum on strategy. Fort Worth Star-Telegram.Korosec, T. (1994, July 1). Jurors reject death sentence. Fort Worth Star-Telegram.“Kristi Koslow and Brian Salter.” (Season 15, Episode 8). (2021, June 11). In Snapped:Killer Couples. Oxygen Channel.KXAS-NBC 5 News Collection. (Television station : Fort Worth, Tex.). [Search results: Caren Koslow murder] University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting UNT Libraries Special Collections.Nuckols, C. (1993, February 26). A tribute to Caren Koslow. Fort Worth Star-Telegram.Sanders, K., & Douglas Jr, J. (1992, March 26). Murder for hire. Fort Worth Star-Telegram.Shlachter, B. (1992, March 26). Kristi Koslow's acquaintances recall her as troubled, unhappy at home. Fort Worth Star-Telegram.Stepdaughter accused in murder of socialite left nothing in will. (1992, August 19). AP News. https://apnews.com/article/3c54e68b4505485ea080e8073d864786Check out more All Crime No Cattle at our website allcrimenocattle.com.Visit our Patreon page to support the show and earn some awesome rewards: https://patreon.com/allcrimenocattle. Get some ACNC merch: https://www.teepublic.com/stores/all-crime-no-cattle-podcast-shop?ref_id=9435. Find us on Twitter: @ACNCpodcast and on Instagram: @allcrimenocattle. Tip Jar: https://paypal.me/allcrimenocattle.And always remember, crime is bigger in Texas, y'all!

For Scarlett Cochran, money management wasn't a topic of conversation growing up. Her parents never went to college and money was always a touchy subject for her family. It wasn't until she was in her early twenties and struggling with money that she realized the importance of budgeting and accruing savings. We sit down and speak with Cochran to learn about her inspiring journey and path to financial wealth. Learn more: https://viewpointsradio.org/looking-up-the-path-to-financial-wealth

Theme: Loving Kindness Artwork: Butter Lamp; Tibet; 18th century; Metal, silver; Rubin Museum of Art; Gift of Ralph Redford; http://therubin.org/36cTeacher: Tracy Cochran  The Rubin Museum presents a weekly online meditation session led by a prominent meditation teacher from the New York area, with each session focusing on a specific work of art. This podcast is a recording of the live online session and includes an opening talk and 20-minute sitting session. The guided meditation begins at 16:34.  This meditation is presented in partnership with Sharon Salzberg, teachers from the NY Insight Meditation Center, the Interdependence Project, and Parabola Magazine.  To attend a Mindfulness Meditation online session in the future or learn more, please visit our website at RubinMuseum.org/meditation.  If you would like to support the Rubin Museum and this meditation series, we invite you to become a member and always attend for free.  Have a mindful day!

Most people have heard of Chuck Yeager, but most have not heard of his good friend Jackie…a pilot who set more aviation records that any...

In this episode, Host Paola Soares speaks with the author of the newly released book  IT'S NOT ABOUT THE MONEY: A Proven Path to Building Wealth and Living the Rich Life You Deserve  Scarlett Cochran.  Scarlett has an incredible career trajectory with many accolades along the way. Today Youtube Channel One Big Happy Life has over 218,000 YouTube subscribers and millions of views has appeared on Good Morning America, CNBC and has been featured on Forbes to name a few. But her journey didn't start there, Cochran built her dream life after starting off as a single teen mom living below the poverty line and  She later went on to graduate from Yale Law then worked as a banking and consumer finance attorney for the Consumer Financial Protection Bureau, the Federal Deposit Insurance Corporation, and the US Department of Housing and Urban Development… In today's episode she discusses how we can figure out our version of the rich life and why that is crucial, how to say goodbye to deprivation and spend money guilt free today while still building wealth for  your financial future and how to feel confident no matter where you are on your financial journey… this and so much more…   Connect with Scarlett: Instagram: @onebighappylife It's Not About The Money Book OneBigHappyFamily.com   Let's Connect: Instagram: @butfirstshefailed Paolasoares.com Paolasoares.com/courses Weekly But First, She Failed Newsletter Sign up/ Your Boss Woman Profile Quiz But First, She Failed FB Community Email me: Paola@Butfirstshefailed.com

About Scarlett Cochran Scarlett Cochran is a lawyer, wealth expert, and founder of One Big Happy Life, where she empowers people to live fulfilling and rich lives while building wealth along the way. She is also the author of “It's... READ MORE The post How to create a rich life | Scarlett Cochran from One Big Happy Life appeared first on .

The word “rich” can mean different things to different people.  So to help us discover our meaning of rich, I've invited Author Scarlett Cochran on the show today.  RESOURCES It's Not About the Money (Book): https://amzn.to/3K2UJW7 (affiliate link) GUEST BIO - Scarlett Cochran Scarlett Cochran is a lawyer, wealth expert, and founder of One Big Happy Life, where she has taught millions of people how to spend guilt-free while also building wealth for their best financial future. She's also the author of the new book, “It's Not About the Money: A Proven Path to Building Wealth and Living the Rich Life You Deserve.” When she's not helping people live a rich life, she's enjoying spending time with her two kids and watching sci-fi TV shows. OTHER EPISODES YOU MIGHT LIKE Family Wealth and Happiness: 10 Steps to a Better Tomorrow (Today) Inflation Up, Stocks Down. What Should I Do?  50% to 10%: Why We're Happy Saving Less in FIRE Journey MKM RESOURCES Make My Kid a Millionaire Course: Want to make your kid a millionaire? Learn more about my course! MKM Coaching: Request a free 15-minute consultation today YouTube: Subscribe for free to watch videos of these episodes and interviews Instagram: Follow our IG channel Voicemail: Leave your question or comments here  Merch Store: Check out our t-shirts, hoodies, and coffee mugs! SHOW INFORMATION: Marriage Kids and Money Marriage Kids and Money is dedicated to helping young families build wealth and happiness. This award-winning platform helps couples and parents achieve financial independence and discover the true meaning of wealth.  To achieve these big goals, we answer questions and interview experts who uncover smart net worth building habits and tools that can help everyone find their own version of financial independence. Learn more at https://www.marriagekidsandmoney.com HOST BIO: Andy Hill Andy Hill is the award-winning family finance coach behind Marriage Kids and Money - a platform dedicated to helping young families build wealth and happiness.  Andy's advice and personal finance experience have been featured in major media outlets like CNBC, Forbes, MarketWatch, Kiplinger's Personal Finance and NBC News. With millions of downloads and views, Andy's message of family financial empowerment has resonated with listeners, readers and viewers across the world.    When he's not "talking money", Andy enjoys being a soccer Dad, singing karaoke with his wife and watching Marvel movies. DISCLAIMER This show may contain affiliate links or links from our advertisers where we earn a commission, direct payment or products. Opinions are the creators alone. Information shared on this podcast is for entertainment purposes only and should not be considered as professional advice. Marriage Kids and Money (www.marriagekidsandmoney.com) is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com. CREDITS Research & Writing: Andy Hill Podcast Artwork: Liz Theresa Editor: Podcast Doctors Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining us on this week's episode of Coffee with Closers is Christine Cochran, the President and CEO  of SNAC International, a trade organization representing snack food manufacturers, suppliers, marketers and other stakeholders. We discuss what kinds of snacks consumers are demanding today, supply chain challenges, nutrition and the opportunities that lie ahead for a segment that continues to grow. And, with Americans consuming 112 million pounds of snacks on Super Bowl Sunday, she also shares her thoughts on what snacks mean to those who enjoy watching the Big Game. 

Cochran on World War II by James D. Miller

In this episode, meet attorney and financial expert Scarlett Cochran, podcast co-hosts Khadeen Ellis and Devale Ellis, and astrologer Carolyne Faulkner. Tune in to hear what each of these authors hope listeners will learn about money, relationships, and astrology from their audiobooks. Enjoy! It's Not About the Money by Scarlett Cochran https://www.penguinrandomhouseaudio.com/book/692667/its-not-about-the-money/ We Over Me by Khadeen Ellis & Devale Ellis https://www.penguinrandomhouseaudio.com/book/705377/we-over-me/ The Signs in Love by Carolyne Faulkner https://www.penguinrandomhouseaudio.com/book/704924/the-signs-in-love/

(00:00-02:43) - Greg Rakestraw is back with another edition of Soccer Saturday on 93.5/107.5 The Fan and opens this week's show by taking a quick dive into the conversations he will have with today's guests, reiterate the preseason friendly matches that the Indy Eleven have coming up, and counts down the days until the first preseason friendly. (05:44-15:52) - Head Coach Mark Lowry of the Indiana Eleven returns to the program with the first match of the season six days away along with training officially underway for his team and opens his conversations with Rake explaining why he has been extremely pleased with how the players are looking already, how the departure of A.J. Cochran went behind the scenes with the club releasing him earlier this week, how training camp goes by so fast, and how season two in Indy is different compared to last season. (18:53-33:28) - Soccer analyst on a multitude of platforms in Devon Kerr joins Greg Rakestraw on Soccer Saturday to give a breakdown of what he will be doing this season from a soccer broadcast analyst standpoint, how much film study he has to do before the start of the MLS season to familiarize himself with lineups and play styles, if there is a player/coach/team that he has a connection to that he's looking forward to watching the most, and shares his thoughts on the additions that Mark Lowry made during the offseason to bolster the Indy Eleven roster. (36:29-45:45) - Indy Eleven legend Don Smart makes an appearance on Soccer Saturday with Greg Rakestraw to explain what motivates him to continue playing soccer at the age of 35, if he remains in contact with some of the members of the first players on the Indy Eleven, what it was like for him playing for Peter Wilt again in Madison with the Forward Madison in 2019-2020, if he plans to apply what he learned being a key piece on a starting franchise in 2014 with the Indy Eleven with the Lexington SC this season, and how excited he was for the Indy Eleven to go back to Michael A. Carroll Stadium. (48:45-55:37) - Greg Rakestraw closes out this week's show by sharing some notes and thoughts on some of the match results in the FA Cup from this week, and jokes that a camera operator's job Wrexham/Sheffield match was to just shoot the owner's box with Ryan Reynolds in attendance at the match. Finally, Rake thanks the guests that made today's show possible along with producer Eddie Garrison.

In this special episode of the Auto Remarketing Podcast, we feature a panel discussion from Used Car Week on "The New Consumer Journey Horizon" in auto retail. Moderated by Kraig Quisenberry of ACV, this panel includes Nick Johnson of Luther Automotive, Nate Myers of Performance Automotive, Allen Chery of Larry H. Miller Dealerships, Shaun Hopper of Dolan Toyota, Danny Papakalos of #1 Cochran and Todd Caputo of Todd Caputo Consulting. Stay tuned for more podcasts from UCW panel discussions as they become available.

On a cold winter night in January of 1833, a teenage farmhand named Abraham Prescott crept into the bedroom of his employers, Chauncey and Sally Cochran, and smashed their heads with an ax. Their neighbors in the town of Pembroke, New Hampshire was astonished when the boy explained that he had been sleepwalking and hadn't purposely attacked them. They were even more shocked when the Cochrans, who had both miraculously recovered, allowed him to continue to work for them. A few months later however, that decision would come back to haunt the family. After inviting Sally Cochran out to pick strawberries with him in a secluded area behind their farm, Prescott murdered her with a fence post. Again, he told Chauncey that only done it after he'd fallen asleep. Soon he would face trial and his attorneys would attempt to defend him both with a sleepwalking claim and an insanity plea.My guest is Leslie Lambert Rounds, executive director of the Dyer Library and the Saco Museum in Saco, Maine and author of "I Have Struck Mrs. Cochran with a Stake: Sleepwalking, Insanity, and the Trial of Abraham Prescott". She not only walks us through the story of the murder and its aftermath, but also explains the difficulties authorities in 1830s New Hampshire faced when dealing with criminals who suffered from mental illness.More about the author at Kent State University Press. If you'd like to reach out to her directly, you can do so here: lrounds@dyer.lib.me.us

Scarlett Cochran is the founder of One Big Happy Life and author of the new book, It's Not About the Money: A proven path to building wealth your way while creating the rich life that you deserve. Listen to Scarlett's first appearance on So Money. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a rich life look like? Our guest, Scarlett Cochran, founder of One Big Happy Life and author of the new book, It's Not About The Money: A Proven Path to Building Wealth and Living the Rich Life Your Deserve, argues that a rich life has to be about more than the amount of money you have, the car you drive, and the house you live in. A rich life starts by asking yourself some powerful questions. Armed with the answers to those questions, you can then start to fill in the money part. And the best part about building a rich life is that it can look like whatever you want. The problem is you are so used to defining your life by your money when instead it just needs to be the other way around. How about we dive into this all with Scarlett and talk about what she calls the 3 purposes of money, what is getting in the way of us living a rich life, and we'll ponder the idea that once you reach $75,000 in income you've hit your happiness peak. Alright, here's to you living your best rich life.LINKSIt's Not About the Money bookOne Big Happy LifeSPONSORSThanks to HelloFresh for sponsoring this show. Go to HelloFresh.com/mymoney21 and use code mymoney21 for 21 free meals plus free shipping.LEAVE US A REVIEWLeave us an honest rating and review, pretty please. Head to the podcast player you're listening to this episode in to leave us a review or you can click here to leave a review for Everyone's Talkin' Money podcast on Apple Podcasts. Love this episode. Share it with a few friends so they can learn these valuable money concepts as well. Be sure to FOLLOW and SUBSCRIBE to never miss an episode!GOT A QUESTION?Have a Shannah Shares question? Submit your question here https://bit.ly/shannahsharesMORE MONEY TIPSFollow Me on Instagram for more money tips and behind-the-scenes information https://www.instagram.com/shannahgameFREE GUIDES + RESOURCESDownload our FREE Top 25 Episode GuideDownload a FREE BONUS podcast episode 5 Minutes to Unlock a New Money MindsetWant to be featured on a Budget Rescue monthly podcast episode? Just head over to this short form and leave me a message. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Roadcase!!  We're super pumped for this exciting episode featuring Jeff Gorman and Jake Cochran of Illiterate Light -- a stunning duo who are noted for their dynamic and striking live performances with Jeff on guitar and bass pedals and Jake's unorthodox standing position at the drum kit, infusing an amazing energy into their live shows.  Their new album, Sunburned -- out now -- is a profound and expansive look into mortality and the human condition, and has truly taken the band to the next level. Digging deep into their own experiences, and bringing everything on stage has been a hallmark of their artistic output, and that connection with audiences on a deep level continues to drive their love of what they do. Both Jeff and Jake are also profoundly affected by environmental issues  -- both are avid cyclists -- and have explored new ways to connect with audiences and raise awareness by creating pedal-powered shows to create innovative live experiences at festivals and venues across the country.  So hop on the Roadcase bus (or better yet this time, pedal along!) and learn more about these truly compelling artists and humans, Jeff Gorman and Jake Cochran.  It's gonna be a great ride!!For more info:https://www.illiteratelight.com/For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

Join host Japhet De Oliveira in this episode as he sits down with his guest, Liz Cochran, for a meaningful conversation surrounding life's various chapters, building a peaceful home environment, the importance of integrity, living out forgiveness, and the impact of intentional mentorship.

Do you know the physical and mental health benefits of spending time in nature? Eli Cochran is a certified forest therapy guide and shares the benefits of being in the outdoors and also explains the practice of forest bathing in this epsiode.    If you're in need of a health coach, and you'd like to check out Team Fit With Me - Get 10% off month 1 of all packages, plans, and add on services using this link: www.teamfitwithme.com/poundthis   In Cincinnati looking for healthy meals and meal prep?? Give Clean Eatz a try in Newport and West Chester: https://www.cleaneatz.com/   Find me on Instagram: https://www.instagram.com/youcanpoundthis/ Website: http://amandavalentinebites.com/

(00:00-02:35) – Greg Rakestraw is back with another edition of Soccer Saturday on 93.5/107.5 The Fan and opens the show by quickly diving into what he will be discussing in each segment. Plus, Rake hints at this being one of the most Indy Eleven centric shows besides the Best of Indy Eleven Moments that he and Bradu Hauter put together during the holiday season. (05:36-12:47) – On Monday all 34 matches for the Indy Eleven and their dates were revealed which means it's time for Greg Rakestraw to dive into it. Rake breaks down the schedule from month to month along with sharing some notes along the way. To check out the full schedule for the Indy Eleven, click here. Tickets are already available for all the home matches, along with season tickets and you can check that by visiting the Indy Eleven website. (15:48-26:43) – Head Coach Mark Lowry of the Indy Eleven makes a reappearance on Soccer Saturday with Greg Rakestraw for the first time this calendar year. Lowry and Rake start their conversation with what the addition of Sebastian Guenzatti will bring to the club on a daily basis, how excited he is to be reunited with Jack Blake after the club signed him earlier this year, what kind of pieces that he's looking at adding to the roster to solidify it before the start of the season, and how he is feeling about his team heading into 2023 compared to how he felt going into the 2022 season. (29:44-42:07) – Defender A.J. Cochran of the Indy Eleven joins Greg Rakestraw on Soccer Saturday to catch up with Rake on what he's been doing during the offseason since the season completed in October of 2022, where his head was at heading into the offseason on if he thought he would be back with the club for 2023, why he believes the club has had a terrific offseason, what he's spent the most time on trying to improve during the offseason, and how familiar he is with the players that Mark Lowry has brought in. (45:06-55:40) – Greg closes out this week's show by sharing some news and notes from the first weekend of the FA Cup from last week, some injury news surrounding a member of the United States Men's National Team, and quickly looks at today's slate of games in the English Premier League.

This weeks Senior Hockey Top 10! We also chat with Gord Cochran (interview at 42:00), Equipment Manager for the Regina Pats AND Team Canada at the World Juniors in Halifax, NS. --- Send in a voice message: https://anchor.fm/monday-nooner/message

ICYMI: On Midday Mobile the last "Ask The Sheriff" with the retiring Sheriff Sam Cochran.  Sean Sullivan and Sheriff Cochran talked about his experiences, programs he is proud of and his much deserved retirement.

In this interview with Amy Shira Teitel about her book Fighting for Space: Two Pilots and Their Historic Battle for Female Spaceflight, Amy talks about whether Jerrie Cobb had a reasonable expectation that she and her cohorts who were tested for the space program by Dr. Lovelace in the 1960's had a shot at being astronauts. She also highlights how the letters between the 13 participants revealed that not everyone was on the same page in terms of hopes and expectations. If you're into mid-century space history, Amy is the host of The Vintage Space YouTube channel. Check it out! Thanks so much for listening! Stay up to date on book releases, author events, and Aviatrix Book Club discussion dates with the Literary Aviatrix Newsletter. Visit the Aviatrix Book Review website to find over 600 books featuring women in aviation in all genres for all ages. Become a Literary Aviatrix Patron and help amplify the voices of women in aviation. Follow me on social media, join the book club, and find all of the things on the Literary Aviatrix linkt.ree. Blue skies, happy reading, and happy listening!-Liz Booker

On today's episode, we chat with bassist Nathan Cochran from MercyMe! MercyMe is known for songs such as, 'I can only imagine', 'Even If', 'Greater', and so much more! We chat about their latest release, 'Always Only Jesus'! We hear stories behind some of the songs off that album, and find out what MercyMe has been up to! In March, you can catch Mercyme on the 'Always Only Jesus tour! mercyme.org @mercyme christianmusicguys.com @christianmusicguys --- Support this podcast: https://anchor.fm/christianmusicguys/support

This week, Liz sits down with attorney, financial expert, and author Scarlett Cochran to discuss her new book, It's Not About the Money: A Proven Path to Building Wealth and Living the Rich Life You Deserve. Scarlett shares how she struggled as a single teenage mother living below the poverty line and how she moved her way through the ranks to become a Marine and later get a law degree from Yale. She also explains how this has all led to helping others build a path to wealth and success.  Follow Liz Claman on Twitter: @LizClaman Learn more about your ad choices. Visit megaphone.fm/adchoices

As the year comes to an end, Brian Cochran of John Moore Associates helps us consider Lessons Learned (and re-learned) in 2022. The post Brian Cochran appeared first on ABQ Connect.

On this episode of the Off The Charts Football Podcast, Matt Manocherian (@mattmano) welcomes Nathan Cooper (@ncoopdraft) and Jeff Dean of the SIS Football Scouting team to the show to break down our selections for the 2022 NCAA All-SIS Teams. The guys discuss the selections and take a closer look at a few players, including Jalin Hyatt, Olusegun Oluwatimi, Jer'zhan Newton, and Tre'Vius Hodges-Tomlinson (0:51). Then, Corey March (@corey_march1) of Betway is back for this week's edition of the Betway Betting Corner. Matt and Corey try to keep the momentum going after two wins last week. (18:51). Don't forget, Betway will be boosting both parlays again this week! Sign up for Betway. Off The Charts listeners get up to a $250 Free Bet with their first wager. Thank you for listening. Please check out The Edge, The Trenches Tool and SportsInfoSolutions.com for all our latest content, and don't forget to check out the SIS Baseball Podcast, available wherever you get your podcasts.

Episode 160 of A History of Rock Music in Five Hundred Songs looks at “Flowers in the Rain" by the Move, their transition into ELO, and the career of Roy Wood. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "The Chipmunk Song" by Canned Heat. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Note I say "And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record." -- I should point out that after Martin's theme fades, Blackburn talks over a brief snatch of a piece by Johnny Dankworth. Resources As so many of the episodes recently have had no Mixcloud due to the number of songs by one artist, I've decided to start splitting the mixes of the recordings excerpted in the podcasts into two parts. Here's part one . I had problems uploading part two, but will attempt to get that up shortly. There are not many books about Roy Wood, and I referred to both of the two that seem to exist -- this biography by John van der Kiste, and this album guide by James R Turner.  I also referred to this biography of Jeff Lynne by van der Kiste, The Electric Light Orchestra Story by Bev Bevan, and Mr Big by Don Arden with Mick Wall.  Most of the more comprehensive compilations of the Move's material are out of print, but this single-CD-plus-DVD anthology is the best compilation that's in print. This is the one collection of Wood's solo and Wizzard hits that seems currently in print, and for those who want to investigate further, this cheap box set has the last Move album, the first ELO album, the first Wizzard album, Wood's solo Boulders, and a later Wood solo album, for the price of a single CD. Transcript Before I start, a brief note. This episode deals with organised crime, and so contains some mild descriptions of violence, and also has some mention of mental illness and drug use, though not much of any of those things. And it's probably also important to warn people that towards the end there's some Christmas music, including excerpts of a song that is inescapable at this time of year in the UK, so those who work in retail environments and the like may want to listen to this later, at a point when they're not totally sick of hearing Christmas records. Most of the time, the identity of the party in government doesn't make that much of a difference to people's everyday lives.  At least in Britain, there tends to be a consensus ideology within the limits of which governments of both main parties tend to work. They will make a difference at the margins, and be more or less competent, and more or less conservative or left-wing, more or less liberal or authoritarian, but life will, broadly speaking, continue along much as before for most people. Some will be a little better or worse off, but in general steering the ship of state is a matter of a lot of tiny incremental changes, not of sudden u-turns. But there have been a handful of governments that have made big, noticeable, changes to the structure of society, reforms that for better or worse affect the lives of every person in the country. Since the end of the Second World War there have been two UK governments that made economic changes of this nature. The Labour government under Clement Atlee which came into power in 1945, and which dramatically expanded the welfare state, introduced the National Health Service, and nationalised huge swathes of major industries, created the post-war social democratic consensus which would be kept to with only minor changes by successive governments of both major parties for decades. The next government to make changes to the economy of such a radical nature was the Conservative government which came to power under Margaret Thatcher in 1979, which started the process of unravelling that social democratic consensus and replacing it with a far more hypercapitalist economic paradigm, which would last for the next several decades. It's entirely possible that the current Conservative government, in leaving the EU, has made a similarly huge change, but we won't know that until we have enough distance from the event to know what long-term changes it's caused. Those are economic changes. Arguably at least as impactful was the Labour government led by Harold Wilson that came to power in 1964, which did not do much to alter the economic consensus, but revolutionised the social order at least as much. Largely because of the influence of Roy Jenkins, the Home Secretary for much of that time, between 1964 and the end of the sixties, Britain abolished the death penalty for murder, decriminalised some sex acts between men in private, abolished corporal punishment in prisons, legalised abortion in certain circumstances, and got rid of censorship in the theatre. They also vastly increased spending on education, and made many other changes. By the end of their term, Britain had gone from being a country with laws reflecting a largely conservative, authoritarian, worldview to one whose laws were some of the most liberal in Europe, and society had started changing to match. There were exceptions, though, and that government did make some changes that were illiberal. They brought in increased restrictions on immigration, starting a worrying trend that continues to this day of governments getting ever crueler to immigrants, and they added LSD to the list of illegal drugs. And they brought in the Marine Broadcasting Offences Act, banning the pirate stations. We've mentioned pirate radio stations very briefly, but never properly explained them. In Britain, at this point, there was a legal monopoly on broadcasting. Only the BBC could run a radio station in the UK, and thanks to agreements with the Musicians' Union, the BBC could only play a very small amount of recorded music, with everything else having to be live performances or spoken word. And because it had a legal obligation to provide something for everyone, that meant the tiny amount of recorded music that was played on the radio had to cover all genres, meaning that even while Britain was going through the most important changes in its musical history, pop records were limited to an hour or two a week on British radio. Obviously, that wasn't going to last while there was money to be made, and the record companies in particular wanted to have somewhere to showcase their latest releases. At the start of the sixties, Radio Luxembourg had become popular, broadcasting from continental Europe but largely playing shows that had been pre-recorded in London. But of course, that was far enough away that it made listening to the transmissions difficult. But a solution presented itself: [Excerpt: The Fortunes, "Caroline"] Radio Caroline still continues to this day, largely as an Internet-based radio station, but in the mid-sixties it was something rather different. It was one of a handful of radio stations -- the pirate stations -- that broadcast from ships in international waters. The ships would stay three miles off the coast of Britain, close enough for their broadcasts to be clearly heard in much of the country, but outside Britain's territorial waters. They soon became hugely popular, with Radio Caroline and Radio London the two most popular, and introduced DJs like Tony Blackburn, Dave Lee Travis, Kenny Everett, and John Peel to the airwaves of Britain. The stations ran on bribery and advertising, and if you wanted a record to get into the charts one of the things you had to do was bribe one of the big pirate stations to playlist it, and with this corruption came violence, which came to a head when as we heard in the episode on “Here Comes the Night”, in 1966 Major Oliver Smedley, a failed right-wing politician and one of the directors of Radio Caroline, got a gang of people to board an abandoned sea fort from which a rival station was broadcasting and retrieve some equipment he claimed belonged to him. The next day, Reginald Calvert, the owner of the rival station, went to Smedley's home to confront him, and Smedley shot him dead, claiming self-defence. The jury in Smedley's subsequent trial took only a minute to find him not guilty and award him two hundred and fifty guineas to cover his costs. This was the last straw for the government, which was already concerned that the pirates' transmitters were interfering with emergency services transmissions, and that proper royalties weren't being paid for the music broadcast (though since much of the music was only on there because of payola, this seems a little bit of a moot point).  They introduced legislation which banned anyone in the UK from supplying the pirate ships with records or other supplies, or advertising on the stations. They couldn't do anything about the ships themselves, because they were outside British jurisdiction, but they could make sure that nobody could associate with them while remaining in the UK. The BBC was to regain its monopoly (though in later years some commercial radio stations were allowed to operate). But as well as the stick, they needed the carrot. The pirate stations *had* been filling a real need, and the biggest of them were getting millions of listeners every day. So the arrangements with the Musicians' Union and the record labels were changed, and certain BBC stations were now allowed to play a lot more recorded music per day. I haven't been able to find accurate figures anywhere -- a lot of these things were confidential agreements -- but it seems to have been that the so-called "needle time" rules were substantially relaxed, allowing the BBC to separate what had previously been the Light Programme -- a single radio station that played all kinds of popular music, much of it live performances -- into two radio stations that were each allowed to play as much as twelve hours of recorded music per day, which along with live performances and between-track commentary from DJs was enough to allow a full broadcast schedule. One of these stations, Radio 2, was aimed at older listeners, and to start with mostly had programmes of what we would now refer to as Muzak, mixed in with the pop music of an older generation -- crooners and performers like Englebert Humperdinck. But another, Radio 1, was aimed at a younger audience and explicitly modelled on the pirate stations, and featured many of the DJs who had made their names on those stations. And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record. At different times Blackburn has said either that he was just desperately reaching for whatever record came to hand or that he made a deliberate choice because the record he chose had such a striking opening that it would be the perfect way to start a new station: [Excerpt: Tony Blackburn first radio show into "Flowers in the Rain" by the Move] You may remember me talking in the episode on "Here Comes the Night" about how in 1964 Dick Rowe of Decca, the manager Larry Page, and the publicist and co-owner of Radio Caroline Phil Solomon were all trying to promote something called Brumbeat as the answer to Merseybeat – Brummies, for those who don't know, are people from Birmingham. Brumbeat never took off the way Merseybeat did, but several bands did get a chance to make records, among them Gerry Levene and the Avengers: [Excerpt: Gerry Levene and the Avengers, "Dr. Feelgood"] That was the only single the Avengers made, and the B-side wasn't even them playing, but a bunch of session musicians under the direction of Bert Berns, and the group split up soon afterwards, but several of the members would go on to have rather important careers. According to some sources, one of their early drummers was John Bohnam, who you can be pretty sure will be turning up later in the story, while the drummer on that track was Graeme Edge, who would later go on to co-found the Moody Blues.  But today it's the guitarist we'll be looking at. Roy Wood had started playing music when he was very young -- he'd had drum lessons when he was five years old, the only formal musical tuition he ever had, and he'd played harmonica around working men's clubs as a kid. And as a small child he'd loved classical music, particularly Tchaikovsky and Elgar. But it wasn't until he was twelve that he decided that he wanted to be a guitarist. He went to see the Shadows play live, and was inspired by the sound of Hank Marvin's guitar, which he later described as sounding "like it had been dipped in Dettol or something": [Excerpt: The Shadows, "Apache"] He started begging his parents for a guitar, and got one for his thirteenth birthday -- and by the time he was fourteen he was already in a band, the Falcons, whose members were otherwise eighteen to twenty years old, but who needed a lead guitarist who could play like Marvin. Wood had picked up the guitar almost preternaturally quickly, as he would later pick up every instrument he turned his hand to, and he'd also got the equipment. His friend Jeff Lynne later said "I first saw Roy playing in a church hall in Birmingham and I think his group was called the Falcons. And I could tell he was dead posh because he had a Fender Stratocaster and a Vox AC30 amplifier. The business at the time. I mean, if you've got those, that's it, you're made." It was in the Falcons that Wood had first started trying to write songs, at first instrumentals in the style of the Shadows, but then after the Beatles hit the charts he realised it was possible for band members to write their own material, and started hesitantly trying to write a few actual songs. Wood had moved on from the Falcons to Gerry Levene's band, one of the biggest local bands in Birmingham, when he was sixteen, which is also when he left formal education, dropping out from art school -- he's later said that he wasn't expelled as such, but that he and the school came to a mutual agreement that he wouldn't go back there. And when Gerry Levene and the Avengers fell apart after their one chance at success hadn't worked out, he moved on again to an even bigger band. Mike Sheridan and the Night Riders had had two singles out already, both produced by Cliff Richard's producer Norrie Paramor, and while they hadn't charted they were clearly going places. They needed a new guitarist, and Wood was by far the best of the dozen or so people who auditioned, even though Sheridan was very hesitant at first -- the Night Riders were playing cabaret, and all dressed smartly at all times, and this sixteen-year-old guitarist had turned up wearing clothes made by his sister and ludicrous pointy shoes. He was the odd man out, but he was so good that none of the other players could hold a candle to him, and he was in the Night Riders by the time of their third single, "What a Sweet Thing That Was": [Excerpt: Mike Sheridan and the Night Riders, "What a Sweet Thing That Was"] Sheridan later said "Roy was and still is, in my opinion, an unbelievable talent. As stubborn as a mule and a complete extrovert. Roy changed the group by getting us into harmonies and made us realize there was better material around with more than three chords to play. This was our turning point and we became a group's group and a bigger name." -- though there are few other people who would describe Wood as extroverted, most people describing him as painfully shy off-stage. "What a  Sweet Thing That Was" didn't have any success, and nor did its follow-up, "Here I Stand", which came out in January 1965. But by that point, Wood had got enough of a reputation that he was already starting to guest on records by other bands on the Birmingham scene, like "Pretty Things" by Danny King and the Mayfair Set: [Excerpt: Danny King and the Mayfair Set, "Pretty Things"] After their fourth single was a flop, Mike Sheridan and the Night Riders changed their name to Mike Sheridan's Lot, and the B-side of their first single under the new name was a Roy Wood song, the first time one of his songs was recorded. Unfortunately the song, modelled on "It's Not Unusual" by Tom Jones, didn't come off very well, and Sheridan blamed himself for what everyone was agreed was a lousy sounding record: [Excerpt: Mike Sheridan's Lot, "Make Them Understand"] Mike Sheridan's Lot put out one final single, but the writing was on the wall for the group. Wood left, and soon after so did Sheridan himself. The remaining members regrouped under the name The Idle Race, with Wood's friend Jeff Lynne as their new singer and guitarist. But Wood wouldn't remain without a band for long. He'd recently started hanging out with another band, Carl Wayne and the Vikings, who had also released a couple of singles, on Pye: [Excerpt: Carl Wayne and the Vikings, "What's the Matter Baby"] But like almost every band from Birmingham up to this point, the Vikings' records had done very little, and their drummer had quit, and been replaced by Bev Bevan, who had been in yet another band that had gone nowhere, Denny Laine and the Diplomats, who had released one single under the name of their lead singer Nicky James, featuring the Breakaways, the girl group who would later sing on "Hey Joe", on backing vocals: [Excerpt: Nicky James, "My Colour is Blue"] Bevan had joined Carl Wayne's group, and they'd recorded one track together, a cover version of "My Girl", which was only released in the US, and which sank without a trace: [Excerpt: Carl Wayne and the Vikings, "My Girl"] It was around this time that Wood started hanging around with the Vikings, and they would all complain about how if you were playing the Birmingham circuit you were stuck just playing cover versions, and couldn't do anything more interesting.  They were also becoming more acutely aware of how successful they *could* have been, because one of the Brumbeat bands had become really big. The Moody Blues, a supergroup of players from the best bands in Birmingham who featured Bev Bevan's old bandmate Denny Laine and Wood's old colleague Graeme Edge, had just hit number one with their version of "Go Now": [Excerpt: The Moody Blues, "Go Now"] So they knew the potential for success was there, but they were all feeling trapped. But then Ace Kefford, the bass player for the Vikings, went to see Davy Jones and the Lower Third playing a gig: [Excerpt: Davy Jones and the Lower Third, "You've Got a Habit of Leaving"] Also at the gig was Trevor Burton, the guitarist for Danny King and the Mayfair Set. The two of them got chatting to Davy Jones after the gig, and eventually the future David Bowie told them that the two of them should form their own band if they were feeling constricted in their current groups. They decided to do just that, and they persuaded Carl Wayne from Kefford's band to join them, and got in Wood.  Now they just needed a drummer. Their first choice was John Bonham, the former drummer for Gerry Levene and the Avengers who was now drumming in a band with Kefford's uncle and Nicky James from the Diplomats. But Bonham and Wayne didn't get on, and so Bonham decided to remain in the group he was in, and instead they turned to Bev Bevan, the Vikings' new drummer.  (Of the other two members of the Vikings, one went on to join Mike Sheridan's Lot in place of Wood, before leaving at the same time as Sheridan and being replaced by Lynne, while the other went on to join Mike Sheridan's New Lot, the group Sheridan formed after leaving his old group. The Birmingham beat group scene seems to have only had about as many people as there were bands, with everyone ending up a member of twenty different groups). The new group called themselves the Move, because they were all moving on from other groups, and it was a big move for all of them. Many people advised them not to get together, saying they were better off where they were, or taking on offers they'd got from more successful groups -- Carl Wayne had had an offer from a group called the Spectres, who would later become famous as Status Quo, while Wood had been tempted by Tony Rivers and the Castaways, a group who at the time were signed to Immediate Records, and who did Beach Boys soundalikes and covers: [Excerpt: Tony Rivers and the Castaways, "Girl Don't Tell Me"] Wood was a huge fan of the Beach Boys and would have fit in with Rivers, but decided he'd rather try something truly new. After their first gig, most of the people who had warned against the group changed their minds. Bevan's best friend, Bobby Davis, told Bevan that while he'd disliked all the other groups Bevan had played in, he liked this one. (Davis would later become a famous comedian, and have a top five single himself in the seventies, produced by Jeff Lynne and with Bevan on the drums, under his stage name Jasper Carrott): [Excerpt: Jasper Carrott, "Funky Moped"] Most of their early sets were cover versions, usually of soul and Motown songs, but reworked in the group's unique style. All five of the band could sing, four of them well enough to be lead vocalists in their own right (Bevan would add occasional harmonies or sing novelty numbers) and so they became known for their harmonies -- Wood talked at the time about how he wanted the band to have Beach Boys harmonies but over instruments that sounded like the Who. And while they were mostly doing cover versions live, Wood was busily writing songs. Their first recording session was for local radio, and at that session they did cover versions of songs by Brenda Lee, the Isley Brothers, the Orlons, the Marvelettes, and Betty Everett, but they also performed four songs written by Wood, with each member of the front line taking a lead vocal, like this one with Kefford singing: [Excerpt: The Move, "You're the One I Need"] The group were soon signed by Tony Secunda, the manager of the Moody Blues, who set about trying to get the group as much publicity as possible. While Carl Wayne, as the only member who didn't play an instrument, ended up the lead singer on most of the group's early records, Secunda started promoting Kefford, who was younger and more conventionally attractive than Wayne, and who had originally put the group together, as the face of the group, while Wood was doing most of the heavy lifting with the music. Wood quickly came to dislike performing live, and to wish he could take the same option as Brian Wilson and stay home and write songs and make records while the other four went out and performed, so Kefford and Wayne taking the spotlight from him didn't bother him at the time, but it set the group up for constant conflicts about who was actually the leader of the group. Wood was also uncomfortable with the image that Secunda set up for the group. Secunda decided that the group needed to be promoted as "bad boys", and so he got them to dress up as 1930s gangsters, and got them to do things like smash busts of Hitler, or the Rhodesian dictator Ian Smith, on stage. He got them to smash TVs on stage too, and in one publicity stunt he got them to smash up a car, while strippers took their clothes off nearby -- claiming that this was to show that people were more interested in violence than in sex. Wood, who was a very quiet, unassuming, introvert, didn't like this sort of thing, but went along with it. Secunda got the group a regular slot at the Marquee club, which lasted several months until, in one of Secunda's ideas for publicity, Carl Wayne let off smoke bombs on stage which set fire to the stage. The manager came up to try to stop the fire, and Wayne tossed the manager's wig into the flames, and the group were banned from the club (though the ban was later lifted). In another publicity stunt, at the time of the 1966 General Election, the group were photographed with "Vote Tory" posters, and issued an invitation to Edward Heath, the leader of the Conservative Party and a keen amateur musician, to join them on stage on keyboards. Sir Edward didn't respond to the invitation. All this publicity led to record company interest. Joe Boyd tried to sign the group to Elektra Records, but much as with The Pink Floyd around the same time, Jac Holzman wasn't interested. Instead they signed with a new production company set up by Denny Cordell, the producer of the Moody Blues' hits. The contract they signed was written on the back of a nude model, as yet another of Secunda's publicity schemes. The group's first single, "Night of Fear" was written by Wood and an early sign of his interest in incorporating classical music into rock: [Excerpt: The Move, "Night of Fear"] Secunda claimed in the publicity that that song was inspired by taking bad acid and having a bad trip, but in truth Wood was more inspired by brown ale than by brown acid -- he and Bev Bevan would never do any drugs other than alcohol. Wayne did take acid once, but didn't like it, though Burton and Kefford would become regular users of most drugs that were going. In truth, the song was not about anything more than being woken up in the middle of the night by an unexpected sound and then being unable to get back to sleep because you're scared of what might be out there. The track reached number two on the charts in the UK, being kept off the top by "I'm a Believer" by the Monkees, and was soon followed up by another song which again led to assumptions of drug use. "I Can Hear the Grass Grow" wasn't about grass the substance, but was inspired by a letter to Health and Efficiency, a magazine which claimed to be about the nudist lifestyle as an excuse for printing photos of naked people at a time before pornography laws were liberalised. The letter was from a reader saying that he listened to pop music on the radio because "where I live it's so quiet I can hear the grass grow!" Wood took that line and turned it into the group's next single, which reached number five: [Excerpt: The Move, "I Can Hear the Grass Grow"] Shortly after that, the group played two big gigs at Alexandra Palace. The first was the Fourteen-Hour Technicolor Dream, which we talked about in the Pink Floyd episode. There Wood had one of the biggest thrills of his life when he walked past John Lennon, who saluted him and then turned to a friend and said "He's brilliant!" -- in the seventies Lennon would talk about how Wood was one of his two favourite British songwriters, and would call the Move "the Hollies with balls". The other gig they played at Alexandra Palace was a "Free the Pirates" benefit show, sponsored by Radio Caroline, to protest the imposition of the Marine Broadcasting (Offences) Act.  Despite that, it was, of course, the group's next single that was the first one to be played on Radio One. And that single was also the one which kickstarted Roy Wood's musical ambitions.  The catalyst for this was Tony Visconti. Visconti was a twenty-three-year-old American who had been in the music business since he was sixteen, working the typical kind of jobs that working musicians do, like being for a time a member of a latter-day incarnation of the Crew-Cuts, the white vocal group who had had hits in the fifties with covers of "Sh'Boom" and “Earth Angel”. He'd also recorded two singles as a duo with his wife Siegrid, which had gone nowhere: [Excerpt: Tony and Siegrid, "Up Here"] Visconti had been working for the Richmond Organisation as a staff songwriter when he'd met the Move's producer Denny Cordell. Cordell was in the US to promote a new single he had released with a group called Procol Harum, "A Whiter Shade of Pale", and Visconti became the first American to hear the record, which of course soon became a massive hit: [Excerpt: Procol Harum, "A Whiter Shade of Pale"] While he was in New York, Cordell also wanted to record a backing track for one of his other hit acts, Georgie Fame. He told Visconti that he'd booked several of the best session players around, like the jazz trumpet legend Clark Terry, and thought it would be a fun session. Visconti asked to look at the charts for the song, out of professional interest, and Cordell was confused -- what charts? The musicians would just make up an arrangement, wouldn't they? Visconti asked what he was talking about, and Cordell talked about how you made records -- you just got the musicians to come into the studio, hung around while they smoked a few joints and worked out what they were going to play, and then got on with it. It wouldn't take more than about twelve hours to get a single recorded that way. Visconti was horrified, and explained that that might be how they did things in London, but if Cordell tried to make a record that way in New York, with an eight-piece group of session musicians who charged union scale, and would charge double scale for arranging work on top, then he'd bankrupt himself. Cordell went pale and said that the session was in an hour, what was he going to do? Luckily, Cordell had a copy of the demo with him, and Visconti, who unlike Cordell was a trained musician, quickly sat down and wrote an arrangement for him, sketching out parts for guitar, bass, drums, piano, sax, and trumpets. The resulting arrangement wasn't perfect -- Visconti had to write the whole thing in less than an hour with no piano to hand -- but it was good enough that Cordell's production assistant on the track, Harvey Brooks of the group Electric Flag, who also played bass on the track, could tweak it in the studio, and the track was recorded quickly, saving Cordell a fortune: [Excerpt: Georgie Fame, "Because I Love You"] One of the other reasons Cordell had been in the US was that he was looking for a production assistant to work with him in the UK to help translate his ideas into language the musicians could understand. According to Visconti he said that he was going to try asking Phil Spector to be his assistant, and Artie Butler if Spector said no.  Astonishingly, assuming he did ask them, neither Phil Spector nor Artie Butler (who was the arranger for records like "Leader of the Pack" and "I'm a Believer" among many, many, others, and who around this time was the one who suggested to Louis Armstrong that he should record "What a Wonderful World") wanted to fly over to the UK to work as Denny Cordell's assistant, and so Cordell turned back to Visconti and invited him to come over to the UK. The main reason Cordell needed an assistant was that he had too much work on his hands -- he was currently in the middle of recording albums for three major hit groups -- Procol Harum, The Move, and Manfred Mann -- and he physically couldn't be in multiple studios at once. Visconti's first work for him was on a Manfred Mann session, where they were recording the Randy Newman song "So Long Dad" for their next single. Cordell produced the rhythm track then left for a Procol Harum session, leaving Visconti to guide the group through the overdubs, including all the vocal parts and the lead instruments: [Excerpt: Manfred Mann, "So Long Dad"] The next Move single, "Flowers in the Rain", was the first one to benefit from Visconti's arrangement ideas. The band had recorded the track, and Cordell had been unhappy with both the song and performance, thinking it was very weak compared to their earlier singles -- not the first time that Cordell would have a difference of opinion with the band, who he thought of as a mediocre pop group, while they thought of themselves as a heavy rock band who were being neutered in the studio by their producer.  In particular, Cordell didn't like that the band fell slightly out of time in the middle eight of the track. He decided to scrap it, and get the band to record something else. Visconti, though, thought the track could be saved. He told Cordell that what they needed to do was to beat the Beatles, by using a combination of instruments they hadn't thought of. He scored for a quartet of wind instruments -- oboe, flute, clarinet, and French horn, in imitation of Mendelssohn: [Excerpt: The Move, "Flowers in the Rain"] And then, to cover up the slight sloppiness on the middle eight, Visconti had the wind instruments on that section recorded at half speed, so when played back at normal speed they'd sound like pixies and distract from the rhythm section: [Excerpt: The Move, "Flowers in the Rain"] Visconti's instincts were right. The single went to number two, kept off the top spot by Englebert Humperdinck, who spent 1967 keeping pretty much every major British band off number one, and thanks in part to it being the first track played on Radio 1, but also because it was one of the biggest hits of 1967, it's been the single of the Move's that's had the most airplay over the years. Unfortunately, none of the band ever saw a penny in royalties from it. It was because of another of Tony Secunda's bright ideas. Harold Wilson, the Prime Minister at the time, was very close to his advisor Marcia Williams, who started out as his secretary, rose to be his main political advisor, and ended up being elevated to the peerage as Baroness Falkender. There were many, many rumours that Williams was corrupt -- rumours that were squashed by both Wilson and Williams frequently issuing libel writs against newspapers that mentioned them -- though it later turned out that at least some of these were the work of Britain's security services, who believed Wilson to be working for the KGB (and indeed Williams had first met Wilson at a dinner with Khrushchev, though Wilson was very much not a Communist) and were trying to destabilise his government as a result. Their personal closeness also led to persistent rumours that Wilson and Williams were having an affair. And Tony Secunda decided that the best way to promote "Flowers in the Rain" was to print a postcard with a cartoon of Wilson and Williams on it, and send it out. Including sticking a copy through the door of ten Downing St, the Prime Minister's official residence. This backfired *spectacularly*. Wilson sued the Move for libel, even though none of them had known of their manager's plans, and as a result of the settlement it became illegal for any publication to print the offending image (though it can easily be found on the Internet now of course), everyone involved with the record was placed under a permanent legal injunction to never discuss the details of the case, and every penny in performance or songwriting royalties the track earned would go to charities of Harold Wilson's choice. In the 1990s newspaper reports said that the group had up to that point lost out on two hundred thousand pounds in royalties as a result of Secunda's stunt, and given the track's status as a perennial favourite, it's likely they've missed out on a similar amount in the decades since. Incidentally, while every member of the band was banned from ever describing the postcard, I'm not, and since Wilson and Williams are now both dead it's unlikely they'll ever sue me. The postcard is a cartoon in the style of Aubrey Beardsley, and shows Wilson as a grotesque naked homunculus sat on a bed, with Williams naked save for a diaphonous nightgown through which can clearly be seen her breasts and genitals, wearing a Marie Antoinette style wig and eyemask and holding a fan coquettishly, while Wilson's wife peers at them through a gap in the curtains. The text reads "Disgusting Depraved Despicable, though Harold maybe is the only way to describe "Flowers in the Rain" The Move, released Aug 23" The stunt caused huge animosity between the group and Secunda, not only because of the money they lost but also because despite Secunda's attempts to associate them with the Conservative party the previous year, Ace Kefford was upset at an attack on the Labour leader -- his grandfather was a lifelong member of the Labour party and Kefford didn't like the idea of upsetting him. The record also had a knock-on effect on another band. Wood had given the song "Here We Go Round the Lemon Tree" to his friends in The Idle Race, the band that had previously been Mike Sheridan and the Night Riders, and they'd planned to use their version as their first single: [Excerpt: The Idle Race, "Here We Go Round the Lemon Tree"] But the Move had also used the song as the B-side for their own single, and "Flowers in the Rain" was so popular that the B-side also got a lot of airplay. The Idle Race didn't want to be thought of as a covers act, and so "Lemon Tree" was pulled at the last minute and replaced by "Impostors of Life's Magazine", by the group's guitarist Jeff Lynne: [Excerpt: The Idle Race, "Impostors of Life's Magazine"] Before the problems arose, the Move had been working on another single. The A-side, "Cherry Blossom Clinic", was a song about being in a psychiatric hospital, and again had an arrangement by Visconti, who this time conducted a twelve-piece string section: [Excerpt: The Move, "Cherry Blossom Clinic"] The B-side, meanwhile, was a rocker about politics: [Excerpt: The Move, "Vote For Me"] Given the amount of controversy they'd caused, the idea of a song about mental illness backed with one about politics seemed a bad idea, and so "Cherry Blossom Clinic" was kept back as an album track while "Vote For Me" was left unreleased until future compilations. The first Wood knew about "Cherry Blossom Clinic" not being released was when after a gig in London someone -- different sources have it as Carl Wayne or Tony Secunda -- told him that they had a recording session the next morning for their next single and asked what song he planned on recording. When he said he didn't have one, he was sent up to his hotel room with a bottle of Scotch and told not to come down until he had a new song. He had one by 8:30 the next morning, and was so drunk and tired that he had to be held upright by his bandmates in the studio while singing his lead vocal on the track. The song was inspired by "Somethin' Else", a track by Eddie Cochran, one of Wood's idols: [Excerpt: Eddie Cochran, "Somethin' Else"] Wood took the bass riff from that and used it as the basis for what was the Move's most straight-ahead rock track to date. As 1967 was turning into 1968, almost universally every band was going back to basics, recording stripped down rock and roll tracks, and the Move were no exception. Early takes of "Fire Brigade" featured Matthew Fisher of Procol Harum on piano, but the final version featured just guitar, bass, drums and vocals, plus a few sound effects: [Excerpt: The Move, "Fire Brigade"] While Carl Wayne had sung lead or co-lead on all the Move's previous singles, he was slowly being relegated into the background, and for this one Wood takes the lead vocal on everything except the brief bridge, which Wayne sings: [Excerpt: The Move, "Fire Brigade"] The track went to number three, and while it's not as well-remembered as a couple of other Move singles, it was one of the most influential. Glen Matlock of the Sex Pistols has often said that the riff for "God Save the Queen" is inspired by "Fire Brigade": [Excerpt: The Sex Pistols, "God Save the Queen"] The reversion to a heavier style of rock on "Fire Brigade" was largely inspired by the group's new friend Jimi Hendrix. The group had gone on a package tour with The Pink Floyd (who were at the bottom of the bill), Amen Corner, The Nice, and the Jimi Hendrix Experience, and had become good friends with Hendrix, often jamming with him backstage. Burton and Kefford had become so enamoured of Hendrix that they'd both permed their hair in imitation of his Afro, though Burton regretted it -- his hair started falling out in huge chunks as a result of the perm, and it took him a full two years to grow it out and back into a more natural style. Burton had started sharing a flat with Noel Redding of the Jimi Hendrix Experience, and Burton and Wood had also sung backing vocals with Graham Nash of the Hollies on Hendrix's "You Got Me Floatin'", from his Axis: Bold as Love album: [Excerpt: The Jimi Hendrix Experience, "You Got Me Floatin'"] In early 1968, the group's first album came out. In retrospect it's arguably their best, but at the time it felt a little dated -- it was a compilation of tracks recorded between late 1966 and late 1967, and by early 1968 that might as well have been the nineteenth century. The album included their two most recent singles, a few more songs arranged by Visconti, and three cover versions -- versions of Eddie Cochran's "Weekend", Moby Grape's "Hey Grandma", and the old standard "Zing! Went the Strings of My Heart", done copying the Coasters' arrangement with Bev Bevan taking a rare lead vocal. By this time there was a lot of dissatisfaction among the group. Most vocal -- or least vocal, because by this point he was no longer speaking to any of the other members, had been Ace Kefford. Kefford felt he was being sidelined in a band he'd formed and where he was the designated face of the group. He'd tried writing songs, but the only one he'd brought to the group, "William Chalker's Time Machine", had been rejected, and was eventually recorded by a group called The Lemon Tree, whose recording of it was co-produced by Burton and Andy Fairweather-Low of Amen Corner: [Excerpt: The Lemon Tree, "William Chalker's Time Machine"] He was also, though the rest of the group didn't realise it at the time, in the middle of a mental breakdown, which he later attributed to his overuse of acid. By the time the album, titled Move, came out, he'd quit the group. He formed a new group, The Ace Kefford Stand, with Cozy Powell on drums, and they released one single, a cover version of the Yardbirds' "For Your Love", which didn't chart: [Excerpt: The Ace Kefford Stand, "For Your Love"] Kefford recorded a solo album in 1968, but it wasn't released until an archival release in 2003, and he spent most of the next few decades dealing with mental health problems. The group continued on as a four-piece, with Burton moving over to bass. While they thought about what to do -- they were unhappy with Secunda's management, and with the sound that Cordell was getting from their recordings, which they considered far wimpier than their live sound -- they released a live EP of cover versions, recorded at the Marquee. The choice of songs for the EP showed their range of musical influences at the time, going from fifties rockabilly to the burgeoning progressive rock scene, with versions of Cochran's "Somethin' Else", Jerry Lee Lewis' "It'll Be Me", "So You Want to Be a Rock and Roll Star" by the Byrds, "Sunshine Help Me" by Spooky Tooth, and "Stephanie Knows Who" by Love: [Excerpt: The Move, "Stephanie Knows Who"] Incidentally, later that year they headlined a gig at the Royal Albert Hall with the Byrds as the support act, and Gram Parsons, who by that time was playing guitar for the Byrds, said that the Move did "So You Want to Be a Rock and Roll Star" better than the Byrds did. The EP, titled "Something Else From the Move", didn't do well commercially, but it did do something that the band thought important -- Trevor Burton in particular had been complaining that Denny Cordell's productions "took the toughness out" of the band's sound, and was worried that the group were being perceived as a pop band, not as a rock group like his friends in the Jimi Hendrix Experience or Cream. There was an increasing tension between Burton, who wanted to be a heavy rocker, and the older Wayne, who thought there was nothing at all wrong with being a pop band. The next single, "Wild Tiger Woman", was much more in the direction that Burton wanted their music to go. It was ostensibly produced by Cordell, but for the most part he left it to the band, and as a result it ended up as a much heavier track than normal. Roy Wood had only intended the song as an album track, and Bevan and Wayne were hesitant about it being a single, but Burton was insistent -- "Wild Tiger Woman" was going to be the group's first number one record: [Excerpt: The Move, "Wild Tiger Woman"] In fact, it turned out to be the group's first single not to chart at all, after four top ten singles in a row.  The group were now in crisis. They'd lost Ace Kefford, Burton and Wayne were at odds, and they were no longer guaranteed hitmakers. They decided to stop working with Cordell and Secunda, and made a commitment that if the next single was a flop, they would split up. In any case, Roy Wood was already thinking about another project. Even though the group's recent records had gone in a guitar-rock direction, he thought maybe you could do something more interesting. Ever since seeing Tony Visconti conduct orchestral instruments playing his music, he'd been thinking about it. As he later put it "I thought 'Well, wouldn't it be great to get a band together, and rather than advertising for a guitarist how about advertising for a cellist or a French horn player or something? There must be lots of young musicians around who play the... instruments that would like to play in a rock kind of band.' That was the start of it, it really was, and I think after those tracks had been recorded with Tony doing the orchestral arrangement, that's when I started to get bored with the Move, with the band, because I thought 'there's something more to it'". He'd started sketching out plans for an expanded lineup of the group, drawing pictures of what it would look like on stage if Carl Wayne was playing timpani while there were cello and French horn players on stage with them. He'd even come up with a name for the new group -- a multi-layered pun. The group would be a light orchestra, like the BBC Light Orchestra, but they would be playing electrical instruments, and also they would have a light show when they performed live, and so he thought "the Electric Light Orchestra" would be a good name for such a group. The other band members thought this was a daft idea, but Wood kept on plotting. But in the meantime, the group needed some new management. The person they chose was Don Arden. We talked about Arden quite a bit in the last episode, but he's someone who is going to turn up a lot in future episodes, and so it's best if I give a little bit more background about him. Arden was a manager of the old school, and like several of the older people in the music business at the time, like Dick James or Larry Page, he had started out as a performer, doing an Al Jolson tribute act, and he was absolutely steeped in showbusiness -- his wife had been a circus contortionist before they got married, and when he moved from Manchester to London their first home had been owned by Winifred Atwell, a boogie piano player who became the first Black person to have a UK number one -- and who is *still* the only female solo instrumentalist to have a UK number one -- with her 1954 hit "Let's Have Another Party": [Excerpt: WInifred Atwell, "Let's Have Another Party"] That was only Atwell's biggest in a long line of hits, and she'd put all her royalties into buying properties in London, one of which became the Ardens' home. Arden had been considered quite a promising singer, and had made a few records in the early 1950s. His first recordings, of material in Yiddish aimed at the Jewish market, are sadly not findable online, but he also apparently recorded as a session singer for Embassy Records. I can't find a reliable source for what records he sang on for that label, which put out budget rerecordings of hits for sale exclusively through Woolworths, but according to Wikipedia one of them was Embassy's version of "Blue Suede Shoes", put out under the group name "The Canadians", and the lead vocal on that track certainly sounds like it could be him: [Excerpt: The Canadians, "Blue Suede Shoes"] As you can tell, rock and roll didn't really suit Arden's style, and he wisely decided to get out of performance and into behind-the-scenes work, though he would still try on occasion to make records of his own -- an acetate exists from 1967 of him singing "Sunrise, Sunset": [Excerpt: Don Arden, "Sunrise, Sunset"] But he'd moved first into promotion -- he'd been the promoter who had put together tours of the UK for Gene Vincent, Little Richard, Brenda Lee and others which we mentioned in the second year of the podcast -- and then into management. He'd first come into management with the Animals -- apparently acting at that point as the money man for Mike Jeffries, who was the manager the group themselves dealt with. According to Arden -- though his story differs from the version of the story told by others involved -- the group at some point ditched Arden for Allen Klein, and when they did, Arden's assistant Peter Grant, another person we'll be hearing a lot more of, went with them.  Arden, by his own account, flew over to see Klein and threatened to throw him out of the window of his office, which was several stories up. This was a threat he regularly made to people he believed had crossed him -- he made a similar threat to one of the Nashville Teens, the first group he managed after the Animals, after the musician asked what was happening to the group's money. And as we heard last episode, he threatened Robert Stigwood that way when Stigwood tried to get the Small Faces off him. One of the reasons he'd signed the Small Faces was that Steve Marriott had gone to the Italia Conti school, where Arden had sent his own children, Sharon and David, and David had said that Marriott was talented. And David was also a big reason the Move came over to Arden. After the Small Faces had left him, Arden had bought Galaxy Entertaimnent, the booking agency that handled bookings for Amen Corner and the Move, among many other acts. Arden had taken over management of Amen Corner himself, and had put his son David in charge of liaising with Tony Secunda about the Move.  But David Arden was sure that the Move could be an albums act, not just a singles act, and was convinced the group had more potential than they were showing, and when they left Secunda, Don Arden took them on as his clients, at least for the moment. Secunda, according to Arden (who is not the most reliable of witnesses, but is unfortunately the only one we have for a lot of this stuff) tried to hire someone to assassinate Arden, but Arden quickly let Secunda know that if anything happened to Arden, Secunda himself would be dead within the hour. As "Wild Tiger Woman" hadn't been a hit, the group decided to go back to their earlier "Flowers in the Rain" style, with "Blackberry Way": [Excerpt: The Move, "Blackberry Way"] That track was produced by Jimmy Miller, who was producing the Rolling Stones and Traffic around this time, and featured the group's friend Richard Tandy on harpsichord. It's also an example of the maxim "Good artists copy, great artists steal". There are very few more blatant examples of plagiarism in pop music than the middle eight of "Blackberry Way". Compare Harry Nilsson's "Good Old Desk": [Excerpt: Nilsson, "Good Old Desk"] to the middle eight of "Blackberry Way": [Excerpt: The Move, "Blackberry Way"] "Blackberry Way" went to number one, but that was the last straw for Trevor Burton -- it was precisely the kind of thing he *didn't* want to be doing,. He was so sick of playing what he thought of as cheesy pop music that at one show he attacked Bev Bevan on stage with his bass, while Bevan retaliated with his cymbals. He stormed off stage, saying he was "tired of playing this crap". After leaving the group, he almost joined Blind Faith, a new supergroup that members of Cream and Traffic were forming, but instead formed his own supergroup, Balls. Balls had a revolving lineup which at various times included Denny Laine, formerly of the Moody Blues, Jackie Lomax, a singer-songwriter who was an associate of the Beatles, Richard Tandy who had played on "Blackberry Way", and Alan White, who would go on to drum with the band Yes. Balls only released one single, "Fight for My Country", which was later reissued as a Trevor Burton solo single: [Excerpt: Balls, "Fight For My Country"] Balls went through many lineup changes, and eventually seemed to merge with a later lineup of the Idle Race to become the Steve Gibbons Band, who were moderately successful in the seventies and eighties. Richard Tandy covered on bass for a short while, until Rick Price came in as a permanent replacement. Before Price, though, the group tried to get Hank Marvin to join, as the Shadows had then split up, and Wood was willing to move over to bass and let Marvin play lead guitar. Marvin turned down the offer though. But even though "Blackberry Way" had been the group's biggest hit to date, it marked a sharp decline in the group's fortunes.  Its success led Peter Walsh, the manager of Marmalade and the Tremeloes, to poach the group from Arden, and even though Arden took his usual heavy-handed approach -- he describes going and torturing Walsh's associate, Clifford Davis, the manager of Fleetwood Mac, in his autobiography -- he couldn't stop Walsh from taking over. Unfortunately, Walsh put the group on the chicken-in-a-basket cabaret circuit, and in the next year they only released one record, the single "Curly", which nobody was happy with. It was ostensibly produced by Mike Hurst, but Hurst didn't turn up to the final sessions and Wood did most of the production work himself, while in the next studio over Jimmy Miller, who'd produced "Blackberry Way", was producing "Honky Tonk Women" by the Rolling Stones. The group were getting pigeonholed as a singles group, at a time when album artists were the in thing. In a three-year career they'd only released one album, though they were working on their second. Wood was by this point convinced that the Move was unsalvageable as a band, and told the others that the group was now just going to be a launchpad for his Electric Light Orchestra project. The band would continue working the chicken-in-a-basket circuit and releasing hit singles, but that would be just to fund the new project -- which they could all be involved in if they wanted, of course. Carl Wayne, on the other hand, was very, very, happy playing cabaret, and didn't see the need to be doing anything else. He made a counter-suggestion to Wood -- keep The Move together indefinitely, but let Wood do the Brian Wilson thing and stay home and write songs. Wayne would even try to get Burton and Kefford back into the band. But Wood wasn't interested. Increasingly his songs weren't even going to the Move at all. He was writing songs for people like Cliff Bennett and the Casuals. He wrote "Dance Round the Maypole" for Acid Gallery: [Excerpt: Acid Gallery, "Dance Round the Maypole"] On that, Wood and Jeff Lynne sang backing vocals. Wood and Lynne had been getting closer since Lynne had bought a home tape recorder which could do multi-tracking -- Wood had wanted to buy one of his own after "Flowers in the Rain", but even though he'd written three hit singles at that point his publishing company wouldn't give him an advance to buy one, and so he'd started using Lynne's. The two have often talked about how they'd recorded the demo for "Blackberry Way" at Lynne's parents' house, recording Wood's vocal on the demo with pillows and cushions around his head so that his singing wouldn't wake Lynne's parents. Lynne had been another person that Wood had asked to join the group when Burton left, but Lynne was happy with The Idle Race, where he was the main singer and songwriter, though their records weren't having any success: [Excerpt: The Idle Race, "I Like My Toys"] While Wood was writing material for other people, the only one of those songs to become a hit was "Hello Suzie", written for Amen Corner, which became a top five single on Immediate Records: [Excerpt: Amen Corner, "Hello Suzie"] While the Move were playing venues like Batley Variety Club in Britain, when they went on their first US tour they were able to play for a very different audience. They were unknown in the US, and so were able to do shows for hippie audiences that had no preconceptions about them, and did things like stretch "Cherry Blossom Clinic" into an eight-minute-long extended progressive rock jam that incorporated bits of "Jesu, Joy of Man's Desiring", the Nutcracker Suite, and the Sorcerer's Apprentice: [Excerpt: The Move, "Cherry Blossom Clinic Revisited (live at the Fillmore West)"] All the group were agreed that those shows were the highlight of the group's career. Even Carl Wayne, the band member most comfortable with them playing the cabaret circuit, was so proud of the show at the Fillmore West which that performance is taken from that when the tapes proved unusable he kept hold of them, hoping all his life that technology would progress to the point where they could be released and show what a good live band they'd been, though as things turned out they didn't get released until after his death. But when they got back to the UK it was back to the chicken-in-a-basket circuit, and back to work on their much-delayed second album. That album, Shazam!, was the group's attempt at compromise between their different visions. With the exception of one song, it's all heavy rock music, but Wayne, Wood, and Price all co-produced, and Wayne had the most creative involvement he'd ever had. Side two of the album was all cover versions, chosen by Wayne, and Wayne also went out onto the street and did several vox pops, asking members of the public what they thought of pop music: [Excerpt: Vox Pops from "Don't Make My Baby Blue"] There were only six songs on the album, because they were mostly extended jams. Other than the three cover versions chosen by Wayne, there was a sludge-metal remake of "Hello Suzie", the new arrangement of "Cherry Blossom Clinic" they'd been performing live, retitled "Cherry Blossom Clinic Revisited", and only one new original, "Beautiful Daughter", which featured a string arrangement by Visconti, who also played bass: [Excerpt: The Move, "Beautiful Daughter"] And Carl Wayne sang lead on five of the six tracks, which given that one of the reasons Wayne was getting unhappy with the band was that Wood was increasingly becoming the lead singer, must have been some comfort. But it wasn't enough. By the time Shazam! came out, with a cover drawn by Mike Sheridan showing the four band members as superheroes, the band was down to three -- Carl Wayne had quit the group, for a solo career. He continued playing the cabaret circuit, and made records, but never had another hit, but he managed to have a very successful career as an all-round entertainer, acting on TV and in the theatre, including a six-year run as the narrator in the musical Blood Brothers, and replacing Alan Clarke as the lead singer of the Hollies. He died in 2004. As soon as Wayne left the group, the three remaining band members quit their management and went back to Arden. And to replace Wayne, Wood once again asked Jeff Lynne to join the group. But this time the proposition was different -- Lynne wouldn't just be joining the Move, but he would be joining the Electric Light Orchestra. They would continue putting out Move records and touring for the moment, and Lynne would be welcome to write songs for the Move so that Wood wouldn't have to be the only writer, but they'd be doing it while they were planning their new group.  Lynne was in, and the first single from the new lineup was a return to the heavy riff rock style of "Wild Tiger Woman", "Brontosaurus": [Excerpt: The Move, "Brontosaurus"] But Wayne leaving the group had put Wood in a difficult position. He was now the frontman, and he hated that responsibility -- he said later "if you look at me in photos of the early days, I'm always the one hanging back with my head down, more the musician than the frontman." So he started wearing makeup, painting his face with triangles and stars, so he would be able to hide his shyness. And it worked -- and "Brontosaurus" returned the group to the top ten. But the next single, "When Alice Comes Back to the Farm", didn't chart at all. The first album for the new Move lineup, Looking On, was to finish their contract with their current record label. Many regard it as the group's "Heavy metal album", and it's often considered the worst of their four albums, with Bev Bevan calling it "plodding", but that's as much to do with Bevan's feeling about the sessions as anything else -- increasingly, after the basic rhythm tracks had been recorded, Wood and Lynne would get to work without the other two members of the band, doing immense amounts of overdubbing.  And that continued after Looking On was finished. The group signed a new contract with EMI's new progressive rock label, Harvest, and the contract stated that they were signing as "the Move performing as The Electric Light Orchestra". They started work on two albums' worth of material, with the idea that anything with orchestral instruments would be put aside for the first Electric Light Orchestra album, while anything with just guitar, bass, drums, keyboard, and horns would be for the Move. The first Electric Light Orchestra track, indeed, was intended as a Move B-side. Lynne came in with a song based around a guitar riff, and with lyrics vaguely inspired by the TV show The Prisoner, about someone with a number instead of a name running, trying to escape, and then eventually dying.  But then Wood decided that what the track really needed was cello. But not cello played in the standard orchestral manner, but something closer to what the Beatles had done on "I am the Walrus". He'd bought a cheap cello himself, and started playing Jimi Hendrix riffs on it, and Lynne loved the sound of it, so onto the Move's basic rhythm track they overdubbed fifteen cello tracks by Wood, and also two French horns, also by Wood: [Excerpt: The Electric Light Orchestra, "10538 Overture"] The track was named "10538 Overture", after they saw the serial number 1053 on the console they were using to mix the track, and added the number 8 at the end, making 10538 the number of the character in the song. Wood and Lynne were so enamoured with the sound of their new track that they eventually got told by the other two members of the group that they had to sit in the back when the Move were driving to gigs, so they couldn't reach the tape player, because they'd just keep playing the track over and over again. So they got a portable tape player and took that into the back seat with them to play it there. After finishing some pre-existing touring commitments, the Move and Electric Light Orchestra became a purely studio group, and Rick Price quit the bands -- he needed steady touring work to feed his family, and went off to form another band, Mongrel. Around this time, Wood also took part in another strange project. After Immediate Records collapsed, Andrew Oldham needed some fast money, so he and Don Arden put together a fake group they could sign to EMI for ten thousand pounds.  The photo of the band Grunt Futtock was of some random students, and that was who Arden and Oldham told EMI was on the track, but the actual performers on the single included Roy Wood, Steve Marriott, Peter Frampton, and Andy Bown, the former keyboard player of the Herd: [Excerpt: Grunt Futtock, "Rock 'n' Roll Christian"] Nobody knows who wrote the song, although it's credited to Bernard Webb, which is a pseudonym Paul McCartney had previously used -- but everyone knew he'd used the pseudonym, so it could very easily be a nod to that. The last Move album, Message From The Country, didn't chart -- just like the previous two hadn't. But Wood's song "Tonight" made number eleven, the follow-up, "Chinatown", made number twenty-three, and then the final Move single, "California Man", a fifties rock and roll pastiche, made the top ten: [Excerpt: The Move, "California Man"] In the US, that single was flipped, and the B-side, Lynne's song "Do Ya", became the only Move song ever to make the Hot One Hundred, reaching number ninety-nine: [Excerpt: The Move, "Do Ya"] By the time "California Man" was released, the Electric Light Orchestra were well underway. They'd recorded their first album, whose biggest highlights were Lynne's "10538 Overture" and Wood's "Whisper in the Night": [Excerpt: The Electric Light Orchestra, "Whisper in the Night"] And they'd formed a touring lineup, including Richard Tandy on keyboards and several orchestral instrumentalists. Unfortunately, there were problems developing between Wood and Lynne. When the Electric Light Orchestra toured, interviewers only wanted to speak to Wood, thinking of him as the band leader, even though Wood insisted that he and Lynne were the joint leaders. And both men had started arguing a lot, to the extent that at some shows they would refuse to go on stage because of arguments as to which of them should go on first. Wood has since said that he thinks most of the problems between Lynne and himself were actually caused by Don Arden, who realised that if he split the two of them into separate acts he could have two hit groups, not one. If that was the plan, it worked, because by the time "10538 Overture" was released as the Electric Light Orchestra's first single, and made the top ten -- while "California Man" was also still in the charts -- it was announced that Roy Wood was now leaving the Electric Light Orchestra, as were keyboard playe

This week on The Defiant Podcast, we speak with Adam Cochran, an investor at Cinneamhain Ventures, who's probably most known for his extensive Twitter threads. We kick off our conversation by asking Adam if he expected to turn into a meme in the crypto community for his long-winded tweets. The primary driver behind crypto this year has been traditional macro markets. Crypto markets have been at the mercy of inflation and rising interest rates and the FED recently raised interest rates by half a point. Adam talks about where he thinks rates and inflation are headed and how will that impact crypto. The coins mentioned on Adam's shopping list from December 2021 have approximately lost 80% of their value this year. For comparison, Bitcoin has dropped 60%. We talk about the thesis behind the list and whether he's changing it for next year. Adam says that he adjusted to the market conditions and had been shorting throughout the year, compensating for some of his long positions. Finally, Adam shares some trade ideas for 2023. Thanking our podcast sponsors: Built by the team behind Avalanche, Core is an all-in-one command center for Web3 supporting Avalanche, Ethereum, and Bitcoin, a rich ecosystem of dApps, Bitcoin & Ethereum bridges, NFTs, Subnets, and more. Visit core.app to download now. Minima is a new mobile-native layer 1 blockchain. Join over 400,000 node runners on Minima's Incentive Program, to start earning $MINIMA every day until Mainnet launch. Get started at minima.global/get-involved This episode is brought to you by the Glo dollar, a new stablecoin that reduces extreme poverty as its market cap goes up. With Glo, you can lift people out of poverty just by holding a stablecoin. To join the waitlist, visit https://www.glodollar.org/defiant

The weekly sermon from Evergreen Community Church in Redland, Oregon.

It's no secret that keeping collectible vehicles cool can be a chore, especially during those hot summer months. One must think about air flow, fan size, shrouds, and of course, the actual size and construction of the radiator being utilized. Then there is the build material. Do you go with an old school copper and brass unit, or switch to aluminum? And then you've got to consider the overall thickness of the radiator, flow, etc. Honestly, it can be daunting. On this episode of the Hemmings Hot Rod BBQ, we welcome Phillip Cochran from U.S. Radiator, to talk us through the dos and don'ts of vehicle cooling, and what you the consumer, should look for when planning your next build or restoration.

Comedian and musician Rachelle Cochran returns to chat about reality dating shows, making music, Dirty Racket music, comedy influences, pillows, santa, crystals, some holiday drip fits, and her TED X Air force 1's. New Full Episodes every Wednesday! Follow us on Instagram and Twitter! Size 10: https://www.instagram.com/size10podcast/ https://twitter.com/size10podcast Bjorn RG: https: https://www.instagram.com/bjornrgcomedy/ Rachelle Cochran: https://www.instagram.com/itsrachellecochran/ Support our Sponsors!!! Bearskn: https://www.bearskn.com/discount/SIZE10 Email us with your feedback, questions, comments, angry rants, confessions of your undying love for us, or anything else you think we need to see or hear about, at size10podcast@gmail.com Thank you for supporting the podcast!

Theme: Gratitude Artwork: Illustrated Manuscript Depicting the Story of Water, Nepal; 17th century, Pigments on paper; Rubin Museum of Art, Gift of the Shelley & Donald Rubin Foundation; http://therubin.org/364Teacher: Tracy CochranThe Rubin Museum presents a weekly online meditation session led by a prominent meditation teacher from the New York area, with each session focusing on a specific work of art. This podcast is a recording of the live online session and includes an opening talk and 20-minute sitting session. The guided meditation begins at 17:45.  This meditation is presented in partnership with Sharon Salzberg, teachers from the NY Insight Meditation Center, the Interdependence Project, and Parabola Magazine.  To attend a Mindfulness Meditation online session in the future or learn more, please visit our website at RubinMuseum.org/meditation.  If you would like to support the Rubin Museum and this meditation series, we invite you to become a member and always attend for free.  Have a mindful day!

On November 7, 2022, the U.S. Supreme Court heard oral argument in Michelle Cochran v. U.S. Securities and Exchange Commission. In April 2016, the Securities and Exchange Commission (SEC) brought an enforcement action against Michelle Cochran, a certified public accountant, alleging that she had failed to comply with federal auditing standards. A SEC administrative law judge (ALJ) determined Cochran had violated federal law, fined her $22,500, and banned her from practicing before the SEC for five years. The SEC adopted the ALJ's decision, and Cochran objected.Before the SEC could rule on Cochran's objection, the Supreme Court decided Lucia v. SEC, in which it held that SEC ALJs are officers of the United States under the Appointments Clause, who must be appointed by the President, a court of law, or a department head. In response to the Lucia ruling, the SEC remanded all pending administrative cases for new proceedings before constitutionally appointed ALJs, including Cochran's. Cochran filed a federal lawsuit arguing that while Lucia may have addressed one constitutional issue with ALJs, it left uncorrected another problem: because SEC ALJs enjoy multiple layers of "for-cause" removal protection, they are unconstitutionally insulated from the President's Article II removal power. The district court dismissed her case for lack of subject-matter jurisdiction based on five circuit courts of appeal ruling that the Exchange Act implicitly stripped district courts of the jurisdiction to hear challenges to ongoing SEC enforcement proceedings. Arguing that in 2010, the Supreme Court had unanimously ruled in Free Enterprise Fund that nothing in the Exchange Act stripped federal court jurisdiction either explicitly, or implicitly, Cochran appealed to the U.S. Court of Appeals for the Fifth Circuit. A three judge panel affirmed the dismissal 2-1, but later, the Fifth Circuit sitting en banc, reversed 9-7, holding that Cochran had district court jurisdiction to bring her challenge to the SEC ALJ's removal protections. Tune in to hear a breakdown of the oral argument.

Welcome back to The Conviction of a Leader Podcast! Today on the show, we are joined by friend and fellow insurance agent, Bo Cochran. Bo lives in Huntsville, Alabama with his beautiful wife and 4 kids. He has been in the insurance industry for 17 years, and started an Allstate Agency from scratch in 2009. Bo's agency is currently at $40,000,000 with well over 25 employees. A huge turning point for his agency came in 2016 when his wife left a successful job to come on board.Bo's father instilled a strong work ethic within him at a young age, which he has carried with him through the years. His newest venture on the horizon is founding a bank called ‘Nova Bank' with a group of fifteen other men. The bank is set to open in downtown Huntsville in the beginning of 2023.We hope you will join us and listen as we discuss the topics of work ethic, relinquishing control, and building a legacy! You're not going to want to miss this impactful episode! Episode Highlights: Bo's Background Leadership ProgressionBo's ConvictionWhere Bo learned Work EthicKnowing when it's time to Relinquish ControlFind More on Guest:Find Bo Cochran Agency on Facebook Here!Bo Cochran Agency WebsiteLinks Mentioned in Episode/Find More on Beau Vincent:Instagram: @beaubvinnyVincent Family Insurance WebsiteBeau's Coaching WebsitePress inquiries please contact: theconvictionofaleader@gmail.com

Adam Cochran, partner at Cinneamhain Ventures, talks about the collapses suffered during this year, their impacts on big traditional finance players, and what's coming in the crypto markets in the near future.  Show highlights: whether Sam Bankman-Fried lied during his interview at the Deal Book Summit why SBF kept the number of FTX's engineers at such a low number why Adam is optimistic about Genesis and DCG what options Genesis have to raise liquidity the significance of a potential meltdown of DCG in the crypto industry why Adam is worried about Grayscale Bitcoin Trust (GBTC) what lessons can be learned from this crypto winter Adam's prognosis for crypto lending and for the crypto markets in general the impact of the bankruptcy of BlockFi and all the other centralized lenders Take Unchained's 2022 survey!   Unchained is doing its annual survey. Tell us how you think we're doing and how we could improve, whether it be on the podcast, in the newsletter, or in our premium offering. Looking forward to hearing your thoughts!  Thank you to our sponsors!Crypto.com Adam: Twitter Thread on community buyout Previous Unchained episodes: Why 3AC's Collapse Could Spell the Start of a Crypto Credit Crunch Episode Links BlockFi:  Unchained: Crypto Lender BlockFi Files for Bankruptcy as FTX's Contagion Effects Continue Decrypt: FTX, Alameda Owe BlockFi More Than $1 Billion: Court Hearing Genesis: Bloomberg: Genesis Creditors Seek Options to Keep Crypto Brokerage Out of Bankruptcy Semafor: Online news site CoinDesk attracts suitors amid crypto crash Unchained:  Genesis Warns of Bankruptcy If Funding Plans Fail: Report On-chain Analysts ID 432 GBTC Addresses After Grayscale Says No to Proof-of-Reserves WSJ: Crypto Lender Genesis Asks Binance and Apollo for Cash Decrypt: Digital Currency Group Says No Imminent Threat Despite Owing Genesis $575M The Block: DCG CEO Barry Silbert updates shareholders, says company will emerge 'stronger' Previous coverage of Unchained on Genesis: Why Genesis Could Very Well Be Insolvent, Not Just Illiquid ‘The Last Big Whale': Why the Crypto Contagion of 2022 Eventually Hit Genesis FTX: Unchained: FTX Bankruptcy Overseer Says Company's Collapse Is Worst He's Ever Seen Previous coverage of Unchained on FTX: Jesse Powell and Kevin Zhou on How FTX and Alameda Lost $10 Billion Is the Collapse of Crypto Lending Over, or Is It Just Starting? Did the Bahamian Government Direct SBF and Gary Wang to Hack FTX? The Chopping Block: Why Lenders Didn't Liquidate Alameda When It Was Underwater  Erik Voorhees and Cobie on Why FTX Loaned Out Customers' Assets The Chopping Block: FTX: The Biggest Collapse in the History of Crypto? Sam Bankman-Fried on How to Prevent the Next Terra and 3AC Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Nicole and Sarah host Barbara Cochran, ski mom, Olympic gold medalist and sports psychology consultant. Barbara tells us about the incredible history behind her father Mickey's vision to build a ski hill behind their house in Richmond, Vermont in 1961.  Mickey built a tow rope and put up lights so all his kids and anyone else who wanted to (it was open to the public), could ski train after school and into the night.Barbara is one of four children, they all grew up to be world-class ski racers and represented the U.S. in the Winter Olympics. Barbara started racing in World Cup races when she was still in high school. She shares her Olympic story of winning the gold medal in slalom at the 1972 Winter Olympics in Sapporo, Japan. We loved hearing about what was going through Barbara's mind as she prepared herself to race, and how her father's words could calm her down and get her thinking positively (even at the Olympics!).  Barbara discovered the powers of positive self talk and having a growth mindset - long before it was a well-known practice. Barbara shares the Cochran's Way, a powerful and positive message for ski racers and parents pursuing this crazy sport. She tells us about the letter she wrote to her son Ryan Cochran-Siegle, before he headed to the Olympics.Barbara's words have inspired us to stay positive and keep the big picture in mind - the invaluable life lessons our kids learn from skiing. Resources:Barbara's Sports Psychology BusinessCochran's Ski Area Keep up with the Latest from Barbara & Cochrans:Barbara on Twitter: https://twitter.com/bacochrancoachFacebook: https://www.facebook.com/SportsSuccessCoachingCochran's Ski Area Instagram Cochran's Facebook Please Help Support our Podcast:Visit Mabels Labels to personalize your own labels!Use code SKIMOMS at checkout for 15% off your purchaseJoin the Ski Moms Fun Community! Follow us on Instagram @skimomsfunCheck out the Ski Moms Fun Store at www.skimomsfun.comContact us sarah@skimomsfun.com

This week, Rufus Cochran from Indiana Sciences stops in to talk about AI, deep learning, and how it probably won't lead to the end of civilization as we know it. In the news, we're talking about the loss of the leap second and Meta's AI malarky. Be sure to follow Indiana Sciences on social media so you'll never miss out on their content. Your Hosts] James Reed (https://twitter.com/James_Reed3) Steffi Diem (https://twitter.com/SteffiDiem) Jason Organ (https://twitter.com/OrganJM) Our Guest Rufus is a computer engineer and co-chair of Indiana Sciences. his scicomm focuses on mentorship and engaging with the public to show the fun side of science, with a variety of year-round programming. Credits Editing-James Reed Mastering- James Reed Music: - Intro and Outro- Wolf Moon by Unicorn Heads | https://unicornheads.com/ | Standard YouTube License -We'll Meet Again by Vera Lynn | Property of Decca Music Group Ltd. - Additional Sounds- Inside a Computer Chip by Doug Maxwell |https://www.mediarightproductions.com/ | Standard YouTube License The Science Night Podcast is a member of the Riverpower Podcast Mill (https://riverpower.xyz/) family scinight.com (www.scinight.com)

“Mindfulness, for me, enables me to experience an art museum as if I'm listening to music. To just listen, attend to how all these objects make me feel.” How can mindfulness change our experience of art? Experienced meditation teacher and guide Tracy Cochran sees museums as perfect places to practice the lessons of mindfulness. From focusing on how an artwork impacts the feelings in her body to using the meditation techniques of “beginner's mind” or “don't know mind” to understand a work of art in a new way, Cochran sees many opportunities for applying mindfulness in the museum. In this episode, hosted by Getty Museum educator Lilit Sadoyan, Cochran shares her understanding of mindfulness and its role in art spaces as well as some techniques for practicing mindfulness in museums. Cochran teaches mindfulness meditation and mindful writing in the greater New York area at institutions such as the Rubin Museum of Art, New York Insight Meditation Center, and numerous schools, libraries, and corporations. She is also the editorial director of Parabola magazine. For images, transcripts, and more, visit https://blogs.getty.edu/iris/mindfulness-in-the-museum-lessons-from-a-meditation-guide/ or http://www.getty.edu/podcasts To learn more about Tracy Cochran, visit https://tracycochran.org/

On November 7, 2022, the U.S. Supreme Court will hear oral argument in Michelle Cochran v. U.S. Securities and Exchange Commission. In April 2016, the Securities and Exchange Commission (SEC) brought an enforcement action against Michelle Cochran, a certified public accountant, alleging that she had failed to comply with federal auditing standards. A SEC administrative law judge (ALJ) determined Cochran had violated federal law, fined her $22,500, and banned her from practicing before the SEC for five years. The SEC adopted the ALJ's decision, and Cochran objected. Before the SEC could rule on Cochran's objection, the Supreme Court decided Lucia v. SEC, in which it held that SEC ALJs are officers of the United States under the Appointments Clause, who must be appointed by the President, a court of law, or a department head. In response to the Lucia ruling, the SEC remanded all pending administrative cases for new proceedings before constitutionally appointed ALJs, including Cochran's. Cochran filed a federal lawsuit arguing that while Lucia may have addressed one constitutional issue with ALJs, it left uncorrected another problem: because SEC ALJs enjoy multiple layers of "for-cause" removal protection, they are unconstitutionally insulated from the President's Article II removal power. The district court dismissed her case for lack of subject-matter jurisdiction based on five circuit courts of appeal ruling that the Exchange Act implicitly stripped district courts of the jurisdiction to hear challenges to ongoing SEC enforcement proceedings. Arguing that in 2010, the Supreme Court had unanimously ruled in Free Enterprise Fund that nothing in the Exchange Act stripped federal court jurisdiction either explicitly, or implicitly, Cochran appealed to the U.S. Court of Appeals for the Fifth Circuit. A three judge panel affirmed the dismissal 2-1, but later, the Fifth Circuit sitting en banc, reversed 9-7, holding that Cochran had district court jurisdiction to bring her challenge to the SEC ALJ's removal protections. The case is set to be argued on Nov 7, 2022. We will break down the oral argument for this case on the next day, November 8, 2022. Featuring:--Margaret A. Little, Senior Litigation Counsel, New Civil Liberties Alliance

On November 7, 2022, the U.S. Supreme Court will hear oral argument in Michelle Cochran v. U.S. Securities and Exchange Commission. In April 2016, the Securities and Exchange Commission (SEC) brought an enforcement action against Michelle Cochran, a certified public accountant, alleging that she had failed to comply with federal auditing standards. A SEC administrative […]

In 1981, Cochran began his career as a firefighter with the Shreveport Fire Department in Louisiana. After multiple promotions, he was appointed fire chief in 1999. In 2008, he was appointed fire chief of the City of Atlanta Fire Rescue Department. The following year, President Barack Obama appointed him United States Fire Administrator. Cochran was re-appointed by Mayor Kasim Reed as Fire Chief of the City of Atlanta in 2010. He later served for five years as Chief Operating Officer of Elizabeth Baptist Church in Atlanta, Georgia. In his personal capacity, Cochran wrote a book for a men's Bible study at his church which referenced traditional marriage. A lawsuit was brought against him and he was fired from his role as Atlanta fire chief even though an investigation revealed no evidence of discrimination. ADF represented Chief Cochran in a suit filed against the city in federal court to protect his rights, including freedom of speech and freedom of religion, and protest his unjust termination. In October 2018, the city of Atlanta agreed to pay Cochran $1.2 million in the wake of a federal court ruling in his favor.

A case in which the Court will decide whether a federal district court has jurisdiction to consider claims challenging the constitutionality of the Securities and Exchange Commission's administrative proceedings.

There's been much contention about Eric Edward's Chevrolet Tahoe and if he was driving it during the hours prior to Jessica Hamby's disappearance.  The vehicle was allegedly stolen about a month after Jessica was last seen.  We also expose some other members of the Edwards & Cochran family's inconsistent and misleading statements.Support the showPatreon: https://patreon.com/secretscrime Facebook: https://facebook.com/secretscrimeInstagram: https://www.instagram.com/secretscrime/TikTok: https://www.tiktok.com/@secretstruecrimepodcastJeremy Abbott Petitionhttps://chng.it/4NpDWLPpyv

There is one woman in particular who normally gets the credit for inventing the dish washer. But there were other inventors trying to come up with ways to automatically take care of kitchen clean up both before and after Josephine Cochran. Research: Bellis, Mary. "Josephine Cochran and the Invention of the Dishwasher." ThoughtCo, Aug. 28, 2020, thoughtco.com/josephine-cochran-dishwasher-4071171. Houghton, Joel. “IMPROVEMENT IN MACHINES FOR WASHING TABLE FURNITURE.” United States Patent Office. May 14, 1850. https://todayinsci.com/Events/Patent/DishwashingMachine7365.htm Cochran, J.G. “Dish Washing Machine.” U.S. Patent Office. Dec. 28, 1886. https://patents.google.com/patent/US355139 Fenster, Julie M. “The Woman Who Invented the Dish Washer.” Invention & Technology. Fall 1999. Volume 15, Issue 2. https://www.inventionandtech.com/content/woman-who-invented-dishwasher-1 “Restoring History: Family Purchases Home of Dishwasher Inventor Josephine Cochrane and Pledges to Return it to its Former Glory.” Whirlpool. July 30, 2020. https://www.whirlpoolcorp.com/restoring-history-dishwasher-inventor-josephine-cochrane/ Eschner, Kat. “This Time-Saving Patent Paved the Way for the Modern Dishwasher.” Smithsonian. Dec. 28, 2017. https://www.smithsonianmag.com/smart-news/time-saving-patent-paved-way-modern-dishwasher-180967656/ Ram, Jocelyn, et al. “I'll Do It Myself.” United States Patent and Trademark Office. https://www.uspto.gov/learning-and-resources/journeys-innovation/historical-stories/ill-do-it-myself “Josephine Garis Cochran.” National Inventors Hall of Fame. 2006. https://www.invent.org/inductees/josephine-garis-cochran Smyser, Sue. “Woman's Quest to Save Good China Leads to Invention of Dishwasher.” Journal Gazette (Mattoon, Illinois). March 13, 2002. https://www.newspapers.com/image/84706698/?terms=Garis-Cochran&match=1 “Mrs. Cochran, Who Has Won Success as an Inventor.” The Dispatch (Moline, Illinois). Nov. 16, 1895. https://www.newspapers.com/image/?clipping_id=55415779&fcfToken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJmcmVlLXZpZXctaWQiOjMzODYyNTg5OCwiaWF0IjoxNjU5OTY3OTUzLCJleHAiOjE2NjAwNTQzNTN9.a3m-ZQ4f6PFlFUG8ibS-p2qBxNpg0C9Z2gEwg1t5lOU See omnystudio.com/listener for privacy information.