Podcasts about Lalique

Chicks and the City podcasts

Play Episode Listen Later Jun 6, 2023 5:20

https://www.whisky.de/p.php?id=GTURR00T5 Nosing 2:54 Wir verkosten den Glenturret Triple Wood 2022. Glenturret Triple Wood reift neben Bourbonfässern auch in zweierlei Sherryfasssorten, die dem Single Malt ein weiches und sanftes Geschmacksprofil mit fruchtigen Facetten verleihen. Das Kernsortiment und das Design wurden 2020 überarbeitet. Die edlen Dekanter wurden vom neuen Teileigentümer von Glenturret, dem französischen Luxusgüterunternehmen Lalique, designt. Die geschichtsträchtige Brennerei ist die älteste noch arbeitende Destillerie in Schottland. Jetzt auch als Podcast: https://www.whisky.de/shop/newsletter/#podcast Geschmacksbeschreibungen und Informationen finden Sie in unserem Shop auf Whisky.de Abonnieren: http://www.youtube.com/user/thewhiskystore?sub_confirmation=1 Instagram: https://www.instagram.com/whisky.de/ Telegram: https://t.me/whisky_de Merch: https://whiskyde-fanartikel.creator-spring.com/

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SO5E06 De glimmende wereld van piercings

Play Episode Listen Later May 31, 2023 26:44

Wanneer een piercing eenmaal geheeld is zien we alleen nog maar een glimmend stuk sieraad. Super mooi natuurlijk, maar wat gaat er allemaal aan vooraf? Hoe lang duurt het helingsproces van piercings en mag je zomaar op iedere leeftijd eentje zetten? Allemaal vragen die we in deze aflevering zullen beantwoorden. Chicks On Tour Deze podcast is tot stand gekomen vanuit het project Chicks On Tour! Met onze 'Chicks On Tour' reeks leren Chicks in een aantal weken hoe ze een professionele podcast kunnen maken. De meiden die deze aflevering mee hebben gewerkt zijn: Tamia, Lalique, Eleandra, Janae en Jenna. Droom jij er nu ook van om later een eigen podcast serie te starten of heb je ambitie om achter de schermen aan mediaproducties mee te werken? Laat het ons weten via: info@chicksandthecity.nl en wie weet zit jij binnen no-time bij ons aan tafel. Piercings Het nemen van een piercing mag niet op iedere leeftijd. Zo moeten jongeren van 12 tot 16 jaar toestemming krijgen van een ouder of voogd en moet de ouder ook aanwezig zijn als de piercing wordt gezet. Het zetten van piercings bij kinderen onder de 12 jaar is zelfs verboden! We horen je al denken: 'Huh maar als klein kind heb ik al een oorbel laten zetten.' Ja, dat mag dan weer wel. Een piercing in de oorlel is de enige piercing waar geen strenge regels aan verbonden zijn wat betreft de leeftijd. De plek, de grootte, de hoeveelheid ... Om achter alle ins en outs van het vak te komen gaan de Chicks in deze aflevering het gesprek aan met piercer Gijsje de Vries. Gijsje is 21 jaar en werkt momenteel als junior piercer bij piercingshop Queen of Rings in Rotterdam. Hoe oud was zij toen ze haar eerste piercing liet zetten? En kun je eigenlijk op alle plekken van je lichaam gepierced worden? Dit en nog veel meer kan je vanaf vrijdag 23 juni luisteren via de Chicks And The City podcast op de bekende podcastplatformen als Spotify!

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169: Var är min smocka i mellangärdet?

En trea whisky

Play Episode Listen Later May 23, 2023 45:06

BRÄND MEN INTE RÖJD. Vi kommer antagligen få byta till Elvis Midnight Snack eftersom Skrewball är uppköpta av Pernod Ricard. Veckans destilleri 12" remix är allt annat än whiskylikör, nämligen vår älskade lilla rökpuff Ardbeg. Dessutom lustmord av trippeltramsiga kristallbehållare för pissdyr whisky. Hej Glenturret, Macallan med flera. Sa någon Tetrapack? Vad var det i glaset? David hade Redbreast 15 YO, buteljerad kanske 2015 eller så, säg den här: https://www.whiskybase.com/whiskies/whisky/80251/redbreast-15-year-old Mathias smuttade på Nettle cordial från SMWS: https://www.whiskybase.com/whiskies/whisky/118350/speyburn-2009-smws-8813 Jeroen njöt av High Coast 63 batch 4: https://www.whiskybase.com/whiskies/whisky/211917/high-coast-sixty-three-63 Skrewball uppköpt av Pernod Ricard! Läs till exempel här: https://www.thespiritsbusiness.com/2023/03/pernod-takes-majority-stake-in-skrewball/ Och här: https://www.pernod-ricard.com/en/media/pernod-ricard-acquire-majority-stake-skrewball-super-premium-and-fast-growing-flavored Skrewball: https://www.skrewballwhiskey.com/ Elvis midnight snack whiskey finns här: https://www.elviswhiskey.com/ Veckan destilleri 12 inch remix: Ardbeg! Hemsida: https://www.ardbeg.com/ Fèis ìle: https://feisile.co.uk/ En viktig hemsida för all things Ardbeg: http://www.ardbegproject.com/ Lite om Fermutation: https://tjederswhisky.se/ardbeg-fermutation-matematik/ Lite om Heavy Vapours: https://www.dramface.com/all-reviews/ardbeg-heavy-vapours-review Traigh Bhan batch 1, en jättebra whisky: https://tjederswhisky.se/ardbeg-19-yo-traigh-bhan-batch1/ De många många många större släppen från Ardbeg, dock bara tiden 2000–2018: https://tjederswhisky.se/alla-storre-officiella-ardbegslapp-2000-2018/ Om den där himla NFT-whiskyn: https://tjederswhisky.se/ardbeg-gar-bezos-pa-sina-kunders-arslen/ Glenturrets svindyra whisky för 80000 pund annonserar de ut här, i en rad poster där cirka inget sägs om whiskyn men desto mer om allt flim-flam runtomkring: https://www.facebook.com/theglenturret/posts/pfbid0Grp9fK45wBAjMoLcDGFSeKnTz2Gmnn6swxiBvmXE1jxrYyYnzFfY1YxXCWykZZDyl Se också alla dessa poster: https://www.facebook.com/theglenturret/posts/pfbid0cSVNt6BXtYzcngACbdwx87E5KiHKqYMUWUcskmszZH3ay56vuustVV9VMtDtDw7ql https://www.facebook.com/theglenturret/posts/pfbid021dJXJWMBza3PPw22jCRH8kr9HconptkVodrBsT7yTaHx976iLjRif5vFaCpZPh46l https://www.facebook.com/theglenturret/posts/pfbid02LuqFzELvMKtj4Vqrmvk8SnSursHzoPoxPwXLLwAY4GGSf8LqQitCmRn3oCL1YPT7l https://www.facebook.com/theglenturret/posts/pfbid0HFK1xJAm1schM38p5ro5waLuz7ebRbZ9W2Ue57khMpdMhRZ5DxrcgAwec4AKxu1dl Glenturrets nya core range, lanserad år 2020: https://www.theglenturret.com/whisky/2020-maiden-release/core-range Se också här: https://www.thewhiskyexchange.com/feature/glenturretnewrange Lalique: https://www.lalique.com/ Italienska designrörelsen Memphis: https://en.wikipedia.org/wiki/Memphis_Group Här når du oss: En trea whisky på Facebook (https://www.facebook.com/entreawhisky) Maila till oss på hej@entreawhisky.se Davids blogg tjederswhisky.se (https://www.tjederswhisky.se) Följ oss på Instagram: https://www.instagram.com/entreawhisky Bli medlem! https://entreawhisky.memberful.com/checkout?plan=74960

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34 - Mikayla Addresses LASHGATE & Taylor Swift Look-A-Like GRAMMY DRAMA

Do We Know Them?

Play Episode Listen Later Feb 16, 2023 116:32

Use DOWEKNOW to get 55% off your first month at Scentbird https://sbird.co/3jdncO1 This month we received... Joga by Eauso Vert https://sbird.co/3JqZl8i Tamarindo by Memo Paris https://sbird.co/3JmpQvl Sexual Noir by Michel Germain https://sbird.co/3XUsq0k Rebecca Minkoff by Rebecca Minkoff https://sbird.co/3HrFJOu Tenue De Soiree by Goutal Paris https://sbird.co/3WVTGKg Soleil Vibrant by Lalique https://sbird.co/3jfPY0A https://linktr.ee/doweknowthem In today's episode, Jessi & Lily rant about the bizarre Taylor Swift Lookalike Grammy Drama, Ethan Klein's unfortunate QTCinderella take and how Mikayla Noguiera's "response" to lashgate. We hope you enjoyed this episode! Please let us know on Twitter or Instagram if you have any topic suggestions for next Sunday! (@lily_marston & @jessismiles__) FTC: This episode is sponsored by Scentbird. All opinions are 100% honest and our own. 0:00 Intro 3:52 Taylor Swift Look-A-Like Grammy's Drama 1:05:50 Jessi's opinion on Ethan Klein QTCinderalla issue 1:14:31 Mikayla Lashgate Update Business Inquiries: doweknowthempodcast@gmail.com #doweknowthem #ad Advertising Inquiries: https://redcircle.com/brands

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Episode 177 Part 1: History at Your Fingertips: How Beatriz Chadour-Sampson Catalogued 2,600 Historic Rings

Jewelry Journey Podcast

Play Episode Listen Later Dec 21, 2022 33:22

What you'll learn in this episode: How Beatriz discovered and catalogued the 2,600 rings in the Alice and Louis Koch Ring Collection at the Swiss National Museum How Covid lockdown changed how people wear jewelry Beatriz's tricks for making a jewelry exhibit more engaging What it's like to work with jewels uncovered from shipwrecks How global trade has influenced how jewelry is designed and made About Beatriz Chadour-Sampson Beatriz Chadour-Sampson studied art history, classical archaeology and Italian philology at the University of East Anglia, and at the University of Münster, Germany. Her doctoral thesis was on the Italian Renaissance goldsmith Antonio Gentili da Faenza. In 1985 she published the jewelry collection of the Museum für Angewandte Kunst, Cologne. Since 1988 she has worked freelance as a jewelry historian, curator of exhibitions and academic writer in Britain. Her numerous publications on jewelry, ranging from antiquity to the present day, include the The Gold Treasure from the Nuestra Señora de la Concepción (1991), and 2000 Finger Rings from the Alice and Louis Koch Collection, Switzerland (1994). She was the consultant curator in the re-designing of the William and Judith Bollinger Jewelry Gallery at the Victoria & Albert Museum (opened in 2008), London and was guest curator of the ‘Pearl' exhibition (2013-14). She is an Associate Member of the Goldsmiths' Company, London. Today Beatriz Chadour-Sampson works as a freelance international and jewelry historian and scholarly author. Her extensive publications range from Antiquity to the present day. Additional Resources: Instagram Museum Jewellery Curators - Goldsmiths' Fair Inside the Jewel Vault with Dr Beatriz Chadour-Sampson Photos available on TheJeweleryJourney.com Transcript: Working in jewelry sometimes means being a detective. As a freelance jewelry historian and curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum, Beatriz Chadour-Sampson draws on her wealth of knowledge to find jewelry clues—even when a piece has no hallmark or known designer. She joined the Jewelry Journey Podcast to talk about how she creates jewelry exhibits that engage viewers; how she found her way into the niche of shipwreck jewelry; and what it was like to catalogue 2,600 rings. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. My guest today is Beatriz Chadour-Sampson. She's been the curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum for almost 35 years. She's also a jewelry historian, art historian, educator, author and a whole bunch of other things I'm sure I'm missing out on, but she'll fill us in today. Beatriz, welcome to the program. Beatriz: Thank you very much for your invitation. Sharon: Can you tell us about your jewelry journey? It's been quite a journey. Beatriz: Yes, the journey starts many years ago when I was a small child, in fact. I'm not a young chick at the moment, but I started off in my childhood with jewelry. I have to tell you a little bit of the family history. I was born in Cuba. My father was Russian and my mother was British. There's a whole story of European history, including being five times refugees from Europe within Europe. That's the aside, but my father learned how to cut and polish diamonds during the war in Cuba. After the war, he opened an import/export business for gemstones. It's not unknown. You'll probably find on the internet a picture of me, age three, sorting stones in his office in Cuba. We left Cuba during the Cuban Revolution. I was a Cuban subject as well as my father, but we left and never returned. He opened a business called Chadour Charms, Inc. in New York. I always spent my holidays in New York. My mother was working in a company where I couldn't tag along. I spent most of my free time as a child on 47th Street, which was called the gold and diamond alley at the time. My father designed charms. He had the gold cast and then set the stones himself. On 47th Street we had many friends we visited. One had a refinery for gold and silver; the other one sold supplies for goldsmiths, which was quite exciting. I encountered pearls, corals, diamonds and all sorts of jewelry experiences. That was from three years to early childhood. It was about three years altogether in New York. Then my father was offered a job in Frankfurt am Main in Germany. He spoke fluent German. It was an American company building a pearl business in Frankfurt. That's when I got even deeper into jewelry. Of course, there was also the trade. You can call it child labor today. In those days maybe it was seen slightly differently, but I did my homework with the secretaries. After that, I was stringing pearls, writing invoices and doing all kinds of things with pearls. When I was slightly older, I was allowed to make pearl pairs. Don't think that a pearl is white. It's nowhere near white. There are so many different colors and lusters that come in the pearl. So, I was setting pearls, hundreds of pearls, sorting them by a quarter of a millimeter, and then pairing them for earrings and matching the pearls in their luster so they could be worn as earrings. From there we went on to jewelry, so stones and charms. Something interesting with the charms—I have a little anecdote. I was researching a book, “The Power of Love,” which came out in 2019, and I was looking in an auction catalogue for a famous love ring that Sir Laurence Olivier gave to the actress Vivian Leigh. Late at night, as I do very often, I was searching on the internet for the auction catalogue, and suddenly I see a charm bracelet. I couldn't believe my eyes. One of the charms she had on the bracelet was designed by my father. I can prove that because I have the same charm on my charm bracelet. It was a ship in the sunset, as you see in the background. So, that was going down memory lane. When I reached the age of 18, I said, “I don't want to have anything to do with jewelry ever again.” I had enough. I grew up in the jewelry trade. It was all trade. Lo and behold, I then decided to study art history in Germany and England, but I did my thesis in Germany at the University of Münster. My subject at the end of this was Antonio Gentili, a Renaissance goldsmith. He came from Faenza. He worked for the Medici and the Farnese families, two very high families. He also did works for the Vatican. I remember in my early years after my dissertation, I used to see the Easter Mass on television in Germany. I was looking to see if the cross and candlesticks I worked on were on the show on the altar, which most years they were. I then got into goldsmiths' work. It's through my jewelry background and my thesis on Renaissance goldsmiths' work that I was awarded a scholarship to write the catalogue of 900 pieces of jewelry for what is now called the Museum for Applied Arts, the Museum für Angewandte Kunst. The collection covers 5,000 years of jewelry history. I was really plunged into the deep history of jewelry. There weren't so many books at the time. They were more archaeology books. This explosion of jewelry books is something that came after I had finished the catalogue. There was a lot of research that was quite complex, but I enjoyed it. It was wonderful to gain that experience and knowledge of a wide part of jewelry history. That was in 1981. I finished the catalogue. It was published. That was also my first experience doing an exhibition because when the catalogue was launched, we had an exhibition with the jewelry. More recently I've been with the Cologne Museum since 1981. It was the first time. They're now doing a new display of the jewelry. They're still planning it. I think it's due to come out next year, so there will be a new display of the jewelry I catalogued. Then I was offered a job in Hanau, Germany. Many will not realize that Hanau has a history in jewelry that goes back to the 17th century. Up to the First World War, it was a center for producing hand-manufactured jewelry. Today, they have an academy where you can learn how to make jewelry. That goes back to 1772. So, it's a city of great tradition of jewelry. I was Managing Director of the Gesellschaft für Goldschmiedekunst. I was organizing exhibitions and competitions and catalogues, and it was all contemporary jewelry. When I was working in Cologne, that was my first encounter with contemporary jewelry. I met people who I became great friends with. I also took part in the many events of the Forum für Schmuck und Design, which still exists. So, those were my early experiences with contemporary jewelry, but when I got to Hanau, I was plunged right into it. I had all kinds of jobs to do, as I said, exhibitions, catalogues and competitions. I stayed there for about three and a half years. In 1988, I was asked if I would catalogue the Alice and Louis Koch Collection. Louis Koch was a very famous jeweler in Frankfurt au Main, Germany, and he and his wife collected rings, among many other collections. It was a family of collections. By 1904, they had about 1,700 rings. There are over 2,600 rings now. I was asked to catalogue the 1,700 rings, which took me quite a long time, but I was doing all kinds of other projects in between. The collector allowed me to do that, which was great fun. In 1994, the historical collection was catalogued fully. It's like an encyclopedia of rings from ancient Egypt on. It covers 4,000 years of jewelry history. In about 1993, just before we finished the catalogue—and there are a few contemporary rings in the 1994 publication. I believe this collection from Louis Koch in 1904 went to a second and a third generation after he died in 1930. The fourth generation, we discussed it, and we came to the conclusion that they should make it their own and continue where their great-grandfather had finished. Now, their great-grandfather was, as I said, a very famous family jeweler in Frankfurt. The shop was called the Cartier of Germany, so you can imagine royalty wearing it and the national business. He was a quite a jeweler. They also expanded to Baden-Baden. He was a very fashionable jeweler, and he was a contemporary of René Lalique. He didn't buy rings from any other contemporaries, but he bought a ring by René Lalique, so he must have realized there was something very contemporary about Lalique. He was the modernizer of French jewelry at the time, using glass and gold that was unthinkable. So, we went on this venture from 1993 until the publication in 2019. We amassed a collection of 610 rings from the 20th and 21st century, which are all catalogued. Then the collection went into the Swiss National Museum. There was a small exhibition, but since 2019, there's a permanent display of 1,700 rings. May I add that the 610 contemporary rings are all on display, so we reduced repetitions within the historical part of the collection. Interestingly, this room's showcase is also round like a ring. With 1,700 rings, it's not an easy task because you have to go in a circle. We had big, brown panels of paper and played around with the rings. It starts with themes and then goes on chronologically to the contemporary. You couldn't make a mistake because once you got to ring 200, you couldn't go back to number 50. You can imagine going up to 1,700. I can say there are two rings that are not in the right place, but that's not too bad with 1,700 rings. Sharon: Did you have to photograph them? Beatriz: I'm very lucky to finish up on the Koch Collection. I'm now consultant curator to the Swiss National Museum in Zurich. I was responsible for the display there together with my colleagues in the museum. That was quite an experience. It's wonderful after 35 years to still be able to do this. I think they were a bit concerned about my babies and that I would want to run away from it, but that isn't the case. I really enjoy working with them. It's a pleasure. It's so rewarding, after 35 years, to see the collection on display, which was always in private hands from the 1900s onward. I've just written six blogs for the Swiss National Museum. One is on the Napoleonic Wars, and the stories are all told by the rings. The next one coming out in November is on Josiah Wedgwood and his sculptor, John Flaxman. Rings tell lots of stories. Sharon: Are the blogs in English? Beatriz: Everything in the Swiss National Museum is English, German, French and Italian. So, you take your pick which one you want. Sharon: Did you have to photograph everything? When you say you catalogued them, I think of a catalogue being a photograph and description. Beatriz: Oh, no. The photographs of the historical collection were all done by a photographer. It's very difficult because we had to choose one background for all. That was complex. It's pre-1994, so it's sort of an old, pale, gray blue. One color fits all because it was the encyclopedic nature of the books. With the 2019 book, I was working with the photographer in Zurich. I spent many weeks and months in Zurich sitting next to the photographer and choosing which angle because contemporary rings don't just have a hoop and a bezel. It's a piece of sculpture, so you have to know exactly which angle to take the photograph to show as much as you can of the ring. I was actually working together with the photographer. You learn a lot with such jobs. Sharon: Wow! Today there are all kinds of degrees you can get with exhibitions. Was it something you learned hands on or learned by doing? Beatriz: I was working at the practice in my second home of the Victoria and Albert Museum, because I was consultant curator to the William and Judith Bollinger Jewelry Gallery. I worked there for four and a half years on the displays. When you see the displays in the gallery, the concept was from me. I had little black and white photographs of the old gallery, nothing in color. It didn't matter that I knew the pieces by heart and each piece of jewelry was about the size of a small fingernail, and I got a damp hand from cutting out 4,000 images of 4,000 pieces of jewelry, very high-tech, of course. I had my pieces of paper, and I started thinking that every board has to tell a story. For me with an exhibition, the exhibit has to tell the story, and the text below on the captions really helps you understand it. Visually, I think it's very important that the pieces also talk. So, yes, I started before the architect was allocated and we worked together with 4,000 pieces. My colleague, Richard H. Cumber, worked on the watches, but otherwise all the jewelry is designed on black and white photographs on white sheets of paper with double-sided tape. Sharon: Do you have thoughts about why you got so immersed in jewelry? You said you didn't want anything to do with jewelry, but here you are immersed in it. What were your thoughts? Beatriz: You mean deep diving in it? Sharon: Yes. Beatriz: I grew up in the jewelry trade and experienced the Cuban Revolution and hardships, being refugees in New York and so on and then moving again to another country. It was complex. As a child, it wasn't quite easy. It didn't do me any harm. I've survived, but it was a really hard trade. What I was doing later, and still do now, is historical jewelry. It's a very different thing. I think I've gotten my love of jewelry back, yes, but I'm very keen on the wide picture of jewelry covering thousands of years. In fact, I've been doing courses for the Victoria and Albert Museum since 2008. When I do the “Bedazzled” one, which is a history of jewelry, I start with 150,000 B.C. I jump off it pretty quickly, but for me, it's so important for people to go back to that time to understand what jewelry was about. To me, it was certainly more amuletic rather than status. It was status as well probably. We can't follow that, but certainly I think amuletic to protect from the dangers. They lived in a very natural world, so the dangers were much worse than we could imagine. I think it's fascinating to see what was in other periods of jewelry history. It makes it much more exciting to understand what's happening now. Sharon: When you came to contemporary jewelry—it seems that you're pretty immersed in that also—what stood out to you? What made a piece different or jump out at you? There seems to be so much copycatting in many ways. Beatriz: Definitely, a lot of copycatting. I've worked on a collection of 450 pieces of, and I can tell you that's one of the most copied ones. On Instagram, I have to be careful that I don't get nasty remarks because I do point out, “Yes, we've seen that before. He was ahead of his time, but his style is still modern today.” When we were putting the Koch Collection together with the 610 rings, 20 from the 21st century, the individual l idea was very important for me. It has to be innovative; the idea has to be new; it has to be interesting. For the materials, it should be an experiment with new materials; different materials; materials you wouldn't use for jewelry. We talk about sustainable jewelry. Pre-1994 we have two rings in the collection made of washing-up bottles. We were way ahead of the times. Of course, Peter Chang used recycled materials, and we commissioned a ring from him. We did commission people that never made rings before just to put them to the test. It was very interesting. Sharon: I didn't know that Peter Chang was recycled. Beatriz: The materials are all recycled materials, yes. That is the amazing part, the recycled materials. These two crazy rings we bought from a German jeweler, it's just washing-up bottles. If you're creative and imaginative, you make something interesting. We have many important names who made rings. We have some wonderful rings from Wendy Ramshaw and so on. We have a lot of big names, but that was not the point. We have a lot of ones that just graduated or were young or completely unknown. It's more the idea and what they made. Of course, I was approached many times regarding rings and I had to decline, saying, “Sorry, we already have something like that.” I couldn't say it was not exciting. The idea was already there, so it makes it difficult. Unless it was interpreted differently, yes, that's fine. So, I think we got a lot of crazy pieces. The collector always teased me. He said, “Can you wear the ring?” I said, “Of course, could you wear the ring? What do you think?” I always choose rings for wearing. Of course, I have to admit there are a few that are not wearable. I'll admit to that, but I think with a collection like the Koch Collection, you're allowed to do that. There are few you really can't wear, or you can wear them with great difficulty. Sharon: Yes, I think about that. I always think about how it would be to type with a ring like that, or how it would be to work at a keyboard, something like that. Beatriz: I always say you don't wear the big, high jewelry pieces when you go shopping or washing up. Sharon: That's true. Beatriz: I won't say any company names, but the high jewelers of New York, Paris, wherever, they make those pieces. Those are rings. If they look great, they're wearable, but you wouldn't wear them every day while you're washing up or shopping or doing other tasks around the house. Sharon: That's true. That's probably why people don't buy them as much anymore. They don't have places to go, Covid aside. Beatriz: I think with Covid, the interesting thing is that we have rings that are sculptures. If you're doing a collection and somebody makes a ring sculpture, I think it's valid to be in the Koch Collection. We do have a few ring sculptures, including Marjorie Schick. But it's interesting that you mentioned Covid and when the pandemic was on. I don't want to go into the pandemic, but we have a much-increased Zoom culture. It did exist before the pandemic, people trying to reduce travelling and climate change and so on. It did come before the pandemic, but it is definitely an increased media. You can't really wear a ring and say, “Well, here's my ring.” You have to wear something that's in the Zoom zone. That's earrings and brooches. Fortunately, I'm somebody who likes earrings and brooches. I always have on earrings and brooches. Sharon: What you have on is very Zoom culture. It shows up well. Beatriz: The color shows up, yes. The earrings, they're made of silver and made by Eve Balashova, who works in Glasgow. Zoom is not a problem with this jewelry because, as I said, I love the earrings and certainly the brooch that goes with it. In fact, when I bought the earrings I asked, “Can you make a brooch I can wear with it?” Sharon: Wow! When you go out, do you see rings that make you say, “That should be in the collection”? Can you add new ones? Beatriz: Since the display in 2019, there are only a few additions. It sort of finished with the publication and the display, but there have been the odd new rings. I write a lot about that. We have had a few, and I'm hoping that next year they will be on display. Maybe half a dozen rings; not many. We might have another exciting one, but we have to wait. Until the collector has actually gotten his hands on it, I don't want to jinx things. Sharon: But you identify them and then they say yea or nay. Beatriz: Yes. They have bought things on their own as well, but we've done this together, yes. I've identified and advised. For me, it was wonderful. First of all, they don't know the collector. It's always the Koch Collection, but the family's name is different, so it was always very modest, without great names. I was the one who negotiated everything, and it always gave me great pleasure when I could stand up and say, “We've chosen a ring for the collection.” You find this great joy on the other end, especially for those young or unknown ones. You could imagine what it meant for them. It's always great joy. I love working with contemporary artist jewelers. I worked for 13 years as a visiting tutor under David Watkins. I always said I learned more from them than they learned from me, but I helped them with their Ph.Ds. I really enjoyed working with them, and it continued with being able to buy or acquire what they made for the collection. Sharon: You do a lot of teaching. You're teaching other classes in January at the V&A. Beatriz: Yeah. Sharon: It started online. Beatriz: Yes. In 2021, I did an online course, “Bedazzled.” Next year, in January and February, it's called “Jewels of Love, Romance and Eternity,” which is a topic I've worked on because I published the book “Proud Love.” We have a few other speakers who can bring another slant into it. Again, I start with antiquity, because you can't talk about love jewels without actually talking about Roman jewelry. Many people don't realize that the engagement ring or the proposal ring or marriage ring started with the ancient Romans. Sharon: I didn't know that. Beatriz: Diamonds in engagement rings started in the 15th century. It might be a little bit earlier, but that's more or less the dateline. So, there are lots of interesting things to talk about. As I said, I've been doing courses since 2008 at regular intervals. Also at the Victoria and Albert Museum, I was co-curator of the pearls exhibition. I did a lot of courses on pearls as well, and that is a fascinating topic. It was wonderful to work on that exhibition. It was together with the Qatar Museum's authority, but I was asked by the Victoria and Albert Museum to create an exhibition for the British public, which was very different to what they had in mind, of course. Sharon: There are so many new kinds of pearls, or at least kinds that weren't popular before. Tahitians and yellow pearls, that sort of thing. Beatriz: Yes, all these extra pearls are the cultured pearls. It's a history of the natural pearl. Qatar was a center where they were diving for pearls, so we did all the diving history, how merchants worked in that area in Bali and Qatar. The cultured pearl is, of course, Mikimoto. There are theories that the Chinese started the cultured pearls, but the one who really got the cultured pearls going was Mikimoto. He certainly did the science with it. He worked together with scientists and had the vision. Natural pearls were very, very expensive, and his philosophy was that every woman should wear a pearl necklace or be able to afford a pearl necklace. I think his task is fulfilled. It's interesting because the natural pearl doesn't have quite the luster of the cultured pearl. By the 20s, you have the cultured pearls coming in, and then by the 50s—when I did the exhibition, we had so many stories being told. Of course, some ladies from the Middle East are probably kicking themselves because they sold the family natural pearls because they didn't have the luster, and they bought the nice cultured pearls that are more flashy. Of course, now the value of natural pearls is unthinkable. Sharon: Was there a catalogue? Beatriz: With cultured pearls, you have the golden pearls and the Tahitian pearls and so on, but the color of the pearls depends on the shell they grow in, unless you have some that have been tampered with and are colored. But there are Tahitian pearls, golden pearls and all these different shades. Melo pearls have an orangey color. The color of the pearl is dependent on the shell it grows in. The rarest pearl is the pink pearl that comes from the Caribbean. That's the conch pearl; that's hugely expensive. You asked about the catalogue. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

covid-19 love american new york university history power europe english england british french germany design zoom chinese european german russian italian romans middle east natural britain managing directors museum romance caribbean switzerland cuba renaissance eternity forum qatar bali rings glasgow historic gesellschaft frankfurt cuban vatican melo zurich ds cologne jewels sampson first world war medici cartier antiquity east anglia concepci schmuck hanau visually goldsmiths nuestra se fingertips albert museum bedazzled italian renaissance napoleonic wars baden baden cuban revolution associate member tahitian applied arts faenza sir laurence olivier easter mass lalique farnese victoria albert museum vivian leigh angewandte kunst peter chang david watkins transcript working

Ep #21: This unique jewelry designer's artistic inspiration is far from usual. Her Scythian nomadic influence makes her metal smithing a global sensation.

Follow Your Joy Podcast by Marla Diann

Play Episode Listen Later Nov 2, 2022 36:51

It is Lisette Thierry's creative intuitive process and materials that sets this three-decade long jewelry artist apart from the usual gemstone artist. She gets her inspiration from art experiences, cultures and movements from the craftsmanship of the Scythians, nomadic people who roamed the Russian Steppes from 900 B.C. to 200 B.C. to Rene' Lalique's Art Nouveau movement and beyond. Her 30 years of using gemstones mined from all over world include petrified wood, Dinosaur bones, jasper, agate, more and metal. Did I write Dinosaur bones? Yep. Listen to how she finds the brilliant colors of this specimen to create undeniably unique pieces that have made her a high-end designer with collectors all over the world. Her story is fascinating and intelligent. Contact info: Instagram: @lisettethierry and www.lisettethierry.com Her unique pieces are sold from her Instagram page. Through Nov 20, meet Lisette and her artistry at the Long Beach Co-op on weekends 12-4 pm. I'd love to know your takeaways -- connect with me on Instagram! Leave a review at Apple podcast and listen weekly for a new episode. For even more inspiring life, career, and entrepreneurial strategies with FREE resources, go to www.marladiann.com/free

apple inspiration global influence unique designers metal dinosaurs sensation artistic nomadic scythians jewelry designer art nouveau lalique

Le bijou comme un bisou #101 Les légendes de l'opale

Play Episode Listen Later Oct 29, 2022 13:33

Parce que chaque semaine qui commence est un nouveau départ, j'avais envie de vous lire une histoire. Alors je vous propose le bijou comme un bisou. Il était une fois les légendes de l'opale. L'opale concentre tant de couleurs, de formes et de légendes ! Elle peut être blanche, bleu, noire et même orange avec dans ses feux les éclats de toutes les gemmes. Pline l'Ancien, écrit dans son Histoire naturelle : "En elle, luit la douce flamme de l'escarboucle, la pourpre brillante de l'améthyste, le splendide vert marin de l'émeraude, le jaune d'or de la topaze, le bleu profond du saphir et ainsi, toutes les couleurs y chatoient en une incomparable mosaïque..." Elle est noble ou boulder, d'or ou de feu et même arlequin. Et bien sûr l'opale rassemble toutes les légendes les bénéfiques comme les maléfiques. En latin, le mot est Opalus et en grec Opallios, qui signifient justement "pour voir un changement de couleur". Les plus anciennes traces d'opale ont été trouvées dans la Virgin Valley en Amérique sur des objets rituels provenant d'Ethiopie et datés de 4000 ans avant Jésus-Christ. La multitude de couleurs de l'opale crée un imaginaire lié au ciel depuis la nuit des temps. Les Aborigènes appellent l'opale « serpent de l'arc en ciel » car en marchant sur l'arc en ciel pour descendre sur terre, le dieu créateur aurait donné au sol chacune des couleurs à chacun de ses pas. La légende indoue raconte que Brahmâ, Shiva et Vishnou convoitait la même femme. Elle implora l'Eternel de la protéger alors il la changea en nuages ? Pour la reconnaitre parmi les nuages Brahmâ, le teinta de bleu, Shiva, le colora en rouge, et Vishnou lui donna la lumière dorée du soleil. Alors, l'Éternel la déposa sous la terre où elle devint l'opale. En Orient, l'arc-en-ciel est appelé "arc de nuages" ou "arc d'Allah" et est constitué de quatre couleurs : le rouge, le jaune, le vert et le bleu. Chaque couleur est associée à un élément, alors l'opale qui concentre toutes ces couleurs est pour les Orientaux, une "ancre d'espérance" qui incarne à elle seule les vertus de toutes les pierres précieuses. Dans la culture arabe les légendes racontent que ce sont les éclairs qui sont emprisonnés dans l'opale. Comme l'arc-en-ciel est souvent assimilé au "chemin du ciel", l'opale qui concentre cette symbolique était l'apanage des dirigeants. En Grèce et dans le monde romain, elle était considérée comme un puissant porte-bonheur et les bâtons des généraux romains étaient parés d'opales pour assurer la victoire. En dehors de l'époque victorienne, l'opale disparait des créations joaillières jusqu'à ce que Lalique, et ses confrères ne la remettent à l'honneur notamment dans le célèbre bracelet serpent de Sarah Bernhardt. Puis les années 70 la redécouvrent. Aujourd'hui il y a tant de modèles ! La collection Frisson ou les Ciels de Chaumet, la bague Lace de David Morris, ou la Majestueuse Opale de Dior. Chez le joaillier Marc Alexandre vous trouverez l'opale blanche sage dans une bague cygne ou noire et mystérieuse dans la bague Tellure. A Besançon, chez Nathalie Bonnemaille le pendentif Montagne met en scène une opale boulder entourée d'or jaune travaillé en crêtes. Chez Thierry Vendome il y a toutes les opales. Bleu piscine dans la collection Splash, Bleu intense pour Océan, blanches serti d'or noir dans Galet. Et ma préférée c'est la bague Rolling Stone : une bille d'opale mouvante dans sa cage en or jaune. Ainsi se termine cette histoire des légendes de l'opale. Je suis Anne Desmarest de Jotemps et je donne une voix aux bijoux chaque dimanche. Pour faire parler vos bijoux et votre Maison je serai ravie de créer un partenariat ou votre podcast de marque. RDV ce même podcast la semaine suivante et le 20 novembre sur Brillante. Abonnez aux 3 podcasts, partagez et mettez pleins de jolis commentaires ! A la semaine prochaine et bisou comme un bijou.

Episode 259: Gymnastics Choreography with Nicole Langevin

Keep the Flame Alive

Play Episode Listen Later Oct 28, 2022 60:49

Ever wonder what goes into creating an Olympic gymnastics floor routine? Choreographer and gymnastics judge Nicole Langevin joins us to explain some of the required elements and how gymnasts pack them into a minute-and-a-half. Among Nicole's routines include TKFLASTANI Chellsie Memmel's comeback routine and TKFLASATNI Houry Gebeshian's Rio 2016 routine (which has a really cool story behind it). Follow Nicole and learn more about her services: Facebook: https://www.facebook.com/nicolelangevinconsultant Instagram: http://www.instagram.com/NicoleLangevinConsultant Podcast: What Makes You Think - http://www.youtube.com/whatmakesyouthinkpodcast and whereever you get your podcasts. Follow them on Twitter: http://www.twitter.com/youthinkpod Precision Choreography: https://precisionchoreo.com/ In our Albertville 1992 history moment, Alison has the story of these Games' enormous medals, made by Lalique, and the trend they started. Plus, Paris 2024 has announced its plans for the Paralympics Opening Ceremony, and they are cool! Links mentioned in the show: Houry Gebeshian's Rio 2016 floor routine: https://www.youtube.com/watch?v=zZqLiN2bCBg David Garrett's Nirvana cover: https://www.youtube.com/watch?v=4tUrn-EESBc Shannon Miller's Barcelona 1992 floor routine: https://youtu.be/yY_vjL8tMvk Some examples of wolf turns: https://youtube.com/watch?v=6FF02uZUH10&feature=share&utm_source=EKLEiJECCKjOmKnC5IiRIQ Albertville 1992 medals: https://olympics.com/en/olympic-games/albertville-1992/medal-design Paris 2024 Paralympic Opening Ceremony: https://www.paralympic.org/news/paris-2024-host-first-paralympic-games-opening-ceremony-outside-stadium Rocket Man at LA 1984: https://youtube.com/watch?v=TAP5yVaYxJU&feature=share&utm_source=EKLEiJECCKjOmKnC5IiRIQ Thank you to our patrons - we're testing out new benefits, so get in on the action at http://www.patreon.com/flamealivepod For a transcript of this episode, please visit: https://wp.me/pbRtIx-22e Thanks so much for listening, and until next time, keep the flame alive! Photos: Courtesy of Nicole Langevin *** Keep the Flame Alive: The Podcast for Fans of the Olympics and Paralympics with hosts Jill Jaracz & Alison Brown Support the show: Tell a friend: http://flamealivepod.com Bookshop.org store: https://bookshop.org/shop/flamealivepod Patreon: http://www.patreon.com/flamealivepod Hang out with us online: Facebook: https://www.facebook.com/flamealivepod Insta: http://www.instagram.com/flamealivepod Twitter: http://www.twitter.com/flamealivepod Facebook Group: https://www.facebook.com/groups/312069749587022 Newsletter: Sign up at http://flamealivepod.com VM/Text: (208) FLAME-IT / (208) 352-6348

sports olympic games games barcelona hang rio nirvana paralympics rocketman gymnastics bookshop choreographers choreography langevin albertville alison brown newsletter sign lalique photos courtesy houry gebeshian

[REDIFFUSION} Ecouter les fabuleuses histoires de flacons de parfum

Emploi Rhénan - FB Elsass

Play Episode Listen Later Sep 13, 2022 35:33

Aujourd'hui c'est Thierry de Baschmakoff dont je vais vous parler, designer de flacon mais aussi directeur artistique. Il est à l'écoute de son temps, ne cesse de chercher pour faire evoluer et être dans son temps. Pour lui, “L'innovation commence là ou le futur semble vous sourire" C'est un homme Plein d'humour et de joie de vivre, vrai avec beaucoup d'humulité. Au cours d'un échange et d'une conversation à bâton rompu comme nous aimons le faire, Thierry m'a partagé ses recherches et réalisations. Au coeur des frémissements et de la frénésie du web 3.0 par la même le monde des métaverses, Thierry souhaite et envisage de créer une galerie virtuelle pour y mettre ses quelques 6000 dessins. Le sujet l'intéresse afin de voir comment le parfum se penche et envisage son avenir dans les metaverses. Sinon, il est sur le point de lancer une plateforme de RAL Cheeky, des RAL eco-responsable, recyclable, rechargeable et personalisable. Enfin, parmi les derniers nombreuses projets réalisés, Il y a Girl de Rochas, Oui, la marque de parfum haut de gamme du groupe brésilien Botticario où Thierry a réalisé une mission globale et le RAL de la marque chinoise Marie Dalgar Pour en savoir plus : Instagram : https://www.instagram.com/debaschmakoff/ Soutenir Tatousenti : Faire un don pour soutenir et encourager Tatousenti à continuer, cliquez ici Site : www.tatousenti.com Instagram : https://www.instagram.com/bettinaaykroyd/ Production : Bettina Aykroyd Si cet épisode vous a plu, n'hésitez pas à laisser plein d'étoiles et un commentaire sur la plateforme Apple Podcasts et surtout à vous abonner grâce à votre application de podcasts préférée ! Cela m'aide énormément à faire découvrir Tatousenti à de nouveaux auditeurs et de nouvelles auditrices. Tatousenti, le podcast qui agite le parfum Tatousenti podcast explore le monde du parfum dans tous ses sens. Le sens de l'innovation, de la créative et de l'audace. Chaque semaine, Bettina donne la parole à celles et ceux qui créent et imaginent le parfum de demain. On y parle parfum, saveurs, ingrédient, odeur, émotion et développement durable avec les parfumeurs et des chefs d'entreprise, des chocolatiers, des chefs cuisiniers à titre d'exemple. Bettina Aykroyd, franco-britannique et expert odeur, parfum et saveurs. Mon motto : pour bien sentir, il faut se sentir bien.

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Le musée Lalique fête les 100 ans de Lalique à Wingen-sur-Moder

Play Episode Listen Later Aug 29, 2022 3:38

durée : 00:03:38 - Près de chez vous - France Bleu Elsass - Le musée Lalique retrace les 100 ans de Lalique à Wingen-sur-Moder en rendant hommage aux verriers, tailleurs, potiers, choisisseurs, gaziers, directeurs… qui ont été les acteurs de cette fabuleuse épopée. Das Lalique-Museum zeichnet die 100 Jahre Lalique in Wingen-sur-Moder nach

pr ans xd le mus moder lalique

Lalique, impressionistas e o "Gulbenkian affair"

Only the best

Play Episode Listen Later Jul 29, 2022 21:02

Calouste Gulbenkian adquiriu um conjunto notável de obras de alguns dos maiores artistas europeus do século XIX. A pintura de Monet, Manet, Renoir e Degas cativou o colecionador, que se interessava também pela Arte Nova e pela Arte Déco. Este gosto levou Gulbenkian a reunir aquela que é a maior coleção privada de obras do mestre joalheiro René Lalique. O colecionador e o artista criaram uma relação tão próxima que Lalique chegou a fazer um projeto especial para a casa de Gulbenkian na Avenue d'Iéna, em Paris.Neste nono episódio do podcast dedicado à coleção Gulbenkian, João Carvalho Dias, diretor-adjunto do Museu Calouste Gulbenkian, e Rui Ramos, historiador, falam sobre Impressionismo, sobre a amizade entre Gulbenkian e René Lalique e sobre a ligação da coleção à National Gallery de Washington.Only the best, um podcast do Museu Gulbenkian em parceria com o ObservadorA célebre frase de Calouste Sarkis Gulbenkian “only the best is good enough for me” (“apenas o melhor me basta”) reflete a forma criteriosa como colecionava, e demonstra a relação apaixonada que desenvolveu com as suas peças.Neste podcast, ao longo de 12 episódios, o historiador Rui Ramos e o diretor-ajdunto do Museu João Carvalho Dias viajam pela vida e pela coleção desta figura incontornável, revelando as histórias por trás das suas mais importantes aquisições, sempre a par dos acontecimentos que marcaram o séc. XX. Hosted on Acast. See acast.com/privacy for more information.

washington acast neste xx affair avenue xix monet national gallery renoir manet degas gulbenkian calouste gulbenkian lalique impressionismo rui ramos

Introducing Frederick Fischer: Managing Director of Lalique UK

The Real Rendezvous Podcast

Play Episode Listen Later Jul 19, 2022 69:21

On this episode Caroline and Priya are joined by Frederick Fischer, the Managing Director of Lalique. Lalique is an iconic symbol of French luxury founded by renowned glassmaker and jeweller, René Lalique in 1888. Lalique is best known for producing glass art, including perfume bottles, vases, and hood ornaments.Frederick's career in the luxury sector spans over 21 years and his journey started in the PR industry working at Marie Claire as a journalist, later moving to Louis Vuitton and now Lalique. His career allowed him the opportunity to work with multiple celebrities from the likes of Tom Cruise, Celine Dion and Danny Glover. Lalique is celebrating its 100th anniversary and this episode is a real eye opener into the world of luxury.Follow Caroline @caroline.donaghue and Priya @priya.rawal.london and the podcast page @therealrendezvous on Instagram and LinkedIn. Sponsored by V1 & The Luxury Property Forum. Produced by BBE Podcast Agency. Hosted on Acast. See acast.com/privacy for more information.

pr french managing directors acast tom cruise fischer celine dion louis vuitton marie claire priya danny glover v1 lalique

7/13/22 - Headed to Beavertown, Rare Unique and Expensive & Chocolate Cocktails for everyone

The Boozebuddy Update

Play Episode Listen Later Jul 13, 2022 3:01

Brought to you by Green Mountain Payments - helping local business owners save thousands of dollars by providing complimentary credit card processing equipment and zero cost credit card processing. Visit greenmountainpayments.com or posandzero.com today! We're headed to Beavertown and it tastes like raspberries here. If you want to put Eau De Musc Whiskey on your shelf, get the deets at http://tamworthdistilling.com/spirits/house-of-tamworth-eau-de-musc/ A Rare Unique ands Expensive release is scheduled ahead of National Tequila Day (on July 24th) PATRÓN Tequila and LALIQUE unveil their third collaboration with a not surprising name PATRÓN en LALIQUE: Serie 3. Only 299 bottles will be released at a steep price of $7500 on BlockBar.com - an NFT and rare wine and spirits seller. Get more at https://www.prnewswire.com/news-releases/patron-tequila-unveils-patron-en-lalique-serie-3-301584664.html Chocolate Cocktails for everyone! Champagne isn't just for trading mildly masked jabs at the ex your sibling or former best friend stole during a toast - and it's not just for mimosa's either. Head to https://www.cocktailcontessa.com/new-years-champagne-cocktail/ Remember to like, comment & subscribe. Don't drink and drive, stay safe, drive sober and support the booze that supports your local community. Find me online - social media profiles & links at https://BoozebuddyUpdate.com Learn more about your host and voice over talent The Real Voice - Mel Allen at https://TheRealVoice.com --- Support this podcast: https://anchor.fm/boozebuddy/support

head unique nfts chocolate rare cocktails expensive headed champagne national tequila day beavertown lalique

Episode 56 - Scented Story Time & Perfume Prescriptions

On The Scent

Play Episode Listen Later Jun 22, 2022 49:28

Settle in, because in this episode we're sharing just some of the incredibly personal and utterly wonderful stories from you, our listeners, on how fragrance has truly helped enhance your lives. From some who never realised scent could be so moving, to others who've reconnected to their perfume passion, we'll also be answering questions with our prescriptions.So, grab a cuppa (or a cold glass of Rosé!) and some tissues, because this one is something of an emotional rollercoaster ride…What we've been wearing:Nicola's been wearing@tothefairestlondon Cécile@penhaligons_london Orange BlossomSuzy's been wearing@tothefairestlondon AubineListener Prescriptions:@matierepremiereparfums Radical Rose & Neroli Oranger@sergeslutens Fleur d'Oranger@guerlain Mitsouko@chanel.beauty Le Lion@erisparfums Scorpio Rising (available in U.K. from @sainte.cellier)@papillon_artisan_perfumes Hera@ormondejayne Woman@maisonalaia Alaïa (the original in black bottle)@escentric_molecules Escentric 05@vilhelm_parfumerie A Lilac a Day@aerinbeauty Lilac Path@lalique Perles de Lalique@cleanbeauty_collective Clean Reserve Warm Cotton@acquadiparma_official Essenza

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President of the American Glass Guild, Kathy Jordan: Conservation Painting, Stained Glass Restoration and Industry Service

Talking Out Your Glass podcast

Play Episode Listen Later Apr 29, 2022 73:34

Throughout Kathy Jordan's career, education via workshops and hands-on experience has kept her approach to glass fresh and informed. Her training is the beneficial byproduct of many workshops, including a decade of Richard Millard's glass painting instruction held at his Antrim School in New Hampshire, intensive China painting study, and master instruction internationally. Antrim inspired Jordan to teach others by providing the same kind of camaraderie combined with intensive glass painting instruction. Jordan states: “If I had gone to an art college or university when I graduated high school, I would not be involved in glass today. My education has been unconventional, but most certainly degree worthy.” At home in Media, Pennsylvania, Jordan is wife, mother, and artist. The success of her studio, The Art of Glass, Inc.,rested upon her multifaceted talents in visual arts, historical research, technology, and entrepreneurship. Jordan's studio completed projects in churches and public spaces from Barbados to Maine, 95 percent of which were restorations. Though restoration painting is her forte, in 2013 she painted and fabricated seven new windows for St. Joseph Church in Sea Isle City, New Jersey. The largest, a panoramic baptism scene, measured 560 square feet. The late Charles Z. Lawrence, who created five windows for the Washington National Cathedral, designed the windows and selected glass for the project. Over the last three decades, Jordan has been involved with many notable restoration projects by Tiffany, LaFarge, Clayton and Bell, Mayer of Munich, Lalique, and other historically significant artists/ studios. Many of these jobs were carried out in collaboration with Femenella & Associates, including seven Tiffany angels for a travelling exhibit called In Company with Angels, Princeton University Chapel, the Washington National Cathedral and the fire-damaged windows of St. Bernard's Episcopal Church in Bernardsville, New Jersey, which established Jordan as a conservation painter. Several of these projects received Historic Preservation awards. In 2014, Jordan closed The Art of Glass, Inc. and began working for Willet Hauser Architectural Glass, Philadelphia, Pennsylvania. As Director of Art Development, one of her first jobs was to represent the studio at an important function at West Point Military Academy. She is currently involved with ongoing large, new window projects for St. Wenceslaus in Omaha. Nebraska., St. Joseph's Cathedral in Jefferson, Mississippi, and St. Agnes in Key Biscayne, Florida. Willet Hauser received the Philadelphia Preservation Alliance Award this year for the historic restoration of the Isaiah Rose Window by John LaFarge, First Unitarian Church, Philadelphia, Pennsylvania. In contrast to her work on historic windows, Jordan's autonomous panels, especially those that involve portraiture, reveal her hand and are painterly and spontaneous. For example, The Chief's Wife, which is comprised of three, 5-inch-square paintings of Native American elders that turn within the frame, was painted with Reusche's water based medium. She explains: “It behaves like an oil, but thins with and cleans up with water. It will dry if left out, but you can work into it for an extended period of time before drying occurs. I can work quickly and get a full range of value in one face, in one fire. This technique can be spontaneous and loose or controlled and refined, allowing the viewer to see tool marks, brush strokes, or none at all.” Jordan created her panel On Walden's Pond in a Debora Coombs' class from a sketch done previously in a life drawing session. Coombs' workshop was an exploration of all the different textures possible with water-based medium. Many of Jordan's autonomous panels have been donated to the American Glass Guild (AGG) auctions to raise money for the James Whitney educational scholarship. Involved with the AGG since its inception in 2006, Jordan is going into her third year as president of the organization – an extended term due to the global pandemic. The AGG will hold its annual conference from July 14 – 17, 2022 at the Corning Museum of Glass, Corning, New York. Also serving as Co-Chair of the International Year of Glass' North America Steering Committee, Jordan says 2022 is the perfect year to celebrate glass in all of its forms. Jordan states: “My work and more importantly my contributions to our industry, emerging artists I work with, the clients we work for and the students I teach is why I love this medium and continue to work and volunteer in glass. It is in my DNA and am enthralled by its beauty, mystery and endless possibilities. I was asked not too long ago what or where my body of work was. It was a leading question, and my response was swift. I responded by saying, my body of work was within historic works of stained glass windows that were preserved. My work is called upon by the many students I have taught and by doing so, they now create with confidence and pass along what they have learned. I can't ask for any more.” https://masterclass.narcissusquagliata.com/courses/business-life-of-an-artist Click the link above for the webinar, The Business Life of an Artist, featuring Kathy Jordan, Narcissus Quagliata, and Orfeo Quagliata. On the checkout page, click on Have a coupon? and type: toyg

Le siècle de Lalique : découvrez nos archives sur Aloyse Damm, souffleur de cristal

Rhin un Nuss FB ELSASS

Play Episode Listen Later Apr 27, 2022 56:31

durée : 00:56:31 - Circuit Bleu - Rhin un Nuss France Bleu Elsass - Rhin ùn Nüss vous propose une interview enregistrée en 1994 par Huguette Dreikaus avec Aloyse Damm, souffleur de cristal à Lalique, qui vous parle de son métier.

nos archives couvrez lesi damm lalique

Ep 54 Nathalie Lorson, Maître Parfumeur d'Encre Noire de Lalique (2)

dans aujourd noire lalique parfumeur

Play Episode Listen Later Apr 26, 2022 35:41

Dans le 1er épisode avec Nathalie Lorson, nous avons parlé de son parcours, de son approche et de ses créations, plus précisément des parfums qu'elle a créé.Aujourd'hui, je poursuis ma conversation avec elle pour aborder l'évolution de son métier de parfumeur, ce qui l'anime dans la création de parfum, des tendances et de son regard sur la parfumerie pour finir sur une note gourmande.Sans plus attendre, A vos écouteurs pour entendre la passionnante Nathalie#parfumeur #maitreparfumeur #nathalielorson #parfumerie #femmeparfumeur #tendanceparfum #upcycling #parfumgreen #notegourmande #boisée #notecafé #vétiver #passion #nez Get bonus content on Patreon

Ep 54 Nathalie Lorson, le nez derrière Black Opium YSL (1)

Join Us in France Travel Podcast

Play Episode Listen Later Apr 25, 2022 39:47

Saint-Laurent, Lalique, Givenchy, Mugler, Essential Parfum.... sont autant de rôles que Nathalie Lorson, maître parfumeur chez Firmenich, a revêtus, pour exprimer leurs émotions en parfum. En fait, cette dernière s'imagine telle une comédienne. D'ailleurs, elle aime à dire, « je prends un habit en fonction de la marque et je suis au service d'un propos, même s'il y a toujours quelque chose de moi dans la création. » Au final, Nathalie n'est pas simplement un nez !… mais un cerveau.En réalité, Nathalie est touchée par l'idée qu'elle rentre avec ses parfums, dans l'intimité de chacun de ses fans. De cette façon, le parfum donne une trace, qui donne des couleurs à la personnalité de chacun.A son image, ses parfums sont toujours en rondeur, en douceur, avec une certaine délicatesse, et jamais dans la vulgarité. Et son obsession reste d'ouvrir de nouvelles voix olfactives.#firmenich #blackopiumillicitgreen #loreal #masterparfumeur #tatousentipodcast #podcastparfum #mugler #essentialparfums #figueinfusion #aliengoddess #grasse #givaudan #IFF #generosite #passion #accordcafe ⁠#bettinaaykroydpodcast #yvessaintlaurent #nathalielorson Get bonus content on Patreon

black derri opium saint laurent givenchy iff mugler lalique

Les Vosges, Off the Beaten Track

Play Episode Listen Later Apr 17, 2022 54:27 Very Popular

In this episode of the podcast, Annie and Elyse describe Les Vosges, a wonderful part of France for people who love active vacations and slow travel. Looking for gorgeous scenery, happy cows and amazing hikes in France? Listen to this episode! Table of Contents for this Episode [00:03:05] Ancient mountains, like the Adirondacks [00:04:31] Épinal is the only city [00:05:20] Elyse lived in Épinal for a year [00:06:11] Lots of grass and happy cows [00:06:25] Best for active vacations [00:07:01] Vittel and Contrex are west of Épinal [00:07:28] Thermal baths stations [00:07:52] Tourism around natural water [00:08:20] The Vosges department is filled with quaint villages [00:09:39] Clairefontaine paper products [00:10:08] A nice place for affordable summer homes [00:11:24] Second largest wooded area of France [00:11:58] Hills, low altitude ski resorts, hiking, biking, nature trails [00:13:17] Large natural parks with lots of trails [00:14:33] Cross country skiing and summer activities in Gerardmer [00:15:16] Daffodil festival (Fête des Jonquilles) [00:16:15] Blueberries [00:16:34] Festival international du film fantastique de Gérardmer [00:17:07] Ruins of Monasteries hidden in the forest [00:18:25] Why visit the Vosges? [00:19:49] Lots of pretty (and not famous) villages including Domremy where Joan of Arc was born [00:20:34] Hwo Visorando works to plan hikes [00:24:17] Les images d'Épinal [00:27:13] Plombières the flavor of ice cream [00:27:39] Lalique and cristallerie [00:28:10] Canal des Vosges [00:28:44] There are five remarkable gardens in the Vosges [00:29:20] The Vosges is best for slow tourism [00:29:45] Wildlife in the Vosges [00:31:11] Great nature trails for families [00:31:52] Food specialties of the Vosges [00:40:43] New Patreon Reward for Donors! [00:42:10] Annie's Itinerary Service [00:42:41] Can't do an itinerary review? Get my VoiceMap tours! [00:43:18] Taking the TGV at CDG [00:47:49] This week in French news [00:48:58] Annie's personal update More episodes about the Alsace and Lorraine area

Ep95 – History of P&O Cruise Ship Funnels, Pride of America back to Hawaii and more Cruise News

The Big Cruise Podcast

Play Episode Listen Later Apr 16, 2022 37:57

Episode 95In this week's episode, Chris answers a question from Frankie about the change in funnel colour on P&O Cruises UK from yellow to blue. Thank you to Frankie for your kind coffee donation too. Plus we have some great cruise news from around the world. Image Credit: P&O Aurora (with blue funnel and hull art), P&O Cruises UK. Support the showSupport the show: Listen, Like, Subscribe & Review on your favourite podcast directory.Share the podcast with someone you think will enjoy the showBuy Me A Coffee – This podcast is only possible thanks to our supporters, simply buying a coffee keeps us on air. It is just like shouting your mate a coffee, and we consider our listeners close mates. https://bit.ly/2T2FYGXSustainable Fashion – choose a TBCP design or design your own… all using organic cotton, green energy and zero plastic https://bit.ly/32G7RdhSupport Chris in his walk from Cape to Cape: All donations support zero2hero empowering young people to deal with mental health. https://donate.mycause.com.au/cause/263123?donateToMember=156839Cruise NewsP&O Cruises UK cancels 7 departures P&O Cruises has apologised after cancelling seven upcoming Arcadia sailings due to Covid-enforced staff disruption.Due to the “current and extraordinary impact” of Covid-19 on the hospitality and travel sectors had caused “temporary disruption” to crew available to join its ships. “As a result, P&O Cruises will be redeploying crew from Arcadia to other ships in the fleet. This is being done in order to maintain the company's high standards of service of which we are very proud, across the other five ships in the fleet,”The cancellations impact departures between 12 April and 23 June, with itineraries J205, J206, J207, J208, J209, J210, J211 axed.Guests booked on affected cruises will receive a full refund of all monies paid, a future cruise credit and onboard spending to use on a new holiday to booked before 31 December 2023.Three Sydney Harbour Water Cannon Tugs to Provide Stunning Salute When P&O Cruises Australia Flagship Pacific Explorer Arrives Home on Easter MondayIn one of the most spectacular ship arrivals in Sydney Harbour's long maritime history, three water cannon tugs will form a guard of honour and escort for P&O Cruises Australia flagship Pacific Explorer as the ship returns to her home port on Monday after an absence of more than two years.Port Authority of NSW fire tug, Shirley Smith, will take the lead joining two water cannon tugs operated by Engage Towage — Martinique and Fitzroy — with all three sending up huge plumes of water to salute Pacific Explorer's arrival.Two other Engage tugs, Cook and Diamantina, will also be on duty carrying out operational requirements for the arrival of a cruise ship in Sydney Harbour.Goop & Celebrity Cruises go beyond in 2022Celebrity Cruises and lifestyle brand goop are setting sail this fall on an exclusive wellness retreat at sea on board the highly anticipated new-luxury ship, Celebrity Beyond. With a series of transformative experiences and sessions led by goop's wellness practitioners and an appearance by goop founder and CEO, Gwyneth Paltrow herself, ‘goop at Sea' will be held on the Celebrity Beyond 9-night Italian Riviera & France sailing departing from Barcelona on 24 September, 2022.Further extending the partnership between the companies that began in early 2020, a selection of goop's signature products, including the GOOPGLOW and GOOPGENES collections, will now be available on board Celebrity Beyond. Gwyneth Paltrow will continue as Celebrity's Wellbeing Advisor, a collaboration first announced in April 2021; and, Paltrow and the goop team will also continue to curate innovative wellness offerings for Celebrity's ships including on-demand wellness classes on stateroom TVs, a custom detox smoothie and fitness tools for guests of AquaClass® staterooms, a fully-immersive next level wellness experience, which is taken further on Beyond with the new Aqua Sky Suites featuring floor-to-ceiling ocean views, private verandas, luxurious bedding and other wellness amenities. Kiki Koroshetz, goop's VP of Content, will also continue her role in Celebrity's Women in Wellness program, which brings together the expertise of some of the most highly respected female leaders in the wellness industry to cultivate a unique wellness program at sea.The goop at Sea sailing will feature a variety of exclusive programming curated and hosted by goop, including:A live interview hosted by Gwyneth Paltrow with a top wellness expert, where she will also answer audience questionsSeveral interactive goop practitioner-led sessions focused on enhancing the mind, body and soul;Nourishment from the inside out through exclusive pop-up experiences including tastings, product trials, massages and moreGoop curated gifts and surprisesPride of America returns to Hawaii Pride of America, the only cruise ship sailing round-trip from Honolulu all year, makes long-awaited returnNorwegian Cruise Line, the innovator in global cruise travel, today announced the return to service of Pride of America, the only cruise ship to sail Hawai'i year-round. NCL's Pride of America, which is the fifteenth ship in its fleet to return to service, sails weekly seven-day, roundtrip voyages from Honolulu, providing guests nearly 100 hours of port time and the ability to explore four islands in a week's span. The itinerary includes overnights in Maui and Kauai, allowing for more immersive experiences on land, and unforgettable sights of the Nāpali Coast. NCL has two remaining ships that will be returning to service, both in early May, which will complete the Company's Great Cruise Comeback.Pride of America set sail on 09 April 2022 and is available to book through December 2025. Weekly voyages depart Honolulu every Saturday.Another record for NCL Norwegian Cruise Line has announced that its industry-first NFT Collection has sold out in twenty minutes.Oceania Cruises announces two more Better-Than-New ships Oceania Cruises, announced details of its most ambitious OceaniaNEXT experience elevation initiative to date with the stem-to-stern re-inspiration of the 1,210-guest ships Riviera and Marina, two of the most acclaimed ships in modern history. With the advent of Riviera's and Marina's re-inspiration, Oceania Cruises will, for the first time, field a fleet entirely composed of brand-new or better-than-new ships in every destination across the globe.Debuting in December 2022 and November 2023 respectively, Riviera and Marina will become better-than-new ships in a re-inspiration without peer. Every surface of every suite and stateroom will be entirely new, while in the public spaces, a refreshed colour palette will surround a tasteful renewal of fabrics, furnishings, and lighting fixtures that exquisitely encompasses the inimitable style and comfort of Oceania Cruises. Tuscan marble, engaging works of art, and designer residential furnishings will adorn the re-inspired spaces. The iconic Library will remain just as plush and hushed, while magnificent views will fill Horizons as never before. From the bejeweled chandeliers in the gracious Grand Dining Room to the Lalique crystal-laced Grand Staircase, Riviera and Marina will each celebrate a rejuvenation so sweeping, it will be positively unimaginable to resist their welcoming embrace.Suite and Stateroom Highlights:Riviera and Marina will boast a radiant new glow reminiscent of a sun-dappled Newport estate yet with the warmth and joie de vivre of a chic Parisian apartment in which each element has been carefully chosen to create a comforting sense of home.Concierge Level Veranda Staterooms and Veranda Staterooms are the largest standard staterooms afloat at 291 square feet.Suites and staterooms will embrace a complete transformation that flawlessly melds meticulously considered functionality with refined splendor and a refreshing residential panache.Each private retreat will gleam with sumptuous new furnishings, sleek restyled bathrooms, fashionable lighting, and myriad thoughtful details, such as an abundance of outlets and USB ports always within reach.Brand-new bathrooms will be more spacious than ever before and feature generous, oversized showers.Riviera will debut on December 7, 2022, on a 16-day Mediterranean, Atlantic, and Caribbean cruise from Rome to Miami.Marina will debut on November 13, 2023, on a 7-day cruise from Barcelona to Lisbon.Regent Seven Seas Cruises Announces Multi-Year Partnership with The Australian BalletRegent Seven Seas Cruises, is delighted to announce a multi-year partnership with The Australian Ballet, highlighting the brands' shared vision to providing discerning guests and patrons with inspiring and memorable experiences.Arts and culture have for many years been synonymous with the Regent Seven Seas Cruises experience. Guests on board The World's Most Luxurious Fleet enjoy fascinating insights on art, history and culture from expert lecturers as part of the onboard enrichment offering, as well as a scintillating entertainment programme of orchestra, world dance, cabaret and theatre productions in the glittering Constellation Theater.Presenting upwards of 200 performances annually, The Australian Ballet has been a shining beacon in the nation's cultural landscape for almost 60 years through a commitment to spirited style, artistic vibrancy and a love of dance.Viking partners with Cambridge University Viking announced it has partnered with the University of Cambridge to establish a new Professorship aimed at advancing research in the field of polar environmental science. The Viking Polar Marine Geoscience Fund will endow the University's Scott Polar Research Institute with its first-ever fully funded professorship—the Viking Chair of Polar Marine Geoscience. This new post will enhance the scientific leadership at the Institute and will enable the development of new lines of research into the behavior of polar environments, including polar ice sheets, sea ice and ocean circulation. The research fund builds on Viking's existing partnership with Cambridge University's Scott Polar Research Institute, which played a significant role in developing the scientific enrichment program for the company's new expedition vessels that launched earlier this year.Viking's first expedition vessel, the Viking Octantis®, debuted in January 2022 and spent the Austral summer in Antarctica. She is currently sailing toward the Great Lakes region, where she will be based for voyages throughout the Boreal summer. Scientists from the Scott Polar Research Institute—as well as other renowned academic institutions—have been undertaking fieldwork on board Viking Octantis and have joined voyages to share their expertise with guests. A second, identical sister ship, the Viking Polaris®, will join the fleet later in 2022.University of Cambridge specialists were also consulted in the development of The Science Lab on Viking's expedition vessels; the 380-square-foot lab is comprehensively appointed with wet and dry laboratory facilities and supports a broad range of researchAqua Blu relaunches Bali-Komodo expeditions this AprilAqua Blu is returning to Indonesia this April, with group and charter voyages commencing first and departures for individual travelers following in June.Starting with its Bali-Komodo itinerary, Aqua Blu will take guests to explore one of the world's most biodiverse marine ecosystems. There'll be opportunities to snorkel alongside whale sharks and observe pristine coral reefs.For those planning ahead, Aqua Blu will sail Ambon and the Spice Islands from September through till November. While observing the remnants of a colonial past, guests will have the opportunity to immerse themselves in the rich culture and heritage of these remote destinations. Finally, Aqua Blu will chart a course for Raja Ampat in December — a paradise for divers and snorkelers alike.Aqua Blu's relaunch will be accompanied by our newest addition, Aqua Mare, which will begin sailing the Galapagos Islands this June as well. Our fifth and final vessel, Aqua Mekong, will return to Cambodia and Vietnam in September.Ponant announces its return to Australia with the Kimberley 2022 seasonPonant is thrilled to announce the restart of its Kimberley 2022 expedition season, following the highly anticipated statement by Western Australia to welcome small interstate and international expedition ships with a maximum of 350 persons to its waters.With operations resuming 28 April 2022, Ponant will offer multiple departures between April and October including two new departure dates for its enormously popular 10-night ‘Australia's Iconic Kimberley' between Broome and Darwin, showcasing the wild and grandiose landscapes of the Kimberley onboard small luxury expedition ship Le Soléal.Highlights on the itinerary include visiting the Hunter River inhabited estuarine crocodiles; discovering the King George River on a Zodiac® excursion and reaching the majestic Twin Falls, the highest in Western Australia; and a visit to Collier Bay to explore Montgomery reef. Sailing along one of the most spectacular coasts in Australia, the Kimberley's falls, savannah, and tidal phenomena promise never to disappoint.Environmentally friendly, fitted with state-of-the-art equipment and complete with lounges designed to be largely open to the exterior, Ponant's modern, purpose-built, intimately sized ships offer a unique experience at sea, offering unparalleled comfort and luxury for exploring the region. Le Soléal provides 95% balcony accommodation and offers a selection of world-class dining options, open bar*, a spa and an outdoor swimming pool.Meredith Vieira, christens the Avalon ViewIn Bratislava – surrounded by vineyards and the Little Carpathian mountains – Avalon Waterways christened its 14th Suite Ship in Europe. Acting as the ship's godmother, Meredith Vieira – 15-time Emmy Award-winning host, executive producer and anchor – led the christening ceremony.After reciting her blessing, Vieira cut a rope tethered to the locally produced sparkling wine – Johann Hubert Exclusive – causing the bottle to smash against the newly named ship's bow. Managing Director of Avalon Waterways Pam Hoffee, Captain Ambrose Manolache and the ship's crew of 47 – as well as 75 invited guests that included journalists, travel agents, local dignitaries and tourism boards – cheered the ship's christening.The new Avalon View welcomes travellers aboard with a warm mix of light and dark woods, accented by rich taupe, brown and red décor in public spaces and touches of blue throughout the Suite Ship's Suites and Deluxe Staterooms, inspired by Dutch interior designer Liane van Leeuwen. Original art in common areas is by Dutch artist Eelco Maan and cabin paintings were created by another Dutch artist, Sofie Fisher.Creating wider openings for wide-eyed wonder, Avalon Waterways' Open-Air Balconies were designed with views in mind. A Panorama Suite highlight on all of the Suite Ships of Avalon, the wall-to-wall, floor-to-ceiling windows open 11-feet wide in Europe and 14-feet wide in Southeast Asia… wider than any other balconies in the industry. They blur the line between outside and in while forming a comfortable and spacious seating area without compromising room space. As a result, Avalon guests can enjoy 100 per cent of their Panorama Suite, 100 per cent of the time.Throughout the 2022 cruise season, the new 443-foot, 166-passenger Avalon View will sail the Danube River on several itineraries including Taste of the Danube, Danube Symphony, Active & Discovery on the Danube and Gone Girl! (a storyteller series cruise with celebrity host, Gillian Flynn).PLUSAustralian Travellers can now earn Qantas Points when booking a Globus family of brands (GFOB) holiday, after the company announced a partnership with Qantas Frequent Flyer, to offer new and exciting travel rewards.From today, GFOB customers who are also Qantas Frequent Flyers will have the opportunity to earn 1 Qantas Point per dollar on Globus and Cosmos coach tours and 2 Qantas Points per dollar on Avalon Waterways river cruises.*To celebrate the launch of the partnership, GFOB and Qantas Frequent Flyer are offering double Qantas Points on all eligible GFOB bookings made by 25 May, 2022.And more...Join the show:If you have a cruise tip, burning question or want to record a cruise review get in touch with us via the website https://thebigcruisepodcast.com/join-the-show/ Guests: Chris Frame: https://bit.ly/3a4aBCg Chris's Youtube: https://www.youtube.com/c/ChrisFrameOfficialPeter Kollar: https://www.cruising.org.au/Home Listen & Subscribe: Amazon Podcasts: https://amzn.to/3w40cDcApple Podcasts: https://apple.co/2XvD7tF Audible: https://adbl.co/3nDvuNgCastbox: https://bit.ly/2xkGBEI Google Podcasts: https://bit.ly/2RuY04u I heart Radio: https://ihr.fm/3mVIEUASpotify: https://spoti.fi/3caCwl8 Stitcher: https://bit.ly/2JWE8Tz Pocket casts: https://bit.ly/2JY4J2M Tune in: https://bit.ly/2V0Jrrs Podcast Addict: https://bit.ly/2BF6LnE Hosted on Acast. 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Episode 147 Part 2: Understanding Jewelry in the 21st Century: How a Classic Jewelry Book Continues to Shape the Field

Jewelry Journey Podcast

Play Episode Listen Later Mar 4, 2022 26:35

What you'll learn in this episode: Why even the most skilled jewelry experts should be open to learning new things Which jewels stand out the most out of the thousands of pieces Daniela has seen over her 40-year career How Daniela and her co-author David Bennett have updated their seminal book, “Understanding Jewelry,” for the 21st century Why the public has started to appreciate jewelry for its artistic value rather than just its intrinsic value Why a strong jewelry collection doesn't have to include hundreds of pieces About Daniela Mascetti Daniela Mascetti is one of the jewelry world's most experienced scholars specializing in the history of jewelry. Daniela joined Sotheby's in 1980, and soon after opened the firm's Jewelry department in Milan. After a distinguished career of 40 years at Sotheby's, she was appointed Chairman Jewelry, Europe, a position she retained until 2020. As one of the most renowned and experienced of scholars specializing in the history of jewelry, highlights from Daniela's distinguished career include research for the sales of historic collections such as the Jewels of the Duchess of Windsor (1987) and The Princely Collections of Thurn und Taxis (1992), Elton John, Maria Callas and Gina Lollobrigida. Most recently she was responsible for the academic research for the record-breaking sale of Royal Jewels from the Bourbon-Parma Family which included treasures from Queen Marie Antoinette. Daniela also provided research for the auction Castellani & Giuliano: The Judith H. Siegel Collection held in New York, a landmark event which reinvigorated the interest in and demand for revivalist jewels. Daniela regularly lectures on jewelry and was responsible for Sotheby's Institute of Art Jewelry Courses. She is co-author with David Bennett of the best-selling reference book Understanding Jewelry and Celebrating Jewelry, published in 2012. She has also co-written The Necklace from Antiquity to the Present, Earrings from Antiquity to the Present and a Bulgari monograph with Amanda Triossi. In 2021, Daniela and David launched a unique website showcasing their unparalleled experience and knowledge in the field of jewelry. Daniela Mascetti grew up between Lake Maggiore, Lake Varese and Lake Como and graduated in Archaeology from the University of Milan, where she developed the analytical skills required for the dating, researching and valuing of historical jewels. Additional Resources: Website: https://www.understanding-jewellery.com/ Instagram: https://www.instagram.com/understandingjewellery/ Facebook: https://www.facebook.com/UnderstandingJewellery Twitter: https://twitter.com/UJewellery_ LinkedIn: https://www.linkedin.com/company/19192787 Transcript: Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Here at the Jewelry Journey, we're about all things jewelry. With that in mind, I wanted to let you know about an upcoming jewelry conference, which is “Beyond Boundaries: Jewelry of the Americas.” It's sponsored by the Association of the Study of Jewelry and Related Arts or, as it's otherwise known, ASJRA. The conference takes place virtually on Saturday and Sunday, May 21 and May 22, which is around the corner. For details on the program and the speakers, go to www.jewelryconference.com. Non-members are welcome. I have to say that I've attended this conference for several years, and it's one of my favorite conferences. It's a real treat to be able to sit in your pajamas or in comfies in your living room and listen to some extraordinary speakers. So, check it out. Register at www.jewelryconference.com. See you there. This is the second part of a two-part episode. Today, my guest is Daniela Mascetti, a well-known name in the high-end world of jewelry and auctions. She spent four decades at Sotheby's and holds the position of Senior Specialist Worldwide. She's co-author with David Bennett of the bible for jewelry professionals, “Understanding Jewelry.” If you haven't heard part one, please go to TheJewelryJourney.com. Welcome back. Flipping through the book—I tend to look at books starting from the back forward. There was a comment about jewelry being seen as art as well as jewelry more recently. I wish I'd written down the comment, but it intrigued me because it was a comment about art jewelry. I tend to think of that as something with no gems, but more with plastic or wood or whatever. Daniela: What I think we wanted to say is that when we started in the jewelry field—I started in 1980, David in 1974 or 1975, I think—jewels were just seen as extremely valuable items. They were available to display gems. I remember vividly, in the early 1980s, beautiful Art Déco cloche brooches set with diamonds being bought by members of the trade that used to deal in diamonds. These beautiful Art Déco pieces were going to be dismantled just for their intrinsic content. That was 1985, 1986, 1989. Then gradually the general public started to look at jewels as a form of art. As you buy a painting, as you buy a sculpture, as you buy a lovely piece of ceramic, the public started to look at buying jewels for their artistic value rather than just for the intrinsic value. When I started, the composition of the showroom at Sotheby's—if I was a Christie's, I would have had exactly the same situation—was entirely made up of members of the trade. Perhaps one private buyer, two at most. Nowadays—or at least for a moment when I stopped working back in 2019—it was a 50/50 split, so a great amount of private people buying for the pleasure of acquiring an item that was unique for its sole artistic value. Sharon: What do you think changed that people started seeing it as an artistic item? Daniela: One thing that contributed was “Understanding Jewelry,” the bible as you say, which brought the history of jewelry design to a large public. They started to read the story, the history behind each piece of jewelry, and then a plethora of books started to be written on the subject of jewels. I remember when I started, there were probably 10 books dedicated to the history of jewelry design—forget about gemology and all that. Now, there are hundreds, if not thousands, of books on the subject. All these have contributed to persuade or open the public to the concept of jewels as a collectable field. Of course, there is a very strong connection between the artistic weight and the intrinsic weight. It's always a combination of the two, but it is interesting to see how the public has started to appreciate jewels for their artistic value independently from the intrinsic value. There will always be the clients who go for the 16 carats, the flawless diamond as a status symbol, as a showoff, but more and more, the public is opening up to smaller items that can tell a story. Sharon: Tell us about the business of UnderstandingJewelry.com, because there's so much. I know you're just starting out, but it's so much. Daniela: It just started up. If you've read the book, “Understanding Jewelry,” the book keeps on growing. I thought we could have subscriptions so you can subscribe and get the book continuously bringing information to you, but then we thought, once we started a website, why don't we try to do more with it? Apart from the academic part of the website that is dedicated the book, we have several other offers. We have courses online done through Zoom. Call them courses, call them seminars. They are groups of lectures on different subjects. For the time being, we've done one on Art Déco that I think was well-received. We are planning many more, but we're also concentrating on proper seminars on the field. The first will be in France, starting in Burgundy and ending up in Paris. It will be a combination of lectures and experiences. It will be lectures on jewels, experiences in Burgundy. There will be culinary experiences in restaurants and wine tastings, visiting wonderful chateaux, visiting historic places such as the Cluny Abbey. Then in Paris, we'll be visiting museums and some of the grand maisons of jewelry: Cartier, Boucheron, Chaumet, Melediaux. That is on the academic side. We also offer valuation and advisory services. Many of the clients from Sotheby's came back to us for advice to keep augmenting their collections or slim down the collection. What else do we do? We are just about to launch what will be called Hidden Gems, a part of the website where we present jewels we have found in locations such as London, Geneva and New York to start with, and that perhaps the public at large would not find because they are not sitting in the windows of jewelers of the mainstream. They are little gems in the sense of jewelry, hidden treasurers in the sense that they are the perfect example of the kind of jewelry that's hard to find. It could be a perfect Art Déco double-clip brooch. It could be the perfect 19th century pendant sitting with a member of the trade that does not have a shop front. It will always be something we choose ourselves. We will not be persuaded to put something on our website if we do not believe it is worth being on the website. What I can say is that David and I are completely independent. We put together the website entirely by ourselves. We have no financial backing. So, we are in a very privileged position and we have the final say. Sharon: That's nice to hear. It's a very nice website. I presumed that Sotheby's had given you some backing. I think it's a beautiful website. I'm sorry; go ahead. Daniela: We will agree to endorse the best jewelry, and we can do it now in our position. We've clocked together about 95 years of experience in the jewelry field. We are not backed by anybody, so we can really say, “We think this is good.” Of course, it would be personal, and we can't really stop that. Sharon: The Hidden Gems that you post, will they be for sale? Daniela: They will be for sale, yes. Our function would be to put together the seller and the potential buyer, and then the bill will be done between the two of them. We will not be interfering with the estimate, the valuation, whatever. Of course, if we are asked, “Do you think this jewel is really worth the money?” within reasonable figures, we would say yes. If we do realize the wrong figure is being asked for that type of jewel, then that type of jewel will not be on our website anyway, because we will not set the price. The price will not be on our website, but we will know more or less what the asking figure is and whether we think it is reasonable. The end of the story is if you want something that is a very special example of something, you have to be prepared to pay the right amount of money. Sharon: You mentioned something before; I'm always intrigued by the word collection and what a collector is, and the fact that people come to you and you advise them on building their collections. How do you advise on a collection? Do people come and say, “I have these three pieces. I have a ruby, an emerald and a sapphire ring. What do I need now?” Daniela: It's very much a matter of listening to your client because they're all different. The beauty is that all the collections are different. There are no two collections that are exactly the same, because each collection is the reflection of the person who puts it together. Even more so if the collector is a woman because she would have been wearing those jewels. If the collection is really there, our function is to say, “Yes, perhaps you could sell that item that is not such a great example and buy something better in that field.” Maybe the collection is almost complete, and we can say, “Look, these are the little gaps we would fill if we were in your position.” Sometimes collections are always growing. We have collectors that want to slim down the collection to always keep it at its peak, and we have collectors that want to leave their collection as it is because it shows all the steps from the very beginning and the mistakes to give a better example later on. Again, there is no rule. You have to listen, figure out what the client is aiming at and then try to do your best and give the best advice. Sharon: If somebody comes to you to advise them on their collection and there are gaps, do you help them source? Daniela: Yes, we would try to help them source. We are in very good relationships with, I would say, every member of the trade, having been a dealer with them for so many years through the auction world. We are in good relationships with the auction houses, having had a fantastic career with them. So, we would know where to go to source the item. Of course, it would perhaps be easier to source something contemporary because we would know where to go. It would be harder to source for somebody who says, “Well, I'm looking for an Art Nouveau brooch in the design of a teacup, but I don't want Lalique. I'm aiming for something different.” That would be a bit more challenging, but perhaps that's where we find them something even more exciting. Sharon: Do you only work with very wealthy people? The kinds of jewels you're mentioning are not the kind of jewels I'm going to be buying. Do you work with people at different levels? Daniela: The idea is that we're open to all levels. What we're really looking to do is be approachable. Of course, I can't give advice on gathering a collection of tiny little silver rings because that wouldn't be economically viable, but we are not talking about millions. On our website, on Hidden Gems, there will be jewels valued at $8,000, $9,000, $10,000, so we're not looking only at the top end. We're looking at the top end of quality; that for sure we are aiming at. Sharon: This is the question that doesn't have an answer, but I'm always interested in different opinions. What is a collection to you? If you're saying somebody has a collection, does that mean four pieces that tell a story, or is it just 20 pieces? What's a collection? Daniela: That is a very good question and a very difficult one to answer, because everybody has a different idea of a collection. I think I hinted at this subject. To somebody, even to me, a perfect collection of gemstones could include a fantastic Burmese ruby, a Colombian Muzo emerald, a superb Kashmir sapphire. I would like to have a Burma sapphire and a Ceylon sapphire of the best quality, and then why not a diamond. Perhaps if they want to go into colored diamonds, we would have to stretch the prices, but a collection could be made of 10 beautiful gemstones. It doesn't need to be hundreds of items. We sold a few collections at auction that were made up of 20 items. It could be five good ruby sapphires, a diamond and a beautiful pearl, and you have a perfect collection of the most appreciated gems. Then you can have collections of different periods. I've had a chance to handle beautiful period collections. There are even more collections focused on Lalique, and then collections such as the Bourbon-Parma than spans 250 years of production. Sharon: Don't forget the tiny silver rings. I was going to say don't forget the collection of tiny silver rings, too. Daniela: Absolutely. Sharon: I have a million more questions. I don't want to keep you here all day, but let me ask you, when in your career did you decide to become a gemologist? I don't know what organizations you belong to. Daniela: That was not a decision of mine. It was imposed by Sotheby's. By the time I started, gemology had become an essential part of our business. I remember all my mentors at Sotheby's, all my bosses, and none of them had a gemological degree. But the next generation, David and I, we had to do gemology. I remember one day at Sotheby's in Milan, I was told, “Daniela, you have to complete a gemology degree,” which I must admit I did not enjoy at all because at school, I was really bad at sciences, physics and mathematics. Studying gemology for me has been a toil. It has been hard to go through and get my certificate, but it was a necessity. If you look at jewels, you have to be able to say, “Yes, I know what to do. I brought my loupe, and this is what I'm looking for.” Sharon: You were in the auction business for 40 years. What kept you attractted and kept you going? What is the excitement of the auction world and jewelry? What was it? What excited you? Daniela: Why I stayed in jewels in the auction world is simply because only by working within the auction house, that sort of frame, do you have the chance to see the amount of objects I have seen. What is seen with the auction is just a fraction of what we see throughout the year, especially in London. It was a fantastic place because we had what we called counter service. People could just come off Bond Street with their little trinkets, knock on the door, and we had to go out to the counter and give evaluations. That was constant throughout the day. Now, if you have a look at the amount of jewels if you work in a museum, even in the jewel-rich museums of the world such as the Victoria & Albert Museum in London, you have the collection; you have that number. If you work for a dealer, you have your stock. But we had access to the jewels of different clients, so many different collections. We may have never sold it, or we valued it and we never got it for sale because somebody else got it for sale, or we valued it because they simply wanted to know the weight of the collection. I can't think of how many thousands of jewels I've seen in my life, the sheer number and the variety. You went from little jewels made of woven hair to 100-carat flawless diamonds, jewels of the Duchess of Windsor to the jewels of Gina Lollobrigida to the jewels of Maria Callas to the tiny, little diamond ring that had been sewn inside a teddy bear at the beginning of World War II and was rediscovered 40 years later by the granddaughter of the deceased person by breaking into this very old teddy. It's the sheer amount of variety and the variety of human stories behind these jewels. Sharon: It must have been very, very attractive, I could understand how that's very compelling. Daniela, thank you so much for spending time with us today, telling us only part of your story. You've lived a really fantastic life, so thank you for being with us today. Daniela: Sharon, thank you so much for having me. All the best to you and your team. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

Episode 147 Part 1: Understanding Jewelry in the 21st Century: How a Classic Jewelry Book Continues to Shape the Field

Jewelry Journey Podcast

Play Episode Listen Later Mar 2, 2022 30:36

What you'll learn in this episode: Why even the most skilled jewelry experts should be open to learning new things Which jewels stand out the most out of the thousands of pieces Daniela has seen over her 40-year career How Daniela and her co-author David Bennett have updated their seminal book, “Understanding Jewelry,” for the 21st century Why the public has started to appreciate jewelry for its artistic value rather than just its intrinsic value Why a strong jewelry collection doesn't have to include hundreds of pieces About Daniela Mascetti Daniela Mascetti is one of the jewelry world's most experienced scholars specializing in the history of jewelry. Daniela joined Sotheby's in 1980, and soon after opened the firm's Jewelry department in Milan. After a distinguished career of 40 years at Sotheby's, she was appointed Chairman Jewelry, Europe, a position she retained until 2020. As one of the most renowned and experienced of scholars specializing in the history of jewelry, highlights from Daniela's distinguished career include research for the sales of historic collections such as the Jewels of the Duchess of Windsor (1987) and The Princely Collections of Thurn und Taxis (1992), Elton John, Maria Callas and Gina Lollobrigida. Most recently she was responsible for the academic research for the record-breaking sale of Royal Jewels from the Bourbon-Parma Family which included treasures from Queen Marie Antoinette. Daniela also provided research for the auction Castellani & Giuliano: The Judith H. Siegel Collection held in New York, a landmark event which reinvigorated the interest in and demand for revivalist jewels. Daniela regularly lectures on jewelry and was responsible for Sotheby's Institute of Art Jewelry Courses. She is co-author with David Bennett of the best-selling reference book Understanding Jewelry and Celebrating Jewelry, published in 2012. She has also co-written The Necklace from Antiquity to the Present, Earrings from Antiquity to the Present and a Bulgari monograph with Amanda Triossi. In 2021, Daniela and David launched a unique website showcasing their unparalleled experience and knowledge in the field of jewelry. Daniela Mascetti grew up between Lake Maggiore, Lake Varese and Lake Como and graduated in Archaeology from the University of Milan, where she developed the analytical skills required for the dating, researching and valuing of historical jewels. Additional Resources: Website: https://www.understanding-jewellery.com/ Instagram: https://www.instagram.com/understandingjewellery/ Facebook: https://www.facebook.com/UnderstandingJewellery Twitter: https://twitter.com/UJewellery_ LinkedIn: https://www.linkedin.com/company/19192787 Transcript: Almost any jewelry lover would be jealous of Daniela Mascetti. Over her 40-year career with Sotheby's, Daniela got to handle some of history's most beautiful and iconic jewelry, including the Bourbon-Parma collection and the Duchess of Windsor collection. She is also the co-author of the jewelry industry bible “Understanding Jewelry,” which she has updated with a new website and corresponding business with her co-author, David Bennett. She joined the Jewelry Journey Podcast to talk about why she considers herself an archaeologist of the jewelry world; the biggest successes and lessons learned during her career; and which jewels she'll never forget. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Here at the Jewelry Journey, we're about all things jewelry. With that in mind, I wanted to let you know about an upcoming jewelry conference, which is “Beyond Boundaries: Jewelry of the Americas.” It's sponsored by the Association of the Study of Jewelry and Related Arts or, as it's otherwise known, ASJRA. The conference takes place virtually on Saturday and Sunday, May 21 and May 22, which is around the corner. For details on the program and the speakers, go to www.jewelryconference.com. Non-members are welcome. I have to say that I've attended this conference for several years, and it's one of my favorite conferences. It's a real treat to be able to sit in your pajamas or in comfies in your living room and listen to some extraordinary speakers. So, check it out. Register at www.jewelryconference.com. See you there. This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week. Today, my guest is Daniela Mascetti, a well-known name in the high-end world of jewelry and auctions. She spent four decades at Sotheby's and holds the position of Senior Specialist Worldwide. She's co-author with David Bennett of the bible for jewelry professionals, “Understanding Jewelry.” Daniela and David also co-authored the recently published “Understanding Jewelry: The 20th Century.” With this publication, they've also launched a parallel business, Understanding Jewelry, which includes something for everyone in the jewelry profession, from novices to the most experienced practitioners. We'll hear more about Daniela's jewelry journey today, and I have to say it's an extraordinary journey. Daniela, welcome to the program. Daniela: Thank you for having me, Sharon. It's very nice to see you today. Sharon: Daniela, tell us about your jewelry journey. It was by happenstance that you got into jewelry, it seems. Daniela: I'm afraid I'm not giving you the pleasure of hearing that I always played with jewels when I was a girl. I used to collect pebbles on the beach. I was very much a tomboy, and it was certainly not on my horizon in my youth. Actually, I studied classics. Then I got into archaeology, and I specialized in Greek and Roman archaeology at university. So, I sat on my career in a very academic way, and I was expecting to go on working in museums and once or twice a year have my dig in the southern part of Italy, which is so rich with treasures. Everything went all right until I realized that working in archaeology, you have to be able to cope with bureaucracy, and I was not very good at that. I was then in my part-time job at university, a part-time job in a museum in Milan, thinking of something new and more exciting. I couldn't find anything, but I decided to take a sabbatical and improve my knowledge of the English language. I knew English well enough to be able to follow an art course in English rather than take a proper language course. Then I found out that, among the many courses, there was one run by one of the bigger English auction houses, Sotheby's in London, and I applied. I was accepted and I joined, and I had a most extraordinary, wonderful year of my life. I realized that art was something that had been created to be bought, sold and enjoyed, whereas the art I was dealing with in the museum was something so important you couldn't touch it. You couldn't really enjoy yourself as an individual. So, I spent a most beautiful year around silver, carpets, furniture, sculpture. When I ended the course, I was ready to go back to the archaeological world, and then something happened out of the blue. I was asked to attend an interview at Sotheby's. I went to the interview. I was told—I'm Italian by birth and at the time I was living in Italy—that someone was hiring people for that expanding Italian adventure. I went to that interview with very little hope, but five minutes after chit chatting, I was told, “You have the job.” I said, “Fantastic! I'm so excited. Where and when?” And they said, “Well, we want you to start in about two months' time in Milan, and you have to start in the jewelry department.” My heart stopped beating and I said, “But do you realize I know nothing about jewels?” The person who was interviewing me said, “Well, do you think that's a problem? Can't you possibly learn?” And that was the stimulus. That encouraged me not only to learn about jewels today, but the history of jewelry and jewelry design. That allowed me, over the years, to put together my two passions, history and archaeology, and apply them to jewels. In a way, I like to be considered an archaeologist of the jewelry world. Sharon: Was that your career trajectory? Did you then decide, “O.K., I'm going to stay with this”? Daniela: Yes, it was a great challenge. This was always the backup to my archaeological background. I could always come back to that if this didn't work, but the year I spent at Sotheby's of London learning about the mechanism of the auction house really excited me. I said, “I think I can fit into this world much more than the completely academic world of a museum.” It was a perfect way of balancing academics and hands-on work with the object. Sharon: So, you started your jewelry career as a paid professional in Milan with Sotheby's. Daniela: Absolutely. I developed a very important art, at least the art of listening to your clients. At the beginning, I couldn't give any advice whatsoever, so I would say, “This is a very interesting piece and I really like it. Can I take a few Polaroids to send to the specialist in London to ask for advice? How did you get it? Was it in the family for a long time?” I tried to encourage the owner of the jewel to tell me information that I was then repackaging for the owner as an answer. “Oh yes, of course, it is Art Déco style,” and all that. So, at the beginning I was trying to work as a sort of mirror, but it taught me one important thing: never rush to your judgment and your comment. Always listen to other people, because you may be the most important, the most skilled specialist in your field, but it is always that little thing you do not know, and you can learn from somebody unique. Do you want to know one of my major mistakes? I still blush when I think of it, but it's interesting. I was handling a piece of Lalique jewelry. I was a few years into my career in at Sotheby's. I looked at this lovely brooch and told the client, “It is really, really lovely, in pure omnibus style. It couldn't be more Lalique. You have the enamels. You have the lovely chasing. It's a perfect example, but it isn't signed.” I was looking at it very carefully, examining the back of the piece of jewelry, where in 99.9% of the cases, you have the signature of the artist. Then the client—a very nice, elegant, mature lady—told me, “My dear girl, perhaps if you turn the brooch over and you look at the front, you can see that the name of Lalique is stamped on the front.” I felt bad, embarrassed. In all careers, you have your mistakes, and you learn from your mistakes. That is one of my mantras: listen and learn from mistakes. Once you've made that mistake, you never repeat it. It's much better to make a mistake and learn from it than always stay in between the answers, just to not say something that is wrong. Sharon: You have had so many successes that it's interesting to hear about one mistake. That applies to anything in terms of listening to the client. Listening applies to any field. One thing that kept occurring to me as I was reading about you and talking to you: do you think you would have been as intrigued or interested if Sotheby's had said, “We need somebody as a carpet specialist”? Daniela: Perhaps not in the carpet section, but I could have been in the old masters department or the antiquities department, because in those days, even in London, Greek and Roman and Egyptian antiquities were being sold. In fact, when I was told I got the job, the first thing I thought was “They want to put me in the antiquities department.” The other departments I would have fit in, but not carpets, perhaps not silver, but certainly I would have in ceramics, old masters and antiquities. Sharon: Did you ever think about going back to archaeology after you started your career in the auction world? Daniela: I must say I was ready to leave it. There's a still passion. I still read about it. I still have very good friends that kept on in that field. We exchange ideas, but no, I thoroughly embraced jewels and I love it now to the very core. Sharon: You've handled some extraordinary jewels. What would be the highlight? I was reading about everything you've done. What would be the highlight of the jewels you've looked at or been in charge of auctioning off? Daniela: I am an object person, a jewelry person rather than a gem person. I'm not saying I do not like a fantastic ruby, but my instinct goes to an object that has been crafted and that perhaps has a history. At the beginning of my career—I started at Sotheby's in 1980—we had the fabulous sale of the jewels of the Duchess of Windsor in 1987. Many years later in 2018, towards the end of my 40 years at Sotheby's, we had another fantastic collection, the Bourbon-Parma jewels. Within these two collections are some of the jewels I will always remember. Within the Duchess of Windsor collection, there are two items for two different reasons. One because of its beauty and the way it was absolutely perfectly crafted: the Panther Bracelet. So subtle, so realistic, so sensual. Once you had it on your wrist, you wanted to keep on stroking the panther as if it were your little kitten. You can feel it with your fingers, the bones under this wonderful pelt of sapphires and diamonds. One of the best, not only in my opinion, of all the great cats created by Cartier. The other jewel that I think is an icon of the 20th century is the Flamingo Brooch by, again, Cartier and created in 1940. It's one of the jewels that, in my opinion, is a mark of the 20th century because, if you look at it, you can't really date it. It could be 1920s. It could be 1930s. It could be 1960s. It could have been made yesterday. It is so much of the 20th century all together. When I'm asked what the most iconic jewel of the 20th century is, I say definitely the Duchess of Windsor Flamingo Brooch. When you come to the Bourbon-Parma collection, which we sold in 2018, obviously there was a jewel that was so poignant and so emotional, and that was the pearl that belonged to Queen Marie Antoinette of France. It was extraordinary, the handling of a jewel that had been created for a queen that became so famous for all the wrong reasons. That she lost her head as a consequence remained with the family for the next 200-odd years. Handling it was a really wow factor, but even more so, it was an amazing piece of jewelry that we valued at $1 to $2 million. It sold for, I think, $36 million. It was not the pearl for $36 million; it was the Marie Antoinette factor. The other one in the collection that really gave me frisson was a ring that had the monogram of Marie Antoinette in a glazed compartment set on top of a lock of hair of Marie Antoinette. When it was on your finger, you thought, “Wow, I'm wearing not only something that belonged to Marie Antoinette, but also a little bit of Maria Antoinette herself.” So, it was very, very emotional. Sharon: Wow! I can see how that would be incredible from a jewelry perspective, from a history perspective. So, you opened the jewelry department for Sotheby's in Milan. Is that where you met David Bennett? Daniela: Yes, that's how we met. My superiors at Sotheby's had the grace to believe in me, and they also realized I was very junior to the job, and I needed a lot of support. David was, in those days, one of the specialists in London and young enough to be told, “Come on, get on a plane and go down and help Daniela put together this scene.” That's how we met. He knew a bit more than I did. He was about four or five years into the career by then. To my eyes, he was amazingly knowledgeable. That's how we met, and from the very beginning, I think we clicked. We discovered we had a lot of common interests and we were on the same wave length. We look at jewels in the same way. It was late 1980 when I met him. Sharon: How did the book come about? You both decided you wanted a book? Daniela: That is an interesting story. I think you may have to ask the question of David to get his part of the story. I came in at the second stage. David asked me, “Daniela, I was given the task of writing this book last year. I haven't done anything. Can you please help me?” I'm sure he will tell you how he got into that situation if you ask him. I don't want to say the wrong thing. But, of course, I said, “Yes, I will be delighted,” because it was a great chance for me to get into a publication. I thought I could do it because I had the background, the organized mind to do the research, to put all my docs in line together and then cook the cake, so to speak. Over the next year, I collected all the information. I sourced all the images, and then writing the book was very much four-hands, two-brain work, mine and David's. Sharon: Did you anticipate that it would be such a foundational work? Daniela: Not at all. It was really great to see the book selling. At the beginning, I could not believe it, but there was a market for it. As the years passed and the editions kept being published throughout the whole world, I thought perhaps we had done something that really hit the right mark. I think the success, if you want to call it that, of the book was that it was informative, but not written in an academic way. It was accessible to everybody. It was accessible to somebody who knew about jewels, so we were not patronizing, but at the same time, we gave information that perhaps not everybody who was working in the field had. It really could be bought as a present for the girlfriend who loves jewels, but it was a book that was bought by most members of the trade. In fact, it was divided into decades and groups of 20 years, so it was so well-structured from the time point of view. Sharon: It's such a bible of the jewelry profession. I think I told you that when I first got into jewelry, a dealer said to me, “If you have one book, this is the book, ‘Understanding Jewelry.'” How did the updates come about? Did editors come to you and say, “There's new information,” or did you to go the publisher? How did that work? Daniela: It was me going to the publisher. The publisher was happy to keep on reprinting the book because the book was selling. The first edition came out in 1989 and covered from 1780 and basically went up to the 60s and 70s. It was too early, in 1989, to write anything about the 80s. We didn't have a clue. We were living in the 80s, so it was impossible to judge. It was back in 2003 when we had a proper revamp of the book with the third edition. We brought it to the year 2000. We considered if we should do another version and stretch it to 2010, 2020. I said, “No, we will be in the same position we were in 1989. It's very difficult to judge what's happening at the moment. You really need everything to sediment and to look at it from a distance. So, we thought, “Why don't we do something more up to date?” We considered going digital, doing a digital version of the book, but we thought perhaps we could do a bit more than that. So, we have a platform, UnderstandingJewelery.com. We have the whole book, “Understanding Jewelry,” but the book is continuously growing with the addition of images and quite extensive captions in all the different chapters. So, you not only have the book that you can buy in the shop, but you have a book that keeps on growing. We are making a point to keep this process a steady progress and giving it a chance for the book to become an encyclopedia if we want, the bible of jewels. Sharon: I've only been able to look so far on the website. Are you talking about “Understanding Jewelry: The 20th Century”? That's your most recent book, right? Daniela: That is recent, yes. That came from the fact that we realized we are now quite well into the 21st century and we can look, even in the last two decades of the 20th century, with a different eye, with a more critical eye. We decided to split the 19th century from the 20th century, and we decided to unpack one subject at a time. The difference between the part dedicated to the 20th century, which is in Understanding Jewelry, the original version, is that this looks more to the social history, the fashion history, the political history and the economic history that was the background to jewelry production throughout the 20th century. It will not present the development of brooches from 1900 to 1960, but we still give a very good example for each decade of the most iconic jewels of the period. Sharon: I love the way it's divided and goes decade by decade. It may start at 1900 or the 1890s, but you're very clear on what the period is. It's very clearly written. Daniela: Thank you. We tried our best. It's nice to hear that we have reached the aim we were trying to achieve. Sharon: This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week.

Be Passionate to Be Exceptional w/ Sarah Gargano

Reflect Forward

Play Episode Listen Later Dec 14, 2021 44:27

Guest: Sarah has worked for twenty years in the luxury sector with many of the top European luxury houses, including Lalique, Cartier, DeBeers, Valmont, McLaren Automotive, The Italian Government, Hotel Santa Caterina, Villa René Lalique, Chateau Lafaurie-Peyraguey, Nobu Hotels, Puiforcat, Jean-Louis Coquet, Philippe Deshoulières, Robert Haviland & C. Parlon, Rossano Ferretti, Nathalie Jean fine jewelry, John Hardy, Vertu, Armand de Brignac champagnes, Agent Provacateur, RISD Museum, One Drop Foundation and Luxury Education Foundation, among others. Sarah has received first-hand experience in the factories and headquarters for each brand, observing the craftsmanship and know-how of the artisans and workers, passed on from generation to generation. She has developed a passion for handcrafted, service-oriented luxury brands through this invaluable training. This love and appreciation of the sector have driven Sarah to specialize and focus her efforts on promoting and educating luxury brands worldwide. Episode in a Tweet: What makes luxury brands unique? They know who they are, and they don't pretend. They are true to their own DNA. Listen for a behind-the-scenes look at how the luxury industry is becoming more diverse, inclusive and sustainability-focused. Quick Background: Sarah Gargano believes excellent communication is a 360-degree approach, including editorial coverage, social media & digital strategy, influencer marketing, events, video, advertising, television and film. Her contacts in each medium are A-list. She has helped her clients achieve outstanding results, successfully delivering their message and furthering their presence and power as authoritative luxury brands. In this week's episode of Reflect Forward, Sarah shares her journey from leaving Wall Street to entering the mysterious world of luxury. She explains what all brands could learn about PR and branding from luxury: know who you are and stay true to who you are – great advice for anyone. She talks about helping her clients create highly personalized experiences so their customers can truly understand the brand. Sarah and I talk about how the luxury industry is becoming more diverse, inclusive, and sustainability-focused. She shares her passion for educating future generations about the luxury industry through her involvement with the Luxury Education Foundation. The Luxury Education Foundation is a non-profit organization focused on nurturing future leaders in the luxury industry and fostering meaningful exchanges between like-minded CEOs, leading executives and high-potential, emerging talent. Established in 2004, LEF partners with Columbia Business School, Parsons School of Design, and Hong Kong University of Science and Technology to create global, qualitative interdisciplinary programs to ensure future success for members, students, and alumni. This episode is fascinating, and I am sure you will enjoy learning from Sarah as she shares her passion for her clients and their brands and her journey to excellence. To find out more about Sarah, check out her website here: https://www.sarahgargano.com/ To learn more about the Luxury Education Foundations, visit their website here: https://www.luxuryeducationfoundation.org/

A Collection of the Very Best of René Lalique to be Offered in Dedicated Paris Auction

New York Style Guide

Play Episode Listen Later Dec 12, 2021

A Collection of the Very Best of René Lalique to be Offered in Dedicated Paris Auction On 17 December, Sotheby's will offer a rare museum-quality collection of pieces by René Lalique, all appearing at auction for the first time. Assembled by aesthete Claude H. Sorbac (1921 – 2021), the array traces the career of the ...

events collection dedicated auction offered sotheby assembled lalique

Happy Cristal revient au Musée Lalique

Actualités Rhénanes sur le Net FB Elsass

Play Episode Listen Later Nov 26, 2021 2:07

durée : 00:02:07 - Actualités Rhénanes sur le Net FB Elsass - La période de Noël revient avec quelques expositions palpitantes, notamment Happy Cristal au Musée Lalique.

rh mus revient actualit lalique

le bijou comme un bisou #83 Le Bijou dessiné

geeks scent smelly lalique

Play Episode Listen Later Nov 6, 2021 15:55

Parce que chaque semaine qui commence est un nouveau départ, j'avais envie de vous lire une histoire, alors je vous propose le bijou comme un bisou du dimanche soir. Il était une fois le bijou dessiné Vous allez me dire que j'ai déjà traité du gouaché dans l'épisode 26 de podcast mais le dessin joaillier rassemble tout à la fois les simples esquisses, le croquis plus élaboré jusqu'au gouaché qui comme vous le savez maintenant est à la fois une œuvre d'art et un plan à l'échelle du bijou qui sera réalisé. Le dessin de bijou est donc aussi, à travers le temps, une mémoire du bijou du point de vue stylistique, mais aussi l'histoire même de la fondation de l'apprentissage du dessin joaillier. Et pour ne rien vous cacher, le bijou dessiné c'est actuellement une exposition de l'Ecole des Arts Joailliers, gratuite et ouverte jusqu'au 14 février 2222 et j'ai eu la chance de bénéficier d'une visite guidée avec Cécile Lugand, Docteur en Histoire de l'art et Enseignant-chercheur à l'Ecole des Arts Joailliers alors je voulais vous partager tout ce qu'elle m'a révélé. Au 21 de la rue Danièle Casanova, au verso de la place Vendôme, on entre de plein pied dans un dessin (sur fond gris comme pour les gouachés) qui reproduit directement sur les murs les 4 étapes du parcours de l'exposition : l'atelier de joaillerie, l'espace vidéo qui explique la réalisation picturale, l'atelier d'artiste aux volutes de l'Art Nouveau et la fonction du dessin joaillier. Mais avant cela dans le couloir antichambre, une première vitrine plante le décor ou plutôt le sujet. Un dessin daté de 1770 de Louis Vander Cruycen à l'encre brune et lavis sur papier vélin, présente un bijou aux pendeloques formant un pompon, et à côté une photo d'un pendentif Cartier créé vers 1902 pour la comédienne Jane Hading présente un design presque semblable. En une seule vitrine, tout est dit : l'évolution des matériaux, la transmission du style, la traçabilité historique ! Parce que l'histoire du dessin de bijou est le premier acte de l'histoire de la joaillerie. En entrant dans la représentation de l'Atelier de joaillerie, on mesure peu à peu les différentes étapes de la réalisation de ce dessin du bijou. Il y a d'abord l'esquisse, tracé léger et libre qui imagine le bijou, cherche d'une main nerveuse le plus joli design, essaie traits après traits d'améliorer les contours et d'ajuster le porté comme on le voit sur un dessin de la Maison Mellerio-Borgnis vers 1865 où une boucle d'oreille est imaginée une fois « dans le vide » puis à 3 reprises sur l'oreille. Ensuite vient la « mise au net » qui est un dessin abouti, utilisant les instruments de mesure ou le compas, respectant la symétrie exacte. Ce n'est plus l'imagination libre qui s'exprime mais plus, un plan d'architecte, en miniature. L'étape suivante est le « dessin fini » où tout est pensé, la forme, l'emplacement des gemmes, les fermoirs, etc Et enfin il y a la « miseen couleur » dont l'objectif est de montrer le bijou tel qu'il sera, avec la couleur des gemmes transparentes ou non, l'utilisation de l'émail et les « eaux en joaillerie » comme on appelle les diamants ! Quelquefois le dessin rassemble plusieurs étapes. Par exemple quand on regarde le dessin du diadème « Paons » de Lalique on voit que la partie droite est de l'ordre de la mise en couleur alors que la partie gauche se situerait entre l'esquisse et la mise au net. Comme si l'artiste s'était laissé une marge de manœuvre pour créer plusieurs solutions de finitions. En regardant ces dessins on voit concrètement combien la codification du dessin de bijou enseigné aujourd'hui est aussi le résultat de l'évolution des matériaux. A commencer par le papier. A chaque rentrée scolaire, je vais acheter pour mes enfants les pochettes de papier dessin canson en 180 ou 250 grammes. Et franchement j'avais complètement oublié que le papier est venu d'Orient au XIXe. Mon papier blanc fait avec la pâte de bois ne date que de 1844. Avant, au XVIe on dispose de vélin et de parchemin qui coute fort cher. Trop pour être utilisé pour des esquisses. Puis on invente un papier en pâte de coton qu'on appellera « papier chiffon » et qui est fragile ce qui explique aussi qu'on n'en retrouve pas beaucoup. Alors les dessinateurs joailliers devaient tester les papiers des différents fabricants pour choisir ceux qui étaient adaptés à leur main. Par exemple René Lalique préférait un papier ocre enduit d'huile de lin, ce qui le rendait translucide et imperméable et qui était la spécialité du fabriquant Blanchet Frères et Kléber. Le papier calque, qui fait aussi parti aujourd'hui des fournitures usuelles de la rentrée scolaire, date de 1809. Et pour le dessin de bijou c'est une révolution ! Tout d'abord il a des propriétés de diffraction de la lumière ce qui donne des effets de brillance et de transparence et en plus il permet de corriger le dessin ou d'imaginer plusieurs solutions graphiques en superposant les dessins les uns sur les autres. A peu près à la même époque, apparaissent les feuilles en matières plastiques : le Celluloïd en 1856 et le Rhodoïd en 1918. On voit sur des dessins de châtelaines de l'Atelier Brédillard-Hatot que sont superposées différentes gouaches qui proposent un décor différent à la montre. D'ailleurs en parlant de gouache. Voilà un autre matériau qui change le dessin du bijou car elle peut se travailler sur les différents supports au contraire par exemple des encres qui ne tiennent pas sur le plastique, elle est couvrante et opaque, elle permet de créer des contrastes par ses empâtements et la lumière est créée avec le blanc. Et elle date de la fin du XIXe. Alors si on se souvient que notre crayon de papier date du XVIIIe on comprend combien la codification du dessin joaillier a du attendre le XIXe pour se réaliser. Alors vous aller me dire quel intérêt de codifier ? N'est-ce pas brimer la créativité ? En fait la réponse est dans l'apprentissage. Avant la première Ecole Royale de dessin 1767 et donc avant la création de l'Ecole BJOP par la chambre syndicale en 1868, l'apprenti joaillier apprenait le dessin de bijou avec son maitre-artisan. Il dépendait donc de son bon vouloir comme de son talent. Aujourd'hui les écoles enseignent à tous les codes de la joaillerie française qui sont le dessin à l'échelle un, sur du papier gris qui permet de bien valoriser la couleur des gemmes, avec la lumière qui arrive par l'angle supérieur gauche pour indiquer les bombés et les volumes. Ce qui fait que le dessin est lisible et exécutable par tous les joailliers. Et aujourd'hui, la compétence en dessin joaillier est un métier en soi. Les designers de talents sont nombreux et reconnus, de Frédéric Mané à Pierre-Aymeric Ledoux, de Sandrine de Laage à Estelle Lagarde ou d'Emmanuel Aubry à Emeline Piot et tant d'autres ! Mais ce métier est aussi plutôt récent et c'est ce qu'explique la partie consacrée à l'atelier d'artiste de l'exposition. En fait, le 1erdessin de l'histoire du bijou que l'on a retrouvé est attribué au peintre de la Renaissance Pisanello (vers 1393-1455) il est réalisé à la pointe de métal, encre brune et lavis et représente un collier dont on ne sait pas s'il a jamais été créé. Comme on l'a vu, le dessin est une première étape vers le bijou, donc il était souvent jeté par le joaillier et puis le matériau fragile ne permettait pas une conservation optimale. Ce n'est donc que récemment que le dessin joaillier est l'objet de collection ce qui a l'avantage de le préserver. Et comme Jacques Doucet a transmis sa collection à l'Institut national d'Histoire de l'Art, Jean Masson à l'Ecole supérieure des Beaux Arts, et Georges Fouquet au Musée des Arts Décoratifs, on commence à disposer d'un corpus qui peut faire l'objet d'étude. Individuellement, sur Facebook vous pouvez suivre Grafische Sammlung Stern qui collectionne les dessins d'orfèvrerie et de joaillerie et publie régulièrement des visuels que l'on adorerait voir de près. C'est aussi pourquoi cette exposition est exceptionnelle puisqu'elle résulte du Fond Van Cleef & Arpels sur la Culture Joaillière créé spécialement par la Maison pour préserver ce témoignage fragile et essentiel de l'histoire du bijou, et aussi de nous le montrer. Ce qui est le plus trouvable, ce sont les œuvres réalisées par des artistes. D'abord elles sont identifiées par une signature, un monogramme ou un tampon ce qui permet de les authentifier et ont souvent été préservées par la famille comme dans le cas de Lalique. Qui est vraiment l'ancêtre des designers d'aujourd'hui puisqu'il avait créé son propre studio de création. D'ailleurs on voit bien sur les dessins les annotations qu'il ajoutait pour que les personnes travaillant avec lui complètent ses réalisations. Quand des joailliers faisaient appel à des artistes comme par exemple la Maison Fouquet qui travaillait avec l'artiste Mucha dont je vous ai parlé au sujet des bijoux de Sarah Bernhardt, on trouve les signatures conjointes sur les dessins joailliers. Mais souvent le bijou est une œuvre collective et la signature du dessinateur n'apparait pas sur le dessin. On ne voit que la marque de la maison comme dans les dessins des colliers de diamants de Tiffany présentés dans l'exposition et qui montre en germe l'ancêtre des studios de création intégrés qu'ont aujourd'hui toutes les Maisons. D'autre fois c'est un artiste qui se spécialise dans le dessin de bijou et propose son savoir-faire spécifique aux joailliers. Par exemple, l'exposition présente les délicats ouvrages du miniaturiste Fernand Paillet qui ornait des ivoires de putti et autres motifs à l'antique très en vogue en 1890-1910. Ces ivoires étaient ensuite enchâssés dans une monture joaillière qui constituait des montres et des bracelets. Cette partie de l'exposition à travers les dessins présentés montre bien le cheminement de la question actuelle de la propriété intellectuelle et de marque. La dernière étape du parcours joaillier interroge la fonction du dessin joaillier. Alors bien sûr on vient de voir son utilité dans la réalisation. Mais à l'époque où le feed Instagram n'existait pas, le dessin de bijou servait aussi de support de vente et même de catalogue. On peut voir une série de gouachés magnifiques de l'Atelier Brédillard Hatot sur du papier très épais, avec des espèces de codes incompréhensibles par le tout-venant mais qui indiquaient au vendeur le prix et même le profit sur la vente. Une autre fonction du dessin de bijou est de servir de source d'inspiration. On peut voir dans l'exposition un dessin de George Barbier pour une invitation à « l'exposition d'une collection unique de perles et de bijoux » chez Cartier et ce dessin représente une femme entre 2 colonnes avec à ses pieds une panthère. Nous sommes en 1914 et c'est la première représentation de la panthère attestée que la Maison va presque immédiatement utiliser dans des bijoux. Le dessin joaillier sert aussi à la traçabilité du bijou et du motif. On peut voir dans l'exposition le dessin d'une plaque de cou avec des cygnes, ce bijou qui se mettait au centre du collier de chien, réalisé par Lalique. Le bijou n'a jamais été réalisé mais on reconnait immédiatement le style dans le bijou proposé à côté : la broche cygnes et lotus. Enfin, comme je viens de vous en parler, la conservation du dessin de bijou permet également d'ouvrir le champ de sujets d'études et d'apporter de nouvelles pierres à l'histoire du bijou. Ou peut être vous donner envie de commencer une collection de dessins joailliers et gouachés ! Ainsi se termine cette histoire du bijou dessiné Si vous n'êtes pas à Paris vous pouvez prolonger cette découverte en vous inscrivant à la conférence gratuite sur ce sujet les 17 et 18 novembre avec Marina Fulchiron, dessinatrice de joaillerie, et Inezita Gay-Eckel, historienne du bijou. Et vous avez jusqu'au 14 février 2222 pour aller voir « en vrai » toutes les merveilles de l'exposition du bijou dessiné. Et pour Noël vous pouvez offrir ou vous offrir aux éditions Norma l'ouvrage « Le Bijou dessiné » réalisé sous la direction de Guillaume Glorieux avec les commissaires d'expositions Michaël Decrossas et Stéphanie Desvaux. Je vous mets tous les liens sur cette page du podcast : exposition conférence livre Je suis Anne Desmarest de Jotemps et je donne une voix aux bijoux chaque dimanche. Et si vous aussi vous avez envie de faire parler vos bijoux et votre Maison je serai ravie de vous accompagner pour réaliser votre podcast de marque ou de vous accueillir en partenaire dans mes podcast natifs. Le podcast « Il était une fois le bijou » est en pleine préparation de son nouveau thème et je brûle d'impatience de vous dévoiler mais il faudra encore attendre un peu. Le prochain RDV avec Brillante sera le 21 novembre et je recevrais Marie Vallanet, la Présidente de l'Ecole des Arts Joailliers. Alors dimanche prochain je vous donne RDV sur ce podcast le bijou comme un bisou pour une nouvelle histoire de bijou Pour ne manquez aucun de nos rendez-vous du dimanche autour du bijou, abonnez à chacun de mes 3 podcasts « Il était une fois le bijou », « le bijou comme un bisou » et « Brillante » sur votre plate-forme d'écoute préférée et encouragez-moi en partageant l'épisode sur vos réseaux sociaux. Si vous êtes sur Apple podcast ou sur You Tube mettez de jolis commentaires, c'est ce qui permet de référencer les podcasts ! A dimanche pour votre prochaine histoire de bijou ! Musique : 0 Le Sign, The Silent Groove – Axeltree, Heavenly-Aakas Gandhi, Kiss the Shy – Aakas Gandhi

75: Kanske Kenneths brallor

En trea whisky

Play Episode Listen Later Aug 31, 2021 37:06

NEW MAKE BATTLE! Gott? Äckligt? Striden fortsätter. Veckans tema är stort som en byggnad med pagodtak, vi kör nämligen tema destilleri. Veckans ord avslöjar hur just DU kan hitta när innehållet i flaskan är producerat. Veckans destilleri är stora – och märkvärdigt vackra – Dalmunach. Lika vackert som new make är gott. Eller? Vad var det i glaset? Mathias hade en Rusty Nail med Smögen Sherry project 1:4. Mer om Rusty Nail här: https://en.wikipedia.org/wiki/RustyNail(cocktail) Jeroen körde en High Coast Berg: https://www.systembolaget.se/produkt/sprit/high-coast-8237502/ David hade dels en single cask Ledaig från Signatory Vintage, närmare bestämt exakt denna: https://www.whiskybase.com/whiskies/whisky/78067/ledaig-2005-sv …och lite new make från Craigellachie. Det där om att det bränner ledde till många referenser till Ove Markström som dricker Klorin och försöker prata efteråt: https://www.youtube.com/watch?v=VYJkXeqCjDA&abchannel=Jovelar Ägandeförhållanden i whiskybranschen; vad händer med Distell https://www.thespiritsbusiness.com/2021/05/heineken-in-talks-to-buy-majority-of-distell/ https://www.thespiritsbusiness.com/2021/08/distell-delays-dividend-as-heineken-talks-progress/ Det sista destilleriet Distell äger är förresten JUST Tobermory vars rökiga whisky heter Ledaig som David hade i glaset. Laliques flaskor åt Macallan Här har vi ett exempel. To each their own men vi på ETW tycker ungefär jösses vad jävla fult: https://www.lalique.com/en/world-of-lalique/news/when-worlds-of-mastery-unite-unveiling-the-macallan-72-years-old-in-lalique-the-genesis-decanter Vad är ett destilleri? Norrtelje brenneri: https://norrteljebrenneri.se/ Dallas Dhu, destilleriet som är ett museum: https://www.historicenvironment.scot/visit-a-place/places/dallas-dhu-historic-distillery/ Kennetpans distillery grundades av whiskymagnaten John Stein 1777 och lades ned 1825. Du kan läsa lite om det här: https://www.thedrinksbusiness.com/2015/01/whisky-mafia-distillery-to-get-funding/ https://scotchwhisky.com/magazine/from-the-editors/20638/it-s-time-to-protect-whisky-s-history/ Vackra bilder finns här: https://www.flickr.com/search/?text=kennetpans%20distillery Foto: Brian Smith/Flickr Den bästa källan till nedlagda skotska destillerier är Brian Townsends bok Scotch missed, som kan starkt anbefallas som intressant läsning. För ihopblandningen av destilleri och varumärke bör man läsa vad som helst om bourbon, gärna Bourbon, Straight av Chuck Cowdery. Mackmyra: pilotdestilleriet var igång 1999–2002; de nya pannorna på samma plats användas 2002–2013; gravitationsdestilleriet invigdes och har varit igång sedan december 2011. Under en viss period hade alltså Mackmyra två destillerier igång samtidigt….! Det där med Skånska spritfabriken kan man läsa mer om här: https://tjederswhisky.se/inget-mindre-an-en-skandal/ https://tjederswhisky.se/systembolaget-menar-att-ardbeg-kan-vara-svensk-whisky/ https://tjederswhisky.se/systembolagets-svar-angaende-svensk-whisky/ Andrew Derbidge har skrivit om detta med australiensiska destillerier och inköpandet av mäsk, även om David kan tycka att han just här är lite väl kritisk till inköpandet av mäsk utifrån, som om det är fusk att göra det: https://www.whiskyandwisdom.com/australian-whiskys-beer-loophole/ Om David bara hade läst David före inspelningen hade han faktiskt hittat än mer grejer för att problematisera detta med vad ett destilleri är, bland annat hur exakt samma pannor kan användas på olika destillerier när något destilleri har nedlagts. Läs bara här: https://tjederswhisky.se/vad-ar-ett-destilleri/ Datering Ardbeg Project: http://www.ardbegproject.com/ Vi slutar aldrig länka till whiskybase: https://whiskybase.com/ Som David förklarade, om du verkligen vill gå in på djupet, lätta på lädret och köp Collecting Scotch whisky av Emmanuel Dron: https://www.collectingscotchwhisky.com/ Det finns massor mer att säga om datering, detta var verkligen bara ett skrapande på ytan. Här kan du läsa lite lite mer: https://blog.whisky.auction/how-to/how-to-date-a-bottle/ Veckans destilleri: Dalmunach Här lite foton på gamla Imperial distillery som låg på platsen: https://www.derelictplaces.co.uk/threads/imperial-distillery-speyside-march-2011.19401/ Veckans destilleri: Imperial på ETW avsnitt 32: https://www.entreawhisky.se/32 Dalmunach kom igång med produktionen 2015 och det ligger i Speyside. Destilleriet kostade tydligen 25 miljoner pund att bygga. Dalmunach har ingen egen hemsida, men här finns lite saker att läsa, om än inte uppdaterat: https://scotchwhisky.com/whiskypedia/2207/dalmunach/ De har faktiskt själva släpp en officiell buteljering, en 4 YO: https://whiskymag.com/story/exclusive:-first-whisky-released-from-dalmunach-distillery Här har vi arkikekterna som ritade och byggde Dalmunach: https://norr.com/project/dalmunach-distillery/ Och här den ovannämnde Derbidge som besöker Dalmunach, med många matnyttiga detaljer för den nyfikne: https://www.whiskyandwisdom.com/dalmunach-distillery/ Foto: Norr Architects Foto: Martyn Jenkins/Flickr Här når du oss: En trea whisky på Facebook (https://ww.facebook.com/entreawhisky) Maila till oss på hej@entreawhisky.se Davids blogg tjederswhisky.se (https://www.tjederswhisky.se)

straight eller gott bourbon sm imperial scotch heineken veckans kanske jeroen lika maila macallan striden speyside rusty nail vackra tobermory kenneths lalique mackmyra craigellachie etw john stein ledaig klorin signatory vintage chuck cowdery norrtelje

Episode 62 - Encre Noire By Lalique

The Cologne Podcast

Play Episode Listen Later Aug 27, 2021 14:43

In Episode 62, Myke and Ryan sample a fragrance that was mentioned by a friend of the podcast, and by FatBoy Fragrance... Encre Noire by Lalique. Myke pens a love letter, and Ryan brings up hate mail.One Night Stand Review: Dior Homme Parfum 2020Scent of the Day: Encre Noire by LaliqueEmail us at: TheColognePodcast@gmail.comIf you're enjoying the episode and want to support the podcast, check out: BuyMeACoffee.com/ColognePodcast

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The Scent Geeks Episode 82

The Scent Geeks

Play Episode Listen Later Aug 23, 2021 62:27

This week I'm joined by Clemence CC Fragrance to talk about the new 2021 Dior Sauvage Elixir and the house of Lalique. We also find out how Clemence feels being featured in a video by Mr Smelly entitled "sexiest fragrance reviewers".

New ventures and old habits with chefs Derek Johnstone and Mark Donald

Scran

Play Episode Listen Later Jul 16, 2021 35:31

On this episode of Scran, host Rosalind Erskine sits down to chat about food, career moves, crisps, whisky and nurturing new talent with chefs Derek Johnstone and Mark Donald.Derek, who was the first winner of MasterChef: The Professionals, moved from his role at Borthwick Castle, an exclusive-use venue near Gorebridge to take over and develop three restaurants within the Rusacks Hotel in St Andrews.Also earlier this year, Mark Donald left his role as head chef of the Michelin starred Number One Restaurant at the Balmoral Hotel to take on an executive head chef role at the soon to open Lalique restaurant at The Glenturret Distillery.Mark and Derek talk about their new roles, what diners can expect, how they got into cooking and the career achievements to date.Tune in to hear their food heaven and hell, what to expect from their new restaurants and advice for newcomers to the industry.

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Un Twitch Lluvioso

Javier Orgaz Perfume News

Play Episode Listen Later May 24, 2021 164:14

#LaliqueBeauty #EncreNoirSport #OrgazTalkNo os puedo dar muchas pistas lo importantes es el vídeo pero no os lo perdáis en una fragancia en la que espero ofreceros nuevos puntos de vista con Encre Noir Sport.

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Bentley Momentum Unbreakable y todas las novedades

Javier Orgaz Perfume News

Play Episode Listen Later May 10, 2021 20:50

#BentleyUnbreakable #LaVieEstBelle #PerfumeNewsTodo sobre la nueva Bentley Momentum Unbreakable y las novedades de la perfumería mas importantes hasta la fecha desde los perfumes de Diptyque, pasando por las nuevas versiones de La Vie Est belle y Sí Passione y finaliando con Montale.

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Chanel No.5 launched by Coco Chanel 100 years ago

Overnight with Michael McLaren

Play Episode Listen Later May 4, 2021 10:31

Michael is joined by Gary Mortimer, Professor of Marketing and Consumer Behaviour, Queensland University of Technology, regarding the history of Chanel No. 5 which was the first perfume launched by French couturier Gabrielle "Coco" Chanel on this day in 1921. The scent formula for the fragrance was compounded by French-Russian chemist and perfumer Ernest Beaux, who had worked for the Russian royal family, which sort to appeal to the flapper and celebrate the seemingly liberated feminine spirit of the 1920s. The design of its bottle has been an important part of the product's allure. Chanel envisioned a design that would be an antidote for the over-elaborate, precious fussiness of the crystal fragrance bottles then in fashion popularized by Lalique and Baccarat. Her bottle would be "pure transparency ...an invisible bottle". Coco Chanel was the first face of the fragrance, appearing in the advertisement published by Harper's Bazaar in 1937. See omnystudio.com/listener for privacy information.

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EP11 - Comment optimiser la gestion de son atelier d'art. #pointsdevue avec la souffleuse de verre Eve George et Guilhem Vallery-Radot, co-fondateur de la solution de gestion d'atelier Fabeo

VOIES

Play Episode Listen Later Apr 29, 2021 46:37

Nous avons eu le plaisir d'accueillir Eve George qui a créé l'Atelier George en 2016 avec son conjoint Laurent. Leur atelier est le fruit d'une collaboration heureuse entre le design et le savoir-faire pointu dans le soufflage de verre. Issus de parcours différents, leurs savoir-faire à chacun se mêlent et s'enrichissent pour donner vie à chaque projet de leur atelier. Eve, issue d'une solide formation de design (Boulle, ENSCI) s'est formée au soufflage de verre au CERFAV et Laurent formé dans les plus grandes cristalleries (Saint-Louis, Lalique) et les ateliers d'art (Biot) fait naître des contraintes techniques un espace de créativité nourricier. L'Atelier George travaille pour les décorateurs d'intérieur, les galeries d'art et développe également sa propre clientèle. Ils imaginent et fabriquent des luminaires, des carreaux de verre et des projets sur-mesure. Ce qui nous a intéressé c'est comment Eve et son associé gèrent leur atelier. Leur activité très spécifique de souffleurs de verre repose essentiellement sur la vente de pièces de leur propre collection, les projets sur-mesure représentant une part plus marginale de leur chiffre d'affaires. Guilhem Vallery-Radot, co-fondateur de la gestion d'atelier Fabeo est intervenu dans la discussion pour nous aider à comprendre pourquoi c'est important de tracer les flux dans un atelier artisanal, quelle que soit sa taille et comment optimiser cette gestion. Si vous voulez décrypter l'artisanat d'art avec nous, inscrivez-vous à notre newsletter et rejoignez-nous sur les réseaux sociaux @artisansdavenir (Instagram, Facebook, Linkedin) Si vous voulez connaître les bénéfices de devenir membre de notre association Artisans d'Avenir, c'est par ici ! Liens de l'épisode : site web : atelier-george.fr fabeo.me instagram : @ateliergeorge

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S3 E8 Lizzie Deshayes, Co-Founder Fromental

Hope and Patience

Play Episode Listen Later Apr 28, 2021 53:42

'I think failure is more interesting than success, because going back to the grit, failure does make you reflect on what you've done well or haven't achieved well and how to do it better. Success is just a by-product. If it does happen, that's wonderful. I think failure is far more, far more interesting.'Lizzie Deshayes, Co-Founder Fromental - a business which is the epitome of craftmanship and design with their silk and rice-paper wallcoverings. She and her husband created their exquisite bespoke hand-embroidered, hand-painted wallpaper company in 2005. And it’s hand made in the truest sense as it takes up to 600 hours for one artist to complete one panel. Collaborations have included Savoir beds, a 3d creation with Lalique and their ‘hirondelle’/swallow and a sprinkling of clients include award-winning interior designer Sophie Paterson and the LA/Paris based Timothy Corrigan and hotels and eateries include Sir David Tang’s China Tang at The Dorchester Hotel, The Goring Hotel, London, George Cinq, Paris and The Fairmont, San FranLizzie and I chat about where it all began, we discover more about her DNA, how she and her team have found the pandemic with their artists and clients spread across the globe, her greatest fear after finishing an incredible piece of work, how it works with her hubbie as her co-founder and being a mum, who and what influences her, what skillset she has used to build such an iconic and highly sought after brand and well loads more. My recommendation: Toasted pecan nuts - found out why in the episode.Lizzie's music recommendation: Music for the Funeral of Queen Mary ~ PurcellChocolate: Leonidas Milk Raspberry TrufflesQuote: 'Creativity takes courage.'~ MatisseFromental Design Insta: @fromentaldesignSUBSCRIBE TO OUR NEWSLETTER WITH A CHANCE TO WIN OUR H&P CHOCOLATE BAR.Don’t forgot to hit follow to catch the latest episode and if you are feeling super generous I would treasure a rate and review (Apple). Do share away with any mates, neighbours, colleagues, family if you think they may gain a nugget or two of inspiration or insight.To keep up to speed with me and life with Hope & Patience join us on Insta/twitter @amelia_rope, Facebook @hopeandpatience Clubhouse: @ameliapodWorry less. Smile more. Until the next time … keep your sparkle. See acast.com/privacy for privacy and opt-out information.

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Glenturret 15 Jahre

Play Episode Listen Later Apr 9, 2021 6:48

http://www.whisky.de/p.php?id=GTURR1500 Nosing 03:20 Wir verkosten den Glenturret 15 Jahre. Der 15-jährige Glenturret reift bewusst in wieder befüllten Fässern, sodass die Eichennoten in den Hintergrund rücken und der Charakter des Whiskys besser hervorkommt. Die Brennerei Glenturret ist die älteste noch arbeitende Whisky Brennerei in Schottland. In 2020 wurde das Kernsortiment aus vier Abfüllungen sowie das Design von Glenturret überarbeitet. Die edlen Dekanter wurden vom neuen Teileigentümer von Glenturret, dem französischen Luxusgüterunternehmen Lalique, designt. Jetzt auch als Podcast: https://www.whisky.de/shop/newsletter/#podcast Geschmacksbeschreibungen und Informationen finden Sie in unserem Shop auf Whisky.de Abonnieren http://www.youtube.com/user/thewhiskystore?sub_confirmation=1 Instagram: https://www.instagram.com/whisky.de/

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Glenturret Peat Smoked 10 Jahre 2020

Play Episode Listen Later Apr 9, 2021 9:41

http://www.whisky.de/p.php?id=GTURR10PE Nosing 03:19 Wir verkosten den Glenturret Peat Smoked 10 Jahre 2020. Der 10-jährige Glenturret Peat Smoked ist die rauchige Abfüllung der Highland Brennerei. Glenturret ist die älteste noch arbeitende Whisky Brennerei in Schottland. In 2020 wurden das Kernsortiment aus vier Abfüllungen und das Design überarbeitet. Die edlen Dekanter wurden vom neuen Teileigentümer von Glenturret, dem französischen Luxusgüterunternehmen Lalique, designt. Jetzt auch als Podcast: https://www.whisky.de/shop/newsletter/#podcast Geschmacksbeschreibungen und Informationen finden Sie in unserem Shop auf Whisky.de Abonnieren http://www.youtube.com/user/thewhiskystore?sub_confirmation=1 Instagram: https://www.instagram.com/whisky.de/

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Glenturret 12 Jahre

Javier Orgaz Perfume News

Play Episode Listen Later Mar 26, 2021 8:38

http://www.whisky.de/p.php?id=GTURR1200 Nosing 01:40 Wir verkosten den Glenturret 12 Jahre. Dieser 12-jährige Glenturret wurde in Europäischen Eichenfässern gereift und feierte 2020 seine Erstveröffentlichung. Die Brennerei Glenturret ist die älteste noch arbeitende Whisky Brennerei in Schottland. 2020 wurden das Kernsortiment aus vier Abfüllungen und das Design von Glenturret überarbeitet. Die edlen Dekanter wurden vom neuen Teileigentümer von Glenturret, dem französischen Luxusgüterunternehmen Lalique, designt. Jetzt auch als Podcast: https://www.whisky.de/shop/newsletter/#podcast Geschmacksbeschreibungen und Informationen finden Sie in unserem Shop auf Whisky.de Abonnieren http://www.youtube.com/user/thewhiskystore?sub_confirmation=1 Instagram: https://www.instagram.com/whisky.de/

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Menudo asco de perfumes que están sacando

Play Episode Listen Later Mar 20, 2021 150:19

Un rato agradable lleno de buen rollo y en la que vuestras preguntas serán respondidas.

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René Lalique, le maître verrier marnais

Petits secrets de Champagne Ardenne

Play Episode Listen Later Mar 1, 2021 2:25

durée : 00:02:25 - Petits secrets de Champagne-Ardenne - Grégory Duchatel vous raconte les petits secrets de personnalités de la Marne ou des Ardennes

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Orgaz talk 4

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Play Episode Listen Later Jan 31, 2021 86:35

#YOUTUBELIVE #PERFUME #ORGAZTALK Aquí no solo se habla de perfumes se habla de todo sin tapujos. 🛒COMPRITAS: 📕📕 LA ALQUIMIA DEL PERFUME EN AMAZON: https://amzn.to/2JcwgjP 📕📕 MI LIBRO LA ALQUIMIA DEL PERFUME http://almuzaralibros.com/fichalibro.php?libro=5063&edi=3 TABAC ORIGINAL Agua De Colonia: https://amzn.to/38AdvS9 Tabac After Shave Bálsamo: https://amzn.to/32ywSHf Tabac Jabón de Afeitar: https://amzn.to/38p6ZNU Tabac Desodorante: https://amzn.to/35gRvJO Tabac Set: https://amzn.to/3llCxHW AURICULARES AKG: https://amzn.to/2S4ewbE Paco Rabanne Ultraviolet Man 100ml: https://amzn.to/3cbLujw Paco Rabanne Ultraviolet Man 50ml: https://amzn.to/2EkqjiK Paco Rabanne Ultraviolet Man Deo Vaporizador 150 ml: https://amzn.to/2RIdVfm Emporio Armani Diamonds For Men 30ml: https://amzn.to/3kuOgmR Emporio Armani Diamonds For Men 50ml: https://amzn.to/32JcTpM Emporio Armani Diamonds For Men 75ml: https://amzn.to/3hHZRgs Knize Ten eau de toilette 225ml: https://amzn.to/2ZGaZV1 Knize Ten eau de toilette 125 ml: https://amzn.to/3mqvnDe Knize Ten Gold eau de toilette: https://amzn.to/2RvODkt Knize Ten eau de toilette 50ml: https://amzn.to/3huN1Cl Knize Ten jabón: https://amzn.to/2ZGgq6f Knize Ten desodorante: https://amzn.to/32z6o8Z Knize Ten espuma limpiadora de baño: https://amzn.to/2ZHENkd Elizabeth Taylor White Diamonds 100ML edt: https://amzn.to/30I7hM2 Perles de Lalique: https://amzn.to/2YA5bes ¡VAMOS A PASARLO GENIAL HABLANDO DE TODO LO QUE NOS GUSTA Y DE LO QUE NO TAMBIÉN!!!! Analizo perfumes, cosmética y todo lo que se ponga en mi camino. Hablar sin complejos ni tapujos de las marcas es mi gran virtud o mi peor defecto, pero en este canal no hay cobardes, y en Javier Orgaz Perfumes. ¡TENÉIS VUESTRA CASA!. 🎥 GRABO CON: Panasonic Lumix DMC-G80M: https://amzn.to/34sGeDH Panasonic Lumix GX800: https://amzn.to/3160UPW Directos con Logitec C920 HD Pro: https://amzn.to/317hu1N 🌞ILUMINACIÓN CON: Neewer Iluminación Kit: 48cm Exterior 55W 5500K Regulable LED Luz del Anillo: https://amzn.to/2ZRaCrS Andoer Kit Fotografíco de Estudio Video Softbox:https://amzn.to/318v1WM Foco Led Neewer: https://amzn.to/2YTh0xW 💤 SONIDO GRABADO CON: Tascam DR-40X: https://amzn.to/2ZXTxsz Blue Microphones Yeti: https://amzn.to/314NWSl Neewer NW-5 Panel de Aislamiento: https://amzn.to/310RTHP 🔴🔴 SUSCRÍBETE A MI CANAL VAMOS !! 💖💖NUEVO CANAL: https://www.youtube.com/channel/UCdOw0mIbkoPobA8gxH7_eRg 🌍 PÁGINA WEB: www.javierorgaz.es www.javierorgaz.com 🤑 NEGOCIOS: javierorgaz@aol.com 🧙‍♂️ DONACIONES: https://www.paypal.me/javierorgazperfumes 🌍 REDES SOCIALES: Facebook: https://www.facebook.com/JavierOrgazOMG/ https://www.facebook.com/groups/lamaisonduparfum/ 📸 Instagram: https://www.instagram.com/javierorgaz_ 🐦 Twitter: https://twitter.com/JavierOrgaz_ For Business Inquiries: javierorgaz@aol.com ➡️ CLIPS VÍDEOS: https://www.youtube.com/watch?v=HuIPydbk0K4 🎵 MÚSICA: Track: Valcos & Chris Linton - Without You [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/wdpGocMoipw Free Download / Stream: http://ncs.io/WithoutYouYO Free Download / Stream: http://ncs.io/BurnMeDown 🎵Track: Anna Yvette - Red Line [NCS Release]

Orgaz talk miercoles de extra live

panel hablar negocios redline miercoles aislamiento anillo donaciones p gina web nocopyrightsounds analizo lalique

Play Episode Listen Later Jan 8, 2021 58:15

#FIRSTLIVE #REGALOSREYESMAGOS #NUEVOAÑO Un día interesante y emocionante para los pequeños de la casa y la ruina para los padres.... 🤑🤑🤑⛔⛔⛔ 🛒COMPRITAS: 📕📕 LA ALQUIMIA DEL PERFUME EN AMAZON: https://amzn.to/2JcwgjP 📕📕 MI LIBRO LA ALQUIMIA DEL PERFUME http://almuzaralibros.com/fichalibro.php?libro=5063&edi=3 TABAC ORIGINAL Agua De Colonia: https://amzn.to/38AdvS9 Tabac After Shave Bálsamo: https://amzn.to/32ywSHf Tabac Jabón de Afeitar: https://amzn.to/38p6ZNU Tabac Desodorante: https://amzn.to/35gRvJO Tabac Set: https://amzn.to/3llCxHW AURICULARES AKG: https://amzn.to/2S4ewbE Paco Rabanne Ultraviolet Man 100ml: https://amzn.to/3cbLujw Paco Rabanne Ultraviolet Man 50ml: https://amzn.to/2EkqjiK Paco Rabanne Ultraviolet Man Deo Vaporizador 150 ml: https://amzn.to/2RIdVfm Emporio Armani Diamonds For Men 30ml: https://amzn.to/3kuOgmR Emporio Armani Diamonds For Men 50ml: https://amzn.to/32JcTpM Emporio Armani Diamonds For Men 75ml: https://amzn.to/3hHZRgs Knize Ten eau de toilette 225ml: https://amzn.to/2ZGaZV1 Knize Ten eau de toilette 125 ml: https://amzn.to/3mqvnDe Knize Ten Gold eau de toilette: https://amzn.to/2RvODkt Knize Ten eau de toilette 50ml: https://amzn.to/3huN1Cl Knize Ten jabón: https://amzn.to/2ZGgq6f Knize Ten desodorante: https://amzn.to/32z6o8Z Knize Ten espuma limpiadora de baño: https://amzn.to/2ZHENkd Elizabeth Taylor White Diamonds 100ML edt: https://amzn.to/30I7hM2 Perles de Lalique: https://amzn.to/2YA5bes ¡VAMOS A PASARLO GENIAL HABLANDO DE TODO LO QUE NOS GUSTA Y DE LO QUE NO TAMBIÉN!!!! Analizo perfumes, cosmética y todo lo que se ponga en mi camino. Hablar sin complejos ni tapujos de las marcas es mi gran virtud o mi peor defecto, pero en este canal no hay cobardes, y en Javier Orgaz Perfumes. ¡TENÉIS VUESTRA CASA!. 🎥 GRABO CON: Panasonic Lumix DMC-G80M: https://amzn.to/34sGeDH Panasonic Lumix GX800: https://amzn.to/3160UPW Directos con Logitec C920 HD Pro: https://amzn.to/317hu1N 🌞ILUMINACIÓN CON: Neewer Iluminación Kit: 48cm Exterior 55W 5500K Regulable LED Luz del Anillo: https://amzn.to/2ZRaCrS Andoer Kit Fotografíco de Estudio Video Softbox:https://amzn.to/318v1WM Foco Led Neewer: https://amzn.to/2YTh0xW 💤 SONIDO GRABADO CON: Tascam DR-40X: https://amzn.to/2ZXTxsz Blue Microphones Yeti: https://amzn.to/314NWSl Neewer NW-5 Panel de Aislamiento: https://amzn.to/310RTHP 🔴🔴 SUSCRÍBETE A MI CANAL VAMOS !! 💖💖NUEVO CANAL: https://www.youtube.com/channel/UCdOw0mIbkoPobA8gxH7_eRg 🌍 PÁGINA WEB: www.javierorgaz.es www.javierorgaz.com 🤑 NEGOCIOS: javierorgaz@aol.com 🧙‍♂️ DONACIONES: https://www.paypal.me/javierorgazperfumes 🌍 REDES SOCIALES: Facebook: https://www.facebook.com/JavierOrgazOMG/ https://www.facebook.com/groups/lamaisonduparfum/ 📸 Instagram: https://www.instagram.com/javierorgaz_ 🐦 Twitter: https://twitter.com/JavierOrgaz_ For Business Inquiries: javierorgaz@aol.com ➡️ CLIPS VÍDEOS: https://www.youtube.com/watch?v=HuIPydbk0K4 🎵 MÚSICA: Track: Valcos & Chris Linton - Without You [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/wdpGocMoipw Free Download / Stream: http://ncs.io/WithoutYouYO Free Download / Stream: http://ncs.io/BurnMeDown 🎵Track: Anna Yvette - Red Line [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/VrDD2GSNs_I Free Download / Stream: http://ncs.io/RedLine 🎵Song: Venemy - Need You Now (feat. Danica)[NCS Release] Music provided by NoCopyrightSounds. Video Link: https://youtu.be/li_tpwcMEQQ Download/Stream: http://ncs.io/NeedYouNowCr * Participo del programa de Amazon Afiliates y utilizo enlaces con obtención de ingresos por venta realizada. P.D Este vídeo no está esponsorizado. This video is not sponsored.

Perfumes ÁRABES mi OPINIÓN definitiva

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Play Episode Listen Later Dec 29, 2020 119:51

#LIVEPERFUME #ESTADOPURO #ESPECIALNAVIDAD Cierro ciclo de PERFUMERÍA ÁRABE y lo explico definitivamente todo. 🛒COMPRITAS: 📕📕 LA ALQUIMIA DEL PERFUME EN AMAZON: https://amzn.to/2JcwgjP 📕📕 MI LIBRO LA ALQUIMIA DEL PERFUME http://almuzaralibros.com/fichalibro.php?libro=5063&edi=3 TABAC ORIGINAL Agua De Colonia: https://amzn.to/38AdvS9 Tabac After Shave Bálsamo: https://amzn.to/32ywSHf Tabac Jabón de Afeitar: https://amzn.to/38p6ZNU Tabac Desodorante: https://amzn.to/35gRvJO Tabac Set: https://amzn.to/3llCxHW AURICULARES AKG: https://amzn.to/2S4ewbE Paco Rabanne Ultraviolet Man 100ml: https://amzn.to/3cbLujw Paco Rabanne Ultraviolet Man 50ml: https://amzn.to/2EkqjiK Paco Rabanne Ultraviolet Man Deo Vaporizador 150 ml: https://amzn.to/2RIdVfm Emporio Armani Diamonds For Men 30ml: https://amzn.to/3kuOgmR Emporio Armani Diamonds For Men 50ml: https://amzn.to/32JcTpM Emporio Armani Diamonds For Men 75ml: https://amzn.to/3hHZRgs Knize Ten eau de toilette 225ml: https://amzn.to/2ZGaZV1 Knize Ten eau de toilette 125 ml: https://amzn.to/3mqvnDe Knize Ten Gold eau de toilette: https://amzn.to/2RvODkt Knize Ten eau de toilette 50ml: https://amzn.to/3huN1Cl Knize Ten jabón: https://amzn.to/2ZGgq6f Knize Ten desodorante: https://amzn.to/32z6o8Z Knize Ten espuma limpiadora de baño: https://amzn.to/2ZHENkd Elizabeth Taylor White Diamonds 100ML edt: https://amzn.to/30I7hM2 Perles de Lalique: https://amzn.to/2YA5bes ¡VAMOS A PASARLO GENIAL HABLANDO DE TODO LO QUE NOS GUSTA Y DE LO QUE NO TAMBIEN!!!! Analizo perfumes, cosmética y todo lo que se ponga en mi camino. Hablar sin complejos ni tapujos de las marcas es mi gran virtud o mi peor defecto, pero en este canal no hay cobardes, y en Javier Orgaz Perfumes. ¡TENÉIS VUESTRA CASA!. 🎥 GRABO CON: Panasonic Lumix DMC-G80M: https://amzn.to/34sGeDH Panasonic Lumix GX800: https://amzn.to/3160UPW Directos con Logitec C920 HD Pro: https://amzn.to/317hu1N 🌞ILUMINACIÓN CON: Neewer Iluminación Kit: 48cm Exterior 55W 5500K Regulable LED Luz del Anillo: https://amzn.to/2ZRaCrS Andoer Kit Fotografíco de Estudio Video Softbox:https://amzn.to/318v1WM Foco Led Neewer: https://amzn.to/2YTh0xW 💤 SONIDO GRABADO CON: Tascam DR-40X: https://amzn.to/2ZXTxsz Blue Microphones Yeti: https://amzn.to/314NWSl Neewer NW-5 Panel de Aislamiento: https://amzn.to/310RTHP 🔴🔴 SUSCRÍBETE A MI CANAL VAMOS !! 💖💖NUEVO CANAL: https://www.youtube.com/channel/UCdOw0mIbkoPobA8gxH7_eRg 🌍 PÁGINA WEB: www.javierorgaz.es www.javierorgaz.com 🤑 NEGOCIOS: javierorgaz@aol.com 🧙‍♂️ DONACIONES: https://www.paypal.me/javierorgazperfumes 🌍 REDES SOCIALES: Facebook: https://www.facebook.com/JavierOrgazOMG/ https://www.facebook.com/groups/lamaisonduparfum/ 📸 Instagram: https://www.instagram.com/javierorgaz_ 🐦 Twitter: https://twitter.com/JavierOrgaz_ For Business Inquiries: javierorgaz@aol.com ➡️ CLIPS VÍDEOS: https://www.youtube.com/watch?v=HuIPydbk0K4 🎵 MÚSICA: Track: Valcos & Chris Linton - Without You [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/wdpGocMoipw Free Download / Stream: http://ncs.io/WithoutYouYO Free Download / Stream: http://ncs.io/BurnMeDown 🎵Track: Anna Yvette - Red Line [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/VrDD2GSNs_I Free Download / Stream: http://ncs.io/RedLine 🎵Song: Venemy - Need You Now (feat. Danica)[NCS Release] Music provided by NoCopyrightSounds. Video Link: https://youtu.be/li_tpwcMEQQ Download/Stream: http://ncs.io/NeedYouNowCr * Participo del programa de Amazon Afiliates y utilizo enlaces con obtención de ingresos por venta realizada. P.D Este vídeo no está esponsorizado. This video is not sponsored.

La hora Orgaz primer live de los dos Últimos del año

panel primer hablar negocios la hora redline aislamiento anillo donaciones p gina web nocopyrightsounds analizo lalique

Play Episode Listen Later Dec 29, 2020 86:03

#LIVEPERFUME #ESTADOPURO #ESPECIALNAVIDAD Esta semana tres directos de los cuales dos serán los últimos del año hoy y el próximo miércoles. VAMOS A DARLO TODO ESTE 2020 🛒COMPRITAS: 📕📕 LA ALQUIMIA DEL PERFUME EN AMAZON: https://amzn.to/2JcwgjP 📕📕 MI LIBRO LA ALQUIMIA DEL PERFUME http://almuzaralibros.com/fichalibro.php?libro=5063&edi=3 TABAC ORIGINAL Agua De Colonia: https://amzn.to/38AdvS9 Tabac After Shave Bálsamo: https://amzn.to/32ywSHf Tabac Jabón de Afeitar: https://amzn.to/38p6ZNU Tabac Desodorante: https://amzn.to/35gRvJO Tabac Set: https://amzn.to/3llCxHW AURICULARES AKG: https://amzn.to/2S4ewbE Paco Rabanne Ultraviolet Man 100ml: https://amzn.to/3cbLujw Paco Rabanne Ultraviolet Man 50ml: https://amzn.to/2EkqjiK Paco Rabanne Ultraviolet Man Deo Vaporizador 150 ml: https://amzn.to/2RIdVfm Emporio Armani Diamonds For Men 30ml: https://amzn.to/3kuOgmR Emporio Armani Diamonds For Men 50ml: https://amzn.to/32JcTpM Emporio Armani Diamonds For Men 75ml: https://amzn.to/3hHZRgs Knize Ten eau de toilette 225ml: https://amzn.to/2ZGaZV1 Knize Ten eau de toilette 125 ml: https://amzn.to/3mqvnDe Knize Ten Gold eau de toilette: https://amzn.to/2RvODkt Knize Ten eau de toilette 50ml: https://amzn.to/3huN1Cl Knize Ten jabón: https://amzn.to/2ZGgq6f Knize Ten desodorante: https://amzn.to/32z6o8Z Knize Ten espuma limpiadora de baño: https://amzn.to/2ZHENkd Elizabeth Taylor White Diamonds 100ML edt: https://amzn.to/30I7hM2 Perles de Lalique: https://amzn.to/2YA5bes ¡VAMOS A PASARLO GENIAL HABLANDO DE TODO LO QUE NOS GUSTA Y DE LO QUE NO TAMBIÉN!!!! Analizo perfumes, cosmética y todo lo que se ponga en mi camino. Hablar sin complejos ni tapujos de las marcas es mi gran virtud o mi peor defecto, pero en este canal no hay cobardes, y en Javier Orgaz Perfumes. ¡TENÉIS VUESTRA CASA!. 🎥 GRABO CON: Panasonic Lumix DMC-G80M: https://amzn.to/34sGeDH Panasonic Lumix GX800: https://amzn.to/3160UPW Directos con Logitec C920 HD Pro: https://amzn.to/317hu1N 🌞ILUMINACIÓN CON: Neewer Iluminación Kit: 48cm Exterior 55W 5500K Regulable LED Luz del Anillo: https://amzn.to/2ZRaCrS Andoer Kit Fotografíco de Estudio Video Softbox:https://amzn.to/318v1WM Foco Led Neewer: https://amzn.to/2YTh0xW 💤 SONIDO GRABADO CON: Tascam DR-40X: https://amzn.to/2ZXTxsz Blue Microphones Yeti: https://amzn.to/314NWSl Neewer NW-5 Panel de Aislamiento: https://amzn.to/310RTHP 🔴🔴 SUSCRÍBETE A MI CANAL VAMOS !! 💖💖NUEVO CANAL: https://www.youtube.com/channel/UCdOw0mIbkoPobA8gxH7_eRg 🌍 PÁGINA WEB: www.javierorgaz.es www.javierorgaz.com 🤑 NEGOCIOS: javierorgaz@aol.com 🧙‍♂️ DONACIONES: https://www.paypal.me/javierorgazperfumes 🌍 REDES SOCIALES: Facebook: https://www.facebook.com/JavierOrgazOMG/ https://www.facebook.com/groups/lamaisonduparfum/ 📸 Instagram: https://www.instagram.com/javierorgaz_ 🐦 Twitter: https://twitter.com/JavierOrgaz_ For Business Inquiries: javierorgaz@aol.com ➡️ CLIPS VÍDEOS: https://www.youtube.com/watch?v=HuIPydbk0K4 🎵 MÚSICA: Track: Valcos & Chris Linton - Without You [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/wdpGocMoipw Free Download / Stream: http://ncs.io/WithoutYouYO Free Download / Stream: http://ncs.io/BurnMeDown 🎵Track: Anna Yvette - Red Line [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/VrDD2GSNs_I Free Download / Stream: http://ncs.io/RedLine 🎵Song: Venemy - Need You Now (feat. Danica)[NCS Release] Music provided by NoCopyrightSounds. Video Link: https://youtu.be/li_tpwcMEQQ Download/Stream: http://ncs.io/NeedYouNowCr * Participo del programa de Amazon Afiliates y utilizo enlaces con obtención de ingresos por venta realizada. P.D Este vídeo no está esponsorizado. This video is not sponsored.

La hora orgaz extra live

panel hablar negocios la hora redline aislamiento anillo donaciones p gina web nocopyrightsounds analizo lalique

Play Episode Listen Later Dec 24, 2020 123:45

#LIVEPERFUME #ESTADOPURO #ESPECIALNAVIDAD Un mundo lleno de engendros humanos se está apoderado de la sociedad debemos unirnos y ser fuertes y tener el antídoto de sus mordeduras letales que nos transforman en ZOMBIS Sociales. 🛒COMPRITAS: 📕📕 LA ALQUIMIA DEL PERFUME EN AMAZON: https://amzn.to/2JcwgjP 📕📕 MI LIBRO LA ALQUIMIA DEL PERFUME http://almuzaralibros.com/fichalibro.php?libro=5063&edi=3 TABAC ORIGINAL Agua De Colonia: https://amzn.to/38AdvS9 Tabac After Shave Bálsamo: https://amzn.to/32ywSHf Tabac Jabón de Afeitar: https://amzn.to/38p6ZNU Tabac Desodorante: https://amzn.to/35gRvJO Tabac Set: https://amzn.to/3llCxHW AURICULARES AKG: https://amzn.to/2S4ewbE Paco Rabanne Ultraviolet Man 100ml: https://amzn.to/3cbLujw Paco Rabanne Ultraviolet Man 50ml: https://amzn.to/2EkqjiK Paco Rabanne Ultraviolet Man Deo Vaporizador 150 ml: https://amzn.to/2RIdVfm Emporio Armani Diamonds For Men 30ml: https://amzn.to/3kuOgmR Emporio Armani Diamonds For Men 50ml: https://amzn.to/32JcTpM Emporio Armani Diamonds For Men 75ml: https://amzn.to/3hHZRgs Knize Ten eau de toilette 225ml: https://amzn.to/2ZGaZV1 Knize Ten eau de toilette 125 ml: https://amzn.to/3mqvnDe Knize Ten Gold eau de toilette: https://amzn.to/2RvODkt Knize Ten eau de toilette 50ml: https://amzn.to/3huN1Cl Knize Ten jabón: https://amzn.to/2ZGgq6f Knize Ten desodorante: https://amzn.to/32z6o8Z Knize Ten espuma limpiadora de baño: https://amzn.to/2ZHENkd Elizabeth Taylor White Diamonds 100ML edt: https://amzn.to/30I7hM2 Perles de Lalique: https://amzn.to/2YA5bes ¡VAMOS A PASARLO GENIAL HABLANDO DE TODO LO QUE NOS GUSTA Y DE LO QUE NO TAMBIÉN!!!! Analizo perfumes, cosmética y todo lo que se ponga en mi camino. Hablar sin complejos ni tapujos de las marcas es mi gran virtud o mi peor defecto, pero en este canal no hay cobardes, y en Javier Orgaz Perfumes. ¡TENÉIS VUESTRA CASA!. 🎥 GRABO CON: Panasonic Lumix DMC-G80M: https://amzn.to/34sGeDH Panasonic Lumix GX800: https://amzn.to/3160UPW Directos con Logitec C920 HD Pro: https://amzn.to/317hu1N 🌞ILUMINACIÓN CON: Neewer Iluminación Kit: 48cm Exterior 55W 5500K Regulable LED Luz del Anillo: https://amzn.to/2ZRaCrS Andoer Kit Fotografíco de Estudio Video Softbox:https://amzn.to/318v1WM Foco Led Neewer: https://amzn.to/2YTh0xW 💤 SONIDO GRABADO CON: Tascam DR-40X: https://amzn.to/2ZXTxsz Blue Microphones Yeti: https://amzn.to/314NWSl Neewer NW-5 Panel de Aislamiento: https://amzn.to/310RTHP 🔴🔴 SUSCRÍBETE A MI CANAL VAMOS !! 💖💖NUEVO CANAL: https://www.youtube.com/channel/UCdOw0mIbkoPobA8gxH7_eRg 🌍 PÁGINA WEB: www.javierorgaz.es www.javierorgaz.com 🤑 NEGOCIOS: javierorgaz@aol.com 🧙‍♂️ DONACIONES: https://www.paypal.me/javierorgazperfumes 🌍 REDES SOCIALES: Facebook: https://www.facebook.com/JavierOrgazOMG/ https://www.facebook.com/groups/lamaisonduparfum/ 📸 Instagram: https://www.instagram.com/javierorgaz_ 🐦 Twitter: https://twitter.com/JavierOrgaz_ For Business Inquiries: javierorgaz@aol.com ➡️ CLIPS VÍDEOS: https://www.youtube.com/watch?v=HuIPydbk0K4 🎵 MÚSICA: Track: Valcos & Chris Linton - Without You [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/wdpGocMoipw Free Download / Stream: http://ncs.io/WithoutYouYO Free Download / Stream: http://ncs.io/BurnMeDown 🎵Track: Anna Yvette - Red Line [NCS Release] Music provided by NoCopyrightSounds. Watch: https://youtu.be/VrDD2GSNs_I Free Download / Stream: http://ncs.io/RedLine 🎵Song: Venemy - Need You Now (feat. Danica)[NCS Release] Music provided by NoCopyrightSounds. Video Link: https://youtu.be/li_tpwcMEQQ Download/Stream: http://ncs.io/NeedYouNowCr * Participo del programa de Amazon Afiliates y utilizo enlaces con obtención de ingresos por venta realizada. P.D Este vídeo no está esponsorizado. This video is not sponsored.

Клубный дом Кузнецкий Мост 12 by Lalique

Russia Sotheby’s International Realty

Play Episode Listen Later Dec 23, 2020 14:35

Екатерина Фонарёва, директор по продажам KR Properties, стала гостем Ирины Мошевой, CEO Russia Sotheby's International Realty, и обсудила с ней Клубный дом Кузнецкий Мост 12 by Lalique: история и особенности архитектуры здания, авторская концепция, философия и энергетика проекта. Кроме того, Екатерина рассказала, как возникла идея коллаборации с Lalique и как связаны два бренда, а также о планах реставрации здания и торговой галереи, типах апартаментов и трех тематических вариантах дизайна и отделки. Международное агентство Russia Sotheby's International Realty: https://sothebys-realty.ru (https://sothebys-realty.ru/?utm_source=podcasts&utm_medium=cpc&utm_campaign=native-podcast-88) Special Guest: Екатерина Фонарёва.

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Episodio 30: la obsesión y el prestigio de Macallan. Tomamos No. 6 y Cask Strength

Nocturno en whisky

Play Episode Listen Later Dec 11, 2020 43:51

Diálogo nocturno con Joe Cabassa, embajador regional de Macallan para Latinoamérica, Caribe y Puerto Rico, y Director de Educación. Hablamos de la obsesión de Macallan por la calidad, su historia, su status coleccionable, carácter, proceso de destilación, manejo de maderas e impacto de crisis y pandemia en un whisky legendario que sigue creciendo.

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Le musée Lalique à visiter sur internet

Actualités Rhénanes sur le Net FB Elsass

Play Episode Listen Later Dec 2, 2020 2:02

durée : 00:02:02 - Actualités Rhénanes sur le Net FB Elsass - La chronique de Pierre donne dans le cristal et le verre, avec le musée Lalique, à visiter aussi sur internet.

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Екатерина Фонарёва - Девелоперские проекты Москвы 2020

Russia Sotheby’s International Realty

Play Episode Listen Later Nov 18, 2020 36:31

Екатерина Фонарёва, директор по продажам KR Properties , стала гостем Ирины Мошевой, CEO Russia Sotheby's International Realty, и обсудила с ней тренды рынка элитной недвижимости в 2020 году: рост популярности сервисных апартаментов в России, усиливающееся влияние автора и архитектора на проект, увеличение доли сделок с привлечением ипотеки, требования застройщиков при выборе новых площадок и развитие рынка элитной недвижимости в регионах. Кроме того, Екатерина рассказала о доме Kuznetsky Most 12 by Lalique, а также о пяти вещах, которые должен знать московский девелопер для успешной работы. Международное агентство Russia Sotheby's International Realty: https://sothebys-realty.ru (https://sothebys-realty.ru/?utm_source=podcasts&utm_medium=cpc&utm_campaign=native-podcast-84) Special Guest: Екатерина Фонарёва.

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A amizade de Gulbenkian e Lalique e a "Sempre Estrangeira" Durastanti - Ensaio Geral - 06/11/2020

Renascença - Ensaio Geral

Play Episode Listen Later Nov 6, 2020

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S3 EP 5: Vetiver is Like, Really Versatile

Fume Chat

Play Episode Listen Later Oct 16, 2020 59:20

This week we are exploring the material vetiver. This clumpy grass is one of the most beautiful smelling and versatile perfume materials, with a vast and varied odour profile. We sniff some key vetiver materials and some iconic scents. So, get ready to hear us say the word "vetiver" about a million times and brace yourself for a full vetiver education. Scents sniffed: Vetiver by Guerlain Infusion de Vetiver by Prada Vetiver Extraordinaire by Editions de Parfums Frederic Malle Sycomore by Chanel Encre Noir by Lalique Timbuktu by L’Artisan Parfumeur Sesame Chan by Anima Vinci Vetiver Tonka by Hermes Essence Nº6: Vetiver by Elie Saab KenzoAir by Kenzo

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Alicia Lomné

Talking Out Your Glass podcast

Play Episode Listen Later Jul 3, 2020 58:14

Alicia Lomné: Reinventing Pâte de Verre A process that involves creating a model, pouring a mould, and carefully applying very thin layers of powdered glass within that mould, pâte de verre has historically been associated with the matt/frosted, translucent vessel forms of Lalique and Daum. Enter Alicia Lomné, who has not simply redefined the techniques, but pioneered the acceptance of radical new non-traditional forms created with paste of glass. Her glorious plant/ underwater creature hybrids are a wonder to behold with their rounded bellies, spikey spines, and stunning color gradations and values. Born on the island of Corsica, France, to two working artists, Lomné was exposed to life as a maker from the beginning. Her mother, well-known glass artist KéKé Cribbs, introduced her to the glass community at large and gifted her with the Pilchuck workshop where she fell in love with glass casting. Lomné studied the techniques under the tutelage of Clifford Rainey, Daniel Clayman, Jeanne Ferraro, and at The California College of Arts and Crafts. Having recently relocated from Whidbey Island to Tacoma, Washington, Lomné has spent the last 21 years exploring and developing her own unique style of pâte de verre. She has exhibited her work nationally and participated in shows at The Kentucky Museum of Art and Design, The Museum of American Glass, Figgie Art Museum, National Liberty Museum, Bergstrom-Mahler Museum, and The Muskegon Museum of Art. For the last 17 years, Lomné has invested more of her time in teaching, enthusiastically sharing her knowledge of pâte de verre with others at Pilchuck Glass School, Penland School of Crafts, The Corning Musuem of Glass, Bullseye Glass resource centers across the country, as well as in Denmark, Switzerland, Australia, England, and Germany. Though she never thought of herself as an educator, sharing knowledge has resulted in a genuine love and an enthusiasm for teaching which she describes as one of best experiences of her life. One of a few artists who have inspired a resurgence in pâte de verre, Lomné has also released four educational videos, the first with Bullseye Glass Co. and three others with AAE Glass. https://www.aaeglass.com/video-tutorial-exploring-pate-de-verre-w-alicia-lomne-1.html?noforce=1 https://www.aaeglass.com/video-tutorial-exploring-pate-de-verre-w-alicia-lomne-1.html?amp=1 Currently on a self-imposed hiatus, Lomné takes a much-needed break from teaching, traveling, and juggling many jobs. She says: “I need a reboot. Time to explore and expand my own techniques, time to rethink how to function as an artist in this world, time to build a new website and diversify myself.” Future goals include creating a line of greeting cards and fleshing out book ideas. In 2020, Lomné’s work will be featured in a new book about pâte de verre by Max Stewart and Tone Ørvik. And of course, explorations of new work to push the technical and aesthetic limits of pâte de verre continue. “The pieces I made in the Alluvial series, which I will still be working on now, are about the flow of water, sedimentary layers, a reflection and recording of time. So much of what I do is wrapped up in my process. There is a love and calm in the making that I find nowhere else in my life. Each line laid is a loving meditation and a small record of my time past. Time is, I believe, the only thing we really have in life.”

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le bijou comme un bisou #53 les bijoux de Sarah Bernhardt

Play Episode Listen Later Jun 14, 2020 13:28

Parce que chaque semaine qui commence est un nouveau départ, j'avais envie de vous lire une histoire. Alors je vous propose le bijou comme un bisou du dimanche soir. Il était une fois les bijoux de Sarah Bernhardt La date et le lieu de naissance, ses prénoms, son père rien n'est acertainé chez Sarah Bernhardt parce que c'était l'époque, parce qu'elle ne le voulait pas, parce qu'elle a construit sa légende. Nous dirons qu'elle est née entre 1841 et 1844 à Paris, que sa mère s'appelait Judith, qu'elle avait 3 sœurs, que l'amant de sa tante est le duc de Morny, le demi-frère de Napoléon III, qui lui offre une éducation au couvent des Grand Champs à Versailles où elle découvre à la fois le mysticisme et le théâtre. C'est encore avec la recommandation du duc de Morny qu'elle entre au conservatoire d'art dramatique de Paris en 1859. Entre les deux écoles elle a appris les arts, l'escrime et la galanterie. Sa carrière théâtrale est mouvementée, elle entre en 1862 à la comédie française et est renvoyée en 1866 pour avoir giflée la sociétaire Mlle Nathalie. Alors elle signe avec le théâtre de l'Odéon. Puis elle est rappelée par la Comédie Française avant de créer sa propre compagnie puis de diriger le théâtre du Chatelet. Elle a été acclamée dans Le Passant, Ruy Blas, Phèdre, Hernani… des rôles puissants, des pièces controversées, des succès certains ! En temps que femme on lui connait un enfant Maurice Bernhardt, fils du Prince Henri Joseph de Ligne et de nombreux amants : des princes, des mondains, des artistes, un médecin. Elle aura même un époux, l'acteur Aristides Damala hélas morphinomane avec lequel elle ne restera pas mais dont elle ne divorcera pas. Elle se blesse au genou en 1887 en revenant d'une tournée, ne se soigne pas, continue à se blesser pendant ses rôles, on lui diagnostique en 1902 une tuberculose ostéo-articulaire, on la plâtre, elle gangrène et on l'ampute en 1915, alors elle jouera assise car elle refuse de porter une prothèse alors que 2 ans auparavant elle avait osé se faire faire un lifting dont la technique était alors une nouveauté plutôt risquée. En temps qu'actrice, elle est le dernier amour de Victor Hugo qui l'appelle la voix d'or et la première admiratrice de Jean Cocteau qui la qualifie de « monstre sacré », d'autres la nomme la divine ou l'impératrice des théâtres. Avec sa propre compagnie théâtrale, Sarah Bernhardt triomphe sur les cinq continents. Elle joue de 1880 à 1917 à Londres, Copenhague, New York, Boston, Saint Pétersbourg, Melbourne, Québec, Rio de Janeiro. Elle est la première actrice française à créer cette carrière internationale. Que son public comprenne ou non le français n'a pas d'importance. Sa renommée est si grande qu'ils viennent la voir et lui font un triomphe qui renforce encore sa notoriété. Concomitamment à ses tournées, elle prend la direction en 1893 du Théâtre de la Renaissance puis en 1899 du Théâtre des nations qu'elle rebaptise Théâtre Sarah Bernhardt. Sarah Bernhardt est une femme engagée qui choisit son rôle sociétal. En 1870, pendant le siège de Paris, elle demande au préfet de police, le vicomte de Kératry l'autorisation d'installer une ambulance dans le théâtre de l'Odéon. Elle sollicite l'aide de ses admirateurs qui la ravitaille en vivres. Quand les combats se rapprochent de Paris, des lits de fortunes prennent place partout jusque sur la scène et dans les loges. Sara veille deux nuits sur trois sur ses 60 blessés y compris le futur maréchal Foch qu'elle retrouvera quarante-cinq ans plus tard sur le front de la Meuse, pendant la Première Guerre mondiale. Quand les canalisations d'eau éclatent sous le gel. Sarah trouve un vaste d'appartement rue Taitbout pour abriter ses blessés Plus tard elle apporte son soutien à Émile Zola au moment de l'affaire Dreyfus, et soutient la féministe Louise Michel. Elle prend position contre la peine de mort. Un an avant sa mort elle donne une série de galas au bénéfice des travaux de Marie Curie. En 1916, amputée, Sarah Bernhardt se fait transporter sur une chaise à porteurs style Louis XV pour va aller remonter le moral des Poilus de la Grande Guerre et invente le Théâtre aux Armées. En septembre 1916, elle se rend en Amérique pour convaincre l'opinion publique de rentrer dans la guerre au secours de la France. En 1917, elle tourne un film de propagande intitulé « Mères françaises » et une nouvelle pièce « Du théâtre au champ d'honneur ». Malgré le refus de funérailles nationales du gouvernement Poincaré, la foule immense qui l'accompagne une dernière fois reconnait en elle une pionnière, une femme libre. Sarah Bernhardt est une femme d'affaire qui n'hésite pas à affréter un train Pullman pour transporter sa troupe et ses 8 tonnes de malles à travers les Etats Unis. Elle invente le star système en se mettant en scène et en faisant connaitre ses lubies qui lui créent une image particulière, alimentent les gazettes et scandalisent. Elle se crée une devise « Quand même » en référence à son audace et à son mépris des conventions, devise qu'elle érige en drapeau dont on lève les couleurs dans sa résidence d'été. Elle cultive une ménagerie qui choque : elle achète un guépard, un chimpanzé qu'elle appelle Darwin, des caméléons, un grand-duc, un bôa, des grenouilles, des scarabées et même un crocodile à qui elle ne pardonnera pas d'avoir croqué un de ses 3 chiens. Elle interprète des rôles masculins : Lorenzaccio d'Alfred de Musset ou Péléas dans Hamlet ou encore le duc de Reichstadt dans l'Aiglon d'Edmond Rostand. Elle est longue et mince et sa silhouette en S promeut la mode corsetée et cambrée de l'art nouveau. Ses tenues, ses déshabillés, ses chapeaux, son rouge à lèves, sa poudre de riz : tout cela est sujet à scandales mais détaillés dans les feuillets de mode que les femmes s'arrachent et copient dans le monde entier. Elle a tout de suite compris l'intérêt de la publicité. Pour promouvoir la pièce Phèdre, elle enregistre avec thomas Edison à New York une lecture de la pièce. Elle prétend dormir dans un cercueil avec des lys blancs à la main au dessous d'un miroir orné d'une figure de vampire et s'y fait photographier afin d'en vendre les visuels sous forme de photos et de cartes postales. Elle utilise les talents de fameux photographe Nadar pour l'immortaliser dans ses rôles principaux. Et bien sûr elle veille aux affiches de ses pièces. C'est ainsi qu'elle rencontre Alphonse Mucha. L'artiste est arrivé à paris en 1887 et a débuté une carrière d'illustrateur. En 1894 il se trouve dans l'atelier de l'imprimeur Lemercier, quand Sarah Bernhardt appelle pour demander une affiche pour la pièce Gismonda, de Victorien Sardou qui se joue au Théâtre de la Renaissance dont elle est devenue la propriétaire quelques mois plus tôt. Elle cherche à mobiliser un public réticent pour la prochaine représentation du 4 janvier 1895. Aucun des affichistes de renom n'est disponible alors Mucha reçoit la commande et un délai de quarante-huit heures. A la livraison, l'imprimeur est réticent car l'affiche de Mucha est révolutionnaire. Par son format étroit et tout en longueur, sa composition avec le personnage encadré dans une arche avec le visage entouré d'une couronne de fleurs et ses couleurs en camaïeu mordorés. Sarah Bernhardt adore ! Elle déclare : « Ah ! Que c'est beau ! Dorénavant, vous travaillerez pour moi, près de moi. Je vous aime déjà ». Le public aussi est séduit et va jusque chez l'éditeur pour acheter l'affiche. Sarah Bernhardt signe avec Mucha un contrat de 6 ans pour la réalisation des affiches, des décors de scène et des costumes et les bijoux qui vont avec. Pour Lorenzaccio, il lui dessine un large collier dont les motifs font écho au brocart du costume, il imagine des ornements de cheveux complexe composés de disque colorés de pierres, de verre ou d'émail et garnis de chaines qui transforme la femme en figure allégorique notamment pour la revue d'art La Plume. Pour la création des Bijoux, Mucha a rencontré l'orfèvre et joaillier parisien Georges Fouquet qui a repris la boutique de son père en 1895 et est déterminé à renouveler le style de sa Maison. Leur collaboration permettra la création de bijoux fabuleux. Parmi les bijoux Mucha-Fouquet le bracelet serpent créée en 1898, pour le rôle de Médée est un exemple extraordinaire : la tête est sertie d'une mosaïque d'émail, d'opales, de rubis et de diamants et repose sur le dos de la main, le corps du serpent s'enroule autour du poignet et la queue remonte sur le bras. Il est relié par une série de chaînes à un autre «serpent» qui est un anneau de doigt, la tête tournée pour faire face à celle du bracelet. L'imposant bijou est rendu flexible par un système discret de charnières. On ne sait pas exactement quand Sarah Bernhardt le vend mais il est racheté en 1964 par Joan «Tiger» Morse une styliste américaine avant de devenir la propriété de l'actrice Marlene Dietricht qui le vend aux enchères chez Christies Genève. Ce bracelet est aujourd'hui au Japon dans la collection permanente du musée Alphonse Mucha de Sakai City. Bien que ce bracelet iconique soit une pièce unique conçue pour Sarah Bernhardt, il existerait en fait trois versions du bracelet dans les archives Fouquet. Dont l'une créée en 1900 aurait été vendue aux enchères en 1989. Fouquet demande à Mucha de créer une collection de bijoux pour le stand Fouquet de l'Exposition internationale de Paris en 1900. Et un an plus tard lui commande la décoration Art nouveau de la boutique Fouquet au n° 6 de la rue Royale, véritable manifeste de son vocabulaire esthétique aujourd'hui conservé et reconstitué au musée Carnavalet à Paris. En 1899 c'est René Lalique que Sarah Bernhardt sollicite pour lui créer les bijoux de son rôle de Mélissinde dans La Princesse Lointaine. Il va réaliser un pendentif en or, émail, diamants et améthyste mais surtout une couronne fermée, en métal argenté, surmonté de cinq motifs trilobés ornés de perles et pierres fantaisie avec une grande plaque en métal doré sur le devant ornée de médaillons de verre coloré imitant les pierres précieuses. Le tour de tête est décoré de turquoises et perles fantaisies et de chaque côté de la couronne, un serre-tête représente deux grands bouquets de fleurs de lys à semis de perles de fantaisie et pistils de verres brillants. Le serre-tête est aujourd'hui conservé à la Bibliothèque-Musée de l'Opéra. Ce magnifique bijou de théâtre a surement été réalisé entièrement par Lalique mais on sait que Sarah Bernhardt elle-même en a surveillé tous les détails et a demandé à Mucha d'en faire des dessins au même titre que le décor et les costumes de la pièce. Pour ce rôle de Melissinde Mucha et Fouquet lui créeront une broche en or, émail, rubis, diamant et perle En 1900, elle achète à Lalique le pendentif L'Aiglon en or, émail, perle et rubis pour célébrer le rôle qu'elle interprète dans la pièce d'Edmond de Rostand et que l'on peut voir aujourd'hui aux Musée des Arts décoratifs. Sarah Bernhardt accordait une grande importance aux bijoux, qu'elle aimait volumineux et voyant. Elle porte une bague en os dans Cléopâtre comme bijou fétiche Quand elle demande un enfant à Victor Hugo, il lui envoie une de ses larmes sous la forme d'un gros diamant sur un bracelet. Elle orne la carapace de sa tortue préférée de topazes et de diamants. Elle met un fil d'or à la patte de ses scarabées qui se promènent sur ses épaules comme des pierres précieuses vivantes. Et quand elle devient myope, elle se fait créé des face à main en or, rubis et perle dont on peut encore voir un exemplaire au musée de la lunette à Morez dans le Jura. Sarah Bernhardt s'essaiera au cinéma muet et parlant dès 1900. Elle sera distinguée Chevalier de la légion d'honneur en 1914 pour avoir « répandu la langue française dans le monde entier » et meurt en 1923 sur le tournage de La voyante de Sacha Guitry. Elle est l'une des très rares artistes françaises à avoir son étoile sur le Hollywood Walk of Fame à Los Angeles. Sarah Bernhardt disait « Il faut haïr très peu, car c'est très fatigant. Il faut mépriser beaucoup, pardonner souvent, mais ne jamais oublier ». Elle est inoubliable. Ainsi se termine cette histoire d'Il était une fois le bijou. Je vous souhaite une jolie semaine et vous donne rendez-vous dimanche prochain. Si cette histoire vous a plus envoyez moi plein de bisous sur les réseaux sociaux d'Il était une fois le bijou et encouragez moi en partageant les bijoux bisous tout autour de vous. A bientôt pour un prochain bijou, un nouveau bisou du dimanche soir. Site Twitter Facebook Instagram LinkedIn

le bijou comme un bisou #42 le muguet et le 1er mai

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Play Episode Listen Later May 1, 2020 9:17

Parce que le soir les pensées remontent, j'avais envie de vous lire une histoire. Parce que les temps sont incertains j'avais envie de vous envoyer un câlin, un bisou. Alors je vous propose le bijou comme un bisou du soir. Il était une fois le muguet et le 1er mai... Le Muguet de mai ou Muguet commun s'appelle aussi Convallaria majalis ou en anglais Lily of The Valley. C'est une herbacée vivace dont on adore la délicatesse des fleurs printanières, en forme de clochettes parfumées. Mais ce qui est étrange c'est qu'elle soit associée au 1er mai et c'est qu'on l'appelle fleur du bonheur, ou qu'elle soit symbole d'amour ou de la fête du travail alors que c'est une plante très toxique même mortelle. Et en joaillerie ? Dans les bijoux qui font rêver il y a le bracelet muguet de Lalique, dont c'était aussi la fleur préférée, qu'il a créé en 1895 et qui est visible au musée Lalique. La magnifique parure Dior en émail, perle et diamant avec un collier ouvert et des clips. La créatrice Victoire de Castellane avait aussi créé pour Dior une bague cocktail avec des grappes de muguet et on trouve encore aux enchères des petites bagues Dior avec une seule clochette. On connait la superbe broche de Fulco di Verdura avec un bouquet de muguet en perle diamantés. Van Cleef & Arpels avait aussi créé en haute joaillerie un superbe clip ou le muguet est tout en diamant. Pour Boucheron c'était aussi une broche avec 1 clochette de muguet. Plus récemment Michele Della Vallée, le créateur suisse avait présenté un collier aérien tout en muguet et diamant et la fantasque créatrice Suzanne Syz des boucles d'oreille aux grappes de muguets. Dernièrement, dans la collection Charms extraordinaire Van Cleef & Arpels a sorti une montre avec une fée et du muguet peint délicatement sur le cadran. Lalique nouvelle version a réalisé des bijoux avec des clochettes en verre sur or ou vermeil, très portable. La jeune créatrice Céleste Mogador, spécialiste de la broderie présente une bague carrée où le brin de muguet brodé est protégé par un cristal de roche. Enfin la designer en joaillerie Marina Fulchiron propose des cartes gouachées avec un brin de muguet et 2 mignonnes coccinelles. Ainsi se termine cette histoire d'Il était une fois le bijou. Si cette histoire vous a plu, partagez la autour de vous, pour vous aussi envoyer plein de bijou bisou et encouragez moi en partageant et en me mettant plein d'étoiles et de like. A demain pour un prochain bijou, un nouveau bisou du soir Site Twitter Facebook Instagram LinkedIn

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A sparkling past and future: France's Vosges region, the home of crystal

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Play Episode Listen Later Mar 17, 2020 6:03

Five centuries ago, a special type of glassware was born in the northern valleys of France's Vosges region. The production of crystal once employed 5,000 people in these hills. The Lalique factory, near the border with Alsace, is one of the world's best. Further west, another French town symbolises crystal excellence: Baccarat and its 250-year-old factory. FRANCE 24 takes you behind the scenes of both.

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Sur la route du cristal au cœur des Vosges

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Play Episode Listen Later Mar 13, 2020 6:03

L’histoire du cristal commence dans les Vosges du Nord, où la première cristallerie française a été fondée en 1586. Dans ces vallées, jusqu’à 5 000 personnes travaillaient dans l’industrie verrière. Sur la route du cristal, nous allons découvrir à la frontière alsacienne la manufacture Lalique, une référence mondiale. Puis direction Baccarat, une ville française qui symbolise à elle seule le cristal et l’excellence.

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Episode 23: Going Batty – A Costumed History of Bats

Dress: Fancy

Play Episode Listen Later Jun 14, 2019 36:41

If you were to think of your costumed alter-ego as a creature, it’s unlikely you’d immediately conjure an image of a bat, and yet as this super niche episode demonstrates, bats have long been – and continue to be – popular subjects for dressing up, and not simply as Batman or Batwoman. Proving that no topic is too small for them to ponder, Lucy and Ben investigate the origins, symbolism and frightening beauty of the bat costume. Prepare to be stupefied! Show Links La Specola: https://www.youtube.com/watch?v=60YtZikOcjQ. 1st dibs: ‘Original Art Nouveau Watercolor Painting of a Bat Woman by Alfredo Edel Colorno’- https://www.1stdibs.co.uk/furniture/wall-decorations/paintings/original-art-nouveau-watercolor-painting-bat-woman-alfredo-edel-colorno/id-f_14634382/. Eva Dress Pattern (from the Victorian Bat Woman) https://www.evadress.com/collections/1910s/products/1887-bat-crinoline-cos80-1887. Nicoletta Carlone: https://nicolettacarlone.com. Lalique bat rings: https://rlalique.com/rene-lalique-bat-ring-images. Mary Shelly, Frankenstein(1818) Bram Stoker, Dracula(1897) Barbara Brownie and Danny Graydon, The Superhero Costume: Identity and Disguise in Fact and Fiction (2016).

Grand Entretien avec Silvio Denz

Culture Vin

Play Episode Listen Later May 27, 2019 45:41

Silvio Denz, Lalique, l’Art et le Vin Ce rendez-vous est un moment d’échange privilégié avec Silvio Denz, grand amateur de vins, passionné d’architecture, collectionneur de peinture baroque, impressionniste et contemporaine, et des œuvres de René Lalique. Né à Bâle, Silvio Denz a d'abord travaillé en Suisse et aux États-Unis, dans les secteurs de la finance, de la distribution et du marketing avant de prendre la direction de l’entreprise familiale de parfums Alrodo AG. Il en fait une des plus grandes chaînes de parfumerie suisses rachetée par le groupe Marionnaud en 2000. Silvio Denz crée en 2000 la société de parfums Art & Fragrance (renommée Lalique Group en 2016). En parallèle, ce passionné d’architecture et d’art se constitue une collection importante d’œuvres impressionnistes et d’art contemporain. En 2008, il acquiert la cristallerie Lalique et lui donne un second souffle. Aujourd’hui réputée pour ses bijoux, ses parfums, ses objets décoratifs, sa décoration d’intérieur et ses œuvres d’art, Silvio Denz associe de grands noms aux créations de la Maison. Il développe le pôle hôtellerie-restauration avec en 2015 l’ouverture de la Villa René Lalique en Alsace, maison construite par René Lalique en 1920, transformée en hôtel 5 étoiles et dotée d’un restaurant 2 étoiles Michelin. Il inscrit Lalique comme une Maison lifestyle. Au milieu des années 90, Silvio Denz diversifie ses activités et participe à la création de la maison de négoce « Les Grands Vins Wermuth ». À la suite d’une scission, une des entités devient « Denz Weine ». Désireux de s’impliquer dans la production des vins, il acquiert en 1998 le « Clos d’Agon » en Espagne. En 2005, l’entrepreneur investit dans le Bordelais en acquérant les domaines de Château Faugères, Péby Faugères (tous deux Saint-Emilion Grand Cru Classé) et Château Cap de Faugères (Castillon-Côtes de Bordeaux). Puis en Italie, il acquiert le domaine Montepeloso en partenariat avec Fabio Chiarelotto. En 2010, le Château Rocheyron (Saint Emilion Grand Cru), acheté avec Peter Sisseck, rejoint les Vignobles Silvio Denz. En 2014, c’est le Château Lafaurie-Peyraguey (1er Grand Cru Classé Sauternes) qui vient parachever cet ensemble de vignobles regroupés au sein de la société Art & Terroir. Il y ouvre un hôtel restaurant en 2018, qui devient Relais & Châteaux seulement deux mois après son ouverture. La même année, c’est une boutique Lalique qui est inaugurée au cœur du Triangle d’or de Bordeaux. Avec Silvio DENZ, président directeur général de Lalique Group, propriétaire d’Art et Terroir Animé par Jérôme BAUDOUIN, journaliste à La Revue du Vin de France

20. Frobel's Return? (Riding in Rollers / The Black Virgin of Vladimir)

Lovejoy Actually

Play Episode Listen Later Apr 3, 2019 87:47

BRI-AN BLESS-ED joins the cast this week and we’re here for it listener, we are here for it. We’ve also got our first podcast coup with an amazing Behind The Scenes email from Terry H himself!This extra long episode takes in both parts of the Series Two finale, and we’re delighted to see the return of an old chum from the very first series - Mr. Frobel (complete with bacon sandwich.) Lovejoy’s put his scarf back on as he searches out some Lalique for a lovely lady and gets caught up in yet another mad scam in international waters. Well, the Solent.Settle in as we discuss Abraham's Saucepan, buying shoes (or not) in Elephant and Castle, an unexpected Donald Trump reference and that well known Russian triumvirate of borscht, vodka and… mouse wee?The original Lovejoy episode was written by Terry Hodgkinson and directed by Francis Megahy.

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#14 A vos narines ! Thierry de Baschmakoff l'architecte des flacons (2ème)

Play Episode Listen Later Sep 22, 2018 39:58

Venu du Génie civil, Thierry de Baschmakoff est devenu designer de flacons de parfum, d’objets cosmétiques ou encore de boutiques. Du Palais du Festival de Cannes, deuxième version et du Palais de L’Acropolis à Nice à 350 références pour la Maison Bulgari dont la célèbre Eau Parfumée au Thé Vert, la création de la marque The Different Company, J.U.S ou encore la direction artistique d’Asprey à Londres, Lalique…. Voici quelques unes de ses réalisations. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

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# 14 A vos narines ! Thierry de Baschamakoff, l'architecte des flacons (1ère)