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In this special episode of The Emetic's Mind podcast, host Matthew Heneghan shares a significant milestone in his journey—receiving the British Columbia Medal of Good Citizenship. Matthew reflects on the honor and the path that led him here, from his years of service as a paramedic to his ongoing efforts in raising awareness for mental health and veteran issues. Tune in to hear Matthew's recent interview on CBC Daybreak Kamloops, where he discusses what this award means to him, the importance of community service, and the powerful impact of storytelling. Whether you're a long-time listener or new to the podcast, this episode offers an inspiring look at resilience, recognition, and the enduring value of contributing to the greater good. Buy the A Medic's Mind Book: Here Buy Woven in War: Here Follow Me on Social Media: https://twitter.com/AuthorMHeneghan https://www.facebook.com/amedicsmind https://www.instagram.com/theamedicsmindpod/ Email Me: Info@amedicsmind.com Website: www.amedicsmind.com @PlayMorePods #PodcastsOnAmazonMusic #PodcastsOnApple #ApplePodcast #Spotify #PodcastsOnSpotify
In this episode of The Emetic's Mind Podcast, I join David Cooper from the podcast "This is Going Well, I Think" for a heartfelt and insightful conversation. We delve into my CBC article on trauma and addiction, exploring the journey to overcoming my struggles and celebrating six years of sobriety. We also reflect on my experiences as a paramedic and military medic, sharing stories from the field and discussing how I've cultivated a positive mindset through it all. Join us for this powerful discussion on resilience, recovery, and finding hope amidst the challenges. Show Notes: Introduction Introduction to the episode and guest appearance on "This is Going Well, I Think" with David Cooper. CBC Article and Overcoming Addiction Discussion on the CBC article about trauma and addiction. My journey to overcoming addiction and celebrating six years of sobriety. Experiences as a Paramedic and Military Medic Sharing stories from my time as a paramedic. Insights and experiences from my service as a military medic. Cultivating a Positive Mindset Strategies and practices for maintaining a positive outlook amidst challenges. Conclusion Wrap-up and reflections on the conversation. Encouragement for listeners facing similar struggles. Buy the A Medic's Mind Book: Here Buy Woven in War: Here Follow Me on Social Media: https://twitter.com/AuthorMHeneghan https://www.facebook.com/amedicsmind https://www.instagram.com/theamedicsmindpod/ Email Me: Info@amedicsmind.com Website: www.amedicsmind.com @PlayMorePods #PodcastsOnAmazonMusic #PodcastsOnApple #ApplePodcast #Spotify #PodcastsOnSpotify --- Send in a voice message: https://podcasters.spotify.com/pod/show/amedicsmind/message
The original Cities and Memory sample inspired the creation of this work about ship wreck. Telemetry gathered from ocean buoys at the location of a well documented 19th century ship wreck is used to ‘notate' the sound work, modulating parameters such as key, timbre, pitch, pan and velocity. Consider the telemetry as a field recording informing the creation of the work. This 20 minute version of Floß Fleisch Fluss is a shortened form of the sound work, without the spoken narration.* Floß Fleisch Fluss is a sound and spoken word prose poem, composed and written in seven scenes. The literal translation of the work title is Float Flesh Flux, but Floß more accurately translates as raft. Scenes include: Aground and abandoned Despair and delirium Paternoster prayer Mutiny and murder Cannibalism and contrition Devotion and death Rescue and resurrection Background It is estimated that since 1700 (when verifiable records were systematically kept by naval and merchant fleets) until the present day, three million people have died in maritime disasters.** A maritime disaster is defined as the loss of 20 or more lives. The very nature of a wrecked ship usually leads to catastrophic loss of life, more significantly so before lifeboats, flotation devices and sea rescue was professionalised in the 19th century. Telemetry Telemetry gathered from ocean buoys at the location of a well documented 19th century ship wreck is used to ‘notate' the sound work, modulating parameters such as key, timbre, pitch, pan and velocity. Telemetry data used for this work includes: wave height and period, barometric pressure, air and sea surface temperature as well as wind speed and direction. A fuller explanation of telemetry is below.*** Instrumentation Instrumentation used for this work includes field and found sound, voice, polytonal tubes and percussion, amplified cello, prepared piano, prepared guitar, no input mixer and modular synthesis. The original sample opens and closes the work and is included in various ways. Spectral analysis is used to parse sonic details, isolating timbral and tonal layers such as bird song, wind and waves. The sample is also used throughout the work as carrier signal, frequency modulator and convolution reverb source, working with the telemetry to control pan, pitch, timbre and other parameters such as key and chord progressions. ——————— * A selection of the prose poems are below. In the complete work their narration is interspersed with the sound pieces. ** Statistics on loss of life from maritime disasters is taken from the publication 'Shipwreck: A History of Disasters at Sea', author Dr. Sam Willis. *** Telemetry Telemetry is the automatic measurement and wireless transmission of data from remote sources, in this case from buoys gathering data in the ocean. Sensors at the source measure physical data such as temperature, pressure, height, amplitude, velocity and direction of ocean waves and weather. More information available at https://www.sofarocean.com/posts/the-use-of-buoys-in-the-ocean-and-what-weather-conditions-they-measure Below is a sample of data gathered at the location of a well documented 19th century ship wreck at 20:16 on 29 April 2023. This data gathered over several days and weeks provides several ‘wave form' modulation sources used in the sound work. 01° 23.7' N — 006° 38.1' E Wave Height 1.3m, 206.1° Wind 6kts, 213.5° Currents 0.8kts, 0.2° Pressure 1012.3mbar ——————— A selection of the prose poems. In the complete work their narration is interspersed with the sound pieces. Despair and delirium A lived fragment of feeling. Ten thousand unknown currents. An unspoken trust. A reflex action of the spirit. The muscular twitchings of a corpse. We cuttlefish camouflage the past. Is anything left then? Not a trace. Is the void profound? It enfolds the whole ocean. Soft tissues distend with ease. Helpless in extreme lightness. Like revelations, from the retort feelings begin to leach. Some cauterise themselves, stem the flow. The weak go mad, saying we can flex and grow. That weighted them down. They must not remember the streets in spring and canals in winter. Hold back the surge as it overwhelms. They come wearing shoes of salmon skin. One brings sunburn, another eschar for a surgery, a third makes obsidian blades, fingers white and numb. Take them, I don't need them now. On a warm Sunday in July we reach the Plashledge. Go then and seek asylum for your selfless love. ———————— Paternoster prayer The sun is frozen black. An eclipse like this happens once in 73 years I hope there will be no clouds. Held close to the flame, the candle soot blackens the glass. It is awful that things are like this. I should stay to tell you how it will be. The sun will drain away like zinc. It is overcast. There'll be no spectacle today. Is the sky clear? Yes. Dark cerulean in the east. Where are we going? To the edge of the raft? Lean against the mast. Hide from the wind. Is the sky really clear? Yes. Pale carmine now. It must be beautiful. I am glad you can see it. You are not lying? I can see the stars. It happens during an eclipse. Starlight in daytime. Phosphorine stars I cannot name. Awful that things are like this. I'll stay to tell you how it will be. Rain begins to fall. We wait together. Feel together. Lie together. Paternoster. ———————————— Mutiny Ganzfeld. The cessation of sound, a moment of stillness. An experimental action of which the outcome is unforeseen. Analysis of reality before its entry into existence. Lucent patterns without pulse or meter. The wayward son turns the sabre. The shaft cranks, the blade plays. Lefebvre swops dirty stories with Moreau. Le bruit de fond. Voice your suspicions. Is the intonation correct? The first howls multiply and thicken the effect. Colouring the signal to concentrate strong sensation. Rhythm quantised in serial tones. Amplifying waves, vibration and hertz. It haunts their tradition, without reaching the centre of our concerns. Violence expressed through instrumentation, dynamics and ornamentation. Articulation delivered by the performer's punch. Fearing a few false notes, they capitulate to barbarism. Mistaking a triad studded ‘dirty' for immoral atonality. Stimulus is maximised but rather unstructured. No matter how impossible the desire might be We agree that this pitch-black night cannot evade history. ———————————— Murder Inchoate. Milk fed, sour skin. Legs raise, head turns, trunk twists. Bare footfall. Confused crush, oily haste. Name spelled out in leaves of wild herb. What sacrifice the flower makes when a vacuum captures its essence at dusk. Substance from a scented shadow. Use your knife to harvest the sap. It is not always painless when the pneuma's soft. Not always painless. They call it easing the spring. Open the breech. As you reel. The piling swivel. A point of balance. The woollen must protects the sear. Fat runs. Bunt slick. Soaked in through our cheeks and chest. The thumb of amber resin burns. These flames resile then collide and unite. The spine breach splits with a jet of musk. The plash smelts scoriae to our skin. This will scar them. Like all other want, disease, ignorance, squalor and idleness We are convinced that this assault is a fraud. A sewer victory. ———————————— Cannibalism and contrition Under the trough of the naos. Full paps ooze. Never in their lives had the taste in their mouths been so bitter. Ill at ease. Eructate. Bilious. Emetic. The fleets salute as they embark. Sulphurous flume. Visceral pleasure. Lodging here, chambered there, embedded in crenelated pockets. We sucked and sluiced each other's limits. A bone broth rich with pulsing decay. A necessary easement yielding the leigh. They were finally laid low by the scourge within them. The infection protests ‘we are here because you were there.' Just as you have destroyed what was long before. So we slaughter the great to survive as the small. ———————— Devotion and death Bundled hull of raft floats five thwarts: Umibōzu's breath, Capricorn's hoof, Tiamat's eye, Morgawr's tongue, Ligeia's call. As these creatures emerge two sailors entwine their minds of salt. Ervan and Deniz seek haven for their love's retreat. Instead the sea buoys them to the bight of the dead. What songs they sing as their world becomes distant? Harmonies that scald throat, eye, lung and ear. Above, in night's forest without trees, many animals roam. Our sailors trust these beasts with their future. And like them the ocean takes the name of its parent. Bodies submerse in a bed of their making. Startled awake with new words and feelings. A scrimshaw scene falls from their hands. Ascribed ‘cette amour', our lovers drown before dawn. Birds in Bermuda reimagined by Simon Kennedy.
On today's episode, we discuss what an emetic is and why it could help your sick pet. We hope you enjoy!
TECH CLUBBERS PODCAST W/ CTSD & LIZA AIKIN New blood in the scene, originally from Australia, CTSD is currently resides in Berlin where he is trying to blend the energy and sound of the big city into his own vision of electronic music. Well crafted, moving forward, industrial beats and sophisticated sound design is his game. All blending incredibly well together into an updated modern industrial sound without sacrificing the groove that is well needed in techno music. Follow CTSD here: Instagram: https://www.instagram.com/thisisctsd/ Soundcloud: https://soundcloud.com/ctsd Half-tempo and unusual soundscapes are the hallmarks of Techno producer, live act and DJ Liza Aikin. In her Berlin studio, she is dedicated to tailor made music production, always looking to recreate the sound she was missing in her dj sets, with her favorite tools: field recordings and modular synthesizers. Her work has been released on labels such as Mord Records, Emetic, Gegen Records, Ever Records and OBSCUUR. Follow LIZA AIKIN here: Facebook: https://www.facebook.com/LizaAikin Instagram: https://www.instagram.com/lizaaikin Soundcloud: https://soundcloud.com/lizaaikin
Wir reden jetzt zur Mitte des Monats immer über ein Scheibe von außerhalb vom Pott, ne? Stefan hat in seinem Schrank gekramt und hat was raus "gezaubert". Wir reden über die erste Scheibe von Haemorrhage - Emetic Cult.
"Straight from the school of EMETIC comes Eastside Redwood City's FOILS OF SEIGHT. A one man project and the newest installment in the West Bay Resurgence. Blasting unhinged grind that pays tribute to the West Bay Koalition, Herm Lewis intros, Funkadelic, Infertile Surrogacy and Soils Of Fate. True DIY underground home recorded West Bay Drank Core. This is the realest it gets. WBAD." -Arselio Dominguez Album available on Cassette & CD here: Carnalismorecords.bigcartel.com https://carnalismorecords.bigcartel.com/product/heybroputdownthefoiltaco
Have you ever dreamed about what life would look like if you took the plunge and threw yourself into 'Your Art Thing'? Well, Emma did just that and in this episode, she schools Nick and Dan about the ups and downs, the do's and dont's, and the puss and snot of living an artist's life. We also take a close look at Emma's upcoming show and find out about what it takes to put a successful art show together. Plus, don't miss Em's massive celebrity family secret bombshell!
We've done our first "magic mastering" on this podcast, so if the sound quality has noticeably improved, or you hear an error, drop us a line at scrabbledabbledoopodcast@gmail.com Here are the uncommon 6 letter words beginning with "A" and "E": | ABASIA | | ALBATA | ATABAL/BALATA | ANABAS | | AGGADA | | AGAPAE | AGAPAI | ALASKA | | AMARNA | | ATAMAN | | ASANAS | | AUCUBA | | AUBADE | | AMBAGE | | ARABIS | | ABATIS | | ABORAL | | ABLAUT | | ARROBA | | APACHE | | AGAMIC | | AMTRAC | | AGAMID | | APODAL | | AGRAFE | AGRAFFE | ANANKE | | ALULAE | | AFTOSA | | AGYRIA | | ANGARY | | AHIMSA | | ASHLAR | LAHARS | ASKARI | | AMUSIA | | AJOWAN | | ATLATL | | ASARUM | | ANSATZ | STANZA | ARCKED | | ALMUCE | MACULE | ACETUM | | AGONIC | | AHCHOO | | AMUCKS | | AEDINE | | AXSEED | | ADENYL | | ADZING | | AUDISM | | ADYTUM | | ATWEEN | | ANENST | | AUREUS | | AFFLUX | | AZYGOS | GYOZAS | ARSHIN | SHAIRN | ASPISH | | APHONY | | ALIYOS | ALIYOT | AWMOUS | | | EXACTA | | EARLAP | | EYEBAR | | ENJAMB | | EMBANK | | ECHARD | CHARED | ENDCAP | | EJECTA | | ECARTE | CREATE/CERATE | ENCASH | HANCES/NACHES | EPARCH | PREACH | ESCHAR | CHARES/CHASE/SEARCH | EPICAL | PLAICE/PLICAE | ENCINA | | ECLATS | | ESCARP | CAPERS/CRAPES/PACERS/PARSEC/RECAPS/SECPAR/SCRAPE, SPACER | EPACTS | | ESCARS/ESKERS/ESKARS | EMDASH | MASHED/SHAMED | ENDASH | | EIDOLA | | ELAPID | | EASIES | | EUPNEA | | ENTERA | | EYASES | | EGGARS | | ESPIAL | LIPASE | EOLIAN | | ELUVIA | | EONIAN | | EPIZOA | | EXUVIA | | ELYTRA | LYRATE/REALTY | EUTAXY | | EPHEBE | EPHEBI | EMBOLI | MOBILE | EMBOLY | | EDENIC | | EXCIDE | | ESCUDO | | EMETIC | | ECESIS | | ECTYPE | | EXCEST | | ECHINI | | EXLIIC | | ENOLIC | CINEOL | EXONIC | | ENCYST | | ENDUED | DUENDE/DUDEEN/DENUDE | EMYDES | | EPHODS | | EMODIN 
In this episode, we review the latest guidelines on antiemetics from the American Society of Clinical Oncology (ASCO). Host David H. Henry, MD, is joined by ASCO guideline author Paul J. Hesketh, MD, of Lahey Hospital and Medical Center in Burlington, Mass. Dr. Hesketh explains the recommendations for antiemetic use in cancer patients receiving checkpoint inhibitors (CPIs) or high-, moderate-, or low-emetic-risk antineoplastic agents. Checkpoint inhibitors The update to ASCO’s guidelines was primarily driven by questions about antiemetic use in patients receiving CPIs, according to Dr. Hesketh. After a literature review, Dr. Hesketh and coauthors concluded that: Patients receiving CPIs alone do not require an antiemetic regimen. When CPIs are given with chemotherapy, there is no need to modify the antiemetic regimen. Dexamethasone does not compromise the efficacy of CPIs. High-emetic-risk antineoplastic agents Adults treated with cisplatin and other high-emetic-risk single agents should be offered a four-drug combination: an NK1 receptor antagonist, a serotonin (5-HT3) receptor antagonist, dexamethasone, and olanzapine on day 1. Dexamethasone and olanzapine should be continued on days 2-4, as cisplatin can cause delayed emesis. Adults treated with an anthracycline plus cyclophosphamide should be offered a four-drug combination: an NK1 receptor antagonist, a 5-HT3 receptor antagonist, dexamethasone, and olanzapine on day 1. Unlike with cisplatin, only olanzapine should be continued on days 2-4. Olanzapine is an effective antiemetic in a number of settings, Dr. Hesketh said. For example, olanzapine is useful in the setting of hematopoietic stem cell transplant. A 5-mg dose of olanzapine has proven effective and may be better tolerated than a 10-mg dose. Moderate-emetic-risk antineoplastic agents Adults treated with higher-dose carboplatin (area under the curve ≥4 mg/mL per min) should be offered a three-drug combination: an NK1 receptor antagonist, a 5-HT3 receptor antagonist, and dexamethasone on day 1. Adults treated with moderate-emetic-risk antineoplastic agents (excluding higher-dose carboplatin) should be offered a two-drug combination: a 5-HT3 receptor antagonist and dexamethasone on day 1. Adults treated with cyclophosphamide, doxorubicin, oxaliplatin, and other moderate-emetic-risk antineoplastic agents known to cause delayed nausea and vomiting may be offered dexamethasone on days 2-3. Low-emetic-risk antineoplastic agents Adults treated with low-emetic-risk antineoplastic agents (e.g., fluorouracil, gemcitabine) should be offered a single dose of a 5-HT3 receptor antagonist or a single 8-mg dose of dexamethasone before antineoplastic treatment. Cannabinoids There is no good data on the use of cannabinoids, apart from those cannabinoids approved by the Food and Drug Administration, according to Dr. Hesketh. The ASCO guidelines state: There is insufficient evidence to make a recommendation regarding medical marijuana to prevent nausea and vomiting in cancer patients receiving chemotherapy or radiation. Similarly, there is insufficient evidence to make a recommendation on the use of medical marijuana in place of the approved cannabinoids dronabinol and nabilone for the treatment of nausea and vomiting in cancer patients receiving chemotherapy or radiation. SOURCE: Hesketh PJ et al. J Clin Oncol. 2020 Aug 20;38(24):2782-97. https://bit.ly/3oxahUP Show notes written by Alesha Levenson, MD, a resident at Pennsylvania Hospital, Philadelphia. Disclosures: Dr. Hesketh disclosed institutional research funding from AstraZeneca and F. Hoffmann-La Roche. Dr. Henry has no relevant disclosures. * * * For information on the negative effects of marijuana, listen to our sister podcast, Psychcast, on MDedge (https://bit.ly/3mBM6TB), Spotify (https://spoti.fi/3mwVvvn), or wherever you get your podcasts. * * * For more MDedge Podcasts, go to mdedge.com/podcasts. Email the show: podcasts@mdedge.com. Interact with us on Twitter: @MDedgehemonc. David Henry on Twitter: @davidhenrymd.
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Roller coasters are fun... or the most horrible man made invention ever. You decide. Sign up for our mailing list: https://mail chi.mp/644bb32f036b/gre-vocab-yo --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/grevocab/message Support this podcast: https://anchor.fm/grevocab/support
On the first of a two part series, we cover one of the strangest medical procedures of the 20th century: lobotomies. Join us as we explore the life of the man who popularized the procedure and just how the medical community came to think that it was a good idea in the first place.
Liza Aikin is a dedicated producer, live act and dj engaged in the search for dark sounds. Based in Berlin, after a decade of experience in djing, her focus moved on production, in order to recreate the sound and the message she was missing through her favorite tools: field recordings, and modular synthesizers. She is a remarkable DJ whose turntable power sees her stretch the boundaries of styles enormously. From dark, gloomy, rather hard charged sets to monster drum ‘n bass/breakcore to the German school of techno, Liza Aikin wraps her crafted power into the experience. Releases featured on: Mord Records, Emetic , Decoy Records, Ohm Resistance. For booking inquires contact: fabio@thrustagency.com Follow LIZA AIKIN here: Facebook: https://www.facebook.com/LizaAikin/ Instagram: https://www.instagram.com/lizaaikin/?hl=it Soundcloud: https://soundcloud.com/lizaaikin Beatport: https://www.beatport.com/artist/liza-aikin/597288 --- Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Facebook: https://www.facebook.com/TechClubbers/ Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/
This is Draw The Line Radio Show presented by Jacki-e, featuring my mix in the first hour composed entirely of music made by women and then, for the second hour, I hand the decks over to a female DJ. My guest in the 2nd hour is Tonia Nee who comes from London. American born with Irish descent, Tonia DJs regularly at events in London and internationally. She is also the founder of Synthapise, a non-profit making event series raising awareness and funds for animals rights and individual causes. Tonia's exuberant energy, her attraction to dark, emotive baselines. and her charisma, passion and drive are all part of and evident in her DJ sets. Links for Tonia Nee:- https://soundcloud.com/tonia-nee https://www.instagram.com/tonia_nee/ https://www.facebook.com/Synthapise/ https://www.instagram.com/synthapise/ In my mix in the first hour I'm featuring music from Sophie Hunger, Little Simz, Beth Lydi, Miss Mad, La Fleur, Violent Blondes, Mha Iri, Michelle Sparks, Tea Vuckovic, Denise Rabe, Nur Jaber, Klaudia Gawlas music Ann Clue, Silvia Trix and Sasha Romaniuk. If you like the tracks we play, please support the artists by buying their music. Track list:- 1st hour, Jacki-e in the mix 1. Sophie Hunger – I Opened a Bar (original mix) Caroline International. 2. Little Simz – Offence (original mix) Age 101 Music. 3. Schallfeld – Epidot (Ann Clue remix) Complex Textures. 4. Beth Lydi – Rush (original mix) Voltage Musique Recordings. 5. Miss Mad – Tell Me You Story (original mix) GoGo Records. 6. Beth Lydi – Tip the Scale (original mix) SNOE. 7. La Fleur – Rooned (original mix) Last Night on Earth. 8. Sonarpilot – Big Wheel (Violent Blondes remix) Sonarpilot Audio. 9. Mha Iri – Tension (original mix) Over Records. 10. Michelle Sparks – Force Field (original mix) Octopus Records. 11. Tea Vuckovic – Garden of Black (original mix) DSR Digital. 12. Denise Rabe – Lucy's Dream (Nur Jaber remix) Rabe Music Bandcamp release https://raberec.bandcamp.com/album/the-frogs-pick-a-king-rabe003 13. Klaudia Gawlas - The Siren (original mix) Redimension. 14. Ann Clue – Calling It (original mix) FCKNG SERIOUS. 15. Silvia Trix – Friends (Tea Vuckovic remix) Telegenic Records. 16. Sasha Romaniuk – Mind (George Makrakis remix) Finder Records. 17. Sasha Romaniuk – Supernova (original mix) Black Drop. 2nd hour. Tonia Nee – An Exclusive Guest Mix for Draw The Line Radio Show. 1. Unknown. 2. Ancient Methods - Crack and Collapse in the Storms of Light (original mix) Orchard. 3. Martyn Hare - Don't Stare at the Freaks (Manni Dee remix) Emetic. 4. Sharplines - Out of Control (original mix) Persephonic Sirens. 5. Unknown 6. Tolebham - Szanticska (original mix) Monolith. 7. Unknown. 8. Orphx - Bare Life (original mix) Sonic Groove. 9. Ascetic - Exegesis (Unhuman remix) Instruments of Discipline. 10. Unknown. 11. Alexander Lewis - Mirror Fragment (original mix) Blackest Ever Black. 12. Killawatt - The Roamer (original mix) 47. 13. Unknown. 14. Belief Defect - Disembarking Horizons (original mix) Balance Music. Draw The Line Radio Show is A Darker Wave production.
We all know how difficult it can be to make a cat vomit when we actually need for them to vomit. Veterinary emergency hospitals are encouraged to stock formulations of apomorphine for inducing emesis in dogs, but sadly this medication doesn't seem to work in cats. The theorized reason behind the feline's lack of robust emetic response to apomorphine stems from anatomical differences in their chemoreceptor trigger zone receptors where they are believed to favor more of the alpha-2 receptors over the dopamine receptor abundance that dogs exhibit. For this reason, most hospitals carry xylazine, an alpha-2 adrenergic agonist more commonly used in large animal anesthesia. However, if you've ever tried to make a cat vomit using xylazine, their response is variable and many will not vomit when appropriate doses are used. Clinically, I've always felt like it only works half the time in my poisoned cat patients!
We all know how difficult it can be to make a cat vomit when we actually need for them to vomit. Veterinary emergency hospitals are encouraged to stock formulations of apomorphine for inducing emesis in dogs, but sadly this medication doesn't seem to work in cats. The theorized reason behind the feline's lack of robust emetic response to apomorphine stems from anatomical differences in their chemoreceptor trigger zone receptors where they are believed to favor more of the alpha-2 receptors over the dopamine receptor abundance that dogs exhibit. For this reason, most hospitals carry xylazine, an alpha-2 adrenergic agonist more commonly used in large animal anesthesia. However, if you've ever tried to make a cat vomit using xylazine, their response is variable and many will not vomit when appropriate doses are used. Clinically, I've always felt like it only works half the time in my poisoned cat patients!
In this VETgirl online veterinary continuing education podcast, we interview Dr. Alicia Niedzwecki, DACVECC, on a recent study that she performed entitled Effect of oral 3% hydrogen peroxide used as an emetic on the gastroduodenal mucosa of healthy dogs. In this study, Dr. Niedzwecki performed a prospective study aimed to investigate the effects of 3% hydrogen peroxide on the gastrointestinal mucosa in healthy dogs when ingested in amounts we routinely use for emesis induction. What'd they find? Maybe we shouldn't be using hydrogen peroxide in our veterinary poisoned canine patients after all, as evidence of esophagitis, gastritis and gastric ulceration can be seen. This study supports that hydrogen peroxide is not as benign as perhaps we once thought. While the authors' take away from this study was that the use of hydrogen peroxide shouldn't be recommended for at-home use in pet owners unless the benefits outweigh the risks, the toxicologist in me is going to take a little bit of a different take on it. VETgirl will likely still use it as an emetic agent (again, only in dogs), but now I'm going to add on gastric protectants and antacids for 1-2 weeks post-administration of hydrogen peroxide.
In this VETgirl online veterinary continuing education podcast, we interview Dr. Alicia Niedzwecki, DACVECC, on a recent study that she performed entitled Effect of oral 3% hydrogen peroxide used as an emetic on the gastroduodenal mucosa of healthy dogs. In this study, Dr. Niedzwecki performed a prospective study aimed to investigate the effects of 3% hydrogen peroxide on the gastrointestinal mucosa in healthy dogs when ingested in amounts we routinely use for emesis induction. What'd they find? Maybe we shouldn't be using hydrogen peroxide in our veterinary poisoned canine patients after all, as evidence of esophagitis, gastritis and gastric ulceration can be seen. This study supports that hydrogen peroxide is not as benign as perhaps we once thought. While the authors' take away from this study was that the use of hydrogen peroxide shouldn't be recommended for at-home use in pet owners unless the benefits outweigh the risks, the toxicologist in me is going to take a little bit of a different take on it. VETgirl will likely still use it as an emetic agent (again, only in dogs), but now I'm going to add on gastric protectants and antacids for 1-2 weeks post-administration of hydrogen peroxide.
In this VETgirl online veterinary continuing education podcast, we discuss whether or not we should be using 3% hydrogen peroxide (H202) as an emetic agent in dogs. With most of our pets' toxin ingestions occurring outside the veterinary hospital, we, as veterinary professionals, must use our best judgment when making recommendations to pet owners regarding how best to help their pet. If the pet has ingested a toxic substance or an overdose of medication, and you know the best course of action is to prevent further absorption by way of emesis, what do you recommend to the client? Does your hospital induce emesis with apomorphine or with hydrogen peroxide? Do you sometimes recommend to clients to induce emesis at home? Or do you just direct them to the ASPCA Animal Poison Control Center instead?
In this VETgirl online veterinary continuing education podcast, we discuss whether or not we should be using 3% hydrogen peroxide (H202) as an emetic agent in dogs. With most of our pets' toxin ingestions occurring outside the veterinary hospital, we, as veterinary professionals, must use our best judgment when making recommendations to pet owners regarding how best to help their pet. If the pet has ingested a toxic substance or an overdose of medication, and you know the best course of action is to prevent further absorption by way of emesis, what do you recommend to the client? Does your hospital induce emesis with apomorphine or with hydrogen peroxide? Do you sometimes recommend to clients to induce emesis at home? Or do you just direct them to the ASPCA Animal Poison Control Center instead?
1. L 33: Rei 2. MachineCode: Evacuation VIP 3. Barbitura: Frequency 4. Trempid: Be Alone With You 5. Kach: Specular Draw-Well 6. Halo Dog: Fdub 7. Centaurus B: Enigma 8. C.Y.B.E.R.Y.A: Sheila ft. Emetic Reflex 9. Keosz & Fearful: Stand Alone 10. Emetic Reflex: Hypnotize 11. Posij: Hunger 12. Delta Heavy: Oscillator 13. Mark Instinct & Rekoil ft. Whiskey Pete: Nightmare 14. DJ Alpha: Take Care (Modified Motion & Faction rmx) 15. Current Value: Lipophil 16. The Plesk: Machination 17. Bad Company UK: Equilibrium 18. Nymfo & DLR: Affliction 19. Optiv & BTK: Sasquatch 20. Mojoman ft. Nicolas Carl: Go Through
Mantis Radio 191 + A Thousand Details We've a session from Portugal's Gustavo Lima aka A Thousand Details and new music from Ad Noiseam's DJ Hidden, Ontal and Swarm Intelligence, Arell's April Larson, Lobster Theremin's Daze, new Sonic Groove, fresh Emetic from Plukkkk, new jungle from Christoph De Babalon and lush forthcoming ambience from Kranky's Christina Vantzou. playlist → show archives. support the show → become a patron.
Mantis Radio 191 + A Thousand Details We've a session from Portugal's Gustavo Lima aka A Thousand Details and new music from Ad Noiseam's DJ Hidden, Ontal and Swarm Intelligence, Arell's April Larson, Lobster Theremin's Daze, new Sonic Groove, fresh Emetic from Plukkkk, new jungle from Christoph De Babalon and lush forthcoming ambience from Kranky's Christina Vantzou. Show playlist available at Darkfloor.
This week we have an exclusive Blank Code podcast from Denver's techno producer/DJ Mick Finesse. Mick has released his music on labels such as Perc Trax, Emote Music, Broken20, Broken Mind Recordings, Emetic and Prosthetic Pressings. You can follow new [...]
K1971 PODCAST - MARTYN HARE Tracklist: Mahr - Bardo "D13"Fabrizio Lapiana - 1001B "M_Rec Ltd"Peter Van Hoesen - To Alter a Vector (Phase Remix) "Time To Express"Christian Wünsch - Gamma "Semantica"Scalameriya - Colonial Resort "Planet Rhythm"Dj Datch - Pokot "Attic Music"Raul Parra - Slow "Soundsite"Luke Creed - Sentiment "Heaven to Hell"Developer - Western Ways (Pfirter Remix) "Warm Up"Iván Deveró - Kickclaps "Naked Lunch"Mike Maass - Brood Dynamite (Hans Bouffmyhre Remix) "Hidden"Flug - Dump "Sleaze"The Plant Worker - A2 "Limited"DeFeKT - Skitzo "Electronic Explorations"NX1 - RL1 (Tadeo Remix) "Rising Label"Angelina Yershova - Karman Vortex "Twin Paradox" Martyn Hare aka Emetic. Unrestrained by allegiance to any one particular path of production, Martyn’s style simply refuses to be pigeonholed. His genre-splicing, eclectic blend is carried over into his DJ sets, in which he carefully combines the subtly soulful with the downright dirty to always get the dancefloor moving.Martyn started club djing in 1998, but it was while living in Leeds, UK, that he promoted his own events ‘Audio Science’, and it was through these nights that the world got its first taste of Martyn’s own dub plates, which grabbed the attention of a number of labels including Glen Wilson and Mike Humphries’ Punish imprint and Ben Long’s Potential Recordingz. It was Martyn’s first two releases on Potential (‘Bitchin’ and ‘Hare of the Dog EP’) that earned him worldwide respect, scoring a “Top 5 Tunes of the Moment” review in Ministry magazine and numerous plays on international radio.Martyn grew with this success and used it as a foundation to push further forward, going on to issue major releases on Tronic, Recycled Loops, Planet Rhythm and Naked Lunch Records, as well as managing and producing for his own labels ‘Tremors’ and the now legendary ‘Emetic’. Having played numerous sessions for BBC Radio 1 and charting number 13 in John Peels last ever Festive 50, Martyn Hare now DJ’s and performs his Classics_Live sets across the world, and with two critically acclaimed albums under his belt, Martyn Hare is at the top of his game.
Decontamination (which includes emesis induction, gastric lavage, and/or administration of activated charcoal) is an important step in the treatment of the poisoned veterinary patient. Before decontaminating, the pros and cons should be considered, including: the type of toxin itself, the time since ingestion, the stability of the patient, and choosing the appropriate emetic agent. When choosing to induce emesis in dogs and cats, the appropriate emetiic agent should be used (e.g., dogs: peroxide or apomorphine; cats: xylazine). In this VetGirl podcast, we answer all of these important questions to help best treat the poisoned patient.
So, your client calls you at 9pm on a Sunday evening…their dog just ingested something poisonous! What do you do? Is it ok to administer hydrogen peroxide to cats? What dose would you use? Is apomorphine better? What about salt or ipecac? This VetGirl podcast is a must for any clinician treating the poisoned veterinary patient.
So, your client calls you at 9pm on a Sunday evening…their dog just ingested something poisonous! What do you do? Is it ok to administer hydrogen peroxide to cats? What dose would you use? Is apomorphine better? What about salt or ipecac? This VetGirl podcast is a must for any clinician treating the poisoned veterinary patient.
Decontamination (which includes emesis induction, gastric lavage, and/or administration of activated charcoal) is an important step in the treatment of the poisoned veterinary patient. Before decontaminating, the pros and cons should be considered, including: the type of toxin itself, the time since ingestion, the stability of the patient, and choosing the appropriate emetic agent. When choosing to induce emesis in dogs and cats, the appropriate emetiic agent should be used (e.g., dogs: peroxide or apomorphine; cats: xylazine). In this VetGirl podcast, we answer all of these important questions to help best treat the poisoned patient.